diff --git a/.github/workflows/ci.yml b/.github/workflows/ci.yml index d2373c47..62c903d1 100644 --- a/.github/workflows/ci.yml +++ b/.github/workflows/ci.yml @@ -69,8 +69,8 @@ jobs: # https://docs.github.com/en/actions/learn-github-actions/contexts#context-availability strategy: matrix: - msrv: [1.62.1] - name: ${{ matrix.msrv }} + msrv: [1.60.0] + name: MSRV steps: - uses: actions/checkout@v3 - name: Install ${{ matrix.msrv }} diff --git a/CHANGELOG.md b/CHANGELOG.md index 9235aa85..8485bb48 100644 --- a/CHANGELOG.md +++ b/CHANGELOG.md @@ -8,6 +8,11 @@ - `huggingface -> tokenizers` - `tiktoken -> tiktoken-rs` +### Features + +- Moved from recursive approach to iterative approach to avoid stack overflow issues. +- Relax MSRV to 1.60.0 + ## v0.2.2 Add all features to docs.rs diff --git a/Cargo.toml b/Cargo.toml index 705532e4..dee9bf68 100644 --- a/Cargo.toml +++ b/Cargo.toml @@ -9,7 +9,7 @@ license = "MIT" keywords = ["text", "split", "tokenizer", "nlp", "ai"] categories = ["text-processing"] exclude = ["/tests/snapshots/**", "/tests/inputs/**"] -rust-version = "1.62.1" +rust-version = "1.60.0" [package.metadata.docs.rs] all-features = true @@ -18,6 +18,7 @@ rustdoc-args = ["--cfg", "docsrs"] # See more keys and their definitions at https://doc.rust-lang.org/cargo/reference/manifest.html [dependencies] +auto_enums = "0.8.0" either = "1.8.1" itertools = "0.10.5" once_cell = "1.17.1" @@ -27,7 +28,7 @@ tokenizers = { version = "0.13.3", optional = true } unicode-segmentation = "1.10.1" [dev-dependencies] -fake = "2.6.0" +fake = "2.6.1" insta = { version = "1.29.0", features = ["glob", "yaml"] } more-asserts = "0.3.1" diff --git a/src/lib.rs b/src/lib.rs index ed11bfbb..16b1bf14 100644 --- a/src/lib.rs +++ b/src/lib.rs @@ -30,7 +30,7 @@ let chunks = splitter.chunks("your document text", max_characters); ### By Tokens ```rust -use text_splitter::{TextSplitter}; +use text_splitter::TextSplitter; // Can also use tiktoken-rs, or anything that implements the TokenCount // trait from the text_splitter crate. use tokenizers::Tokenizer; @@ -90,6 +90,7 @@ A big thank you to the unicode-rs team for their [unicode-segmentation](https:// use core::{iter::once, ops::Range}; +use auto_enums::auto_enum; use either::Either; use itertools::Itertools; use once_cell::sync::Lazy; @@ -117,12 +118,12 @@ pub trait ChunkValidator { /// semantic units that fit within the chunk size. Also will attempt to merge /// neighboring chunks if they can fit within the given chunk size. #[derive(Debug)] -pub struct TextSplitter +pub struct TextSplitter where - C: ChunkValidator, + V: ChunkValidator, { /// Method of determining chunk sizes. - chunk_validator: C, + chunk_validator: V, /// Whether or not all chunks should have whitespace trimmed. /// If `false`, joining all chunks should return the original string. /// If `true`, all chunks will have whitespace removed from beginning and end. @@ -135,15 +136,9 @@ impl Default for TextSplitter { } } -// Lazy so that we don't have to compile them more than once -/// Any sequence of 2 or more newlines -static DOUBLE_NEWLINE: Lazy = Lazy::new(|| Regex::new(r"(\r\n){2,}|\r{2,}|\n{2,}").unwrap()); -/// Fallback for anything else -static NEWLINE: Lazy = Lazy::new(|| Regex::new(r"(\r|\n)+").unwrap()); - -impl TextSplitter +impl TextSplitter where - C: ChunkValidator, + V: ChunkValidator, { /// Creates a new [`TextSplitter`]. /// @@ -154,7 +149,7 @@ where /// let splitter = TextSplitter::new(Characters); /// ``` #[must_use] - pub fn new(chunk_validator: C) -> Self { + pub fn new(chunk_validator: V) -> Self { Self { chunk_validator, trim_chunks: false, @@ -179,255 +174,6 @@ where self } - /// Is the given text within the chunk size? - fn is_within_chunk_size(&self, chunk: &str, chunk_size: usize) -> bool { - self.chunk_validator.validate_chunk( - if self.trim_chunks { - chunk.trim() - } else { - chunk - }, - chunk_size, - ) - } - - /// Internal method to handle chunk splitting for anything above char level. - /// Merges neighboring chunks, and also assumes that all chunks in the iterator - /// are already less than the chunk size. - /// - /// Any elements that are above the chunk size limit will be included. - fn coalesce_str_indices<'a, 'b: 'a>( - &'a self, - text: &'b str, - chunk_size: usize, - it: impl Iterator + 'a, - ) -> impl Iterator + 'a { - it.peekable().batching(move |it| { - let (mut start, mut end) = (None, 0); - - // Consume as many other chunks as we can - while let Some((i, str)) = it.peek() { - let chunk = text - .get(*start.get_or_insert(*i)..*i + str.len()) - .expect("invalid str range"); - - // If this doesn't fit, as long as it isn't our first one, - // end the check here, we have a chunk. - if !self.is_within_chunk_size(chunk, chunk_size) && end != 0 { - break; - } - - end = i + str.len(); - it.next(); - } - - let start = start?; - let chunk = text.get(start..end)?; - // Trim whitespace if user requested it - let (start, chunk) = if self.trim_chunks { - // Figure out how many bytes we lose trimming the beginning - let offset = chunk.len() - chunk.trim_start().len(); - (start + offset, chunk.trim()) - } else { - (start, chunk) - }; - - // Filter out any chunks who got through as empty strings - (!chunk.is_empty()).then_some((start, chunk)) - }) - } - /// Returns an iterator over the characters of the text and their byte offsets. - /// Each chunk will be up to the `max_chunk_size`. - /// - /// If a text is too large, each chunk will fit as many `char`s as - /// possible. - /// - /// If you chunk size is smaller than a given character, the character will be returned anyway, otherwise you would get just partial bytes of a char - /// that might not be a valid unicode str. - fn chunk_by_char_indices<'a, 'b: 'a>( - &'a self, - text: &'b str, - chunk_size: usize, - ) -> impl Iterator + 'a { - self.coalesce_str_indices( - text, - chunk_size, - text.char_indices().map(|(i, c)| { - ( - i, - text.get(i..i + c.len_utf8()).expect("char should be valid"), - ) - }), - ) - } - - /// Returns an iterator over the grapheme clusters of the text and their byte offsets. - /// Each chunk will be up to the `max_chunk_size`. - /// - /// If a text is too large, each chunk will fit as many - /// [unicode graphemes](https://www.unicode.org/reports/tr29/#Grapheme_Cluster_Boundaries) - /// as possible. - /// - /// If a given grapheme is larger than your chunk size, given the length - /// function, then it will be passed through - /// [`TextSplitter::chunk_by_char_indices`] until it will fit in a chunk. - fn chunk_by_grapheme_indices<'a, 'b: 'a>( - &'a self, - text: &'b str, - chunk_size: usize, - ) -> impl Iterator + 'a { - self.coalesce_str_indices( - text, - chunk_size, - text.grapheme_indices(true).flat_map(move |(i, grapheme)| { - if self.is_within_chunk_size(grapheme, chunk_size) { - Either::Left(once((i, grapheme))) - } else { - // If grapheme is too large, do char chunking - Either::Right( - self.chunk_by_char_indices(grapheme, chunk_size) - // Offset relative indices back to parent string - .map(move |(ci, c)| (ci + i, c)), - ) - } - }), - ) - } - - /// Returns an iterator over the words of the text and their byte offsets. - /// Each chunk will be up to the `max_chunk_size`. - /// - /// If a text is too large, each chunk will fit as many - /// [unicode words](https://www.unicode.org/reports/tr29/#Word_Boundaries) - /// as possible. - /// - /// If a given word is larger than your chunk size, given the length - /// function, then it will be passed through - /// [`TextSplitter::chunk_by_grapheme_indices`] until it will fit in a chunk. - fn chunk_by_word_indices<'a, 'b: 'a>( - &'a self, - text: &'b str, - chunk_size: usize, - ) -> impl Iterator + 'a { - self.coalesce_str_indices( - text, - chunk_size, - text.split_word_bound_indices().flat_map(move |(i, word)| { - if self.is_within_chunk_size(word, chunk_size) { - Either::Left(once((i, word))) - } else { - // If words is too large, do grapheme chunking - Either::Right( - self.chunk_by_grapheme_indices(word, chunk_size) - // Offset relative indices back to parent string - .map(move |(gi, g)| (gi + i, g)), - ) - } - }), - ) - } - - /// Returns an iterator over the unicode sentences of the text and their byte offsets. Each chunk will be up to - /// the `max_chunk_size`. - /// - /// If a text is too large, each chunk will fit as many - /// [unicode sentences](https://www.unicode.org/reports/tr29/#Sentence_Boundaries) - /// as possible. - /// - /// If a given sentence is larger than your chunk size, given the length - /// function, then it will be passed through - /// [`TextSplitter::chunk_by_word_indices`] until it will fit in a chunk. - fn chunk_by_sentence_indices<'a, 'b: 'a>( - &'a self, - text: &'b str, - chunk_size: usize, - ) -> impl Iterator + 'a { - self.coalesce_str_indices( - text, - chunk_size, - text.split_sentence_bound_indices() - .flat_map(move |(i, sentence)| { - if self.is_within_chunk_size(sentence, chunk_size) { - Either::Left(once((i, sentence))) - } else { - // If sentence is too large, do word chunking - Either::Right( - self.chunk_by_word_indices(sentence, chunk_size) - // Offset relative indices back to parent string - .map(move |(wi, w)| (wi + i, w)), - ) - } - }), - ) - } - - /// Returns an iterator over the paragraphs of the text and their byte offsets. - /// Each chunk will be up to the `max_chunk_size`. - /// - /// If a text is too large, each chunk will fit as many paragraphs as - /// possible by single newlines. - /// - /// If a given paragraph is larger than your chunk size, given the length - /// function, then it will be passed through - /// [`TextSplitter::chunk_by_sentence_indices`] until it will fit in a chunk. - fn chunk_by_newline_indices<'a, 'b: 'a>( - &'a self, - text: &'b str, - chunk_size: usize, - ) -> impl Iterator + 'a { - self.coalesce_str_indices( - text, - chunk_size, - str_indices_from_regex_separator(text, &NEWLINE).flat_map(move |(i, paragraph)| { - if self.is_within_chunk_size(paragraph, chunk_size) { - Either::Left(once((i, paragraph))) - } else { - // If paragraph is still too large, do sentences - Either::Right( - self.chunk_by_sentence_indices(paragraph, chunk_size) - // Offset relative indices back to parent string - .map(move |(si, s)| (si + i, s)), - ) - } - }), - ) - } - - /// Returns an iterator over the paragraphs of the text and their byte offsets. - /// Each chunk will be up to the `max_chunk_size`. - /// - /// If a text is too large, each chunk will fit as many paragraphs as - /// possible, splitting by two or more newlines (checking for both \r - /// and \n)/ - /// - /// If a given paragraph is larger than your chunk size, given the length - /// function, then it will be passed through - /// [`TextSplitter::chunk_by_newline_indices`] until it will fit in a chunk. - fn chunk_by_double_newline_indices<'a, 'b: 'a>( - &'a self, - text: &'b str, - chunk_size: usize, - ) -> impl Iterator + 'a { - self.coalesce_str_indices( - text, - chunk_size, - str_indices_from_regex_separator(text, &DOUBLE_NEWLINE).flat_map( - move |(i, paragraph)| { - if self.is_within_chunk_size(paragraph, chunk_size) { - Either::Left(once((i, paragraph))) - } else { - // If paragraph is still too large, do single newline - Either::Right( - self.chunk_by_newline_indices(paragraph, chunk_size) - // Offset relative indices back to parent string - .map(move |(si, s)| (si + i, s)), - ) - } - }, - ), - ) - } - /// Generate a list of chunks from a given text. Each chunk will be up to /// the `max_chunk_size`. /// @@ -459,13 +205,13 @@ where /// let text = "Some text\n\nfrom a\ndocument"; /// let chunks = splitter.chunks(text, 10).collect::>(); /// - /// assert_eq!(vec!["Some text", "\n\nfrom a\n", "document"], chunks); + /// assert_eq!(vec!["Some text", "\n\n", "from a\n", "document"], chunks); /// ``` - pub fn chunks<'a, 'b: 'a>( - &'a self, - text: &'b str, + pub fn chunks<'splitter, 'text: 'splitter>( + &'splitter self, + text: &'text str, chunk_size: usize, - ) -> impl Iterator + 'a { + ) -> impl Iterator + 'splitter { self.chunk_indices(text, chunk_size).map(|(_, t)| t) } @@ -481,31 +227,238 @@ where /// let text = "Some text\n\nfrom a\ndocument"; /// let chunks = splitter.chunk_indices(text, 10).collect::>(); /// - /// assert_eq!(vec![(0, "Some text"), (9, "\n\nfrom a\n"), (18, "document")], chunks); - pub fn chunk_indices<'a, 'b: 'a>( - &'a self, - text: &'b str, + /// assert_eq!(vec![(0, "Some text"), (9, "\n\n"), (11, "from a\n"), (18, "document")], chunks); + pub fn chunk_indices<'splitter, 'text: 'splitter>( + &'splitter self, + text: &'text str, chunk_size: usize, - ) -> impl Iterator + 'a { - self.chunk_by_double_newline_indices(text, chunk_size) + ) -> TextChunks<'text, 'splitter, V> { + TextChunks::new( + chunk_size, + &self.chunk_validator, + SemanticLevel::DoubleLineBreak, + text, + self.trim_chunks, + ) + } +} + +// Lazy so that we don't have to compile them more than once +/// Any sequence of 2 or more newlines +static DOUBLE_LINEBREAK: Lazy = + Lazy::new(|| Regex::new(r"(\r\n){2,}|\r{2,}|\n{2,}").unwrap()); +/// Fallback for anything else +static LINEBREAK: Lazy = Lazy::new(|| Regex::new(r"(\r|\n)+").unwrap()); + +/// Different semantic levels that text can be split by. +/// Each level provides a method of splitting text into chunks of a given level +/// as well as a fallback in case a given fallback is too large. +#[derive(Clone, Copy, Debug)] +enum SemanticLevel { + /// Split by individual chars. May be larger than a single byte, + /// but we don't go lower so we always have valid UTF str's. + Char, + /// Split by [unicode grapheme clusters](https://www.unicode.org/reports/tr29/#Grapheme_Cluster_Boundaries) Grapheme, + /// Falls back to [`Self::Char`] + GraphemeCluster, + /// Split by [unicode words](https://www.unicode.org/reports/tr29/#Word_Boundaries) + /// Falls back to [`Self::GraphemeCluster`] + Word, + /// Split by [unicode sentences](https://www.unicode.org/reports/tr29/#Sentence_Boundaries) + /// Falls back to [`Self::Word`] + Sentence, + /// Split by single linebreak, either `\n`, `\r`, or `\r\n`. + /// Falls back to [`Self::Sentence`] + LineBreak, + /// Split by 2 or more linebreaks, either `\n`, `\r`, or `\r\n`. + /// Falls back to [`Self::LineBreak`] + DoubleLineBreak, +} + +impl SemanticLevel { + /// Optional fallback, if available, if the current level is too large + fn fallback(self) -> Option { + match self { + Self::Char => None, + Self::GraphemeCluster => Some(Self::Char), + Self::Word => Some(Self::GraphemeCluster), + Self::Sentence => Some(Self::Word), + Self::LineBreak => Some(Self::Sentence), + Self::DoubleLineBreak => Some(Self::LineBreak), + } + } + + /// Split a given text into iterator over each semantic chunk + #[auto_enum(Iterator)] + fn chunks(self, text: &str) -> impl Iterator { + match self { + Self::Char => text + .char_indices() + .map(|(i, c)| text.get(i..i + c.len_utf8()).expect("char should be valid")), + Self::GraphemeCluster => text.graphemes(true), + Self::Word => text.split_word_bounds(), + Self::Sentence => text.split_sentence_bounds(), + Self::LineBreak => split_str_by_regex_separator(text, &LINEBREAK), + Self::DoubleLineBreak => split_str_by_regex_separator(text, &DOUBLE_LINEBREAK), + } + } +} + +/// Returns chunks of text with their byte offsets as an iterator. +#[derive(Debug)] +pub struct TextChunks<'text, 'validator, V> +where + V: ChunkValidator, +{ + /// Size of the chunks to generate + chunk_size: usize, + /// How to validate chunk sizes + chunk_validator: &'validator V, + /// Current byte offset in the `text` + cursor: usize, + /// Largest Semantic Level we are splitting by + semantic_level: SemanticLevel, + /// Original text to iterate over and generate chunks from + text: &'text str, + /// Whether or not chunks should be trimmed + trim_chunks: bool, +} + +impl<'text, 'validator, V> TextChunks<'text, 'validator, V> +where + V: ChunkValidator, +{ + /// Generate new [`TextChunks`] iterator for a given text. + /// Starts with an offset of 0 + fn new( + chunk_size: usize, + chunk_validator: &'validator V, + semantic_level: SemanticLevel, + text: &'text str, + trim_chunks: bool, + ) -> Self { + Self { + cursor: 0, + chunk_size, + chunk_validator, + semantic_level, + text, + trim_chunks, + } + } + + /// Is the given text within the chunk size? + fn validate_chunk(&self, chunk: &str) -> bool { + self.chunk_validator.validate_chunk( + if self.trim_chunks { + chunk.trim() + } else { + chunk + }, + self.chunk_size, + ) + } + + /// Generate the next chunk, applying trimming settings. + /// Returns final byte offset and str. + /// Will return `None` if given an invalid range. + fn next_chunk(&mut self) -> Option<(usize, &'text str)> { + let start = self.cursor; + + // Consume as many as we can fit + for str in self.next_sections()? { + let chunk = self.text.get(start..self.cursor + str.len())?; + // If this doesn't fit, as log as it isn't our first one, end the check here, + // we have a chunk. + if !self.validate_chunk(chunk) && start != self.cursor { + break; + } + + self.cursor += str.len(); + } + + let chunk = self.text.get(start..self.cursor)?; + + // Trim whitespace if user requested it + Some(if self.trim_chunks { + // Figure out how many bytes we lose trimming the beginning + let offset = chunk.len() - chunk.trim_start().len(); + (start + offset, chunk.trim()) + } else { + (start, chunk) + }) + } + + /// Find the ideal next sections, breaking up the next section if it + /// too large to fit within the chunk size + fn next_sections(&self) -> Option> { + let mut sections = self + .semantic_level + .chunks(self.text.get(self.cursor..)?) + .peekable(); + + // Check if we need to split it up first + let mut current_level = self.semantic_level; + loop { + match (sections.peek(), current_level.fallback()) { + // Break early, nothing to do here + (None, _) => return None, + // If we can't break up further, exit loop + (Some(_), None) => break, + // If this is a valid chunk, we are fine + (Some(str), _) if self.validate_chunk(str) => { + break; + } + // Otherwise break up the text with the fallback + (Some(str), Some(fallback)) => { + sections = fallback.chunks(str).peekable(); + current_level = fallback; + } + } + } + + Some(sections) + } +} + +impl<'text, 'validator, V> Iterator for TextChunks<'text, 'validator, V> +where + V: ChunkValidator, +{ + type Item = (usize, &'text str); + + fn next(&mut self) -> Option { + loop { + // Make sure we haven't reached the end + if self.cursor >= self.text.len() { + return None; + } + + match self.next_chunk()? { + // Make sure we didn't get an empty chunk. Should only happen in + // cases where we trim. + (_, chunk) if chunk.is_empty() => continue, + c => return Some(c), + } + } } } /// Generate iter of str indices from a regex separator. These won't be /// batched yet in case further fallbacks are needed. -fn str_indices_from_regex_separator<'a, 'b: 'a>( - text: &'b str, - separator: &'a Regex, -) -> impl Iterator + 'a { - str_indices_from_separator(text, true, separator.find_iter(text).map(|sep| sep.range())) +fn split_str_by_regex_separator<'sep, 'text: 'sep>( + text: &'text str, + separator: &'sep Regex, +) -> impl Iterator + 'sep { + split_str_by_separator(text, true, separator.find_iter(text).map(|sep| sep.range())) } /// Given a list of separator ranges, construct the sections of the text -fn str_indices_from_separator( +fn split_str_by_separator( text: &str, separator_is_own_chunk: bool, separator_ranges: impl Iterator>, -) -> impl Iterator { +) -> impl Iterator { let mut cursor = 0; let mut final_match = false; separator_ranges @@ -515,30 +468,24 @@ fn str_indices_from_separator( // First time we hit None, return the final section of the text None => { final_match = true; - text.get(cursor..).map(|t| Either::Left(once((cursor, t)))) + text.get(cursor..).map(|t| Either::Left(once(t))) } // Return text preceding match + the match Some(range) if separator_is_own_chunk => { - let prev_section = ( - cursor, - text.get(cursor..range.start) - .expect("invalid character sequence"), - ); - let separator = ( - range.start, - text.get(range.start..range.end) - .expect("invalid character sequence in regex"), - ); + let prev_section = text + .get(cursor..range.start) + .expect("invalid character sequence"); + let separator = text + .get(range.start..range.end) + .expect("invalid character sequence"); cursor = range.end; Some(Either::Right([prev_section, separator].into_iter())) } // Return just the text preceding the match Some(range) => { - let prev_section = ( - cursor, - text.get(cursor..range.start) - .expect("invalid character sequence"), - ); + let prev_section = text + .get(cursor..range.start) + .expect("invalid character sequence"); // Separator will be part of the next chunk cursor = range.start; Some(Either::Left(once(prev_section))) @@ -558,11 +505,15 @@ mod tests { #[test] fn returns_one_chunk_if_text_is_shorter_than_max_chunk_size() { let text = Faker.fake::(); - let splitter = TextSplitter::default(); - let chunks = splitter - .chunk_by_char_indices(&text, text.chars().count()) - .map(|(_, c)| c) - .collect::>(); + let chunks = TextChunks::new( + text.chars().count(), + &Characters, + SemanticLevel::Char, + &text, + false, + ) + .map(|(_, c)| c) + .collect::>(); assert_eq!(vec![&text], chunks); } @@ -574,11 +525,15 @@ mod tests { // Round up to one above half so it goes to 2 chunks let max_chunk_size = text.chars().count() / 2 + 1; - let splitter = TextSplitter::default(); - let chunks = splitter - .chunk_by_char_indices(&text, max_chunk_size) - .map(|(_, c)| c) - .collect::>(); + let chunks = TextChunks::new( + max_chunk_size, + &Characters, + SemanticLevel::Char, + &text, + false, + ) + .map(|(_, c)| c) + .collect::>(); assert!(chunks.iter().all(|c| c.chars().count() <= max_chunk_size)); @@ -598,9 +553,7 @@ mod tests { #[test] fn empty_string() { let text = ""; - let splitter = TextSplitter::default(); - let chunks = splitter - .chunk_by_char_indices(text, 100) + let chunks = TextChunks::new(100, &Characters, SemanticLevel::Char, text, false) .map(|(_, c)| c) .collect::>(); assert!(chunks.is_empty()); @@ -609,9 +562,7 @@ mod tests { #[test] fn can_handle_unicode_characters() { let text = "éé"; // Char that is more than one byte - let splitter = TextSplitter::default(); - let chunks = splitter - .chunk_by_char_indices(text, 1) + let chunks = TextChunks::new(1, &Characters, SemanticLevel::Char, text, false) .map(|(_, c)| c) .collect::>(); assert_eq!(vec!["é", "é"], chunks); @@ -629,9 +580,7 @@ mod tests { #[test] fn custom_len_function() { let text = "éé"; // Char that is two bytes each - let splitter = TextSplitter::new(Str); - let chunks = splitter - .chunk_by_char_indices(text, 2) + let chunks = TextChunks::new(2, &Str, SemanticLevel::Char, text, false) .map(|(_, c)| c) .collect::>(); assert_eq!(vec!["é", "é"], chunks); @@ -640,9 +589,7 @@ mod tests { #[test] fn handles_char_bigger_than_len() { let text = "éé"; // Char that is two bytes each - let splitter = TextSplitter::new(Str); - let chunks = splitter - .chunk_by_char_indices(text, 1) + let chunks = TextChunks::new(1, &Str, SemanticLevel::Char, text, false) .map(|(_, c)| c) .collect::>(); // We can only go so small @@ -652,10 +599,8 @@ mod tests { #[test] fn chunk_by_graphemes() { let text = "a̐éö̲\r\n"; - let splitter = TextSplitter::default(); - let chunks = splitter - .chunk_by_grapheme_indices(text, 3) + let chunks = TextChunks::new(3, &Characters, SemanticLevel::GraphemeCluster, text, false) .map(|(_, g)| g) .collect::>(); // \r\n is grouped together not separated @@ -665,19 +610,17 @@ mod tests { #[test] fn trim_char_indices() { let text = " a b "; - let splitter = TextSplitter::default().with_trim_chunks(true); - let chunks = splitter.chunk_by_char_indices(text, 1).collect::>(); + let chunks = + TextChunks::new(1, &Characters, SemanticLevel::Char, text, true).collect::>(); assert_eq!(vec![(1, "a"), (3, "b")], chunks); } #[test] fn graphemes_fallback_to_chars() { let text = "a̐éö̲\r\n"; - let splitter = TextSplitter::default(); - let chunks = splitter - .chunk_by_grapheme_indices(text, 1) + let chunks = TextChunks::new(1, &Characters, SemanticLevel::GraphemeCluster, text, false) .map(|(_, g)| g) .collect::>(); assert_eq!( @@ -689,10 +632,8 @@ mod tests { #[test] fn trim_grapheme_indices() { let text = "\r\na̐éö̲\r\n"; - let splitter = TextSplitter::default().with_trim_chunks(true); - let chunks = splitter - .chunk_by_grapheme_indices(text, 3) + let chunks = TextChunks::new(3, &Characters, SemanticLevel::GraphemeCluster, text, true) .collect::>(); assert_eq!(vec![(2, "a̐é"), (7, "ö̲")], chunks); } @@ -700,10 +641,8 @@ mod tests { #[test] fn chunk_by_words() { let text = "The quick (\"brown\") fox can't jump 32.3 feet, right?"; - let splitter = TextSplitter::default(); - let chunks = splitter - .chunk_by_word_indices(text, 10) + let chunks = TextChunks::new(10, &Characters, SemanticLevel::Word, text, false) .map(|(_, w)| w) .collect::>(); assert_eq!( @@ -722,10 +661,7 @@ mod tests { #[test] fn words_fallback_to_graphemes() { let text = "Thé quick\r\n"; - let splitter = TextSplitter::default(); - - let chunks = splitter - .chunk_by_word_indices(text, 2) + let chunks = TextChunks::new(2, &Characters, SemanticLevel::Word, text, false) .map(|(_, w)| w) .collect::>(); assert_eq!(vec!["Th", "é ", "qu", "ic", "k", "\r\n"], chunks); @@ -734,9 +670,8 @@ mod tests { #[test] fn trim_word_indices() { let text = "Some text from a document"; - let splitter = TextSplitter::default().with_trim_chunks(true); - - let chunks = splitter.chunk_by_word_indices(text, 10).collect::>(); + let chunks = + TextChunks::new(10, &Characters, SemanticLevel::Word, text, true).collect::>(); assert_eq!( vec![(0, "Some text"), (10, "from a"), (17, "document")], chunks @@ -746,10 +681,7 @@ mod tests { #[test] fn chunk_by_sentences() { let text = "Mr. Fox jumped. [...] The dog was too lazy."; - let splitter = TextSplitter::default(); - - let chunks = splitter - .chunk_by_sentence_indices(text, 21) + let chunks = TextChunks::new(21, &Characters, SemanticLevel::Sentence, text, false) .map(|(_, s)| s) .collect::>(); assert_eq!( @@ -761,10 +693,7 @@ mod tests { #[test] fn sentences_falls_back_to_words() { let text = "Mr. Fox jumped. [...] The dog was too lazy."; - let splitter = TextSplitter::default(); - - let chunks = splitter - .chunk_by_sentence_indices(text, 16) + let chunks = TextChunks::new(16, &Characters, SemanticLevel::Sentence, text, false) .map(|(_, s)| s) .collect::>(); assert_eq!( @@ -776,10 +705,7 @@ mod tests { #[test] fn trim_sentence_indices() { let text = "Some text. From a document."; - let splitter = TextSplitter::default().with_trim_chunks(true); - - let chunks = splitter - .chunk_by_sentence_indices(text, 10) + let chunks = TextChunks::new(10, &Characters, SemanticLevel::Sentence, text, true) .collect::>(); assert_eq!( vec![(0, "Some text."), (11, "From a"), (18, "document.")], @@ -790,10 +716,7 @@ mod tests { #[test] fn trim_paragraph_indices() { let text = "Some text\n\nfrom a\ndocument"; - let splitter = TextSplitter::default().with_trim_chunks(true); - - let chunks = splitter - .chunk_by_double_newline_indices(text, 10) + let chunks = TextChunks::new(10, &Characters, SemanticLevel::DoubleLineBreak, text, true) .collect::>(); assert_eq!( vec![(0, "Some text"), (11, "from a"), (18, "document")], diff --git a/tests/snapshots/text_splitter_snapshots__characters_default@romeo_and_juliet.txt-2.snap b/tests/snapshots/text_splitter_snapshots__characters_default@romeo_and_juliet.txt-2.snap index a6857915..a1e39abf 100644 --- a/tests/snapshots/text_splitter_snapshots__characters_default@romeo_and_juliet.txt-2.snap +++ b/tests/snapshots/text_splitter_snapshots__characters_default@romeo_and_juliet.txt-2.snap @@ -57,7 +57,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "SAMPSON.\nI strike quickly, being moved.\n\nGREGORY.\nBut thou art not quickly moved to strike.\n\n" - "SAMPSON.\nA dog of the house of Montague moves me.\n\n" - "GREGORY.\nTo move is to stir; and to be valiant is to stand: therefore, if thou\n" -- "art moved, thou runn’st away.\n\nSAMPSON.\nA dog of that house shall move me to stand.\n" +- "art moved, thou runn’st away.\n\n" +- "SAMPSON.\nA dog of that house shall move me to stand.\n" - "I will take the wall of any man or maid of Montague’s.\n\n" - "GREGORY.\nThat shows thee a weak slave, for the weakest goes to the wall.\n\n" - "SAMPSON.\nTrue, and therefore women, being the weaker vessels, are ever thrust to\n" @@ -96,7 +97,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "CAPULET.\nMy sword, I say! Old Montague is come,\nAnd flourishes his blade in spite of me.\n\n" - " Enter Montague and his Lady Montague.\n\nMONTAGUE.\nThou villain Capulet! Hold me not, let me go.\n\n" - "LADY MONTAGUE.\nThou shalt not stir one foot to seek a foe.\n\n Enter Prince Escalus, with Attendants." -- "\n\nPRINCE.\nRebellious subjects, enemies to peace,\nProfaners of this neighbour-stained steel,—\n" +- "\n\n" +- "PRINCE.\nRebellious subjects, enemies to peace,\nProfaners of this neighbour-stained steel,—\n" - "Will they not hear? What, ho! You men, you beasts,\nThat quench the fire of your pernicious rage\n" - "With purple fountains issuing from your veins,\nOn pain of torture, from those bloody hands\n" - "Throw your mistemper’d weapons to the ground\nAnd hear the sentence of your moved prince.\n" @@ -323,7 +325,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I cannot bound a pitch above dull woe.\nUnder love’s heavy burden do I sink.\n\n" - "MERCUTIO.\nAnd, to sink in it, should you burden love;\nToo great oppression for a tender thing.\n\n" - "ROMEO.\nIs love a tender thing? It is too rough,\nToo rude, too boisterous; and it pricks like thorn." -- "\n\nMERCUTIO.\nIf love be rough with you, be rough with love;\n" +- "\n\n" +- "MERCUTIO.\nIf love be rough with you, be rough with love;\n" - "Prick love for pricking, and you beat love down.\n" - "Give me a case to put my visage in: [_Putting on a mask._]\nA visor for a visor. What care I\n" - "What curious eye doth quote deformities?\nHere are the beetle-brows shall blush for me.\n\n" @@ -367,12 +370,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And more inconstant than the wind, who wooes\nEven now the frozen bosom of the north,\n" - "And, being anger’d, puffs away from thence,\nTurning his side to the dew-dropping south.\n\n" - "BENVOLIO.\nThis wind you talk of blows us from ourselves:\nSupper is done, and we shall come too late." -- "\n\nROMEO.\nI fear too early: for my mind misgives\nSome consequence yet hanging in the stars,\n" +- "\n\n" +- "ROMEO.\nI fear too early: for my mind misgives\nSome consequence yet hanging in the stars,\n" - "Shall bitterly begin his fearful date\nWith this night’s revels; and expire the term\n" - "Of a despised life, clos’d in my breast\nBy some vile forfeit of untimely death.\n" - "But he that hath the steerage of my course\nDirect my suit. On, lusty gentlemen!\n\n" - "BENVOLIO.\nStrike, drum.\n\n [_Exeunt._]\n\nSCENE V. A Hall in Capulet’s House.\n\n" -- " Musicians waiting. Enter Servants.\n\nFIRST SERVANT.\nWhere’s Potpan, that he helps not to take away?\n" +- " Musicians waiting. Enter Servants.\n\n" +- "FIRST SERVANT.\nWhere’s Potpan, that he helps not to take away?\n" - "He shift a trencher! He scrape a trencher!\n\n" - "SECOND SERVANT.\nWhen good manners shall lie all in one or two men’s hands, and they\n" - "unwash’d too, ’tis a foul thing.\n\n" @@ -380,7 +385,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "plate. Good thou, save me a piece of marchpane; and as thou loves me,\n" - "let the porter let in Susan Grindstone and Nell. Antony and Potpan!\n\nSECOND SERVANT.\nAy, boy, ready." - "\n\nFIRST SERVANT.\nYou are looked for and called for, asked for and sought for, in the\ngreat chamber." -- "\n\nSECOND SERVANT.\nWe cannot be here and there too. Cheerly, boys. Be brisk awhile, and\n" +- "\n\n" +- "SECOND SERVANT.\nWe cannot be here and there too. Cheerly, boys. Be brisk awhile, and\n" - "the longer liver take all.\n\n [_Exeunt._]\n\n" - " Enter Capulet, &c. with the Guests and Gentlewomen to the Maskers.\n\n" - "CAPULET.\nWelcome, gentlemen, ladies that have their toes\n" @@ -420,7 +426,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "CAPULET.\nHe shall be endur’d.\nWhat, goodman boy! I say he shall, go to;\n" - "Am I the master here, or you? Go to.\nYou’ll not endure him! God shall mend my soul,\n" - "You’ll make a mutiny among my guests!\nYou will set cock-a-hoop, you’ll be the man!\n\n" -- "TYBALT.\nWhy, uncle, ’tis a shame.\n\nCAPULET.\nGo to, go to!\nYou are a saucy boy. Is’t so, indeed?\n" +- "TYBALT.\nWhy, uncle, ’tis a shame.\n\n" +- "CAPULET.\nGo to, go to!\nYou are a saucy boy. Is’t so, indeed?\n" - "This trick may chance to scathe you, I know what.\nYou must contrary me! Marry, ’tis time.\n" - "Well said, my hearts!—You are a princox; go:\nBe quiet, or—More light, more light!—For shame!\n" - "I’ll make you quiet. What, cheerly, my hearts.\n\n" @@ -441,7 +448,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Kissing her._]\n\nJULIET.\nThen have my lips the sin that they have took.\n\n" - "ROMEO.\nSin from my lips? O trespass sweetly urg’d!\nGive me my sin again.\n\n" - "JULIET.\nYou kiss by the book.\n\nNURSE.\nMadam, your mother craves a word with you.\n\n" -- "ROMEO.\nWhat is her mother?\n\nNURSE.\nMarry, bachelor,\nHer mother is the lady of the house,\n" +- "ROMEO.\nWhat is her mother?\n\n" +- "NURSE.\nMarry, bachelor,\nHer mother is the lady of the house,\n" - "And a good lady, and a wise and virtuous.\nI nurs’d her daughter that you talk’d withal.\n" - "I tell you, he that can lay hold of her\nShall have the chinks.\n\n" - "ROMEO.\nIs she a Capulet?\nO dear account! My life is my foe’s debt.\n\n" @@ -600,12 +608,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\nI would I were thy bird.\n\n" - "JULIET.\nSweet, so would I:\nYet I should kill thee with much cherishing.\n" - "Good night, good night. Parting is such sweet sorrow\nThat I shall say good night till it be morrow." -- "\n\n [_Exit._]\n\nROMEO.\nSleep dwell upon thine eyes, peace in thy breast.\n" +- "\n\n [_Exit._]\n\n" +- "ROMEO.\nSleep dwell upon thine eyes, peace in thy breast.\n" - "Would I were sleep and peace, so sweet to rest.\nThe grey-ey’d morn smiles on the frowning night,\n" - "Chequering the eastern clouds with streaks of light;\nAnd darkness fleckled like a drunkard reels\n" - "From forth day’s pathway, made by Titan’s wheels\nHence will I to my ghostly Sire’s cell,\n" - "His help to crave and my dear hap to tell.\n\n [_Exit._]\n\nSCENE III. Friar Lawrence’s Cell.\n\n" -- " Enter Friar Lawrence with a basket.\n\nFRIAR LAWRENCE.\nNow, ere the sun advance his burning eye,\n" +- " Enter Friar Lawrence with a basket.\n\n" +- "FRIAR LAWRENCE.\nNow, ere the sun advance his burning eye,\n" - "The day to cheer, and night’s dank dew to dry,\nI must upfill this osier cage of ours\n" - "With baleful weeds and precious-juiced flowers.\nThe earth that’s nature’s mother, is her tomb;\n" - "What is her burying grave, that is her womb:\nAnd from her womb children of divers kind\n" @@ -819,7 +829,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "JULIET.\nNo, no. But all this did I know before.\nWhat says he of our marriage? What of that?\n\n" - "NURSE.\nLord, how my head aches! What a head have I!\nIt beats as it would fall in twenty pieces.\n" - "My back o’ t’other side,—O my back, my back!\nBeshrew your heart for sending me about\n" -- "To catch my death with jauncing up and down.\n\nJULIET.\nI’faith, I am sorry that thou art not well.\n" +- "To catch my death with jauncing up and down.\n\n" +- "JULIET.\nI’faith, I am sorry that thou art not well.\n" - "Sweet, sweet, sweet Nurse, tell me, what says my love?\n\n" - "NURSE.\nYour love says like an honest gentleman,\nAnd a courteous, and a kind, and a handsome,\n" - "And I warrant a virtuous,—Where is your mother?\n\n" @@ -844,7 +855,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And in their triumph die; like fire and powder,\nWhich as they kiss consume. The sweetest honey\n" - "Is loathsome in his own deliciousness,\nAnd in the taste confounds the appetite.\n" - "Therefore love moderately: long love doth so;\nToo swift arrives as tardy as too slow.\n\n" -- " Enter Juliet.\n\nHere comes the lady. O, so light a foot\nWill ne’er wear out the everlasting flint.\n" +- " Enter Juliet.\n\n" +- "Here comes the lady. O, so light a foot\nWill ne’er wear out the everlasting flint.\n" - "A lover may bestride the gossamers\nThat idles in the wanton summer air\n" - "And yet not fall; so light is vanity.\n\nJULIET.\nGood even to my ghostly confessor.\n\n" - "FRIAR LAWRENCE.\nRomeo shall thank thee, daughter, for us both.\n\n" @@ -914,7 +926,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Tybalt, Mercutio, the Prince expressly hath\nForbid this bandying in Verona streets.\n" - "Hold, Tybalt! Good Mercutio!\n\n [_Exeunt Tybalt with his Partizans._]\n\n" - "MERCUTIO.\nI am hurt.\nA plague o’ both your houses. I am sped.\nIs he gone, and hath nothing?\n\n" -- "BENVOLIO.\nWhat, art thou hurt?\n\nMERCUTIO.\nAy, ay, a scratch, a scratch. Marry, ’tis enough.\n" +- "BENVOLIO.\nWhat, art thou hurt?\n\n" +- "MERCUTIO.\nAy, ay, a scratch, a scratch. Marry, ’tis enough.\n" - "Where is my page? Go villain, fetch a surgeon.\n\n [_Exit Page._]\n\n" - "ROMEO.\nCourage, man; the hurt cannot be much.\n\n" - "MERCUTIO.\nNo, ’tis not so deep as a well, nor so wide as a church door, but ’tis\n" @@ -1026,7 +1039,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "A damned saint, an honourable villain!\nO nature, what hadst thou to do in hell\n" - "When thou didst bower the spirit of a fiend\nIn mortal paradise of such sweet flesh?\n" - "Was ever book containing such vile matter\nSo fairly bound? O, that deceit should dwell\n" -- "In such a gorgeous palace.\n\nNURSE.\nThere’s no trust,\nNo faith, no honesty in men. All perjur’d,\n" +- "In such a gorgeous palace.\n\n" +- "NURSE.\nThere’s no trust,\nNo faith, no honesty in men. All perjur’d,\n" - "All forsworn, all naught, all dissemblers.\nAh, where’s my man? Give me some aqua vitae.\n" - "These griefs, these woes, these sorrows make me old.\nShame come to Romeo.\n\n" - "JULIET.\nBlister’d be thy tongue\nFor such a wish! He was not born to shame.\n" @@ -1062,16 +1076,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "FRIAR LAWRENCE.\nRomeo, come forth; come forth, thou fearful man.\n" - "Affliction is enanmour’d of thy parts\nAnd thou art wedded to calamity.\n\n Enter Romeo.\n\n" - "ROMEO.\nFather, what news? What is the Prince’s doom?\nWhat sorrow craves acquaintance at my hand,\n" -- "That I yet know not?\n\nFRIAR LAWRENCE.\nToo familiar\nIs my dear son with such sour company.\n" +- "That I yet know not?\n\n" +- "FRIAR LAWRENCE.\nToo familiar\nIs my dear son with such sour company.\n" - "I bring thee tidings of the Prince’s doom.\n\nROMEO.\nWhat less than doomsday is the Prince’s doom?\n\n" - "FRIAR LAWRENCE.\nA gentler judgment vanish’d from his lips,\nNot body’s death, but body’s banishment." -- "\n\nROMEO.\nHa, banishment? Be merciful, say death;\nFor exile hath more terror in his look,\n" +- "\n\n" +- "ROMEO.\nHa, banishment? Be merciful, say death;\nFor exile hath more terror in his look,\n" - "Much more than death. Do not say banishment.\n\n" - "FRIAR LAWRENCE.\nHence from Verona art thou banished.\nBe patient, for the world is broad and wide.\n\n" - "ROMEO.\nThere is no world without Verona walls,\nBut purgatory, torture, hell itself.\n" - "Hence banished is banish’d from the world,\nAnd world’s exile is death. Then banished\n" - "Is death misterm’d. Calling death banished,\nThou cutt’st my head off with a golden axe,\n" -- "And smilest upon the stroke that murders me.\n\nFRIAR LAWRENCE.\nO deadly sin, O rude unthankfulness!\n" +- "And smilest upon the stroke that murders me.\n\n" +- "FRIAR LAWRENCE.\nO deadly sin, O rude unthankfulness!\n" - "Thy fault our law calls death, but the kind Prince,\nTaking thy part, hath brush’d aside the law,\n" - "And turn’d that black word death to banishment.\nThis is dear mercy, and thou see’st it not.\n\n" - "ROMEO.\n’Tis torture, and not mercy. Heaven is here\nWhere Juliet lives, and every cat and dog,\n" @@ -1100,7 +1117,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Taking the measure of an unmade grave.\n\n [_Knocking within._]\n\n" - "FRIAR LAWRENCE.\nArise; one knocks. Good Romeo, hide thyself.\n\n" - "ROMEO.\nNot I, unless the breath of heartsick groans\nMist-like infold me from the search of eyes.\n\n" -- " [_Knocking._]\n\nFRIAR LAWRENCE.\nHark, how they knock!—Who’s there?—Romeo, arise,\n" +- " [_Knocking._]\n\n" +- "FRIAR LAWRENCE.\nHark, how they knock!—Who’s there?—Romeo, arise,\n" - "Thou wilt be taken.—Stay awhile.—Stand up.\n\n [_Knocking._]\n\n" - "Run to my study.—By-and-by.—God’s will,\nWhat simpleness is this.—I come, I come.\n\n [_Knocking._]\n\n" - "Who knocks so hard? Whence come you, what’s your will?\n\n" @@ -1233,7 +1251,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And yet no man like he doth grieve my heart.\n\n" - "LADY CAPULET.\nThat is because the traitor murderer lives.\n\n" - "JULIET.\nAy madam, from the reach of these my hands.\nWould none but I might venge my cousin’s death." -- "\n\nLADY CAPULET.\nWe will have vengeance for it, fear thou not.\n" +- "\n\n" +- "LADY CAPULET.\nWe will have vengeance for it, fear thou not.\n" - "Then weep no more. I’ll send to one in Mantua,\nWhere that same banish’d runagate doth live,\n" - "Shall give him such an unaccustom’d dram\nThat he shall soon keep Tybalt company:\n" - "And then I hope thou wilt be satisfied.\n\n" @@ -1307,7 +1326,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "How shall that faith return again to earth,\nUnless that husband send it me from heaven\n" - "By leaving earth? Comfort me, counsel me.\nAlack, alack, that heaven should practise stratagems\n" - "Upon so soft a subject as myself.\nWhat say’st thou? Hast thou not a word of joy?\n" -- "Some comfort, Nurse.\n\nNURSE.\nFaith, here it is.\nRomeo is banished; and all the world to nothing\n" +- "Some comfort, Nurse.\n\n" +- "NURSE.\nFaith, here it is.\nRomeo is banished; and all the world to nothing\n" - "That he dares ne’er come back to challenge you.\nOr if he do, it needs must be by stealth.\n" - "Then, since the case so stands as now it doth,\nI think it best you married with the County.\n" - "O, he’s a lovely gentleman.\nRomeo’s a dishclout to him. An eagle, madam,\n" @@ -1435,7 +1455,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "So please you, let me now be left alone,\nAnd let the nurse this night sit up with you,\n" - "For I am sure you have your hands full all\nIn this so sudden business.\n\n" - "LADY CAPULET.\nGood night.\nGet thee to bed and rest, for thou hast need.\n\n" -- " [_Exeunt Lady Capulet and Nurse._]\n\nJULIET.\nFarewell. God knows when we shall meet again.\n" +- " [_Exeunt Lady Capulet and Nurse._]\n\n" +- "JULIET.\nFarewell. God knows when we shall meet again.\n" - "I have a faint cold fear thrills through my veins\nThat almost freezes up the heat of life.\n" - "I’ll call them back again to comfort me.\nNurse!—What should she do here?\n" - "My dismal scene I needs must act alone.\nCome, vial.\nWhat if this mixture do not work at all?\n" @@ -1464,8 +1485,10 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "NURSE.\nThey call for dates and quinces in the pastry.\n\n Enter Capulet.\n\n" - "CAPULET.\nCome, stir, stir, stir! The second cock hath crow’d,\n" - "The curfew bell hath rung, ’tis three o’clock.\nLook to the bak’d meats, good Angelica;\n" -- "Spare not for cost.\n\nNURSE.\nGo, you cot-quean, go,\nGet you to bed; faith, you’ll be sick tomorrow\n" -- "For this night’s watching.\n\nCAPULET.\nNo, not a whit. What! I have watch’d ere now\n" +- "Spare not for cost.\n\n" +- "NURSE.\nGo, you cot-quean, go,\nGet you to bed; faith, you’ll be sick tomorrow\n" +- "For this night’s watching.\n\n" +- "CAPULET.\nNo, not a whit. What! I have watch’d ere now\n" - "All night for lesser cause, and ne’er been sick.\n\n" - "LADY CAPULET.\nAy, you have been a mouse-hunt in your time;\n" - "But I will watch you from such watching now.\n\n [_Exeunt Lady Capulet and Nurse._]\n\n" @@ -1579,7 +1602,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\nIs it even so? Then I defy you, stars!\nThou know’st my lodging. Get me ink and paper,\n" - "And hire post-horses. I will hence tonight.\n\n" - "BALTHASAR.\nI do beseech you sir, have patience.\nYour looks are pale and wild, and do import\n" -- "Some misadventure.\n\nROMEO.\nTush, thou art deceiv’d.\nLeave me, and do the thing I bid thee do.\n" +- "Some misadventure.\n\n" +- "ROMEO.\nTush, thou art deceiv’d.\nLeave me, and do the thing I bid thee do.\n" - "Hast thou no letters to me from the Friar?\n\nBALTHASAR.\nNo, my good lord.\n\n" - "ROMEO.\nNo matter. Get thee gone,\nAnd hire those horses. I’ll be with thee straight.\n\n" - " [_Exit Balthasar._]\n\n" @@ -1677,7 +1701,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\nWilt thou provoke me? Then have at thee, boy!\n\n [_They fight._]\n\n" - "PAGE.\nO lord, they fight! I will go call the watch.\n\n [_Exit._]\n\n" - "PARIS.\nO, I am slain! [_Falls._] If thou be merciful,\nOpen the tomb, lay me with Juliet.\n\n [_Dies._]" -- "\n\nROMEO.\nIn faith, I will. Let me peruse this face.\nMercutio’s kinsman, noble County Paris!\n" +- "\n\n" +- "ROMEO.\nIn faith, I will. Let me peruse this face.\nMercutio’s kinsman, noble County Paris!\n" - "What said my man, when my betossed soul\nDid not attend him as we rode? I think\n" - "He told me Paris should have married Juliet.\nSaid he not so? Or did I dream it so?\n" - "Or am I mad, hearing him talk of Juliet,\nTo think it was so? O, give me thy hand,\n" @@ -1715,7 +1740,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "BALTHASAR.\nI dare not, sir;\nMy master knows not but I am gone hence,\n" - "And fearfully did menace me with death\nIf I did stay to look on his intents.\n\n" - "FRIAR LAWRENCE.\nStay then, I’ll go alone. Fear comes upon me.\nO, much I fear some ill unlucky thing." -- "\n\nBALTHASAR.\nAs I did sleep under this yew tree here,\nI dreamt my master and another fought,\n" +- "\n\n" +- "BALTHASAR.\nAs I did sleep under this yew tree here,\nI dreamt my master and another fought,\n" - "And that my master slew him.\n\n" - "FRIAR LAWRENCE.\nRomeo! [_Advances._]\nAlack, alack, what blood is this which stains\n" - "The stony entrance of this sepulchre?\nWhat mean these masterless and gory swords\n" @@ -1758,7 +1784,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "FIRST WATCH.\nSovereign, here lies the County Paris slain,\nAnd Romeo dead, and Juliet, dead before,\n" - "Warm and new kill’d.\n\nPRINCE.\nSearch, seek, and know how this foul murder comes.\n\n" - "FIRST WATCH.\nHere is a Friar, and slaughter’d Romeo’s man,\nWith instruments upon them fit to open\n" -- "These dead men’s tombs.\n\nCAPULET.\nO heaven! O wife, look how our daughter bleeds!\n" +- "These dead men’s tombs.\n\n" +- "CAPULET.\nO heaven! O wife, look how our daughter bleeds!\n" - "This dagger hath mista’en, for lo, his house\nIs empty on the back of Montague,\n" - "And it mis-sheathed in my daughter’s bosom.\n\n" - "LADY CAPULET.\nO me! This sight of death is as a bell\nThat warns my old age to a sepulchre.\n\n" @@ -1803,14 +1830,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Sirrah, what made your master in this place?\n\n" - "PAGE.\nHe came with flowers to strew his lady’s grave,\nAnd bid me stand aloof, and so I did.\n" - "Anon comes one with light to ope the tomb,\nAnd by and by my master drew on him,\n" -- "And then I ran away to call the watch.\n\nPRINCE.\nThis letter doth make good the Friar’s words,\n" +- "And then I ran away to call the watch.\n\n" +- "PRINCE.\nThis letter doth make good the Friar’s words,\n" - "Their course of love, the tidings of her death.\nAnd here he writes that he did buy a poison\n" - "Of a poor ’pothecary, and therewithal\nCame to this vault to die, and lie with Juliet.\n" - "Where be these enemies? Capulet, Montague,\nSee what a scourge is laid upon your hate,\n" - "That heaven finds means to kill your joys with love!\nAnd I, for winking at your discords too,\n" - "Have lost a brace of kinsmen. All are punish’d.\n\n" - "CAPULET.\nO brother Montague, give me thy hand.\nThis is my daughter’s jointure, for no more\n" -- "Can I demand.\n\nMONTAGUE.\nBut I can give thee more,\nFor I will raise her statue in pure gold,\n" +- "Can I demand.\n\n" +- "MONTAGUE.\nBut I can give thee more,\nFor I will raise her statue in pure gold,\n" - "That whiles Verona by that name is known,\nThere shall no figure at such rate be set\n" - "As that of true and faithful Juliet.\n\n" - "CAPULET.\nAs rich shall Romeo’s by his lady’s lie,\nPoor sacrifices of our enmity.\n\n" @@ -2027,7 +2056,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "electronic works in formats readable by the widest variety of\n" - "computers including obsolete, old, middle-aged and new computers. It\n" - "exists because of the efforts of hundreds of volunteers and donations\n" -- "from people in all walks of life.\n\nVolunteers and financial support to provide volunteers with the\n" +- "from people in all walks of life.\n\n" +- "Volunteers and financial support to provide volunteers with the\n" - "assistance they need are critical to reaching Project Gutenberg-tm's\n" - "goals and ensuring that the Project Gutenberg-tm collection will\n" - "remain freely available for generations to come. In 2001, the Project\n" diff --git a/tests/snapshots/text_splitter_snapshots__characters_default@romeo_and_juliet.txt.snap b/tests/snapshots/text_splitter_snapshots__characters_default@romeo_and_juliet.txt.snap index a28e388b..bbd6adc1 100644 --- a/tests/snapshots/text_splitter_snapshots__characters_default@romeo_and_juliet.txt.snap +++ b/tests/snapshots/text_splitter_snapshots__characters_default@romeo_and_juliet.txt.snap @@ -30,7 +30,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - restrictio - "ns\n" - whatsoever -- ". You may " +- ". " +- "You may " - "copy it, " - "give it " - away or re @@ -104,7 +105,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "EBOOK " - "ROMEO AND " - JULIET *** -- "\n\n\n\n\nTHE " +- "\n\n\n\n\n" +- "THE " - TRAGEDY OF - " ROMEO AND" - " JULIET" @@ -116,7 +118,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Contents\n\n" - "THE " - PROLOGUE. -- "\n\nACT I\n" +- "\n\n" +- "ACT I\n" - "Scene I. " - "A public " - "place.\n" @@ -201,7 +204,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Chamber; " - "Juliet on " - the bed. -- "\n\n\nACT V\n" +- "\n\n\n" +- "ACT V\n" - "Scene I. " - "Mantua. " - "A Street.\n" @@ -229,7 +233,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Prince, " - and friend - " to Romeo." -- "\nPARIS, a " +- "\n" +- "PARIS, a " - "young " - "Nobleman, " - kinsman to @@ -256,7 +261,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Montague, " - and friend - " to Romeo." -- "\nABRAM, " +- "\n" +- "ABRAM, " - servant to - " Montague." - "\n" @@ -271,14 +277,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "feud with " - "the " - Montagues. -- "\nLADY " +- "\n" +- "LADY " - "CAPULET, " - "wife to " - "Capulet.\n" - "JULIET, " - "daughter " - to Capulet -- ".\nTYBALT, " +- ".\n" +- "TYBALT, " - "nephew to " - "Lady " - "Capulet.\n" @@ -298,7 +306,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - servant to - " Capulet.\n" - Servants. -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE, " - "a " - Franciscan @@ -306,7 +315,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - FRIAR JOHN - ", of the " - same Order -- ".\nAn " +- ".\n" +- "An " - Apothecary - ".\nCHORUS.\n" - "Three " @@ -327,7 +337,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Watchmen " - "and " - Attendants -- ".\n\nSCENE. " +- ".\n\n" +- "SCENE. " - During the - " greater " - "part of " @@ -337,7 +348,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "the\n" - "Fifth Act," - " at Mantua" -- ".\n\n\nTHE " +- ".\n\n\n" +- "THE " - "PROLOGUE\n\n" - " Enter " - "Chorus.\n\n" @@ -357,7 +369,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "grudge " - "break to " - new mutiny -- ",\nWhere " +- ",\n" +- "Where " - "civil " - "blood " - "makes " @@ -591,7 +604,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " stand: " - "and ’tis " - known I am -- " a\npretty " +- " a\n" +- "pretty " - "piece of " - "flesh.\n\n" - "GREGORY.\n" @@ -609,7 +623,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "the house " - "of " - Montagues. -- "\n\n Enter " +- "\n\n" +- " Enter " - "Abram and " - Balthasar. - "\n\n" @@ -706,12 +721,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - I serve as - " good a " - man as you -- ".\n\nABRAM.\n" +- ".\n\n" +- "ABRAM.\n" - No better. - "\n\n" - "SAMPSON.\n" - "Well, sir." -- "\n\n Enter " +- "\n\n" +- " Enter " - Benvolio. - "\n\n" - "GREGORY.\n" @@ -750,7 +767,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " [_Beats " - down their - " swords._]" -- "\n\n Enter " +- "\n\n" +- " Enter " - "Tybalt.\n\n" - "TYBALT.\n" - "What, art " @@ -774,7 +792,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - it to part - " these men" - " with me." -- "\n\nTYBALT.\n" +- "\n\n" +- "TYBALT.\n" - "What, " - "drawn, and" - " talk of " @@ -785,7 +804,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "hell, all " - "Montagues," - " and thee:" -- "\nHave at " +- "\n" +- "Have at " - "thee, " - "coward.\n\n" - " [_They " @@ -795,7 +815,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "four " - "Citizens " - with clubs -- ".\n\nFIRST " +- ".\n\n" +- "FIRST " - "CITIZEN.\n" - "Clubs, " - "bills and " @@ -809,7 +830,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Down with " - "the " - Montagues! -- "\n\n Enter " +- "\n\n" +- " Enter " - Capulet in - " his gown," - " and Lady " @@ -820,7 +842,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Give me my - " long " - "sword, ho!" -- "\n\nLADY " +- "\n\n" +- "LADY " - "CAPULET.\n" - "A crutch, " - "a crutch! " @@ -879,7 +902,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What, ho! " - "You men, " - you beasts -- ",\nThat " +- ",\n" +- "That " - quench the - " fire of " - "your " @@ -934,7 +958,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "grave " - "beseeming " - "ornaments," -- "\nTo wield " +- "\n" +- "To wield " - "old " - "partisans," - " in hands " @@ -966,12 +991,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Capulet, " - "shall go " - along with -- " me,\nAnd " +- " me,\n" +- "And " - "Montague, " - "come you " - "this " - "afternoon," -- "\nTo know " +- "\n" +- "To know " - "our " - "farther " - "pleasure " @@ -1050,7 +1077,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "withal, " - hiss’d him - " in scorn." -- "\nWhile we " +- "\n" +- "While we " - "were " - interchang - "ing " @@ -1106,7 +1134,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "rooteth " - "from this " - "city side," -- "\nSo early " +- "\n" +- "So early " - "walking " - "did I see " - "your son.\n" @@ -1186,7 +1215,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "steals " - "home my " - "heavy son," -- "\nAnd " +- "\n" +- "And " - private in - " his " - "chamber " @@ -1243,7 +1273,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - affections - "’ " - counsellor -- ",\nIs to " +- ",\n" +- "Is to " - "himself—I " - "will not " - "say how " @@ -1290,9 +1321,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "BENVOLIO.\n" - "See, where" - " he comes." -- " " -- "So please " -- "you step " +- " So please" +- " you step " - "aside;\n" - "I’ll know " - "his " @@ -1333,7 +1363,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Ay me, sad" - " hours " - seem long. -- "\nWas that " +- "\n" +- "Was that " - "my father " - "that went " - "hence so " @@ -1374,7 +1405,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "tyrannous " - "and rough " - in proof. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "Alas that " - "love, " - whose view @@ -1458,7 +1490,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "good " - "heart’s " - oppression -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Why such " - "is love’s " - transgress @@ -1478,7 +1511,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "This love " - "that thou " - hast shown -- "\nDoth add " +- "\n" +- "Doth add " - more grief - " to too " - "much of " @@ -1523,7 +1557,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " leave me " - "so, you do" - " me wrong." -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "Tut! " - "I have " - "lost " @@ -1574,7 +1609,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " I " - "suppos’d " - you lov’d. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "A right " - "good " - "markman, " @@ -1599,19 +1635,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "arrow, she" - " hath " - Dian’s wit -- ";\nAnd in " +- ";\n" +- "And in " - "strong " - "proof of " - "chastity " - well arm’d -- ",\nFrom " +- ",\n" +- "From " - "love’s " - "weak " - "childish " - "bow she " - "lives " - uncharm’d. -- "\nShe will " +- "\n" +- "She will " - "not stay " - "the siege " - "of loving " @@ -1698,7 +1737,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Examine " - "other " - beauties. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "’Tis the " - "way\n" - "To call " @@ -1739,7 +1779,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - her beauty - " serve but" - " as a note" -- "\nWhere I " +- "\n" +- "Where I " - "may read " - who pass’d - " that " @@ -1761,7 +1802,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "_]\n\n" - "SCENE II. " - A Street. -- "\n\n Enter " +- "\n\n" +- " Enter " - "Capulet, " - "Paris and " - "Servant.\n\n" @@ -1781,7 +1823,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " to keep " - the peace. - "\n\n" -- "PARIS.\nOf " +- "PARIS.\n" +- "Of " - honourable - " reckoning" - " are you " @@ -1823,7 +1866,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " think her" - " ripe to " - be a bride -- ".\n\nPARIS.\n" +- ".\n\n" +- "PARIS.\n" - "Younger " - "than she " - "are happy " @@ -1893,7 +1937,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "look to " - "behold " - this night -- "\nEarth-" +- "\n" +- Earth- - "treading " - stars that - " make dark" @@ -1921,9 +1966,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "night\n" - Inherit at - " my house." -- " " -- "Hear all, " -- "all see,\n" +- " Hear all," +- " all see,\n" - "And like " - "her most " - "whose " @@ -1951,7 +1995,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Verona; " - find those - " persons " -- "out\nWhose " +- "out\n" +- "Whose " - "names are " - "written " - "there, [" @@ -2045,12 +2090,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "some new " - "infection " - to thy eye -- ",\nAnd the " +- ",\n" +- "And the " - "rank " - "poison of " - "the old " - will die. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "Your " - "plantain " - "leaf is " @@ -2092,7 +2139,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I pray, " - "sir, can " - you read? -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "Ay, mine " - "own " - fortune in @@ -2125,7 +2173,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Stay, " - "fellow; I " - can read. -- "\n\n [_He " +- "\n\n" +- " [_He " - "reads the " - "letter._]" - "\n\n" @@ -2134,7 +2183,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "and his " - "wife and " - daughters; -- "\nCounty " +- "\n" +- "County " - "Anselmo " - "and his " - "beauteous " @@ -2157,11 +2207,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "his wife, " - "and " - daughters; -- "\nMy fair " +- "\n" +- "My fair " - "niece " - "Rosaline " - and Livia; -- "\nSignior " +- "\n" +- "Signior " - "Valentio " - "and his " - "cousin " @@ -2169,7 +2221,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Lucio and " - the lively - " Helena. _" -- "\n\n\nA fair " +- "\n\n\n" +- "A fair " - "assembly. " - "[_Gives " - "back the " @@ -2192,7 +2245,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "SERVANT.\n" - "My " - master’s. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "Indeed I " - "should " - have ask’d @@ -2232,7 +2286,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Rosaline " - "whom thou " - so lov’st; -- "\nWith all " +- "\n" +- "With all " - "the " - "admired " - "beauties " @@ -2345,7 +2400,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Lady " - "Capulet " - and Nurse. -- "\n\nLADY " +- "\n\n" +- "LADY " - "CAPULET.\n" - "Nurse, " - where’s my @@ -2363,10 +2419,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - I bade her - " come. " - "What, lamb" -- "! What " +- "! " +- "What " - "ladybird!\n" - God forbid -- "! Where’s " +- "! " +- "Where’s " - this girl? - " What, " - "Juliet!\n\n" @@ -2375,7 +2433,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "JULIET.\n" - "How now, " - who calls? -- "\n\nNURSE.\n" +- "\n\n" +- "NURSE.\n" - "Your " - "mother.\n\n" - "JULIET.\n" @@ -2383,11 +2442,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "am here. " - "What is " - your will? -- "\n\nLADY " +- "\n\n" +- "LADY " - "CAPULET.\n" - "This is " - the matter -- ". Nurse, " +- ". " +- "Nurse, " - give leave - " awhile,\n" - "We must " @@ -2408,7 +2469,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - daughter’s - " of a " - pretty age -- ".\n\nNURSE.\n" +- ".\n\n" +- "NURSE.\n" - "Faith, I " - "can tell " - "her age " @@ -2418,7 +2480,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "CAPULET.\n" - "She’s not " - fourteen. -- "\n\nNURSE.\n" +- "\n\n" +- "NURSE.\n" - "I’ll lay " - "fourteen " - "of my " @@ -2556,7 +2619,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "and " - "waddled " - all about; -- "\nFor even " +- "\n" +- "For even " - "the day " - before she - " broke her" @@ -2570,7 +2634,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "merry man," - "—took up " - "the child:" -- "\n‘Yea,’ " +- "\n" +- "‘Yea,’ " - "quoth he, " - ‘dost thou - " fall upon" @@ -2584,10 +2649,9 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "wit;\n" - "Wilt thou " - "not, Jule?" -- "’ " -- "and, by my" -- " holidame," -- "\n" +- "’ and, by " +- "my " +- "holidame,\n" - The pretty - " wretch " - "left " @@ -2608,10 +2672,9 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I never " - "should " - forget it. -- " " -- ‘Wilt thou -- " not, Jule" -- "?’ " +- " ‘Wilt " +- "thou not, " +- "Jule?’ " - "quoth he;\n" - "And, " - "pretty " @@ -2666,10 +2729,10 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "age;\n" - "Wilt thou " - "not, Jule?" -- "’ " -- it stinted -- ", and said" -- " ‘Ay’.\n\n" +- "’ it " +- "stinted, " +- and said ‘ +- "Ay’.\n\n" - "JULIET.\n" - "And stint " - "thou too, " @@ -2722,11 +2785,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "of.\n\n" - "NURSE.\n" - An honour! -- " " -- Were not I -- " thine " +- " Were not " +- "I thine " - only nurse -- ",\nI would " +- ",\n" +- "I would " - "say thou " - "hadst " - "suck’d " @@ -2760,7 +2823,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "maid. " - "Thus, then" - ", in brief" -- ";\nThe " +- ";\n" +- "The " - "valiant " - "Paris " - "seeks you " @@ -2776,7 +2840,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " world—why" - " he’s a " - man of wax -- ".\n\nLADY " +- ".\n\n" +- "LADY " - "CAPULET.\n" - "Verona’s " - "summer " @@ -2817,7 +2882,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "every " - "married " - "lineament," -- "\nAnd see " +- "\n" +- "And see " - "how one " - "another " - "lends " @@ -2833,12 +2899,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " the " - margent of - " his eyes." -- "\nThis " +- "\n" +- "This " - "precious " - "book of " - "love, this" - " unbound " -- "lover,\nTo " +- "lover,\n" +- "To " - "beautify " - "him, only " - "lacks a " @@ -2848,7 +2916,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "the sea; " - "and ’tis " - much pride -- "\nFor fair " +- "\n" +- "For fair " - "without " - "the fair " - "within to " @@ -2926,19 +2995,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - everything - " in " - extremity. -- "\nI must " +- "\n" +- "I must " - "hence to " - "wait, I " - "beseech " - you follow - " straight." -- "\n\nLADY " +- "\n\n" +- "LADY " - "CAPULET.\n" - "We follow " - "thee.\n\n" - " [_Exit " - "Servant._]" -- "\n\nJuliet, " +- "\n\n" +- "Juliet, " - the County - " stays.\n\n" - "NURSE.\n" @@ -2951,7 +3023,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "_]\n\n" - "SCENE IV. " - A Street. -- "\n\n Enter " +- "\n\n" +- " Enter " - "Romeo, " - "Mercutio, " - "Benvolio, " @@ -2961,7 +3034,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Torch-" - "bearers " - and others -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "What, " - shall this - " speech be" @@ -3008,7 +3082,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - measure us - " by what " - "they will," -- "\nWe’ll " +- "\n" +- "We’ll " - "measure " - "them a " - "measure, " @@ -3031,7 +3106,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Romeo, we " - "must have " - you dance. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "Not I, " - believe me - ", you have" @@ -3129,7 +3205,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "for a " - "visor. " - "What care " -- "I\nWhat " +- "I\n" +- "What " - "curious " - "eye doth " - "quote " @@ -3151,7 +3228,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - man betake - " him to " - his legs. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "A torch " - "for me: " - "let " @@ -3183,7 +3261,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", the " - constable’ - s own word -- ":\nIf thou " +- ":\n" +- "If thou " - "art dun, " - we’ll draw - " thee from" @@ -3208,7 +3287,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "MERCUTIO.\n" - I mean sir - ", in delay" -- "\nWe waste " +- "\n" +- "We waste " - our lights - " in vain, " - "light " @@ -3225,7 +3305,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ere once " - "in our " - five wits. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "And we " - "mean well " - "in going " @@ -3252,7 +3333,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "That " - "dreamers " - often lie. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "In bed " - "asleep, " - while they @@ -3303,7 +3385,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", of the " - "smallest " - "spider’s " -- "web;\nThe " +- "web;\n" +- "The " - "collars, " - "of the " - moonshine’ @@ -3314,7 +3397,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "cricket’s " - "bone; the " - "lash, of " -- "film;\nHer " +- "film;\n" +- "Her " - "waggoner, " - "a small " - grey- @@ -3343,7 +3427,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ’ mind the - " fairies’ " - coachmaker -- "s.\nAnd in " +- "s.\n" +- "And in " - this state - " she " - "gallops " @@ -3398,7 +3483,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "of " - "smelling " - out a suit -- ";\nAnd " +- ";\n" +- "And " - "sometime " - "comes she " - "with a " @@ -3414,7 +3500,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "dreams he " - of another - " benefice:" -- "\nSometime " +- "\n" +- "Sometime " - "she " - "driveth " - "o’er a " @@ -3557,7 +3644,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "e yet " - hanging in - " the stars" -- ",\nShall " +- ",\n" +- "Shall " - "bitterly " - "begin his " - "fearful " @@ -3601,7 +3689,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " waiting. " - "Enter " - Servants. -- "\n\nFIRST " +- "\n\n" +- "FIRST " - "SERVANT.\n" - "Where’s " - "Potpan, " @@ -3611,10 +3700,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "away?\n" - He shift a - " trencher!" -- " " -- "He scrape " -- a trencher -- "!\n\nSECOND " +- " He scrape" +- " a " +- trencher! +- "\n\n" +- "SECOND " - "SERVANT.\n" - "When good " - "manners " @@ -3651,9 +3741,9 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " in Susan " - Grindstone - " and Nell." -- " " -- Antony and -- " Potpan!\n\n" +- " Antony " +- and Potpan +- "!\n\n" - "SECOND " - "SERVANT.\n" - "Ay, boy, " @@ -3732,18 +3822,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "have worn " - "a visor, " - "and could " -- "tell\nA " +- "tell\n" +- "A " - whispering - " tale in a" - " fair " - lady’s ear -- ",\nSuch as " +- ",\n" +- "Such as " - "would " - please; ’ - "tis gone, " - "’tis gone," - " ’tis gone" -- ",\nYou are " +- ",\n" +- "You are " - "welcome, " - gentlemen! - " Come, " @@ -3808,7 +3901,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " the " - nuptial of - " Lucentio," -- "\nCome " +- "\n" +- "Come " - "Pentecost " - as quickly - " as it " @@ -3836,7 +3930,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "was but a " - "ward two " - years ago. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "What lady " - "is that, " - which doth @@ -3897,7 +3992,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " till now?" - " Forswear " - "it, sight!" -- "\nFor I " +- "\n" +- "For I " - "ne’er saw " - "true " - "beauty " @@ -3976,7 +4072,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - him like a - " portly " - gentleman; -- "\nAnd, to " +- "\n" +- "And, to " - "say truth," - " Verona " - "brags of " @@ -4029,7 +4126,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "CAPULET.\n" - "He shall " - be endur’d -- ".\nWhat, " +- ".\n" +- "What, " - "goodman " - "boy! " - "I say he " @@ -4094,7 +4192,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " What, " - "cheerly, " - my hearts. -- "\n\nTYBALT.\n" +- "\n\n" +- "TYBALT.\n" - "Patience " - "perforce " - "with " @@ -4119,7 +4218,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " bitter " - "gall.\n\n" - " [_Exit._]" -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "[_To " - Juliet. - "_] If I " @@ -4220,7 +4320,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "the sin " - "that they " - have took. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "Sin from " - "my lips? " - O trespass @@ -4243,7 +4344,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\n" - "What is " - her mother -- "?\n\nNURSE.\n" +- "?\n\n" +- "NURSE.\n" - "Marry, " - "bachelor,\n" - Her mother @@ -4329,14 +4431,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "all but " - Juliet and - " Nurse._]" -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "Come " - "hither, " - "Nurse. " - "What is " - "yond " - gentleman? -- "\n\nNURSE.\n" +- "\n\n" +- "NURSE.\n" - "The son " - "and heir " - "of old " @@ -4353,7 +4457,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "think be " - "young " - Petruchio. -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "What’s he " - "that " - "follows " @@ -4418,7 +4523,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "calls " - "within, ‘" - "Juliet’._]" -- "\n\nNURSE.\n" +- "\n\n" +- "NURSE.\n" - "Anon, anon" - "!\n" - Come let’s @@ -4449,7 +4555,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "groan’d " - "for and " - "would die," -- "\nWith " +- "\n" +- "With " - "tender " - "Juliet " - "match’d, " @@ -4529,7 +4636,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "earth, and" - " find thy " - centre out -- ".\n\n [_He " +- ".\n\n" +- " [_He " - climbs the - " wall and " - leaps down @@ -4582,7 +4690,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "one rhyme," - " and I am " - satisfied; -- "\nCry but ‘" +- "\n" +- Cry but ‘ - "Ah me!’ " - "Pronounce " - "but Love " @@ -4591,7 +4700,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "my gossip " - "Venus one " - "fair word," -- "\nOne " +- "\n" +- "One " - "nickname " - "for her " - "purblind " @@ -4676,9 +4786,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "it down;\n" - "That were " - some spite -- ". My " +- ". " +- "My " - invocation -- "\nIs fair " +- "\n" +- "Is fair " - and honest - ", and, in " - "his " @@ -4711,7 +4823,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "love " - cannot hit - " the mark." -- "\nNow will " +- "\n" +- "Now will " - "he sit " - "under a " - "medlar " @@ -4812,7 +4925,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " livery is" - " but sick " - "and green," -- "\nAnd none " +- "\n" +- "And none " - "but fools " - do wear it - "; cast it " @@ -4834,7 +4948,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - discourses - ", I will " - answer it. -- "\nI am too " +- "\n" +- "I am too " - "bold, ’tis" - " not to me" - " she " @@ -4866,7 +4981,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "would " - "shame " - "those " -- "stars,\nAs " +- "stars,\n" +- "As " - "daylight " - "doth a " - "lamp; her " @@ -4893,7 +5009,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "were a " - glove upon - " that hand" -- ",\nThat I " +- ",\n" +- "That I " - "might " - touch that - " cheek.\n\n" @@ -4901,7 +5018,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Ay me.\n\n" - "ROMEO.\n" - She speaks -- ".\nO speak " +- ".\n" +- "O speak " - "again " - "bright " - "angel, for" @@ -5008,7 +5126,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "owes\n" - "Without " - that title -- ". Romeo, " +- ". " +- "Romeo, " - "doff thy " - "name,\n" - "And for " @@ -5078,7 +5197,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "not Romeo," - " and a " - Montague? -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "Neither, " - "fair maid," - " if either" @@ -5091,7 +5211,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "tell me, " - "and " - wherefore? -- "\nThe " +- "\n" +- "The " - "orchard " - "walls are " - "high and " @@ -5150,7 +5271,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "swords. " - "Look thou " - "but sweet," -- "\nAnd I am " +- "\n" +- "And I am " - "proof " - "against " - "their " @@ -5161,7 +5283,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "the world " - "they saw " - thee here. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "I have " - "night’s " - "cloak to " @@ -5190,7 +5313,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "found’st " - "thou out " - this place -- "?\n\nROMEO.\n" +- "?\n\n" +- "ROMEO.\n" - "By love, " - that first - " did " @@ -5201,7 +5325,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " counsel, " - and I lent - " him eyes." -- "\nI am no " +- "\n" +- "I am no " - pilot; yet - " wert thou" - " as far\n" @@ -5293,7 +5418,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "fair " - "Montague, " - "I am too " -- "fond;\nAnd " +- "fond;\n" +- "And " - "therefore " - thou mayst - " think my " @@ -5322,12 +5448,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - overheard’ - "st, ere I " - "was ’ware," -- "\nMy true-" +- "\n" +- My true- - "love " - "passion; " - "therefore " - "pardon me," -- "\nAnd not " +- "\n" +- "And not " - "impute " - "this " - "yielding " @@ -5337,7 +5465,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - dark night - " hath so " - discovered -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Lady, by " - "yonder " - "blessed " @@ -5366,7 +5495,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "prove " - "likewise " - variable. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - What shall - " I swear " - "by?\n\n" @@ -5395,9 +5525,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "JULIET.\n" - "Well, do " - not swear. -- " " -- Although I -- " joy in " +- " Although " +- "I joy in " - "thee,\n" - "I have no " - "joy of " @@ -5474,7 +5603,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "would it " - "were to " - give again -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Would’st " - "thou " - "withdraw " @@ -5525,7 +5655,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " will come" - " again.\n\n" - " [_Exit._]" -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "O blessed," - " blessed " - "night. " @@ -5557,7 +5688,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - of love be - " " - honourable -- ",\nThy " +- ",\n" +- "Thy " - "purpose " - "marriage, " - "send me " @@ -5583,10 +5715,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "lord " - throughout - " the world" -- ".\n\nNURSE.\n" +- ".\n\n" +- "NURSE.\n" - "[_Within." - "_] Madam." -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "I come, " - anon.— But - " if thou " @@ -5598,7 +5732,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "NURSE.\n" - "[_Within." - "_] Madam." -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "By and by " - "I come—\n" - "To cease " @@ -5612,13 +5747,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\n" - "So thrive " - "my soul,—" -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - A thousand - " times " - good night - ".\n\n" - " [_Exit._]" -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - A thousand - " times the" - " worse, to" @@ -5808,14 +5945,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - be morrow. - "\n\n" - " [_Exit._]" -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "Sleep " - dwell upon - " thine " - "eyes, " - "peace in " - thy breast -- ".\nWould I " +- ".\n" +- "Would I " - were sleep - " and peace" - ", so sweet" @@ -5884,7 +6023,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "upfill " - this osier - " cage of " -- "ours\nWith " +- "ours\n" +- "With " - "baleful " - "weeds and " - precious- @@ -5895,7 +6035,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "nature’s " - "mother, is" - " her tomb;" -- "\nWhat is " +- "\n" +- "What is " - "her " - "burying " - "grave, " @@ -5915,7 +6056,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "many " - "virtues " - "excellent," -- "\nNone but " +- "\n" +- "None but " - "for some, " - "and yet " - "all " @@ -5965,7 +6107,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - sometime’s - " by action" - " dignified" -- ".\n\n Enter " +- ".\n\n" +- " Enter " - "Romeo.\n\n" - Within the - " infant " @@ -5985,7 +6128,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "part " - "cheers " - each part; -- "\nBeing " +- "\n" +- "Being " - "tasted, " - "slays all " - "senses " @@ -6013,7 +6157,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " death " - "eats up " - that plant -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Good " - "morrow, " - "father.\n\n" @@ -6091,7 +6236,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Wast thou " - "with " - Rosaline? -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "With " - "Rosaline, " - my ghostly @@ -6102,14 +6248,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "that name," - " and that " - name’s woe -- ".\n\nFRIAR " +- ".\n\n" +- "FRIAR " - "LAWRENCE.\n" - "That’s my " - "good son. " - "But where " - "hast thou " - been then? -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "I’ll tell " - "thee ere " - "thou ask " @@ -6139,7 +6287,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "hatred, " - "blessed " - "man; for " -- "lo,\nMy " +- "lo,\n" +- "My " - intercessi - "on " - "likewise " @@ -6204,7 +6353,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Francis! " - "What a " - "change is " -- "here!\nIs " +- "here!\n" +- "Is " - "Rosaline, " - "that thou " - didst love @@ -6230,7 +6380,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " sallow " - cheeks for - " Rosaline!" -- "\nHow much " +- "\n" +- "How much " - salt water - " thrown " - "away in " @@ -6292,13 +6443,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - me oft for - " loving " - Rosaline. -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - For doting - ", not for " - "loving, " - pupil mine -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - And bad’st - " me bury " - "love.\n\n" @@ -6324,7 +6477,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "allow.\n" - "The other " - did not so -- ".\n\nFRIAR " +- ".\n\n" +- "FRIAR " - "LAWRENCE.\n" - "O, she " - "knew well\n" @@ -6373,7 +6527,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "_]\n\n" - "SCENE IV. " - A Street. -- "\n\n Enter " +- "\n\n" +- " Enter " - "Benvolio " - "and " - Mercutio. @@ -6490,7 +6645,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "-song, " - keeps time - ", distance" -- ",\nand " +- ",\n" +- "and " - proportion - ". " - "He rests " @@ -6506,7 +6662,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "button, a " - "duellist, " - a duellist -- ";\na " +- ";\n" +- "a " - "gentleman " - "of the " - very first @@ -6515,7 +6672,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " and " - "second " - "cause. Ah," -- "\nthe " +- "\n" +- "the " - "immortal " - "passado, " - "the punto " @@ -6535,13 +6693,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - new tuners - "\n" - of accent. -- " " -- "By Jesu, a" -- " very good" -- " blade, a " -- "very tall " -- "man, a " -- "very good\n" +- " By Jesu, " +- "a very " +- good blade +- ", a very " +- "tall man, " +- "a very " +- "good\n" - "whore. " - "Why, is " - not this a @@ -6593,9 +6751,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "flesh, how" - " art thou\n" - fishified! -- " " -- "Now is he " -- "for the " +- " Now is he" +- " for the " - "numbers " - "that " - "Petrarch " @@ -6640,7 +6797,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - counterfei - "t fairly " - last night -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Good " - "morrow to " - "you both. " @@ -6655,7 +6813,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "slip; can " - "you not " - conceive? -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "Pardon, " - "good " - "Mercutio, " @@ -6700,7 +6859,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "the very " - "pink of " - courtesy. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "Pink for " - "flower.\n\n" - "MERCUTIO.\n" @@ -6730,7 +6890,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "wearing, " - "solely " - singular. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - O single- - soled jest - ", solely " @@ -6823,7 +6984,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "narrow to " - "an\n" - ell broad. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "I stretch " - it out for - " that word" @@ -6896,7 +7058,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "it short, " - "for I was " - "come to " -- "the\nwhole " +- "the\n" +- "whole " - "depth of " - "my tale, " - "and meant " @@ -6904,7 +7067,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - occupy the - " argument " - "no\nlonger." -- "\n\n Enter " +- "\n\n" +- " Enter " - "Nurse and " - "Peter.\n\n" - "ROMEO.\n" @@ -6965,7 +7129,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "you! " - What a man - " are you?" -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "One, " - gentlewoma - "n, that " @@ -7110,7 +7275,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - so full of - " his\n" - "ropery?\n\n" -- "ROMEO.\nA " +- "ROMEO.\n" +- "A " - "gentleman," - " Nurse, " - that loves @@ -7145,7 +7311,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I’ll find " - "those\n" - that shall -- ". Scurvy " +- ". " +- "Scurvy " - "knave! " - "I am none " - "of his " @@ -7164,7 +7331,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "use me at " - "his " - pleasure! -- "\n\nPETER.\n" +- "\n\n" +- "PETER.\n" - "I saw no " - "man use " - you at his @@ -7213,7 +7381,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "will keep " - to myself. - " But first" -- "\nlet me " +- "\n" +- "let me " - "tell ye, " - "if ye " - "should " @@ -7232,7 +7401,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "the\n" - gentlewoma - n is young -- ". And " +- ". " +- "And " - "therefore," - " if you " - "should " @@ -7267,7 +7437,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "much. " - "Lord, Lord" - ", she will" -- "\nbe a " +- "\n" +- "be a " - "joyful " - "woman.\n\n" - "ROMEO.\n" @@ -7289,7 +7460,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " is a\n" - gentlemanl - ike offer. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "Bid her " - "devise\n" - Some means @@ -7360,7 +7532,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - commend me - " to thy " - mistress. -- "\n\nNURSE.\n" +- "\n\n" +- "NURSE.\n" - Now God in - " heaven " - bless thee @@ -7372,10 +7545,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "say’st " - "thou, my " - dear Nurse -- "?\n\nNURSE.\n" +- "?\n\n" +- "NURSE.\n" - "Is your " - man secret -- "? Did you " +- "? " +- "Did you " - ne’er hear - " say,\n" - "Two may " @@ -7383,7 +7558,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "counsel, " - "putting " - one away? -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "I warrant " - "thee my " - "man’s as " @@ -7399,7 +7575,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Lord, Lord" - "! " - When ’twas -- " a\nlittle " +- " a\n" +- "little " - "prating " - "thing,—O, " - there is a @@ -7414,7 +7591,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "good soul," - " had as " - lief see a -- "\ntoad, a " +- "\n" +- "toad, a " - "very toad," - " as see " - "him. " @@ -7440,7 +7618,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "world. " - "Doth not " - "rosemary " -- "and\nRomeo " +- "and\n" +- "Romeo " - begin both - " with a " - "letter?\n\n" @@ -7474,7 +7653,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "would do " - "you good " - to hear it -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - Commend me - " to thy " - "lady.\n\n" @@ -7512,9 +7692,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Perchance " - she cannot - " meet him." -- " " -- That’s not -- " so.\n" +- " That’s " +- "not so.\n" - "O, she is " - "lame. " - "Love’s " @@ -7570,7 +7749,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "as swift " - "in motion " - as a ball; -- "\nMy words " +- "\n" +- "My words " - "would " - "bandy her " - "to my " @@ -7603,11 +7783,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "him? " - "Send thy " - man away. -- "\n\nNURSE.\n" +- "\n\n" +- "NURSE.\n" - "Peter, " - "stay at " - the gate. -- "\n\n [_Exit " +- "\n\n" +- " [_Exit " - "Peter._]\n\n" - "JULIET.\n" - "Now, good " @@ -7747,11 +7929,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ways, " - "wench, " - serve God. -- " " -- "What, have" -- " you dined" -- " at home?" -- "\n\nJULIET.\n" +- " What, " +- "have you " +- "dined at " +- "home?\n\n" +- "JULIET.\n" - "No, no. " - "But all " - this did I @@ -7808,12 +7990,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "says like " - "an honest " - "gentleman," -- "\nAnd a " +- "\n" +- "And a " - "courteous," - " and a " - "kind, and " - a handsome -- ",\nAnd I " +- ",\n" +- "And I " - "warrant a " - "virtuous,—" - "Where is " @@ -7824,7 +8008,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - my mother? - " Why, she " - is within. -- "\nWhere " +- "\n" +- "Where " - should she - " be? " - "How oddly " @@ -7858,7 +8043,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - rd do your - " messages " - yourself. -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "Here’s " - "such a " - "coil. " @@ -7926,7 +8112,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "dinner; " - hie you to - " the cell." -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "Hie to " - "high " - "fortune! " @@ -7944,7 +8131,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Friar " - "Lawrence " - and Romeo. -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - "So smile " - "the " @@ -8008,7 +8196,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "consume. " - "The " - "sweetest " -- "honey\nIs " +- "honey\n" +- "Is " - "loathsome " - in his own - " " @@ -8029,7 +8218,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - arrives as - " tardy as " - too slow. -- "\n\n Enter " +- "\n\n" +- " Enter " - "Juliet.\n\n" - Here comes - " the lady." @@ -8050,16 +8240,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " in the " - "wanton " - summer air -- "\nAnd yet " +- "\n" +- "And yet " - "not fall; " - "so light " - is vanity. -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "Good even " - "to my " - "ghostly " - confessor. -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - "Romeo " - "shall " @@ -8130,14 +8323,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - sum up sum - " of half " - my wealth. -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - "Come, come" - " with me, " - "and we " - "will make " - short work -- ",\nFor, by " +- ",\n" +- "For, by " - "your " - "leaves, " - "you shall " @@ -8352,7 +8547,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "The fee " - "simple! " - O simple! -- "\n\n Enter " +- "\n\n" +- " Enter " - Tybalt and - " others.\n\n" - "BENVOLIO.\n" @@ -8449,7 +8645,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " coldly of" - " your " - grievances -- ",\nOr else " +- ",\n" +- "Or else " - "depart; " - "here all " - "eyes gaze " @@ -8568,7 +8765,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - dishonoura - "ble, vile " - submission -- "!\n[_Draws." +- "!\n" +- "[_Draws." - "_] Alla " - "stoccata " - carries it @@ -8615,7 +8813,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - about your - " ears ere " - it be out. -- "\n\nTYBALT.\n" +- "\n\n" +- "TYBALT.\n" - "[_Drawing." - "_] I am " - "for you.\n\n" @@ -8749,7 +8948,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - I was hurt - " under " - "your\narm." -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "I thought " - "all for " - the best. @@ -8772,7 +8972,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I have it," - " and " - "soundly " -- "too. Your " +- "too. " +- "Your " - "houses!\n\n" - " [_Exeunt " - "Mercutio " @@ -8785,7 +8986,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " the " - "Prince’s " - "near ally," -- "\nMy very " +- "\n" +- "My very " - "friend, " - "hath got " - his mortal @@ -8856,7 +9058,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "furious " - "Tybalt " - back again -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Again in " - "triumph, " - "and " @@ -8870,7 +9073,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ey’d fury " - "be my " - "conduct " -- "now!\nNow, " +- "now!\n" +- "Now, " - "Tybalt, " - take the ‘ - "villain’ " @@ -8896,7 +9100,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " or both, " - "must go " - with him. -- "\n\nTYBALT.\n" +- "\n\n" +- "TYBALT.\n" - "Thou " - "wretched " - "boy, that " @@ -8905,7 +9110,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "him here,\n" - Shalt with - " him hence" -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - This shall - " determine" - " that.\n\n" @@ -8916,7 +9122,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "BENVOLIO.\n" - "Romeo, " - "away, be " -- "gone!\nThe " +- "gone!\n" +- "The " - "citizens " - "are up, " - and Tybalt @@ -8929,21 +9136,23 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "death\n" - "If thou " - art taken. -- " " -- "Hence, be " -- "gone, away" -- "!\n\nROMEO.\n" +- " Hence, be" +- " gone, " +- "away!\n\n" +- "ROMEO.\n" - "O, I am " - "fortune’s " - "fool!\n\n" - "BENVOLIO.\n" - "Why dost " - thou stay? -- "\n\n [_Exit " +- "\n\n" +- " [_Exit " - "Romeo._]\n\n" - " Enter " - Citizens. -- "\n\nFIRST " +- "\n\n" +- "FIRST " - "CITIZEN.\n" - "Which way " - "ran he " @@ -8969,7 +9178,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "the " - "Prince’s " - name obey. -- "\n\n Enter " +- "\n\n" +- " Enter " - "Prince, " - "attended; " - "Montague, " @@ -8988,7 +9198,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Prince, I " - "can " - "discover " -- "all\nThe " +- "all\n" +- "The " - "unlucky " - "manage of " - this fatal @@ -9003,7 +9214,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "kinsman, " - "brave " - Mercutio. -- "\n\nLADY " +- "\n\n" +- "LADY " - "CAPULET.\n" - "Tybalt, my" - " cousin! " @@ -9142,7 +9354,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "but newly " - entertain’ - "d revenge," -- "\nAnd to’t " +- "\n" +- "And to’t " - "they go " - "like " - lightning; @@ -9196,7 +9409,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Tybalt, " - Romeo must - " not live." -- "\n\nPRINCE.\n" +- "\n\n" +- "PRINCE.\n" - Romeo slew - " him, he " - "slew " @@ -9221,7 +9435,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ",\n" - "The life " - of Tybalt. -- "\n\nPRINCE.\n" +- "\n\n" +- "PRINCE.\n" - "And for " - "that " - "offence\n" @@ -9241,7 +9456,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "brawls " - doth lie a - "-bleeding." -- "\nBut I’ll " +- "\n" +- "But I’ll " - amerce you - " with so " - "strong a " @@ -9343,7 +9559,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "It best " - "agrees " - with night -- ". Come, " +- ". " +- "Come, " - "civil " - "night,\n" - Thou sober @@ -9367,7 +9584,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "blood, " - "bating in " - "my cheeks," -- "\nWith thy " +- "\n" +- "With thy " - "black " - "mantle, " - "till " @@ -9432,7 +9650,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - bought the - " mansion " - "of a love," -- "\nBut not " +- "\n" +- "But not " - "possess’d " - "it; and " - "though I " @@ -9471,7 +9690,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "speaks " - "heavenly " - eloquence. -- "\n\n Enter " +- "\n\n" +- " Enter " - "Nurse, " - with cords - ".\n\n" @@ -9498,13 +9718,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Why dost " - thou wring - " thy hands" -- "?\n\nNURSE.\n" +- "?\n\n" +- "NURSE.\n" - "Ah, well-a" - "-day, he’s" - " dead, " - "he’s dead," - " he’s dead" -- "!\nWe are " +- "!\n" +- "We are " - "undone, " - "lady, we " - are undone @@ -9514,13 +9736,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "gone, he’s" - " kill’d, " - he’s dead. -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - Can heaven - " be so " - "envious?\n\n" - "NURSE.\n" - "Romeo can," -- "\nThough " +- "\n" +- "Though " - "heaven " - "cannot. " - "O Romeo, " @@ -9529,7 +9753,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - would have - " thought " - it? Romeo! -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - What devil - " art thou," - " that dost" @@ -9566,7 +9791,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "that make " - "thee " - answer Ay. -- "\nIf he be " +- "\n" +- "If he be " - "slain, say" - " Ay; or if" - " not, No.\n" @@ -9623,12 +9849,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "and Romeo " - "press one " - heavy bier -- ".\n\nNURSE.\n" +- ".\n\n" +- "NURSE.\n" - "O Tybalt, " - "Tybalt, " - "the best " - "friend I " -- "had.\nO " +- "had.\n" +- "O " - "courteous " - "Tybalt, " - "honest " @@ -9675,7 +9903,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " kill’d " - "him, he is" - " banished." -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "O God! " - "Did " - "Romeo’s " @@ -9702,7 +9931,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "tyrant, " - "fiend " - "angelical," -- "\nDove-" +- "\n" +- Dove- - "feather’d " - "raven, " - wolvish- @@ -9765,7 +9995,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - all naught - ", all " - dissembler -- "s.\nAh, " +- "s.\n" +- "Ah, " - where’s my - " man? " - "Give me " @@ -9780,7 +10011,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "old.\n" - Shame come - " to Romeo." -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "Blister’d " - "be thy " - "tongue\n" @@ -9835,7 +10067,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "hours’ " - "wife have " - mangled it -- "?\nBut " +- "?\n" +- "But " - "wherefore," - " villain, " - didst thou @@ -9897,7 +10130,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "But O, it " - presses to - " my memory" -- "\nLike " +- "\n" +- "Like " - "damned " - "guilty " - "deeds to " @@ -9995,7 +10229,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "corse.\n" - "Will you " - go to them -- "? I will " +- "? " +- "I will " - "bring you " - "thither.\n\n" - "JULIET.\n" @@ -10005,12 +10240,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "tears. " - Mine shall - " be spent," -- "\nWhen " +- "\n" +- "When " - theirs are - " dry, for " - "Romeo’s " - banishment -- ".\nTake up " +- ".\n" +- "Take up " - "those " - "cords. " - Poor ropes @@ -10038,7 +10275,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " not Romeo" - ", take my " - maidenhead -- ".\n\nNURSE.\n" +- ".\n\n" +- "NURSE.\n" - "Hie to " - "your " - "chamber. " @@ -10080,7 +10318,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Enter " - "Friar " - Lawrence. -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - "Romeo, " - come forth @@ -10098,7 +10337,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - art wedded - " to " - calamity. -- "\n\n Enter " +- "\n\n" +- " Enter " - "Romeo.\n\n" - "ROMEO.\n" - "Father, " @@ -10115,7 +10355,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "hand,\n" - That I yet - " know not?" -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - "Too " - "familiar\n" @@ -10148,10 +10389,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - but body’s - " " - banishment -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Ha, " - banishment -- "? Be " +- "? " +- "Be " - "merciful, " - say death; - "\n" @@ -10165,7 +10408,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Do not say - " " - banishment -- ".\n\nFRIAR " +- ".\n\n" +- "FRIAR " - "LAWRENCE.\n" - Hence from - " Verona " @@ -10209,13 +10453,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " head off " - "with a " - golden axe -- ",\nAnd " +- ",\n" +- "And " - "smilest " - "upon the " - "stroke " - "that " - murders me -- ".\n\nFRIAR " +- ".\n\n" +- "FRIAR " - "LAWRENCE.\n" - "O deadly " - "sin, O " @@ -10239,7 +10485,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - black word - " death to " - banishment -- ".\nThis is " +- ".\n" +- "This is " - dear mercy - ", and thou" - " see’st it" @@ -10332,7 +10579,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "death, " - "though " - "ne’er so " -- "mean,\nBut " +- "mean,\n" +- "But " - "banished " - to kill me - "? " @@ -10352,7 +10600,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "divine, a " - "ghostly " - "confessor," -- "\nA sin-" +- "\n" +- A sin- - "absolver, " - "and my " - "friend " @@ -10362,7 +10611,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "me with " - "that word " - banished? -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - "Thou fond " - "mad man, " @@ -10374,7 +10624,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - wilt speak - " again of " - banishment -- ".\n\nFRIAR " +- ".\n\n" +- "FRIAR " - "LAWRENCE.\n" - "I’ll give " - "thee " @@ -10392,12 +10643,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "though " - "thou art " - banished. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "Yet " - "banished? " - "Hang up " - philosophy -- ".\nUnless " +- ".\n" +- "Unless " - philosophy - " can make " - "a Juliet,\n" @@ -10468,10 +10721,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " measure " - "of an " - "unmade " -- "grave.\n\n [" +- "grave.\n\n" +- " [" - "_Knocking " - "within._]" -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - Arise; one - " knocks. " @@ -10488,9 +10743,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "infold me " - "from the " - "search of " -- "eyes.\n\n [" +- "eyes.\n\n" +- " [" - _Knocking. -- "_]\n\nFRIAR " +- "_]\n\n" +- "FRIAR " - "LAWRENCE.\n" - "Hark, how " - they knock @@ -10503,18 +10760,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Stay " - awhile.— - Stand up. -- "\n\n [" +- "\n\n" +- " [" - _Knocking. - "_]\n\n" - "Run to my " - study.—By- - and-by.— - God’s will -- ",\nWhat " +- ",\n" +- "What " - simpleness - " is this.—" - "I come, I " -- "come.\n\n [" +- "come.\n\n" +- " [" - _Knocking. - "_]\n\n" - Who knocks @@ -10523,14 +10783,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "come you, " - "what’s " - your will? -- "\n\nNURSE.\n" +- "\n\n" +- "NURSE.\n" - "[_Within." - "_] Let me " - "come in, " - "and you " - shall know - " my errand" -- ".\nI come " +- ".\n" +- "I come " - "from Lady " - "Juliet.\n\n" - "FRIAR " @@ -10583,7 +10845,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "stand up; " - "stand, and" - " you be a " -- "man.\nFor " +- "man.\n" +- "For " - "Juliet’s " - "sake, for " - "her sake, " @@ -10593,7 +10856,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " you fall " - "into so " - deep an O? -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "Nurse.\n\n" - "NURSE.\n" - "Ah sir, ah" @@ -10627,7 +10891,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And how " - "doth she? " - "And what " -- "says\nMy " +- "says\n" +- "My " - "conceal’d " - "lady to " - "our " @@ -10682,7 +10947,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "? " - "Tell me, " - that I may -- " sack\nThe " +- " sack\n" +- "The " - "hateful " - "mansion.\n\n" - " [_Drawing" @@ -10719,9 +10985,9 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "both!\n" - "Thou hast " - amaz’d me. -- " " -- By my holy -- " order,\n" +- " By my " +- holy order +- ",\n" - "I thought " - "thy " - dispositio @@ -10776,7 +11042,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "none in " - "that true " - use indeed -- "\nWhich " +- "\n" +- "Which " - "should " - bedeck thy - " shape, " @@ -10810,7 +11077,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "in the " - conduct of - " them both" -- ",\nLike " +- ",\n" +- "Like " - "powder in " - a skilless - " soldier’s" @@ -10819,7 +11087,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "afire by " - "thine own " - "ignorance," -- "\nAnd thou " +- "\n" +- "And thou " - dismember’ - "d with " - "thine own " @@ -10837,7 +11106,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " dead.\n" - "There art " - thou happy -- ". Tybalt " +- ". " +- "Tybalt " - would kill - " thee,\n" - "But thou " @@ -10845,7 +11115,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Tybalt; " - "there art " - thou happy -- ".\nThe law " +- ".\n" +- "The law " - "that " - threaten’d - " death " @@ -10884,7 +11155,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", for such" - " die " - miserable. -- "\nGo, get " +- "\n" +- "Go, get " - "thee to " - "thy love " - "as was " @@ -10947,7 +11219,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "sorrow " - makes them - " apt unto." -- "\nRomeo is " +- "\n" +- "Romeo is " - "coming.\n\n" - "NURSE.\n" - "O Lord, I " @@ -10984,7 +11257,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - grows very - " late.\n\n" - " [_Exit._]" -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "How well " - my comfort - " is " @@ -11090,7 +11364,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "have been " - "abed an " - hour ago. -- "\n\nPARIS.\n" +- "\n\n" +- "PARIS.\n" - "These " - "times of " - woe afford @@ -11102,7 +11377,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Commend me - " to your " - daughter. -- "\n\nLADY " +- "\n\n" +- "LADY " - "CAPULET.\n" - "I will, " - "and know " @@ -11137,7 +11413,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - you to her - " ere you " - "go to bed," -- "\nAcquaint " +- "\n" +- "Acquaint " - "her here " - "of my son " - "Paris’ " @@ -11206,7 +11483,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "But what " - say you to - " Thursday?" -- "\n\nPARIS.\n" +- "\n\n" +- "PARIS.\n" - "My lord, I" - " would " - "that " @@ -11243,9 +11521,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "May call " - "it early " - by and by. -- " " -- Good night -- ".\n\n" +- " Good " +- "night.\n\n" - " [_Exeunt." - "_]\n\n" - "SCENE V. " @@ -11270,13 +11547,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - nightingal - "e, and not" - " the lark," -- "\nThat " +- "\n" +- "That " - "pierc’d " - "the " - "fearful " - "hollow of " - thine ear; -- "\nNightly " +- "\n" +- "Nightly " - "she sings " - "on yond " - pomegranat @@ -11291,7 +11570,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " lark, the" - " herald of" - " the morn," -- "\nNo " +- "\n" +- "No " - nightingal - "e. " - "Look, love" @@ -11309,7 +11589,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "are burnt " - "out, and " - jocund day -- "\nStands " +- "\n" +- "Stands " - "tiptoe on " - "the misty " - "mountain " @@ -11350,7 +11631,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ta’en, let" - " me be put" - " to death," -- "\nI am " +- "\n" +- "I am " - "content, " - "so thou " - "wilt have " @@ -11474,13 +11756,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - look about - ".\n\n" - " [_Exit._]" -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "Then, " - "window, " - let day in - ", and let " - life out. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "Farewell, " - "farewell, " - "one kiss, " @@ -11553,7 +11837,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " see thee," - " now thou " - art so low -- ",\nAs one " +- ",\n" +- "As one " - "dead in " - the bottom - " of a tomb" @@ -11591,9 +11876,9 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "That is " - "renown’d " - for faith? -- " " -- "Be fickle," -- " Fortune;\n" +- " Be fickle" +- ", Fortune;" +- "\n" - "For then, " - "I hope " - "thou wilt " @@ -11601,7 +11886,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "him long\n" - "But send " - him back. -- "\n\nLADY " +- "\n\n" +- "LADY " - "CAPULET.\n" - "[_Within." - "_] Ho, " @@ -11625,7 +11911,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "’d cause " - "procures " - her hither -- "?\n\n Enter " +- "?\n\n" +- " Enter " - "Lady " - "Capulet.\n\n" - "LADY " @@ -11649,7 +11936,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " him from " - "his grave " - with tears -- "?\nAnd if " +- "?\n" +- "And if " - "thou " - "couldst, " - "thou " @@ -11684,10 +11972,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "\n" - "Which you " - weep for. -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - Feeling so - " the loss," -- "\nI cannot " +- "\n" +- "I cannot " - choose but - " ever weep" - " the " @@ -11784,7 +12074,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " hope thou" - " wilt be " - satisfied. -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "Indeed I " - "never " - "shall be " @@ -11814,9 +12105,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "thereof,\n" - Soon sleep - " in quiet." -- " " -- "O, how my " -- "heart " +- " O, how my" +- " heart " - "abhors\n" - "To hear " - "him nam’d," @@ -11857,7 +12147,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "beseech " - "your " - ladyship? -- "\n\nLADY " +- "\n\n" +- "LADY " - "CAPULET.\n" - "Well, well" - ", thou " @@ -11869,7 +12160,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " put thee " - "from thy " - "heaviness," -- "\nHath " +- "\n" +- "Hath " - sorted out - " a sudden " - day of joy @@ -11884,13 +12176,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - happy time - ", what day" - " is that?" -- "\n\nLADY " +- "\n\n" +- "LADY " - "CAPULET.\n" - "Marry, my " - "child, " - early next - " Thursday " -- "morn\nThe " +- "morn\n" +- "The " - "gallant, " - "young, and" - " noble " @@ -11982,7 +12276,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "son\n" - "It rains " - downright. -- "\nHow now? " +- "\n" +- "How now? " - "A conduit," - " girl? " - "What, " @@ -11992,7 +12287,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - showering? - " In one " - "little " -- "body\nThou " +- "body\n" +- "Thou " - counterfei - "ts a bark," - " a sea, a " @@ -12065,7 +12361,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Doth she " - "not count " - "her blest," -- "\nUnworthy " +- "\n" +- "Unworthy " - "as she is," - " that we " - "have " @@ -12193,14 +12490,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "see this " - one is one - " too much," -- "\nAnd that " +- "\n" +- "And that " - "we have a " - "curse in " - having her - ".\n" - Out on her - ", hilding." -- "\n\nNURSE.\n" +- "\n\n" +- "NURSE.\n" - "God in " - "heaven " - bless her. @@ -12274,7 +12573,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "gentleman " - "of noble " - "parentage," -- "\nOf fair " +- "\n" +- "Of fair " - "demesnes, " - "youthful, " - "and nobly " @@ -12315,7 +12615,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "not wed, " - "I’ll " - pardon you -- ".\nGraze " +- ".\n" +- "Graze " - "where you " - "will, you " - "shall not " @@ -12360,7 +12661,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - forsworn. - "\n\n" - " [_Exit._]" -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "Is there " - "no pity " - sitting in @@ -12383,7 +12685,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " do not, " - "make the " - bridal bed -- "\nIn that " +- "\n" +- "In that " - "dim " - "monument " - "where " @@ -12402,7 +12705,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "done with " - "thee.\n\n" - " [_Exit._]" -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "O God! " - "O Nurse, " - "how shall " @@ -12437,7 +12741,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "should " - "practise " - stratagems -- "\nUpon so " +- "\n" +- "Upon so " - "soft a " - subject as - " myself.\n" @@ -12459,7 +12764,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "and all " - "the world " - to nothing -- "\nThat he " +- "\n" +- "That he " - "dares " - ne’er come - " back to " @@ -12524,14 +12830,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Speakest " - "thou from " - thy heart? -- "\n\nNURSE.\n" +- "\n\n" +- "NURSE.\n" - "And from " - "my soul " - "too,\n" - "Or else " - "beshrew " - them both. -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "Amen.\n\n" - "NURSE.\n" - "What?\n\n" @@ -12556,14 +12864,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - confession - " and to be" - " absolv’d." -- "\n\nNURSE.\n" +- "\n\n" +- "NURSE.\n" - "Marry, I " - "will; and " - "this is " - "wisely " - "done.\n\n" - " [_Exit._]" -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "Ancient " - damnation! - " O most " @@ -12601,7 +12911,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "the Friar " - "to know " - his remedy -- ".\nIf all " +- ".\n" +- "If all " - "else fail," - " myself " - have power @@ -12617,7 +12928,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Friar " - "Lawrence " - and Paris. -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - "On " - "Thursday, " @@ -12667,7 +12979,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - her father - " counts it" - " dangerous" -- "\nThat she " +- "\n" +- "That she " - "do give " - her sorrow - " so much " @@ -12676,7 +12989,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " wisdom, " - hastes our - " marriage," -- "\nTo stop " +- "\n" +- "To stop " - "the " - inundation - " of her " @@ -12694,7 +13008,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " know the " - "reason of " - this haste -- ".\n\nFRIAR " +- ".\n\n" +- "FRIAR " - "LAWRENCE.\n" - "[_Aside." - "_] I would" @@ -12720,7 +13035,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "be, sir, " - when I may - " be a wife" -- ".\n\nPARIS.\n" +- ".\n\n" +- "PARIS.\n" - "That may " - "be, must " - "be, love, " @@ -12759,7 +13075,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - confess to - " you that " - I love him -- ".\n\nPARIS.\n" +- ".\n\n" +- "PARIS.\n" - So will ye - ", I am " - "sure, that" @@ -12776,7 +13093,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "your back " - "than to " - your face. -- "\n\nPARIS.\n" +- "\n\n" +- "PARIS.\n" - "Poor soul," - " thy face " - "is much " @@ -12812,7 +13130,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " spake, I " - "spake it " - to my face -- ".\n\nPARIS.\n" +- ".\n\n" +- "PARIS.\n" - "Thy face " - "is mine, " - "and thou " @@ -12863,7 +13182,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "this holy " - "kiss.\n\n" - " [_Exit._]" -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - O shut the - " door, and" - " when thou" @@ -12892,7 +13212,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "nothing " - "may " - "prorogue " -- "it,\nOn " +- "it,\n" +- "On " - "Thursday " - "next be " - married to @@ -12993,7 +13314,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "speak’st " - "speak not " - of remedy. -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - "Hold, " - "daughter. " @@ -13124,7 +13446,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - night look - " that thou" - " lie alone" -- ",\nLet not " +- ",\n" +- "Let not " - "thy Nurse " - "lie with " - "thee in " @@ -13168,7 +13491,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "lips and " - "cheeks " - shall fade -- "\nTo paly " +- "\n" +- "To paly " - ashes; thy - " eyes’ " - "windows " @@ -13182,13 +13506,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "depriv’d " - "of supple " - government -- ",\nShall " +- ",\n" +- "Shall " - "stiff and " - "stark and " - "cold " - "appear " - like death -- ".\nAnd in " +- ".\n" +- "And in " - "this " - "borrow’d " - "likeness " @@ -13215,11 +13541,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "thy bed, " - "there art " - thou dead. -- "\nThen as " +- "\n" +- "Then as " - the manner - " of our " - country is -- ",\nIn thy " +- ",\n" +- "In thy " - best robes - ", " - "uncover’d," @@ -13256,7 +13584,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "waking, " - "and that " - very night -- "\nShall " +- "\n" +- "Shall " - Romeo bear - " thee " - "hence to " @@ -13289,7 +13618,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "be strong " - "and " - prosperous -- "\nIn this " +- "\n" +- "In this " - "resolve. " - "I’ll send " - "a friar " @@ -13299,7 +13629,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " with my " - letters to - " thy lord." -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "Love give " - "me " - "strength, " @@ -13388,7 +13719,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "gone to " - "Friar " - Lawrence? -- "\n\nNURSE.\n" +- "\n\n" +- "NURSE.\n" - "Ay, " - forsooth. - "\n\n" @@ -13487,21 +13819,20 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "This is " - "as’t " - should be. -- " " -- Let me see -- " the " +- " Let me " +- "see the " - "County.\n" - "Ay, marry." -- " " -- "Go, I say," -- " and fetch" -- " him " +- " Go, I say" +- ", and " +- "fetch him " - "hither.\n" - "Now afore " - "God, this " - "reverend " - holy Friar -- ",\nAll our " +- ",\n" +- "All our " - whole city - " is much " - "bound to " @@ -13521,7 +13852,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - to furnish - " me " - tomorrow? -- "\n\nLADY " +- "\n\n" +- "LADY " - "CAPULET.\n" - "No, not " - "till " @@ -13540,13 +13872,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " [_Exeunt " - Juliet and - " Nurse._]" -- "\n\nLADY " +- "\n\n" +- "LADY " - "CAPULET.\n" - "We shall " - "be short " - "in our " - "provision," -- "\n’Tis now " +- "\n" +- "’Tis now " - near night - ".\n\n" - "CAPULET.\n" @@ -13649,7 +13983,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "cull’d " - "such " - necessarie -- "s\nAs are " +- "s\n" +- "As are " - "behoveful " - "for our " - "state " @@ -13658,7 +13993,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "you, let " - "me now be " - left alone -- ",\nAnd let " +- ",\n" +- "And let " - "the nurse " - this night - " sit up " @@ -13671,7 +14007,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - In this so - " sudden " - business. -- "\n\nLADY " +- "\n\n" +- "LADY " - "CAPULET.\n" - Good night - ".\n" @@ -13706,7 +14043,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "them back " - "again to " - comfort me -- ".\nNurse!—" +- ".\n" +- Nurse!— - "What " - should she - " do here?\n" @@ -13716,7 +14054,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " act alone" - ".\n" - "Come, vial" -- ".\nWhat if " +- ".\n" +- "What if " - "this " - mixture do - " not work " @@ -13778,9 +14117,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Romeo\n" - "Come to " - redeem me? -- " " -- "There’s a " -- "fearful " +- " There’s a" +- " fearful " - "point!\n" - "Shall I " - "not then " @@ -13804,7 +14142,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "live, is " - "it not " - "very like," -- "\nThe " +- "\n" +- "The " - "horrible " - conceit of - " death and" @@ -13813,7 +14152,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "with the " - "terror of " - "the place," -- "\nAs in a " +- "\n" +- "As in a " - "vault, an " - "ancient " - receptacle @@ -13827,7 +14167,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "buried " - "ancestors " - are pack’d -- ",\nWhere " +- ",\n" +- "Where " - "bloody " - "Tybalt, " - "yet but " @@ -13936,7 +14277,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Lady " - "Capulet " - and Nurse. -- "\n\nLADY " +- "\n\n" +- "LADY " - "CAPULET.\n" - "Hold, take" - " these " @@ -13972,7 +14314,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Angelica;\n" - "Spare not " - for cost. -- "\n\nNURSE.\n" +- "\n\n" +- "NURSE.\n" - "Go, you " - "cot-quean," - " go,\n" @@ -13998,7 +14341,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " cause, " - "and ne’er " - been sick. -- "\n\nLADY " +- "\n\n" +- "LADY " - "CAPULET.\n" - "Ay, you " - "have been " @@ -14026,7 +14370,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - with spits - ", logs and" - " baskets." -- "\n\nNow, " +- "\n\n" +- "Now, " - "fellow, " - "what’s " - "there?\n\n" @@ -14228,16 +14573,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - What noise - " is here?" - "\n\n" -- "NURSE.\nO " +- "NURSE.\n" +- "O " - lamentable - " day!\n\n" - "LADY " - "CAPULET.\n" - "What is " - the matter -- "?\n\nNURSE.\n" +- "?\n\n" +- "NURSE.\n" - "Look, look" -- "! O heavy " +- "! " +- "O heavy " - "day!\n\n" - "LADY " - "CAPULET.\n" @@ -14254,7 +14602,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Help, help" - "! " - Call help. -- "\n\n Enter " +- "\n\n" +- " Enter " - "Capulet.\n\n" - "CAPULET.\n" - "For shame," @@ -14306,7 +14655,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "flower of " - "all the " - "field.\n\n" -- "NURSE.\nO " +- "NURSE.\n" +- "O " - lamentable - " day!\n\n" - "LADY " @@ -14331,7 +14681,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "and Paris " - "with " - Musicians. -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - "Come, is " - "the bride " @@ -14362,7 +14713,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - my son-in- - "law, death" - " is my " -- "heir;\nMy " +- "heir;\n" +- "My " - "daughter " - "he hath " - "wedded. " @@ -14392,7 +14744,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "unhappy, " - "wretched, " - "hateful " -- "day.\nMost " +- "day.\n" +- "Most " - "miserable " - "hour that " - "e’er time " @@ -14422,7 +14775,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O woeful, " - "woeful, " - woeful day -- ".\nMost " +- ".\n" +- "Most " - lamentable - " day, most" - " woeful " @@ -14444,7 +14798,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O woeful " - "day, O " - woeful day -- ".\n\nPARIS.\n" +- ".\n\n" +- "PARIS.\n" - "Beguil’d, " - "divorced, " - "wronged, " @@ -14459,7 +14814,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - cruel thee - " quite " - overthrown -- ".\nO love! " +- ".\n" +- "O love! " - "O life! " - "Not life, " - "but love " @@ -14479,7 +14835,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " murder " - "our " - solemnity? -- "\nO child! " +- "\n" +- "O child! " - "O child! " - "My soul, " - and not my @@ -14493,7 +14850,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "my child " - "my joys " - are buried -- ".\n\nFRIAR " +- ".\n\n" +- "FRIAR " - "LAWRENCE.\n" - "Peace, ho," - " for shame" @@ -14537,7 +14895,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - heaven she - " should be" - " advanc’d," -- "\nAnd weep " +- "\n" +- "And weep " - "ye now, " - seeing she - " is " @@ -14589,7 +14948,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "nature " - "bids us " - all lament -- ",\nYet " +- ",\n" +- "Yet " - "nature’s " - "tears are " - "reason’s " @@ -14632,7 +14992,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "them to " - "the " - contrary. -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - "Sir, go " - "you in, " @@ -14647,7 +15008,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "this fair " - corse unto - " her grave" -- ".\nThe " +- ".\n" +- "The " - heavens do - " lower " - "upon you " @@ -14712,7 +15074,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Why ‘ - "Heart’s " - "ease’?\n\n" -- "PETER.\nO " +- "PETER.\n" +- "O " - "musicians," - " because " - "my heart " @@ -14725,16 +15088,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - merry dump - " to " - comfort me -- ".\n\nFIRST " +- ".\n\n" +- "FIRST " - "MUSICIAN.\n" - Not a dump - " we, ’tis " - no time to - " play now." -- "\n\nPETER.\n" +- "\n\n" +- "PETER.\n" - "You will " - not then? -- "\n\nFIRST " +- "\n\n" +- "FIRST " - "MUSICIAN.\n" - "No.\n\n" - "PETER.\n" @@ -14752,18 +15118,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "on my " - "faith, but" - " the gleek" -- "! I will " +- "! " +- "I will " - "give you " - "the " - minstrel. -- "\n\nFIRST " +- "\n\n" +- "FIRST " - "MUSICIAN.\n" - "Then will " - I give you - " the " - serving- - creature. -- "\n\nPETER.\n" +- "\n\n" +- "PETER.\n" - "Then will " - "I lay the " - serving- @@ -14863,7 +15232,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What say " - "you, James" - " Soundpost" -- "?\n\nTHIRD " +- "?\n\n" +- "THIRD " - "MUSICIAN.\n" - "Faith, I " - "know not " @@ -14899,13 +15269,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - redress.’ - "\n\n" - " [_Exit._]" -- "\n\nFIRST " +- "\n\n" +- "FIRST " - "MUSICIAN.\n" - "What a " - "pestilent " - "knave is " - this same! -- "\n\nSECOND " +- "\n\n" +- "SECOND " - "MUSICIAN.\n" - "Hang him, " - "Jack. " @@ -14923,7 +15295,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "SCENE I. " - "Mantua. " - A Street. -- "\n\n Enter " +- "\n\n" +- " Enter " - "Romeo.\n\n" - "ROMEO.\n" - "If I may " @@ -14964,7 +15337,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " a dead " - "man leave " - to think!— -- "\nAnd " +- "\n" +- "And " - "breath’d " - "such life " - "with " @@ -14979,7 +15353,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "love " - "itself " - "possess’d," -- "\nWhen but " +- "\n" +- "When but " - "love’s " - "shadows " - "are so " @@ -15005,16 +15380,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "well?\n" - "How fares " - my Juliet? -- " " -- That I ask -- " again;\n" +- " That I " +- ask again; +- "\n" - "For " - "nothing " - can be ill - " if she be" - " well.\n\n" - BALTHASAR. -- "\nThen she " +- "\n" +- "Then she " - "is well, " - "and " - "nothing " @@ -15068,7 +15444,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "hence " - "tonight.\n\n" - BALTHASAR. -- "\nI do " +- "\n" +- "I do " - "beseech " - "you sir, " - "have " @@ -15096,9 +15473,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "from the " - "Friar?\n\n" - BALTHASAR. -- "\nNo, my " +- "\n" +- "No, my " - good lord. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - No matter. - " Get thee " - "gone,\n" @@ -15108,34 +15487,39 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I’ll be " - "with thee " - straight. -- "\n\n [_Exit " +- "\n\n" +- " [_Exit " - Balthasar. -- "_]\n\nWell, " +- "_]\n\n" +- "Well, " - "Juliet, I " - "will lie " - "with thee " - "tonight.\n" - "Let’s see " - for means. -- " " -- O mischief -- " thou art " +- " O " +- "mischief " +- "thou art " - "swift\n" - "To enter " - "in the " - "thoughts " - "of " - "desperate " -- "men.\nI do " +- "men.\n" +- "I do " - "remember " - "an " - apothecary -- ",—\nAnd " +- ",—\n" +- "And " - hereabouts - " he dwells" - ",—which " - "late I " -- "noted\nIn " +- "noted\n" +- "In " - "tatter’d " - "weeds, " - "with " @@ -15155,7 +15539,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " needy " - "shop a " - "tortoise " -- "hung,\nAn " +- "hung,\n" +- "An " - "alligator " - "stuff’d, " - "and other " @@ -15187,7 +15572,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "scatter’d," - " to make " - up a show. -- "\nNoting " +- "\n" +- "Noting " - "this " - "penury, to" - " myself I " @@ -15217,12 +15603,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - same needy - " man must " - sell it me -- ".\nAs I " +- ".\n" +- "As I " - "remember, " - "this " - "should be " - the house. -- "\nBeing " +- "\n" +- "Being " - "holiday, " - "the " - "beggar’s " @@ -15230,7 +15618,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "shut.\n" - "What, ho! " - Apothecary -- "!\n\n Enter " +- "!\n\n" +- " Enter " - Apothecary - ".\n\n" - APOTHECARY @@ -15271,7 +15660,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "may be " - discharg’d - " of breath" -- "\nAs " +- "\n" +- "As " - "violently " - "as hasty " - "powder " @@ -15282,7 +15672,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "cannon’s " - "womb.\n\n" - APOTHECARY -- ".\nSuch " +- ".\n" +- "Such " - "mortal " - "drugs I " - "have, but " @@ -15299,7 +15690,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "and full " - "of " - wretchedne -- "ss,\nAnd " +- "ss,\n" +- "And " - fear’st to - " die? " - "Famine is " @@ -15339,7 +15731,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", but not " - "my will " - consents. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "I pay thy " - "poverty, " - "and not " @@ -15364,7 +15757,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "despatch " - "you " - straight. -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "There is " - "thy gold, " - "worse " @@ -15414,7 +15808,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Friar John - ".\n\n" - FRIAR JOHN -- ".\nHoly " +- ".\n" +- "Holy " - Franciscan - " Friar! " - "Brother, " @@ -15422,7 +15817,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Enter " - "Friar " - Lawrence. -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - "This same " - "should be " @@ -15488,7 +15884,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "then to " - "Romeo?\n\n" - FRIAR JOHN -- ".\nI could " +- ".\n" +- "I could " - "not send " - "it,—here " - "it is " @@ -15501,7 +15898,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " were they" - " of " - infection. -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - "Unhappy " - "fortune! " @@ -15538,7 +15936,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "and bring " - "it thee.\n\n" - " [_Exit._]" -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - Now must I - " to the " @@ -15567,7 +15966,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "her at my " - "cell till " - Romeo come -- ".\nPoor " +- ".\n" +- "Poor " - "living " - "corse, " - "clos’d in " @@ -15584,7 +15984,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "belonging " - "to the " - Capulets. -- "\n\n Enter " +- "\n\n" +- " Enter " - "Paris, and" - " his Page " - "bearing " @@ -15607,7 +16008,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " yew tree " - "lay thee " - "all along," -- "\nHolding " +- "\n" +- "Holding " - "thy ear " - "close to " - the hollow @@ -15679,7 +16081,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - with tears - " distill’d" - " by moans." -- "\nThe " +- "\n" +- "The " - "obsequies " - that I for - " thee will" @@ -15689,7 +16092,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "to strew " - "thy grave " - and weep. -- "\n\n [_The " +- "\n\n" +- " [_The " - "Page " - whistles. - "_]\n\n" @@ -15767,7 +16171,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Is partly " - "to behold " - "my lady’s " -- "face,\nBut " +- "face,\n" +- "But " - chiefly to - " take " - "thence " @@ -15778,7 +16183,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " ring, a " - "ring that " - I must use -- "\nIn dear " +- "\n" +- "In dear " - employment - ". " - "Therefore " @@ -15844,7 +16250,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "good " - "fellow.\n\n" - BALTHASAR. -- "\nFor all " +- "\n" +- "For all " - "this same," - " I’ll hide" - " me " @@ -15854,9 +16261,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I fear, " - "and his " - "intents I " -- "doubt.\n\n [" +- "doubt.\n\n" +- " [" - "_Retires_]" -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "Thou " - detestable - " maw, thou" @@ -15867,11 +16276,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "dearest " - "morsel of " - "the earth," -- "\nThus I " +- "\n" +- "Thus I " - "enforce " - thy rotten - " jaws to " -- "open,\n\n [" +- "open,\n\n" +- " [" - "_Breaking " - "open the " - "door of " @@ -15883,7 +16294,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I’ll cram " - "thee with " - more food. -- "\n\nPARIS.\n" +- "\n\n" +- "PARIS.\n" - "This is " - "that " - "banish’d " @@ -15910,7 +16322,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "bodies. " - "I will " - "apprehend " -- "him.\n\n [" +- "him.\n\n" +- " [" - _Advances. - "_]\n\n" - "Stop thy " @@ -15933,7 +16346,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - go with me - ", for thou" - " must die." -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "I must " - "indeed; " - "and " @@ -15992,7 +16406,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I do defy " - "thy " - conjuratio -- "n,\nAnd " +- "n,\n" +- "And " - "apprehend " - thee for a - " felon " @@ -16014,7 +16429,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "call the " - "watch.\n\n" - " [_Exit._]" -- "\n\nPARIS.\n" +- "\n\n" +- "PARIS.\n" - "O, I am " - "slain! " - "[_Falls." @@ -16026,7 +16442,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "me with " - "Juliet.\n\n" - " [_Dies._]" -- "\n\nROMEO.\n" +- "\n\n" +- "ROMEO.\n" - "In faith, " - "I will. " - "Let me " @@ -16064,12 +16481,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "hearing " - "him talk " - "of Juliet," -- "\nTo think " +- "\n" +- "To think " - it was so? -- " " -- "O, give me" -- " thy hand," -- "\nOne writ " +- " O, give " +- "me thy " +- "hand,\n" +- "One writ " - with me in - " sour " - misfortune @@ -16113,10 +16531,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "death\n" - "Have they " - been merry -- "! Which " +- "! " +- "Which " - "their " - "keepers " -- "call\nA " +- "call\n" +- "A " - "lightning " - "before " - "death. " @@ -16125,9 +16545,9 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Call this " - "a " - lightning? -- " " -- "O my love," -- " my wife,\n" +- " O my love" +- ", my wife," +- "\n" - Death that - " hath " - suck’d the @@ -16275,9 +16695,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "!\n" - "Thy drugs " - are quick. -- " " -- "Thus with " -- "a kiss I " +- " Thus with" +- " a kiss I " - "die.\n\n" - " [_Dies._]" - "\n\n" @@ -16318,7 +16737,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", and one " - that knows - " you well." -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - "Bliss be " - "upon you. " @@ -16351,7 +16771,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " master,\n" - "One that " - you love. -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - Who is it? - "\n\n" @@ -16380,7 +16801,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "knows not " - "but I am " - gone hence -- ",\nAnd " +- ",\n" +- "And " - "fearfully " - did menace - " me with " @@ -16403,7 +16825,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "unlucky " - "thing.\n\n" - BALTHASAR. -- "\nAs I did " +- "\n" +- "As I did " - "sleep " - under this - " yew tree " @@ -16416,7 +16839,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And that " - "my master " - slew him. -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - "Romeo! " - "[_Advances" @@ -16451,7 +16875,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Who else? " - "What, " - Paris too? -- "\nAnd " +- "\n" +- "And " - steep’d in - " blood? " - Ah what an @@ -16466,7 +16891,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " [_Juliet " - "wakes and " - "stirs._]\n\n" -- "JULIET.\nO " +- "JULIET.\n" +- "O " - comfortabl - "e Friar, " - "where is " @@ -16483,7 +16909,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "\n\n" - " [_Noise " - "within._]" -- "\n\nFRIAR " +- "\n\n" +- "FRIAR " - "LAWRENCE.\n" - "I hear " - some noise @@ -16500,7 +16927,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - power than - " we can " - contradict -- "\nHath " +- "\n" +- "Hath " - "thwarted " - "our " - "intents. " @@ -16580,13 +17008,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "him._]\n\n" - "Thy lips " - are warm! -- "\n\nFIRST " +- "\n\n" +- "FIRST " - "WATCH.\n" - "[_Within." - "_] Lead, " - "boy. " - Which way? -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "Yea, noise" - "? " - "Then I’ll " @@ -16597,7 +17027,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - _Snatching - " Romeo’s " - "dagger._]" -- "\n\nThis is " +- "\n\n" +- "This is " - thy sheath - ". [_stabs " - "herself_] " @@ -16612,7 +17043,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Watch with - " the Page " - of Paris. -- "\n\nPAGE.\n" +- "\n\n" +- "PAGE.\n" - "This is " - the place. - " There, " @@ -16623,7 +17055,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "WATCH.\n" - The ground - " is bloody" -- ". Search " +- ". " +- "Search " - "about the " - churchyard - ".\n" @@ -16687,7 +17120,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "the Watch " - "with " - Balthasar. -- "\n\nSECOND " +- "\n\n" +- "SECOND " - "WATCH.\n" - "Here’s " - "Romeo’s " @@ -16696,7 +17130,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - him in the - " " - churchyard -- ".\n\nFIRST " +- ".\n\n" +- "FIRST " - "WATCH.\n" - "Hold him " - "in safety " @@ -16709,14 +17144,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "the Watch " - with Friar - " Lawrence." -- "\n\nTHIRD " +- "\n\n" +- "THIRD " - "WATCH. " - "Here is a " - Friar that - " trembles," - " sighs, " - and weeps. -- "\nWe took " +- "\n" +- "We took " - "this " - "mattock " - "and this " @@ -16769,7 +17206,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "people in " - the street - " cry Romeo" -- ",\nSome " +- ",\n" +- "Some " - "Juliet, " - "and some " - "Paris, and" @@ -16778,7 +17216,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "outcry " - toward our - " monument." -- "\n\nPRINCE.\n" +- "\n\n" +- "PRINCE.\n" - "What fear " - "is this " - "which " @@ -16815,7 +17254,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " " - slaughter’ - "d Romeo’s " -- "man,\nWith " +- "man,\n" +- "With " - instrument - "s upon " - "them fit " @@ -16856,7 +17296,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " my old " - "age to a " - sepulchre. -- "\n\n Enter " +- "\n\n" +- " Enter " - "Montague " - and others - ".\n\n" @@ -16882,13 +17323,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - exile hath - " stopp’d " - her breath -- ".\nWhat " +- ".\n" +- "What " - "further " - "woe " - "conspires " - "against " - mine age? -- "\n\nPRINCE.\n" +- "\n\n" +- "PRINCE.\n" - "Look, and " - thou shalt - " see.\n\n" @@ -16902,7 +17345,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - before thy - " father to" - " a grave?" -- "\n\nPRINCE.\n" +- "\n\n" +- "PRINCE.\n" - "Seal up " - "the mouth " - of outrage @@ -16939,7 +17383,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "forth the " - parties of - " suspicion" -- ".\n\nFRIAR " +- ".\n\n" +- "FRIAR " - "LAWRENCE.\n" - "I am the " - "greatest, " @@ -16964,7 +17409,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "condemned " - and myself - " excus’d." -- "\n\nPRINCE.\n" +- "\n\n" +- "PRINCE.\n" - "Then say " - "at once " - "what thou " @@ -16998,7 +17444,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "their " - "stol’n " - "marriage " -- "day\nWas " +- "day\n" +- "Was " - "Tybalt’s " - "doomsday, " - "whose " @@ -17171,7 +17618,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " by my " - "fault, let" - " my old " -- "life\nBe " +- "life\n" +- "Be " - sacrific’d - ", some " - "hour " @@ -17186,7 +17634,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - have known - " thee for " - a holy man -- ".\nWhere’s " +- ".\n" +- "Where’s " - "Romeo’s " - "man? " - "What can " @@ -17213,13 +17662,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "early bid " - "me give " - his father -- ",\nAnd " +- ",\n" +- "And " - threaten’d - " me with " - "death, " - "going in " - "the vault," -- "\nIf I " +- "\n" +- "If I " - "departed " - "not, and " - "left him " @@ -17241,7 +17692,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "your " - "master in " - this place -- "?\n\nPAGE.\n" +- "?\n\n" +- "PAGE.\n" - "He came " - "with " - flowers to @@ -17267,7 +17719,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " ran away " - "to call " - the watch. -- "\n\nPRINCE.\n" +- "\n\n" +- "PRINCE.\n" - "This " - "letter " - "doth make " @@ -17289,7 +17742,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ’pothecary - ", and " - therewitha -- "l\nCame to " +- "l\n" +- "Came to " - this vault - " to die, " - "and lie " @@ -17344,7 +17798,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " raise her" - " statue in" - " pure gold" -- ",\nThat " +- ",\n" +- "That " - "whiles " - "Verona by " - "that name " @@ -17364,7 +17819,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Romeo’s by - " his " - lady’s lie -- ",\nPoor " +- ",\n" +- "Poor " - sacrifices - " of our " - "enmity.\n\n" @@ -17408,7 +17864,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "EBOOK " - "ROMEO AND " - JULIET *** -- "\n\nUpdated " +- "\n\n" +- "Updated " - "editions " - "will " - "replace " @@ -17439,12 +17896,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "so the " - Foundation - " (and you!" -- ") " -- "can copy " -- "and " +- ) can copy +- " and " - distribute - " it in the" -- "\nUnited " +- "\n" +- "United " - "States " - "without " - permission @@ -17485,7 +17942,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "is a " - registered - " trademark" -- ",\nand may " +- ",\n" +- "and may " - "not be " - "used if " - you charge @@ -17505,10 +17963,10 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Project " - "Gutenberg " - trademark. -- " " -- "If you do " -- not charge -- " anything " +- " If you do" +- " not " +- "charge " +- "anything " - "for\n" - "copies of " - this eBook @@ -17542,7 +18000,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "printed " - "and given " - "away--you " -- "may\ndo " +- "may\n" +- "do " - practicall - y ANYTHING - " in the " @@ -17551,7 +18010,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "with " - eBooks not - " protected" -- "\nby U.S. " +- "\n" +- "by U.S. " - "copyright " - "law. " - Redistribu @@ -17664,10 +18124,9 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - /copyright - ") " - agreement. -- " " -- "If you do " -- "not agree " -- "to abide " +- " If you do" +- " not agree" +- " to abide " - "by all\n" - "the terms " - "of this " @@ -17686,7 +18145,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " works in " - "your\n" - possession -- ". If you " +- ". " +- "If you " - paid a fee - " for " - "obtaining " @@ -17723,7 +18183,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " is a " - registered - " trademark" -- ". It may " +- ". " +- "It may " - "only be\n" - used on or - " " @@ -17734,15 +18195,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - electronic - " work by " - people who -- "\nagree to " +- "\n" +- "agree to " - "be bound " - "by the " - "terms of " - "this " - agreement. -- " " -- "There are " -- "a few\n" +- " There are" +- " a few\n" - "things " - "that you " - "can do " @@ -17791,7 +18252,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "paragraph " - 1.E below. - "\n\n" -- "1.C. The " +- "1.C. " +- "The " - "Project " - "Gutenberg " - "Literary " @@ -17815,7 +18277,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Nearly all - " the " - individual -- "\nworks in " +- "\n" +- "works in " - "the " - collection - " are in " @@ -17831,7 +18294,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "d by " - "copyright " - law in the -- "\nUnited " +- "\n" +- "United " - States and - " you are " - located in @@ -17856,7 +18320,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "based on " - "the work " - as long as -- "\nall " +- "\n" +- "all " - references - " to " - "Project " @@ -17922,7 +18387,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " charge " - "with " - "others.\n\n" -- "1.D. The " +- "1.D. " +- "The " - "copyright " - "laws of " - "the place " @@ -17939,7 +18405,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "laws in " - "most " - "countries " -- "are\nin a " +- "are\n" +- "in a " - "constant " - "state of " - "change. " @@ -18001,7 +18468,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " to " - "Project " - "Gutenberg:" -- "\n\n1.E.1. " +- "\n\n" +- "1.E.1. " - "The " - "following " - "sentence, " @@ -18055,7 +18523,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "in the " - "United " - States and -- "\n most " +- "\n" +- " most " - "other " - "parts of " - "the world " @@ -18066,7 +18535,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - restrictio - "ns " - whatsoever -- ". You may " +- ". " +- "You may " - "copy it, " - "give it " - away or re @@ -18165,7 +18635,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - requiremen - "ts of " - paragraphs -- " 1.E.1 " +- " 1." +- "E.1 " - through 1. - "E.7 or\n" - "obtain " @@ -18201,11 +18672,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "your use " - "and " - distributi -- "on\nmust " +- "on\n" +- "must " - "comply " - "with both " - paragraphs -- " 1.E.1 " +- " 1." +- "E.1 " - through 1. - "E.7 and " - "any\n" @@ -18286,7 +18759,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "in " - "paragraph " - 1.E.1 with -- "\nactive " +- "\n" +- "active " - "links or " - "immediate " - "access to " @@ -18296,7 +18770,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Project\n" - Gutenberg- - tm License -- ".\n\n1.E.6. " +- ".\n\n" +- "1.E.6. " - "You may " - convert to - " and " @@ -18345,7 +18820,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Project " - Gutenberg- - tm website -- "\n(" +- "\n" +- ( - www.gutenb - "erg.org), " - "you must, " @@ -18375,12 +18851,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Vanilla " - "ASCII\" or " - other form -- ". Any " +- ". " +- "Any " - "alternate " - "format " - "must " - "include " -- "the\nfull " +- "the\n" +- "full " - "Project " - Gutenberg- - tm License @@ -18469,12 +18947,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - under this - " paragraph" - " to the " -- "Project\n " +- "Project\n" +- " " - "Gutenberg " - "Literary " - "Archive " - Foundation -- ". Royalty " +- ". " +- "Royalty " - "payments " - "must be " - "paid\n" @@ -18501,7 +18981,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "such and " - "sent to " - "the " -- "Project\n " +- "Project\n" +- " " - "Gutenberg " - "Literary " - "Archive " @@ -18521,7 +19002,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Literary" - " Archive " - Foundation -- ".\"\n\n* You " +- ".\"\n\n" +- "* You " - "provide a " - "full " - "refund of " @@ -18578,7 +19060,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - accordance - " with " - "paragraph " -- "1.F.3, a " +- "1." +- "F.3, a " - "full " - "refund of\n" - " any " @@ -18588,7 +19071,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - replacemen - "t copy, if" - " a defect " -- "in the\n " +- "in the\n" +- " " - electronic - " work is " - discovered @@ -18614,7 +19098,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Project " - Gutenberg- - tm works. -- "\n\n1.E.9. " +- "\n\n" +- "1.E.9. " - "If you " - "wish to " - "charge a " @@ -18630,7 +19115,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "works on " - "different " - terms than -- "\nare set " +- "\n" +- "are set " - "forth in " - "this " - "agreement," @@ -18647,7 +19133,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Foundation - ", the " - manager of -- "\nthe " +- "\n" +- "the " - "Project " - Gutenberg- - "tm " @@ -18689,7 +19176,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Gutenberg- - "tm " - collection -- ". Despite " +- ". " +- "Despite " - "these " - "efforts, " - "Project " @@ -18740,7 +19228,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "read by " - "your " - equipment. -- "\n\n1.F.2. " +- "\n\n" +- "1.F.2. " - "LIMITED " - "WARRANTY, " - DISCLAIMER @@ -18748,7 +19237,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "DAMAGES - " - Except for - " the \"" -- "Right\nof " +- "Right\n" +- "of " - Replacemen - "t or " - "Refund\" " @@ -18944,7 +19434,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - replacemen - "t or " - refund set -- " forth\nin " +- " forth\n" +- "in " - "paragraph " - "1." - "F.3, this " @@ -18952,7 +19443,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "provided " - "to you 'AS" - "-IS', WITH" -- " NO\nOTHER " +- " NO\n" +- "OTHER " - WARRANTIES - " OF ANY " - "KIND, " @@ -19014,7 +19506,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " by the " - applicable - " state law" -- ". The " +- ". " +- "The " - invalidity - " or\n" - unenforcea @@ -19027,7 +19520,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "void the\n" - "remaining " - provisions -- ".\n\n1.F.6. " +- ".\n\n" +- "1.F.6. " - "INDEMNITY " - "- You " - "agree to " @@ -19083,7 +19577,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "or " - indirectly - " from any " -- "of\nthe " +- "of\n" +- "the " - "following " - "which you " - "do or " @@ -19092,7 +19587,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " " - distributi - on of this -- "\nor any " +- "\n" +- "or any " - "Project " - Gutenberg- - "tm work, (" @@ -19243,7 +19739,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Literary\n" - "Archive " - Foundation -- "\n\nThe " +- "\n\n" +- "The " - "Project " - "Gutenberg " - "Literary " @@ -19293,7 +19790,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "full " - "extent " - "permitted " -- "by\nU.S. " +- "by\n" +- "U.S. " - "federal " - "laws and " - "your " @@ -19325,7 +19823,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "the " - Foundation - "'s website" -- "\nand " +- "\n" +- "and " - "official " - "page at " - www.gutenb @@ -19342,7 +19841,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Literary " - "Archive " - Foundation -- "\n\nProject " +- "\n\n" +- "Project " - Gutenberg- - tm depends - " upon and " @@ -19380,10 +19880,10 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "including " - "outdated " - equipment. -- " " -- Many small -- " donations" -- "\n($1 to $" +- " Many " +- "small " +- "donations\n" +- ($1 to $ - "5,000) are" - " " - particular @@ -19395,7 +19895,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "exempt\n" - "status " - "with the " -- "IRS.\n\nThe " +- "IRS.\n\n" +- "The " - Foundation - " is " - "committed " @@ -19454,7 +19955,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - compliance - " for any " - particular -- "\nstate " +- "\n" +- "state " - "visit " - www.gutenb - erg.org/ @@ -19476,7 +19978,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - know of no - " " - prohibitio -- "n\nagainst " +- "n\n" +- "against " - "accepting " - unsolicite - "d " @@ -19485,7 +19988,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "donors in " - "such " - states who -- "\napproach " +- "\n" +- "approach " - "us with " - "offers to " - "donate.\n\n" @@ -19497,7 +20001,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " accepted," - " but we " - "cannot " -- "make\nany " +- "make\n" +- "any " - statements - " " - concerning @@ -19526,9 +20031,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "methods " - "and " - addresses. -- " " -- "Donations " -- "are " +- " Donations" +- " are " - "accepted " - "in a " - "number of " diff --git a/tests/snapshots/text_splitter_snapshots__characters_default@room_with_a_view.txt-2.snap b/tests/snapshots/text_splitter_snapshots__characters_default@room_with_a_view.txt-2.snap index 387787ff..a6bae8f8 100644 --- a/tests/snapshots/text_splitter_snapshots__characters_default@room_with_a_view.txt-2.snap +++ b/tests/snapshots/text_splitter_snapshots__characters_default@room_with_a_view.txt-2.snap @@ -29,7 +29,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Chapter I The Bertolini\n\n\n" - "“The Signora had no business to do it,” said Miss Bartlett, “no business at all. " - "She promised us south rooms with a view close together, instead of which here are north rooms, " -- "looking into a courtyard, and a long way apart. Oh, Lucy!”\n\n“And a Cockney, besides!” " +- "looking into a courtyard, and a long way apart. Oh, Lucy!”\n\n" +- "“And a Cockney, besides!” " - "said Lucy, who had been further saddened by the Signora’s unexpected accent. “It might be London.” " - "She looked at the two rows of English people who were sitting at the table; at the row of white " - "bottles of water and red bottles of wine that ran between the English people; at the portraits of " @@ -44,7 +45,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The rooms the Signora promised us in her letter would have looked over the Arno. " - "The Signora had no business to do it at all. Oh, it is a shame!”\n\n" - "“Any nook does for me,” Miss Bartlett continued; “but it does seem hard that you shouldn’t have a " -- "view.”\n\nLucy felt that she had been selfish. “Charlotte, you mustn’t spoil me:\n" +- "view.”\n\n" +- "Lucy felt that she had been selfish. “Charlotte, you mustn’t spoil me:\n" - "of course, you must look over the Arno, too. I meant that. " - "The first vacant room in the front—” “You must have it,” said Miss Bartlett, part of whose " - "travelling expenses were paid by Lucy’s mother—a piece of generosity to which she made many a " @@ -54,7 +56,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "They were tired, and under the guise of unselfishness they wrangled. " - "Some of their neighbours interchanged glances, and one of them—one of the ill-bred people whom one " - "does meet abroad—leant forward over the table and actually intruded into their argument. He said:\n\n" -- "“I have a view, I have a view.”\n\nMiss Bartlett was startled. " +- "“I have a view, I have a view.”\n\n" +- "Miss Bartlett was startled. " - "Generally at a pension people looked them over for a day or two before speaking, and often did not " - "find out that they would “do” till they had gone. " - "She knew that the intruder was ill-bred, even before she glanced at him. " @@ -94,10 +97,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Eat your dinner, dear. This pension is a failure. To-morrow we will make a change.”\n\n" - "Hardly had she announced this fell decision when she reversed it. " - "The curtains at the end of the room parted, and revealed a clergyman, stout but attractive, who " -- "hurried forward to take his place at the table,\ncheerfully apologizing for his lateness. " +- "hurried forward to take his place at the table,\n" +- "cheerfully apologizing for his lateness. " - "Lucy, who had not yet acquired decency, at once rose to her feet, exclaiming: “Oh, oh! Why, it’s Mr." - "\nBeebe! Oh, how perfectly lovely! Oh, Charlotte, we must stop now,\nhowever bad the rooms are. Oh!”\n\n" -- "Miss Bartlett said, with more restraint:\n\n“How do you do, Mr. Beebe? " +- "Miss Bartlett said, with more restraint:\n\n" +- "“How do you do, Mr. Beebe? " - "I expect that you have forgotten us: Miss Bartlett and Miss Honeychurch, who were at Tunbridge Wells" - " when you helped the Vicar of St. Peter’s that very cold Easter.”\n\n" - "The clergyman, who had the air of one on a holiday, did not remember the ladies quite as clearly as " @@ -123,7 +128,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " been there before. It is delightful to advise a newcomer, and he was first in the field. " - "“Don’t neglect the country round,” his advice concluded. " - "“The first fine afternoon drive up to Fiesole, and round by Settignano, or something of that sort.”" -- "\n\n“No!” cried a voice from the top of the table. “Mr. Beebe, you are wrong. " +- "\n\n" +- "“No!” cried a voice from the top of the table. “Mr. Beebe, you are wrong. " - "The first fine afternoon your ladies must go to Prato.”\n\n" - "“That lady looks so clever,” whispered Miss Bartlett to her cousin. “We are in luck.”\n\n" - "And, indeed, a perfect torrent of information burst on them. " @@ -145,9 +151,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She hastened after her cousin, who had already disappeared through the curtains—curtains which smote" - " one in the face, and seemed heavy with more than cloth. " - "Beyond them stood the unreliable Signora, bowing good-evening to her guests, and supported by ’Enery" -- ", her little boy,\nand Victorier, her daughter. " +- ", her little boy,\n" +- "and Victorier, her daughter. " - "It made a curious little scene, this attempt of the Cockney to convey the grace and geniality of the" -- " South.\nAnd even more curious was the drawing-room, which attempted to rival the solid comfort of a " +- " South.\n" +- "And even more curious was the drawing-room, which attempted to rival the solid comfort of a " - "Bloomsbury boarding-house. Was this really Italy?\n\n" - "Miss Bartlett was already seated on a tightly stuffed arm-chair, which had the colour and the " - "contours of a tomato. She was talking to Mr.\n" @@ -171,7 +179,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He no more thought of putting you under an obligation than he thought of being polite. " - "It is so difficult—at least, I find it difficult—to understand people who speak the truth.”\n\n" - "Lucy was pleased, and said: “I was hoping that he was nice; I do so always hope that people will be " -- "nice.”\n\n“I think he is; nice and tiresome. " +- "nice.”\n\n" +- "“I think he is; nice and tiresome. " - "I differ from him on almost every point of any importance, and so, I expect—I may say I hope—you " - "will differ. But his is a type one disagrees with rather than deplores. " - "When he first came here he not unnaturally put people’s backs up. " @@ -228,7 +237,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Mr. Beebe has just been scolding me for my suspicious nature. " - "Of course, I was holding back on my cousin’s account.”\n\n" - "“Of course,” said the little old lady; and they murmured that one could not be too careful with a " -- "young girl.\n\nLucy tried to look demure, but could not help feeling a great fool. " +- "young girl.\n\n" +- "Lucy tried to look demure, but could not help feeling a great fool. " - "No one was careful with her at home; or, at all events, she had not noticed it.\n\n" - "“About old Mr. Emerson—I hardly know. " - "No, he is not tactful; yet, have you ever noticed that there are people who do things which are most" @@ -243,12 +253,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, Charlotte,” cried Lucy to her cousin, “we must have the rooms now.\n" - "The old man is just as nice and kind as he can be.”\n\nMiss Bartlett was silent.\n\n" - "“I fear,” said Mr. Beebe, after a pause, “that I have been officious. " -- "I must apologize for my interference.”\n\nGravely displeased, he turned to go. " +- "I must apologize for my interference.”\n\n" +- "Gravely displeased, he turned to go. " - "Not till then did Miss Bartlett reply: “My own wishes, dearest Lucy, are unimportant in comparison " - "with yours. " - "It would be hard indeed if I stopped you doing as you liked at Florence, when I am only here through" - " your kindness. If you wish me to turn these gentlemen out of their rooms, I will do it. " -- "Would you then,\nMr. Beebe, kindly tell Mr. " +- "Would you then,\n" +- "Mr. Beebe, kindly tell Mr. " - "Emerson that I accept his kind offer, and then conduct him to me, in order that I may thank him " - "personally?”\n\n" - "She raised her voice as she spoke; it was heard all over the drawing-room, and silenced the Guelfs " @@ -258,7 +270,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Grant me that, at all events.”\n\nMr. Beebe was back, saying rather nervously:\n\n" - "“Mr. Emerson is engaged, but here is his son instead.”\n\n" - "The young man gazed down on the three ladies, who felt seated on the floor, so low were their chairs" -- ".\n\n“My father,” he said, “is in his bath, so you cannot thank him personally. " +- ".\n\n" +- "“My father,” he said, “is in his bath, so you cannot thank him personally. " - "But any message given by you to me will be given by me to him as soon as he comes out.”\n\n" - "Miss Bartlett was unequal to the bath. All her barbed civilities came forth wrong end first. " - "Young Mr. Emerson scored a notable triumph to the delight of Mr. " @@ -267,7 +280,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“How angry he is with his father about the rooms! It is all he can do to keep polite.”\n\n" - "“In half an hour or so your rooms will be ready,” said Mr. Beebe. " - "Then looking rather thoughtfully at the two cousins, he retired to his own rooms, to write up his " -- "philosophic diary.\n\n“Oh, dear!” " +- "philosophic diary.\n\n" +- "“Oh, dear!” " - "breathed the little old lady, and shuddered as if all the winds of heaven had entered the apartment." - " “Gentlemen sometimes do not realize—” Her voice faded away, but Miss Bartlett seemed to understand " - "and a conversation developed, in which gentlemen who did not thoroughly realize played a principal " @@ -278,7 +292,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Thus the half-hour crept profitably away, and at last Miss Bartlett rose with a sigh, and said:\n\n" - "“I think one might venture now. No, Lucy, do not stir. I will superintend the move.”\n\n" - "“How you do do everything,” said Lucy.\n\n“Naturally, dear. It is my affair.”\n\n" -- "“But I would like to help you.”\n\n“No, dear.”\n\nCharlotte’s energy! And her unselfishness! " +- "“But I would like to help you.”\n\n“No, dear.”\n\n" +- "Charlotte’s energy! And her unselfishness! " - "She had been thus all her life, but really, on this Italian tour, she was surpassing herself. " - "So Lucy felt, or strove to feel. " - "And yet—there was a rebellious spirit in her which wondered whether the acceptance might not have " @@ -304,9 +319,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It was then that she saw, pinned up over the washstand, a sheet of paper on which was scrawled an " - "enormous note of interrogation. Nothing more.\n\n" - "“What does it mean?” she thought, and she examined it carefully by the light of a candle. " -- "Meaningless at first, it gradually became menacing,\nobnoxious, portentous with evil. " +- "Meaningless at first, it gradually became menacing,\n" +- "obnoxious, portentous with evil. " - "She was seized with an impulse to destroy it, but fortunately remembered that she had no right to do" -- " so,\nsince it must be the property of young Mr. Emerson. " +- " so,\n" +- "since it must be the property of young Mr. Emerson. " - "So she unpinned it carefully, and put it between two pieces of blotting-paper to keep it clean for " - "him. " - "Then she completed her inspection of the room, sighed heavily according to her habit, and went to " @@ -339,7 +356,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "the door unlocked, and on her leaning out of the window before she was fully dressed, should urge " - "her to hasten herself, or the best of the day would be gone. " - "By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady " -- "among the crumbs.\n\nA conversation then ensued, on not unfamiliar lines. Miss Bartlett was,\n" +- "among the crumbs.\n\n" +- "A conversation then ensued, on not unfamiliar lines. Miss Bartlett was,\n" - "after all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy " - "would at all like to go out? " - "Lucy would rather like to go out, as it was her first day in Florence, but,\n" @@ -379,12 +397,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "So Miss Lavish proceeded through the streets of the city of Florence,\n" - "short, fidgety, and playful as a kitten, though without a kitten’s grace. " - "It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak," -- " such as an Italian officer wears,\nonly increased the sense of festivity.\n\n“Buon giorno! " +- " such as an Italian officer wears,\nonly increased the sense of festivity.\n\n" +- "“Buon giorno! " - "Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your " - "inferiors. _That_ is the true democracy. Though I am a real Radical as well. " -- "There, now you’re shocked.”\n\n“Indeed, I’m not!” exclaimed Lucy. “We are Radicals, too, out and out.\n" +- "There, now you’re shocked.”\n\n" +- "“Indeed, I’m not!” exclaimed Lucy. “We are Radicals, too, out and out.\n" - "My father always voted for Mr. Gladstone, until he was so dreadful about Ireland.”\n\n" -- "“I see, I see. And now you have gone over to the enemy.”\n\n“Oh, please—! " +- "“I see, I see. And now you have gone over to the enemy.”\n\n" +- "“Oh, please—! " - "If my father was alive, I am sure he would vote Radical again now that Ireland is all right. " - "And as it is, the glass over our front door was broken last election, and Freddy is sure it was the " - "Tories; but mother says nonsense, a tramp.”\n\n“Shameful! A manufacturing district, I suppose?”\n\n" @@ -433,7 +454,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I do detest conventional intercourse. Nasty! they are going into the church, too. " - "Oh, the Britisher abroad!”\n\n" - “We sat opposite them at dinner last night. They have given us their rooms. They were so very kind.” -- "\n\n“Look at their figures!” laughed Miss Lavish. “They walk through my Italy like a pair of cows. " +- "\n\n" +- "“Look at their figures!” laughed Miss Lavish. “They walk through my Italy like a pair of cows. " - "It’s very naughty of me, but I would like to set an examination paper at Dover, and turn back every " - "tourist who couldn’t pass it.”\n\n“What would you ask us?”\n\n" - "Miss Lavish laid her hand pleasantly on Lucy’s arm, as if to suggest that she, at all events, would " @@ -443,7 +465,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“There goes my local-colour box! I must have a word with him!”\n\n" - "And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she " - "slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the " -- "arm.\n\nLucy waited for nearly ten minutes. Then she began to get tired. " +- "arm.\n\n" +- "Lucy waited for nearly ten minutes. Then she began to get tired. " - "The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not " - "to loiter in public places. " - "She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really " @@ -470,7 +493,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "to be happy. " - "She puzzled out the Italian notices—the notices that forbade people to introduce dogs into the " - "church—the notice that prayed people, in the interest of health and out of respect to the sacred " -- "edifice in which they found themselves,\nnot to spit. " +- "edifice in which they found themselves,\n" +- "not to spit. " - "She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce. " - "She beheld the horrible fate that overtook three Papists—two he-babies and a she-baby—who began " - "their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli " @@ -510,24 +534,29 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“No,” cried Lucy, remembering her grievance. " - "“I came here with Miss Lavish, who was to explain everything; and just by the door—it is too bad!—" - "she simply ran away, and after waiting quite a time, I had to come in by myself.”\n\n" -- "“Why shouldn’t you?” said Mr. Emerson.\n\n“Yes, why shouldn’t you come by yourself?” " +- "“Why shouldn’t you?” said Mr. Emerson.\n\n" +- "“Yes, why shouldn’t you come by yourself?” " - "said the son, addressing the young lady for the first time.\n\n" - "“But Miss Lavish has even taken away Baedeker.”\n\n" - "“Baedeker?” said Mr. Emerson. “I’m glad it’s _that_ you minded. " -- "It’s worth minding, the loss of a Baedeker. _That’s_ worth minding.”\n\nLucy was puzzled. " +- "It’s worth minding, the loss of a Baedeker. _That’s_ worth minding.”\n\n" +- "Lucy was puzzled. " - "She was again conscious of some new idea, and was not sure whither it would lead her.\n\n" - "“If you’ve no Baedeker,” said the son, “you’d better join us.” Was this where the idea would lead? " -- "She took refuge in her dignity.\n\n“Thank you very much, but I could not think of that. " +- "She took refuge in her dignity.\n\n" +- "“Thank you very much, but I could not think of that. " - "I hope you do not suppose that I came to join on to you. " - "I really came to help with the child, and to thank you for so kindly giving us your rooms last night" - ".\nI hope that you have not been put to any great inconvenience.”\n\n" - "“My dear,” said the old man gently, “I think that you are repeating what you have heard older people" -- " say. You are pretending to be touchy;\nbut you are not really. " +- " say. You are pretending to be touchy;\n" +- "but you are not really. " - "Stop being so tiresome, and tell me instead what part of the church you want to see. " - "To take you to it will be a real pleasure.”\n\n" - "Now, this was abominably impertinent, and she ought to have been furious. " - "But it is sometimes as difficult to lose one’s temper as it is difficult at other times to keep it. " -- "Lucy could not get cross. Mr.\nEmerson was an old man, and surely a girl might humour him. " +- "Lucy could not get cross. Mr.\n" +- "Emerson was an old man, and surely a girl might humour him. " - "On the other hand, his son was a young man, and she felt that a girl ought to be offended with him, " - "or at all events be offended before him. It was at him that she gazed before replying.\n\n" - "“I am not touchy, I hope. " @@ -537,11 +566,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She felt like a child in school who had answered a question rightly.\n\n" - "The chapel was already filled with an earnest congregation, and out of them rose the voice of a " - "lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of " -- "the spirit.\n\n“Remember,” he was saying, “the facts about this church of Santa Croce;\n" +- "the spirit.\n\n" +- "“Remember,” he was saying, “the facts about this church of Santa Croce;\n" - "how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance " - "had appeared. " - "Observe how Giotto in these frescoes—now, unhappily, ruined by restoration—is untroubled by the " -- "snares of anatomy and perspective. Could anything be more majestic,\nmore pathetic, beautiful, true? " +- "snares of anatomy and perspective. Could anything be more majestic,\n" +- "more pathetic, beautiful, true? " - "How little, we feel, avails knowledge and technical cleverness against a man who truly feels!”\n\n" - "“No!” exclaimed Mr. Emerson, in much too loud a voice for church.\n" - "“Remember nothing of the sort! Built by faith indeed! " @@ -555,9 +586,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Now, did this happen, or didn’t it? Yes or no?”\n\nGeorge replied:\n\n" - "“It happened like this, if it happened at all. " - I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like -- " my friends to lean out of it, just as they do here.”\n\n“You will never go up,” said his father. " +- " my friends to lean out of it, just as they do here.”\n\n" +- "“You will never go up,” said his father. " - "“You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as " -- "surely as our work survives.”\n\n“Some of the people can only see the empty grave, not the saint,\n" +- "surely as our work survives.”\n\n" +- "“Some of the people can only see the empty grave, not the saint,\n" - "whoever he is, going up. It did happen like that, if it happened at all.”\n\n" - "“Pardon me,” said a frigid voice. “The chapel is somewhat small for two parties. " - "We will incommode you no longer.”\n\n" @@ -578,11 +611,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "aggressive voice of the old man, the curt, injured replies of his opponent. " - "The son, who took every little contretemps as if it were a tragedy, was listening also.\n\n" - "“My father has that effect on nearly everyone,” he informed her. “He will try to be kind.”\n\n" -- "“I hope we all try,” said she, smiling nervously.\n\n“Because we think it improves our characters. " +- "“I hope we all try,” said she, smiling nervously.\n\n" +- "“Because we think it improves our characters. " - "But he is kind to people because he loves them; and they find him out, and are offended, or " -- "frightened.”\n\n“How silly of them!” " +- "frightened.”\n\n" +- "“How silly of them!” " - "said Lucy, though in her heart she sympathized; “I think that a kind action done tactfully—”\n\n" -- "“Tact!”\n\nHe threw up his head in disdain. Apparently she had given the wrong answer. " +- "“Tact!”\n\n" +- "He threw up his head in disdain. Apparently she had given the wrong answer. " - "She watched the singular creature pace up and down the chapel.\n" - "For a young man his face was rugged, and—until the shadows fell upon it—hard. " - "Enshadowed, it sprang into tenderness. " @@ -620,10 +656,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She was no theologian, but she felt that here was a very foolish old man, as well as a very " - "irreligious one. " - "She also felt that her mother might not like her talking to that kind of person, and that Charlotte " -- "would object most strongly.\n\n“What are we to do with him?” he asked. " +- "would object most strongly.\n\n" +- "“What are we to do with him?” he asked. " - "“He comes out for his holiday to Italy, and behaves—like that; like the little child who ought to " - "have been playing, and who hurt himself upon the tombstone. Eh? What did you say?”\n\n" -- "Lucy had made no suggestion. Suddenly he said:\n\n“Now don’t be stupid over this. " +- "Lucy had made no suggestion. Suddenly he said:\n\n" +- "“Now don’t be stupid over this. " - "I don’t require you to fall in love with my boy, but I do think you might try and understand him. " - "You are nearer his age, and if you let yourself go I am sure you are sensible.\n" - "You might help me. He has known so few women, and you have the time.\n" @@ -645,9 +683,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "We know that we come from the winds, and that we shall return to them; that all life is perhaps a " - "knot, a tangle, a blemish in the eternal smoothness. But why should this make us unhappy? " - "Let us rather love one another, and work and rejoice. I don’t believe in this world sorrow.”\n\n" -- "Miss Honeychurch assented.\n\n“Then make my boy think like us. " +- "Miss Honeychurch assented.\n\n" +- "“Then make my boy think like us. " - Make him realize that by the side of the everlasting Why there is a Yes—a transitory Yes if you like -- ", but a Yes.”\n\nSuddenly she laughed; surely one ought to laugh. " +- ", but a Yes.”\n\n" +- "Suddenly she laughed; surely one ought to laugh. " - "A young man melancholy because the universe wouldn’t fit, because life was a tangle or a wind,\n" - "or a Yes, or something!\n\n" - "“I’m very sorry,” she cried. “You’ll think me unfeeling, but—but—” Then she became matronly. " @@ -660,7 +700,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Her feelings were as inflated spiritually as they had been an hour ago esthetically,\n" - "before she lost Baedeker. " - "The dear George, now striding towards them over the tombstones, seemed both pitiable and absurd. " -- "He approached,\nhis face in the shadow. He said:\n\n“Miss Bartlett.”\n\n“Oh, good gracious me!” " +- "He approached,\nhis face in the shadow. He said:\n\n“Miss Bartlett.”\n\n" +- "“Oh, good gracious me!” " - "said Lucy, suddenly collapsing and again seeing the whole of life in a new perspective. “Where? " - "Where?”\n\n“In the nave.”\n\n“I see. Those gossiping little Miss Alans must have—” She checked herself." - "\n\n“Poor girl!” exploded Mr. Emerson. “Poor girl!”\n\n" @@ -698,7 +739,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Emerson looking for his son, nor of Miss Bartlett looking for Miss Lavish, nor of Miss Lavish " - "looking for her cigarette-case. " - "Like every true performer, she was intoxicated by the mere feel of the notes: they were fingers " -- "caressing her own; and by touch, not by sound alone, did she come to her desire.\n\nMr. " +- "caressing her own; and by touch, not by sound alone, did she come to her desire.\n\n" +- "Mr. " - "Beebe, sitting unnoticed in the window, pondered this illogical element in Miss Honeychurch, and " - "recalled the occasion at Tunbridge Wells when he had discovered it. " - "It was at one of those entertainments where the upper classes entertain the lower. " @@ -728,9 +770,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself " - "when she closed the little piano and moved dreamily towards him:\n\n" - "“If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for " -- "her.”\n\nLucy at once re-entered daily life.\n\n“Oh, what a funny thing! " +- "her.”\n\nLucy at once re-entered daily life.\n\n" +- "“Oh, what a funny thing! " - "Some one said just the same to mother, and she said she trusted I should never live a duet.”\n\n" -- "“Doesn’t Mrs. Honeychurch like music?”\n\n“She doesn’t mind it. " +- "“Doesn’t Mrs. Honeychurch like music?”\n\n" +- "“She doesn’t mind it. " - "But she doesn’t like one to get excited over anything; she thinks I am silly about it. " - "She thinks—I can’t make out.\n" - "Once, you know, I said that I liked my own playing better than any one’s. " @@ -739,7 +783,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Music—” said Lucy, as if attempting some generality. " - "She could not complete it, and looked out absently upon Italy in the wet. " - "The whole life of the South was disorganized, and the most graceful nation in Europe had turned into" -- " formless lumps of clothes.\n\nThe street and the river were dirty yellow, the bridge was dirty grey,\n" +- " formless lumps of clothes.\n\n" +- "The street and the river were dirty yellow, the bridge was dirty grey,\n" - "and the hills were dirty purple. " - "Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon" - " to visit the Torre del Gallo.\n\n“What about music?” said Mr. Beebe.\n\n" @@ -760,7 +805,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“They do say so.”\n\n“What is it about?”\n\n" - "“It will be a novel,” replied Mr. Beebe, “dealing with modern Italy.\n" - "Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than " -- "any one I know.”\n\n“I wish Miss Lavish would tell me herself. We started such friends. " +- "any one I know.”\n\n" +- "“I wish Miss Lavish would tell me herself. We started such friends. " - "But I don’t think she ought to have run away with Baedeker that morning in Santa Croce. " - "Charlotte was most annoyed at finding me practically alone, and so I couldn’t help being a little " - "annoyed with Miss Lavish.”\n\n“The two ladies, at all events, have made it up.”\n\n" @@ -788,7 +834,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "contained one man, or a man and one woman.\n\n" - "“I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut. " - "Doors shut; indeed, most necessary. No one has the least idea of privacy in this country. " -- "And one person catches it from another.”\n\nLucy answered suitably. Mr. " +- "And one person catches it from another.”\n\n" +- "Lucy answered suitably. Mr. " - "Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in " - "upon him in his bath, exclaiming cheerfully, “Fa niente, sono vecchia.” " - "He contented himself with saying: “I quite agree with you, Miss Alan. " @@ -811,10 +858,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in " - "turquoise the initials “E. L.”\n\n" - "“That belongs to Lavish.” said the clergyman. “A good fellow, Lavish,\n" -- "but I wish she’d start a pipe.”\n\n“Oh, Mr. Beebe,” said Miss Alan, divided between awe and mirth.\n" +- "but I wish she’d start a pipe.”\n\n" +- "“Oh, Mr. Beebe,” said Miss Alan, divided between awe and mirth.\n" - "“Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose. " - "She took to it, practically in despair, after her life’s work was carried away in a landslip. " -- "Surely that makes it more excusable.”\n\n“What was that?” asked Lucy.\n\nMr. " +- "Surely that makes it more excusable.”\n\n“What was that?” asked Lucy.\n\n" +- "Mr. " - "Beebe sat back complacently, and Miss Alan began as follows: “It was a novel—and I am afraid, from " - "what I can gather, not a very nice novel. " - "It is so sad when people who have abilities misuse them, and I must say they nearly always do. " @@ -829,18 +878,23 @@ input_file: tests/inputs/text/room_with_a_view.txt - ". First she tried Perugia for an inspiration,\n" - "then she came here—this must on no account get round. And so cheerful through it all! " - "I cannot help thinking that there is something to admire in everyone, even if you do not approve of " -- "them.”\n\nMiss Alan was always thus being charitable against her better judgement. " +- "them.”\n\n" +- "Miss Alan was always thus being charitable against her better judgement. " - "A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the " - "decaying autumn woods there sometimes rise odours reminiscent of spring. " - "She felt she had made almost too many allowances, and apologized hurriedly for her toleration.\n\n" - "“All the same, she is a little too—I hardly like to say unwomanly, but she behaved most strangely " -- "when the Emersons arrived.”\n\nMr. " +- "when the Emersons arrived.”\n\n" +- "Mr. " - "Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in " -- "the presence of a gentleman.\n\n“I don’t know, Miss Honeychurch, if you have noticed that Miss Pole,\n" +- "the presence of a gentleman.\n\n" +- "“I don’t know, Miss Honeychurch, if you have noticed that Miss Pole,\n" - "the lady who has so much yellow hair, takes lemonade. That old Mr.\n" -- "Emerson, who puts things very strangely—”\n\nHer jaw dropped. She was silent. Mr. " +- "Emerson, who puts things very strangely—”\n\n" +- "Her jaw dropped. She was silent. Mr. " - "Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in" -- " a hasty whisper:\n\n“Stomach. " +- " a hasty whisper:\n\n" +- "“Stomach. " - "He warned Miss Pole of her stomach-acidity, he called it—and he may have meant to be kind. " - "I must say I forgot myself and laughed;\n" - "it was so sudden. As Teresa truly said, it was no laughing matter. " @@ -878,7 +932,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The little old lady shook her head, and sighed disapprovingly. Mr.\n" - "Beebe, whom the conversation amused, stirred her up by saying:\n\n" - "“I consider that you are bound to class him as nice, Miss Alan, after that business of the violets.”" -- "\n\n“Violets? Oh, dear! Who told you about the violets? How do things get round? " +- "\n\n" +- "“Violets? Oh, dear! Who told you about the violets? How do things get round? " - "A pension is a bad place for gossips. No, I cannot forget how they behaved at Mr. " - "Eager’s lecture at Santa Croce. Oh, poor Miss Honeychurch! It really was too bad. " - "No, I have quite changed. I do _not_ like the Emersons. They are _not_ nice.”\n\n" @@ -922,14 +977,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Perhaps I shall meet someone who reads me through and through!”\n\n" - "But they still looked disapproval, and she so far conceded to Mr. " - "Beebe as to say that she would only go for a little walk, and keep to the street frequented by " -- "tourists.\n\n“She oughtn’t really to go at all,” said Mr. " +- "tourists.\n\n" +- "“She oughtn’t really to go at all,” said Mr. " - "Beebe, as they watched her from the window, “and she knows it. I put it down to too much Beethoven.”" - "\n\n\n\n\nChapter IV Fourth Chapter\n\n\n" - "Mr. Beebe was right. Lucy never knew her desires so clearly as after music. " - "She had not really appreciated the clergyman’s wit, nor the suggestive twitterings of Miss Alan. " - "Conversation was tedious; she wanted something big, and she believed that it would have come to her " - "on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? " -- "Why were most big things unladylike?\nCharlotte had once explained to her why. " +- "Why were most big things unladylike?\n" +- "Charlotte had once explained to her why. " - "It was not that ladies were inferior to men; it was that they were different. " - "Their mission was to inspire others to achievement rather than to achieve themselves.\n" - "Indirectly, by means of tact and a spotless name, a lady could accomplish much. " @@ -984,12 +1041,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing " - "in the tranquil sky. Its brightness mesmerized her,\n" - "still dancing before her eyes when she bent them to the ground and started towards home.\n\n" -- "Then something did happen.\n\nTwo Italians by the Loggia had been bickering about a debt. " +- "Then something did happen.\n\n" +- "Two Italians by the Loggia had been bickering about a debt. " - "“Cinque lire,” they had cried, “cinque lire!” " - "They sparred at each other, and one of them was hit lightly upon the chest. " - "He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her." - " He opened his lips to deliver it, and a stream of red came out between them and trickled down his " -- "unshaven chin.\n\nThat was all. A crowd rose out of the dusk. " +- "unshaven chin.\n\n" +- "That was all. A crowd rose out of the dusk. " - "It hid this extraordinary man from her, and bore him away to the fountain. Mr. " - "George Emerson happened to be a few paces away, looking at her across the spot where the man had " - "been. How very odd! Across something. " @@ -1037,7 +1096,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Things I didn’t want,” he said crossly.\n\n“Mr. Emerson!”\n\n“Well?”\n\n“Where are the photographs?”\n\n" - "He was silent.\n\n“I believe it was my photographs that you threw away.”\n\n" - "“I didn’t know what to do with them,” he cried, and his voice was that of an anxious boy. " -- "Her heart warmed towards him for the first time.\n“They were covered with blood. There! " +- "Her heart warmed towards him for the first time.\n" +- "“They were covered with blood. There! " - I’m glad I’ve told you; and all the time we were making conversation I was wondering what to do with - " them.” He pointed down-stream. “They’ve gone.” " - "The river swirled under the bridge, “I did mind them so, and one is so foolish, it seemed better " @@ -1047,7 +1107,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It isn’t exactly that a man has died.”\n\nSomething warned Lucy that she must stop him.\n\n" - "“It has happened,” he repeated, “and I mean to find out what it is.”\n\n“Mr. Emerson—”\n\n" - "He turned towards her frowning, as if she had disturbed him in some abstract quest.\n\n" -- "“I want to ask you something before we go in.”\n\nThey were close to their pension. " +- "“I want to ask you something before we go in.”\n\n" +- "They were close to their pension. " - "She stopped and leant her elbows against the parapet of the embankment. He did likewise. " - There is at times a magic in identity of position; it is one of the things that have suggested to us - " eternal comradeship. She moved her elbows before saying:\n\n“I have behaved ridiculously.”\n\n" @@ -1100,7 +1161,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Charlotte declined for herself; she had been there in the rain the previous afternoon. " - "But she thought it an admirable idea for Lucy, who hated shopping, changing money, fetching letters," - " and other irksome duties—all of which Miss Bartlett must accomplish this morning and could easily " -- "accomplish alone.\n\n“No, Charlotte!” cried the girl, with real warmth. “It’s very kind of Mr. " +- "accomplish alone.\n\n" +- "“No, Charlotte!” cried the girl, with real warmth. “It’s very kind of Mr. " - "Beebe, but I am certainly coming with you. I had much rather.”\n\n" - "“Very well, dear,” said Miss Bartlett, with a faint flush of pleasure that called forth a deep flush" - " of shame on the cheeks of Lucy. How abominably she behaved to Charlotte, now as always! " @@ -1126,13 +1188,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The exact site of the murder was occupied, not by a ghost, but by Miss Lavish, who had the morning " - "newspaper in her hand. She hailed them briskly. " - "The dreadful catastrophe of the previous day had given her an idea which she thought would work up " -- "into a book.\n\n“Oh, let me congratulate you!” said Miss Bartlett. “After your despair of yesterday! " -- "What a fortunate thing!”\n\n“Aha! Miss Honeychurch, come you here I am in luck. " +- "into a book.\n\n" +- "“Oh, let me congratulate you!” said Miss Bartlett. “After your despair of yesterday! " +- "What a fortunate thing!”\n\n" +- "“Aha! Miss Honeychurch, come you here I am in luck. " - "Now, you are to tell me absolutely everything that you saw from the beginning.” " - "Lucy poked at the ground with her parasol.\n\n“But perhaps you would rather not?”\n\n" - "“I’m sorry—if you could manage without it, I think I would rather not.”\n\n" - "The elder ladies exchanged glances, not of disapproval; it is suitable that a girl should feel " -- "deeply.\n\n“It is I who am sorry,” said Miss Lavish “literary hacks are shameless creatures. " +- "deeply.\n\n" +- "“It is I who am sorry,” said Miss Lavish “literary hacks are shameless creatures. " - "I believe there’s no secret of the human heart into which we wouldn’t pry.”\n\n" - "She marched cheerfully to the fountain and back, and did a few calculations in realism. " - "Then she said that she had been in the Piazza since eight o’clock collecting material. " @@ -1162,7 +1227,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“That last remark struck me as so particularly true. It should be a most pathetic novel.”\n\n" - "Lucy assented. At present her great aim was not to get put into it. " - "Her perceptions this morning were curiously keen, and she believed that Miss Lavish had her on trial" -- " for an _ingenué_.\n\n“She is emancipated, but only in the very best sense of the word,”\n" +- " for an _ingenué_.\n\n" +- "“She is emancipated, but only in the very best sense of the word,”\n" - "continued Miss Bartlett slowly. “None but the superficial would be shocked at her. " - "We had a long talk yesterday. She believes in justice and truth and human interest. " - "She told me also that she has a high opinion of the destiny of woman—Mr. Eager! Why, how nice! " @@ -1188,7 +1254,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Living in delicate seclusion, some in furnished flats, others in Renaissance villas on Fiesole’s " - "slope, they read, wrote, studied, and exchanged ideas, thus attaining to that intimate knowledge, or" - " rather perception, of Florence which is denied to all who carry in their pockets the coupons of " -- "Cook.\n\nTherefore an invitation from the chaplain was something to be proud of.\n" +- "Cook.\n\n" +- "Therefore an invitation from the chaplain was something to be proud of.\n" - "Between the two sections of his flock he was often the only link, and it was his avowed custom to " - "select those of his migratory sheep who seemed worthy, and give them a few hours in the pastures of " - "the permanent. Tea at a Renaissance villa? Nothing had been said about it yet. " @@ -1201,25 +1268,30 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“So we shall be a _partie carrée_,” said the chaplain. " - "“In these days of toil and tumult one has great needs of the country and its message of purity. " - "Andate via! andate presto, presto! Ah, the town! Beautiful as it is, it is the town.”\n\n" -- "They assented.\n\n“This very square—so I am told—witnessed yesterday the most sordid of tragedies. " +- "They assented.\n\n" +- "“This very square—so I am told—witnessed yesterday the most sordid of tragedies. " - "To one who loves the Florence of Dante and Savonarola there is something portentous in such " -- "desecration—portentous and humiliating.”\n\n“Humiliating indeed,” said Miss Bartlett. " +- "desecration—portentous and humiliating.”\n\n" +- "“Humiliating indeed,” said Miss Bartlett. " - "“Miss Honeychurch happened to be passing through as it happened. " - "She can hardly bear to speak of it.”\nShe glanced at Lucy proudly.\n\n" - "“And how came we to have you here?” asked the chaplain paternally.\n\n" - "Miss Bartlett’s recent liberalism oozed away at the question. “Do not blame her, please, Mr. Eager. " -- "The fault is mine: I left her unchaperoned.”\n\n“So you were here alone, Miss Honeychurch?” " +- "The fault is mine: I left her unchaperoned.”\n\n" +- "“So you were here alone, Miss Honeychurch?” " - "His voice suggested sympathetic reproof but at the same time indicated that a few harrowing details " - "would not be unacceptable. " - "His dark, handsome face drooped mournfully towards her to catch her reply.\n\n“Practically.”\n\n" - "“One of our pension acquaintances kindly brought her home,” said Miss Bartlett, adroitly concealing " -- "the sex of the preserver.\n\n“For her also it must have been a terrible experience. " +- "the sex of the preserver.\n\n" +- "“For her also it must have been a terrible experience. " - "I trust that neither of you was at all—that it was not in your immediate proximity?”\n\n" - "Of the many things Lucy was noticing to-day, not the least remarkable was this: the ghoulish fashion" - " in which respectable people will nibble after blood. " - "George Emerson had kept the subject strangely pure.\n\n" - "“He died by the fountain, I believe,” was her reply.\n\n“And you and your friend—”\n\n" -- "“Were over at the Loggia.”\n\n“That must have saved you much. " +- "“Were over at the Loggia.”\n\n" +- "“That must have saved you much. " - "You have not, of course, seen the disgraceful illustrations which the gutter Press—This man is a " - "public nuisance; he knows that I am a resident perfectly well, and yet he goes on worrying me to buy" - " his vulgar views.”\n\n" @@ -1237,7 +1309,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "would not she intercede? He was poor—he sheltered a family—the tax on bread. " - "He waited, he gibbered, he was recompensed, he was dissatisfied,\n" - "he did not leave them until he had swept their minds clean of all thoughts whether pleasant or " -- "unpleasant.\n\nShopping was the topic that now ensued. " +- "unpleasant.\n\n" +- "Shopping was the topic that now ensued. " - "Under the chaplain’s guidance they selected many hideous presents and mementoes—florid little " - "picture-frames that seemed fashioned in gilded pastry; other little frames, more severe, that stood " - "on little easels, and were carven out of oak; a blotting book of vellum; a Dante of the same " @@ -1263,7 +1336,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " would make of it.”\n\n“Is he a journalist now?” Miss Bartlett asked.\n\n" - "“He is not; he made an advantageous marriage.”\n\n" - "He uttered this remark with a voice full of meaning, and ended with a sigh.\n\n“Oh, so he has a wife.”" -- "\n\n“Dead, Miss Bartlett, dead. " +- "\n\n" +- "“Dead, Miss Bartlett, dead. " - "I wonder—yes I wonder how he has the effrontery to look me in the face, to dare to claim " - "acquaintance with me. He was in my London parish long ago. The other day in Santa Croce,\n" - "when he was with Miss Honeychurch, I snubbed him. " @@ -1285,12 +1359,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He observed her brow, and the sudden strength of her lips. " - "It was intolerable that she should disbelieve him.\n\n" - "“Murder, if you want to know,” he cried angrily. “That man murdered his wife!”\n\n“How?” she retorted." -- "\n\n“To all intents and purposes he murdered her. " +- "\n\n" +- "“To all intents and purposes he murdered her. " - "That day in Santa Croce—did they say anything against me?”\n\n" -- "“Not a word, Mr. Eager—not a single word.”\n\n“Oh, I thought they had been libelling me to you. " +- "“Not a word, Mr. Eager—not a single word.”\n\n" +- "“Oh, I thought they had been libelling me to you. " - "But I suppose it is only their personal charms that makes you defend them.”\n\n" - "“I’m not defending them,” said Lucy, losing her courage, and relapsing into the old chaotic methods." -- " “They’re nothing to me.”\n\n“How could you think she was defending them?” " +- " “They’re nothing to me.”\n\n" +- "“How could you think she was defending them?” " - "said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening.\n\n" - "“She will find it difficult. For that man has murdered his wife in the sight of God.”\n\n" - "The addition of God was striking. But the chaplain was really trying to qualify a rash remark. " @@ -1300,12 +1377,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive.\n\n" - "“Drive? Oh, is our drive to come off?”\n\n" - "Lucy was recalled to her manners, and after a little exertion the complacency of Mr. " -- "Eager was restored.\n\n“Bother the drive!” exclaimed the girl, as soon as he had departed. " +- "Eager was restored.\n\n" +- "“Bother the drive!” exclaimed the girl, as soon as he had departed. " - "“It is just the drive we had arranged with Mr. Beebe without any fuss at all. " - "Why should he invite us in that absurd manner? We might as well invite him. " - "We are each paying for ourselves.”\n\n" - "Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into " -- "unexpected thoughts.\n\n“If that is so, dear—if the drive we and Mr. Beebe are going with Mr.\n" +- "unexpected thoughts.\n\n" +- "“If that is so, dear—if the drive we and Mr. Beebe are going with Mr.\n" - "Eager is really the same as the one we are going with Mr. " - "Beebe, then I foresee a sad kettle of fish.”\n\n“How?”\n\n" - "“Because Mr. Beebe has asked Eleanor Lavish to come, too.”\n\n“That will mean another carriage.”\n\n" @@ -1354,7 +1433,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Do you know the Vyses?”\n\n" - "“Oh, not that way back. We can never have too much of the dear Piazza Signoria.”\n\n" - "“They’re nice people, the Vyses. So clever—my idea of what’s really clever. " -- "Don’t you long to be in Rome?”\n\n“I die for it!”\n\nThe Piazza Signoria is too stony to be brilliant. " +- "Don’t you long to be in Rome?”\n\n“I die for it!”\n\n" +- "The Piazza Signoria is too stony to be brilliant. " - "It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of " - "ruddy brick. " - "By an odd chance—unless we believe in a presiding genius of places—the statues that relieve its " @@ -1369,7 +1449,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss Bartlett, with equal vivacity, replied:\n\n" - "“Oh, you droll person! Pray, what would become of your drive in the hills?”\n\n" - "They passed together through the gaunt beauty of the square, laughing over the unpractical " -- "suggestion.\n\n\n\n\nChapter VI The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson,\nMr. " +- "suggestion.\n\n\n\n\n" +- "Chapter VI The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson,\n" +- "Mr. " - "George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in" - " Carriages to See a View; Italians Drive Them.\n\n\n" - "It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire," @@ -1400,7 +1482,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "enter no villa at his introduction.\n\n" - "Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive " - "to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr. " -- "Emerson, hitherto fortunately asleep,\nthanks to a heavy lunch and the drowsy atmosphere of Spring. " +- "Emerson, hitherto fortunately asleep,\n" +- "thanks to a heavy lunch and the drowsy atmosphere of Spring. " - "She looked on the expedition as the work of Fate. " - "But for it she would have avoided George Emerson successfully. " - "In an open manner he had shown that he wished to continue their intimacy. " @@ -1420,11 +1503,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Meanwhile Mr. Eager held her in civil converse; their little tiff was over.\n\n" - "“So, Miss Honeychurch, you are travelling? As a student of art?”\n\n“Oh, dear me, no—oh, no!”\n\n" - "“Perhaps as a student of human nature,” interposed Miss Lavish, “like myself?”\n\n" -- "“Oh, no. I am here as a tourist.”\n\n“Oh, indeed,” said Mr. Eager. “Are you indeed? " +- "“Oh, no. I am here as a tourist.”\n\n" +- "“Oh, indeed,” said Mr. Eager. “Are you indeed? " - "If you will not think me rude, we residents sometimes pity you poor tourists not a little—handed " - "about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together " - "in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to " -- "get ‘done’\nor ‘through’ and go on somewhere else. " +- "get ‘done’\n" +- "or ‘through’ and go on somewhere else. " - "The result is, they mix up towns, rivers, palaces in one inextricable whirl. " - "You know the American girl in Punch who says: ‘Say, poppa, what did we see at Rome?’ " - "And the father replies: ‘Why, guess Rome was the place where we saw the yaller dog.’ " @@ -1440,7 +1525,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She is very proud of that thick hedge. Inside, perfect seclusion. " - "One might have gone back six hundred years. " - "Some critics believe that her garden was the scene of The Decameron, which lends it an additional " -- "interest, does it not?”\n\n“It does indeed!” cried Miss Lavish. " +- "interest, does it not?”\n\n" +- "“It does indeed!” cried Miss Lavish. " - "“Tell me, where do they place the scene of that wonderful seventh day?”\n\n" - "But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. " - "Someone Something, an American of the best type—so rare!—and that the Somebody Elses were farther " @@ -1448,7 +1534,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He is working at Gemistus Pletho. " - "Sometimes as I take tea in their beautiful grounds I hear, over the wall, the electric tram " - "squealing up the new road with its loads of hot, dusty, unintelligent tourists who are going to ‘do’" -- "\nFiesole in an hour in order that they may say they have been there, and I think—think—I think how " +- "\n" +- "Fiesole in an hour in order that they may say they have been there, and I think—think—I think how " - "little they think what lies so near them.”\n\n" - "During this speech the two figures on the box were sporting with each other disgracefully. " - "Lucy had a spasm of envy. " @@ -1456,7 +1543,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "They were probably the only people enjoying the expedition. " - "The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano " - "road.\n\n“Piano! piano!” said Mr. Eager, elegantly waving his hand over his head.\n\n" -- "“Va bene, signore, va bene, va bene,” crooned the driver, and whipped his horses up again.\n\nNow Mr. " +- "“Va bene, signore, va bene, va bene,” crooned the driver, and whipped his horses up again.\n\n" +- "Now Mr. " - "Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. " - "Was he a cause of the Renaissance, or was he one of its manifestations? " - "The other carriage was left behind.\n" @@ -1477,7 +1565,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "though unwilling to ally him, felt bound to support the cause of Bohemianism.\n\n" - "“Most certainly I would let them be,” she cried. “But I dare say I shall receive scant support. " - I have always flown in the face of the conventions all my life. This is what _I_ call an adventure.” -- "\n\n“We must not submit,” said Mr. Eager. “I knew he was trying it on. " +- "\n\n" +- "“We must not submit,” said Mr. Eager. “I knew he was trying it on. " - "He is treating us as if we were a party of Cook’s tourists.”\n\n" - "“Surely no!” said Miss Lavish, her ardour visibly decreasing.\n\n" - "The other carriage had drawn up behind, and sensible Mr. " @@ -1486,7 +1575,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Do we find happiness so often that we should turn it off the box when it happens to sit there? " - "To be driven by lovers—A king might envy us, and if we part them it’s more like sacrilege than " - "anything I know.”\n\n" -- "Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect.\n\nMr. " +- "Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect.\n\n" +- "Mr. " - "Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make " - "himself heard. He addressed the driver again. " - "Italian in the mouth of Italians is a deep-voiced stream,\n" @@ -1511,7 +1601,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Can you wonder? He would like to throw us out, and most certainly he is justified. " - "And if I were superstitious I’d be frightened of the girl,\n" - "too. It doesn’t do to injure young people. Have you ever heard of Lorenzo de Medici?”\n\n" -- "Miss Lavish bristled.\n\n“Most certainly I have. " +- "Miss Lavish bristled.\n\n" +- "“Most certainly I have. " - "Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed " - "Lorenzino on account of his diminutive stature?”\n\n" - "“The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. " @@ -1523,7 +1614,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Fifty miles of Spring, and we’ve come up to admire them. " - "Do you suppose there’s any difference between Spring in nature and Spring in man? " - "But there we go, praising the one and condemning the other as improper, ashamed that the same laws " -- "work eternally through both.”\n\nNo one encouraged him to talk. Presently Mr. " +- "work eternally through both.”\n\n" +- "No one encouraged him to talk. Presently Mr. " - Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. - " A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them " - "and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a " @@ -1544,7 +1636,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "equalled by their desire to go different directions. Finally they split into groups. " - "Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with " - "the drivers; while the two clergymen, who were expected to have topics in common, were left to each " -- "other.\n\nThe two elder ladies soon threw off the mask. " +- "other.\n\n" +- "The two elder ladies soon threw off the mask. " - "In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio " - "Baldovinetti, but the drive. Miss Bartlett had asked Mr. " - "George Emerson what his profession was, and he had answered “the railway.” " @@ -1565,7 +1658,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Mr. Eager will be offended. It is your party.”\n\n“Please, I’d rather stop here with you.”\n\n" - "“No, I agree,” said Miss Lavish. " - "“It’s like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. " -- "We wish to converse on high topics unsuited for your ear.”\n\nThe girl was stubborn. " +- "We wish to converse on high topics unsuited for your ear.”\n\n" +- "The girl was stubborn. " - "As her time at Florence drew to its close she was only at ease amongst those to whom she felt " - "indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte. " - "She wished she had not called attention to herself; they were both annoyed at her remark and seemed " @@ -1584,7 +1678,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Even if my dress is thinner it will not show so much, being brown. Sit down, dear;\n" - "you are too unselfish; you don’t assert yourself enough.” She cleared her throat. " - "“Now don’t be alarmed; this isn’t a cold. It’s the tiniest cough, and I have had it three days. " -- "It’s nothing to do with sitting here at all.”\n\nThere was only one way of treating the situation. " +- "It’s nothing to do with sitting here at all.”\n\n" +- "There was only one way of treating the situation. " - "At the end of five minutes Lucy departed in search of Mr. Beebe and Mr. " - "Eager, vanquished by the mackintosh square.\n\n" - "She addressed herself to the drivers, who were sprawling in the carriages, perfuming the cushions " @@ -1598,7 +1693,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Dove buoni uomini?” said she at last.\n\n" - "Good? Scarcely the adjective for those noble beings! He showed her his cigar.\n\n" - "“Uno—piu—piccolo,” was her next remark, implying “Has the cigar been given to you by Mr. " -- "Beebe, the smaller of the two good men?”\n\nShe was correct as usual. " +- "Beebe, the smaller of the two good men?”\n\n" +- "She was correct as usual. " - "He tied the horse to a tree, kicked it to make it stay quiet, dusted the carriage, arranged his hair" - ", remoulded his hat, encouraged his moustache, and in rather less than a quarter of a minute was " - "ready to conduct her. Italians are born knowing the way.\n" @@ -1638,12 +1734,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "For a moment he contemplated her, as one who had fallen out of heaven. " - "He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. " - "The bushes above them closed. He stepped quickly forward and kissed her.\n\n" -- "Before she could speak, almost before she could feel, a voice called,\n“Lucy! Lucy! Lucy!” " +- "Before she could speak, almost before she could feel, a voice called,\n" +- "“Lucy! Lucy! Lucy!” " - "The silence of life had been broken by Miss Bartlett who stood brown against the view.\n\n\n\n\n" - "Chapter VII They Return\n\n\n" - "Some complicated game had been playing up and down the hillside all the afternoon. " - "What it was and exactly how the players had sided, Lucy was slow to discover. Mr. " -- "Eager had met them with a questioning eye.\nCharlotte had repulsed him with much small talk. Mr. " +- "Eager had met them with a questioning eye.\n" +- "Charlotte had repulsed him with much small talk. Mr. " - "Emerson, seeking his son, was told whereabouts to find him. Mr. " - "Beebe, who wore the heated aspect of a neutral, was bidden to collect the factions for the return " - "home. There was a general sense of groping and bewilderment. " @@ -1655,7 +1753,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "That last fact was undeniable. " - "He climbed on to the box shivering, with his collar up, prophesying the swift approach of bad " - "weather. “Let us go immediately,” he told them. “The signorino will walk.”\n\n" -- "“All the way? He will be hours,” said Mr. Beebe.\n\n“Apparently. I told him it was unwise.” " +- "“All the way? He will be hours,” said Mr. Beebe.\n\n" +- "“Apparently. I told him it was unwise.” " - "He would look no one in the face; perhaps defeat was particularly mortifying for him. " - "He alone had played skilfully, using the whole of his instinct, while the others had used scraps of " - "their intelligence. He alone had divined what things were, and what he wished them to be. " @@ -1663,7 +1762,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "dying man. Persephone, who spends half her life in the grave—she could interpret it also. " - "Not so these English. They gain knowledge slowly,\nand perhaps too late.\n\n" - "The thoughts of a cab-driver, however just, seldom affect the lives of his employers. " -- "He was the most competent of Miss Bartlett’s opponents,\nbut infinitely the least dangerous. " +- "He was the most competent of Miss Bartlett’s opponents,\n" +- "but infinitely the least dangerous. " - "Once back in the town, he and his insight and his knowledge would trouble English ladies no more. " - "Of course, it was most unpleasant; she had seen his black head in the bushes; he might make a tavern" - " story out of it. But after all, what have we to do with taverns? " @@ -1703,14 +1803,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“It is dreadful to be entangled with low-class people. He saw it all.” " - "Tapping Phaethon’s back with her guide-book,\nshe said, “Silenzio!” and offered him a franc.\n\n" - "“Va bene,” he replied, and accepted it. As well this ending to his day as any. " -- "But Lucy, a mortal maid, was disappointed in him.\n\nThere was an explosion up the road. " +- "But Lucy, a mortal maid, was disappointed in him.\n\n" +- "There was an explosion up the road. " - "The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. " - "If they had not stopped perhaps they might have been hurt. " - "They chose to regard it as a miraculous preservation, and the floods of love and sincerity,\n" - "which fructify every hour of life, burst forth in tumult. " - "They descended from the carriages; they embraced each other. " - "It was as joyful to be forgiven past unworthinesses as to forgive them. " -- "For a moment they realized vast possibilities of good.\n\nThe older people recovered quickly. " +- "For a moment they realized vast possibilities of good.\n\n" +- "The older people recovered quickly. " - "In the very height of their emotion they knew it to be unmanly or unladylike. " - "Miss Lavish calculated that,\n" - "even if they had continued, they would not have been caught in the accident. Mr. " @@ -1736,7 +1838,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "All the way back Lucy’s body was shaken by deep sighs, which nothing could repress.\n\n" - "“I want to be truthful,” she whispered. “It is so hard to be absolutely truthful.”\n\n" - "“Don’t be troubled, dearest. Wait till you are calmer. " -- "We will talk it over before bed-time in my room.”\n\nSo they re-entered the city with hands clasped. " +- "We will talk it over before bed-time in my room.”\n\n" +- "So they re-entered the city with hands clasped. " - "It was a shock to the girl to find how far emotion had ebbed in others. The storm had ceased,\n" - "and Mr. Emerson was easier about his son. Mr. Beebe had regained good humour, and Mr. " - "Eager was already snubbing Miss Lavish. " @@ -1754,7 +1857,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "When it was over she capped it by a story of her own. Lucy became rather hysterical with the delay. " - "In vain she tried to check, or at all events to accelerate, the tale. " - "It was not till a late hour that Miss Bartlett had recovered her luggage and could say in her usual " -- "tone of gentle reproach:\n\n“Well, dear, I at all events am ready for Bedfordshire. " +- "tone of gentle reproach:\n\n" +- "“Well, dear, I at all events am ready for Bedfordshire. " - "Come into my room, and I will give a good brush to your hair.”\n\n" - "With some solemnity the door was shut, and a cane chair placed for the girl. " - "Then Miss Bartlett said “So what is to be done?”\n\n" @@ -1792,7 +1896,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Mine and his.”\n\n“And you are going to _implore_ him, to _beg_ him to keep silence?”\n\n" - "“Certainly not. There would be no difficulty. " - "Whatever you ask him he answers, yes or no; then it is over. I have been frightened of him. " -- "But now I am not one little bit.”\n\n“But we fear him for you, dear. " +- "But now I am not one little bit.”\n\n" +- "“But we fear him for you, dear. " - "You are so young and inexperienced, you have lived among such nice people, that you cannot realize " - "what men can be—how they can take a brutal pleasure in insulting a woman whom her sex does not " - "protect and rally round. " @@ -1873,12 +1978,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“But you tell her everything?”\n\n“I suppose I do generally.”\n\n" - "“I dare not break your confidence. There is something sacred in it.\n" - "Unless you feel that it is a thing you could not tell her.”\n\nThe girl would not be degraded to this." -- "\n\n“Naturally I should have told her. " +- "\n\n" +- "“Naturally I should have told her. " - "But in case she should blame you in any way, I promise I will not, I am very willing not to. " - "I will never speak of it either to her or to any one.”\n\n" - "Her promise brought the long-drawn interview to a sudden close. " - "Miss Bartlett pecked her smartly on both cheeks, wished her good-night, and sent her to her own room" -- ".\n\nFor a moment the original trouble was in the background. " +- ".\n\n" +- "For a moment the original trouble was in the background. " - "George would seem to have behaved like a cad throughout; perhaps that was the view which one would " - "take eventually. At present she neither acquitted nor condemned him; she did not pass judgement. " - "At the moment when she was about to judge him her cousin’s voice had intervened, and, ever since,\n" @@ -1933,7 +2040,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I think things are coming to a head,” she observed, rather wanting her son’s opinion on the " - "situation if she could obtain it without undue supplication.\n\n“Time they did.”\n\n" - "“I am glad that Cecil is asking her this once more.”\n\n“It’s his third go, isn’t it?”\n\n" -- "“Freddy I do call the way you talk unkind.”\n\n“I didn’t mean to be unkind.” " +- "“Freddy I do call the way you talk unkind.”\n\n" +- "“I didn’t mean to be unkind.” " - "Then he added: “But I do think Lucy might have got this off her chest in Italy. " - "I don’t know how girls manage things, but she can’t have said ‘No’ properly before, or she wouldn’t " - "have to say it again now. Over the whole thing—I can’t explain—I do feel so uncomfortable.”\n\n" @@ -1948,7 +2056,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“What do you mean?”\n\n“He asked me for my permission also.”\n\nShe exclaimed: “How very odd of him!”\n\n" - "“Why so?” asked the son and heir. “Why shouldn’t my permission be asked?”\n\n" - "“What do you know about Lucy or girls or anything? What ever did you say?”\n\n" -- "“I said to Cecil, ‘Take her or leave her; it’s no business of mine!’”\n\n“What a helpful answer!” " +- "“I said to Cecil, ‘Take her or leave her; it’s no business of mine!’”\n\n" +- "“What a helpful answer!” " - "But her own answer, though more normal in its wording, had been to the same effect.\n\n" - "“The bother is this,” began Freddy.\n\n" - "Then he took up his work again, too shy to say what the bother was.\n" @@ -1958,7 +2067,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But she returned to the writing-table, observing, as she passed her son, “Still page 322?” " - "Freddy snorted, and turned over two leaves. For a brief space they were silent. " - "Close by, beyond the curtains, the gentle murmur of a long conversation had never ceased.\n\n" -- "“The bother is this: I have put my foot in it with Cecil most awfully.”\nHe gave a nervous gulp. " +- "“The bother is this: I have put my foot in it with Cecil most awfully.”\n" +- "He gave a nervous gulp. " - "“Not content with ‘permission’, which I did give—that is to say, I said, ‘I don’t mind’—well, not " - "content with that, he wanted to know whether I wasn’t off my head with joy. " - "He practically put it like this: Wasn’t it a splendid thing for Lucy and for Windy Corner generally " @@ -1983,11 +2093,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I know his mother; he’s good, he’s clever, he’s rich, he’s well connected—Oh, you needn’t kick the " - "piano! He’s well connected—I’ll say it again if you like: he’s well connected.” " - "She paused, as if rehearsing her eulogy, but her face remained dissatisfied. " -- "She added: “And he has beautiful manners.”\n\n“I liked him till just now. " +- "She added: “And he has beautiful manners.”\n\n" +- "“I liked him till just now. " - "I suppose it’s having him spoiling Lucy’s first week at home; and it’s also something that Mr. " - "Beebe said, not knowing.”\n\n" - "“Mr. Beebe?” said his mother, trying to conceal her interest. “I don’t see how Mr. Beebe comes in.”" -- "\n\n“You know Mr. Beebe’s funny way, when you never quite know what he means. He said: ‘Mr. " +- "\n\n" +- "“You know Mr. Beebe’s funny way, when you never quite know what he means. He said: ‘Mr. " - "Vyse is an ideal bachelor.’ I was very cute, I asked him what he meant. " - "He said ‘Oh, he’s like me—better detached.’ " - "I couldn’t make him say any more, but it set me thinking. " @@ -2021,7 +2133,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I have told Lucy so. " - "But Lucy seems very uncertain, and in these days young people must decide for themselves. " - "I know that Lucy likes your son, because she tells me everything. But I do not know—’”\n\n" -- "“Look out!” cried Freddy.\n\nThe curtains parted.\n\nCecil’s first movement was one of irritation. " +- "“Look out!” cried Freddy.\n\nThe curtains parted.\n\n" +- "Cecil’s first movement was one of irritation. " - "He couldn’t bear the Honeychurch habit of sitting in the dark to save the furniture.\n" - "Instinctively he give the curtains a twitch, and sent them swinging down their poles. " - "Light entered. " @@ -2047,24 +2160,28 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, Cecil!” she exclaimed—“oh, Cecil, do tell me!”\n\n“I promessi sposi,” said he.\n\n" - "They stared at him anxiously.\n\n" - "“She has accepted me,” he said, and the sound of the thing in English made him flush and smile with " -- "pleasure, and look more human.\n\n“I am so glad,” said Mrs. " +- "pleasure, and look more human.\n\n" +- "“I am so glad,” said Mrs. " - "Honeychurch, while Freddy proffered a hand that was yellow with chemicals. " - "They wished that they also knew Italian, for our phrases of approval and of amazement are so " - "connected with little occasions that we fear to use them on great ones. " - "We are obliged to become vaguely poetic, or to take refuge in Scriptural reminiscences.\n\n" - "“Welcome as one of the family!” said Mrs. Honeychurch, waving her hand at the furniture. " - "“This is indeed a joyous day! I feel sure that you will make our dear Lucy happy.”\n\n" -- "“I hope so,” replied the young man, shifting his eyes to the ceiling.\n\n“We mothers—” simpered Mrs. " +- "“I hope so,” replied the young man, shifting his eyes to the ceiling.\n\n" +- "“We mothers—” simpered Mrs. " - "Honeychurch, and then realized that she was affected, sentimental, bombastic—all the things she " - "hated most. Why could she not be Freddy, who stood stiff in the middle of the room;\n" - "looking very cross and almost handsome?\n\n" -- "“I say, Lucy!” called Cecil, for conversation seemed to flag.\n\nLucy rose from the seat. " +- "“I say, Lucy!” called Cecil, for conversation seemed to flag.\n\n" +- "Lucy rose from the seat. " - "She moved across the lawn and smiled in at them, just as if she was going to ask them to play tennis" - ". Then she saw her brother’s face. Her lips parted, and she took him in her arms. " - "He said, “Steady on!”\n\n“Not a kiss for me?” asked her mother.\n\nLucy kissed her also.\n\n" - "“Would you take them into the garden and tell Mrs. Honeychurch all about it?” Cecil suggested. " - "“And I’d stop here and tell my mother.”\n\n“We go with Lucy?” said Freddy, as if taking orders.\n\n" -- "“Yes, you go with Lucy.”\n\nThey passed into the sunlight. Cecil watched them cross the terrace,\n" +- "“Yes, you go with Lucy.”\n\n" +- "They passed into the sunlight. Cecil watched them cross the terrace,\n" - "and descend out of sight by the steps. " - "They would descend—he knew their ways—past the shrubbery, and past the tennis-lawn and the dahlia-" - "bed,\n" @@ -2101,7 +2218,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "happy. " - "His mother, too, would be pleased; she had counselled the step; he must write her a long account.\n\n" - "Glancing at his hand, in case any of Freddy’s chemicals had come off on it, he moved to the writing " -- "table. There he saw “Dear Mrs. Vyse,”\nfollowed by many erasures. " +- "table. There he saw “Dear Mrs. Vyse,”\n" +- "followed by many erasures. " - "He recoiled without reading any more, and after a little hesitation sat down elsewhere, and " - "pencilled a note on his knee.\n\n" - "Then he lit another cigarette, which did not seem quite as divine as the first, and considered what " @@ -2119,11 +2237,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "reflected. “I represent all that he despises. Why should he want me for a brother-in-law?”\n\n" - "The Honeychurches were a worthy family, but he began to realize that Lucy was of another clay; and " - "perhaps—he did not put it very definitely—he ought to introduce her into more congenial circles as " -- "soon as possible.\n\n“Mr. Beebe!” " +- "soon as possible.\n\n" +- "“Mr. Beebe!” " - "said the maid, and the new rector of Summer Street was shown in; he had at once started on friendly " - "relations, owing to Lucy’s praise of him in her letters from Florence.\n\n" - "Cecil greeted him rather critically.\n\n" -- "“I’ve come for tea, Mr. Vyse. Do you suppose that I shall get it?”\n\n“I should say so. " +- "“I’ve come for tea, Mr. Vyse. Do you suppose that I shall get it?”\n\n" +- "“I should say so. " - Food is the thing one does get here—Don’t sit in that chair; young Honeychurch has left a bone in it - ".”\n\n“Pfui!”\n\n“I know,” said Cecil. “I know. I can’t think why Mrs. Honeychurch allows it.”\n\n" - "For Cecil considered the bone and the Maples’ furniture separately; he did not realize that, taken " @@ -2138,12 +2258,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - Was it likely that a clergyman and a gentleman would refer to his engagement in a manner so flippant - "? " - "But his stiffness remained, and, though he asked who Cissie and Albert might be, he still thought Mr" -- ". Beebe rather a bounder.\n\n“Unpardonable question! " +- ". Beebe rather a bounder.\n\n" +- "“Unpardonable question! " - "To have stopped a week at Windy Corner and not to have met Cissie and Albert, the semi-detached " - "villas that have been run up opposite the church! I’ll set Mrs. Honeychurch after you.”\n\n" - "“I’m shockingly stupid over local affairs,” said the young man languidly. " - "“I can’t even remember the difference between a Parish Council and a Local Government Board. " -- "Perhaps there is no difference,\nor perhaps those aren’t the right names. " +- "Perhaps there is no difference,\n" +- "or perhaps those aren’t the right names. " - "I only go into the country to see my friends and to enjoy the scenery. It is very remiss of me. " - "Italy and London are the only places where I don’t feel to exist on sufferance.”\n\n" - "Mr. Beebe, distressed at this heavy reception of Cissie and Albert,\ndetermined to shift the subject." @@ -2152,7 +2274,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "My attitude—quite an indefensible one—is that so long as I am no trouble to any one I have a right " - "to do as I like. " - "I know I ought to be getting money out of people, or devoting myself to things I don’t care a straw " -- "about, but somehow, I’ve not been able to begin.”\n\n“You are very fortunate,” said Mr. Beebe. " +- "about, but somehow, I’ve not been able to begin.”\n\n" +- "“You are very fortunate,” said Mr. Beebe. " - "“It is a wonderful opportunity, the possession of leisure.”\n\n" - "His voice was rather parochial, but he did not quite see his way to answering naturally. " - "He felt, as all who have regular occupation must feel, that others should have it also.\n\n" @@ -2164,7 +2287,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Then he flattered the clergyman, praised his liberal-mindedness, his enlightened attitude towards " - "philosophy and science.\n\n" - "“Where are the others?” said Mr. Beebe at last, “I insist on extracting tea before evening service.”" -- "\n\n“I suppose Anne never told them you were here. " +- "\n\n" +- "“I suppose Anne never told them you were here. " - "In this house one is so coached in the servants the day one arrives. " - "The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-" - "legs with her feet. The faults of Mary—I forget the faults of Mary, but they are very grave. " @@ -2175,7 +2299,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Ah, he has too many. No one but his mother can remember the faults of Freddy. " - "Try the faults of Miss Honeychurch; they are not innumerable.”\n\n" - "“She has none,” said the young man, with grave sincerity.\n\n“I quite agree. At present she has none.”" -- "\n\n“At present?”\n\n“I’m not cynical. I’m only thinking of my pet theory about Miss Honeychurch. " +- "\n\n“At present?”\n\n" +- "“I’m not cynical. I’m only thinking of my pet theory about Miss Honeychurch. " - "Does it seem reasonable that she should play so wonderfully, and live so quietly? " - "I suspect that one day she will be wonderful in both. " - "The water-tight compartments in her will break down,\n" @@ -2203,22 +2328,26 @@ input_file: tests/inputs/text/room_with_a_view.txt - "reach him?\n\n“Broken? What do you mean?”\n\n" - "“I meant,” said Cecil stiffly, “that she is going to marry me.”\n\n" - The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. -- "\n\n“I am sorry; I must apologize. " +- "\n\n" +- "“I am sorry; I must apologize. " - "I had no idea you were intimate with her, or I should never have talked in this flippant, " -- "superficial way.\nMr. Vyse, you ought to have stopped me.” " +- "superficial way.\n" +- "Mr. Vyse, you ought to have stopped me.” " - "And down the garden he saw Lucy herself; yes, he was disappointed.\n\n" - "Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. " - "Was this the reception his action would get from the world? " - "Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of " - "refinement. But he was sensitive to the successive particles of it which he encountered.\n\n" -- "Occasionally he could be quite crude.\n\n“I am sorry I have given you a shock,” he said dryly. " +- "Occasionally he could be quite crude.\n\n" +- "“I am sorry I have given you a shock,” he said dryly. " - "“I fear that Lucy’s choice does not meet with your approval.”\n\n" - "“Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. " - "Perhaps I oughtn’t to have discussed her so freely with any one; certainly not with you.”\n\n" - "“You are conscious of having said something indiscreet?”\n\n" - "Mr. Beebe pulled himself together. Really, Mr. " - "Vyse had the art of placing one in the most tiresome positions. " -- "He was driven to use the prerogatives of his profession.\n\n“No, I have said nothing indiscreet. " +- "He was driven to use the prerogatives of his profession.\n\n" +- "“No, I have said nothing indiscreet. " - "I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. " - "I realized dimly enough that she might take some momentous step. She has taken it.\n" - "She has learnt—you will let me talk freely, as I have begun freely—she has learnt what it is to love" @@ -2228,15 +2357,19 @@ input_file: tests/inputs/text/room_with_a_view.txt - "be your care that her knowledge is profitable to her.”\n\n" - "“Grazie tante!” said Cecil, who did not like parsons.\n\n" - "“Have you heard?” shouted Mrs. Honeychurch as she toiled up the sloping garden. “Oh, Mr. " -- "Beebe, have you heard the news?”\n\nFreddy, now full of geniality, whistled the wedding march. " -- "Youth seldom criticizes the accomplished fact.\n\n“Indeed I have!” he cried. He looked at Lucy. " +- "Beebe, have you heard the news?”\n\n" +- "Freddy, now full of geniality, whistled the wedding march. " +- "Youth seldom criticizes the accomplished fact.\n\n" +- "“Indeed I have!” he cried. He looked at Lucy. " - "In her presence he could not act the parson any longer—at all events not without apology. “Mrs.\n" - "Honeychurch, I’m going to do what I am always supposed to do, but generally I’m too shy. " -- "I want to invoke every kind of blessing on them,\ngrave and gay, great and small. " +- "I want to invoke every kind of blessing on them,\n" +- "grave and gay, great and small. " - "I want them all their lives to be supremely good and supremely happy as husband and wife, as father " - "and mother. And now I want my tea.”\n\n" - "“You only asked for it just in time,” the lady retorted. “How dare you be serious at Windy Corner?”" -- "\n\nHe took his tone from her. " +- "\n\n" +- "He took his tone from her. " - "There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the " - "Scriptures. None of them dared or was able to be serious any more.\n\n" - An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state @@ -2259,7 +2392,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Honeychurch, amusing and portly, promised well as a mother-in-law. " - "As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but" - " waited, as earnest worshippers should, for the disclosure of some holier shrine of joy.\n\n\n\n\n" -- "Chapter IX Lucy As a Work of Art\n\n\nA few days after the engagement was announced Mrs. " +- "Chapter IX Lucy As a Work of Art\n\n\n" +- "A few days after the engagement was announced Mrs. " - "Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood,\n" - "for naturally she wanted to show people that her daughter was marrying a presentable man.\n\n" - "Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim " @@ -2274,11 +2408,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "When they returned he was not as pleasant as he had been.\n\n" - "“Do you go to much of this sort of thing?” he asked when they were driving home.\n\n" - "“Oh, now and then,” said Lucy, who had rather enjoyed herself.\n\n“Is it typical of country society?”" -- "\n\n“I suppose so. Mother, would it be?”\n\n“Plenty of society,” said Mrs. " +- "\n\n“I suppose so. Mother, would it be?”\n\n" +- "“Plenty of society,” said Mrs. " - "Honeychurch, who was trying to remember the hang of one of the dresses.\n\n" - "Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said:\n\n" - "“To me it seemed perfectly appalling, disastrous, portentous.”\n\n" -- "“I am so sorry that you were stranded.”\n\n“Not that, but the congratulations. " +- "“I am so sorry that you were stranded.”\n\n" +- "“Not that, but the congratulations. " - "It is so disgusting, the way an engagement is regarded as public property—a kind of waste place " - "where every outsider may shoot his vulgar sentiment. All those old women smirking!”\n\n" - "“One has to go through it, I suppose. They won’t notice us so much next time.”\n\n" @@ -2293,7 +2429,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I don’t play tennis—at least, not in public. " - "The neighbourhood is deprived of the romance of me being athletic. " - "Such romance as I have is that of the Inglese Italianato.”\n\n“Inglese Italianato?”\n\n" -- "“E un diavolo incarnato! You know the proverb?”\n\nShe did not. " +- "“E un diavolo incarnato! You know the proverb?”\n\n" +- "She did not. " - "Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. " - "But Cecil, since his engagement,\n" - "had taken to affect a cosmopolitan naughtiness which he was far from possessing.\n\n" @@ -2363,7 +2500,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Do you feel that, Mrs.\nHoneychurch?”\n\n" - "Mrs. Honeychurch started and smiled. She had not been attending. Cecil,\n" - "who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say " -- "anything interesting again.\n\nLucy had not attended either. " +- "anything interesting again.\n\n" +- "Lucy had not attended either. " - "Her brow was wrinkled, and she still looked furiously cross—the result, he concluded, of too much " - "moral gymnastics. It was sad to see her thus blind to the beauties of an August wood.\n\n" - "“‘Come down, O maid, from yonder mountain height,’” he quoted, and touched her knee with his own.\n\n" @@ -2405,12 +2543,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He had known Summer Street for so many years that he could not imagine it being spoilt. " - "Not till Mrs. " - "Flack had laid the foundation stone, and the apparition of red and cream brick began to rise did he " -- "take alarm.\nHe called on Mr. " +- "take alarm.\n" +- "He called on Mr. " - "Flack, the local builder,—a most reasonable and respectful man—who agreed that tiles would have made" - " more artistic roof, but pointed out that slates were cheaper. He ventured to differ,\n" - "however, about the Corinthian columns which were to cling like leeches to the frames of the bow " - "windows, saying that, for his part, he liked to relieve the façade by a bit of decoration. " -- "Sir Harry hinted that a column, if possible, should be structural as well as decorative.\n\nMr. " +- "Sir Harry hinted that a column, if possible, should be structural as well as decorative.\n\n" +- "Mr. " - "Flack replied that all the columns had been ordered, adding, “and all the capitals different—one " - "with dragons in the foliage, another approaching to the Ionian style, another introducing Mrs. " - "Flack’s initials—every one different.” For he had read his Ruskin. " @@ -2438,7 +2578,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She saw that he was laughing at their harmless neighbour, and roused herself to stop him.\n\n" - "“Sir Harry!” she exclaimed, “I have an idea. How would you like spinsters?”\n\n" - "“My dear Lucy, it would be splendid. Do you know any such?”\n\n“Yes; I met them abroad.”\n\n" -- "“Gentlewomen?” he asked tentatively.\n\n“Yes, indeed, and at the present moment homeless. " +- "“Gentlewomen?” he asked tentatively.\n\n" +- "“Yes, indeed, and at the present moment homeless. " - "I heard from them last week—Miss Teresa and Miss Catharine Alan. I’m really not joking.\n" - "They are quite the right people. Mr. Beebe knows them, too. May I tell them to write to you?”\n\n" - "“Indeed you may!” he cried. “Here we are with the difficulty solved already. How delightful it is! " @@ -2457,19 +2598,22 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It’s a sad thing, but I’d far rather let to some one who is going up in the world than to someone " - "who has come down.”\n\n" - "“I think I follow you,” said Sir Harry; “but it is, as you say, a very sad thing.”\n\n" -- "“The Misses Alan aren’t that!” cried Lucy.\n\n“Yes, they are,” said Cecil. " +- "“The Misses Alan aren’t that!” cried Lucy.\n\n" +- "“Yes, they are,” said Cecil. " - "“I haven’t met them but I should say they were a highly unsuitable addition to the neighbourhood.”\n\n" - "“Don’t listen to him, Sir Harry—he’s tiresome.”\n\n" - "“It’s I who am tiresome,” he replied. “I oughtn’t to come with my troubles to young people. " - "But really I am so worried, and Lady Otway will only say that I cannot be too careful, which is " - "quite true, but no real help.”\n\n“Then may I write to my Misses Alan?”\n\n“Please!”\n\n" -- "But his eye wavered when Mrs. Honeychurch exclaimed:\n\n“Beware! They are certain to have canaries. " +- "But his eye wavered when Mrs. Honeychurch exclaimed:\n\n" +- "“Beware! They are certain to have canaries. " - "Sir Harry, beware of canaries: they spit the seed out through the bars of the cages and then the " - "mice come. Beware of women altogether. Only let to a man.”\n\n" - "“Really—” he murmured gallantly, though he saw the wisdom of her remark.\n\n" - "“Men don’t gossip over tea-cups. " - "If they get drunk, there’s an end of them—they lie down comfortably and sleep it off. " -- "If they’re vulgar,\nthey somehow keep it to themselves. It doesn’t spread so. " +- "If they’re vulgar,\n" +- "they somehow keep it to themselves. It doesn’t spread so. " - "Give me a man—of course, provided he’s clean.”\n\n" - "Sir Harry blushed. Neither he nor Cecil enjoyed these open compliments to their sex. " - "Even the exclusion of the dirty did not leave them much distinction. He suggested that Mrs. " @@ -2479,7 +2623,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Domestic arrangements always attracted her, especially when they were on a small scale.\n\n" - "Cecil pulled Lucy back as she followed her mother.\n\n" - "“Mrs. Honeychurch,” he said, “what if we two walk home and leave you?”\n\n" -- "“Certainly!” was her cordial reply.\n\nSir Harry likewise seemed almost too glad to get rid of them. " +- "“Certainly!” was her cordial reply.\n\n" +- "Sir Harry likewise seemed almost too glad to get rid of them. " - "He beamed at them knowingly, said, “Aha! young people, young people!” " - "and then hastened to unlock the house.\n\n" - "“Hopeless vulgarian!” exclaimed Cecil, almost before they were out of earshot.\n\n“Oh, Cecil!”\n\n" @@ -2503,13 +2648,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Further than Freddy she did not go, but he gave her anxiety enough. " - "She could only assure herself that Cecil had known Freddy some time, and that they had always got on" - " pleasantly, except, perhaps,\nduring the last few days, which was an accident, perhaps.\n\n" -- "“Which way shall we go?” she asked him.\n\nNature—simplest of topics, she thought—was around them. " +- "“Which way shall we go?” she asked him.\n\n" +- "Nature—simplest of topics, she thought—was around them. " - "Summer Street lay deep in the woods, and she had stopped where a footpath diverged from the highroad" - ".\n\n“Are there two ways?”\n\n“Perhaps the road is more sensible, as we’re got up smart.”\n\n" - "“I’d rather go through the wood,” said Cecil, With that subdued irritation that she had noticed in " -- "him all the afternoon. “Why is it,\nLucy, that you always say the road? " +- "him all the afternoon. “Why is it,\n" +- "Lucy, that you always say the road? " - Do you know that you have never once been with me in the fields or the wood since we were engaged?” -- "\n\n“Haven’t I? " +- "\n\n" +- "“Haven’t I? " - "The wood, then,” said Lucy, startled at his queerness, but pretty sure that he would explain later; " - "it was not his habit to leave her in doubt as to his meaning.\n\n" - "She led the way into the whispering pines, and sure enough he did explain before they had gone a " @@ -2533,11 +2681,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Italy, it had lost none of its charm.\n\n" - "Presently they came to a little clearing among the pines—another tiny green alp, solitary this time," - " and holding in its bosom a shallow pool.\n\nShe exclaimed, “The Sacred Lake!”\n\n" -- "“Why do you call it that?”\n\n“I can’t remember why. I suppose it comes out of some book. " +- "“Why do you call it that?”\n\n" +- "“I can’t remember why. I suppose it comes out of some book. " - "It’s only a puddle now, but you see that stream going through it? " - "Well, a good deal of water comes down after heavy rains, and can’t get away at once, and the pool " - "becomes quite large and beautiful. Then Freddy used to bathe there. He is very fond of it.”\n\n" -- "“And you?”\n\nHe meant, “Are you fond of it?” " +- "“And you?”\n\n" +- "He meant, “Are you fond of it?” " - "But she answered dreamily, “I bathed here, too, till I was found out. Then there was a row.”\n\n" - "At another time he might have been shocked, for he had depths of prudishness within him. But now? " - "with his momentary cult of the fresh air, he was delighted at her admirable simplicity. " @@ -2597,7 +2747,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The best obtainable. Certainly many of the immigrants were rather dull,\n" - "and Lucy realized this more vividly since her return from Italy.\n" - "Hitherto she had accepted their ideals without questioning—their kindly affluence, their inexplosive" -- " religion, their dislike of paper-bags,\norange-peel, and broken bottles. " +- " religion, their dislike of paper-bags,\n" +- "orange-peel, and broken bottles. " - "A Radical out and out, she learnt to speak with horror of Suburbia. " - "Life, so far as she troubled to conceive it, was a circle of rich, pleasant people, with identical " - "interests and identical foes. In this circle, one thought, married, and died. " @@ -2626,13 +2777,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The sentence is confused, but the better illustrates Lucy’s state of mind, for she was trying to " - "talk to Mr. Beebe at the same time.\n\n" - "“Oh, it has been such a nuisance—first he, then they—no one knowing what they wanted, and everyone " -- "so tiresome.”\n\n“But they really are coming now,” said Mr. Beebe. " +- "so tiresome.”\n\n" +- "“But they really are coming now,” said Mr. Beebe. " - "“I wrote to Miss Teresa a few days ago—she was wondering how often the butcher called,\n" - "and my reply of once a month must have impressed her favourably. They are coming. " -- "I heard from them this morning.\n\n“I shall hate those Miss Alans!” Mrs. Honeychurch cried. " +- "I heard from them this morning.\n\n" +- "“I shall hate those Miss Alans!” Mrs. Honeychurch cried. " - "“Just because they’re old and silly one’s expected to say ‘How sweet!’ " - I hate their ‘if’-ing and ‘but’-ing and ‘and’-ing. And poor Lucy—serve her right—worn to a shadow.” -- "\n\nMr. Beebe watched the shadow springing and shouting over the tennis-court. " +- "\n\n" +- "Mr. Beebe watched the shadow springing and shouting over the tennis-court. " - "Cecil was absent—one did not play bumble-puppy when he was there.\n\n" - "“Well, if they are coming—No, Minnie, not Saturn.” " - "Saturn was a tennis-ball whose skin was partially unsewn. " @@ -2670,13 +2824,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, good gracious, there isn’t going to be another muddle!” Mrs.\n" - "Honeychurch exclaimed. “Do you notice, Lucy, I’m always right? " - "I _said_ don’t interfere with Cissie Villa. I’m always right. " -- "I’m quite uneasy at being always right so often.”\n\n“It’s only another muddle of Freddy’s. " +- "I’m quite uneasy at being always right so often.”\n\n" +- "“It’s only another muddle of Freddy’s. " - "Freddy doesn’t even know the name of the people he pretends have taken it instead.”\n\n" - "“Yes, I do. I’ve got it. Emerson.”\n\n“What name?”\n\n“Emerson. I’ll bet you anything you like.”\n\n" - "“What a weathercock Sir Harry is,” said Lucy quietly. “I wish I had never bothered over it at all.”" -- "\n\nThen she lay on her back and gazed at the cloudless sky. Mr. Beebe,\n" +- "\n\n" +- "Then she lay on her back and gazed at the cloudless sky. Mr. Beebe,\n" - "whose opinion of her rose daily, whispered to his niece that _that_ was the proper way to behave if " -- "any little thing went wrong.\n\nMeanwhile the name of the new tenants had diverted Mrs. " +- "any little thing went wrong.\n\n" +- "Meanwhile the name of the new tenants had diverted Mrs. " - "Honeychurch from the contemplation of her own abilities.\n\n" - "“Emerson, Freddy? Do you know what Emersons they are?”\n\n" - "“I don’t know whether they’re any Emersons,” retorted Freddy, who was democratic. " @@ -2686,12 +2843,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "All right, Lucy”—she was sitting up again—“I see you looking down your nose and thinking your " - "mother’s a snob. " - "But there is a right sort and a wrong sort, and it’s affectation to pretend there isn’t.”\n\n" -- "“Emerson’s a common enough name,” Lucy remarked.\n\nShe was gazing sideways. " +- "“Emerson’s a common enough name,” Lucy remarked.\n\n" +- "She was gazing sideways. " - "Seated on a promontory herself, she could see the pine-clad promontories descending one beyond " - "another into the Weald. " - "The further one descended the garden, the more glorious was this lateral view.\n\n" - "“I was merely going to remark, Freddy, that I trusted they were no relations of Emerson the " -- "philosopher, a most trying man. Pray, does that satisfy you?”\n\n“Oh, yes,” he grumbled. " +- "philosopher, a most trying man. Pray, does that satisfy you?”\n\n" +- "“Oh, yes,” he grumbled. " - "“And you will be satisfied, too, for they’re friends of Cecil; so”—elaborate irony—“you and the " - "other country families will be able to call in perfect safety.”\n\n“_Cecil?_” exclaimed Lucy.\n\n" - "“Don’t be rude, dear,” said his mother placidly. “Lucy, don’t screech.\n" @@ -2709,7 +2868,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“The Emersons who were at Florence, do you mean? No, I don’t suppose it will prove to be them. " - "It is probably a long cry from them to friends of Mr. Vyse’s. Oh, Mrs. " - "Honeychurch, the oddest people! The queerest people! For our part we liked them, didn’t we?” " -- "He appealed to Lucy.\n“There was a great scene over some violets. " +- "He appealed to Lucy.\n" +- "“There was a great scene over some violets. " - They picked violets and filled all the vases in the room of these very Miss Alans who have failed to - " come to Cissie Villa. Poor little ladies! So shocked and so pleased. " - "It used to be one of Miss Catharine’s great stories. ‘My dear sister loves flowers,’ it began. " @@ -2721,7 +2881,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“These particular Emersons consisted of a father and a son—the son a goodly, if not a good young man" - "; not a fool, I fancy, but very immature—pessimism, et cetera. " - "Our special joy was the father—such a sentimental darling, and people declared he had murdered his " -- "wife.”\n\nIn his normal state Mr. Beebe would never have repeated such gossip,\n" +- "wife.”\n\n" +- "In his normal state Mr. Beebe would never have repeated such gossip,\n" - "but he was trying to shelter Lucy in her little trouble. " - "He repeated any rubbish that came into his head.\n\n" - "“Murdered his wife?” said Mrs. Honeychurch. “Lucy, don’t desert us—go on playing bumble-puppy. " @@ -2750,7 +2911,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I, have found tenants for the distressful Cissie Villa. Don’t be angry! Don’t be angry! " - "You’ll forgive me when you hear it all.”\n\n" - "He looked very attractive when his face was bright, and he dispelled her ridiculous forebodings at " -- "once.\n\n“I have heard,” she said. “Freddy has told us. Naughty Cecil! I suppose I must forgive you. " +- "once.\n\n" +- "“I have heard,” she said. “Freddy has told us. Naughty Cecil! I suppose I must forgive you. " - "Just think of all the trouble I took for nothing!\n" - "Certainly the Miss Alans are a little tiresome, and I’d rather have nice friends of yours. " - "But you oughtn’t to tease one so.”\n\n" @@ -2767,7 +2929,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", the son to run down for week-ends. I thought, ‘What a chance of scoring off Sir Harry!’ " - "and I took their address and a London reference, found they weren’t actual blackguards—it was great " - "sport—and wrote to him, making out—”\n\n“Cecil! No, it’s not fair. I’ve probably met them before—”\n\n" -- "He bore her down.\n\n“Perfectly fair. Anything is fair that punishes a snob. " +- "He bore her down.\n\n" +- "“Perfectly fair. Anything is fair that punishes a snob. " - "That old man will do the neighbourhood a world of good. " - "Sir Harry is too disgusting with his ‘decayed gentlewomen.’ I meant to read him a lesson some time.\n" - "No, Lucy, the classes ought to mix, and before long you’ll agree with me. " @@ -2823,7 +2986,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "had replied that she was quite used to being abandoned suddenly. " - "Finally nothing happened; but the coolness remained, and, for Lucy, was even increased when she " - "opened the letter and read as follows. It had been forwarded from Windy Corner.\n\n" -- "“TUNBRIDGE WELLS,\n“_September_.\n\n\n“DEAREST LUCIA,\n\n\n“I have news of you at last! " +- "“TUNBRIDGE WELLS,\n“_September_.\n\n\n“DEAREST LUCIA,\n\n\n" +- "“I have news of you at last! " - "Miss Lavish has been bicycling in your parts, but was not sure whether a call would be welcome. " - "Puncturing her tire near Summer Street, and it being mended while she sat very woebegone in that " - "pretty churchyard, she saw to her astonishment, a door open opposite and the younger Emerson man " @@ -2832,7 +2996,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He never suggested giving Eleanor a cup of tea. " - "Dear Lucy, I am much worried, and I advise you to make a clean breast of his past behaviour to your " - "mother, Freddy, and Mr. Vyse, who will forbid him to enter the house, etc. " -- "That was a great misfortune,\nand I dare say you have told them already. Mr. Vyse is so sensitive. " +- "That was a great misfortune,\n" +- "and I dare say you have told them already. Mr. Vyse is so sensitive. " - "I remember how I used to get on his nerves at Rome. " - "I am very sorry about it all, and should not feel easy unless I warned you.\n\n\n" - "“Believe me,\n“Your anxious and loving cousin,\n“CHARLOTTE.”\n\n\n" @@ -2859,7 +3024,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "discovered it, or with a little thing which he would laugh at? Miss Bartlett suggested the former. " - "Perhaps she was right. It had become a great thing now. " - "Left to herself, Lucy would have told her mother and her lover ingenuously, and it would have " -- "remained a little thing.\n“Emerson, not Harris”; it was only that a few weeks ago. " +- "remained a little thing.\n" +- "“Emerson, not Harris”; it was only that a few weeks ago. " - "She tried to tell Cecil even now when they were laughing about some beautiful lady who had smitten " - "his heart at school. But her body behaved so ridiculously that she stopped.\n\n" - "She and her secret stayed ten days longer in the deserted Metropolis visiting the scenes they were " @@ -2874,7 +3040,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "laughter. " - "In this atmosphere the Pension Bertolini and Windy Corner appeared equally crude, and Lucy saw that " - "her London career would estrange her a little from all that she had loved in the past.\n\n" -- "The grandchildren asked her to play the piano.\n\nShe played Schumann. " +- "The grandchildren asked her to play the piano.\n\n" +- "She played Schumann. " - "“Now some Beethoven” called Cecil, when the querulous beauty of the music had died. " - "She shook her head and played Schumann again. The melody rose, unprofitably magical. " - "It broke; it was resumed broken, not marching once from the cradle to the grave. " @@ -2914,7 +3081,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "about you, dear. He admires you more than ever. Dream of that.”\n\n" - "Lucy returned the kiss, still covering one cheek with her hand. Mrs.\n" - "Vyse recessed to bed. Cecil, whom the cry had not awoke, snored.\nDarkness enveloped the flat.\n\n\n\n\n" -- "Chapter XII Twelfth Chapter\n\n\nIt was a Saturday afternoon, gay and brilliant after abundant rains,\n" +- "Chapter XII Twelfth Chapter\n\n\n" +- "It was a Saturday afternoon, gay and brilliant after abundant rains,\n" - "and the spirit of youth dwelt in it, though the season was now autumn.\n" - "All that was gracious triumphed. " - "As the motorcars passed through Summer Street they raised only a little dust, and their stench was " @@ -2934,7 +3102,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Are these people great readers?” Freddy whispered. “Are they that sort?”\n\n" - "“I fancy they know how to read—a rare accomplishment. What have they got? Byron. Exactly. " - "A Shropshire Lad. Never heard of it. The Way of All Flesh. Never heard of it. Gibbon. Hullo! " -- "dear George reads German.\nUm—um—Schopenhauer, Nietzsche, and so we go on. " +- "dear George reads German.\n" +- "Um—um—Schopenhauer, Nietzsche, and so we go on. " - "Well, I suppose your generation knows its own business, Honeychurch.”\n\n" - "“Mr. Beebe, look at that,” said Freddy in awestruck tones.\n\n" - "On the cornice of the wardrobe, the hand of an amateur had painted this inscription: “Mistrust all " @@ -2967,12 +3136,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "with ‘How do you do? Come and have a bathe’? And yet you will tell me that the sexes are equal.”\n\n" - "“I tell you that they shall be,” said Mr. Emerson, who had been slowly descending the stairs. " - "“Good afternoon, Mr. Beebe. I tell you they shall be comrades, and George thinks the same.”\n\n" -- "“We are to raise ladies to our level?” the clergyman inquired.\n\n“The Garden of Eden,” pursued Mr. " +- "“We are to raise ladies to our level?” the clergyman inquired.\n\n" +- "“The Garden of Eden,” pursued Mr. " - "Emerson, still descending, “which you place in the past, is really yet to come. " - "We shall enter it when we no longer despise our bodies.”\n\n" - "Mr. Beebe disclaimed placing the Garden of Eden anywhere.\n\n" - "“In this—not in other things—we men are ahead. We despise the body less than women do. " -- "But not until we are comrades shall we enter the garden.”\n\n“I say, what about this bathe?” " +- "But not until we are comrades shall we enter the garden.”\n\n" +- "“I say, what about this bathe?” " - "murmured Freddy, appalled at the mass of philosophy that was approaching him.\n\n" - "“I believed in a return to Nature once. " - "But how can we return to Nature when we have never been with her? " @@ -2987,9 +3158,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Though I hope I have not vexed Sir Harry Otway. " - "I have met so few Liberal landowners, and I was anxious to compare his attitude towards the game " - "laws with the Conservative attitude. Ah, this wind! You do well to bathe. " -- "Yours is a glorious country, Honeychurch!”\n\n“Not a bit!” mumbled Freddy. " +- "Yours is a glorious country, Honeychurch!”\n\n" +- "“Not a bit!” mumbled Freddy. " - "“I must—that is to say, I have to—have the pleasure of calling on you later on, my mother says, I " -- "hope.”\n\n“_Call_, my lad? Who taught us that drawing-room twaddle? Call on your grandmother! " +- "hope.”\n\n" +- "“_Call_, my lad? Who taught us that drawing-room twaddle? Call on your grandmother! " - "Listen to the wind among the pines! Yours is a glorious country.”\n\nMr. Beebe came to the rescue.\n\n" - "“Mr. " - "Emerson, he will call, I shall call; you or your son will return our calls before ten days have " @@ -3000,9 +3173,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Bring back some milk, cakes, honey. The change will do you good. " - "George has been working very hard at his office. I can’t believe he’s well.”\n\n" - "George bowed his head, dusty and sombre, exhaling the peculiar smell of one who has handled " -- "furniture.\n\n“Do you really want this bathe?” Freddy asked him. “It is only a pond,\n" +- "furniture.\n\n" +- "“Do you really want this bathe?” Freddy asked him. “It is only a pond,\n" - "don’t you know. I dare say you are used to something better.”\n\n“Yes—I have said ‘Yes’ already.”\n\n" -- "Mr. Beebe felt bound to assist his young friend, and led the way out of the house and into the pine-" +- "Mr. " +- "Beebe felt bound to assist his young friend, and led the way out of the house and into the pine-" - "woods. How glorious it was! For a little time the voice of old Mr. " - "Emerson pursued them dispensing good wishes and philosophy. " - "It ceased, and they only heard the fair wind blowing the bracken and the trees. Mr. " @@ -3017,7 +3192,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“When I was a young man, I always meant to write a ‘History of Coincidence.’”\n\nNo enthusiasm.\n\n" - "“Though, as a matter of fact, coincidences are much rarer than we suppose. " - "For example, it isn’t purely coincidentally that you are here now, when one comes to reflect.”\n\n" -- "To his relief, George began to talk.\n\n“It is. I have reflected. It is Fate. Everything is Fate. " +- "To his relief, George began to talk.\n\n" +- "“It is. I have reflected. It is Fate. Everything is Fate. " - "We are flung together by Fate, drawn apart by Fate—flung together, drawn apart. " - "The twelve winds blow us—we settle nothing—”\n\n" - "“You have not reflected at all,” rapped the clergyman. " @@ -3063,7 +3239,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Hee-poof—I’ve swallowed a pollywog, Mr. Beebe, water’s wonderful,\nwater’s simply ripping.”\n\n" - "“Water’s not so bad,” said George, reappearing from his plunge, and sputtering at the sun.\n\n" - "“Water’s wonderful. Mr. Beebe, do.”\n\n“Apooshoo, kouf.”\n\n" -- "Mr. Beebe, who was hot, and who always acquiesced where possible,\nlooked around him. " +- "Mr. Beebe, who was hot, and who always acquiesced where possible,\n" +- "looked around him. " - "He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing" - " to each other against the blue. How glorious it was! " - "The world of motor-cars and rural Deans receded inimitably. " @@ -3090,7 +3267,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "in the bracken, they bathed to get clean. " - "And all the time three little bundles lay discreetly on the sward, proclaiming:\n\n" - "“No. We are what matters. Without us shall no enterprise begin. " -- "To us shall all flesh turn in the end.”\n\n“A try! A try!” " +- "To us shall all flesh turn in the end.”\n\n" +- "“A try! A try!” " - "yelled Freddy, snatching up George’s bundle and placing it beside an imaginary goal-post.\n\n" - "“Socker rules,” George retorted, scattering Freddy’s bundle with a kick.\n\n“Goal!”\n\n“Goal!”\n\n“Pass!”" - "\n\n“Take care my watch!” cried Mr. Beebe.\n\nClothes flew in all directions.\n\n" @@ -3101,12 +3279,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“That’ll do!” shouted Mr. Beebe, remembering that after all he was in his own parish. " - "Then his voice changed as if every pine-tree was a Rural Dean. “Hi! Steady on! " - "I see people coming you fellows!”\n\nYells, and widening circles over the dappled earth.\n\n" -- "“Hi! hi! _Ladies!_”\n\nNeither George nor Freddy was truly refined. Still, they did not hear Mr. " +- "“Hi! hi! _Ladies!_”\n\n" +- "Neither George nor Freddy was truly refined. Still, they did not hear Mr. " - "Beebe’s last warning or they would have avoided Mrs. Honeychurch,\n" - "Cecil, and Lucy, who were walking down to call on old Mrs. Butterworth.\n" - "Freddy dropped the waistcoat at their feet, and dashed into some bracken. " - "George whooped in their faces, turned and scudded away down the path to the pond, still clad in Mr. " -- "Beebe’s hat.\n\n“Gracious alive!” cried Mrs. Honeychurch. “Whoever were those unfortunate people? " +- "Beebe’s hat.\n\n" +- "“Gracious alive!” cried Mrs. Honeychurch. “Whoever were those unfortunate people? " - "Oh, dears, look away! And poor Mr. Beebe, too!\nWhatever has happened?”\n\n" - "“Come this way immediately,” commanded Cecil, who always felt that he must lead women, though he " - "knew not whither, and protect them, though he knew not against what. " @@ -3122,7 +3302,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Why not have a comfortable bath at home, with hot and cold laid on?”\n\n" - "“Look here, mother, a fellow must wash, and a fellow’s got to dry, and if another fellow—”\n\n" - "“Dear, no doubt you’re right as usual, but you are in no position to argue. Come, Lucy.” " -- "They turned. “Oh, look—don’t look! Oh, poor Mr.\nBeebe! How unfortunate again—”\n\nFor Mr. " +- "They turned. “Oh, look—don’t look! Oh, poor Mr.\nBeebe! How unfortunate again—”\n\n" +- "For Mr. " - "Beebe was just crawling out of the pond, on whose surface garments of an intimate nature did float; " - "while George, the world-weary George, shouted to Freddy that he had hooked a fish.\n\n" - "“And me, I’ve swallowed one,” answered he of the bracken. “I’ve swallowed a pollywog. " @@ -3130,10 +3311,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Hush, dears,” said Mrs. Honeychurch, who found it impossible to remain shocked. " - “And do be sure you dry yourselves thoroughly first. All these colds come of not drying thoroughly.” - "\n\n“Mother, do come away,” said Lucy. “Oh for goodness’ sake, do come.”\n\n" -- "“Hullo!” cried George, so that again the ladies stopped.\n\nHe regarded himself as dressed. " +- "“Hullo!” cried George, so that again the ladies stopped.\n\n" +- "He regarded himself as dressed. " - "Barefoot, bare-chested, radiant and personable against the shadowy woods, he called:\n\n" - "“Hullo, Miss Honeychurch! Hullo!”\n\n“Bow, Lucy; better bow. Whoever is it? I shall bow.”\n\n" -- "Miss Honeychurch bowed.\n\nThat evening and all that night the water ran away. " +- "Miss Honeychurch bowed.\n\n" +- "That evening and all that night the water ran away. " - "On the morrow the pool had shrunk to its old size and lost its glory. " - "It had been a call to the blood and to the relaxed will, a passing benediction whose influence did " - "not pass, a holiness, a spell, a momentary chalice for youth.\n\n\n\n\n" @@ -3146,12 +3329,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Emerson, who might be shy or morbid or indifferent or furtively impudent. " - "She was prepared for all of these.\n" - But she had never imagined one who would be happy and greet her with the shout of the morning star. -- "\n\nIndoors herself, partaking of tea with old Mrs. " +- "\n\n" +- "Indoors herself, partaking of tea with old Mrs. " - "Butterworth, she reflected that it is impossible to foretell the future with any degree of accuracy," - " that it is impossible to rehearse life. " - "A fault in the scenery, a face in the audience, an irruption of the audience on to the stage, and " - "all our carefully planned gestures mean nothing, or mean too much. “I will bow,” she had thought. " -- "“I will not shake hands with him.\nThat will be just the proper thing.” She had bowed—but to whom? " +- "“I will not shake hands with him.\n" +- "That will be just the proper thing.” She had bowed—but to whom? " - "To gods, to heroes, to the nonsense of school-girls! " - "She had bowed across the rubbish that cumbers the world.\n\n" - "So ran her thoughts, while her faculties were busy with Cecil. " @@ -3177,7 +3362,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "typhoid fever. No—it is just the same thing everywhere.”\n\n“Let me just put your bonnet away, may I?”" - "\n\n“Surely he could answer her civilly for one half-hour?”\n\n" - "“Cecil has a very high standard for people,” faltered Lucy, seeing trouble ahead. " -- "“It’s part of his ideals—it is really that that makes him sometimes seem—”\n\n“Oh, rubbish! " +- "“It’s part of his ideals—it is really that that makes him sometimes seem—”\n\n" +- "“Oh, rubbish! " - "If high ideals make a young man rude, the sooner he gets rid of them the better,” said Mrs. " - "Honeychurch, handing her the bonnet.\n\n" - "“Now, mother! I’ve seen you cross with Mrs. Butterworth yourself!”\n\n" @@ -3218,7 +3404,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "And she ought not to have mentioned Miss Bartlett’s letter. She must be more careful;\n" - "her mother was rather inquisitive, and might have asked what it was about. " - "Oh, dear, what should she do?—and then Freddy came bounding upstairs, and joined the ranks of the " -- "ill-behaved.\n\n“I say, those are topping people.”\n\n“My dear baby, how tiresome you’ve been! " +- "ill-behaved.\n\n“I say, those are topping people.”\n\n" +- "“My dear baby, how tiresome you’ve been! " - "You have no business to take them bathing in the Sacred Lake; it’s much too public. " - "It was all right for you but most awkward for everyone else. Do be more careful. " - "You forget the place is growing half suburban.”\n\n“I say, is anything on to-morrow week?”\n\n" @@ -3246,7 +3433,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "So the grittiness went out of life. It generally did at Windy Corner.\n" - "At the last minute, when the social machine was clogged hopelessly, one member or other of the " - "family poured in a drop of oil. Cecil despised their methods—perhaps rightly. " -- "At all events, they were not his own.\n\nDinner was at half-past seven. " +- "At all events, they were not his own.\n\n" +- "Dinner was at half-past seven. " - "Freddy gabbled the grace, and they drew up their heavy chairs and fell to. " - "Fortunately, the men were hungry.\nNothing untoward occurred until the pudding. Then Freddy said:\n\n" - "“Lucy, what’s Emerson like?”\n\n" @@ -3282,7 +3470,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " the substance.\n\n" - "“And I have been thinking,” she added rather nervously, “surely we could squeeze Charlotte in here " - "next week, and give her a nice holiday while the plumbers at Tunbridge Wells finish. " -- "I have not seen poor Charlotte for so long.”\n\nIt was more than her nerves could stand. " +- "I have not seen poor Charlotte for so long.”\n\n" +- "It was more than her nerves could stand. " - "And she could not protest violently after her mother’s goodness to her upstairs.\n\n" - "“Mother, no!” she pleaded. “It’s impossible. " - "We can’t have Charlotte on the top of the other things; we’re squeezed to death as it is. " @@ -3295,9 +3484,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "but it really isn’t fair on the maids to fill up the house so.”\n\nAlas!\n\n" - "“The truth is, dear, you don’t like Charlotte.”\n\n" - "“No, I don’t. And no more does Cecil. She gets on our nerves. " -- "You haven’t seen her lately, and don’t realize how tiresome she can be,\nthough so good. " +- "You haven’t seen her lately, and don’t realize how tiresome she can be,\n" +- "though so good. " - "So please, mother, don’t worry us this last summer; but spoil us by not asking her to come.”\n\n" -- "“Hear, hear!” said Cecil.\n\nMrs. " +- "“Hear, hear!” said Cecil.\n\n" +- "Mrs. " - "Honeychurch, with more gravity than usual, and with more feeling than she usually permitted herself," - " replied: “This isn’t very kind of you two. " - "You have each other and all these woods to walk in, so full of beautiful things; and poor Charlotte " @@ -3307,9 +3498,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Cecil crumbled his bread.\n\n" - "“I must say Cousin Charlotte was very kind to me that year I called on my bike,” put in Freddy. " - "“She thanked me for coming till I felt like such a fool, and fussed round no end to get an egg " -- "boiled for my tea just right.”\n\n“I know, dear. " +- "boiled for my tea just right.”\n\n" +- "“I know, dear. " - "She is kind to everyone, and yet Lucy makes this difficulty when we try to give her some little " -- "return.”\n\nBut Lucy hardened her heart. It was no good being kind to Miss Bartlett. " +- "return.”\n\n" +- "But Lucy hardened her heart. It was no good being kind to Miss Bartlett. " - "She had tried herself too often and too recently. " - "One might lay up treasure in heaven by the attempt, but one enriched neither Miss Bartlett nor any " - "one else upon earth. She was reduced to saying: “I can’t help it, mother. I don’t like Charlotte. " @@ -3328,7 +3521,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Cecil frowned again. Oh, these Honeychurches! Eggs, boilers,\n" - "hydrangeas, maids—of such were their lives compact. “May me and Lucy get down from our chairs?” " - "he asked, with scarcely veiled insolence.\n“We don’t want no dessert.”\n\n\n\n\n" -- "Chapter XIV How Lucy Faced the External Situation Bravely\n\n\nOf course Miss Bartlett accepted. " +- "Chapter XIV How Lucy Faced the External Situation Bravely\n\n\n" +- "Of course Miss Bartlett accepted. " - "And, equally of course, she felt sure that she would prove a nuisance, and begged to be given an " - "inferior spare room—something with no view, anything. Her love to Lucy. And,\n" - "equally of course, George Emerson could come to tennis on the Sunday week.\n\n" @@ -3357,10 +3551,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“A nice fellow,” said Mr. Beebe afterwards “He will work off his crudities in time. " - "I rather mistrust young men who slip into life gracefully.”\n\n" - "Lucy said, “He seems in better spirits. He laughs more.”\n\n" -- "“Yes,” replied the clergyman. “He is waking up.”\n\nThat was all. " +- "“Yes,” replied the clergyman. “He is waking up.”\n\n" +- "That was all. " - "But, as the week wore on, more of her defences fell, and she entertained an image that had physical " - "beauty. In spite of the clearest directions, Miss Bartlett contrived to bungle her arrival. " -- "She was due at the South-Eastern station at Dorking, whither Mrs.\nHoneychurch drove to meet her. " +- "She was due at the South-Eastern station at Dorking, whither Mrs.\n" +- "Honeychurch drove to meet her. " - "She arrived at the London and Brighton station, and had to hire a cab up. " - "No one was at home except Freddy and his friend, who had to stop their tennis and to entertain her " - "for a solid hour. " @@ -3436,13 +3632,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, it’s all right.”\n\n“Or perhaps old Mr. Emerson knows. In fact, he is certain to know.”\n\n" - "“I don’t care if he does. " - "I was grateful to you for your letter, but even if the news does get round, I think I can trust " -- "Cecil to laugh at it.”\n\n“To contradict it?”\n\n“No, to laugh at it.” " +- "Cecil to laugh at it.”\n\n“To contradict it?”\n\n" +- "“No, to laugh at it.” " - "But she knew in her heart that she could not trust him, for he desired her untouched.\n\n" - "“Very well, dear, you know best. " - Perhaps gentlemen are different to what they were when I was young. Ladies are certainly different.” -- "\n\n“Now, Charlotte!” She struck at her playfully. “You kind, anxious thing. " +- "\n\n" +- "“Now, Charlotte!” She struck at her playfully. “You kind, anxious thing. " - "What _would_ you have me do? First you say ‘Don’t tell’; and then you say, ‘Tell’. " -- "Which is it to be? Quick!”\n\nMiss Bartlett sighed “I am no match for you in conversation, dearest. " +- "Which is it to be? Quick!”\n\n" +- "Miss Bartlett sighed “I am no match for you in conversation, dearest. " - "I blush when I think how I interfered at Florence, and you so well able to look after yourself, and " - "so much cleverer in all ways than I am. You will never forgive me.”\n\n" - "“Shall we go out, then. They will smash all the china if we don’t.”\n\n" @@ -3452,7 +3651,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“No line. He talked about Italy, like any other person. It is really all right. " - "What advantage would he get from being a cad, to put it bluntly? " - "I do wish I could make you see it my way. He really won’t be any nuisance, Charlotte.”\n\n" -- "“Once a cad, always a cad. That is my poor opinion.”\n\nLucy paused. " +- "“Once a cad, always a cad. That is my poor opinion.”\n\n" +- "Lucy paused. " - "“Cecil said one day—and I thought it so profound—that there are two kinds of cads—the conscious and " - "the subconscious.” She paused again, to be sure of doing justice to Cecil’s profundity.\n" - "Through the window she saw Cecil himself, turning over the pages of a novel. " @@ -3496,13 +3696,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "things, on the red book mentioned previously. The ladies move, Mr. " - "Beebe moves, George moves, and movement may engender shadow. " - "But this book lies motionless, to be caressed all the morning by the sun and to raise its covers " -- "slightly,\nas though acknowledging the caress.\n\nPresently Lucy steps out of the drawing-room window. " +- "slightly,\nas though acknowledging the caress.\n\n" +- "Presently Lucy steps out of the drawing-room window. " - "Her new cerise dress has been a failure, and makes her look tawdry and wan. " - "At her throat is a garnet brooch, on her finger a ring set with rubies—an engagement ring. " - "Her eyes are bent to the Weald. " - "She frowns a little—not in anger, but as a brave child frowns when he is trying not to cry. " - "In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the " -- "spaces that yet survive between Apollo and the western hills.\n\n“Lucy! Lucy! What’s that book? " +- "spaces that yet survive between Apollo and the western hills.\n\n" +- "“Lucy! Lucy! What’s that book? " - "Who’s been taking a book out of the shelf and leaving it about to spoil?”\n\n" - "“It’s only the library book that Cecil’s been reading.”\n\n" - "“But pick it up, and don’t stand idling there like a flamingo.”\n\n" @@ -3547,7 +3749,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual " - "crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers. " - "All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the" -- " Emersons were different.\n\nShe saw the Emersons after church. " +- " Emersons were different.\n\n" +- "She saw the Emersons after church. " - "There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite " - "Cissie Villa. " - "To save time, they walked over the green to it, and found father and son smoking in the garden.\n\n" @@ -3595,12 +3798,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast " - "landscape—a touch of the morning sun? " - "She remembered that in all his perversities he had never spoken against affection.\n\n" -- "Miss Bartlett approached.\n\n“You know our cousin, Miss Bartlett,” said Mrs. Honeychurch pleasantly.\n" +- "Miss Bartlett approached.\n\n" +- "“You know our cousin, Miss Bartlett,” said Mrs. Honeychurch pleasantly.\n" - "“You met her with my daughter in Florence.”\n\n" - "“Yes, indeed!” said the old man, and made as if he would come out of the garden to meet the lady. " - "Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow. " - "It was the pension Bertolini again, the dining-table with the decanters of water and wine.\n" -- "It was the old, old battle of the room with the view.\n\nGeorge did not respond to the bow. " +- "It was the old, old battle of the room with the view.\n\n" +- "George did not respond to the bow. " - "Like any boy, he blushed and was ashamed; he knew that the chaperon remembered. " - "He said: “I—I’ll come up to tennis if I can manage it,” and went into the house. " - "Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart" @@ -3611,10 +3816,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“George, don’t go,” cried his father, who thought it a great treat for people if his son would talk " - "to them. " - "“George has been in such good spirits today, and I am sure he will end by coming up this afternoon.”" -- "\n\nLucy caught her cousin’s eye. Something in its mute appeal made her reckless. " +- "\n\n" +- "Lucy caught her cousin’s eye. Something in its mute appeal made her reckless. " - "“Yes,” she said, raising her voice, “I do hope he will.” " - "Then she went to the carriage and murmured, “The old man hasn’t been told; I knew it was all right.”" -- " Mrs. Honeychurch followed her, and they drove away.\n\nSatisfactory that Mr. " +- " Mrs. Honeychurch followed her, and they drove away.\n\n" +- "Satisfactory that Mr. " - "Emerson had not been told of the Florence escapade; yet Lucy’s spirits should not have leapt up as " - "if she had sighted the ramparts of heaven. " - "Satisfactory; yet surely she greeted it with disproportionate joy. " @@ -3632,7 +3839,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“The Emersons have been so nice. George Emerson has improved enormously.”\n\n" - "“How are my protégés?” asked Cecil, who took no real interest in them,\n" - and had long since forgotten his resolution to bring them to Windy Corner for educational purposes. -- "\n\n“Protégés!” she exclaimed with some warmth. " +- "\n\n" +- "“Protégés!” she exclaimed with some warmth. " - "For the only relationship which Cecil conceived was feudal: that of protector and protected. " - "He had no glimpse of the comradeship after which the girl’s soul yearned.\n\n" - "“You shall see for yourself how your protégés are. George Emerson is coming up this afternoon. " @@ -3655,7 +3863,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She closed the instrument.\n\n\n\n\n\n\n*** END OF THE PROJECT GUTENBERG EBOOK A ROOM WITH A VIEW ***\n\n" - "Updated editions will replace the previous one--the old editions will be renamed.\n\n" - "Creating the works from print editions not protected by U.S. copyright law means that no one owns a " -- "United States copyright in these works,\nso the Foundation (and you!) " +- "United States copyright in these works,\n" +- "so the Foundation (and you!) " - "can copy and distribute it in the United States without permission and without paying copyright " - "royalties. 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" @@ -3810,14 +4034,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "opportunities to fix the problem.\n\n" - 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1. - "F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED," -- " INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.\n\n1.F.5. " +- " INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.\n\n" +- "1.F.5. " - Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of - " certain types of damages. " - If any disclaimer or limitation set forth in this agreement violates the law of the state applicable - " to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation " - "permitted by the applicable state law. 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" - "Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that " - "could be freely shared with anyone. " - "For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network " diff --git a/tests/snapshots/text_splitter_snapshots__characters_default@room_with_a_view.txt-3.snap b/tests/snapshots/text_splitter_snapshots__characters_default@room_with_a_view.txt-3.snap index 95ba0297..a8a2e77e 100644 --- a/tests/snapshots/text_splitter_snapshots__characters_default@room_with_a_view.txt-3.snap +++ b/tests/snapshots/text_splitter_snapshots__characters_default@room_with_a_view.txt-3.snap @@ -31,7 +31,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Charlotte’s energy! And her unselfishness! She had been thus all her life, but really, on this Italian tour, she was surpassing herself. So Lucy felt, or strove to feel. And yet—there was a rebellious spirit in her which wondered whether the acceptance might not have been less delicate and more beautiful. At all events, she entered her own room without any feeling of joy.\n\n“I want to explain,” said Miss Bartlett, “why it is that I have taken the largest room. Naturally, of course, I should have given it to you;\nbut I happen to know that it belongs to the young man, and I was sure your mother would not like it.”\n\nLucy was bewildered.\n\n“If you are to accept a favour it is more suitable you should be under an obligation to his father than to him. I am a woman of the world, in my small way, and I know where things lead to. However, Mr. Beebe is a guarantee of a sort that they will not presume on this.”\n\n" - "“Mother wouldn’t mind I’m sure,” said Lucy, but again had the sense of larger and unsuspected issues.\n\nMiss Bartlett only sighed, and enveloped her in a protecting embrace as she wished her good-night. It gave Lucy the sensation of a fog, and when she reached her own room she opened the window and breathed the clean night air, thinking of the kind old man who had enabled her to see the lights dancing in the Arno and the cypresses of San Miniato,\nand the foot-hills of the Apennines, black against the rising moon.\n\nMiss Bartlett, in her room, fastened the window-shutters and locked the door, and then made a tour of the apartment to see where the cupboards led, and whether there were any oubliettes or secret entrances. It was then that she saw, pinned up over the washstand, a sheet of paper on which was scrawled an enormous note of interrogation. Nothing more.\n\n" - "“What does it mean?” she thought, and she examined it carefully by the light of a candle. Meaningless at first, it gradually became menacing,\nobnoxious, portentous with evil. She was seized with an impulse to destroy it, but fortunately remembered that she had no right to do so,\nsince it must be the property of young Mr. Emerson. So she unpinned it carefully, and put it between two pieces of blotting-paper to keep it clean for him. Then she completed her inspection of the room, sighed heavily according to her habit, and went to bed.\n\n\n\n\nChapter II In Santa Croce with No Baedeker\n\n\n" -- "It was pleasant to wake up in Florence, to open the eyes upon a bright bare room, with a floor of red tiles which look clean though they are not; with a painted ceiling whereon pink griffins and blue amorini sport in a forest of yellow violins and bassoons. It was pleasant, too,\nto fling wide the windows, pinching the fingers in unfamiliar fastenings, to lean out into sunshine with beautiful hills and trees and marble churches opposite, and close below, the Arno, gurgling against the embankment of the road.\n\nOver the river men were at work with spades and sieves on the sandy foreshore, and on the river was a boat, also diligently employed for some mysterious end. An electric tram came rushing underneath the window. No one was inside it, except one tourist; but its platforms were overflowing with Italians, who preferred to stand. Children tried to hang on behind, and the conductor, with no malice, spat in their faces to make them let go. Then soldiers appeared—good-looking,\n" +- "It was pleasant to wake up in Florence, to open the eyes upon a bright bare room, with a floor of red tiles which look clean though they are not; with a painted ceiling whereon pink griffins and blue amorini sport in a forest of yellow violins and bassoons. It was pleasant, too,\nto fling wide the windows, pinching the fingers in unfamiliar fastenings, to lean out into sunshine with beautiful hills and trees and marble churches opposite, and close below, the Arno, gurgling against the embankment of the road.\n\n" +- "Over the river men were at work with spades and sieves on the sandy foreshore, and on the river was a boat, also diligently employed for some mysterious end. An electric tram came rushing underneath the window. No one was inside it, except one tourist; but its platforms were overflowing with Italians, who preferred to stand. Children tried to hang on behind, and the conductor, with no malice, spat in their faces to make them let go. Then soldiers appeared—good-looking,\n" - "undersized men—wearing each a knapsack covered with mangy fur, and a great-coat which had been cut for some larger soldier. Beside them walked officers, looking foolish and fierce, and before them went little boys, turning somersaults in time with the band. The tramcar became entangled in their ranks, and moved on painfully, like a caterpillar in a swarm of ants. One of the little boys fell down, and some white bullocks came out of an archway. Indeed, if it had not been for the good advice of an old man who was selling button-hooks, the road might never have got clear.\n\n" - "Over such trivialities as these many a valuable hour may slip away, and the traveller who has gone to Italy to study the tactile values of Giotto, or the corruption of the Papacy, may return remembering nothing but the blue sky and the men and women who live under it. So it was as well that Miss Bartlett should tap and come in, and having commented on Lucy’s leaving the door unlocked, and on her leaning out of the window before she was fully dressed, should urge her to hasten herself, or the best of the day would be gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs.\n\n" - "A conversation then ensued, on not unfamiliar lines. Miss Bartlett was,\nafter all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy would at all like to go out? Lucy would rather like to go out, as it was her first day in Florence, but,\nof course, she could go alone. Miss Bartlett could not allow this. Of course she would accompany Lucy everywhere. Oh, certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes!\n\nAt this point the clever lady broke in.\n\n“If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind.”\n\n" @@ -65,7 +66,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Poor girl? I fail to understand the point of that remark. I think myself a very fortunate girl, I assure you. I’m thoroughly happy, and having a splendid time. Pray don’t waste time mourning over _me_.\nThere’s enough sorrow in the world, isn’t there, without trying to invent it. Good-bye. Thank you both so much for all your kindness. Ah,\nyes! there does come my cousin. A delightful morning! Santa Croce is a wonderful church.”\n\nShe joined her cousin.\n\n\n\n\nChapter III Music, Violets, and the Letter “S”\n\n\n" - "It so happened that Lucy, who found daily life rather chaotic, entered a more solid world when she opened the piano. She was then no longer either deferential or patronizing; no longer either a rebel or a slave.\nThe kingdom of music is not the kingdom of this world; it will accept those whom breeding and intellect and culture have alike rejected. The commonplace person begins to play, and shoots into the empyrean without effort, whilst we look up, marvelling how he has escaped us, and thinking how we could worship him and love him, would he but translate his visions into human words, and his experiences into human actions.\nPerhaps he cannot; certainly he does not, or does so very seldom. Lucy had done so never.\n\n" - "She was no dazzling _exécutante;_ her runs were not at all like strings of pearls, and she struck no more right notes than was suitable for one of her age and situation. Nor was she the passionate young lady, who performs so tragically on a summer’s evening with the window open.\nPassion was there, but it could not be easily labelled; it slipped between love and hatred and jealousy, and all the furniture of the pictorial style. And she was tragical only in the sense that she was great, for she loved to play on the side of Victory. Victory of what and over what—that is more than the words of daily life can tell us.\nBut that some sonatas of Beethoven are written tragic no one can gainsay; yet they can triumph or despair as the player decides, and Lucy had decided that they should triumph.\n\n" -- "A very wet afternoon at the Bertolini permitted her to do the thing she really liked, and after lunch she opened the little draped piano. A few people lingered round and praised her playing, but finding that she made no reply, dispersed to their rooms to write up their diaries or to sleep. She took no notice of Mr. Emerson looking for his son, nor of Miss Bartlett looking for Miss Lavish, nor of Miss Lavish looking for her cigarette-case. Like every true performer, she was intoxicated by the mere feel of the notes: they were fingers caressing her own; and by touch, not by sound alone, did she come to her desire.\n\nMr. Beebe, sitting unnoticed in the window, pondered this illogical element in Miss Honeychurch, and recalled the occasion at Tunbridge Wells when he had discovered it. It was at one of those entertainments where the upper classes entertain the lower. The seats were filled with a respectful audience, and the ladies and gentlemen of the parish,\n" +- "A very wet afternoon at the Bertolini permitted her to do the thing she really liked, and after lunch she opened the little draped piano. A few people lingered round and praised her playing, but finding that she made no reply, dispersed to their rooms to write up their diaries or to sleep. She took no notice of Mr. Emerson looking for his son, nor of Miss Bartlett looking for Miss Lavish, nor of Miss Lavish looking for her cigarette-case. Like every true performer, she was intoxicated by the mere feel of the notes: they were fingers caressing her own; and by touch, not by sound alone, did she come to her desire.\n\n" +- "Mr. Beebe, sitting unnoticed in the window, pondered this illogical element in Miss Honeychurch, and recalled the occasion at Tunbridge Wells when he had discovered it. It was at one of those entertainments where the upper classes entertain the lower. The seats were filled with a respectful audience, and the ladies and gentlemen of the parish,\n" - "under the auspices of their vicar, sang, or recited, or imitated the drawing of a champagne cork. Among the promised items was “Miss Honeychurch. Piano. Beethoven,” and Mr. Beebe was wondering whether it would be Adelaida, or the march of The Ruins of Athens, when his composure was disturbed by the opening bars of Opus III. He was in suspense all through the introduction, for not until the pace quickens does one know what the performer intends. With the roar of the opening theme he knew that things were going extraordinarily; in the chords that herald the conclusion he heard the hammer strokes of victory. He was glad that she only played the first movement, for he could have paid no attention to the winding intricacies of the measures of nine-sixteen. The audience clapped, no less respectful. It was Mr.\nBeebe who started the stamping; it was all that one could do.\n\n“Who is she?” he asked the vicar afterwards.\n\n" - "“Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs.”\n\n“Introduce me.”\n\n“She will be delighted. She and Miss Bartlett are full of the praises of your sermon.”\n\n“My sermon?” cried Mr. Beebe. “Why ever did she listen to it?”\n\nWhen he was introduced he understood why, for Miss Honeychurch,\ndisjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him:\n\n" - "“If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her.”\n\nLucy at once re-entered daily life.\n\n“Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet.”\n\n“Doesn’t Mrs. Honeychurch like music?”\n\n“She doesn’t mind it. But she doesn’t like one to get excited over anything; she thinks I am silly about it. She thinks—I can’t make out.\nOnce, you know, I said that I liked my own playing better than any one’s. She has never got over it. Of course, I didn’t mean that I played well; I only meant—”\n\n“Of course,” said he, wondering why she bothered to explain.\n\n“Music—” said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes.\n\n" @@ -79,7 +81,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“What was that?” asked Lucy.\n\n" - "Mr. Beebe sat back complacently, and Miss Alan began as follows: “It was a novel—and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said: ‘Can I have a little ink, please?’ But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour—this novel is to be about modern Italy; the other was historical—but that she could not start till she had an idea. First she tried Perugia for an inspiration,\n" - "then she came here—this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them.”\n\nMiss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.\n\n“All the same, she is a little too—I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived.”\n\nMr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.\n\n“I don’t know, Miss Honeychurch, if you have noticed that Miss Pole,\nthe lady who has so much yellow hair, takes lemonade. That old Mr.\nEmerson, who puts things very strangely—”\n\n" -- "Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:\n\n“Stomach. He warned Miss Pole of her stomach-acidity, he called it—and he may have meant to be kind. I must say I forgot myself and laughed;\n" +- "Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:\n\n" +- "“Stomach. He warned Miss Pole of her stomach-acidity, he called it—and he may have meant to be kind. I must say I forgot myself and laughed;\n" - "it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively _attracted_ by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers—‘drummers’ was the word she used—and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so: ‘There, Miss Lavish, is one who can confute you better than I,’ and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said: ‘Tut! The early Victorians.’ Just imagine! ‘Tut! The early Victorians.’ My sister had gone, and I felt bound to speak. I said: ‘Miss Lavish, _I_ am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.’ It was horrible speaking. " - "I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice: ‘Quite so, quite so!\nI honour the woman for her Irish visit.’ The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said: ‘Miss Alan, I am going into the smoking-room to talk to those two nice men.\nCome, too.’ Needless to say, I refused such an unsuitable invitation,\nand she had the impertinence to tell me that it would broaden my ideas,\nand said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers.”\n\n“Let me finish the story,” said Mr. Beebe, who had returned.\n\n" - "“Miss Lavish tried Miss Pole, myself, everyone, and finally said: ‘I shall go alone.’ She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience.”\n\n“Whatever happened?” cried Lucy.\n\n“No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling.”\n\n“Mr. Beebe—old Mr. Emerson, is he nice or not nice? I do so want to know.”\n\nMr. Beebe laughed and suggested that she should settle the question for herself.\n\n“No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?”\n\nThe little old lady shook her head, and sighed disapprovingly. Mr.\nBeebe, whom the conversation amused, stirred her up by saying:\n\n“I consider that you are bound to class him as nice, Miss Alan, after that business of the violets.”\n\n" @@ -196,7 +199,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "They passed into the sunlight. Cecil watched them cross the terrace,\nand descend out of sight by the steps. They would descend—he knew their ways—past the shrubbery, and past the tennis-lawn and the dahlia-bed,\nuntil they reached the kitchen garden, and there, in the presence of the potatoes and the peas, the great event would be discussed.\n\nSmiling indulgently, he lit a cigarette, and rehearsed the events that had led to such a happy conclusion.\n\n" - "He had known Lucy for several years, but only as a commonplace girl who happened to be musical. He could still remember his depression that afternoon at Rome, when she and her terrible cousin fell on him out of the blue, and demanded to be taken to St. Peter’s. That day she had seemed a typical tourist—shrill, crude, and gaunt with travel. But Italy worked some marvel in her. It gave her light, and—which he held more precious—it gave her shadow. Soon he detected in her a wonderful reticence. She was like a woman of Leonardo da Vinci’s, whom we love not so much for herself as for the things that she will not tell us.\nThe things are assuredly not of this life; no woman of Leonardo’s could have anything so vulgar as a “story.” She did develop most wonderfully day by day.\n\n" - "So it happened that from patronizing civility he had slowly passed if not to passion, at least to a profound uneasiness. Already at Rome he had hinted to her that they might be suitable for each other. It had touched him greatly that she had not broken away at the suggestion. Her refusal had been clear and gentle; after it—as the horrid phrase went—she had been exactly the same to him as before. Three months later, on the margin of Italy, among the flower-clad Alps, he had asked her again in bald, traditional language. She reminded him of a Leonardo more than ever; her sunburnt features were shadowed by fantastic rock;\nat his words she had turned and stood between him and the light with immeasurable plains behind her. He walked home with her unashamed,\nfeeling not at all like a rejected suitor. The things that really mattered were unshaken.\n\n" -- "So now he had asked her once more, and, clear and gentle as ever, she had accepted him, giving no coy reasons for her delay, but simply saying that she loved him and would do her best to make him happy. His mother, too, would be pleased; she had counselled the step; he must write her a long account.\n\nGlancing at his hand, in case any of Freddy’s chemicals had come off on it, he moved to the writing table. There he saw “Dear Mrs. Vyse,”\nfollowed by many erasures. He recoiled without reading any more, and after a little hesitation sat down elsewhere, and pencilled a note on his knee.\n\nThen he lit another cigarette, which did not seem quite as divine as the first, and considered what might be done to make Windy Corner drawing-room more distinctive. With that outlook it should have been a successful room, but the trail of Tottenham Court Road was upon it; he could almost visualize the motor-vans of Messrs. Shoolbred and Messrs.\n" +- "So now he had asked her once more, and, clear and gentle as ever, she had accepted him, giving no coy reasons for her delay, but simply saying that she loved him and would do her best to make him happy. His mother, too, would be pleased; she had counselled the step; he must write her a long account.\n\nGlancing at his hand, in case any of Freddy’s chemicals had come off on it, he moved to the writing table. There he saw “Dear Mrs. Vyse,”\nfollowed by many erasures. He recoiled without reading any more, and after a little hesitation sat down elsewhere, and pencilled a note on his knee.\n\n" +- "Then he lit another cigarette, which did not seem quite as divine as the first, and considered what might be done to make Windy Corner drawing-room more distinctive. With that outlook it should have been a successful room, but the trail of Tottenham Court Road was upon it; he could almost visualize the motor-vans of Messrs. Shoolbred and Messrs.\n" - "Maple arriving at the door and depositing this chair, those varnished book-cases, that writing-table. The table recalled Mrs. Honeychurch’s letter. He did not want to read that letter—his temptations never lay in that direction; but he worried about it none the less. It was his own fault that she was discussing him with his mother; he had wanted her support in his third attempt to win Lucy; he wanted to feel that others, no matter who they were, agreed with him, and so he had asked their permission. Mrs. Honeychurch had been civil, but obtuse in essentials, while as for Freddy—“He is only a boy,” he reflected. “I represent all that he despises. Why should he want me for a brother-in-law?”\n\nThe Honeychurches were a worthy family, but he began to realize that Lucy was of another clay; and perhaps—he did not put it very definitely—he ought to introduce her into more congenial circles as soon as possible.\n\n" - "“Mr. Beebe!” said the maid, and the new rector of Summer Street was shown in; he had at once started on friendly relations, owing to Lucy’s praise of him in her letters from Florence.\n\nCecil greeted him rather critically.\n\n“I’ve come for tea, Mr. Vyse. Do you suppose that I shall get it?”\n\n“I should say so. Food is the thing one does get here—Don’t sit in that chair; young Honeychurch has left a bone in it.”\n\n“Pfui!”\n\n“I know,” said Cecil. “I know. I can’t think why Mrs. Honeychurch allows it.”\n\nFor Cecil considered the bone and the Maples’ furniture separately; he did not realize that, taken together, they kindled the room into the life that he desired.\n\n“I’ve come for tea and for gossip. Isn’t this news?”\n\n“News? I don’t understand you,” said Cecil. “News?”\n\nMr. Beebe, whose news was of a very different nature, prattled forward.\n\n“I met Sir Harry Otway as I came up; I have every reason to hope that I am first in the field. He has bought Cissie and Albert from Mr. Flack!”\n\n" - "“Has he indeed?” said Cecil, trying to recover himself. Into what a grotesque mistake had he fallen! Was it likely that a clergyman and a gentleman would refer to his engagement in a manner so flippant? But his stiffness remained, and, though he asked who Cissie and Albert might be, he still thought Mr. Beebe rather a bounder.\n\n“Unpardonable question! To have stopped a week at Windy Corner and not to have met Cissie and Albert, the semi-detached villas that have been run up opposite the church! I’ll set Mrs. Honeychurch after you.”\n\n“I’m shockingly stupid over local affairs,” said the young man languidly. “I can’t even remember the difference between a Parish Council and a Local Government Board. Perhaps there is no difference,\nor perhaps those aren’t the right names. I only go into the country to see my friends and to enjoy the scenery. It is very remiss of me. Italy and London are the only places where I don’t feel to exist on sufferance.”\n\n" @@ -237,7 +241,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He meant, “Are you fond of it?” But she answered dreamily, “I bathed here, too, till I was found out. Then there was a row.”\n\nAt another time he might have been shocked, for he had depths of prudishness within him. But now? with his momentary cult of the fresh air, he was delighted at her admirable simplicity. He looked at her as she stood by the pool’s edge. She was got up smart, as she phrased it,\nand she reminded him of some brilliant flower that has no leaves of its own, but blooms abruptly out of a world of green.\n\n“Who found you out?”\n\n“Charlotte,” she murmured. “She was stopping with us.\nCharlotte—Charlotte.”\n\n“Poor girl!”\n\nShe smiled gravely. A certain scheme, from which hitherto he had shrunk, now appeared practical.\n\n“Lucy!”\n\n“Yes, I suppose we ought to be going,” was her reply.\n\n“Lucy, I want to ask something of you that I have never asked before.”\n\nAt the serious note in his voice she stepped frankly and kindly towards him.\n\n“What, Cecil?”\n\n" - "“Hitherto never—not even that day on the lawn when you agreed to marry me—”\n\nHe became self-conscious and kept glancing round to see if they were observed. His courage had gone.\n\n“Yes?”\n\n“Up to now I have never kissed you.”\n\nShe was as scarlet as if he had put the thing most indelicately.\n\n“No—more you have,” she stammered.\n\n“Then I ask you—may I now?”\n\n“Of course, you may, Cecil. You might before. I can’t run at you, you know.”\n\nAt that supreme moment he was conscious of nothing but absurdities. Her reply was inadequate. She gave such a business-like lift to her veil.\nAs he approached her he found time to wish that he could recoil. As he touched her, his gold pince-nez became dislodged and was flattened between them.\n\n" - "Such was the embrace. He considered, with truth, that it had been a failure. Passion should believe itself irresistible. It should forget civility and consideration and all the other curses of a refined nature. Above all, it should never ask for leave where there is a right of way. Why could he not do as any labourer or navvy—nay, as any young man behind the counter would have done? He recast the scene. Lucy was standing flowerlike by the water, he rushed up and took her in his arms; she rebuked him, permitted him and revered him ever after for his manliness. For he believed that women revere men for their manliness.\n\nThey left the pool in silence, after this one salutation. He waited for her to make some remark which should show him her inmost thoughts. At last she spoke, and with fitting gravity.\n\n“Emerson was the name, not Harris.”\n\n“What name?”\n\n“The old man’s.”\n\n“What old man?”\n\n“That old man I told you about. The one Mr. Eager was so unkind to.”\n\n" -- "He could not know that this was the most intimate conversation they had ever had.\n\n\n\n\nChapter X Cecil as a Humourist\n\n\nThe society out of which Cecil proposed to rescue Lucy was perhaps no very splendid affair, yet it was more splendid than her antecedents entitled her to. Her father, a prosperous local solicitor, had built Windy Corner, as a speculation at the time the district was opening up,\nand, falling in love with his own creation, had ended by living there himself. Soon after his marriage the social atmosphere began to alter.\n" +- "He could not know that this was the most intimate conversation they had ever had.\n\n\n\n\nChapter X Cecil as a Humourist\n\n\n" +- "The society out of which Cecil proposed to rescue Lucy was perhaps no very splendid affair, yet it was more splendid than her antecedents entitled her to. Her father, a prosperous local solicitor, had built Windy Corner, as a speculation at the time the district was opening up,\nand, falling in love with his own creation, had ended by living there himself. Soon after his marriage the social atmosphere began to alter.\n" - "Other houses were built on the brow of that steep southern slope and others, again, among the pine-trees behind, and northward on the chalk barrier of the downs. Most of these houses were larger than Windy Corner, and were filled by people who came, not from the district, but from London, and who mistook the Honeychurches for the remnants of an indigenous aristocracy. He was inclined to be frightened, but his wife accepted the situation without either pride or humility. “I cannot think what people are doing,” she would say, “but it is extremely fortunate for the children.” She called everywhere; her calls were returned with enthusiasm, and by the time people found out that she was not exactly of their _milieu_, they liked her, and it did not seem to matter. When Mr. Honeychurch died, he had the satisfaction—which few honest solicitors despise—of leaving his family rooted in the best society obtainable.\n\n" - "The best obtainable. Certainly many of the immigrants were rather dull,\nand Lucy realized this more vividly since her return from Italy.\nHitherto she had accepted their ideals without questioning—their kindly affluence, their inexplosive religion, their dislike of paper-bags,\norange-peel, and broken bottles. A Radical out and out, she learnt to speak with horror of Suburbia. Life, so far as she troubled to conceive it, was a circle of rich, pleasant people, with identical interests and identical foes. In this circle, one thought, married, and died. Outside it were poverty and vulgarity for ever trying to enter, just as the London fog tries to enter the pine-woods pouring through the gaps in the northern hills. But, in Italy, where any one who chooses may warm himself in equality, as in the sun, this conception of life vanished.\n" - "Her senses expanded; she felt that there was no one whom she might not get to like, that social barriers were irremovable, doubtless, but not particularly high. You jump over them just as you jump into a peasant’s olive-yard in the Apennines, and he is glad to see you. She returned with new eyes.\n\n" diff --git a/tests/snapshots/text_splitter_snapshots__characters_default@room_with_a_view.txt.snap b/tests/snapshots/text_splitter_snapshots__characters_default@room_with_a_view.txt.snap index bf09ffa3..f5f1b0e5 100644 --- a/tests/snapshots/text_splitter_snapshots__characters_default@room_with_a_view.txt.snap +++ b/tests/snapshots/text_splitter_snapshots__characters_default@room_with_a_view.txt.snap @@ -29,7 +29,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - restrictio - "ns " - whatsoever -- ". You may " +- ". " +- "You may " - "copy it, " - "give it " - away or re @@ -89,7 +90,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "EBOOK A " - "ROOM WITH " - A VIEW *** -- "\n\n\n\n\n[" +- "\n\n\n\n\n" +- "[" - Illustrati - "on]\n\n\n\n\n" - "A Room " @@ -102,7 +104,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Part One." - "\n" - " Chapter I" -- ". The " +- ". " +- "The " - "Bertolini\n" - " Chapter " - "II. " @@ -116,7 +119,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Violets, " - "and the " - Letter “S” -- "\n Chapter " +- "\n" +- " Chapter " - "IV. " - "Fourth " - "Chapter\n" @@ -127,7 +131,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Pleasant " - "Outing\n" - " Chapter " -- "VI. The " +- "VI. " +- "The " - "Reverend " - "Arthur " - "Beebe, the" @@ -154,11 +159,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "View; " - "Italians " - Drive Them -- "\n Chapter " -- "VII. They " +- "\n" +- " Chapter " +- "VII. " +- "They " - "Return\n\n" - " Part Two." -- "\n Chapter " +- "\n" +- " Chapter " - "VIII. " - "Medieval\n" - " Chapter " @@ -170,7 +178,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ". " - Cecil as a - " Humourist" -- "\n Chapter " +- "\n" +- " Chapter " - "XI. " - "In Mrs. " - "Vyse’s " @@ -196,7 +205,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Situation " - "Bravely\n" - " Chapter " -- "XV. The " +- "XV. " +- "The " - "Disaster " - "Within\n" - " Chapter " @@ -233,7 +243,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Chapter I " - "The " - Bertolini -- "\n\n\n“The " +- "\n\n\n" +- "“The " - "Signora " - "had no " - "business " @@ -262,7 +273,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "long way " - "apart. " - "Oh, Lucy!”" -- "\n\n“And a " +- "\n\n" +- "“And a " - "Cockney, " - "besides!” " - "said Lucy," @@ -276,13 +288,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - " accent. " - "“It might " - be London. -- "” " -- She looked -- " at the " -- "two rows " -- of English -- " people " -- "who were " +- "” She " +- "looked at " +- "the two " +- "rows of " +- "English " +- people who +- " were " - sitting at - " the table" - "; at the " @@ -320,7 +332,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Cuthbert " - "Eager, M. " - "A. Oxon.)," -- "\nthat was " +- "\n" +- "that was " - "the only " - "other " - decoration @@ -369,7 +382,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - would have - " looked " - "over the " -- "Arno. The " +- "Arno. " +- "The " - "Signora " - "had no " - "business " @@ -576,7 +590,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "then said:" - " “A view? " - "Oh, a view" -- "! How " +- "! " +- "How " - delightful - " a view is" - "!”\n\n" @@ -596,7 +611,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Lucy, who" - " was about" - " to speak." -- "\n\n“What I " +- "\n\n" +- "“What I " - "mean,” he " - "continued," - " “is that " @@ -605,7 +621,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "rooms, and" - " we’ll " - have yours -- ". We’ll " +- ". " +- "We’ll " - "change.”\n\n" - The better - " class of " @@ -632,7 +649,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "that is " - out of the - " question." -- "”\n\n“Why?” " +- "”\n\n" +- "“Why?” " - "said the " - "old man, " - "with both " @@ -699,9 +717,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "perplexed " - "and " - sorrowful. -- " " -- "Lucy, too," -- " was " +- " Lucy, too" +- ", was " - perplexed; - " but she " - "saw that " @@ -824,7 +841,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "she had " - "once " - censured. -- "\n\nLucy " +- "\n\n" +- "Lucy " - "mumbled " - that those - " seemed " @@ -850,7 +868,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "decision " - "when she " - "reversed " -- "it. The " +- "it. " +- "The " - "curtains " - at the end - " of the " @@ -884,9 +903,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "her feet, " - exclaiming - ": “Oh, oh!" -- " " -- "Why, it’s " -- "Mr.\n" +- " Why, it’s" +- " Mr.\n" - "Beebe! " - "Oh, how " - "perfectly " @@ -904,7 +922,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "said, with" - " more " - "restraint:" -- "\n\n“How do " +- "\n\n" +- "“How do " - "you do, Mr" - ". Beebe? " - "I expect " @@ -1021,7 +1040,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I said: ‘" - "Mr. " - Beebe is—’ -- "”\n\n“Quite " +- "”\n\n" +- "“Quite " - "right,” " - "said the " - clergyman. @@ -1031,9 +1051,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Summer " - "Street " - next June. -- " " -- I am lucky -- " to be " +- " I am " +- "lucky to " +- "be " - "appointed " - "to such a " - "charming " @@ -1046,7 +1066,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "house is " - "Windy " - "Corner.” " -- "Mr. Beebe " +- "Mr. " +- "Beebe " - "bowed.\n\n" - "“There is " - mother and @@ -1068,12 +1089,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "let Mr. " - "Beebe eat " - his dinner -- ".”\n\n“I am " +- ".”\n\n" +- "“I am " - "eating it," - " thank you" - ", and " - "enjoying " -- "it.”\n\nHe " +- "it.”\n\n" +- "He " - "preferred " - to talk to - " Lucy, " @@ -1189,7 +1212,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "the place " - would grow - " upon them" -- ". The " +- ". " +- "The " - "Pension " - "Bertolini " - "had " @@ -1223,9 +1247,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "sweetly " - "squalid " - for words. -- " " -- I love it; -- " I revel " +- " I love it" +- "; I revel " - in shaking - " off the " - "trammels " @@ -1298,7 +1321,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "smiling " - "across " - something. -- "\n\nShe " +- "\n\n" +- "She " - "hastened " - "after her " - "cousin, " @@ -1332,7 +1356,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "by ’Enery," - " her " - little boy -- ",\nand " +- ",\n" +- "and " - "Victorier," - " her " - "daughter. " @@ -1421,7 +1446,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " _mauvais " - "quart " - d’heure_.” -- "\n\nHe " +- "\n\n" +- "He " - "expressed " - his regret - ".\n\n" @@ -1445,7 +1471,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "as one is " - "in " - pensions.” -- "\n\n“Then I " +- "\n\n" +- "“Then I " - "will say " - no more.” - "\n\n" @@ -1489,8 +1516,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " very " - "naturally," - ” said he. +- " He seemed" - " " -- "He seemed " - thoughtful - ", and " - "after a " @@ -1534,11 +1561,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - expect you - " to show " - gratitude. -- " " -- He has the -- " merit—if " -- it is one— -- "of saying " +- " He has " +- the merit— +- "if it is " +- "one—of " +- "saying " - "exactly " - "what he " - "means. " @@ -1651,7 +1678,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "is a " - Socialist? - "”\n\n" -- "Mr. Beebe " +- "Mr. " +- "Beebe " - "accepted " - "the " - convenient @@ -1752,7 +1780,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - as soon as - " he had " - disappeare -- "d. “Why " +- "d. " +- "“Why " - didn’t you - " talk, " - "Lucy? " @@ -1840,7 +1869,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - hopelessly - " behind " - the times. -- "”\n\n“Yes,” " +- "”\n\n" +- "“Yes,” " - "said Lucy " - despondent - "ly.\n\n" @@ -1874,7 +1904,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "it, but as" - " usual she" - " blundered" -- ". Miss " +- ". " +- "Miss " - "Bartlett " - sedulously - " denied " @@ -2016,7 +2047,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - you are as - " safe as " - in England -- ". Signora " +- ". " +- "Signora " - "Bertolini " - "is so " - English.” @@ -2048,12 +2080,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "he was " - meaning to - " be kind.”" -- "\n\n“" +- "\n\n" +- “ - Undoubtedl - "y he was,”" - " said Miss" - " Bartlett." -- "\n\n“Mr. " +- "\n\n" +- "“Mr. " - "Beebe has " - "just been " - "scolding " @@ -2131,13 +2165,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - beauty and - " delicacy " - the same?” -- "\n\n“So one " +- "\n\n" +- "“So one " - would have - " thought,”" - " said the " - "other " - helplessly -- ". “But " +- ". " +- "“But " - things are - " so " - "difficult," @@ -2155,7 +2191,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", looking " - "extremely " - pleasant. -- "\n\n“Miss " +- "\n\n" +- "“Miss " - "Bartlett,”" - " he cried," - " “it’s all" @@ -2186,7 +2223,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He would " - "be so " - pleased.” -- "\n\n“Oh, " +- "\n\n" +- "“Oh, " - "Charlotte," - "” cried " - "Lucy to " @@ -2194,13 +2232,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", “we must" - " have the " - rooms now. -- "\nThe old " +- "\n" +- "The old " - "man is " - "just as " - "nice and " - kind as he - " can be.”" -- "\n\nMiss " +- "\n\n" +- "Miss " - "Bartlett " - was silent - ".\n\n" @@ -2260,7 +2300,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - will do it - ". " - "Would you " -- "then,\nMr. " +- "then,\n" +- "Mr. " - "Beebe, " - "kindly " - "tell Mr. " @@ -2291,7 +2332,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the Guelfs - " and the " - Ghibelline -- "s. The " +- "s. " +- "The " - "clergyman," - " inwardly " - "cursing " @@ -2314,13 +2356,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Grant me " - "that, at " - all events -- ".”\n\nMr. " +- ".”\n\n" +- "Mr. " - "Beebe was " - "back, " - "saying " - "rather " - "nervously:" -- "\n\n“Mr. " +- "\n\n" +- "“Mr. " - Emerson is - " engaged, " - "but here " @@ -2346,7 +2390,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "cannot " - "thank him " - personally -- ". But any " +- ". " +- "But any " - "message " - "given by " - "you to me " @@ -2383,8 +2428,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Lucy.\n\n" - "“Poor " - young man! -- "” " -- "said Miss " +- "” said " +- "Miss " - "Bartlett, " - as soon as - " he had " @@ -2421,23 +2466,22 @@ input_file: tests/inputs/text/room_with_a_view.txt - philosophi - "c diary.\n\n" - "“Oh, dear!" -- "” " -- "breathed " -- the little -- " old lady," -- " and " -- "shuddered " -- "as if all " -- "the winds " -- "of heaven " -- "had " +- ” breathed +- " the " +- little old +- " lady, and" +- " shuddered" +- " as if all" +- " the winds" +- " of heaven" +- " had " - "entered " - "the " - apartment. -- " " -- “Gentlemen -- " sometimes" -- " do not " +- " “" +- "Gentlemen " +- "sometimes " +- "do not " - "realize—” " - "Her voice " - faded away @@ -2646,7 +2690,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " " - unsuspecte - d issues. -- "\n\nMiss " +- "\n\n" +- "Miss " - "Bartlett " - "only " - "sighed, " @@ -2721,7 +2766,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - oubliettes - " or secret" - " entrances" -- ". It was " +- ". " +- "It was " - "then that " - "she saw, " - "pinned up " @@ -2760,7 +2806,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " " - portentous - " with evil" -- ". She was " +- ". " +- "She was " - "seized " - "with an " - impulse to @@ -2811,7 +2858,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Croce with - " No " - Baedeker -- "\n\n\nIt was " +- "\n\n\n" +- "It was " - "pleasant " - to wake up - " in " @@ -2890,7 +2938,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " employed " - "for some " - mysterious -- " end. An " +- " end. " +- "An " - "electric " - "tram came " - "rushing " @@ -2960,7 +3009,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - somersault - "s in time " - "with the " -- "band. The " +- "band. " +- "The " - "tramcar " - "became " - "entangled " @@ -3098,9 +3148,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "would at " - "all like " - to go out? -- " " -- Lucy would -- " rather " +- " Lucy " +- "would " +- "rather " - like to go - " out, as " - it was her @@ -3121,7 +3171,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "accompany " - "Lucy " - everywhere -- ". Oh, " +- ". " +- "Oh, " - "certainly " - "not; Lucy " - would stop @@ -3131,7 +3182,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - that would - " never do." - " Oh, yes!" -- "\n\nAt this " +- "\n\n" +- "At this " - "point the " - "clever " - lady broke @@ -3157,7 +3209,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "safe. " - "Italians " - understand -- ". A dear " +- ". " +- "A dear " - "friend of " - "mine, " - "Contessa " @@ -3220,7 +3273,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " too, she " - "would be " - delighted. -- "\n\n“I will " +- "\n\n" +- "“I will " - "take you " - "by a dear " - dirty back @@ -3247,9 +3301,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Croce was. - "\n\n" - "“Tut, tut!" -- " " -- Miss Lucy! -- " " +- " Miss Lucy" +- "! " - "I hope we " - shall soon - " " @@ -3273,7 +3326,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " found by " - "patient " - observatio -- "n.”\n\nThis " +- "n.”\n\n" +- "This " - "sounded " - "very " - interestin @@ -3290,7 +3344,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "spirits. " - "Italy was " - "coming at " -- "last.\nThe " +- "last.\n" +- "The " - "Cockney " - "Signora " - "and her " @@ -3319,9 +3374,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - cut like a - " knife, " - didn’t it? -- " " -- Ponte alle -- " Grazie—" +- " Ponte " +- "alle " +- Grazie— - particular - "ly " - interestin @@ -3344,11 +3399,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - "h would " - "remember " - the story. -- " " -- The men on -- " the river" -- " were " -- "fishing. " +- " The men " +- "on the " +- river were +- " fishing. " - "(Untrue; " - "but then, " - so is most @@ -3450,7 +3504,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "the sense " - "of " - festivity. -- "\n\n“Buon " +- "\n\n" +- "“Buon " - "giorno! " - "Take the " - word of an @@ -3463,9 +3518,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "civility " - "to your " - inferiors. -- " " -- "_That_ is " -- "the true " +- " _That_ is" +- " the true " - democracy. - " Though I " - "am a real " @@ -3556,7 +3610,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", and " - "slackened " - her trot. -- "\n\n“What a " +- "\n\n" +- "“What a " - delightful - " part; I " - know it so @@ -3588,7 +3643,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "field of " - "us! " - How funny! -- "”\n\nMiss " +- "”\n\n" +- "Miss " - "Lavish " - "looked at " - the narrow @@ -3695,7 +3751,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "her with " - "no " - misgivings -- ".\n\n“Lost! " +- ".\n\n" +- "“Lost! " - "lost! " - "My dear " - "Miss Lucy," @@ -3787,7 +3844,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " " - discontent - ed herself -- ". For one " +- ". " +- "For one " - "ravishing " - "moment " - "Italy " @@ -3916,7 +3974,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The " - "adventure " - was over. -- "\n\n“Stop a " +- "\n\n" +- "“Stop a " - "minute; " - "let those " - two people @@ -3979,7 +4038,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "who " - "couldn’t " - pass it.” -- "\n\n“What " +- "\n\n" +- "“What " - "would you " - "ask us?”\n\n" - "Miss " @@ -3996,7 +4056,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "events, " - "would get " - full marks -- ". In this " +- ". " +- "In this " - "exalted " - "mood they " - "reached " @@ -4014,11 +4075,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "flung up " - "her arms, " - "and cried:" -- "\n\n“There " +- "\n\n" +- "“There " - "goes my " - local- - colour box -- "! I must " +- "! " +- "I must " - "have a " - "word with " - "him!”\n\n" @@ -4181,9 +4244,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "barn! " - "And how " - very cold! -- " " -- "Of course," -- " it " +- " Of course" +- ", it " - "contained " - "frescoes " - "by Giotto," @@ -4280,8 +4342,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - they found - " " - themselves -- ",\nnot to " -- "spit. She " +- ",\n" +- "not to " +- "spit. " +- "She " - "watched " - "the " - "tourists; " @@ -4339,16 +4403,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "heads, and" - " then " - retreated. -- " " -- What could -- " this mean" -- "? " +- " What " +- could this +- " mean? " - "They did " - "it again " - and again. -- " " -- "Then Lucy " -- "realized " +- " Then Lucy" +- " realized " - "that they " - "had " - "mistaken " @@ -4485,7 +4547,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " prayers, " - "came to " - the rescue -- ". By some " +- ". " +- "By some " - mysterious - " virtue, " - "which " @@ -4569,7 +4632,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "rather " - "than " - "delicate, " -- "and,\nif " +- "and,\n" +- "if " - "possible, " - "to erase " - "Miss " @@ -4587,13 +4651,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "s " - everything - ",” was Mr." -- " " -- "Emerson’s " -- "reply. " +- " Emerson’s" +- " reply. " - "“But what " - "are you " - doing here -- "? Are you " +- "? " +- "Are you " - "doing the " - "church? " - "Are you " @@ -4626,7 +4690,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "had to " - come in by - " myself.”" -- "\n\n“Why " +- "\n\n" +- "“Why " - "shouldn’t " - "you?” " - "said Mr. " @@ -4650,9 +4715,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Baedeker." - "”\n\n" - “Baedeker? -- "” " -- "said Mr. " -- "Emerson. " +- ” said Mr. +- " Emerson. " - "“I’m glad " - "it’s " - _that_ you @@ -4740,7 +4804,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - have heard - " older " - people say -- ". You are " +- ". " +- "You are " - pretending - " to be " - "touchy;\n" @@ -4787,7 +4852,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Lucy could - " not get " - cross. Mr. -- "\nEmerson " +- "\n" +- "Emerson " - was an old - " man, and " - "surely a " @@ -4916,7 +4982,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "anatomy " - "and " - perspectiv -- "e. Could " +- "e. " +- "Could " - "anything " - "be more " - "majestic,\n" @@ -4976,7 +5043,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "sky like " - "an air " - balloon.” -- "\n\nHe was " +- "\n\n" +- "He was " - "referring " - "to the " - "fresco of " @@ -5022,7 +5090,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " didn’t it" - "? " - Yes or no? -- "”\n\nGeorge " +- "”\n\n" +- "George " - "replied:\n\n" - "“It " - "happened " @@ -5177,26 +5246,26 @@ input_file: tests/inputs/text/room_with_a_view.txt - " is. " - "I don’t " - remember.” -- "\n\n“Then I " +- "\n\n" +- "“Then I " - had better - " speak to " - "him and " - remind him - " who I am." -- " " -- "It’s that " -- "Mr.\n" +- " It’s that" +- " Mr.\n" - "Eager. " - Why did he - " go? " - "Did we " - "talk too " -- "loud? How " +- "loud? " +- "How " - vexatious. -- " " -- I shall go -- " and say " -- "we are " +- " I shall " +- go and say +- " we are " - "sorry. " - "Hadn’t I " - "better? " @@ -5292,11 +5361,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - ".”\n\n" - “How silly - " of them!”" -- " " -- "said Lucy," -- " though in" -- " her heart" -- " she " +- " said Lucy" +- ", though " +- "in her " +- "heart she " - sympathize - "d; “I " - think that @@ -5323,7 +5391,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "pace up " - "and down " - the chapel -- ".\nFor a " +- ".\n" +- "For a " - "young man " - "his face " - was rugged @@ -5337,7 +5406,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "sprang " - "into " - tenderness -- ". She saw " +- ". " +- "She saw " - "him once " - "again at " - "Rome, on " @@ -5375,7 +5445,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - entertaine - d anything - " so subtle" -- ". Born of " +- ". " +- "Born of " - "silence " - "and of " - "unknown " @@ -5444,9 +5515,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "saints?”\n\n" - "“Yes,” " - said Lucy. -- " " -- "“They are " -- "lovely. " +- " “They are" +- " lovely. " - "Do you " - know which - " is the " @@ -5581,22 +5651,20 @@ input_file: tests/inputs/text/room_with_a_view.txt - unhappy.” - "\n\n" - "“Oh, dear!" -- "” " -- said Lucy. -- "\n\n" +- "” said " +- "Lucy.\n\n" - "“How can " - "he be " - "unhappy " - when he is - " strong " - and alive? -- " " -- "What more " -- "is one to " -- "give him? " -- "And think " -- how he has -- " been " +- " What more" +- " is one to" +- " give him?" +- " And think" +- " how he " +- "has been " - brought up - —free from - " all the " @@ -5649,10 +5717,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“What are " - "we to do " - with him?” -- " " -- "he asked. " -- "“He comes " -- "out for " +- " he asked." +- " “He comes" +- " out for " - "his " - holiday to - " Italy, " @@ -5683,7 +5750,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Now don’t - " be stupid" - " over this" -- ". I don’t " +- ". " +- "I don’t " - "require " - "you to " - "fall in " @@ -5747,18 +5815,18 @@ input_file: tests/inputs/text/room_with_a_view.txt - "and know " - "the " - meaning of -- " them. By " +- " them. " +- "By " - understand - ing George - " you may " - "learn to " - understand - " yourself." -- " " -- It will be -- " good for " -- "both of " -- "you.”\n\n" +- " It will " +- "be good " +- "for both " +- "of you.”\n\n" - "To this " - extraordin - ary speech @@ -5786,7 +5854,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "trouble; " - "things " - won’t fit. -- "”\n\n“What " +- "”\n\n" +- "“What " - "things?”\n\n" - "“The " - "things of " @@ -5850,11 +5919,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "in the " - "eternal " - smoothness -- ". But why " +- ". " +- "But why " - "should " - "this make " - us unhappy -- "? Let us " +- "? " +- "Let us " - "rather " - "love one " - "another, " @@ -6010,7 +6081,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "both " - "pitiable " - and absurd -- ". He " +- ". " +- "He " - approached - ",\n" - "his face " @@ -6075,7 +6147,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "fortunate " - "girl, I " - assure you -- ". I’m " +- ". " +- "I’m " - thoroughly - " happy, " - and having @@ -6087,7 +6160,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "time " - "mourning " - over _me_. -- "\nThere’s " +- "\n" +- "There’s " - "enough " - "sorrow in " - "the world," @@ -6096,17 +6170,18 @@ input_file: tests/inputs/text/room_with_a_view.txt - "without " - "trying to " - invent it. -- " " -- "Good-bye. " -- "Thank you " -- "both so " +- " Good-bye." +- " Thank you" +- " both so " - "much for " - "all your " - "kindness. " -- "Ah,\nyes! " +- "Ah,\n" +- "yes! " - there does - " come my " -- "cousin. A " +- "cousin. " +- "A " - delightful - " morning! " - "Santa " @@ -6123,7 +6198,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Violets, " - "and the " - Letter “S” -- "\n\n\nIt so " +- "\n\n\n" +- "It so " - "happened " - "that Lucy," - " who found" @@ -6410,9 +6486,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " classes " - "entertain " - the lower. -- " " -- "The seats " -- "were " +- " The seats" +- " were " - "filled " - "with a " - respectful @@ -6495,7 +6570,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the hammer - " strokes " - of victory -- ". He was " +- ". " +- "He was " - "glad that " - "she only " - played the @@ -6527,7 +6603,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - it was all - " that one " - could do. -- "\n\n“Who is " +- "\n\n" +- "“Who is " - "she?” " - "he asked " - "the vicar " @@ -6781,7 +6858,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "to visit " - "the Torre " - del Gallo. -- "\n\n“What " +- "\n\n" +- "“What " - "about " - "music?” " - "said Mr. " @@ -6851,7 +6929,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Italy in " - "the wet I " - believe.” -- "\n\n“Miss " +- "\n\n" +- "“Miss " - "Lavish is " - "so " - "original,”" @@ -6869,7 +6948,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - in the way - " of " - definition -- ". Miss " +- ". " +- "Miss " - Lavish was - " so " - "original. " @@ -6890,7 +6970,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "reasons, " - "he held " - his peace. -- "\n\n“Is it " +- "\n\n" +- "“Is it " - "true,” " - "continued " - "Lucy in " @@ -7041,7 +7122,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Lucy were" - " charming " - to look at -- ",\nbut Mr. " +- ",\n" +- "but Mr. " - "Beebe was," - " from " - "rather " @@ -7078,9 +7160,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " carts " - "upon the " - foreshore. -- " " -- But in the -- " south-" +- " But in " +- the south- - west there - " had " - appeared a @@ -7164,15 +7245,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "my room " - "with the " - door shut. -- " " -- Doors shut -- "; indeed, " +- " Doors " +- "shut; " +- "indeed, " - "most " - necessary. -- " " -- No one has -- " the least" -- " idea of " +- " No one " +- "has the " +- least idea +- " of " - privacy in - " this " - "country. " @@ -7181,7 +7262,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - catches it - " from " - another.” -- "\n\nLucy " +- "\n\n" +- "Lucy " - "answered " - "suitably. " - "Mr. " @@ -7233,9 +7315,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "before we " - "know it " - ourselves. -- " " -- "We are at " -- "their " +- " We are at" +- " their " - "mercy. " - "They read " - "our " @@ -7270,7 +7351,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "How right " - is Signora - " Bertolini" -- ",\nwho " +- ",\n" +- "who " - "exclaimed " - "to me the " - "other day:" @@ -7418,7 +7500,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“What was " - "that?” " - asked Lucy -- ".\n\nMr. " +- ".\n\n" +- "Mr. " - "Beebe sat " - "back " - complacent @@ -7496,7 +7579,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " tempted " - "into " - cigarettes -- ". It is a " +- ". " +- "It is a " - "great " - "secret, " - "but I am " @@ -7618,7 +7702,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Emersons " - arrived.” - "\n\n" -- "Mr. Beebe " +- "Mr. " +- "Beebe " - "smiled as " - "Miss Alan " - "plunged " @@ -7774,7 +7859,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "! " - "The early " - Victorians -- ".’ Just " +- ".’ " +- "Just " - "imagine! " - "‘Tut! " - "The early " @@ -7872,15 +7958,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "those two " - "nice men.\n" - "Come, too." -- "’ " -- "Needless " -- "to say, I " -- "refused " +- ’ Needless +- " to say, I" +- " refused " - "such an " - unsuitable - " " - invitation -- ",\nand she " +- ",\n" +- "and she " - "had the " - impertinen - ce to tell @@ -7915,7 +8001,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Beebe, who" - " had " - returned. -- "\n\n“Miss " +- "\n\n" +- "“Miss " - "Lavish " - tried Miss - " Pole, " @@ -7943,9 +8030,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "\n\n" - "“Whatever " - happened?” -- " " -- cried Lucy -- ".\n\n" +- " cried " +- "Lucy.\n\n" - "“No one " - "knows. " - "No one " @@ -7962,7 +8048,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "think it " - "worth " - telling.” -- "\n\n“Mr. " +- "\n\n" +- "“Mr. " - "Beebe—old " - "Mr. " - "Emerson, " @@ -7972,7 +8059,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I do so " - "want to " - "know.”\n\n" -- "Mr. Beebe " +- "Mr. " +- "Beebe " - "laughed " - "and " - "suggested " @@ -7985,9 +8073,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“No; but " - "it is so " - difficult. -- " " -- "Sometimes " -- "he is so " +- " Sometimes" +- " he is so " - "silly, and" - " then I do" - " not mind " @@ -7995,9 +8082,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss Alan," - " what do " - you think? -- " " -- Is he nice -- "?”\n\n" +- " Is he " +- "nice?”\n\n" - The little - " old lady " - "shook her " @@ -8064,7 +8150,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "They are " - _not_ nice - ".”\n\n" -- "Mr. Beebe " +- "Mr. " +- "Beebe " - "smiled " - nonchalant - "ly. " @@ -8105,7 +8192,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "breeding, " - "were " - "following " -- "her. Miss " +- "her. " +- "Miss " - "Bartlett,\n" - "smarting " - "under an " @@ -8164,7 +8252,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " should " - "fail. " - "After all," -- "\nhe knew " +- "\n" +- "he knew " - "nothing " - about them - ", and " @@ -8224,18 +8313,20 @@ input_file: tests/inputs/text/room_with_a_view.txt - "quite " - "politely, " - of course. -- "”\n\n“Most " +- "”\n\n" +- "“Most " - "right of " - "her. " - They don’t - " " - understand - " our ways." -- " " -- "They must " -- find their -- " level.”\n\n" -- "Mr. Beebe " +- " They must" +- " find " +- "their " +- "level.”\n\n" +- "Mr. " +- "Beebe " - "rather " - "felt that " - "they had " @@ -8283,7 +8374,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " people " - with happy - " memories." -- "\n\nEvening " +- "\n\n" +- "Evening " - approached - " while " - "they " @@ -8415,14 +8507,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - frequented - " by " - tourists. -- "\n\n“She " +- "\n\n" +- "“She " - "oughtn’t " - "really to " - "go at all," - ” said Mr. -- " " -- "Beebe, as " -- "they " +- " Beebe, as" +- " they " - "watched " - "her from " - the window @@ -8548,7 +8640,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "immortal " - "in this " - "medieval " -- "lady. The " +- "lady. " +- "The " - "dragons " - "have gone," - " and so " @@ -8558,7 +8651,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "she " - lingers in - " our midst" -- ". She " +- ". " +- "She " - reigned in - " many an " - "early " @@ -8589,7 +8683,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "creature " - "grows " - degenerate -- ". In her " +- ". " +- "In her " - heart also - " there are" - " springing" @@ -8605,7 +8700,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " and green" - " expanses " - of the sea -- ". She has " +- ". " +- "She has " - marked the - " kingdom " - "of this " @@ -8696,7 +8792,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " sorry " - "that she " - "had done " -- "so. This " +- "so. " +- "This " - "afternoon " - "she was " - peculiarly @@ -8709,7 +8806,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - her well- - "wishers " - disapprove -- "d. As she " +- "d. " +- "As she " - "might not " - "go on the " - "electric " @@ -8960,7 +9058,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "throbbing " - "in the " - "tranquil " -- "sky. Its " +- "sky. " +- "Its " - brightness - " " - mesmerized @@ -8979,7 +9078,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Then " - "something " - did happen -- ".\n\nTwo " +- ".\n\n" +- "Two " - "Italians " - "by the " - Loggia had @@ -9091,7 +9191,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "murmured, " - and opened - " her eyes." -- "\n\nGeorge " +- "\n\n" +- "George " - "Emerson " - "still " - "looked at " @@ -9135,7 +9236,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "done?”\n\n" - "“You " - fainted.” -- "\n\n“I—I am " +- "\n\n" +- "“I—I am " - very sorry - ".”\n\n" - "“How are " @@ -9156,11 +9258,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - " point in " - "our " - stopping.” -- "\n\nHe held " +- "\n\n" +- "He held " - "out his " - "hand to " - "pull her " -- "up. She " +- "up. " +- "She " - "pretended " - not to see - " it. " @@ -9196,12 +9300,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "His hand " - "was still " - extended. -- "\n\n“Oh, my " +- "\n\n" +- "“Oh, my " - photograph -- "s!” she " +- "s!” " +- "she " - "exclaimed " - suddenly. -- "\n\n“What " +- "\n\n" +- "“What " - photograph - "s?”\n\n" - "“I bought " @@ -9243,9 +9350,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "arcade " - "towards " - the Arno. -- "\n\n“Miss " +- "\n\n" +- "“Miss " - Honeychurc -- "h!”\n\nShe " +- "h!”\n\n" +- "She " - "stopped " - "with her " - "hand on " @@ -9270,7 +9379,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "\n\n" - “But I had - " rather—”" -- "\n\n“Then I " +- "\n\n" +- "“Then I " - "don’t " - fetch your - " " @@ -9338,17 +9448,20 @@ input_file: tests/inputs/text/room_with_a_view.txt - "that she, " - as well as - " the dying" -- " man,\nhad " +- " man,\n" +- "had " - "crossed " - "some " - "spiritual " - boundary. -- "\n\nHe " +- "\n\n" +- "He " - "returned, " - "and she " - "talked of " - the murder -- ". Oddly " +- ". " +- "Oddly " - "enough, it" - " was an " - easy topic @@ -9522,7 +9635,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Then the " - boy verged - " into a " -- "man. “For " +- "man. " +- "“For " - "something " - tremendous - " has " @@ -9542,7 +9656,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Lucy that " - "she must " - stop him. -- "\n\n“It has " +- "\n\n" +- "“It has " - "happened,”" - " he " - "repeated, " @@ -9550,7 +9665,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "mean to " - "find out " - what it is -- ".”\n\n“Mr. " +- ".”\n\n" +- "“Mr. " - Emerson—” - "\n\n" - "He turned " @@ -9582,7 +9698,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - parapet of - " the " - embankment -- ". He did " +- ". " +- "He did " - "likewise. " - "There is " - at times a @@ -9611,7 +9728,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "following " - "his own " - thoughts. -- "\n\n“I was " +- "\n\n" +- "“I was " - "never so " - "much " - ashamed of @@ -9664,7 +9782,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "one, my " - "foolish " - behaviour? -- "”\n\n“Your " +- "”\n\n" +- "“Your " - behaviour? - " Oh, yes, " - all right— @@ -9811,7 +9930,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " the old " - "life!”\n\n" - “I don’t.” -- "\n\nAnxiety " +- "\n\n" +- "Anxiety " - "moved her " - "to " - "question " @@ -9966,7 +10086,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "was ready " - "for an " - "adventure," -- "\nnot that " +- "\n" +- "not that " - "she had " - encountere - "d it. " @@ -10062,10 +10183,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - " alone.\n\n" - "“No, " - Charlotte! -- "” " -- "cried the " -- "girl, with" -- " real " +- "” cried " +- "the girl, " +- "with real " - "warmth. " - “It’s very - " kind of " @@ -10093,7 +10213,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " of shame " - "on the " - "cheeks of " -- "Lucy. How " +- "Lucy. " +- "How " - abominably - " she " - behaved to @@ -10108,7 +10229,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "she would " - "be really " - "nice to " -- "her.\n\nShe " +- "her.\n\n" +- "She " - "slipped " - "her arm " - "into her " @@ -10125,7 +10247,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " strength," - " voice, " - and colour -- ". Miss " +- ". " +- "Miss " - "Bartlett " - "insisted " - on leaning @@ -10145,7 +10268,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "mother " - "could see " - "this, too!" -- "”\n\nLucy " +- "”\n\n" +- "Lucy " - "fidgeted; " - "it was " - "tiresome " @@ -10202,18 +10326,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "summit of " - "the Torre " - del Gallo. -- " " -- "Since she " -- "could not " -- "unravel " +- " Since she" +- " could not" +- " unravel " - the tangle - ", she must" - " take care" - " not to re" - "-enter it." -- " " -- "She could " -- "protest " +- " She could" +- " protest " - "sincerely " - "against " - "Miss " @@ -10239,9 +10361,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "river to " - the Piazza - " Signoria." -- " " -- "She could " -- "not have " +- " She could" +- " not have " - "believed " - "that " - "stones,\n" @@ -10252,7 +10373,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - would have - " such " - significan -- "ce. For a " +- "ce. " +- "For a " - moment she - " " - understood @@ -10300,7 +10422,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "your " - despair of - " yesterday" -- "! What a " +- "! " +- "What a " - "fortunate " - "thing!”\n\n" - "“Aha! " @@ -10320,11 +10443,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - "saw from " - "the " - beginning. -- "” " -- Lucy poked -- " at the " -- "ground " -- "with her " +- "” Lucy " +- "poked at " +- the ground +- " with her " - "parasol.\n\n" - "“But " - "perhaps " @@ -10362,14 +10484,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "hacks are " - "shameless " - creatures. -- " " -- "I believe " -- there’s no -- " secret of" -- " the human" -- " heart " -- into which -- " we " +- " I believe" +- " there’s " +- "no secret " +- "of the " +- "human " +- heart into +- " which we " - "wouldn’t " - "pry.”\n\n" - "She " @@ -10476,9 +10597,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss " - "Lavish " - concluded. -- " " -- "“It is so " -- "tempting " +- " “It is so" +- " tempting " - to talk to - " really " - sympatheti @@ -10521,13 +10641,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "woman,” " - cried Miss - " Bartlett." -- " " -- “I am sure -- " you are " +- " “I am " +- "sure you " +- "are " - "thinking " - "of the " - Emersons.” -- "\n\nMiss " +- "\n\n" +- "Miss " - "Lavish " - "gave a " - Machiavell @@ -10615,7 +10736,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " aim was " - not to get - " put into " -- "it. Her " +- "it. " +- "Her " - perception - "s this " - "morning " @@ -10630,7 +10752,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "trial for " - "an " - _ingenué_. -- "\n\n“She is " +- "\n\n" +- "“She is " - emancipate - "d, but " - "only in " @@ -10698,7 +10821,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Were you " - "indeed? " - Andate via -- "! sono " +- "! " +- "sono " - occupato!” - " The last " - remark was @@ -10766,15 +10890,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - introducin - g into his - " pictures." -- "\nThat man " +- "\n" +- "That man " - "had a " - "decided " - "feeling " - "for " - landscape. -- " " -- Decidedly. -- " But who " +- " Decidedly" +- ". " +- "But who " - "looks at " - it to-day? - " Ah, the " @@ -10804,7 +10929,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "made " - "Florence " - their home -- ". He knew " +- ". " +- "He knew " - the people - " who never" - " walked " @@ -10977,7 +11103,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - message of - " purity. " - Andate via -- "! andate " +- "! " +- "andate " - "presto, " - "presto! " - "Ah, the " @@ -10997,10 +11124,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - " the most " - "sordid of " - tragedies. -- " " -- To one who -- " loves the" -- " Florence " +- " To one " +- "who loves " +- "the " +- "Florence " - "of Dante " - "and " - Savonarola @@ -11013,7 +11140,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - portentous - " and " - humiliatin -- "g.”\n\n“" +- "g.”\n\n" +- “ - Humiliatin - "g indeed,”" - " said Miss" @@ -11030,7 +11158,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "hardly " - "bear to " - "speak of " -- "it.”\nShe " +- "it.”\n" +- "She " - glanced at - " Lucy " - "proudly.\n\n" @@ -11041,7 +11170,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "asked the " - "chaplain " - paternally -- ".\n\nMiss " +- ".\n\n" +- "Miss " - Bartlett’s - " recent " - liberalism @@ -11088,7 +11218,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " towards " - "her to " - "catch her " -- "reply.\n\n“" +- "reply.\n\n" +- “ - Practicall - "y.”\n\n" - "“One of " @@ -11112,7 +11243,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "been a " - "terrible " - experience -- ". I trust " +- ". " +- "I trust " - "that " - neither of - " you was " @@ -11122,7 +11254,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " your " - "immediate " - proximity? -- "”\n\nOf the " +- "”\n\n" +- "Of the " - "many " - "things " - "Lucy was " @@ -11224,10 +11357,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "\n\n" - "“This is " - too much!” -- " " -- "cried the " -- "chaplain, " -- "striking " +- " cried the" +- " chaplain," +- " striking " - petulantly - " at one of" - " Fra " @@ -11252,7 +11384,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " began " - "Miss " - Bartlett. -- "\n\n“Ignore " +- "\n\n" +- "“Ignore " - "him,” said" - " Mr. " - "Eager " @@ -11262,7 +11395,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " rapidly " - "away from " - the square -- ".\n\nBut an " +- ".\n\n" +- "But an " - "Italian " - "can never " - be ignored @@ -11278,13 +11412,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Eager " - "became " - relentless -- ";\nthe air " +- ";\n" +- "the air " - "rang with " - "his " - "threats " - "and " - lamentatio -- "ns. He " +- "ns. " +- "He " - "appealed " - "to Lucy;\n" - "would not " @@ -11387,7 +11523,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - would have - " cost less" - " in London" -- ".\n\nThis " +- ".\n\n" +- "This " - successful - " morning " - "left no " @@ -11414,7 +11551,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "enough,\n" - "ceased to " - "respect " -- "them. She " +- "them. " +- "She " - "doubted " - "that Miss " - Lavish was @@ -11484,12 +11622,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "talking " - "about the " - Emersons. -- "\n\n“How " +- "\n\n" +- "“How " - wonderfull - "y people " - "rise in " - these days -- "!” sighed " +- "!” " +- "sighed " - "Miss " - "Bartlett,\n" - "fingering " @@ -11604,9 +11744,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", flushing" - ".\n\n" - “Exposure! -- "” " -- hissed Mr. -- " Eager.\n\n" +- "” hissed " +- Mr. Eager. +- "\n\n" - "He tried " - "to change " - "the " @@ -11651,7 +11791,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "We know " - "that " - already.” -- "\n\n“Lucy, " +- "\n\n" +- "“Lucy, " - "dear—” " - "said Miss " - "Bartlett, " @@ -11759,10 +11900,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“That man " - "murdered " - his wife!” -- "\n\n“How?” " +- "\n\n" +- "“How?” " - "she " - retorted. -- "\n\n“To all " +- "\n\n" +- "“To all " - "intents " - "and " - "purposes " @@ -11909,7 +12052,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "y of Mr. " - "Eager was " - restored. -- "\n\n“Bother " +- "\n\n" +- "“Bother " - the drive! - "” " - "exclaimed " @@ -11936,11 +12080,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "We might " - "as well " - invite him -- ". We are " +- ". " +- "We are " - "each " - paying for - " ourselves" -- ".”\n\nMiss " +- ".”\n\n" +- "Miss " - "Bartlett, " - "who had " - "intended " @@ -11960,10 +12106,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "dear—if " - "the drive " - we and Mr. -- " " -- "Beebe are " -- going with -- " Mr.\n" +- " Beebe are" +- " going " +- "with Mr.\n" - "Eager is " - really the - " same as " @@ -12044,7 +12189,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "the most " - extraordin - ary things -- ".\nMurder, " +- ".\n" +- "Murder, " - accusation - "s of " - "murder, a " @@ -12076,7 +12222,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "speedily " - "to a " - fulfillmen -- "t?\n\nHappy " +- "t?\n\n" +- "Happy " - "Charlotte," - " who, " - "though " @@ -12168,9 +12315,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "any case " - we must be - " prepared." -- " " -- "It is you " -- "they " +- " It is you" +- " they " - "really " - want; I am - " only " @@ -12207,10 +12353,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“What do " - "you think " - about it?” -- " " -- asked Miss -- " Bartlett," -- " flushed " +- " asked " +- "Miss " +- "Bartlett, " +- "flushed " - "from the " - "struggle, " - "and " @@ -12351,7 +12497,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "news?” " - asked Miss - " Bartlett." -- "\n\n“Mrs. " +- "\n\n" +- "“Mrs. " - "Vyse and " - "her son " - "have gone " @@ -12362,7 +12509,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "that " - interested - " her least" -- ". “Do you " +- ". " +- "“Do you " - "know the " - "Vyses?”\n\n" - "“Oh, not " @@ -12380,10 +12528,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "nice " - "people, " - the Vyses. -- " " -- So clever— -- my idea of -- " what’s " +- " So clever" +- "—my idea " +- "of what’s " - "really " - "clever. " - "Don’t you " @@ -12398,10 +12545,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "stony to " - "be " - brilliant. -- " " -- "It has no " -- "grass, no " -- "flowers, " +- " It has no" +- " grass, no" +- " flowers, " - "no " - "frescoes, " - "no " @@ -12499,7 +12645,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " ends of " - the earth! - " Do! Do!”" -- "\n\nMiss " +- "\n\n" +- "Miss " - "Bartlett, " - with equal - " vivacity," @@ -12633,7 +12780,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "guard " - "against " - imposition -- ". But the " +- ". " +- "But the " - "ladies " - interceded - ", and when" @@ -12741,7 +12889,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Beebe, " - "followed " - on behind. -- "\n\nIt was " +- "\n\n" +- "It was " - "hard on " - "the poor " - "chaplain " @@ -12884,7 +13033,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "of death " - "is " - pardonable -- ".\nBut to " +- ".\n" +- "But to " - discuss it - " " - afterwards @@ -12989,7 +13139,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "h, you are" - " " - travelling -- "? As a " +- "? " +- "As a " - student of - " art?”\n\n" - "“Oh, dear " @@ -13009,7 +13160,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I am here " - "as a " - tourist.” -- "\n\n“Oh, " +- "\n\n" +- "“Oh, " - "indeed,” " - "said Mr. " - "Eager. " @@ -13052,7 +13204,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "their one " - anxiety to - " get ‘done" -- "’\nor ‘" +- "’\n" +- or ‘ - "through’ " - "and go on " - "somewhere " @@ -13102,7 +13255,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "interrupt " - "his " - "mordant " -- "wit. “The " +- "wit. " +- "“The " - narrowness - " and " - superficia @@ -13169,10 +13323,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Inside, " - "perfect " - seclusion. -- " " -- "One might " -- "have gone " -- "back six " +- " One might" +- " have gone" +- " back six " - "hundred " - "years. " - "Some " @@ -13300,15 +13453,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "for them " - to be able - " to do so." -- " " -- "They were " -- "probably " +- " They were" +- " probably " - "the only " - "people " - "enjoying " - "the " - expedition -- ". The " +- ". " +- "The " - "carriage " - swept with - " agonizing" @@ -13340,7 +13493,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "whipped " - his horses - " up again." -- "\n\nNow Mr. " +- "\n\n" +- "Now Mr. " - "Eager and " - "Miss " - "Lavish " @@ -13396,9 +13550,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " him turn " - angrily in - " his seat." -- " " -- "Phaethon, " -- "who for " +- " Phaethon," +- " who for " - "some time " - "had been " - endeavouri @@ -13464,7 +13617,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - accusation - ", but at " - its manner -- ". At this " +- ". " +- "At this " - "point Mr. " - "Emerson, " - "whom the " @@ -13496,7 +13650,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "the cause " - "of " - Bohemianis -- "m.\n\n“Most " +- "m.\n\n" +- "“Most " - "certainly " - "I would " - "let them " @@ -13528,7 +13683,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I knew he - " was " - "trying it " -- "on. He is " +- "on. " +- "He is " - "treating " - "us as if " - "we were a " @@ -13550,7 +13706,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "up behind," - " and " - "sensible " -- "Mr. Beebe " +- "Mr. " +- "Beebe " - called out - " that " - after this @@ -13561,7 +13718,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "behave " - themselves - " properly." -- "\n\n“Leave " +- "\n\n" +- "“Leave " - them alone - ",” Mr. " - "Emerson " @@ -13619,7 +13777,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - determined - " to make " - "himself " -- "heard. He " +- "heard. " +- "He " - "addressed " - the driver - " again. " @@ -13680,7 +13839,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " to Lucy?" - "\n\n" - “Signorina -- "!” echoed " +- "!” " +- "echoed " - Persephone - " in her " - "glorious " @@ -13759,7 +13919,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "cannot be " - "bought " - with money -- ". He has " +- ". " +- "He has " - "bargained " - "to drive " - "us, and he" @@ -13782,7 +13943,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - speaks out - " of his " - character. -- "\n\n“He was " +- "\n\n" +- "“He was " - "not " - driving us - " well,” " @@ -13827,10 +13989,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - " of " - Lorenzo de - " Medici?”" -- "\n\nMiss " +- "\n\n" +- "Miss " - "Lavish " - bristled. -- "\n\n“Most " +- "\n\n" +- "“Most " - "certainly " - "I have. " - "Do you " @@ -13870,7 +14034,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "against " - the Spring - ".’”\n\n" -- "Mr. Eager " +- "Mr. " +- "Eager " - "could not " - resist the - " " @@ -13992,7 +14157,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - promontory - ", " - uncultivat -- "ed,\nwet, " +- "ed,\n" +- "wet, " - "covered " - "with " - bushes and @@ -14107,7 +14273,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "go " - "different " - directions -- ". Finally " +- ". " +- "Finally " - they split - " into " - "groups. " @@ -14198,7 +14365,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "much hurt " - "at her " - asking him -- ".\n\n“The " +- ".\n\n" +- "“The " - "railway!” " - "gasped " - "Miss " @@ -14209,17 +14377,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Of course " - it was the - " railway!”" -- " " -- "She could " -- "not " +- " She could" +- " not " - "control " - her mirth. -- " " -- “He is the -- " image of " -- a porter— -- "on, on the" -- " South-" +- " “He is " +- "the image " +- "of a " +- "porter—on," +- " on the " +- South- - Eastern.” - "\n\n" - "“Eleanor, " @@ -14254,7 +14421,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " wouldn’t " - "mind if " - they did.” -- "\n\nMiss " +- "\n\n" +- "Miss " - Lavish did - " not seem " - pleased at @@ -14263,12 +14431,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - Honeychurc - "h " - listening! -- "” " -- "she said " -- "rather " +- ” she said +- " rather " - "crossly. " - "“Pouf! " -- "Wouf! You " +- "Wouf! " +- "You " - "naughty " - "girl! " - Go away!” @@ -14295,7 +14463,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I’d rather - " stop here" - " with you." -- "”\n\n“No, I " +- "”\n\n" +- "“No, I " - "agree,” " - "said Miss " - "Lavish. " @@ -14437,7 +14606,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "had " - rheumatism - " for years" -- ". If I do " +- ". " +- "If I do " - "feel it " - "coming on " - "I shall " @@ -14497,7 +14667,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " I have " - "had it " - three days -- ". It’s " +- ". " +- "It’s " - nothing to - " do with " - "sitting " @@ -14509,9 +14680,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "treating " - "the " - situation. -- " " -- At the end -- " of five " +- " At the " +- "end of " +- "five " - "minutes " - "Lucy " - "departed " @@ -14554,7 +14725,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "assurance " - "of a " - relative. -- "\n\n“Dove?” " +- "\n\n" +- "“Dove?” " - "said Lucy," - " after " - "much " @@ -14594,7 +14766,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "visible " - extract of - " knowledge" -- ".\n\nMore " +- ".\n\n" +- "More " - "seemed " - necessary. - " What was " @@ -14602,7 +14775,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Italian " - for “ - clergyman” -- "?\n\n“Dove " +- "?\n\n" +- "“Dove " - "buoni " - "uomini?” " - "said she " @@ -14627,12 +14801,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - cigar been - " given to " - you by Mr. -- " " -- "Beebe, the" -- " smaller " -- of the two -- " good men?" -- "”\n\n" +- " Beebe, " +- "the " +- smaller of +- " the two " +- good men?” +- "\n\n" - "She was " - correct as - " usual. " @@ -14693,7 +14867,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " people is" - " a gift " - from God. -- "\n\nHe only " +- "\n\n" +- "He only " - "stopped " - "once, to " - "pick her " @@ -14713,7 +14888,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " was " - "beautiful " - and direct -- ". For the " +- ". " +- "For the " - first time - " she felt " - "the " @@ -14743,7 +14919,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "first, " - "violets " - afterwards -- ". They " +- ". " +- "They " - "proceeded " - "briskly " - "through " @@ -14804,7 +14981,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "them. " - "The voice " - "of Mr. " -- "Eager? He " +- "Eager? " +- "He " - "shrugged " - "his " - shoulders. @@ -14817,9 +14995,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - remarkable - " than his " - knowledge. -- " " -- "She could " -- "not make " +- " She could" +- " not make " - "him " - understand - " that " @@ -14843,7 +15020,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Eccolo!” " - "he " - exclaimed. -- "\n\nAt the " +- "\n\n" +- "At the " - "same " - moment the - " ground " @@ -14870,17 +15048,17 @@ input_file: tests/inputs/text/room_with_a_view.txt - "from end " - "to end.\n\n" - “Courage!” -- " " -- "cried her " -- "companion," -- " now " +- " cried her" +- " companion" +- ", now " - "standing " - "some six " - feet above - ".\n" - "“Courage " - and love.” -- "\n\nShe did " +- "\n\n" +- "She did " - not answer - ". " - "From her " @@ -14889,7 +15067,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "sloped " - "sharply " - "into view," -- "\nand " +- "\n" +- "and " - "violets " - "ran down " - "in " @@ -15161,7 +15340,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - He will be - " hours,” " - "said Mr. " -- "Beebe.\n\n“" +- "Beebe.\n\n" +- “ - Apparently - ". " - I told him @@ -15234,7 +15414,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "and " - "perhaps " - too late. -- "\n\nThe " +- "\n\n" +- "The " - "thoughts " - of a cab- - "driver, " @@ -15245,14 +15426,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - " lives of " - "his " - employers. -- " " -- He was the -- " most " +- " He was " +- "the most " - "competent " - "of Miss " - Bartlett’s - " opponents" -- ",\nbut " +- ",\n" +- "but " - infinitely - " the least" - " dangerous" @@ -15404,9 +15585,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "our being " - struck are - " enormous." -- " " -- "The steel " -- "knives, " +- " The steel" +- " knives, " - "the only " - "articles " - "which " @@ -15454,7 +15634,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - to pay for - " it " - afterwards -- ". Miss " +- ". " +- "Miss " - "Bartlett, " - "by this " - "timely " @@ -15470,7 +15651,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "preaching " - "or cross " - examinatio -- "n.\n\nShe " +- "n.\n\n" +- "She " - renewed it - " when the " - "two " @@ -15478,7 +15660,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "stopped, " - "half into " - Florence. -- "\n\n“Mr. " +- "\n\n" +- "“Mr. " - "Eager!” " - called Mr. - " Beebe. " @@ -15545,9 +15728,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "down.”\n\n" - “What does - " he know?”" -- " " -- "whispered " -- "Lucy as " +- " whispered" +- " Lucy as " - "soon as " - "they were " - "alone.\n" @@ -15628,7 +15810,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " the great" - " supports " - had fallen -- ". If they " +- ". " +- "If they " - "had not " - "stopped " - "perhaps " @@ -15646,7 +15829,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " of love " - "and " - "sincerity," -- "\nwhich " +- "\n" +- "which " - "fructify " - every hour - " of life, " @@ -15692,7 +15876,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - unmanly or - " " - unladylike -- ". Miss " +- ". " +- "Miss " - "Lavish " - calculated - " that,\n" @@ -15705,7 +15890,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "caught in " - "the " - "accident. " -- "Mr. Eager " +- "Mr. " +- "Eager " - "mumbled a " - "temperate " - "prayer. " @@ -15757,7 +15943,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - worse than - " you know," - " far worse" -- ". Once by " +- ". " +- "Once by " - the river— - "Oh, but he" - " isn’t " @@ -15765,12 +15952,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "wouldn’t " - "be killed," - " would he?" -- "”\n\nThe " +- "”\n\n" +- "The " - "thought " - "disturbed " - "her " - repentance -- ". As a " +- ". " +- "As a " - "matter of " - "fact, the " - "storm was " @@ -15845,7 +16034,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - schoolgirl - "s.”\n\n" - “And then? -- "”\n\n“But, " +- "”\n\n" +- "“But, " - "Charlotte," - " you know " - "what " @@ -15854,7 +16044,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss " - "Bartlett " - was silent -- ". Indeed, " +- ". " +- "Indeed, " - "she had " - "little " - "more to " @@ -15884,10 +16075,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "truthful,”" - " she " - whispered. -- " " -- "“It is so " -- hard to be -- " " +- " “It is so" +- " hard to " +- "be " - absolutely - " truthful." - "”\n\n" @@ -15917,10 +16107,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - "emotion " - "had ebbed " - in others. -- " " -- "The storm " -- had ceased -- ",\nand Mr. " +- " The storm" +- " had " +- "ceased,\n" +- "and Mr. " - "Emerson " - was easier - " about his" @@ -16020,7 +16210,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She " - "refused " - vehemently -- ". Music " +- ". " +- "Music " - "seemed to " - "her the " - employment @@ -16074,7 +16265,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "tone of " - "gentle " - "reproach:" -- "\n\n“Well, " +- "\n\n" +- "“Well, " - "dear, I at" - " all " - "events am " @@ -16096,13 +16288,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - " chair " - placed for - " the girl." -- " " -- "Then Miss " -- "Bartlett " +- " Then Miss" +- " Bartlett " - "said “So " - what is to - " be done?”" -- "\n\nShe was " +- "\n\n" +- "She was " - unprepared - " for the " - "question. " @@ -16250,7 +16442,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "intend to " - "judge him " - charitably -- ". But " +- ". " +- "But " - unfortunat - ely I have - " met the " @@ -16264,9 +16457,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - themselves - ".”\n\n" - “Exploits? -- "” " -- cried Lucy -- ", wincing " +- "” cried " +- "Lucy, " +- "wincing " - "under the " - "horrible " - "plural.\n\n" @@ -16299,7 +16492,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - reason for - " liking " - another?” -- "\n\n“Yes,” " +- "\n\n" +- "“Yes,” " - "said Lucy," - " whom at " - "the time " @@ -16315,7 +16509,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " call him " - "a wicked " - "young man," -- "\nbut " +- "\n" +- "but " - "obviously " - "he is " - thoroughly @@ -16360,7 +16555,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " to speak " - "to him,” " - said she. -- "\n\nMiss " +- "\n\n" +- "Miss " - "Bartlett " - "uttered a " - "cry of " @@ -16373,10 +16569,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - " shall " - "never " - forget it. -- " " -- But—as you -- " said—it " -- "is my " +- " But—as " +- you said— +- "it is my " - "affair. " - "Mine and " - "his.”\n\n" @@ -16467,7 +16662,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " intoning " - "it more " - vigorously -- ".\n\n“What " +- ".\n\n" +- "“What " - would have - " happened " - "if I " @@ -16559,7 +16755,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", whatever" - " it was, " - with him. -- "\n\nMiss " +- "\n\n" +- "Miss " - "Bartlett " - "became " - plaintive. @@ -16631,10 +16828,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - "train?”\n\n" - “The train - " to Rome.”" +- " She " +- "looked at " +- her gloves - " " -- She looked -- " at her " -- "gloves " - critically - ".\n\n" - "The girl " @@ -16746,7 +16943,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "a subtler " - "ill. " - "Charlotte," -- "\nwho was " +- "\n" +- "who was " - "practical " - "without " - "ability, " @@ -16910,7 +17108,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - every turn - ".”\n\n" - “But no—” -- "\n\nMiss " +- "\n\n" +- "Miss " - "Bartlett " - "assumed " - "her " @@ -16986,7 +17185,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "these " - "rooms, at " - all events -- ".”\n\n“You " +- ".”\n\n" +- "“You " - "mustn’t " - "say these " - "things,” " @@ -17006,7 +17206,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "continued " - to pack in - " silence." -- "\n\n“I have " +- "\n\n" +- "“I have " - "been a " - "failure,” " - "said Miss " @@ -17037,7 +17238,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " after " - "this " - disaster.” -- "\n\n“But " +- "\n\n" +- "“But " - "mother " - "will " - understand @@ -17080,7 +17282,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "true that " - "I have " - "neglected " -- "you. Your " +- "you. " +- "Your " - "mother " - "will see " - "this as " @@ -17151,7 +17354,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "it either " - "to her or " - to any one -- ".”\n\nHer " +- ".”\n\n" +- "Her " - "promise " - "brought " - the long- @@ -17179,7 +17383,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - was in the - " " - background -- ". George " +- ". " +- "George " - would seem - " to have " - "behaved " @@ -17215,7 +17420,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - intervened - ", and, " - ever since -- ",\nit was " +- ",\n" +- "it was " - "Miss " - "Bartlett " - "who had " @@ -17307,7 +17513,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "taken of " - "her " - "sincerity," -- "\nof her " +- "\n" +- "of her " - "craving " - "for " - "sympathy " @@ -17316,7 +17523,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "wrong is " - not easily - " forgotten" -- ". Never " +- ". " +- "Never " - "again did " - she expose - " herself " @@ -17365,7 +17573,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "his room " - "he had to " - go by hers -- ". She was " +- ". " +- "She was " - "still " - "dressed. " - "It struck " @@ -17445,7 +17654,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I want to " - grow older - " quickly.”" -- "\n\nMiss " +- "\n\n" +- "Miss " - "Bartlett " - "tapped on " - the wall. @@ -17457,7 +17667,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "all the " - "rest you " - can get.” -- "\n\nIn the " +- "\n\n" +- "In the " - "morning " - "they left " - for Rome. @@ -17467,7 +17678,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Chapter " - "VIII " - Medieval -- "\n\n\nThe " +- "\n\n\n" +- "The " - drawing- - "room " - "curtains " @@ -17497,7 +17709,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "them was " - "subdued " - and varied -- ". A poet—" +- ". " +- A poet— - "none was " - present— - might have @@ -17553,11 +17766,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - bone which - " lay upon " - the piano. -- " " -- "From time " -- to time he -- " bounced " -- "in his " +- " From time" +- " to time " +- he bounced +- " in his " - "chair and " - puffed and - " groaned, " @@ -17711,12 +17923,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "ble.”\n\n" - "“Do you " - "indeed, " -- "dear? How " +- "dear? " +- "How " - interestin - "g!”\n\n" - “I feel— - never mind -- ".”\n\nHe " +- ".”\n\n" +- "He " - "returned " - "to his " - "work.\n\n" @@ -17745,14 +17959,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - " my " - permission - " about it," -- "\nand I " +- "\n" +- "and I " - "should be " - "delighted," - " if Lucy " - wishes it. -- " " -- But—’” She -- " stopped " +- " But—’” " +- "She " +- "stopped " - "reading, “" - "I was " - "rather " @@ -17822,7 +18037,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "no " - "business " - of mine!’” -- "\n\n“What a " +- "\n\n" +- "“What a " - "helpful " - "answer!” " - "But her " @@ -17983,7 +18199,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He ought " - "never to " - have asked -- " me.”\n\n“" +- " me.”\n\n" +- “ - Ridiculous - " child!” " - "cried his " @@ -18079,7 +18296,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Not a bit - "!” " - he pleaded -- ". “I only " +- ". " +- "“I only " - "let out I " - "didn’t " - "like him. " @@ -18124,9 +18342,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "like: he’s" - " well " - connected. -- "” " -- She paused -- ", as if " +- "” She " +- "paused, as" +- " if " - rehearsing - " her " - "eulogy, " @@ -18158,7 +18376,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Beebe said - ", not " - knowing.” -- "\n\n“Mr. " +- "\n\n" +- "“Mr. " - "Beebe?” " - "said his " - "mother, " @@ -18168,7 +18387,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "interest. " - "“I don’t " - see how Mr -- ". Beebe " +- ". " +- "Beebe " - comes in.” - "\n\n" - "“You know " @@ -18185,20 +18405,19 @@ input_file: tests/inputs/text/room_with_a_view.txt - Vyse is an - " ideal " - bachelor.’ -- " " -- I was very -- " cute, I " -- "asked him " -- "what he " -- "meant. " +- " I was " +- "very cute," +- " I asked " +- "him what " +- "he meant. " - He said ‘ - "Oh, he’s " - like me— - "better " - detached.’ -- " " -- I couldn’t -- " make him " +- " I " +- "couldn’t " +- "make him " - "say any " - "more, but " - "it set me " @@ -18235,10 +18454,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Freddy " - "tried to " - accept it. -- " " -- But at the -- " back of " -- "his brain " +- " But at " +- "the back " +- "of his " +- "brain " - "there " - "lurked a " - "dim " @@ -18288,7 +18507,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - called his - " mother. " - “‘Dear Mrs -- ". Vyse,—" +- ". " +- "Vyse,—" - "Cecil has " - just asked - " my " @@ -18299,13 +18519,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "delighted " - "if Lucy " - wishes it. -- "’ " -- Then I put -- " in at the" -- " top, ‘and" -- " I have " -- "told Lucy " -- "so.’ " +- "’ Then I " +- "put in at " +- "the top, ‘" +- and I have +- " told Lucy" +- " so.’ " - "I must " - "write the " - letter out @@ -18324,7 +18543,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - decide for - " " - themselves -- ".’\nI said " +- ".’\n" +- "I said " - "that " - "because I " - "didn’t " @@ -18333,7 +18553,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "think us " - old- - fashioned. -- "\nShe goes " +- "\n" +- "She goes " - "in for " - "lectures " - "and " @@ -18368,13 +18589,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "flat, or " - "in the " - country?” -- "\n\n“Don’t " +- "\n\n" +- "“Don’t " - "interrupt " - "so " - foolishly. -- " " -- "Where was " -- "I? " +- " Where was" +- " I? " - Oh yes—‘ - "Young " - "people " @@ -18382,7 +18603,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - decide for - " " - themselves -- ". I know " +- ". " +- "I know " - "that Lucy " - likes your - " son, " @@ -18396,12 +18618,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Rome when " - "he asked " - her first. -- "’ " -- "No, I’ll " -- cross that -- " last bit " -- "out—it " -- "looks " +- "’ No, I’ll" +- " cross " +- "that last " +- bit out—it +- " looks " - patronizin - "g. " - "I’ll stop " @@ -18453,7 +18674,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - decide for - " " - themselves -- ". I know " +- ". " +- "I know " - "that Lucy " - likes your - " son, " @@ -18477,7 +18699,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - was one of - " " - irritation -- ". He " +- ". " +- "He " - "couldn’t " - "bear the " - Honeychurc @@ -18589,7 +18812,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - portals of - " a French " - cathedral. -- "\nWell " +- "\n" +- "Well " - "educated, " - "well " - "endowed, " @@ -18661,11 +18885,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - acquaintan - "ce.\n\n" - "“Oh, Cecil" -- "!” she " +- "!” " +- "she " - exclaimed— - "“oh, Cecil" - ", do tell " -- "me!”\n\n“I " +- "me!”\n\n" +- "“I " - "promessi " - "sposi,” " - "said he.\n\n" @@ -18745,7 +18971,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " “This is " - "indeed a " - joyous day -- "! I feel " +- "! " +- "I feel " - "sure that " - "you will " - "make our " @@ -18790,7 +19017,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " and " - "almost " - handsome? -- "\n\n“I say, " +- "\n\n" +- "“I say, " - "Lucy!” " - "called " - "Cecil, for" @@ -18824,7 +19052,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "arms. " - "He said, “" - Steady on! -- "”\n\n“Not a " +- "”\n\n" +- "“Not a " - "kiss for " - "me?” " - "asked her " @@ -18847,7 +19076,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "stop here " - "and tell " - my mother. -- "”\n\n“We go " +- "”\n\n" +- "“We go " - with Lucy? - "” said " - "Freddy, as" @@ -18870,10 +19100,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - "out of " - "sight by " - the steps. -- " " -- They would -- " descend—" -- "he knew " +- " They " +- "would " +- descend—he +- " knew " - their ways - "—past the " - "shrubbery," @@ -18898,7 +19128,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "event " - "would be " - discussed. -- "\n\nSmiling " +- "\n\n" +- "Smiling " - indulgentl - "y, he lit " - "a " @@ -18911,7 +19142,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "such a " - "happy " - conclusion -- ".\n\nHe had " +- ".\n\n" +- "He had " - known Lucy - " for " - "several " @@ -18967,7 +19199,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - precious— - "it gave " - her shadow -- ". Soon he " +- ". " +- "Soon he " - "detected " - "in her a " - "wonderful " @@ -19041,7 +19274,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "away at " - "the " - suggestion -- ". Her " +- ". " +- "Her " - "refusal " - "had been " - "clear and " @@ -19070,7 +19304,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "bald, " - traditiona - l language -- ". She " +- ". " +- "She " - "reminded " - "him of a " - "Leonardo " @@ -19099,7 +19334,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "home with " - "her " - "unashamed," -- "\nfeeling " +- "\n" +- "feeling " - not at all - " like a " - "rejected " @@ -19180,7 +19416,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "pencilled " - "a note on " - his knee. -- "\n\nThen he " +- "\n\n" +- "Then he " - "lit " - "another " - "cigarette," @@ -19221,7 +19458,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Messrs. " - "Shoolbred " - and Messrs -- ".\nMaple " +- ".\n" +- "Maple " - "arriving " - "at the " - "door and " @@ -19331,7 +19569,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - circles as - " soon as " - possible. -- "\n\n“Mr. " +- "\n\n" +- "“Mr. " - "Beebe!” " - "said the " - "maid, and " @@ -19352,7 +19591,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " letters " - "from " - Florence. -- "\n\nCecil " +- "\n\n" +- "Cecil " - "greeted " - him rather - " " @@ -19423,7 +19663,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " you,” " - said Cecil - ". “News?”" -- "\n\nMr. " +- "\n\n" +- "Mr. " - "Beebe, " - whose news - " was of a " @@ -19485,7 +19726,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "might be, " - "he still " - thought Mr -- ". Beebe " +- ". " +- "Beebe " - "rather a " - "bounder.\n\n" - “ @@ -19565,7 +19807,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " to exist " - "on " - sufferance -- ".”\n\nMr. " +- ".”\n\n" +- "Mr. " - "Beebe, " - distressed - " at this " @@ -19671,7 +19914,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " example, " - "Freddy " - Honeychurc -- "h.”\n\n“Oh, " +- "h.”\n\n" +- "“Oh, " - Freddy’s a - " good sort" - ", isn’t he" @@ -19687,7 +19931,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Cecil " - "wondered " - at himself -- ". Why, on " +- ". " +- "Why, on " - "this day " - "of all " - "others, " @@ -19761,15 +20006,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - " the chair" - "-legs with" - " her feet." -- " " -- The faults -- " of Mary—I" -- " forget " -- the faults -- " of Mary, " -- "but they " -- "are very " -- "grave. " +- " The " +- "faults of " +- "Mary—I " +- forget the +- " faults of" +- " Mary, but" +- " they are " +- very grave +- ". " - "Shall we " - "look in " - the garden @@ -19801,12 +20046,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - and things - " began to " - go better. -- "\n\n“The " +- "\n\n" +- "“The " - "faults of " - "Freddy—” " - "Cecil " - continued. -- "\n\n“Ah, he " +- "\n\n" +- "“Ah, he " - "has too " - "many. " - No one but @@ -19815,7 +20062,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " remember " - the faults - " of Freddy" -- ". Try the " +- ". " +- "Try the " - "faults of " - "Miss " - Honeychurc @@ -19886,7 +20134,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "perhaps, " - to be good - " or bad.”" -- "\n\nCecil " +- "\n\n" +- "Cecil " - "found his " - "companion " - interestin @@ -19928,7 +20177,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " course, " - "you knew " - her before -- ". No, she " +- ". " +- "No, she " - "wasn’t " - "wonderful " - "in " @@ -19959,10 +20209,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "what tune " - "she’ll " - play next. -- " " -- "There was " -- simply the -- " sense " +- " There was" +- " simply " +- "the sense " - "that she " - "had found " - "wings, and" @@ -19982,7 +20231,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Bartlett " - "holding " - the string -- ". Picture " +- ". " +- "Picture " - number two - ": the " - "string " @@ -20048,9 +20298,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - engagement - " this was " - the worst. -- " " -- "He cursed " -- "his love " +- " He cursed" +- " his love " - "of " - "metaphor; " - "had he " @@ -20073,7 +20322,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "that she " - "is going " - "to marry " -- "me.”\n\nThe " +- "me.”\n\n" +- "The " - "clergyman " - "was " - "conscious " @@ -20184,15 +20434,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "ought to " - "have " - stopped me -- ". I know " +- ". " +- "I know " - "Miss " - Honeychurc - "h only a " - "little as " - time goes. -- " " -- "Perhaps I " -- "oughtn’t " +- " Perhaps I" +- " oughtn’t " - "to have " - "discussed " - "her so " @@ -20209,7 +20459,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "something " - indiscreet - "?”\n\n" -- "Mr. Beebe " +- "Mr. " +- "Beebe " - "pulled " - "himself " - "together. " @@ -20228,7 +20479,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - prerogativ - "es of his " - profession -- ".\n\n“No, I " +- ".\n\n" +- "“No, I " - "have said " - "nothing " - indiscreet @@ -20243,9 +20495,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - " must end," - " and it " - has ended. -- " " -- I realized -- " dimly " +- " I " +- "realized " +- "dimly " - "enough " - "that she " - might take @@ -20277,11 +20529,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - "earthly " - "life " - provides.” -- " " -- It was now -- " time for " -- "him to " -- "wave his " +- " It was " +- "now time " +- for him to +- " wave his " - hat at the - " " - approachin @@ -20307,7 +20558,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "is " - profitable - " to her.”" -- "\n\n“Grazie " +- "\n\n" +- "“Grazie " - "tante!” " - said Cecil - ", who did " @@ -20378,7 +20630,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "grave and " - "gay, great" - " and small" -- ". I want " +- ". " +- "I want " - "them all " - "their " - "lives to " @@ -20422,13 +20675,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "poetry or " - "the " - Scriptures -- ". None of " +- ". " +- "None of " - them dared - " or was " - able to be - " serious " - any more. -- "\n\nAn " +- "\n\n" +- "An " - engagement - " is so " - "potent a " @@ -20447,9 +20702,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " solitude " - "of their " - "rooms, Mr." -- " " -- "Beebe, and" -- " even " +- " Beebe, " +- "and even " - "Freddy, " - "might " - "again be " @@ -20629,7 +20883,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "party in " - "the " - neighbourh -- "ood,\nfor " +- "ood,\n" +- "for " - "naturally " - she wanted - " to show " @@ -20892,12 +21147,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "that his " - irritation - " was just." -- "\n\n“How " +- "\n\n" +- "“How " - tiresome!” -- " " -- "she said. " -- "“Couldn’t " -- "you have " +- " she said." +- " “Couldn’t" +- " you have " - escaped to - " tennis?”" - "\n\n" @@ -20906,7 +21161,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "tennis—at " - "least, not" - " in public" -- ". The " +- ". " +- "The " - neighbourh - "ood is " - "deprived " @@ -20924,13 +21180,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - ".”\n\n" - "“Inglese " - Italianato -- "?”\n\n“E un " +- "?”\n\n" +- "“E un " - "diavolo " - incarnato! - " You know " - "the " - proverb?” -- "\n\nShe did " +- "\n\n" +- "She did " - "not. " - Nor did it - " seem " @@ -21015,7 +21273,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " by the " - "barriers " - of others? -- "”\n\nShe " +- "”\n\n" +- "She " - "thought a " - "moment, " - and agreed @@ -21023,7 +21282,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - did make a - " " - difference -- ".\n\n“" +- ".\n\n" +- “ - Difference - "?” " - cried Mrs. @@ -21055,10 +21315,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“My dear " - "Cecil, " - look here. -- "” " -- She spread -- " out her " -- "knees and " +- "” She " +- spread out +- " her knees" +- " and " - "perched " - her card- - "case on " @@ -21079,7 +21339,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " but the " - "fence " - comes here -- ".”\n\n“We " +- ".”\n\n" +- "“We " - "weren’t " - talking of - " real " @@ -21159,7 +21420,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "again, and" - " was " - brilliant. -- "\n\n“Now, a " +- "\n\n" +- "“Now, a " - "clergyman " - "that I do " - "hate,” " @@ -21232,7 +21494,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - did try to - " sift the " - "thing. " -- "Mr. Eager " +- "Mr. " +- "Eager " - "would " - never come - " to the " @@ -21324,7 +21587,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - lecture on - " Giotto. " - I hate him -- ". Nothing " +- ". " +- "Nothing " - can hide a - " petty " - "nature. " @@ -21334,8 +21598,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "goodness " - "gracious " - "me, child!" -- "” " -- "said Mrs. " +- ” said Mrs +- ". " - Honeychurc - "h. " - "“You’ll " @@ -21353,9 +21617,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - clergymen. - "”\n\n" - He smiled. -- " " -- "There was " -- "indeed " +- " There was" +- " indeed " - "something " - "rather " - incongruou @@ -21388,7 +21651,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "mystery, " - "not in " - "muscular " -- "rant. But " +- "rant. " +- "But " - "possibly " - "rant is a " - "sign of " @@ -21443,7 +21707,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "e beauty " - "of the " - "turnpike " -- "road. The " +- "road. " +- "The " - "outdoor " - "world was " - "not very " @@ -21541,11 +21806,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "feel that," - " Mrs.\n" - Honeychurc -- "h?”\n\nMrs. " +- "h?”\n\n" +- "Mrs. " - Honeychurc - "h started " - and smiled -- ". She had " +- ". " +- "She had " - "not been " - attending. - " Cecil,\n" @@ -21604,7 +21871,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "touched " - "her knee " - "with his " -- "own.\n\nShe " +- "own.\n\n" +- "She " - "flushed " - "again and " - "said: “" @@ -21687,10 +21955,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "they were " - "hidden in " - the trees. -- " " -- "The scene " -- "suggested " -- "a Swiss " +- " The scene" +- " suggested" +- " a Swiss " - Alp rather - " than the " - shrine and @@ -21710,7 +21977,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "with " - "Cecil’s " - engagement -- ",\nhaving " +- ",\n" +- "having " - "been " - "acquired " - "by Sir " @@ -21731,7 +21999,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "villas, “" - Albert” of - " the other" -- ".\nThese " +- ".\n" +- "These " - "titles " - "were not " - "only " @@ -21780,7 +22049,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " lace. " - "“Cissie” " - was to let -- ". Three " +- ". " +- "Three " - notice- - "boards, " - "belonging " @@ -21886,10 +22156,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - "time?”\n\n" - "“But what " - can I do?” -- " " -- He lowered -- " his voice" -- ". “An old " +- " He " +- "lowered " +- his voice. +- " “An old " - "lady, so " - "very " - "vulgar, " @@ -21976,7 +22246,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He " - "ventured " - "to differ," -- "\nhowever, " +- "\n" +- "however, " - "about the " - Corinthian - " columns " @@ -22010,7 +22281,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "as " - decorative - ".\n\n" -- "Mr. Flack " +- "Mr. " +- "Flack " - "replied " - "that all " - "the " @@ -22038,10 +22310,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - initials— - "every one " - different. -- "” " -- For he had -- " read his " -- "Ruskin. " +- "” For he " +- "had read " +- his Ruskin +- ". " - "He built " - his villas - " according" @@ -22114,9 +22386,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "perhaps I " - am an easy - " landlord." -- " " -- "But it is " -- "such an " +- " But it is" +- " such an " - "awkward " - "size. " - "It is too " @@ -22230,7 +22501,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " stop him." - "\n\n" - “Sir Harry -- "!” she " +- "!” " +- "she " - "exclaimed," - " “I have " - "an idea. " @@ -22253,7 +22525,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "n?” " - "he asked " - tentativel -- "y.\n\n“Yes, " +- "y.\n\n" +- "“Yes, " - "indeed, " - and at the - " present " @@ -22274,7 +22547,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "quite the " - "right " - "people. " -- "Mr. Beebe " +- "Mr. " +- "Beebe " - knows them - ", too. " - May I tell @@ -22333,7 +22607,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "As if one " - "cares " - about that -- "! And " +- "! " +- "And " - "several " - references - " I took up" @@ -22348,7 +22623,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "e. " - "And oh, " - the deceit -- "! I have " +- "! " +- "I have " - "seen a " - "good deal " - "of the " @@ -22477,7 +22753,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " my Misses" - " Alan?”\n\n" - “Please!” -- "\n\nBut his " +- "\n\n" +- "But his " - "eye " - "wavered " - "when Mrs. " @@ -22502,9 +22779,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "cages and " - "then the " - mice come. -- " " -- "Beware of " -- "women " +- " Beware of" +- " women " - altogether - ". " - "Only let " @@ -22567,7 +22843,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "not leave " - "them much " - distinctio -- "n. He " +- "n. " +- "He " - "suggested " - "that Mrs. " - Honeychurc @@ -22584,9 +22861,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "herself. " - "She was " - delighted. -- " " -- Nature had -- " intended " +- " Nature " +- "had " +- "intended " - "her to be " - "poor and " - to live in @@ -22608,7 +22885,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "as she " - "followed " - her mother -- ".\n\n“Mrs. " +- ".\n\n" +- "“Mrs. " - Honeychurc - "h,” he " - "said, “" @@ -22724,9 +23002,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“It " - "matters " - supremely. -- " " -- "Sir Harry " -- "is the " +- " Sir Harry" +- " is the " - essence of - " that " - garden- @@ -22880,9 +23157,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " him all " - "the " - afternoon. -- " " -- “Why is it -- ",\n" +- " “Why is " +- "it,\n" - "Lucy, that" - " you " - always say @@ -22950,7 +23226,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - hopelessly - " " - bewildered -- ".\n\n“Yes. " +- ".\n\n" +- "“Yes. " - "Or, at the" - " most, in " - "a garden, " @@ -22986,7 +23263,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " view—a " - "certain " - "type of " -- "view. Why " +- "view. " +- "Why " - "shouldn’t " - "you " - connect me @@ -22998,7 +23276,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "and then " - "said, " - "laughing:" -- "\n\n“Do you " +- "\n\n" +- "“Do you " - "know that " - "you’re " - "right? " @@ -23006,14 +23285,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I must be " - "a poetess " - after all. -- "\nWhen I " +- "\n" +- "When I " - "think of " - "you it’s " - "always as " - in a room. -- " " -- How funny! -- "”\n\nTo her " +- " How funny" +- "!”\n\n" +- "To her " - "surprise, " - "he seemed " - "annoyed.\n\n" @@ -23026,7 +23306,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " no view, " - "I fancy. " - Why not?” -- "\n\n“I’d " +- "\n\n" +- "“I’d " - "rather,” " - "he said " - reproachfu @@ -23131,16 +23412,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "it comes " - "out of " - some book. -- " " -- "It’s only " -- "a puddle " +- " It’s only" +- " a puddle " - "now, but " - "you see " - "that " - "stream " - "going " - through it -- "? Well, a " +- "? " +- "Well, a " - "good deal " - "of water " - comes down @@ -23214,7 +23495,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "smart, as " - "she " - phrased it -- ",\nand she " +- ",\n" +- "and she " - "reminded " - "him of " - "some " @@ -23255,7 +23537,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "appeared " - practical. - "\n\n“Lucy!”" -- "\n\n“Yes, I " +- "\n\n" +- "“Yes, I " - suppose we - " ought to " - "be going,”" @@ -23321,7 +23604,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "you have,”" - " she " - stammered. -- "\n\n“Then I " +- "\n\n" +- "“Then I " - ask you— - may I now? - "”\n\n" @@ -23500,7 +23784,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Chapter X " - Cecil as a - " Humourist" -- "\n\n\nThe " +- "\n\n\n" +- "The " - "society " - "out of " - "which " @@ -23534,7 +23819,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "district " - "was " - opening up -- ",\nand, " +- ",\n" +- "and, " - falling in - " love with" - " his own " @@ -23570,7 +23856,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "chalk " - barrier of - " the downs" -- ". Most of " +- ". " +- "Most of " - "these " - "houses " - "were " @@ -23596,7 +23883,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - indigenous - " " - aristocrac -- "y. He was " +- "y. " +- "He was " - "inclined " - "to be " - frightened @@ -23621,9 +23909,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "fortunate " - "for the " - children.” -- " " -- She called -- " " +- " She " +- "called " - everywhere - "; her " - calls were @@ -23808,7 +24095,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "tolerance," - " but to " - irritation -- ". He saw " +- ". " +- "He saw " - "that the " - "local " - "society " @@ -24029,7 +24317,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - —worn to a - " shadow.”" - "\n\n" -- "Mr. Beebe " +- "Mr. " +- "Beebe " - "watched " - the shadow - " springing" @@ -24139,7 +24428,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "her hand, " - "ready to " - plug it in -- ". That’s " +- ". " +- "That’s " - "right,\n" - "Minnie, go" - " for her—" @@ -24159,7 +24449,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "rolled " - "from her " - "hand.\n\n" -- "Mr. Beebe " +- "Mr. " +- "Beebe " - "picked it " - "up, and " - "said: “The" @@ -24173,7 +24464,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - correction - " passed " - unheeded. -- "\n\nFreddy " +- "\n\n" +- "Freddy " - "possessed " - "to a high " - degree the @@ -24271,16 +24563,17 @@ input_file: tests/inputs/text/room_with_a_view.txt - "most " - "agreeably " - "on to the " -- "grass. An " +- "grass. " +- "An " - "interval " - "elapses.\n\n" - "“Wasn’t " - what name? -- "” " -- asked Lucy -- ", with her" -- " brother’s" -- " head in " +- "” asked " +- "Lucy, with" +- " her " +- "brother’s " +- "head in " - "her lap.\n\n" - "“Alan " - wasn’t the @@ -24391,7 +24684,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "you " - "anything " - you like.” -- "\n\n“What a " +- "\n\n" +- "“What a " - weathercoc - "k Sir " - "Harry is,”" @@ -24515,7 +24809,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "name,” " - "Lucy " - remarked. -- "\n\nShe was " +- "\n\n" +- "She was " - "gazing " - "sideways. " - "Seated on " @@ -24741,7 +25036,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "part we " - liked them - ", didn’t " -- "we?” He " +- "we?” " +- "He " - "appealed " - "to Lucy.\n" - “There was @@ -24794,9 +25090,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "nly and " - "yet so " - beautiful. -- "’ " -- "It is all " -- "very " +- "’ It is " +- "all very " - difficult. - " Yes, I " - "always " @@ -24847,7 +25142,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - immature— - "pessimism," - " et cetera" -- ". Our " +- ". " +- "Our " - "special " - "joy was " - the father @@ -24860,7 +25156,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "he had " - "murdered " - his wife.” -- "\n\nIn his " +- "\n\n" +- "In his " - "normal " - "state Mr. " - "Beebe " @@ -24884,10 +25181,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "head.\n\n" - "“Murdered " - his wife?” +- " said Mrs." - " " -- "said Mrs. " - Honeychurc -- "h. “Lucy, " +- "h. " +- "“Lucy, " - "don’t " - desert us— - "go on " @@ -24920,7 +25218,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Charlotte " - "here some " - "time.”\n\n" -- "Mr. Beebe " +- "Mr. " +- "Beebe " - "could " - "recall no " - "second " @@ -24954,7 +25253,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "the name? " - "Oh, what " - "was the " -- "name? She " +- "name? " +- "She " - "clasped " - "her knees " - "for the " @@ -24962,10 +25262,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Something " - "in " - Thackeray. -- " " -- She struck -- " her " -- "matronly " +- " She " +- struck her +- " matronly " - forehead. - "\n\n" - Lucy asked @@ -25044,14 +25343,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - all events - ", she must" - " not tell " -- "lies. She " +- "lies. " +- "She " - hurried up - " the " - "garden, " - "still " - "flushed " - with shame -- ". A word " +- ". " +- "A word " - from Cecil - " would " - soothe her @@ -25072,7 +25373,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I was " - "hoping " - you’d come -- ". I heard " +- ". " +- "I heard " - "you all " - bear- - "gardening," @@ -25086,7 +25388,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "victory " - "for the " - Comic Muse -- ". George " +- ". " +- "George " - Meredith’s - " right—the" - " cause of " @@ -25125,7 +25428,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " " - foreboding - s at once. -- "\n\n“I have " +- "\n\n" +- "“I have " - "heard,” " - "she said. " - "“Freddy " @@ -25201,9 +25505,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Room. " - "Absolute " - strangers. -- " " -- "They were " -- "admiring " +- " They were" +- " admiring " - "Luca " - Signorelli - —of course @@ -25403,7 +25706,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Alans, " - "she had " - not minded -- ". He " +- ". " +- "He " - "perceived " - that these - " new " @@ -25419,7 +25723,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "out the " - "son, who " - was silent -- ". In the " +- ". " +- "In the " - "interests " - "of the " - Comic Muse @@ -25471,7 +25776,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Otway " - signed the - " agreement" -- ",\nmet Mr. " +- ",\n" +- "met Mr. " - "Emerson, " - "who was " - "duly " @@ -25491,7 +25797,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - responsibl - "e for the " - "failure. " -- "Mr. Beebe " +- "Mr. " +- "Beebe " - "planned " - "pleasant " - "moments " @@ -25713,10 +26020,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - exasperati - "ng in the " - classical. -- " " -- "Charlotte," -- " unselfish" -- " in the " +- " Charlotte" +- ", " +- "unselfish " +- "in the " - "Forum, " - would have - " tried a " @@ -25775,13 +26082,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - " letter " - "and read " - as follows -- ". It had " +- ". " +- "It had " - "been " - "forwarded " - from Windy - " Corner.\n\n" - “TUNBRIDGE -- " WELLS,\n“" +- " WELLS,\n" +- “ - _September - "_.\n\n\n" - "“DEAREST " @@ -25894,7 +26203,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - warned you - ".\n\n\n" - "“Believe " -- "me,\n“Your " +- "me,\n" +- "“Your " - "anxious " - and loving - " cousin,\n" @@ -25912,7 +26222,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " S.W.\n\n\n\n\n" - "“DEAR " - "CHARLOTTE," -- "\n\n“Many " +- "\n\n" +- "“Many " - thanks for - " your " - "warning. " @@ -26024,12 +26335,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "spoke of " - "you the " - other day. -- " " -- "We expect " -- "to be " +- " We expect" +- " to be " - married in - " January." -- "\n\n“Miss " +- "\n\n" +- "“Miss " - "Lavish " - "cannot " - "have told " @@ -26051,7 +26362,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "No one " - "opens my " - letters. -- "\n\n\n“Yours " +- "\n\n\n" +- "“Yours " - affectiona - "tely,\n" - "“L. M. " @@ -26097,7 +26409,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Bartlett " - "suggested " - the former -- ". Perhaps " +- ". " +- "Perhaps " - "she was " - "right. " - "It had " @@ -26124,9 +26437,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "only that " - "a few " - weeks ago. -- " " -- "She tried " -- "to tell " +- " She tried" +- " to tell " - Cecil even - " now when " - "they were " @@ -26184,7 +26496,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "In spite " - "of the " - "season, " -- "Mrs. Vyse " +- "Mrs. " +- "Vyse " - managed to - " scrape " - together a @@ -26223,7 +26536,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "up amid " - sympatheti - c laughter -- ". In this " +- ". " +- "In this " - atmosphere - " the " - "Pension " @@ -26254,10 +26568,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "piano.\n\n" - She played - " Schumann." -- " " -- "“Now some " -- Beethoven” -- " called " +- " “Now some" +- " Beethoven" +- "” called " - "Cecil, " - "when the " - "querulous " @@ -26351,7 +26664,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "y, like " - "many " - "another’s," -- "\nhad been " +- "\n" +- "had been " - swamped by - " London, " - "for it " @@ -26469,9 +26783,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "music!” " - "he " - exclaimed. -- " " -- “The style -- " of her! " +- " “The " +- "style of " +- "her! " - "How she " - "kept to " - "Schumann " @@ -26550,7 +26864,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "the maid " - "if she " - "liked but " -- "Mrs. Vyse " +- "Mrs. " +- "Vyse " - thought it - " kind to " - go herself @@ -26601,7 +26916,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "one cheek " - "with her " - hand. Mrs. -- "\nVyse " +- "\n" +- "Vyse " - "recessed " - "to bed. " - "Cecil, " @@ -26707,7 +27023,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "they had " - "only just " - moved in. -- "\n\n“I " +- "\n\n" +- "“I " - "suggested " - "we should " - "hinder " @@ -26766,7 +27083,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "round it " - "with " - difficulty -- ". The " +- ". " +- "The " - sitting- - "room " - itself was @@ -26779,10 +27097,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "readers?” " - "Freddy " - whispered. -- " " -- "“Are they " -- that sort? -- "”\n\n" +- " “Are they" +- " that sort" +- "?”\n\n" - "“I fancy " - "they know " - "how to " @@ -26802,7 +27119,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "it. " - The Way of - " All Flesh" -- ". Never " +- ". " +- "Never " - "heard of " - "it. " - "Gibbon. " @@ -26825,7 +27143,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " own " - "business, " - Honeychurc -- "h.”\n\n“Mr. " +- "h.”\n\n" +- "“Mr. " - "Beebe, " - "look at " - "that,” " @@ -26857,7 +27176,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Isn’t it " - "jolly? " - "I like " -- "that. I’m " +- "that. " +- "I’m " - "certain " - that’s the - " old man’s" @@ -26930,7 +27250,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "such a " - "fool, Mr. " - "Beebe.”\n\n" -- "Mr. Beebe " +- "Mr. " +- "Beebe " - "ignored " - the remark - ".\n\n" @@ -26997,13 +27318,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "the room " - "without " - speaking. -- "\n\n“Let me " +- "\n\n" +- "“Let me " - "introduce " - "Mr. " - Honeychurc - "h, a " - neighbour. -- "”\n\nThen " +- "”\n\n" +- "Then " - "Freddy " - hurled one - " of the " @@ -27037,7 +27360,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "said " - "George, " - impassive. -- "\n\nMr. " +- "\n\n" +- "Mr. " - "Beebe was " - "highly " - entertaine @@ -27118,7 +27442,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "” the " - "clergyman " - inquired. -- "\n\n“The " +- "\n\n" +- "“The " - "Garden of " - "Eden,” " - pursued Mr @@ -27139,7 +27464,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "despise " - our bodies - ".”\n\n" -- "Mr. Beebe " +- "Mr. " +- "Beebe " - disclaimed - " placing " - the Garden @@ -27204,7 +27530,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ". " - "It is our " - heritage.” -- "\n\n“Let me " +- "\n\n" +- "“Let me " - "introduce " - "Mr. " - Honeychurc @@ -27214,7 +27541,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "remember " - "at " - Florence.” -- "\n\n“How do " +- "\n\n" +- "“How do " - "you do? " - "Very glad " - to see you @@ -27231,9 +27559,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "marry.\n" - "Marriage " - is a duty. -- " " -- "I am sure " -- "that she " +- " I am sure" +- " that she " - "will be " - "happy, for" - " we know " @@ -27321,7 +27648,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Yours is a - " glorious " - country.” -- "\n\nMr. " +- "\n\n" +- "Mr. " - Beebe came - " to the " - "rescue.\n\n" @@ -27352,7 +27680,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " with the " - stair-eyes - " yesterday" -- ". It does " +- ". " +- "It does " - "not count " - "that they " - "are going " @@ -27385,7 +27714,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I can’t " - "believe " - he’s well. -- "”\n\nGeorge " +- "”\n\n" +- "George " - "bowed his " - "head, " - "dusty and " @@ -27398,7 +27728,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "has " - "handled " - furniture. -- "\n\n“Do you " +- "\n\n" +- "“Do you " - "really " - "want this " - "bathe?” " @@ -27418,7 +27749,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "have said " - "‘Yes’ " - already.” -- "\n\nMr. " +- "\n\n" +- "Mr. " - Beebe felt - " bound to " - assist his @@ -27430,7 +27762,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " house and" - " into the " - pine-woods -- ". How " +- ". " +- "How " - "glorious " - "it was! " - "For a " @@ -27521,10 +27854,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - down here? - "”\n\n" - “I did not -- ". Miss " +- ". " +- "Miss " - "Lavish " - told me.” -- "\n\n“When I " +- "\n\n" +- "“When I " - "was a " - "young man," - " I always " @@ -27533,7 +27868,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - History of - " " - Coincidenc -- "e.’”\n\nNo " +- "e.’”\n\n" +- "No " - enthusiasm - ".\n\n" - "“Though, " @@ -27556,7 +27892,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "when one " - "comes to " - reflect.” -- "\n\nTo his " +- "\n\n" +- "To his " - "relief, " - "George " - "began to " @@ -27564,9 +27901,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“It is. " - "I have " - reflected. -- " " -- It is Fate -- ". " +- " It is " +- "Fate. " - Everything - " is Fate. " - "We are " @@ -27591,7 +27927,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "at all,” " - rapped the - " clergyman" -- ". “Let me " +- ". " +- "“Let me " - give you a - " useful " - "tip, " @@ -27638,7 +27975,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "talk of " - coincidenc - e and Fate -- ". You " +- ". " +- "You " - "naturally " - "seek out " - "things " @@ -27666,7 +28004,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "makes you " - "less " - unhappy.” -- "\n\nMr. " +- "\n\n" +- "Mr. " - Beebe slid - " away from" - " such " @@ -27718,7 +28057,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Beebe, " - "mopping " - his brow. -- "\n\n“In " +- "\n\n" +- "“In " - "there’s " - "the pond. " - "I wish it " @@ -27793,7 +28133,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "drearily " - "unlaced " - his boots. -- "\n\n“Aren’t " +- "\n\n" +- "“Aren’t " - "those " - "masses of " - willow- @@ -27838,7 +28179,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "charming, " - "very " - charming.” -- "\n\n“Mr. " +- "\n\n" +- "“Mr. " - "Beebe, " - aren’t you - " bathing?”" @@ -27847,7 +28189,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " he " - "stripped " - "himself.\n\n" -- "Mr. Beebe " +- "Mr. " +- "Beebe " - thought he - " was not." - "\n\n" @@ -27887,7 +28230,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "necessary " - "to keep " - "clean. " -- "Mr. Beebe " +- "Mr. " +- "Beebe " - "watched " - "them, and " - "watched " @@ -27917,9 +28261,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "or mud.\n\n" - "“Is it " - worth it?” -- " " -- "asked the " -- "other, " +- " asked the" +- " other, " - Michelange - "lesque on " - "the " @@ -27945,7 +28288,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Beebe, " - "water’s " - "wonderful," -- "\nwater’s " +- "\n" +- "water’s " - "simply " - ripping.” - "\n\n" @@ -28187,7 +28531,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " on the " - "sward, " - proclaimin -- "g:\n\n“No. " +- "g:\n\n" +- "“No. " - "We are " - "what " - "matters. " @@ -28213,7 +28558,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "an " - "imaginary " - goal-post. -- "\n\n“Socker " +- "\n\n" +- "“Socker " - "rules,” " - "George " - "retorted, " @@ -28227,9 +28573,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Pass!”\n\n" - “Take care - " my watch!" -- "” " -- "cried Mr. " -- "Beebe.\n\n" +- ” cried Mr +- ". Beebe.\n\n" - "Clothes " - "flew in " - "all " @@ -28241,16 +28586,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - " enough, " - "Freddy. " - Dress now. -- " " -- "No, I say!" -- "”\n\n" +- " No, I say" +- "!”\n\n" - "But the " - "two young " - "men were " - delirious. -- " " -- "Away they " -- "twinkled " +- " Away they" +- " twinkled " - "into the " - "trees, " - "Freddy " @@ -28269,7 +28612,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“That’ll " - "do!” " - shouted Mr -- ". Beebe, " +- ". " +- "Beebe, " - rememberin - "g that " - "after all " @@ -28298,7 +28642,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "earth.\n\n" - "“Hi! hi! " - _Ladies!_” -- "\n\nNeither " +- "\n\n" +- "Neither " - George nor - " Freddy " - "was truly " @@ -28324,7 +28669,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "call on " - "old Mrs. " - Butterwort -- "h.\nFreddy " +- "h.\n" +- "Freddy " - "dropped " - "the " - "waistcoat " @@ -28411,7 +28757,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Mr. " - "Beebe’s " - waistcoat— -- "”\n\nNo " +- "”\n\n" +- "No " - "business " - "of ours, " - said Cecil @@ -28425,7 +28772,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “minded.” - "\n\n" - "“I fancy " -- "Mr. Beebe " +- "Mr. " +- "Beebe " - "jumped " - "back into " - the pond.” @@ -28471,14 +28819,17 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I can’t " - be trodden - " on, can I" -- "?”\n\n“Good " +- "?”\n\n" +- "“Good " - "gracious " - "me, dear; " - "so it’s " -- "you! What " +- "you! " +- "What " - "miserable " - management -- "! Why not " +- "! " +- "Why not " - "have a " - comfortabl - "e bath at " @@ -28506,7 +28857,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "position " - "to argue. " - "Come, Lucy" -- ".” They " +- ".” " +- "They " - "turned. " - "“Oh, look—" - don’t look @@ -28517,7 +28869,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "How " - unfortunat - e again—” -- "\n\nFor Mr. " +- "\n\n" +- "For Mr. " - "Beebe was " - "just " - "crawling " @@ -28550,7 +28903,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I’ve " - "swallowed " - a pollywog -- ". It " +- ". " +- "It " - "wriggleth " - "in my " - "tummy. " @@ -28892,7 +29246,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "contains " - "nothing " - satisfacto -- "ry. Lucy, " +- "ry. " +- "Lucy, " - though she - " disliked " - "the " @@ -28929,7 +29284,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "charity " - "and " - restraint. -- "\n\n“No, I " +- "\n\n" +- "“No, I " - "don’t " - "think so, " - "mother; " @@ -28938,7 +29294,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "”\n\n" - "“Perhaps " - he’s tired -- ".”\n\nLucy " +- ".”\n\n" +- "Lucy " - compromise - "d: perhaps" - " Cecil was" @@ -28958,7 +29315,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " I cannot " - "account " - for him.” -- "\n\n“I do " +- "\n\n" +- "“I do " - think Mrs. - " " - Butterwort @@ -29058,7 +29416,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "neck. " - But not in - " that way." -- "\nNo. " +- "\n" +- "No. " - "It is the " - "same with " - "Cecil all " @@ -29073,7 +29432,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "while I " - "was away " - in London. -- "”\n\nThis " +- "”\n\n" +- "This " - attempt to - " divert " - "the " @@ -29117,7 +29477,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - drawing- - "room " - furniture; -- "\nyour " +- "\n" +- "your " - "father " - "bought it " - "and we " @@ -29180,7 +29541,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "spoiling " - everyone’s - " pleasure?" -- "”\n\n“We " +- "”\n\n" +- "“We " - mustn’t be - " unjust to" - " people,” " @@ -29330,7 +29692,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "window " - "with " - depression -- ". No " +- ". " +- "No " - "definite " - "problem " - "menaced " @@ -29350,7 +29713,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "else was " - "behaving " - very badly -- ". And she " +- ". " +- "And she " - "ought not " - "to have " - "mentioned " @@ -29369,9 +29733,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " asked " - "what it " - was about. -- " " -- "Oh, dear, " -- "what " +- " Oh, dear," +- " what " - should she - " do?—and " - "then " @@ -29516,15 +29879,17 @@ input_file: tests/inputs/text/room_with_a_view.txt - "letter " - "from " - Charlotte? -- "” " -- and Freddy -- " ran away." -- "\n\n“Yes. " +- "” and " +- Freddy ran +- " away.\n\n" +- "“Yes. " - "I really " - can’t stop -- ". I must " +- ". " +- "I must " - dress too. -- "”\n\n“How’s " +- "”\n\n" +- "“How’s " - Charlotte? - "”\n\n" - “All right @@ -29543,7 +29908,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the middle - " of one’s " - sentences. -- "\nDid " +- "\n" +- "Did " - "Charlotte " - "mention " - her boiler @@ -29584,12 +29950,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "not " - "pleased " - with Cecil -- ".”\n\nMrs. " +- ".”\n\n" +- "Mrs. " - Honeychurc - "h might " - "have " - flamed out -- ". She did " +- ". " +- "She did " - "not. " - "She said: " - “Come here @@ -29655,7 +30023,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Dinner was - " at half-" - past seven -- ". Freddy " +- ". " +- "Freddy " - "gabbled " - "the grace," - " and they " @@ -29706,7 +30075,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "sort, like" - " myself,” " - said Cecil -- ".\n\nFreddy " +- ".\n\n" +- "Freddy " - "looked at " - "him " - doubtfully @@ -29716,9 +30086,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "know them " - "at the " - Bertolini? -- "” " -- asked Mrs. -- " " +- "” asked " +- "Mrs. " - Honeychurc - "h.\n\n" - "“Oh, very " @@ -29783,7 +30152,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - The remark - " was a " - "happy one," -- "\nfor " +- "\n" +- "for " - "nothing " - roused Mrs - ". " @@ -29880,7 +30250,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " begotten " - a spectral - " family—Mr" -- ". Harris, " +- ". " +- "Harris, " - "Miss " - Bartlett’s - " letter, " @@ -29905,7 +30276,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "with " - "appalling " - vividness. -- "\n\n“I have " +- "\n\n" +- "“I have " - "been " - "thinking, " - "Lucy, of " @@ -29924,21 +30296,22 @@ input_file: tests/inputs/text/room_with_a_view.txt - "was? " - "How does " - she sound? -- " " -- Cheerful?” -- "\n\n" +- " Cheerful?" +- "”\n\n" - "“Oh, yes I" - " suppose " - "so—no—not " - "very " - "cheerful, " - I suppose. -- "”\n\n“Then, " +- "”\n\n" +- "“Then, " - "depend " - "upon it, " - "it _is_ " - the boiler -- ". I know " +- ". " +- "I know " - myself how - " water " - preys upon @@ -29970,7 +30343,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " rather " - "than the " - substance. -- "\n\n“And I " +- "\n\n" +- "“And I " - "have been " - "thinking,”" - " she added" @@ -30012,7 +30386,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - upstairs. - "\n\n" - "“Mother, " -- "no!” she " +- "no!” " +- "she " - "pleaded. " - "“It’s " - impossible @@ -30083,7 +30458,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - laying his - " hand over" - " his eyes." -- "\n\n“It’s " +- "\n\n" +- "“It’s " - impossible - ",” " - "repeated " @@ -30107,7 +30483,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " you don’t" - " like " - Charlotte. -- "”\n\n“No, I " +- "”\n\n" +- "“No, I " - "don’t. " - "And no " - "more does " @@ -30137,10 +30514,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "us by not " - asking her - " to come.”" -- "\n\n“Hear, " +- "\n\n" +- "“Hear, " - "hear!” " - said Cecil -- ".\n\nMrs. " +- ".\n\n" +- "Mrs. " - Honeychurc - "h, with " - "more " @@ -30181,7 +30560,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "clever " - "young " - people are -- ",\nand " +- ",\n" +- "and " - "however " - many books - " they read" @@ -30195,7 +30575,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Cecil " - "crumbled " - his bread. -- "\n\n“I must " +- "\n\n" +- "“I must " - say Cousin - " Charlotte" - " was very " @@ -30239,11 +30620,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But Lucy " - "hardened " - her heart. -- " " -- "It was no " -- good being -- " kind to " -- "Miss " +- " It was no" +- " good " +- being kind +- " to Miss " - "Bartlett. " - "She had " - "tried " @@ -30265,7 +30645,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "nor any " - "one else " - upon earth -- ". She was " +- ". " +- "She was " - reduced to - " saying: “" - "I can’t " @@ -30471,9 +30852,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", she put " - "them down " - to nerves. -- " " -- When Cecil -- " brought " +- " When " +- "Cecil " +- "brought " - "the " - "Emersons " - "to Summer " @@ -30554,7 +30935,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "world " - "could be " - dismissed. -- "\n\nIt is " +- "\n\n" +- "It is " - "obvious " - enough for - " the " @@ -30600,7 +30982,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "should " - "have been " - reversed? -- "\n\nBut the " +- "\n\n" +- "But the " - "external " - situation— - "she will " @@ -30885,10 +31268,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "settling " - "of " - accounts.” -- "\n\nHere " +- "\n\n" +- "Here " - "Freddy’s " - "friend, Mr" -- ". Floyd, " +- ". " +- "Floyd, " - "made the " - one remark - " of his " @@ -30922,7 +31307,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But this " - did not do - ", either." -- "\n\n“Please—" +- "\n\n" +- “Please— - "please—I " - "know I am " - "a sad " @@ -30937,7 +31323,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "robbing " - "the one " - who lost.” -- "\n\n“Freddy " +- "\n\n" +- "“Freddy " - "owes me " - "fifteen " - "shillings," @@ -30974,7 +31361,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " " - deplorable - " gambling." -- "”\n\nMiss " +- "”\n\n" +- "Miss " - "Bartlett, " - "who was " - "poor at " @@ -31017,7 +31405,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "from this " - stupefying - " twaddle." -- "\n\n“But I " +- "\n\n" +- "“But I " - "don’t see " - "that!” " - "exclaimed " @@ -31066,7 +31455,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - see why— - "Freddy, " - don’t poke -- " me. Miss " +- " me. " +- "Miss " - Honeychurc - "h, your " - "brother’s " @@ -31098,10 +31488,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss " - "Bartlett, " - reddening. -- " " -- “Thank you -- ", dear, " -- "for " +- " “Thank " +- "you, dear," +- " for " - "reminding " - "me. " - A shilling @@ -31118,7 +31507,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "rising " - "with " - decision. -- "\n\n“Cecil, " +- "\n\n" +- "“Cecil, " - "give me " - "that " - sovereign. @@ -31154,9 +31544,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "ahead, " - simulating - " hilarity." -- " " -- "When they " -- "were out " +- " When they" +- " were out " - of earshot - " Miss " - "Bartlett " @@ -31189,7 +31578,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - sovereign’ - s worth of - " silver.”" -- "\n\nShe " +- "\n\n" +- "She " - "escaped " - "into the " - "kitchen. " @@ -31218,7 +31608,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "ruse to " - "surprise " - the soul. -- "\n\n“No, I " +- "\n\n" +- "“No, I " - "haven’t " - told Cecil - " or any " @@ -31243,7 +31634,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "settle " - "your debt " - nicely now -- ".”\n\nMiss " +- ".”\n\n" +- "Miss " - "Bartlett " - was in the - " drawing-" @@ -31278,7 +31670,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " girl, " - "entering " - the battle -- ". “George " +- ". " +- "“George " - Emerson is - " all right" - ", and what" @@ -31288,7 +31681,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss " - "Bartlett " - considered -- ". “For " +- ". " +- "“For " - "instance, " - the driver - ". " @@ -31302,7 +31696,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "violet " - "between " - his teeth. -- "”\n\nLucy " +- "”\n\n" +- "Lucy " - "shuddered " - "a little. " - "“We shall " @@ -31328,7 +31723,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "y.”\n\n" - "“Oh, it’s " - all right. -- "”\n\n“Or " +- "”\n\n" +- "“Or " - "perhaps " - "old Mr. " - "Emerson " @@ -31353,7 +31749,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " can trust" - " Cecil to " - "laugh at " -- "it.”\n\n“To " +- "it.”\n\n" +- "“To " - contradict - " it?”\n\n" - "“No, to " @@ -31385,15 +31782,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - Ladies are - " certainly" - " different" -- ".”\n\n“Now, " +- ".”\n\n" +- "“Now, " - Charlotte! -- "” " -- She struck -- " at her " +- "” She " +- "struck at " +- "her " - playfully. -- " " -- "“You kind," -- " anxious " +- " “You kind" +- ", anxious " - "thing. " - "What " - "_would_ " @@ -31518,7 +31915,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - That is my - " poor " - opinion.” -- "\n\nLucy " +- "\n\n" +- "Lucy " - "paused. " - "“Cecil " - "said one " @@ -31541,7 +31939,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - justice to - " Cecil’s " - profundity -- ".\nThrough " +- ".\n" +- "Through " - the window - " she saw " - "Cecil " @@ -31567,7 +31966,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "droned " - "Miss " - Bartlett. -- "\n\n“What I " +- "\n\n" +- "“What I " - "mean by " - subconscio - us is that @@ -31581,7 +31981,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - and he was - " silly and" - " surprised" -- ". I don’t " +- ". " +- "I don’t " - "think we " - "ought to " - "blame him " @@ -31617,7 +32018,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Freddy " - "rather " - "likes him," -- "\nand has " +- "\n" +- "and has " - "asked him " - up here on - " Sunday, " @@ -31684,7 +32086,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Corner, " - "with no " - worriting. -- "”\n\nLucy " +- "”\n\n" +- "Lucy " - "thought " - "this " - "rather a " @@ -31831,7 +32234,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "says, “" - "need she " - go?”—“Tell -- " her,\nno " +- " her,\n" +- "no " - nonsense”— - "“Anne! " - "Mary! " @@ -31843,9 +32247,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "trespass " - "upon you " - for a pin? -- "” " -- "For Miss " -- "Bartlett " +- ” For Miss +- " Bartlett " - "had " - "announced " - "that she " @@ -31974,7 +32377,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - when he is - " trying " - not to cry -- ". In all " +- ". " +- "In all " - "that " - expanse no - " human eye" @@ -31998,9 +32402,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Lucy! " - "What’s " - that book? -- " " -- Who’s been -- " taking a " +- " Who’s " +- "been " +- "taking a " - "book out " - "of the " - "shelf and " @@ -32023,7 +32427,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - there like - " a " - flamingo.” -- "\n\nLucy " +- "\n\n" +- "Lucy " - "picked up " - "the book " - "and " @@ -32111,7 +32516,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "shilling " - "for " - yourself?” -- "\n\nShe " +- "\n\n" +- "She " - "hastened " - "in to her " - "mother, " @@ -32171,10 +32577,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "carriage. " - "“Where’s " - Charlotte? -- " " -- Run up and -- " hurry her" -- ". " +- " Run up " +- "and hurry " +- "her. " - Why is she - " so long? " - "She had " @@ -32215,9 +32620,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " the sun " - "with the " - young men? -- " " -- "The young " -- "men, who " +- " The young" +- " men, who " - "had now " - "appeared, " - mocked her @@ -32279,8 +32683,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "now, when " - "should I " - wear them? -- "” " -- "said Miss " +- "” said " +- "Miss " - "Bartlett " - reproachfu - "lly. " @@ -32300,10 +32704,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - they drove - " off.\n\n" - “Good-bye! -- " " -- "Be good!” " -- called out -- " Cecil.\n\n" +- " Be good!”" +- " called " +- out Cecil. +- "\n\n" - "Lucy bit " - "her lip, " - "for the " @@ -32375,7 +32779,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Emersons " - "were " - different. -- "\n\nShe saw " +- "\n\n" +- "She saw " - "the " - "Emersons " - "after " @@ -32416,7 +32821,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "that he " - "knows me " - already.” -- "\n\nHe " +- "\n\n" +- "He " - "probably " - "did; but " - "Lucy " @@ -32472,7 +32878,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " of " - offence in - " his voice" -- ";\nshe had " +- ";\n" +- "she had " - "never " - "known him " - "offended " @@ -32504,7 +32911,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "said Mrs. " - Honeychurc - h uneasily -- ".\n\n“Our " +- ".\n\n" +- "“Our " - "landlord " - "was told " - "that we " @@ -32536,7 +32944,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Alans and " - "offer to " - give it up -- ". What do " +- ". " +- "What do " - you think? - "” He " - "appealed " @@ -32591,7 +33000,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " of the " - "passing " - carriages. -- "\n\n“Yes!” " +- "\n\n" +- "“Yes!” " - "exclaimed " - "Mrs. " - Honeychurc @@ -32599,7 +33009,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“That’s " - "exactly " - what I say -- ". Why all " +- ". " +- "Why all " - "this " - "twiddling " - "and " @@ -32664,10 +33075,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - "you’re " - "going to " - be clever. -- " " -- I hope you -- " didn’t go" -- " behaving " +- " I hope " +- you didn’t +- " go " +- "behaving " - "like that " - "to poor " - "Freddy.”\n\n" @@ -32691,7 +33102,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "to me. " - "It is his " - philosophy -- ". Only he " +- ". " +- "Only he " - "starts " - "life with " - "it; and I " @@ -32703,11 +33115,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - "”\n\n" - “What _do_ - " you mean?" -- " " -- "No, never " -- "mind what " -- "you mean. " -- "Don’t " +- " No, never" +- " mind what" +- " you mean." +- " Don’t " - "explain. " - "He looks " - forward to @@ -32721,7 +33132,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "mind " - "tennis on " - Sunday—?” -- "\n\n“George " +- "\n\n" +- "“George " - "mind " - "tennis on " - "Sunday! " @@ -32779,7 +33191,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "his arm " - "round his " - "father’s " -- "neck. The " +- "neck. " +- "The " - "kindness " - "that Mr. " - "Beebe and " @@ -32798,7 +33211,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - a touch of - " the " - "morning " -- "sun? She " +- "sun? " +- "She " - remembered - " that in " - "all his " @@ -32808,7 +33222,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "spoken " - "against " - affection. -- "\n\nMiss " +- "\n\n" +- "Miss " - "Bartlett " - approached - ".\n\n" @@ -32828,7 +33243,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "daughter " - "in " - Florence.” -- "\n\n“Yes, " +- "\n\n" +- "“Yes, " - "indeed!” " - "said the " - "old man, " @@ -32965,7 +33381,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "coming up " - "this " - afternoon. -- "”\n\nLucy " +- "”\n\n" +- "Lucy " - caught her - " cousin’s " - "eye. " @@ -33002,7 +33419,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " away.\n\n" - Satisfacto - ry that Mr -- ". Emerson " +- ". " +- "Emerson " - "had not " - "been told " - "of the " @@ -33027,7 +33445,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "it with " - disproport - ionate joy -- ". All the " +- ". " +- "All the " - "way home " - the horses - "’ hoofs " @@ -33055,12 +33474,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - " laugh at " - "me when I " - had gone.” -- " " -- She raised -- " her hand " -- "to her " -- "cheek. " -- "“He does " +- " She " +- raised her +- " hand to " +- her cheek. +- " “He does " - "not love " - "me. No. " - "How " @@ -33130,7 +33548,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "the " - "carriage, " - "she said:" -- "\n\n“The " +- "\n\n" +- "“The " - "Emersons " - "have been " - "so nice. " @@ -33178,10 +33597,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "protector " - "and " - protected. -- " " -- "He had no " -- glimpse of -- " the " +- " He had no" +- " glimpse " +- "of the " - comradeshi - "p after " - "which the " @@ -33331,12 +33749,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "tideless " - "seas of " - fairyland. -- " " -- Such music -- " is not " -- "for the " -- "piano, and" -- " her " +- " Such " +- "music is " +- "not for " +- "the piano," +- " and her " - "audience " - "began to " - "get " @@ -33364,7 +33781,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "EBOOK A " - "ROOM WITH " - A VIEW *** -- "\n\nUpdated " +- "\n\n" +- "Updated " - "editions " - "will " - "replace " @@ -33394,9 +33812,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "so the " - Foundation - " (and you!" -- ") " -- "can copy " -- "and " +- ) can copy +- " and " - distribute - " it in the" - " United " @@ -33438,7 +33855,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "is a " - registered - " trademark" -- ",\nand may " +- ",\n" +- "and may " - "not be " - "used if " - you charge @@ -33458,10 +33876,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Project " - "Gutenberg " - trademark. -- " " -- "If you do " -- not charge -- " anything " +- " If you do" +- " not " +- "charge " +- "anything " - for copies - " of this " - "eBook, " @@ -33470,7 +33888,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "trademark " - license is - " very easy" -- ". You may " +- ". " +- "You may " - "use this " - "eBook for " - nearly any @@ -33634,7 +34053,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " works in " - "your " - possession -- ". If you " +- ". " +- "If you " - paid a fee - " for " - "obtaining " @@ -33671,7 +34091,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " is a " - registered - " trademark" -- ". It may " +- ". " +- "It may " - "only be " - used on or - " " @@ -33688,9 +34109,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "terms of " - "this " - agreement. -- " " -- "There are " -- "a few " +- " There are" +- " a few " - "things " - "that you " - "can do " @@ -33739,7 +34159,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "paragraph " - 1.E below. - "\n\n" -- "1.C. The " +- "1.C. " +- "The " - "Project " - "Gutenberg " - "Literary " @@ -33870,7 +34291,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "charge " - "with " - "others.\n\n" -- "1.D. The " +- "1.D. " +- "The " - "copyright " - "laws of " - "the place " @@ -33949,7 +34371,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " to " - "Project " - "Gutenberg:" -- "\n\n1.E.1. " +- "\n\n" +- "1.E.1. " - "The " - "following " - "sentence, " @@ -34014,7 +34437,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - restrictio - "ns " - whatsoever -- ". You may " +- ". " +- "You may " - "copy it, " - "give it " - away or re @@ -34113,7 +34537,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - requiremen - "ts of " - paragraphs -- " 1.E.1 " +- " 1." +- "E.1 " - through 1. - "E.7 or " - "obtain " @@ -34153,7 +34578,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "comply " - "with both " - paragraphs -- " 1.E.1 " +- " 1." +- "E.1 " - through 1. - "E.7 and " - "any " @@ -34244,7 +34670,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Project " - Gutenberg- - tm License -- ".\n\n1.E.6. " +- ".\n\n" +- "1.E.6. " - "You may " - convert to - " and " @@ -34322,7 +34749,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Vanilla " - "ASCII\" or " - other form -- ". Any " +- ". " +- "Any " - "alternate " - "format " - "must " @@ -34420,7 +34848,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Literary " - "Archive " - Foundation -- ". Royalty " +- ". " +- "Royalty " - "payments " - "must be " - "paid " @@ -34468,7 +34897,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Literary " - "Archive " - Foundation -- ".\"\n\n* You " +- ".\"\n\n" +- "* You " - "provide a " - "full " - "refund of " @@ -34517,13 +34947,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Project " - Gutenberg- - tm works -- ".\n\n* You " +- ".\n\n" +- "* You " - "provide, " - "in " - accordance - " with " - "paragraph " -- "1.F.3, a " +- "1." +- "F.3, a " - "full " - refund of - " any " @@ -34544,7 +34976,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "days of " - receipt of - " the work." -- "\n\n* You " +- "\n\n" +- "* You " - "comply " - "with all " - "other " @@ -34558,7 +34991,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Project " - Gutenberg- - tm works. -- "\n\n1.E.9. " +- "\n\n" +- "1.E.9. " - "If you " - "wish to " - "charge a " @@ -34632,7 +35066,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Gutenberg- - "tm " - collection -- ". Despite " +- ". " +- "Despite " - "these " - "efforts, " - "Project " @@ -34682,7 +35117,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " read by " - "your " - equipment. -- "\n\n1.F.2. " +- "\n\n" +- "1.F.2. " - "LIMITED " - "WARRANTY, " - DISCLAIMER @@ -34954,7 +35390,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " by the " - applicable - " state law" -- ". The " +- ". " +- "The " - invalidity - " or " - unenforcea @@ -34967,7 +35404,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "void the " - "remaining " - provisions -- ".\n\n1.F.6. " +- ".\n\n" +- "1.F.6. " - "INDEMNITY " - "- You " - "agree to " @@ -35084,10 +35522,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "aged and " - "new " - computers. -- " " -- "It exists " -- because of -- " the " +- " It exists" +- " because " +- "of the " - efforts of - " hundreds " - "of " @@ -35182,7 +35619,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Literary " - "Archive " - Foundation -- "\n\nThe " +- "\n\n" +- "The " - "Project " - "Gutenberg " - "Literary " @@ -35280,7 +35718,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Literary " - "Archive " - Foundation -- "\n\nProject " +- "\n\n" +- "Project " - Gutenberg- - tm depends - " upon and " @@ -35318,10 +35757,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - "including " - "outdated " - equipment. -- " " -- Many small -- " donations" -- " ($1 to $" +- " Many " +- "small " +- "donations " +- ($1 to $ - "5,000) are" - " " - particular @@ -35333,7 +35772,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "exempt " - "status " - "with the " -- "IRS.\n\nThe " +- "IRS.\n\n" +- "The " - Foundation - " is " - "committed " @@ -35382,7 +35822,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - confirmati - "on of " - compliance -- ". To SEND " +- ". " +- "To SEND " - "DONATIONS " - "or " - "determine " @@ -35463,9 +35904,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "methods " - "and " - addresses. -- " " -- "Donations " -- "are " +- " Donations" +- " are " - "accepted " - "in a " - "number of " @@ -35477,9 +35917,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - and credit - " card " - donations. -- " " -- "To donate," -- " please " +- " To donate" +- ", please " - "visit: " - www.gutenb - erg.org/ @@ -35525,7 +35964,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - network of - " volunteer" - " support." -- "\n\nProject " +- "\n\n" +- "Project " - Gutenberg- - "tm eBooks " - "are often " diff --git a/tests/snapshots/text_splitter_snapshots__characters_trim@romeo_and_juliet.txt-2.snap b/tests/snapshots/text_splitter_snapshots__characters_trim@romeo_and_juliet.txt-2.snap index f1845d09..3b0198f9 100644 --- a/tests/snapshots/text_splitter_snapshots__characters_trim@romeo_and_juliet.txt-2.snap +++ b/tests/snapshots/text_splitter_snapshots__characters_trim@romeo_and_juliet.txt-2.snap @@ -57,7 +57,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "SAMPSON.\nI strike quickly, being moved.\n\nGREGORY.\nBut thou art not quickly moved to strike." - "SAMPSON.\nA dog of the house of Montague moves me." - "GREGORY.\nTo move is to stir; and to be valiant is to stand: therefore, if thou" -- "art moved, thou runn’st away.\n\nSAMPSON.\nA dog of that house shall move me to stand." +- "art moved, thou runn’st away." +- "SAMPSON.\nA dog of that house shall move me to stand." - I will take the wall of any man or maid of Montague’s. - "GREGORY.\nThat shows thee a weak slave, for the weakest goes to the wall." - "SAMPSON.\nTrue, and therefore women, being the weaker vessels, are ever thrust to" @@ -372,7 +373,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Of a despised life, clos’d in my breast\nBy some vile forfeit of untimely death." - "But he that hath the steerage of my course\nDirect my suit. On, lusty gentlemen!" - "BENVOLIO.\nStrike, drum.\n\n [_Exeunt._]\n\nSCENE V. A Hall in Capulet’s House." -- "Musicians waiting. Enter Servants.\n\nFIRST SERVANT.\nWhere’s Potpan, that he helps not to take away?" +- Musicians waiting. Enter Servants. +- "FIRST SERVANT.\nWhere’s Potpan, that he helps not to take away?" - He shift a trencher! He scrape a trencher! - "SECOND SERVANT.\nWhen good manners shall lie all in one or two men’s hands, and they" - "unwash’d too, ’tis a foul thing." @@ -420,10 +422,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "CAPULET.\nHe shall be endur’d.\nWhat, goodman boy! I say he shall, go to;" - "Am I the master here, or you? Go to.\nYou’ll not endure him! God shall mend my soul," - "You’ll make a mutiny among my guests!\nYou will set cock-a-hoop, you’ll be the man!" -- "TYBALT.\nWhy, uncle, ’tis a shame.\n\nCAPULET.\nGo to, go to!\nYou are a saucy boy. Is’t so, indeed?" +- "TYBALT.\nWhy, uncle, ’tis a shame." +- "CAPULET.\nGo to, go to!\nYou are a saucy boy. Is’t so, indeed?" - "This trick may chance to scathe you, I know what.\nYou must contrary me! Marry, ’tis time." - "Well said, my hearts!—You are a princox; go:\nBe quiet, or—More light, more light!—For shame!" -- "I’ll make you quiet. What, cheerly, my hearts.\n\nTYBALT.\nPatience perforce with wilful choler meeting" +- "I’ll make you quiet. What, cheerly, my hearts." +- "TYBALT.\nPatience perforce with wilful choler meeting" - "Makes my flesh tremble in their different greeting.\nI will withdraw: but this intrusion shall," - "Now seeming sweet, convert to bitter gall.\n\n [_Exit._]" - "ROMEO.\n[_To Juliet._] If I profane with my unworthiest hand" @@ -440,7 +444,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Kissing her._]\n\nJULIET.\nThen have my lips the sin that they have took." - "ROMEO.\nSin from my lips? O trespass sweetly urg’d!\nGive me my sin again." - "JULIET.\nYou kiss by the book.\n\nNURSE.\nMadam, your mother craves a word with you." -- "ROMEO.\nWhat is her mother?\n\nNURSE.\nMarry, bachelor,\nHer mother is the lady of the house," +- "ROMEO.\nWhat is her mother?" +- "NURSE.\nMarry, bachelor,\nHer mother is the lady of the house," - "And a good lady, and a wise and virtuous.\nI nurs’d her daughter that you talk’d withal." - "I tell you, he that can lay hold of her\nShall have the chinks." - "ROMEO.\nIs she a Capulet?\nO dear account! My life is my foe’s debt." @@ -599,12 +604,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\nI would I were thy bird." - "JULIET.\nSweet, so would I:\nYet I should kill thee with much cherishing." - "Good night, good night. Parting is such sweet sorrow\nThat I shall say good night till it be morrow." -- "[_Exit._]\n\nROMEO.\nSleep dwell upon thine eyes, peace in thy breast." +- "[_Exit._]" +- "ROMEO.\nSleep dwell upon thine eyes, peace in thy breast." - "Would I were sleep and peace, so sweet to rest.\nThe grey-ey’d morn smiles on the frowning night," - "Chequering the eastern clouds with streaks of light;\nAnd darkness fleckled like a drunkard reels" - "From forth day’s pathway, made by Titan’s wheels\nHence will I to my ghostly Sire’s cell," - "His help to crave and my dear hap to tell.\n\n [_Exit._]\n\nSCENE III. Friar Lawrence’s Cell." -- "Enter Friar Lawrence with a basket.\n\nFRIAR LAWRENCE.\nNow, ere the sun advance his burning eye," +- Enter Friar Lawrence with a basket. +- "FRIAR LAWRENCE.\nNow, ere the sun advance his burning eye," - "The day to cheer, and night’s dank dew to dry,\nI must upfill this osier cage of ours" - "With baleful weeds and precious-juiced flowers.\nThe earth that’s nature’s mother, is her tomb;" - "What is her burying grave, that is her womb:\nAnd from her womb children of divers kind" @@ -818,7 +825,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "JULIET.\nNo, no. But all this did I know before.\nWhat says he of our marriage? What of that?" - "NURSE.\nLord, how my head aches! What a head have I!\nIt beats as it would fall in twenty pieces." - "My back o’ t’other side,—O my back, my back!\nBeshrew your heart for sending me about" -- "To catch my death with jauncing up and down.\n\nJULIET.\nI’faith, I am sorry that thou art not well." +- To catch my death with jauncing up and down. +- "JULIET.\nI’faith, I am sorry that thou art not well." - "Sweet, sweet, sweet Nurse, tell me, what says my love?" - "NURSE.\nYour love says like an honest gentleman,\nAnd a courteous, and a kind, and a handsome," - "And I warrant a virtuous,—Where is your mother?" @@ -843,7 +851,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And in their triumph die; like fire and powder,\nWhich as they kiss consume. The sweetest honey" - "Is loathsome in his own deliciousness,\nAnd in the taste confounds the appetite." - "Therefore love moderately: long love doth so;\nToo swift arrives as tardy as too slow." -- "Enter Juliet.\n\nHere comes the lady. O, so light a foot\nWill ne’er wear out the everlasting flint." +- Enter Juliet. +- "Here comes the lady. O, so light a foot\nWill ne’er wear out the everlasting flint." - "A lover may bestride the gossamers\nThat idles in the wanton summer air" - "And yet not fall; so light is vanity.\n\nJULIET.\nGood even to my ghostly confessor." - "FRIAR LAWRENCE.\nRomeo shall thank thee, daughter, for us both." @@ -913,7 +922,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Tybalt, Mercutio, the Prince expressly hath\nForbid this bandying in Verona streets." - "Hold, Tybalt! Good Mercutio!\n\n [_Exeunt Tybalt with his Partizans._]" - "MERCUTIO.\nI am hurt.\nA plague o’ both your houses. I am sped.\nIs he gone, and hath nothing?" -- "BENVOLIO.\nWhat, art thou hurt?\n\nMERCUTIO.\nAy, ay, a scratch, a scratch. Marry, ’tis enough." +- "BENVOLIO.\nWhat, art thou hurt?" +- "MERCUTIO.\nAy, ay, a scratch, a scratch. Marry, ’tis enough." - "Where is my page? Go villain, fetch a surgeon.\n\n [_Exit Page._]" - "ROMEO.\nCourage, man; the hurt cannot be much." - "MERCUTIO.\nNo, ’tis not so deep as a well, nor so wide as a church door, but ’tis" @@ -1025,7 +1035,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "A damned saint, an honourable villain!\nO nature, what hadst thou to do in hell" - "When thou didst bower the spirit of a fiend\nIn mortal paradise of such sweet flesh?" - "Was ever book containing such vile matter\nSo fairly bound? O, that deceit should dwell" -- "In such a gorgeous palace.\n\nNURSE.\nThere’s no trust,\nNo faith, no honesty in men. All perjur’d," +- In such a gorgeous palace. +- "NURSE.\nThere’s no trust,\nNo faith, no honesty in men. All perjur’d," - "All forsworn, all naught, all dissemblers.\nAh, where’s my man? Give me some aqua vitae." - "These griefs, these woes, these sorrows make me old.\nShame come to Romeo." - "JULIET.\nBlister’d be thy tongue\nFor such a wish! He was not born to shame." @@ -1061,7 +1072,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "FRIAR LAWRENCE.\nRomeo, come forth; come forth, thou fearful man." - "Affliction is enanmour’d of thy parts\nAnd thou art wedded to calamity.\n\n Enter Romeo." - "ROMEO.\nFather, what news? What is the Prince’s doom?\nWhat sorrow craves acquaintance at my hand," -- "That I yet know not?\n\nFRIAR LAWRENCE.\nToo familiar\nIs my dear son with such sour company." +- That I yet know not? +- "FRIAR LAWRENCE.\nToo familiar\nIs my dear son with such sour company." - "I bring thee tidings of the Prince’s doom.\n\nROMEO.\nWhat less than doomsday is the Prince’s doom?" - "FRIAR LAWRENCE.\nA gentler judgment vanish’d from his lips,\nNot body’s death, but body’s banishment." - "ROMEO.\nHa, banishment? Be merciful, say death;\nFor exile hath more terror in his look," @@ -1070,7 +1082,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\nThere is no world without Verona walls,\nBut purgatory, torture, hell itself." - "Hence banished is banish’d from the world,\nAnd world’s exile is death. Then banished" - "Is death misterm’d. Calling death banished,\nThou cutt’st my head off with a golden axe," -- "And smilest upon the stroke that murders me.\n\nFRIAR LAWRENCE.\nO deadly sin, O rude unthankfulness!" +- And smilest upon the stroke that murders me. +- "FRIAR LAWRENCE.\nO deadly sin, O rude unthankfulness!" - "Thy fault our law calls death, but the kind Prince,\nTaking thy part, hath brush’d aside the law," - "And turn’d that black word death to banishment.\nThis is dear mercy, and thou see’st it not." - "ROMEO.\n’Tis torture, and not mercy. Heaven is here\nWhere Juliet lives, and every cat and dog," @@ -1099,7 +1112,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Taking the measure of an unmade grave.\n\n [_Knocking within._]" - "FRIAR LAWRENCE.\nArise; one knocks. Good Romeo, hide thyself." - "ROMEO.\nNot I, unless the breath of heartsick groans\nMist-like infold me from the search of eyes." -- "[_Knocking._]\n\nFRIAR LAWRENCE.\nHark, how they knock!—Who’s there?—Romeo, arise," +- "[_Knocking._]" +- "FRIAR LAWRENCE.\nHark, how they knock!—Who’s there?—Romeo, arise," - "Thou wilt be taken.—Stay awhile.—Stand up.\n\n [_Knocking._]" - "Run to my study.—By-and-by.—God’s will,\nWhat simpleness is this.—I come, I come.\n\n [_Knocking._]" - "Who knocks so hard? Whence come you, what’s your will?" @@ -1306,7 +1320,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "How shall that faith return again to earth,\nUnless that husband send it me from heaven" - "By leaving earth? Comfort me, counsel me.\nAlack, alack, that heaven should practise stratagems" - "Upon so soft a subject as myself.\nWhat say’st thou? Hast thou not a word of joy?" -- "Some comfort, Nurse.\n\nNURSE.\nFaith, here it is.\nRomeo is banished; and all the world to nothing" +- "Some comfort, Nurse." +- "NURSE.\nFaith, here it is.\nRomeo is banished; and all the world to nothing" - "That he dares ne’er come back to challenge you.\nOr if he do, it needs must be by stealth." - "Then, since the case so stands as now it doth,\nI think it best you married with the County." - "O, he’s a lovely gentleman.\nRomeo’s a dishclout to him. An eagle, madam," @@ -1434,7 +1449,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "So please you, let me now be left alone,\nAnd let the nurse this night sit up with you," - "For I am sure you have your hands full all\nIn this so sudden business." - "LADY CAPULET.\nGood night.\nGet thee to bed and rest, for thou hast need." -- "[_Exeunt Lady Capulet and Nurse._]\n\nJULIET.\nFarewell. God knows when we shall meet again." +- "[_Exeunt Lady Capulet and Nurse._]" +- "JULIET.\nFarewell. God knows when we shall meet again." - "I have a faint cold fear thrills through my veins\nThat almost freezes up the heat of life." - "I’ll call them back again to comfort me.\nNurse!—What should she do here?" - "My dismal scene I needs must act alone.\nCome, vial.\nWhat if this mixture do not work at all?" @@ -1463,8 +1479,10 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "NURSE.\nThey call for dates and quinces in the pastry.\n\n Enter Capulet." - "CAPULET.\nCome, stir, stir, stir! The second cock hath crow’d," - "The curfew bell hath rung, ’tis three o’clock.\nLook to the bak’d meats, good Angelica;" -- "Spare not for cost.\n\nNURSE.\nGo, you cot-quean, go,\nGet you to bed; faith, you’ll be sick tomorrow" -- "For this night’s watching.\n\nCAPULET.\nNo, not a whit. What! I have watch’d ere now" +- Spare not for cost. +- "NURSE.\nGo, you cot-quean, go,\nGet you to bed; faith, you’ll be sick tomorrow" +- For this night’s watching. +- "CAPULET.\nNo, not a whit. What! I have watch’d ere now" - "All night for lesser cause, and ne’er been sick." - "LADY CAPULET.\nAy, you have been a mouse-hunt in your time;" - "But I will watch you from such watching now.\n\n [_Exeunt Lady Capulet and Nurse._]" @@ -1578,7 +1596,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\nIs it even so? Then I defy you, stars!\nThou know’st my lodging. Get me ink and paper," - And hire post-horses. I will hence tonight. - "BALTHASAR.\nI do beseech you sir, have patience.\nYour looks are pale and wild, and do import" -- "Some misadventure.\n\nROMEO.\nTush, thou art deceiv’d.\nLeave me, and do the thing I bid thee do." +- Some misadventure. +- "ROMEO.\nTush, thou art deceiv’d.\nLeave me, and do the thing I bid thee do." - "Hast thou no letters to me from the Friar?\n\nBALTHASAR.\nNo, my good lord." - "ROMEO.\nNo matter. Get thee gone,\nAnd hire those horses. I’ll be with thee straight." - "[_Exit Balthasar._]" @@ -1757,7 +1776,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "FIRST WATCH.\nSovereign, here lies the County Paris slain,\nAnd Romeo dead, and Juliet, dead before," - "Warm and new kill’d.\n\nPRINCE.\nSearch, seek, and know how this foul murder comes." - "FIRST WATCH.\nHere is a Friar, and slaughter’d Romeo’s man,\nWith instruments upon them fit to open" -- "These dead men’s tombs.\n\nCAPULET.\nO heaven! O wife, look how our daughter bleeds!" +- These dead men’s tombs. +- "CAPULET.\nO heaven! O wife, look how our daughter bleeds!" - "This dagger hath mista’en, for lo, his house\nIs empty on the back of Montague," - And it mis-sheathed in my daughter’s bosom. - "LADY CAPULET.\nO me! This sight of death is as a bell\nThat warns my old age to a sepulchre." @@ -1802,14 +1822,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Sirrah, what made your master in this place?" - "PAGE.\nHe came with flowers to strew his lady’s grave,\nAnd bid me stand aloof, and so I did." - "Anon comes one with light to ope the tomb,\nAnd by and by my master drew on him," -- "And then I ran away to call the watch.\n\nPRINCE.\nThis letter doth make good the Friar’s words," +- And then I ran away to call the watch. +- "PRINCE.\nThis letter doth make good the Friar’s words," - "Their course of love, the tidings of her death.\nAnd here he writes that he did buy a poison" - "Of a poor ’pothecary, and therewithal\nCame to this vault to die, and lie with Juliet." - "Where be these enemies? Capulet, Montague,\nSee what a scourge is laid upon your hate," - "That heaven finds means to kill your joys with love!\nAnd I, for winking at your discords too," - Have lost a brace of kinsmen. All are punish’d. - "CAPULET.\nO brother Montague, give me thy hand.\nThis is my daughter’s jointure, for no more" -- "Can I demand.\n\nMONTAGUE.\nBut I can give thee more,\nFor I will raise her statue in pure gold," +- Can I demand. +- "MONTAGUE.\nBut I can give thee more,\nFor I will raise her statue in pure gold," - "That whiles Verona by that name is known,\nThere shall no figure at such rate be set" - As that of true and faithful Juliet. - "CAPULET.\nAs rich shall Romeo’s by his lady’s lie,\nPoor sacrifices of our enmity." @@ -2026,7 +2048,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - electronic works in formats readable by the widest variety of - "computers including obsolete, old, middle-aged and new computers. It" - exists because of the efforts of hundreds of volunteers and donations -- "from people in all walks of life.\n\nVolunteers and financial support to provide volunteers with the" +- from people in all walks of life. +- Volunteers and financial support to provide volunteers with the - "assistance they need are critical to reaching Project Gutenberg-tm's" - goals and ensuring that the Project Gutenberg-tm collection will - "remain freely available for generations to come. In 2001, the Project" diff --git a/tests/snapshots/text_splitter_snapshots__characters_trim@romeo_and_juliet.txt.snap b/tests/snapshots/text_splitter_snapshots__characters_trim@romeo_and_juliet.txt.snap index b0b459eb..b0b303c0 100644 --- a/tests/snapshots/text_splitter_snapshots__characters_trim@romeo_and_juliet.txt.snap +++ b/tests/snapshots/text_splitter_snapshots__characters_trim@romeo_and_juliet.txt.snap @@ -29,7 +29,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - restrictio - ns - whatsoever -- ". You may" +- "." +- You may - "copy it," - give it - away or re @@ -69,7 +70,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Author:" - William - Shakespear -- "e\n\nRelease" +- e +- Release - "Date:" - "November," - "1998 [" @@ -227,7 +229,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Nobleman," - kinsman to - the Prince -- ".\nPage to" +- "." +- Page to - Paris. - "MONTAGUE," - head of a @@ -268,7 +271,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "JULIET," - daughter - to Capulet -- ".\nTYBALT," +- "." +- "TYBALT," - nephew to - Lady - Capulet. @@ -296,13 +300,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - FRIAR JOHN - ", of the" - same Order -- ".\nAn" +- "." +- An - Apothecary - ".\nCHORUS." - Three - Musicians. - An Officer -- ".\nCitizens" +- "." +- Citizens - of Verona; - several - Men and @@ -315,7 +321,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Watchmen - and - Attendants -- ".\n\nSCENE." +- "." +- SCENE. - During the - greater - part of @@ -345,7 +352,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - grudge - break to - new mutiny -- ",\nWhere" +- "," +- Where - civil - blood - makes @@ -631,7 +639,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "them," - which is - disgrace -- "to\nthem if" +- to +- them if - they bear - it. - ABRAM. @@ -702,7 +711,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - SAMPSON. - "Draw, if" - you be men -- ". Gregory," +- "." +- "Gregory," - remember - thy - washing @@ -765,7 +775,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - four - Citizens - with clubs -- ".\n\nFIRST" +- "." +- FIRST - CITIZEN. - "Clubs," - bills and @@ -799,7 +810,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - sword? - CAPULET. - "My sword," -- I say! Old +- I say! +- Old - Montague - "is come," - And @@ -831,7 +843,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Escalus," - with - Attendants -- ".\n\nPRINCE." +- "." +- PRINCE. - Rebellious - "subjects," - enemies to @@ -846,12 +859,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What, ho!" - "You men," - you beasts -- ",\nThat" +- "," +- That - quench the - fire of - your - pernicious -- "rage\nWith" +- rage +- With - purple - fountains - issuing @@ -924,11 +939,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - time all - the rest - depart -- "away:\nYou," +- "away:" +- "You," - "Capulet," - shall go - along with -- "me,\nAnd" +- "me," +- And - "Montague," - come you - this @@ -998,11 +1015,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - breath’d - defiance - to my ears -- ",\nHe swung" +- "," +- He swung - about his - "head, and" - cut the -- "winds,\nWho" +- "winds," +- Who - nothing - hurt - "withal," @@ -1040,7 +1059,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - hour - before the - worshipp’d -- "sun\nPeer’d" +- sun +- Peer’d - forth the - golden - window of @@ -1189,7 +1209,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - affections - ’ - counsellor -- ",\nIs to" +- "," +- Is to - himself—I - will not - say how @@ -1217,7 +1238,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - dedicate - his beauty - to the sun -- ".\nCould we" +- "." +- Could we - but learn - from - whence his @@ -1392,7 +1414,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - good - heart’s - oppression -- ".\n\nROMEO." +- "." +- ROMEO. - Why such - is love’s - transgress @@ -1528,12 +1551,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "arrow, she" - hath - Dian’s wit -- ";\nAnd in" +- ; +- And in - strong - proof of - chastity - well arm’d -- ",\nFrom" +- "," +- From - love’s - weak - childish @@ -1651,7 +1676,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - strucken - blind - cannot -- "forget\nThe" +- forget +- The - precious - treasure - of his @@ -1707,7 +1733,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - old as we - to keep - the peace. -- "PARIS.\nOf" +- PARIS. +- Of - honourable - reckoning - are you @@ -1780,7 +1807,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - her - consent is - but a part -- ";\nAnd she" +- ; +- And she - "agree," - within her - scope of @@ -1869,7 +1897,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Verona; - find those - persons -- "out\nWhose" +- out +- Whose - names are - written - "there, [" @@ -1961,7 +1990,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - some new - infection - to thy eye -- ",\nAnd the" +- "," +- And the - rank - poison of - the old @@ -2204,7 +2234,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - with - herself in - either eye -- ":\nBut in" +- ":" +- But in - that - crystal - scales let @@ -2221,7 +2252,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - you - shining at - this feast -- ",\nAnd she" +- "," +- And she - shall - scant show - well that @@ -2263,10 +2295,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - I bade her - come. - "What, lamb" -- "! What" +- "!" +- What - ladybird! - God forbid -- "! Where’s" +- "!" +- Where’s - this girl? - "What," - Juliet! @@ -2287,7 +2321,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - CAPULET. - This is - the matter -- ". Nurse," +- "." +- "Nurse," - give leave - "awhile," - We must @@ -2306,7 +2341,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - daughter’s - of a - pretty age -- ".\n\nNURSE." +- "." +- NURSE. - "Faith, I" - can tell - her age @@ -2334,7 +2370,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - To Lammas- - tide? - LADY -- "CAPULET.\nA" +- CAPULET. +- A - fortnight - and odd - days. @@ -2343,7 +2380,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "odd, of" - all days - in the -- "year,\nCome" +- "year," +- Come - Lammas Eve - at night - shall she @@ -2355,7 +2393,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Christian - souls!— - Were of an -- "age. Well," +- age. +- "Well," - Susan is - with God; - She was @@ -2475,8 +2514,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - wit; - Wilt thou - "not, Jule?" -- ’ -- "and, by my" +- "’ and, by" +- my - "holidame," - The pretty - wretch @@ -2499,14 +2538,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - forget it. - ‘Wilt thou - "not, Jule?" -- ’ -- quoth he; +- ’ quoth he +- ; - "And," - pretty - "fool, it" - "stinted," - and said ‘ -- "Ay.’\n\nLADY" +- Ay.’ +- LADY - CAPULET. - Enough of - this; I @@ -2552,17 +2592,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - age; - Wilt thou - "not, Jule?" -- ’ -- it stinted -- ", and said" -- ‘Ay’. +- ’ it +- "stinted," +- and said ‘ +- Ay’. - JULIET. - And stint - "thou too," - I pray - "thee," - "Nurse, say" -- "I.\n\nNURSE." +- I. +- NURSE. - "Peace, I" - have done. - God mark @@ -2643,7 +2684,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - maid. - "Thus, then" - ", in brief" -- ";\nThe" +- ; +- The - valiant - Paris - seeks you @@ -2709,7 +2751,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - in this - fair - volume -- "lies,\nFind" +- "lies," +- Find - written in - the - margent of @@ -2719,7 +2762,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - book of - "love, this" - unbound -- "lover,\nTo" +- "lover," +- To - beautify - "him, only" - lacks a @@ -2840,13 +2884,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Torch- - bearers - and others -- ".\n\nROMEO." +- "." +- ROMEO. - "What," - shall this - speech be - spoke for - our excuse -- "?\nOr shall" +- "?" +- Or shall - we on - without - apology? @@ -2951,7 +2997,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - bound a - pitch - above dull -- "woe.\nUnder" +- woe. +- Under - love’s - heavy - burden do @@ -2998,11 +3045,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "visage in:" - "[_Putting" - on a mask. -- "_]\nA visor" +- "_]" +- A visor - for a - visor. - What care -- "I\nWhat" +- I +- What - curious - eye doth - quote @@ -3056,7 +3105,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - the - constable’ - s own word -- ":\nIf thou" +- ":" +- If thou - "art dun," - we’ll draw - thee from @@ -3116,7 +3166,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - tonight. - MERCUTIO. - And so did -- "I.\n\nROMEO." +- I. +- ROMEO. - Well what - was yours? - MERCUTIO. @@ -3174,7 +3225,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", of the" - smallest - spider’s -- "web;\nThe" +- web; +- The - "collars," - of the - moonshine’ @@ -3185,7 +3237,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - cricket’s - bone; the - "lash, of" -- "film;\nHer" +- film; +- Her - "waggoner," - a small - grey- @@ -3214,7 +3267,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ’ mind the - fairies’ - coachmaker -- "s.\nAnd in" +- s. +- And in - this state - she - gallops @@ -3239,7 +3293,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - who - straight - dream on -- "fees;\nO’er" +- fees; +- O’er - ladies’ - "lips, who" - straight @@ -3268,7 +3323,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - of - smelling - out a suit -- ";\nAnd" +- ; +- And - sometime - comes she - with a @@ -3381,7 +3437,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - as thin of - substance - as the air -- ",\nAnd more" +- "," +- And more - inconstant - than the - "wind, who" @@ -3476,7 +3533,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - trencher! - He scrape - a trencher -- "!\n\nSECOND" +- "!" +- SECOND - SERVANT. - When good - manners @@ -3499,7 +3557,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - court- - "cupboard," - look to -- "the\nplate." +- the +- plate. - "Good thou," - save me a - piece of @@ -3544,7 +3603,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - liver take - all. - "[_Exeunt." -- "_]\n\n Enter" +- "_]" +- Enter - "Capulet, &" - c. with - the Guests @@ -3583,16 +3643,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - gentlemen! - I have - seen the -- "day\nThat I" +- day +- That I - have worn - "a visor," - and could -- "tell\nA" +- tell +- A - whispering - tale in a - fair - lady’s ear -- ",\nSuch as" +- "," +- Such as - would - please; ’ - "tis gone," @@ -3629,7 +3692,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - unlook’d- - for sport - comes well -- ".\nNay sit," +- "." +- "Nay sit," - "nay sit," - good - cousin @@ -3729,12 +3793,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - lady o’er - her - fellows -- "shows.\nThe" +- shows. +- The - measure - "done, I’ll" - watch her - place of -- "stand,\nAnd" +- "stand," +- And - touching - "hers, make" - blessed my @@ -3755,16 +3821,20 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "his voice," - should be - a Montague -- ".\nFetch me" +- "." +- Fetch me - "my rapier," -- "boy. What," +- boy. +- "What," - dares the -- "slave\nCome" +- slave +- Come - "hither," - cover’d - with an - antic face -- ",\nTo fleer" +- "," +- To fleer - and scorn - at our - solemnity? @@ -3863,13 +3933,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - when such - a villain - is a guest -- ":\nI’ll not" +- ":" +- I’ll not - endure him - "." - CAPULET. - He shall - be endur’d -- ".\nWhat," +- "." +- "What," - goodman - boy! - I say he @@ -3950,7 +4022,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "withdraw:" - but this - intrusion -- "shall,\nNow" +- "shall," +- Now - seeming - "sweet," - convert to @@ -4029,7 +4102,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", lest" - faith turn - to despair -- ".\n\nJULIET." +- "." +- JULIET. - Saints do - "not move," - though @@ -4078,7 +4152,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ROMEO. - What is - her mother -- "?\n\nNURSE." +- "?" +- NURSE. - "Marry," - "bachelor," - Her mother @@ -4102,7 +4177,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - her - Shall have - the chinks -- ".\n\nROMEO." +- "." +- ROMEO. - Is she a - Capulet? - O dear @@ -4142,7 +4218,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - honest - gentlemen; - good night -- ".\nMore" +- "." +- More - torches - here! - Come on @@ -4193,7 +4270,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - dance? - NURSE. - I know not -- ".\n\nJULIET." +- "." +- JULIET. - Go ask his - name. - If he be @@ -4361,7 +4439,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - wall and - leaps down - within it. -- "_]\n\n Enter" +- "_]" +- Enter - Benvolio - and - Mercutio. @@ -4498,7 +4577,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - it down; - That were - some spite -- ". My" +- "." +- My - invocation - Is fair - and honest @@ -4641,7 +4721,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - It is my - "lady, O it" - is my love -- "!\nO, that" +- "!" +- "O, that" - she knew - she were! - She speaks @@ -4686,7 +4767,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - would - shame - those -- "stars,\nAs" +- "stars," +- As - daylight - doth a - lamp; her @@ -4720,7 +4802,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Ay me. - ROMEO. - She speaks -- ".\nO speak" +- "." +- O speak - again - bright - "angel, for" @@ -4789,7 +4872,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "thyself," - though not - a Montague -- ".\nWhat’s" +- "." +- What’s - Montague? - It is nor - hand nor @@ -4825,7 +4909,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - owes - Without - that title -- ". Romeo," +- "." +- "Romeo," - doff thy - "name," - And for @@ -4945,7 +5030,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - kinsmen - are no - stop to me -- ".\n\nJULIET." +- "." +- JULIET. - If they do - "see thee," - they will @@ -4956,7 +5042,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - there lies - more peril - in thine -- "eye\nThan" +- eye +- Than - twenty of - their - swords. @@ -5000,7 +5087,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - found’st - thou out - this place -- "?\n\nROMEO." +- "?" +- ROMEO. - "By love," - that first - did prompt @@ -5099,7 +5187,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - fair - "Montague," - I am too -- "fond;\nAnd" +- fond; +- And - therefore - thou mayst - think my ’ @@ -5115,7 +5204,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - more - cunning to - be strange -- ".\nI should" +- "." +- I should - have been - more - "strange, I" @@ -5141,7 +5231,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - dark night - hath so - discovered -- ".\n\nROMEO." +- "." +- ROMEO. - "Lady, by" - yonder - blessed @@ -5173,7 +5264,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ROMEO. - What shall - I swear by -- "?\n\nJULIET." +- "?" +- JULIET. - Do not - swear at - all. @@ -5194,7 +5286,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - If my - heart’s - "dear love," -- "—\n\nJULIET." +- — +- JULIET. - "Well, do" - not swear. - Although I @@ -5209,17 +5302,20 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "rash, too" - "unadvis’d," - too sudden -- ",\nToo like" +- "," +- Too like - the - "lightning," - which doth - cease to -- "be\nEre one" +- be +- Ere one - can say It - lightens. - "Sweet," - good night -- ".\nThis bud" +- "." +- This bud - "of love," - by - summer’s @@ -5272,7 +5368,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - would it - were to - give again -- ".\n\nROMEO." +- "." +- ROMEO. - Would’st - thou - withdraw @@ -5333,12 +5430,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "night, all" - this is - but a -- "dream,\nToo" +- "dream," +- Too - flattering - sweet to - be - substantia -- "l.\n\n Enter" +- l. +- Enter - Juliet - above. - JULIET. @@ -5352,7 +5451,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - thy bent - of love be - honourable -- ",\nThy" +- "," +- Thy - purpose - "marriage," - send me @@ -5501,7 +5601,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - nine. - JULIET. - I will not -- fail. ’Tis +- fail. +- ’Tis - twenty - years till - then. @@ -5599,7 +5700,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - thine eyes - ", peace in" - thy breast -- ".\nWould I" +- "." +- Would I - were sleep - "and peace," - so sweet @@ -5616,7 +5718,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - clouds - with - streaks of -- "light;\nAnd" +- light; +- And - darkness - fleckled - like a @@ -5665,7 +5768,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - upfill - this osier - cage of -- "ours\nWith" +- ours +- With - baleful - weeds and - precious- @@ -5691,7 +5795,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - on her - natural - bosom find -- ".\nMany for" +- "." +- Many for - many - virtues - "excellent," @@ -5737,7 +5842,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - turns vice - being - misapplied -- ",\nAnd vice" +- "," +- And vice - sometime’s - by action - dignified. @@ -5868,12 +5974,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Rosaline," - my ghostly - father? -- "No.\nI have" +- No. +- I have - forgot - "that name," - and that - name’s woe -- ".\n\nFRIAR" +- "." +- FRIAR - LAWRENCE. - That’s my - good son. @@ -5897,7 +6005,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - wounded me - That’s by - me wounded -- ". Both our" +- "." +- Both our - remedies - Within thy - help and @@ -5908,7 +6017,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "hatred," - blessed - man; for -- "lo,\nMy" +- "lo," +- My - intercessi - "on" - likewise @@ -5973,7 +6083,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Francis! - What a - change is -- "here!\nIs" +- here! +- Is - "Rosaline," - that thou - didst love @@ -5992,7 +6103,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Jesu Maria - ", what a" - deal of -- "brine\nHath" +- brine +- Hath - wash’d thy - sallow - cheeks for @@ -6033,7 +6145,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "thyself," - and these - woes thine -- ",\nThou and" +- "," +- Thou and - these woes - were all - for @@ -6062,7 +6175,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", not for" - "loving," - pupil mine -- ".\n\nROMEO." +- "." +- ROMEO. - And bad’st - me bury - love. @@ -6088,7 +6202,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - allow. - The other - did not so -- ".\n\nFRIAR" +- "." +- FRIAR - LAWRENCE. - "O, she" - knew well @@ -6248,9 +6363,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "-song," - keeps time - ", distance" -- ",\nand" +- "," +- and - proportion -- ". He rests" +- "." +- He rests - his minim - "rest, one," - "two, and" @@ -6263,7 +6380,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "button, a" - "duellist," - a duellist -- ";\na" +- ; +- a - gentleman - of the - very first @@ -6388,7 +6506,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - counterfei - t fairly - last night -- ".\n\nROMEO." +- "." +- ROMEO. - Good - morrow to - you both. @@ -6423,7 +6542,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - yours - constrains - a man to -- "bow\nin the" +- bow +- in the - hams. - ROMEO. - "Meaning," @@ -6631,7 +6751,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "it short," - for I was - come to -- "the\nwhole" +- the +- whole - depth of - "my tale," - and meant @@ -6678,7 +6799,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "good-den," - fair - gentlewoma -- "n.\n\nNURSE." +- n. +- NURSE. - Is it good - "-den?" - MERCUTIO. @@ -6827,7 +6949,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Mercutio - and - Benvolio. -- "_]\n\nNURSE." +- "_]" +- NURSE. - I pray you - ", sir," - what saucy @@ -6837,7 +6960,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - so full of - his - ropery? -- "ROMEO.\nA" +- ROMEO. +- A - "gentleman," - "Nurse," - that loves @@ -6865,12 +6989,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", and" - twenty - such Jacks -- ". And if I" +- "." +- And if I - "cannot," - I’ll find - those - that shall -- ". Scurvy" +- "." +- Scurvy - knave! - I am none - of his @@ -6955,7 +7081,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - the - gentlewoma - n is young -- ". And" +- "." +- And - "therefore," - if you - should @@ -7091,10 +7218,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - say’st - "thou, my" - dear Nurse -- "?\n\nNURSE." +- "?" +- NURSE. - Is your - man secret -- "? Did you" +- "?" +- Did you - ne’er hear - "say," - Two may @@ -7118,7 +7247,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Lord, Lord" - "!" - When ’twas -- "a\nlittle" +- a +- little - prating - "thing,—O," - there is a @@ -7136,7 +7266,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "toad, a" - "very toad," - as see him -- ". I anger" +- "." +- I anger - her - "sometimes," - and tell @@ -7158,7 +7289,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - world. - Doth not - rosemary -- "and\nRomeo" +- and +- Romeo - begin both - with a - letter? @@ -7173,7 +7305,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "!" - That’s the - dog’s name -- ". R is for" +- "." +- R is for - "the—no, I" - know it - begins @@ -7191,7 +7324,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - would do - you good - to hear it -- ".\n\nROMEO." +- "." +- ROMEO. - Commend me - to thy - lady. @@ -7252,7 +7386,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - do nimble- - pinion’d - doves draw -- "love,\nAnd" +- "love," +- And - therefore - hath the - wind-swift @@ -7375,7 +7510,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - while? - Do you not - see that I -- "am\nout of" +- am +- out of - breath? - JULIET. - How art @@ -7570,7 +7706,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - coil. - "Come, what" - says Romeo -- "?\n\nNURSE." +- "?" +- NURSE. - Have you - got leave - to go to @@ -7622,7 +7759,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - shall bear - the burden - soon at -- "night.\nGo." +- night. +- Go. - I’ll to - dinner; - hie you to @@ -7708,7 +7846,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - consume. - The - sweetest -- "honey\nIs" +- honey +- Is - loathsome - in his own - deliciousn @@ -7835,7 +7974,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - and we - will make - short work -- ",\nFor, by" +- "," +- "For, by" - your - "leaves," - you shall @@ -8136,7 +8276,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - coldly of - your - grievances -- ",\nOr else" +- "," +- Or else - depart; - here all - eyes gaze @@ -8151,7 +8292,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - budge for - no man’s - "pleasure," -- "I.\n\n Enter" +- I. +- Enter - Romeo. - TYBALT. - "Well," @@ -8233,7 +8375,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - shalt know - the reason - of my love -- ".\nAnd so" +- "." +- And so - good - "Capulet," - which name @@ -8247,7 +8390,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - dishonoura - "ble, vile" - submission -- "!\n[_Draws." +- "!" +- "[_Draws." - "_] Alla" - stoccata - carries it @@ -8357,7 +8501,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - scratch. - "Marry, ’" - tis enough -- ".\nWhere is" +- "." +- Where is - my page? - Go villain - ", fetch a" @@ -8442,13 +8587,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I have it," - and - soundly -- too. Your +- too. +- Your - houses! - "[_Exeunt" - Mercutio - and - Benvolio. -- "_]\n\nROMEO." +- "_]" +- ROMEO. - This - "gentleman," - the @@ -8458,7 +8605,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "friend," - hath got - his mortal -- "hurt\nIn my" +- hurt +- In my - behalf; my - reputation - stain’d @@ -8488,7 +8636,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Romeo," - brave - Mercutio’s -- "dead,\nThat" +- "dead," +- That - gallant - spirit - hath @@ -8518,7 +8667,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - furious - Tybalt - back again -- ".\n\nROMEO." +- "." +- ROMEO. - Again in - "triumph," - and @@ -8532,7 +8682,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ey’d fury - be my - conduct -- "now!\nNow," +- now! +- "Now," - "Tybalt," - take the ‘ - villain’ @@ -8577,7 +8728,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - BENVOLIO. - "Romeo," - "away, be" -- "gone!\nThe" +- gone! +- The - citizens - "are up," - and Tybalt @@ -8591,7 +8743,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - art taken. - "Hence, be" - "gone, away" -- "!\n\nROMEO." +- "!" +- ROMEO. - "O, I am" - fortune’s - fool! @@ -8622,7 +8775,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - CITIZEN. - "Up, sir," - go with me -- ".\nI charge" +- "." +- I charge - thee in - the - Prince’s @@ -8646,7 +8800,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Prince, I" - can - discover -- "all\nThe" +- all +- The - unlucky - manage of - this fatal @@ -8730,7 +8885,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - deaf to - "peace, but" - that he -- "tilts\nWith" +- tilts +- With - piercing - steel at - bold @@ -8757,13 +8913,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - whose - dexterity - Retorts it -- ". Romeo he" +- "." +- Romeo he - cries - "aloud," - "‘Hold," - friends! - "Friends," -- part!’ and +- part!’ +- and - swifter - than his - "tongue," @@ -8814,7 +8972,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "the truth," - or let - Benvolio -- "die.\n\nLADY" +- die. +- LADY - CAPULET. - He is a - kinsman to @@ -8824,7 +8983,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - makes him - "false, he" - speaks not -- "true.\nSome" +- true. +- Some - twenty of - them - fought in @@ -8866,7 +9026,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - but what - the law - should end -- ",\nThe life" +- "," +- The life - of Tybalt. - PRINCE. - And for @@ -8881,7 +9042,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - in your - hate’s - proceeding -- ",\nMy blood" +- "," +- My blood - for your - rude - brawls @@ -8987,7 +9149,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - It best - agrees - with night -- ". Come," +- "." +- "Come," - civil - "night," - Thou sober @@ -9004,7 +9167,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - a pair of - stainless - maidenhood -- "s.\nHood my" +- s. +- Hood my - unmann’d - "blood," - bating in @@ -9035,7 +9199,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - than new - snow upon - a raven’s -- "back.\nCome" +- back. +- Come - gentle - "night," - come @@ -9102,7 +9267,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - every - tongue - that -- "speaks\nBut" +- speaks +- But - Romeo’s - name - speaks @@ -9170,7 +9336,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "art thou," - that dost - torment me -- "thus?\nThis" +- thus? +- This - torture - should be - roar’d in @@ -9258,12 +9425,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - and Romeo - press one - heavy bier -- ".\n\nNURSE." +- "." +- NURSE. - "O Tybalt," - "Tybalt," - the best - friend I -- "had.\nO" +- had. +- O - courteous - "Tybalt," - honest @@ -9288,7 +9457,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "cousin," - and my - dearer -- "lord?\nThen" +- lord? +- Then - dreadful - trumpet - sound the @@ -9308,7 +9478,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", he is" - banished. - JULIET. -- O God! Did +- O God! +- Did - Romeo’s - hand shed - Tybalt’s @@ -9343,7 +9514,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - substance - of - divinest -- "show!\nJust" +- show! +- Just - opposite - to what - thou @@ -9394,7 +9566,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - all naught - ", all" - dissembler -- "s.\nAh," +- s. +- "Ah," - where’s my - man? - Give me @@ -9462,7 +9635,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - hours’ - wife have - mangled it -- "?\nBut" +- "?" +- But - "wherefore," - "villain," - didst thou @@ -9495,7 +9669,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - that - Tybalt - would have -- "slain,\nAnd" +- "slain," +- And - Tybalt’s - "dead, that" - would have @@ -9619,7 +9794,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - corse. - Will you - go to them -- "? I will" +- "?" +- I will - bring you - thither. - JULIET. @@ -9634,7 +9810,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "dry, for" - Romeo’s - banishment -- ".\nTake up" +- "." +- Take up - those - cords. - Poor ropes @@ -9662,7 +9839,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "not Romeo," - take my - maidenhead -- ".\n\nNURSE." +- "." +- NURSE. - Hie to - your - chamber. @@ -9729,7 +9907,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - What is - the - Prince’s -- "doom?\nWhat" +- doom? +- What - sorrow - craves - acquaintan @@ -9770,9 +9949,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - body’s - banishment - "." -- "ROMEO.\nHa," +- ROMEO. +- "Ha," - banishment -- "? Be" +- "?" +- Be - "merciful," - say death; - For exile @@ -9784,7 +9965,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "." - Do not say - banishment -- ".\n\nFRIAR" +- "." +- FRIAR - LAWRENCE. - Hence from - Verona art @@ -9800,7 +9982,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - no world - without - Verona -- "walls,\nBut" +- "walls," +- But - "purgatory," - "torture," - hell @@ -9810,7 +9993,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - is - banish’d - from the -- "world,\nAnd" +- "world," +- And - world’s - exile is - death. @@ -9826,13 +10010,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - head off - with a - golden axe -- ",\nAnd" +- "," +- And - smilest - upon the - stroke - that - murders me -- ".\n\nFRIAR" +- "." +- FRIAR - LAWRENCE. - O deadly - "sin, O" @@ -9855,7 +10041,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - word death - to - banishment -- ".\nThis is" +- "." +- This is - dear mercy - ", and thou" - see’st it @@ -9866,7 +10053,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - and not - mercy. - Heaven is -- "here\nWhere" +- here +- Where - Juliet - "lives, and" - every cat @@ -9946,7 +10134,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "death," - though - ne’er so -- "mean,\nBut" +- "mean," +- But - banished - to kill me - "?" @@ -9958,7 +10147,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - hell. - Howlings - attends it -- ". How hast" +- "." +- How hast - thou the - "heart," - Being a @@ -9986,7 +10176,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - wilt speak - again of - banishment -- ".\n\nFRIAR" +- "." +- FRIAR - LAWRENCE. - I’ll give - thee @@ -10003,11 +10194,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - though - thou art - banished. -- "ROMEO.\nYet" +- ROMEO. +- Yet - banished? - Hang up - philosophy -- ".\nUnless" +- "." +- Unless - philosophy - can make a - "Juliet," @@ -10098,7 +10291,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - search of - eyes. - "[_Knocking" -- "._]\n\nFRIAR" +- "._]" +- FRIAR - LAWRENCE. - "Hark, how" - they knock @@ -10117,7 +10311,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - study.—By- - and-by.— - God’s will -- ",\nWhat" +- "," +- What - simpleness - is this.—I - "come, I" @@ -10151,7 +10346,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Friar, O," - "tell me," - holy Friar -- ",\nWhere is" +- "," +- Where is - my lady’s - "lord," - where’s @@ -10163,7 +10359,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", with his" - own tears - made drunk -- ".\n\nNURSE." +- "." +- NURSE. - "O, he is" - even in my - mistress’ @@ -10174,7 +10371,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - sympathy! - Piteous - predicamen -- t. Even so +- t. +- Even so - "lies she," - Blubbering - and @@ -10187,7 +10385,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - stand up; - "stand, and" - you be a -- "man.\nFor" +- man. +- For - Juliet’s - "sake, for" - "her sake," @@ -10230,7 +10429,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - And how - doth she? - And what -- "says\nMy" +- says +- My - conceal’d - lady to - our @@ -10281,14 +10481,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - anatomy - Doth my - name lodge -- "? Tell me," +- "?" +- "Tell me," - that I may -- "sack\nThe" +- sack +- The - hateful - mansion. - "[_Drawing" - his sword. -- "_]\n\nFRIAR" +- "_]" +- FRIAR - LAWRENCE. - Hold thy - desperate @@ -10303,7 +10506,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "womanish," - thy wild - acts -- "denote\nThe" +- denote +- The - unreasonab - le fury of - a beast. @@ -10396,7 +10600,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - which thou - hast vow’d - to cherish -- ";\nThy wit," +- ; +- "Thy wit," - that - ornament - to shape @@ -10431,7 +10636,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - dead. - There art - thou happy -- ". Tybalt" +- "." +- Tybalt - would kill - "thee," - But thou @@ -10439,7 +10645,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Tybalt; - there art - thou happy -- ".\nThe law" +- "." +- The law - that - threaten’d - death @@ -10531,7 +10738,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - her hasten - all the - house to -- "bed,\nWhich" +- "bed," +- Which - heavy - sorrow - makes them @@ -10617,7 +10825,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ’tis late; - farewell; - good night -- ".\n\nROMEO." +- "." +- ROMEO. - But that a - joy past - joy calls @@ -10752,7 +10961,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - be married - to this - noble earl -- ".\nWill you" +- "." +- Will you - be ready? - Do you - like this @@ -10863,7 +11073,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", love, it" - was the - nightingal -- "e.\n\nROMEO." +- e. +- ROMEO. - It was the - "lark, the" - herald of @@ -11018,7 +11229,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - with - hunt’s-up - to the day -- ".\nO now be" +- "." +- O now be - "gone, more" - light and - light it @@ -11090,7 +11302,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - I will - omit no - opportunit -- "y\nThat may" +- y +- That may - convey my - "greetings," - "love, to" @@ -11100,7 +11313,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - thou we - shall ever - meet again -- "?\n\nROMEO." +- "?" +- ROMEO. - I doubt it - "not, and" - all these @@ -11121,7 +11335,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "see thee," - now thou - art so low -- ",\nAs one" +- "," +- As one - dead in - the bottom - of a tomb. @@ -11172,10 +11387,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "_] Ho," - "daughter," - are you up -- "?\n\nJULIET." +- "?" +- JULIET. - Who is’t - that calls -- "? Is it my" +- "?" +- Is it my - lady - mother? - Is she not @@ -11212,7 +11429,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - him from - his grave - with tears -- "?\nAnd if" +- "?" +- And if - thou - "couldst," - thou @@ -11252,7 +11470,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - choose but - ever weep - the friend -- ".\n\nLADY" +- "." +- LADY - CAPULET. - "Well, girl" - ", thou" @@ -11407,7 +11626,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - comes well - in such a - needy time -- ".\nWhat are" +- "." +- What are - "they, I" - beseech - your @@ -11445,7 +11665,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "child," - early next - Thursday -- "morn\nThe" +- morn +- The - "gallant," - "young, and" - noble @@ -11545,7 +11766,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - showering? - In one - little -- "body\nThou" +- body +- Thou - counterfei - "ts a bark," - "a sea, a" @@ -11591,7 +11813,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "will none," - she gives - you thanks -- ".\nI would" +- "." +- I would - the fool - were - married to @@ -11623,7 +11846,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - gentleman - to be her - bridegroom -- "?\n\nJULIET." +- "?" +- JULIET. - Not proud - "you have," - but @@ -11633,7 +11857,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Proud can - I never be - of what I -- "hate;\nBut" +- hate; +- But - thankful - even for - hate that @@ -11655,7 +11880,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - not proud. - Mistress - minion you -- ",\nThank me" +- "," +- Thank me - "no" - "thankings," - nor proud @@ -11713,7 +11939,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - —get thee - to church - a Thursday -- ",\nOr never" +- "," +- Or never - after look - me in the - face. @@ -11784,7 +12011,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "bowl," - For here - we need it -- "not.\n\nLADY" +- not. +- LADY - CAPULET. - You are - too hot. @@ -11808,7 +12036,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "match’d," - and having - now -- "provided\nA" +- provided +- A - gentleman - of noble - "parentage," @@ -11847,12 +12076,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "young, I" - pray you - pardon me. -- "’\nBut, and" +- ’ +- "But, and" - you will - "not wed," - I’ll - pardon you -- ".\nGraze" +- "." +- Graze - where you - "will, you" - shall not @@ -11963,7 +12194,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - earth? - Comfort me - ", counsel" -- "me.\nAlack," +- me. +- "Alack," - "alack," - that - heaven @@ -11986,7 +12218,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - NURSE. - "Faith," - here it is -- ".\nRomeo is" +- "." +- Romeo is - banished; - and all - the world @@ -12030,7 +12263,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - hath. - Beshrew my - very heart -- ",\nI think" +- "," +- I think - you are - happy in - this @@ -12118,9 +12352,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - compare - So many - thousand -- "times? Go," +- times? +- "Go," - counsellor -- ".\nThou and" +- "." +- Thou and - my bosom - henceforth - shall be @@ -12129,7 +12365,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - the Friar - to know - his remedy -- ".\nIf all" +- "." +- If all - "else fail," - myself - have power @@ -12178,7 +12415,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ly she - weeps for - Tybalt’s -- "death,\nAnd" +- "death," +- And - therefore - have I - little @@ -12219,7 +12457,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - know the - reason of - this haste -- ".\n\nFRIAR" +- "." +- FRIAR - LAWRENCE. - "[_Aside." - "_] I would" @@ -12254,7 +12493,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - JULIET. - What must - be shall -- "be.\n\nFRIAR" +- be. +- FRIAR - LAWRENCE. - That’s a - certain @@ -12305,7 +12545,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - is much - abus’d - with tears -- ".\n\nJULIET." +- "." +- JULIET. - The tears - have got - small @@ -12333,7 +12574,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "spake, I" - spake it - to my face -- ".\n\nPARIS." +- "." +- PARIS. - Thy face - "is mine," - and thou @@ -12410,7 +12652,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - nothing - may - prorogue -- "it,\nOn" +- "it," +- "On" - Thursday - next be - married to @@ -12551,7 +12794,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - with death - himself to - scape from -- "it.\nAnd if" +- it. +- And if - thou - "dar’st," - I’ll give @@ -12573,7 +12817,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - thievish - "ways, or" - bid me -- "lurk\nWhere" +- lurk +- Where - serpents - are. - Chain me @@ -12619,7 +12864,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - unstain’d - wife to my - sweet love -- ".\n\nFRIAR" +- "." +- FRIAR - LAWRENCE. - Hold then. - "Go home," @@ -12649,7 +12895,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - distilled - liquor - drink thou -- "off,\nWhen" +- "off," +- When - presently - through - all thy @@ -12690,13 +12937,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - depriv’d - of supple - government -- ",\nShall" +- "," +- Shall - stiff and - stark and - cold - appear - like death -- ".\nAnd in" +- "." +- And in - this - borrow’d - likeness @@ -12727,7 +12976,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - the manner - of our - country is -- ",\nIn thy" +- "," +- In thy - best robes - "," - "uncover’d," @@ -12787,7 +13037,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - give me! - O tell not - me of fear -- "!\n\nFRIAR" +- "!" +- FRIAR - LAWRENCE. - Hold; get - "you gone," @@ -12873,7 +13124,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - with me. - CAPULET. - "Go, begone" -- ".\n\n [_Exit" +- "." +- "[_Exit" - second - "Servant._]" - We shall @@ -12887,7 +13139,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - gone to - Friar - Lawrence? -- "NURSE.\nAy," +- NURSE. +- "Ay," - forsooth. - CAPULET. - "Well, he" @@ -12922,7 +13175,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - have - learnt me - to repent -- "the sin\nOf" +- the sin +- Of - disobedien - t - opposition @@ -12967,7 +13221,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - him what - becomed - love I -- "might,\nNot" +- "might," +- Not - stepping - o’er the - bounds of @@ -12993,7 +13248,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "God, this" - reverend - holy Friar -- ",\nAll our" +- "," +- All our - whole city - is much - bound to @@ -13137,7 +13393,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - cull’d - such - necessarie -- "s\nAs are" +- s +- As are - behoveful - for our - state @@ -13146,7 +13403,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "you, let" - me now be - left alone -- ",\nAnd let" +- "," +- And let - the nurse - this night - sit up @@ -13162,7 +13420,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - LADY - CAPULET. - Good night -- ".\nGet thee" +- "." +- Get thee - to bed and - "rest, for" - thou hast @@ -13183,7 +13442,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - fear - thrills - through my -- "veins\nThat" +- veins +- That - almost - freezes up - the heat @@ -13192,7 +13452,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - them back - again to - comfort me -- ".\nNurse!—" +- "." +- Nurse!— - What - should she - do here? @@ -13201,7 +13462,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - needs must - act alone. - "Come, vial" -- ".\nWhat if" +- "." +- What if - this - mixture do - not work @@ -13250,7 +13512,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - hath still - been tried - a holy man -- ".\nHow if," +- "." +- "How if," - when I am - laid into - "the tomb," @@ -13308,7 +13571,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - buried - ancestors - are pack’d -- ",\nWhere" +- "," +- Where - bloody - "Tybalt," - yet but @@ -13428,7 +13692,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - and - quinces in - the pastry -- ".\n\n Enter" +- "." +- Enter - Capulet. - CAPULET. - "Come, stir" @@ -13636,7 +13901,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - That you - shall rest - but little -- ". God" +- "." +- God - forgive me - "!" - Marry and @@ -13654,7 +13920,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - the County - take you - in your -- "bed,\nHe’ll" +- "bed," +- He’ll - fright you - "up," - i’faith. @@ -13692,16 +13959,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - CAPULET. - What noise - is here? -- "NURSE.\nO" +- NURSE. +- O - lamentable -- "day!\n\nLADY" +- day! +- LADY - CAPULET. - What is - the matter -- "?\n\nNURSE." +- "?" +- NURSE. - "Look, look" -- "! O heavy" -- "day!\n\nLADY" +- "!" +- O heavy +- day! +- LADY - CAPULET. - "O me, O me" - "!" @@ -13731,7 +14003,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", she’s" - dead; - alack the -- "day!\n\nLADY" +- day! +- LADY - CAPULET. - Alack the - "day, she’s" @@ -13766,9 +14039,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - flower of - all the - field. -- "NURSE.\nO" +- NURSE. +- O - lamentable -- "day!\n\nLADY" +- day! +- LADY - CAPULET. - O woful - time! @@ -13820,7 +14095,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - my son-in- - "law, death" - is my heir -- ";\nMy" +- ; +- My - daughter - he hath - wedded. @@ -13850,7 +14126,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "unhappy," - "wretched," - hateful -- "day.\nMost" +- day. +- Most - miserable - hour that - e’er time @@ -13859,7 +14136,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - labour of - his - pilgrimage -- ".\nBut one," +- "." +- "But one," - "poor one," - one poor - and loving @@ -13879,7 +14157,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O woeful," - "woeful," - woeful day -- ".\nMost" +- "." +- Most - lamentable - "day, most" - woeful day @@ -13900,7 +14179,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - O woeful - "day, O" - woeful day -- ".\n\nPARIS." +- "." +- PARIS. - "Beguil’d," - "divorced," - "wronged," @@ -13915,7 +14195,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - cruel thee - quite - overthrown -- ".\nO love!" +- "." +- O love! - O life! - "Not life," - but love @@ -13947,7 +14228,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - my child - my joys - are buried -- ".\n\nFRIAR" +- "." +- FRIAR - LAWRENCE. - "Peace, ho," - for shame. @@ -14038,7 +14320,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - nature - bids us - all lament -- ",\nYet" +- "," +- Yet - nature’s - tears are - reason’s @@ -14057,7 +14340,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - instrument - s to - melancholy -- "bells,\nOur" +- "bells," +- Our - wedding - cheer to a - sad burial @@ -14133,7 +14417,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "troth, the" - case may - be amended -- ".\n\n [_Exit" +- "." +- "[_Exit" - "Nurse._]" - Enter - Peter. @@ -14156,7 +14441,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Why ‘ - Heart’s - ease’? -- "PETER.\nO" +- PETER. +- O - "musicians," - because my - heart @@ -14168,7 +14454,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - me some - merry dump - to comfort -- "me.\n\nFIRST" +- me. +- FIRST - MUSICIAN. - Not a dump - "we, ’tis" @@ -14273,7 +14560,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - silver - sound’? - What say -- "you,\nSimon" +- "you," +- Simon - Catling? - FIRST - MUSICIAN. @@ -14299,7 +14587,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - silver. - PETER. - Prates too -- "! What say" +- "!" +- What say - "you, James" - Soundpost? - THIRD @@ -14378,7 +14667,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - lord sits - lightly in - his throne -- ";\nAnd all" +- ; +- And all - this day - an - unaccustom @@ -14440,7 +14730,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - How fares - my Juliet? - That I ask -- "again;\nFor" +- again; +- For - nothing - can be ill - if she be @@ -14451,7 +14742,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - and - nothing - can be ill -- ".\nHer body" +- "." +- Her body - sleeps in - Capel’s - "monument," @@ -14464,7 +14756,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - laid low - in her - kindred’s -- "vault,\nAnd" +- "vault," +- And - presently - took post - to tell it @@ -14481,7 +14774,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - sir. - ROMEO. - Is it even -- so? Then I +- so? +- Then I - "defy you," - stars! - Thou @@ -14537,7 +14831,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - straight. - "[_Exit" - Balthasar. -- "_]\n\nWell," +- "_]" +- "Well," - "Juliet, I" - will lie - with thee @@ -14552,16 +14847,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - thoughts - of - desperate -- "men.\nI do" +- men. +- I do - remember - an - apothecary -- ",—\nAnd" +- ",—" +- And - hereabouts - "he dwells," - —which - late I -- "noted\nIn" +- noted +- In - tatter’d - "weeds," - with @@ -14580,7 +14878,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - And in his - needy shop - a tortoise -- "hung,\nAn" +- "hung," +- An - alligator - "stuff’d," - and other @@ -14606,7 +14905,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - packthread - ", and old" - cakes of -- "roses\nWere" +- roses +- Were - thinly - "scatter’d," - to make up @@ -14640,7 +14940,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - same needy - man must - sell it me -- ".\nAs I" +- "." +- As I - "remember," - this - should be @@ -14653,7 +14954,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - shut. - "What, ho!" - Apothecary -- "!\n\n Enter" +- "!" +- Enter - Apothecary - "." - APOTHECARY @@ -14704,7 +15006,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - cannon’s - womb. - APOTHECARY -- ".\nSuch" +- "." +- Such - mortal - drugs I - "have, but" @@ -14721,7 +15024,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - and full - of - wretchedne -- "ss,\nAnd" +- "ss," +- And - fear’st to - die? - Famine is @@ -14765,7 +15069,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - and not - thy will. - APOTHECARY -- ".\nPut this" +- "." +- Put this - in any - liquid - thing you @@ -14815,7 +15120,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - cordial - and not - "poison, go" -- "with me\nTo" +- with me +- To - Juliet’s - "grave, for" - there must @@ -14831,7 +15137,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Friar John - "." - FRIAR JOHN -- ".\nHoly" +- "." +- Holy - Franciscan - Friar! - "Brother," @@ -14857,7 +15164,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - me his - letter. - FRIAR JOHN -- ".\nGoing to" +- "." +- Going to - find a - barefoot - brother @@ -14901,7 +15209,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - then to - Romeo? - FRIAR JOHN -- ".\nI could" +- "." +- I could - not send - "it,—here" - it is @@ -14930,7 +15239,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "import," - and the - neglecting -- "it\nMay do" +- it +- May do - much - danger. - Friar John @@ -14944,7 +15254,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Unto my - cell. - FRIAR JOHN -- ".\nBrother," +- "." +- "Brother," - I’ll go - and bring - it thee. @@ -14977,7 +15288,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - her at my - cell till - Romeo come -- ".\nPoor" +- "." +- Poor - living - "corse," - clos’d in @@ -15047,7 +15359,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - flowers. - Do as I - "bid thee," -- "go.\n\nPAGE." +- go. +- PAGE. - "[_Aside." - "_] I am" - almost @@ -15061,7 +15374,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - will - adventure. - "[_Retires." -- "_]\n\nPARIS." +- "_]" +- PARIS. - Sweet - "flower," - with @@ -15120,13 +15434,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "night," - awhile. - "[_Retires." -- "_]\n\n Enter" +- "_]" +- Enter - Romeo and - Balthasar - with a - "torch," - "mattock, &" -- "c.\n\nROMEO." +- c. +- ROMEO. - Give me - that - mattock @@ -15143,7 +15459,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - deliver it - to my lord - and father -- ".\nGive me" +- "." +- Give me - the light; - upon thy - life I @@ -15167,7 +15484,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Is partly - to behold - my lady’s -- "face,\nBut" +- "face," +- But - chiefly to - take - thence @@ -15254,7 +15572,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - intents I - doubt. - "[_Retires_" -- "]\n\nROMEO." +- "]" +- ROMEO. - Thou - detestable - "maw, thou" @@ -15275,7 +15594,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - door of - the - monument. -- "_]\n\nAnd in" +- "_]" +- And in - "despite," - I’ll cram - thee with @@ -15348,7 +15668,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - me. - Think upon - these gone -- ";\nLet them" +- ; +- Let them - affright - thee. - I beseech @@ -15386,11 +15707,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - I do defy - thy - conjuratio -- "n,\nAnd" +- "n," +- And - apprehend - thee for a - felon here -- ".\n\nROMEO." +- "." +- ROMEO. - Wilt thou - provoke me - "?" @@ -15501,10 +15824,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - death - Have they - been merry -- "! Which" +- "!" +- Which - their - keepers -- "call\nA" +- call +- A - lightning - before - death. @@ -15520,11 +15845,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - suck’d the - honey of - thy breath -- ",\nHath had" +- "," +- Hath had - no power - yet upon - thy beauty -- ".\nThou art" +- "." +- Thou art - not - conquer’d. - Beauty’s @@ -15572,7 +15899,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - unsubstant - ial death - is amorous -- ";\nAnd that" +- ; +- And that - the lean - abhorred - monster @@ -15641,7 +15969,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - desperate - "pilot, now" - at once -- "run on\nThe" +- run on +- The - dashing - rocks thy - sea-sick @@ -15750,7 +16079,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - knows not - but I am - gone hence -- ",\nAnd" +- "," +- And - fearfully - did menace - me with @@ -15790,7 +16120,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - LAWRENCE. - Romeo! - "[_Advances" -- "._]\nAlack," +- "._]" +- "Alack," - "alack," - what blood - is this @@ -15813,7 +16144,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Enters" - the - monument. -- "_]\n\nRomeo!" +- "_]" +- Romeo! - "O, pale!" - Who else? - "What," @@ -15833,7 +16165,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Juliet" - wakes and - "stirs._]" -- "JULIET.\nO" +- JULIET. +- O - comfortabl - "e Friar," - where is @@ -15871,7 +16204,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - our - intents. - "Come, come" -- "away.\nThy" +- away. +- Thy - husband in - thy bosom - there lies @@ -15906,7 +16240,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Exit" - Friar - Lawrence. -- "_]\n\nWhat’s" +- "_]" +- What’s - here? - A cup - clos’d in @@ -15987,7 +16322,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Search - about the - churchyard -- ".\nGo, some" +- "." +- "Go, some" - "of you," - whoe’er - you find @@ -16005,7 +16341,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "bleeding," - "warm, and" - newly dead -- ",\nWho here" +- "," +- Who here - hath lain - this two - days @@ -16053,7 +16390,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - We found - him in the - churchyard -- ".\n\nFIRST" +- "." +- FIRST - WATCH. - Hold him - in safety @@ -16093,7 +16431,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Enter the - Prince and - Attendants -- ".\n\nPRINCE." +- "." +- PRINCE. - What - misadventu - re is so @@ -16152,7 +16491,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "before," - Warm and - new kill’d -- ".\n\nPRINCE." +- "." +- PRINCE. - "Search," - "seek, and" - know how @@ -16165,7 +16505,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Friar, and" - slaughter’ - d Romeo’s -- "man,\nWith" +- "man," +- With - instrument - s upon - them fit @@ -16209,7 +16550,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Enter - Montague - and others -- ".\n\nPRINCE." +- "." +- PRINCE. - "Come," - "Montague," - for thou @@ -16231,7 +16573,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - exile hath - stopp’d - her breath -- ".\nWhat" +- "." +- What - further - woe - conspires @@ -16346,7 +16689,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - their - stol’n - marriage -- "day\nWas" +- day +- Was - Tybalt’s - "doomsday," - whose @@ -16438,7 +16782,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - accident; - and - yesternigh -- "t\nReturn’d" +- t +- Return’d - my letter - back. - Then all @@ -16513,7 +16858,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - by my - "fault, let" - my old -- "life\nBe" +- life +- Be - sacrific’d - ", some" - hour @@ -16554,7 +16900,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - early bid - me give - his father -- ",\nAnd" +- "," +- And - threaten’d - me with - "death," @@ -16570,7 +16917,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - the letter - ", I will" - look on it -- ".\nWhere is" +- "." +- Where is - the - County’s - Page that @@ -16581,7 +16929,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - your - master in - this place -- "?\n\nPAGE." +- "?" +- PAGE. - He came - with - flowers to @@ -16627,7 +16976,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ’pothecary - ", and" - therewitha -- "l\nCame to" +- l +- Came to - this vault - "to die," - and lie @@ -16668,7 +17018,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - daughter’s - "jointure," - for no -- "more\nCan I" +- more +- Can I - demand. - MONTAGUE. - But I can @@ -16697,7 +17048,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - shall - Romeo’s by - his lady’s -- "lie,\nPoor" +- "lie," +- Poor - sacrifices - of our - enmity. @@ -16806,7 +17158,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - the - PROJECT - GUTENBERG- -- "tm\nconcept" +- tm +- concept - and - trademark. - Project @@ -16845,7 +17198,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - with the - trademark - license is -- "very\neasy." +- very +- easy. - You may - use this - eBook for @@ -16869,7 +17223,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - printed - and given - away--you -- "may\ndo" +- may +- do - practicall - y ANYTHING - in the @@ -17004,7 +17359,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - works in - your - possession -- ". If you" +- "." +- If you - paid a fee - for - obtaining @@ -17066,7 +17422,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Gutenberg- - tm - electronic -- "works\neven" +- works +- even - without - complying - with the @@ -17099,10 +17456,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Gutenberg- - tm - electronic -- works. See +- works. +- See - paragraph - 1.E below. -- 1.C. The +- 1.C. +- The - Project - Gutenberg - Literary @@ -17229,7 +17588,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - charge - with - others. -- 1.D. The +- 1.D. +- The - copyright - laws of - the place @@ -17246,7 +17606,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - laws in - most - countries -- "are\nin a" +- are +- in a - constant - state of - change. @@ -17306,7 +17667,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - references - to Project - "Gutenberg:" -- 1.E.1. The +- 1.E.1. +- The - following - "sentence," - with @@ -17366,7 +17728,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - restrictio - ns - whatsoever -- ". You may" +- "." +- You may - "copy it," - give it - away or re @@ -17461,7 +17824,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - requiremen - ts of - paragraphs -- 1.E.1 +- "1." +- E.1 - through 1. - E.7 or - obtain @@ -17497,11 +17861,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - your use - and - distributi -- "on\nmust" +- "on" +- must - comply - with both - paragraphs -- 1.E.1 +- "1." +- E.1 - through 1. - E.7 and - any @@ -17540,7 +17906,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - full - Project - Gutenberg- -- "tm\nLicense" +- tm +- License - terms from - "this work," - or any @@ -17591,7 +17958,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Project - Gutenberg- - tm License -- ".\n\n1.E.6." +- "." +- 1.E.6. - You may - convert to - and @@ -17654,7 +18022,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - means of - exporting - "a copy, or" -- "a means\nof" +- a means +- of - obtaining - a copy - upon @@ -17667,12 +18036,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Vanilla - "ASCII\" or" - other form -- ". Any" +- "." +- Any - alternate - format - must - include -- "the\nfull" +- the +- full - Project - Gutenberg- - tm License @@ -17765,7 +18136,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Literary - Archive - Foundation -- ". Royalty" +- "." +- Royalty - payments - must be - paid @@ -17812,7 +18184,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Literary - Archive - Foundation -- ".\"\n\n* You" +- ".\"" +- "* You" - provide a - full - refund of @@ -17867,7 +18240,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - accordance - with - paragraph -- "1.F.3, a" +- "1." +- "F.3, a" - full - refund of - any money @@ -17973,7 +18347,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Gutenberg- - tm - collection -- ". Despite" +- "." +- Despite - these - "efforts," - Project @@ -18028,14 +18403,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - OF DAMAGES - "- Except" - "for the \"" -- "Right\nof" +- Right +- of - Replacemen - t or - "Refund\"" - described - in - paragraph -- "1.F.3, the" +- "1." +- "F.3, the" - Project - Gutenberg - Literary @@ -18221,7 +18598,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - replacemen - t or - refund set -- "forth\nin" +- forth +- in - paragraph - "1." - "F.3, this" @@ -18229,7 +18607,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - provided - "to you 'AS" - "-IS', WITH" -- "NO\nOTHER" +- "NO" +- OTHER - WARRANTIES - OF ANY - "KIND," @@ -18301,7 +18680,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - void the - remaining - provisions -- ".\n\n1.F.6." +- "." +- 1.F.6. - INDEMNITY - "- You" - agree to @@ -18355,7 +18735,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - or - indirectly - from any -- "of\nthe" +- of +- the - following - which you - do or @@ -18414,7 +18795,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - aged and - new - computers. -- "It\nexists" +- It +- exists - because of - the - efforts of @@ -18467,7 +18849,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - was - created to - provide a -- "secure\nand" +- secure +- and - permanent - future for - Project @@ -18558,12 +18941,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - full - extent - permitted -- "by\nU.S." +- by +- U.S. - federal - laws and - your - "state's" -- "laws.\n\nThe" +- laws. +- The - Foundation - "'s" - business @@ -18579,7 +18964,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Email - contact - links and -- "up\nto date" +- up +- to date - contact - informatio - n can be @@ -18652,7 +19038,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - exempt - status - with the -- "IRS.\n\nThe" +- IRS. +- The - Foundation - is - committed @@ -18728,7 +19115,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ts, we" - know of no - prohibitio -- "n\nagainst" +- n +- against - accepting - unsolicite - d @@ -18749,7 +19137,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "accepted," - but we - cannot -- "make\nany" +- make +- any - statements - concerning - tax @@ -18782,7 +19171,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - accepted - in a - number of -- "other\nways" +- other +- ways - including - "checks," - online @@ -18790,7 +19180,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - and credit - card - donations. -- "To\ndonate," +- To +- "donate," - please - "visit:" - www.gutenb diff --git a/tests/snapshots/text_splitter_snapshots__characters_trim@room_with_a_view.txt-2.snap b/tests/snapshots/text_splitter_snapshots__characters_trim@room_with_a_view.txt-2.snap index dddabe5c..f35c23bb 100644 --- a/tests/snapshots/text_splitter_snapshots__characters_trim@room_with_a_view.txt-2.snap +++ b/tests/snapshots/text_splitter_snapshots__characters_trim@room_with_a_view.txt-2.snap @@ -29,7 +29,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Chapter I The Bertolini - "“The Signora had no business to do it,” said Miss Bartlett, “no business at all." - "She promised us south rooms with a view close together, instead of which here are north rooms," -- "looking into a courtyard, and a long way apart. Oh, Lucy!”\n\n“And a Cockney, besides!”" +- "looking into a courtyard, and a long way apart. Oh, Lucy!”" +- "“And a Cockney, besides!”" - "said Lucy, who had been further saddened by the Signora’s unexpected accent. “It might be London.”" - She looked at the two rows of English people who were sitting at the table; at the row of white - bottles of water and red bottles of wine that ran between the English people; at the portraits of @@ -44,7 +45,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - The rooms the Signora promised us in her letter would have looked over the Arno. - "The Signora had no business to do it at all. Oh, it is a shame!”" - "“Any nook does for me,” Miss Bartlett continued; “but it does seem hard that you shouldn’t have a" -- "view.”\n\nLucy felt that she had been selfish. “Charlotte, you mustn’t spoil me:" +- view.” +- "Lucy felt that she had been selfish. “Charlotte, you mustn’t spoil me:" - "of course, you must look over the Arno, too. I meant that." - "The first vacant room in the front—” “You must have it,” said Miss Bartlett, part of whose" - travelling expenses were paid by Lucy’s mother—a piece of generosity to which she made many a @@ -54,7 +56,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "They were tired, and under the guise of unselfishness they wrangled." - "Some of their neighbours interchanged glances, and one of them—one of the ill-bred people whom one" - "does meet abroad—leant forward over the table and actually intruded into their argument. He said:" -- "“I have a view, I have a view.”\n\nMiss Bartlett was startled." +- "“I have a view, I have a view.”" +- Miss Bartlett was startled. - "Generally at a pension people looked them over for a day or two before speaking, and often did not" - find out that they would “do” till they had gone. - "She knew that the intruder was ill-bred, even before she glanced at him." @@ -94,10 +97,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Eat your dinner, dear. This pension is a failure. To-morrow we will make a change.”" - Hardly had she announced this fell decision when she reversed it. - "The curtains at the end of the room parted, and revealed a clergyman, stout but attractive, who" -- "hurried forward to take his place at the table,\ncheerfully apologizing for his lateness." +- "hurried forward to take his place at the table," +- cheerfully apologizing for his lateness. - "Lucy, who had not yet acquired decency, at once rose to her feet, exclaiming: “Oh, oh! Why, it’s Mr." - "Beebe! Oh, how perfectly lovely! Oh, Charlotte, we must stop now,\nhowever bad the rooms are. Oh!”" -- "Miss Bartlett said, with more restraint:\n\n“How do you do, Mr. Beebe?" +- "Miss Bartlett said, with more restraint:" +- "“How do you do, Mr. Beebe?" - "I expect that you have forgotten us: Miss Bartlett and Miss Honeychurch, who were at Tunbridge Wells" - when you helped the Vicar of St. Peter’s that very cold Easter.” - "The clergyman, who had the air of one on a holiday, did not remember the ladies quite as clearly as" @@ -110,7 +115,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - and she happened to tell me in the course of conversation that you have just accepted the living—” - "“Yes, I heard from mother so last week." - "She didn’t know that I knew you at Tunbridge Wells; but I wrote back at once, and I said: ‘Mr." -- "Beebe is—’”\n\n“Quite right,” said the clergyman. “I move into the Rectory at Summer Street next June." +- Beebe is—’” +- "“Quite right,” said the clergyman. “I move into the Rectory at Summer Street next June." - I am lucky to be appointed to such a charming neighbourhood.” - "“Oh, how glad I am! The name of our house is Windy Corner.” Mr. Beebe bowed." - "“There is mother and me generally, and my brother, though it’s not often we get him to ch—— The" @@ -144,9 +150,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She hastened after her cousin, who had already disappeared through the curtains—curtains which smote" - "one in the face, and seemed heavy with more than cloth." - "Beyond them stood the unreliable Signora, bowing good-evening to her guests, and supported by ’Enery" -- ", her little boy,\nand Victorier, her daughter." +- ", her little boy," +- "and Victorier, her daughter." - "It made a curious little scene, this attempt of the Cockney to convey the grace and geniality of the" -- "South.\nAnd even more curious was the drawing-room, which attempted to rival the solid comfort of a" +- South. +- "And even more curious was the drawing-room, which attempted to rival the solid comfort of a" - Bloomsbury boarding-house. Was this really Italy? - "Miss Bartlett was already seated on a tightly stuffed arm-chair, which had the colour and the" - contours of a tomato. She was talking to Mr. @@ -170,7 +178,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - He no more thought of putting you under an obligation than he thought of being polite. - "It is so difficult—at least, I find it difficult—to understand people who speak the truth.”" - "Lucy was pleased, and said: “I was hoping that he was nice; I do so always hope that people will be" -- "nice.”\n\n“I think he is; nice and tiresome." +- nice.” +- “I think he is; nice and tiresome. - "I differ from him on almost every point of any importance, and so, I expect—I may say I hope—you" - will differ. But his is a type one disagrees with rather than deplores. - When he first came here he not unnaturally put people’s backs up. @@ -227,7 +236,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Mr. Beebe has just been scolding me for my suspicious nature. - "Of course, I was holding back on my cousin’s account.”" - "“Of course,” said the little old lady; and they murmured that one could not be too careful with a" -- "young girl.\n\nLucy tried to look demure, but could not help feeling a great fool." +- young girl. +- "Lucy tried to look demure, but could not help feeling a great fool." - "No one was careful with her at home; or, at all events, she had not noticed it." - “About old Mr. Emerson—I hardly know. - "No, he is not tactful; yet, have you ever noticed that there are people who do things which are most" @@ -242,12 +252,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, Charlotte,” cried Lucy to her cousin, “we must have the rooms now." - "The old man is just as nice and kind as he can be.”\n\nMiss Bartlett was silent." - "“I fear,” said Mr. Beebe, after a pause, “that I have been officious." -- "I must apologize for my interference.”\n\nGravely displeased, he turned to go." +- I must apologize for my interference.” +- "Gravely displeased, he turned to go." - "Not till then did Miss Bartlett reply: “My own wishes, dearest Lucy, are unimportant in comparison" - with yours. - "It would be hard indeed if I stopped you doing as you liked at Florence, when I am only here through" - "your kindness. If you wish me to turn these gentlemen out of their rooms, I will do it." -- "Would you then,\nMr. Beebe, kindly tell Mr." +- "Would you then," +- "Mr. Beebe, kindly tell Mr." - "Emerson that I accept his kind offer, and then conduct him to me, in order that I may thank him" - personally?” - "She raised her voice as she spoke; it was heard all over the drawing-room, and silenced the Guelfs" @@ -257,7 +269,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Grant me that, at all events.”\n\nMr. Beebe was back, saying rather nervously:" - "“Mr. Emerson is engaged, but here is his son instead.”" - "The young man gazed down on the three ladies, who felt seated on the floor, so low were their chairs" -- ".\n\n“My father,” he said, “is in his bath, so you cannot thank him personally." +- "." +- "“My father,” he said, “is in his bath, so you cannot thank him personally." - But any message given by you to me will be given by me to him as soon as he comes out.” - Miss Bartlett was unequal to the bath. All her barbed civilities came forth wrong end first. - Young Mr. Emerson scored a notable triumph to the delight of Mr. @@ -266,7 +279,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “How angry he is with his father about the rooms! It is all he can do to keep polite.” - "“In half an hour or so your rooms will be ready,” said Mr. Beebe." - "Then looking rather thoughtfully at the two cousins, he retired to his own rooms, to write up his" -- "philosophic diary.\n\n“Oh, dear!”" +- philosophic diary. +- "“Oh, dear!”" - "breathed the little old lady, and shuddered as if all the winds of heaven had entered the apartment." - "“Gentlemen sometimes do not realize—” Her voice faded away, but Miss Bartlett seemed to understand" - "and a conversation developed, in which gentlemen who did not thoroughly realize played a principal" @@ -277,7 +291,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Thus the half-hour crept profitably away, and at last Miss Bartlett rose with a sigh, and said:" - "“I think one might venture now. No, Lucy, do not stir. I will superintend the move.”" - "“How you do do everything,” said Lucy.\n\n“Naturally, dear. It is my affair.”" -- "“But I would like to help you.”\n\n“No, dear.”\n\nCharlotte’s energy! And her unselfishness!" +- "“But I would like to help you.”\n\n“No, dear.”" +- Charlotte’s energy! And her unselfishness! - "She had been thus all her life, but really, on this Italian tour, she was surpassing herself." - "So Lucy felt, or strove to feel." - And yet—there was a rebellious spirit in her which wondered whether the acceptance might not have @@ -303,9 +318,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It was then that she saw, pinned up over the washstand, a sheet of paper on which was scrawled an" - enormous note of interrogation. Nothing more. - "“What does it mean?” she thought, and she examined it carefully by the light of a candle." -- "Meaningless at first, it gradually became menacing,\nobnoxious, portentous with evil." +- "Meaningless at first, it gradually became menacing," +- "obnoxious, portentous with evil." - "She was seized with an impulse to destroy it, but fortunately remembered that she had no right to do" -- "so,\nsince it must be the property of young Mr. Emerson." +- "so," +- since it must be the property of young Mr. Emerson. - "So she unpinned it carefully, and put it between two pieces of blotting-paper to keep it clean for" - him. - "Then she completed her inspection of the room, sighed heavily according to her habit, and went to" @@ -338,7 +355,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "the door unlocked, and on her leaning out of the window before she was fully dressed, should urge" - "her to hasten herself, or the best of the day would be gone." - "By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady" -- "among the crumbs.\n\nA conversation then ensued, on not unfamiliar lines. Miss Bartlett was," +- among the crumbs. +- "A conversation then ensued, on not unfamiliar lines. Miss Bartlett was," - "after all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy" - would at all like to go out? - "Lucy would rather like to go out, as it was her first day in Florence, but," @@ -378,12 +396,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "So Miss Lavish proceeded through the streets of the city of Florence," - "short, fidgety, and playful as a kitten, though without a kitten’s grace." - "It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak," -- "such as an Italian officer wears,\nonly increased the sense of festivity.\n\n“Buon giorno!" +- "such as an Italian officer wears,\nonly increased the sense of festivity." +- “Buon giorno! - "Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your" - inferiors. _That_ is the true democracy. Though I am a real Radical as well. -- "There, now you’re shocked.”\n\n“Indeed, I’m not!” exclaimed Lucy. “We are Radicals, too, out and out." +- "There, now you’re shocked.”" +- "“Indeed, I’m not!” exclaimed Lucy. “We are Radicals, too, out and out." - "My father always voted for Mr. Gladstone, until he was so dreadful about Ireland.”" -- "“I see, I see. And now you have gone over to the enemy.”\n\n“Oh, please—!" +- "“I see, I see. And now you have gone over to the enemy.”" +- "“Oh, please—!" - "If my father was alive, I am sure he would vote Radical again now that Ireland is all right." - "And as it is, the glass over our front door was broken last election, and Freddy is sure it was the" - "Tories; but mother says nonsense, a tramp.”\n\n“Shameful! A manufacturing district, I suppose?”" @@ -442,7 +463,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “There goes my local-colour box! I must have a word with him!” - "And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she" - "slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the" -- "arm.\n\nLucy waited for nearly ten minutes. Then she began to get tired." +- arm. +- Lucy waited for nearly ten minutes. Then she began to get tired. - "The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not" - to loiter in public places. - "She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really" @@ -468,7 +490,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - to be happy. - She puzzled out the Italian notices—the notices that forbade people to introduce dogs into the - "church—the notice that prayed people, in the interest of health and out of respect to the sacred" -- "edifice in which they found themselves,\nnot to spit." +- "edifice in which they found themselves," +- not to spit. - "She watched the tourists; their noses were as red as their Baedekers, so cold was Santa Croce." - She beheld the horrible fate that overtook three Papists—two he-babies and a she-baby—who began - "their career by sousing each other with the Holy Water, and then proceeded to the Machiavelli" @@ -508,24 +531,29 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“No,” cried Lucy, remembering her grievance." - "“I came here with Miss Lavish, who was to explain everything; and just by the door—it is too bad!—" - "she simply ran away, and after waiting quite a time, I had to come in by myself.”" -- "“Why shouldn’t you?” said Mr. Emerson.\n\n“Yes, why shouldn’t you come by yourself?”" +- “Why shouldn’t you?” said Mr. Emerson. +- "“Yes, why shouldn’t you come by yourself?”" - "said the son, addressing the young lady for the first time." - “But Miss Lavish has even taken away Baedeker.” - “Baedeker?” said Mr. Emerson. “I’m glad it’s _that_ you minded. -- "It’s worth minding, the loss of a Baedeker. _That’s_ worth minding.”\n\nLucy was puzzled." +- "It’s worth minding, the loss of a Baedeker. _That’s_ worth minding.”" +- Lucy was puzzled. - "She was again conscious of some new idea, and was not sure whither it would lead her." - "“If you’ve no Baedeker,” said the son, “you’d better join us.” Was this where the idea would lead?" -- "She took refuge in her dignity.\n\n“Thank you very much, but I could not think of that." +- She took refuge in her dignity. +- "“Thank you very much, but I could not think of that." - I hope you do not suppose that I came to join on to you. - "I really came to help with the child, and to thank you for so kindly giving us your rooms last night" - ".\nI hope that you have not been put to any great inconvenience.”" - "“My dear,” said the old man gently, “I think that you are repeating what you have heard older people" -- "say. You are pretending to be touchy;\nbut you are not really." +- say. You are pretending to be touchy; +- but you are not really. - "Stop being so tiresome, and tell me instead what part of the church you want to see." - To take you to it will be a real pleasure.” - "Now, this was abominably impertinent, and she ought to have been furious." - But it is sometimes as difficult to lose one’s temper as it is difficult at other times to keep it. -- "Lucy could not get cross. Mr.\nEmerson was an old man, and surely a girl might humour him." +- Lucy could not get cross. Mr. +- "Emerson was an old man, and surely a girl might humour him." - "On the other hand, his son was a young man, and she felt that a girl ought to be offended with him," - or at all events be offended before him. It was at him that she gazed before replying. - "“I am not touchy, I hope." @@ -535,11 +563,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - She felt like a child in school who had answered a question rightly. - "The chapel was already filled with an earnest congregation, and out of them rose the voice of a" - "lecturer, directing them how to worship Giotto, not by tactful valuations, but by the standards of" -- "the spirit.\n\n“Remember,” he was saying, “the facts about this church of Santa Croce;" +- the spirit. +- "“Remember,” he was saying, “the facts about this church of Santa Croce;" - "how it was built by faith in the full fervour of medievalism, before any taint of the Renaissance" - had appeared. - "Observe how Giotto in these frescoes—now, unhappily, ruined by restoration—is untroubled by the" -- "snares of anatomy and perspective. Could anything be more majestic,\nmore pathetic, beautiful, true?" +- "snares of anatomy and perspective. Could anything be more majestic," +- "more pathetic, beautiful, true?" - "How little, we feel, avails knowledge and technical cleverness against a man who truly feels!”" - "“No!” exclaimed Mr. Emerson, in much too loud a voice for church." - “Remember nothing of the sort! Built by faith indeed! @@ -553,9 +583,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Now, did this happen, or didn’t it? Yes or no?”\n\nGeorge replied:" - "“It happened like this, if it happened at all." - I would rather go up to heaven by myself than be pushed by cherubs; and if I got there I should like -- "my friends to lean out of it, just as they do here.”\n\n“You will never go up,” said his father." +- "my friends to lean out of it, just as they do here.”" +- "“You will never go up,” said his father." - "“You and I, dear boy, will lie at peace in the earth that bore us, and our names will disappear as" -- "surely as our work survives.”\n\n“Some of the people can only see the empty grave, not the saint," +- surely as our work survives.” +- "“Some of the people can only see the empty grave, not the saint," - "whoever he is, going up. It did happen like that, if it happened at all.”" - "“Pardon me,” said a frigid voice. “The chapel is somewhat small for two parties." - We will incommode you no longer.” @@ -576,11 +608,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "aggressive voice of the old man, the curt, injured replies of his opponent." - "The son, who took every little contretemps as if it were a tragedy, was listening also." - "“My father has that effect on nearly everyone,” he informed her. “He will try to be kind.”" -- "“I hope we all try,” said she, smiling nervously.\n\n“Because we think it improves our characters." +- "“I hope we all try,” said she, smiling nervously." +- “Because we think it improves our characters. - "But he is kind to people because he loves them; and they find him out, and are offended, or" -- "frightened.”\n\n“How silly of them!”" +- frightened.” +- “How silly of them!” - "said Lucy, though in her heart she sympathized; “I think that a kind action done tactfully—”" -- "“Tact!”\n\nHe threw up his head in disdain. Apparently she had given the wrong answer." +- “Tact!” +- He threw up his head in disdain. Apparently she had given the wrong answer. - She watched the singular creature pace up and down the chapel. - "For a young man his face was rugged, and—until the shadows fell upon it—hard." - "Enshadowed, it sprang into tenderness." @@ -618,10 +653,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She was no theologian, but she felt that here was a very foolish old man, as well as a very" - irreligious one. - "She also felt that her mother might not like her talking to that kind of person, and that Charlotte" -- "would object most strongly.\n\n“What are we to do with him?” he asked." +- would object most strongly. +- “What are we to do with him?” he asked. - "“He comes out for his holiday to Italy, and behaves—like that; like the little child who ought to" - "have been playing, and who hurt himself upon the tombstone. Eh? What did you say?”" -- "Lucy had made no suggestion. Suddenly he said:\n\n“Now don’t be stupid over this." +- "Lucy had made no suggestion. Suddenly he said:" +- “Now don’t be stupid over this. - "I don’t require you to fall in love with my boy, but I do think you might try and understand him." - "You are nearer his age, and if you let yourself go I am sure you are sensible." - "You might help me. He has known so few women, and you have the time." @@ -643,9 +680,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "We know that we come from the winds, and that we shall return to them; that all life is perhaps a" - "knot, a tangle, a blemish in the eternal smoothness. But why should this make us unhappy?" - "Let us rather love one another, and work and rejoice. I don’t believe in this world sorrow.”" -- "Miss Honeychurch assented.\n\n“Then make my boy think like us." +- Miss Honeychurch assented. +- “Then make my boy think like us. - Make him realize that by the side of the everlasting Why there is a Yes—a transitory Yes if you like -- ", but a Yes.”\n\nSuddenly she laughed; surely one ought to laugh." +- ", but a Yes.”" +- Suddenly she laughed; surely one ought to laugh. - "A young man melancholy because the universe wouldn’t fit, because life was a tangle or a wind," - "or a Yes, or something!" - "“I’m very sorry,” she cried. “You’ll think me unfeeling, but—but—” Then she became matronly." @@ -658,7 +697,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Her feelings were as inflated spiritually as they had been an hour ago esthetically," - before she lost Baedeker. - "The dear George, now striding towards them over the tombstones, seemed both pitiable and absurd." -- "He approached,\nhis face in the shadow. He said:\n\n“Miss Bartlett.”\n\n“Oh, good gracious me!”" +- "He approached,\nhis face in the shadow. He said:\n\n“Miss Bartlett.”" +- "“Oh, good gracious me!”" - "said Lucy, suddenly collapsing and again seeing the whole of life in a new perspective. “Where?" - "Where?”\n\n“In the nave.”\n\n“I see. Those gossiping little Miss Alans must have—” She checked herself." - “Poor girl!” exploded Mr. Emerson. “Poor girl!” @@ -697,7 +737,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - looking for her cigarette-case. - "Like every true performer, she was intoxicated by the mere feel of the notes: they were fingers" - "caressing her own; and by touch, not by sound alone, did she come to her desire." -- "Mr. Beebe, sitting unnoticed in the window, pondered this illogical element in Miss Honeychurch, and" +- Mr. +- "Beebe, sitting unnoticed in the window, pondered this illogical element in Miss Honeychurch, and" - recalled the occasion at Tunbridge Wells when he had discovered it. - It was at one of those entertainments where the upper classes entertain the lower. - "The seats were filled with a respectful audience, and the ladies and gentlemen of the parish," @@ -726,9 +767,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself" - "when she closed the little piano and moved dreamily towards him:" - "“If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for" -- "her.”\n\nLucy at once re-entered daily life.\n\n“Oh, what a funny thing!" +- "her.”\n\nLucy at once re-entered daily life." +- "“Oh, what a funny thing!" - "Some one said just the same to mother, and she said she trusted I should never live a duet.”" -- "“Doesn’t Mrs. Honeychurch like music?”\n\n“She doesn’t mind it." +- “Doesn’t Mrs. Honeychurch like music?” +- “She doesn’t mind it. - But she doesn’t like one to get excited over anything; she thinks I am silly about it. - She thinks—I can’t make out. - "Once, you know, I said that I liked my own playing better than any one’s. She has never got over it." @@ -737,7 +780,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Music—” said Lucy, as if attempting some generality." - "She could not complete it, and looked out absently upon Italy in the wet." - "The whole life of the South was disorganized, and the most graceful nation in Europe had turned into" -- "formless lumps of clothes.\n\nThe street and the river were dirty yellow, the bridge was dirty grey," +- formless lumps of clothes. +- "The street and the river were dirty yellow, the bridge was dirty grey," - and the hills were dirty purple. - "Somewhere in their folds were concealed Miss Lavish and Miss Bartlett, who had chosen this afternoon" - "to visit the Torre del Gallo.\n\n“What about music?” said Mr. Beebe." @@ -758,7 +802,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“They do say so.”\n\n“What is it about?”" - "“It will be a novel,” replied Mr. Beebe, “dealing with modern Italy." - "Let me refer you for an account to Miss Catharine Alan, who uses words herself more admirably than" -- "any one I know.”\n\n“I wish Miss Lavish would tell me herself. We started such friends." +- any one I know.” +- “I wish Miss Lavish would tell me herself. We started such friends. - But I don’t think she ought to have run away with Baedeker that morning in Santa Croce. - "Charlotte was most annoyed at finding me practically alone, and so I couldn’t help being a little" - "annoyed with Miss Lavish.”\n\n“The two ladies, at all events, have made it up.”" @@ -786,7 +831,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "contained one man, or a man and one woman." - "“I could hear your beautiful playing, Miss Honeychurch, though I was in my room with the door shut." - "Doors shut; indeed, most necessary. No one has the least idea of privacy in this country." -- "And one person catches it from another.”\n\nLucy answered suitably. Mr." +- And one person catches it from another.” +- Lucy answered suitably. Mr. - "Beebe was not able to tell the ladies of his adventure at Modena, where the chambermaid burst in" - "upon him in his bath, exclaiming cheerfully, “Fa niente, sono vecchia.”" - "He contented himself with saying: “I quite agree with you, Miss Alan." @@ -809,10 +855,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "From the chair beneath her she extracted a gun-metal cigarette-case, on which were powdered in" - turquoise the initials “E. L.” - "“That belongs to Lavish.” said the clergyman. “A good fellow, Lavish," -- "but I wish she’d start a pipe.”\n\n“Oh, Mr. Beebe,” said Miss Alan, divided between awe and mirth." +- but I wish she’d start a pipe.” +- "“Oh, Mr. Beebe,” said Miss Alan, divided between awe and mirth." - "“Indeed, though it is dreadful for her to smoke, it is not quite as dreadful as you suppose." - "She took to it, practically in despair, after her life’s work was carried away in a landslip." -- "Surely that makes it more excusable.”\n\n“What was that?” asked Lucy.\n\nMr." +- "Surely that makes it more excusable.”\n\n“What was that?” asked Lucy." +- Mr. - "Beebe sat back complacently, and Miss Alan began as follows: “It was a novel—and I am afraid, from" - "what I can gather, not a very nice novel." - "It is so sad when people who have abilities misuse them, and I must say they nearly always do." @@ -827,16 +875,20 @@ input_file: tests/inputs/text/room_with_a_view.txt - ". First she tried Perugia for an inspiration," - then she came here—this must on no account get round. And so cheerful through it all! - "I cannot help thinking that there is something to admire in everyone, even if you do not approve of" -- "them.”\n\nMiss Alan was always thus being charitable against her better judgement." +- them.” +- Miss Alan was always thus being charitable against her better judgement. - "A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the" - decaying autumn woods there sometimes rise odours reminiscent of spring. - "She felt she had made almost too many allowances, and apologized hurriedly for her toleration." - "“All the same, she is a little too—I hardly like to say unwomanly, but she behaved most strangely" -- "when the Emersons arrived.”\n\nMr." +- when the Emersons arrived.” +- Mr. - Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in -- "the presence of a gentleman.\n\n“I don’t know, Miss Honeychurch, if you have noticed that Miss Pole," +- the presence of a gentleman. +- "“I don’t know, Miss Honeychurch, if you have noticed that Miss Pole," - "the lady who has so much yellow hair, takes lemonade. That old Mr." -- "Emerson, who puts things very strangely—”\n\nHer jaw dropped. She was silent. Mr." +- "Emerson, who puts things very strangely—”" +- Her jaw dropped. She was silent. Mr. - "Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in" - "a hasty whisper:" - "“Stomach. He warned Miss Pole of her stomach-acidity, he called it—and he may have meant to be kind." @@ -920,14 +972,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Perhaps I shall meet someone who reads me through and through!” - "But they still looked disapproval, and she so far conceded to Mr." - "Beebe as to say that she would only go for a little walk, and keep to the street frequented by" -- "tourists.\n\n“She oughtn’t really to go at all,” said Mr." +- tourists. +- "“She oughtn’t really to go at all,” said Mr." - "Beebe, as they watched her from the window, “and she knows it. I put it down to too much Beethoven.”" - Chapter IV Fourth Chapter - Mr. Beebe was right. Lucy never knew her desires so clearly as after music. - "She had not really appreciated the clergyman’s wit, nor the suggestive twitterings of Miss Alan." - "Conversation was tedious; she wanted something big, and she believed that it would have come to her" - on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? -- "Why were most big things unladylike?\nCharlotte had once explained to her why." +- Why were most big things unladylike? +- Charlotte had once explained to her why. - It was not that ladies were inferior to men; it was that they were different. - Their mission was to inspire others to achievement rather than to achieve themselves. - "Indirectly, by means of tact and a spotless name, a lady could accomplish much." @@ -982,12 +1036,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing" - "in the tranquil sky. Its brightness mesmerized her," - still dancing before her eyes when she bent them to the ground and started towards home. -- "Then something did happen.\n\nTwo Italians by the Loggia had been bickering about a debt." +- Then something did happen. +- Two Italians by the Loggia had been bickering about a debt. - "“Cinque lire,” they had cried, “cinque lire!”" - "They sparred at each other, and one of them was hit lightly upon the chest." - "He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her." - "He opened his lips to deliver it, and a stream of red came out between them and trickled down his" -- "unshaven chin.\n\nThat was all. A crowd rose out of the dusk." +- unshaven chin. +- That was all. A crowd rose out of the dusk. - "It hid this extraordinary man from her, and bore him away to the fountain. Mr." - "George Emerson happened to be a few paces away, looking at her across the spot where the man had" - been. How very odd! Across something. @@ -1035,7 +1091,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Things I didn’t want,” he said crossly.\n\n“Mr. Emerson!”\n\n“Well?”\n\n“Where are the photographs?”" - "He was silent.\n\n“I believe it was my photographs that you threw away.”" - "“I didn’t know what to do with them,” he cried, and his voice was that of an anxious boy." -- "Her heart warmed towards him for the first time.\n“They were covered with blood. There!" +- Her heart warmed towards him for the first time. +- “They were covered with blood. There! - I’m glad I’ve told you; and all the time we were making conversation I was wondering what to do with - them.” He pointed down-stream. “They’ve gone.” - "The river swirled under the bridge, “I did mind them so, and one is so foolish, it seemed better" @@ -1045,7 +1102,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It isn’t exactly that a man has died.”\n\nSomething warned Lucy that she must stop him." - "“It has happened,” he repeated, “and I mean to find out what it is.”\n\n“Mr. Emerson—”" - "He turned towards her frowning, as if she had disturbed him in some abstract quest." -- "“I want to ask you something before we go in.”\n\nThey were close to their pension." +- “I want to ask you something before we go in.” +- They were close to their pension. - She stopped and leant her elbows against the parapet of the embankment. He did likewise. - There is at times a magic in identity of position; it is one of the things that have suggested to us - "eternal comradeship. She moved her elbows before saying:\n\n“I have behaved ridiculously.”" @@ -1073,7 +1131,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Well, thank you so much,” she repeated, “How quickly these accidents do happen, and then one" - "returns to the old life!”\n\n“I don’t.”\n\nAnxiety moved her to question him." - "His answer was puzzling: “I shall probably want to live.”\n\n“But why, Mr. Emerson? What do you mean?”" -- "“I shall want to live, I say.”\n\nLeaning her elbows on the parapet, she contemplated the River Arno," +- "“I shall want to live, I say.”" +- "Leaning her elbows on the parapet, she contemplated the River Arno," - whose roar was suggesting some unexpected melody to her ears. - Chapter V Possibilities of a Pleasant Outing - It was a family saying that “you never knew which way Charlotte Bartlett would turn.” @@ -1097,7 +1156,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Charlotte declined for herself; she had been there in the rain the previous afternoon. - "But she thought it an admirable idea for Lucy, who hated shopping, changing money, fetching letters," - and other irksome duties—all of which Miss Bartlett must accomplish this morning and could easily -- "accomplish alone.\n\n“No, Charlotte!” cried the girl, with real warmth. “It’s very kind of Mr." +- accomplish alone. +- "“No, Charlotte!” cried the girl, with real warmth. “It’s very kind of Mr." - "Beebe, but I am certainly coming with you. I had much rather.”" - "“Very well, dear,” said Miss Bartlett, with a faint flush of pleasure that called forth a deep flush" - "of shame on the cheeks of Lucy. How abominably she behaved to Charlotte, now as always!" @@ -1108,7 +1168,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She then made her usual remark, which was “How I do wish Freddy and your mother could see this, too!" - "”\n\nLucy fidgeted; it was tiresome of Charlotte to have stopped exactly where she did." - "“Look, Lucia! Oh, you are watching for the Torre del Gallo party." -- "I feared you would repent you of your choice.”\n\nSerious as the choice had been, Lucy did not repent." +- I feared you would repent you of your choice.” +- "Serious as the choice had been, Lucy did not repent." - "Yesterday had been a muddle—queer and odd, the kind of thing one could not write down easily on" - paper—but she had a feeling that Charlotte and her shopping were preferable to George Emerson and - the summit of the Torre del Gallo. @@ -1122,13 +1183,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The exact site of the murder was occupied, not by a ghost, but by Miss Lavish, who had the morning" - newspaper in her hand. She hailed them briskly. - The dreadful catastrophe of the previous day had given her an idea which she thought would work up -- "into a book.\n\n“Oh, let me congratulate you!” said Miss Bartlett. “After your despair of yesterday!" -- "What a fortunate thing!”\n\n“Aha! Miss Honeychurch, come you here I am in luck." +- into a book. +- "“Oh, let me congratulate you!” said Miss Bartlett. “After your despair of yesterday!" +- What a fortunate thing!” +- "“Aha! Miss Honeychurch, come you here I am in luck." - "Now, you are to tell me absolutely everything that you saw from the beginning.”" - "Lucy poked at the ground with her parasol.\n\n“But perhaps you would rather not?”" - "“I’m sorry—if you could manage without it, I think I would rather not.”" - "The elder ladies exchanged glances, not of disapproval; it is suitable that a girl should feel" -- "deeply.\n\n“It is I who am sorry,” said Miss Lavish “literary hacks are shameless creatures." +- deeply. +- "“It is I who am sorry,” said Miss Lavish “literary hacks are shameless creatures." - I believe there’s no secret of the human heart into which we wouldn’t pry.” - "She marched cheerfully to the fountain and back, and did a few calculations in realism." - Then she said that she had been in the Piazza since eight o’clock collecting material. @@ -1158,7 +1222,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “That last remark struck me as so particularly true. It should be a most pathetic novel.” - Lucy assented. At present her great aim was not to get put into it. - "Her perceptions this morning were curiously keen, and she believed that Miss Lavish had her on trial" -- "for an _ingenué_.\n\n“She is emancipated, but only in the very best sense of the word,”" +- for an _ingenué_. +- "“She is emancipated, but only in the very best sense of the word,”" - continued Miss Bartlett slowly. “None but the superficial would be shocked at her. - We had a long talk yesterday. She believes in justice and truth and human interest. - "She told me also that she has a high opinion of the destiny of woman—Mr. Eager! Why, how nice!" @@ -1184,7 +1249,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Living in delicate seclusion, some in furnished flats, others in Renaissance villas on Fiesole’s" - "slope, they read, wrote, studied, and exchanged ideas, thus attaining to that intimate knowledge, or" - "rather perception, of Florence which is denied to all who carry in their pockets the coupons of Cook" -- ".\n\nTherefore an invitation from the chaplain was something to be proud of." +- "." +- Therefore an invitation from the chaplain was something to be proud of. - "Between the two sections of his flock he was often the only link, and it was his avowed custom to" - "select those of his migratory sheep who seemed worthy, and give them a few hours in the pastures of" - the permanent. Tea at a Renaissance villa? Nothing had been said about it yet. @@ -1197,25 +1263,30 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“So we shall be a _partie carrée_,” said the chaplain." - “In these days of toil and tumult one has great needs of the country and its message of purity. - "Andate via! andate presto, presto! Ah, the town! Beautiful as it is, it is the town.”" -- "They assented.\n\n“This very square—so I am told—witnessed yesterday the most sordid of tragedies." +- They assented. +- “This very square—so I am told—witnessed yesterday the most sordid of tragedies. - To one who loves the Florence of Dante and Savonarola there is something portentous in such -- "desecration—portentous and humiliating.”\n\n“Humiliating indeed,” said Miss Bartlett." +- desecration—portentous and humiliating.” +- "“Humiliating indeed,” said Miss Bartlett." - “Miss Honeychurch happened to be passing through as it happened. - "She can hardly bear to speak of it.”\nShe glanced at Lucy proudly." - “And how came we to have you here?” asked the chaplain paternally. - "Miss Bartlett’s recent liberalism oozed away at the question. “Do not blame her, please, Mr. Eager." -- "The fault is mine: I left her unchaperoned.”\n\n“So you were here alone, Miss Honeychurch?”" +- "The fault is mine: I left her unchaperoned.”" +- "“So you were here alone, Miss Honeychurch?”" - His voice suggested sympathetic reproof but at the same time indicated that a few harrowing details - would not be unacceptable. - "His dark, handsome face drooped mournfully towards her to catch her reply.\n\n“Practically.”" - "“One of our pension acquaintances kindly brought her home,” said Miss Bartlett, adroitly concealing" -- "the sex of the preserver.\n\n“For her also it must have been a terrible experience." +- the sex of the preserver. +- “For her also it must have been a terrible experience. - I trust that neither of you was at all—that it was not in your immediate proximity?” - "Of the many things Lucy was noticing to-day, not the least remarkable was this: the ghoulish fashion" - in which respectable people will nibble after blood. - George Emerson had kept the subject strangely pure. - "“He died by the fountain, I believe,” was her reply.\n\n“And you and your friend—”" -- "“Were over at the Loggia.”\n\n“That must have saved you much." +- “Were over at the Loggia.” +- “That must have saved you much. - "You have not, of course, seen the disgraceful illustrations which the gutter Press—This man is a" - "public nuisance; he knows that I am a resident perfectly well, and yet he goes on worrying me to buy" - his vulgar views.” @@ -1233,7 +1304,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - would not she intercede? He was poor—he sheltered a family—the tax on bread. - "He waited, he gibbered, he was recompensed, he was dissatisfied," - he did not leave them until he had swept their minds clean of all thoughts whether pleasant or -- "unpleasant.\n\nShopping was the topic that now ensued." +- unpleasant. +- Shopping was the topic that now ensued. - Under the chaplain’s guidance they selected many hideous presents and mementoes—florid little - "picture-frames that seemed fashioned in gilded pastry; other little frames, more severe, that stood" - "on little easels, and were carven out of oak; a blotting book of vellum; a Dante of the same" @@ -1283,10 +1355,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Murder, if you want to know,” he cried angrily. “That man murdered his wife!”\n\n“How?” she retorted." - “To all intents and purposes he murdered her. - That day in Santa Croce—did they say anything against me?” -- "“Not a word, Mr. Eager—not a single word.”\n\n“Oh, I thought they had been libelling me to you." +- "“Not a word, Mr. Eager—not a single word.”" +- "“Oh, I thought they had been libelling me to you." - But I suppose it is only their personal charms that makes you defend them.” - "“I’m not defending them,” said Lucy, losing her courage, and relapsing into the old chaotic methods." -- "“They’re nothing to me.”\n\n“How could you think she was defending them?”" +- “They’re nothing to me.” +- “How could you think she was defending them?” - "said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening." - “She will find it difficult. For that man has murdered his wife in the sight of God.” - The addition of God was striking. But the chaplain was really trying to qualify a rash remark. @@ -1296,12 +1370,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive." - "“Drive? Oh, is our drive to come off?”" - "Lucy was recalled to her manners, and after a little exertion the complacency of Mr." -- "Eager was restored.\n\n“Bother the drive!” exclaimed the girl, as soon as he had departed." +- Eager was restored. +- "“Bother the drive!” exclaimed the girl, as soon as he had departed." - “It is just the drive we had arranged with Mr. Beebe without any fuss at all. - Why should he invite us in that absurd manner? We might as well invite him. - We are each paying for ourselves.” - "Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into" -- "unexpected thoughts.\n\n“If that is so, dear—if the drive we and Mr. Beebe are going with Mr." +- unexpected thoughts. +- "“If that is so, dear—if the drive we and Mr. Beebe are going with Mr." - Eager is really the same as the one we are going with Mr. - "Beebe, then I foresee a sad kettle of fish.”\n\n“How?”" - "“Because Mr. Beebe has asked Eleanor Lavish to come, too.”\n\n“That will mean another carriage.”" @@ -1350,7 +1426,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Do you know the Vyses?” - "“Oh, not that way back. We can never have too much of the dear Piazza Signoria.”" - "“They’re nice people, the Vyses. So clever—my idea of what’s really clever." -- "Don’t you long to be in Rome?”\n\n“I die for it!”\n\nThe Piazza Signoria is too stony to be brilliant." +- "Don’t you long to be in Rome?”\n\n“I die for it!”" +- The Piazza Signoria is too stony to be brilliant. - "It has no grass, no flowers, no frescoes, no glittering walls of marble or comforting patches of" - ruddy brick. - By an odd chance—unless we believe in a presiding genius of places—the statues that relieve its @@ -1365,7 +1442,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss Bartlett, with equal vivacity, replied:" - "“Oh, you droll person! Pray, what would become of your drive in the hills?”" - "They passed together through the gaunt beauty of the square, laughing over the unpractical" -- "suggestion.\n\n\n\n\nChapter VI The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson,\nMr." +- suggestion. +- "Chapter VI The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson," +- Mr. - "George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in" - Carriages to See a View; Italians Drive Them. - "It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire," @@ -1396,7 +1475,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - enter no villa at his introduction. - "Lucy, elegantly dressed in white, sat erect and nervous amid these explosive ingredients, attentive" - "to Mr. Eager, repressive towards Miss Lavish, watchful of old Mr." -- "Emerson, hitherto fortunately asleep,\nthanks to a heavy lunch and the drowsy atmosphere of Spring." +- "Emerson, hitherto fortunately asleep," +- thanks to a heavy lunch and the drowsy atmosphere of Spring. - She looked on the expedition as the work of Fate. - But for it she would have avoided George Emerson successfully. - In an open manner he had shown that he wished to continue their intimacy. @@ -1416,11 +1496,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - Meanwhile Mr. Eager held her in civil converse; their little tiff was over. - "“So, Miss Honeychurch, you are travelling? As a student of art?”\n\n“Oh, dear me, no—oh, no!”" - "“Perhaps as a student of human nature,” interposed Miss Lavish, “like myself?”" -- "“Oh, no. I am here as a tourist.”\n\n“Oh, indeed,” said Mr. Eager. “Are you indeed?" +- "“Oh, no. I am here as a tourist.”" +- "“Oh, indeed,” said Mr. Eager. “Are you indeed?" - "If you will not think me rude, we residents sometimes pity you poor tourists not a little—handed" - "about like a parcel of goods from Venice to Florence, from Florence to Rome, living herded together" - "in pensions or hotels, quite unconscious of anything that is outside Baedeker, their one anxiety to" -- "get ‘done’\nor ‘through’ and go on somewhere else." +- get ‘done’ +- or ‘through’ and go on somewhere else. - "The result is, they mix up towns, rivers, palaces in one inextricable whirl." - "You know the American girl in Punch who says: ‘Say, poppa, what did we see at Rome?’" - "And the father replies: ‘Why, guess Rome was the place where we saw the yaller dog.’" @@ -1436,7 +1518,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She is very proud of that thick hedge. Inside, perfect seclusion." - One might have gone back six hundred years. - "Some critics believe that her garden was the scene of The Decameron, which lends it an additional" -- "interest, does it not?”\n\n“It does indeed!” cried Miss Lavish." +- "interest, does it not?”" +- “It does indeed!” cried Miss Lavish. - "“Tell me, where do they place the scene of that wonderful seventh day?”" - But Mr. Eager proceeded to tell Miss Honeychurch that on the right lived Mr. - "Someone Something, an American of the best type—so rare!—and that the Somebody Elses were farther" @@ -1452,7 +1535,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - They were probably the only people enjoying the expedition. - The carriage swept with agonizing jolts up through the Piazza of Fiesole and into the Settignano - "road.\n\n“Piano! piano!” said Mr. Eager, elegantly waving his hand over his head." -- "“Va bene, signore, va bene, va bene,” crooned the driver, and whipped his horses up again.\n\nNow Mr." +- "“Va bene, signore, va bene, va bene,” crooned the driver, and whipped his horses up again." +- Now Mr. - Eager and Miss Lavish began to talk against each other on the subject of Alessio Baldovinetti. - "Was he a cause of the Renaissance, or was he one of its manifestations?" - The other carriage was left behind. @@ -1482,7 +1566,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Do we find happiness so often that we should turn it off the box when it happens to sit there? - "To be driven by lovers—A king might envy us, and if we part them it’s more like sacrilege than" - anything I know.” -- "Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect.\n\nMr." +- Here the voice of Miss Bartlett was heard saying that a crowd had begun to collect. +- Mr. - "Eager, who suffered from an over-fluent tongue rather than a resolute will, was determined to make" - himself heard. He addressed the driver again. - "Italian in the mouth of Italians is a deep-voiced stream," @@ -1507,7 +1592,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Can you wonder? He would like to throw us out, and most certainly he is justified." - "And if I were superstitious I’d be frightened of the girl," - too. It doesn’t do to injure young people. Have you ever heard of Lorenzo de Medici?” -- "Miss Lavish bristled.\n\n“Most certainly I have." +- Miss Lavish bristled. +- “Most certainly I have. - "Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed" - Lorenzino on account of his diminutive stature?” - "“The Lord knows. Possibly he does know, for I refer to Lorenzo the poet." @@ -1519,7 +1605,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Fifty miles of Spring, and we’ve come up to admire them." - Do you suppose there’s any difference between Spring in nature and Spring in man? - "But there we go, praising the one and condemning the other as improper, ashamed that the same laws" -- "work eternally through both.”\n\nNo one encouraged him to talk. Presently Mr." +- work eternally through both.” +- No one encouraged him to talk. Presently Mr. - Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. - "A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them" - "and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a" @@ -1540,7 +1627,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - equalled by their desire to go different directions. Finally they split into groups. - Lucy clung to Miss Bartlett and Miss Lavish; the Emersons returned to hold laborious converse with - "the drivers; while the two clergymen, who were expected to have topics in common, were left to each" -- "other.\n\nThe two elder ladies soon threw off the mask." +- other. +- The two elder ladies soon threw off the mask. - "In the audible whisper that was now so familiar to Lucy they began to discuss, not Alessio" - "Baldovinetti, but the drive. Miss Bartlett had asked Mr." - "George Emerson what his profession was, and he had answered “the railway.”" @@ -1561,7 +1649,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Mr. Eager will be offended. It is your party.”\n\n“Please, I’d rather stop here with you.”" - "“No, I agree,” said Miss Lavish." - "“It’s like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go." -- "We wish to converse on high topics unsuited for your ear.”\n\nThe girl was stubborn." +- We wish to converse on high topics unsuited for your ear.” +- The girl was stubborn. - As her time at Florence drew to its close she was only at ease amongst those to whom she felt - "indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte." - She wished she had not called attention to herself; they were both annoyed at her remark and seemed @@ -1580,7 +1669,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Even if my dress is thinner it will not show so much, being brown. Sit down, dear;" - you are too unselfish; you don’t assert yourself enough.” She cleared her throat. - "“Now don’t be alarmed; this isn’t a cold. It’s the tiniest cough, and I have had it three days." -- "It’s nothing to do with sitting here at all.”\n\nThere was only one way of treating the situation." +- It’s nothing to do with sitting here at all.” +- There was only one way of treating the situation. - At the end of five minutes Lucy departed in search of Mr. Beebe and Mr. - "Eager, vanquished by the mackintosh square." - "She addressed herself to the drivers, who were sprawling in the carriages, perfuming the cushions" @@ -1594,7 +1684,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Dove buoni uomini?” said she at last. - Good? Scarcely the adjective for those noble beings! He showed her his cigar. - "“Uno—piu—piccolo,” was her next remark, implying “Has the cigar been given to you by Mr." -- "Beebe, the smaller of the two good men?”\n\nShe was correct as usual." +- "Beebe, the smaller of the two good men?”" +- She was correct as usual. - "He tied the horse to a tree, kicked it to make it stay quiet, dusted the carriage, arranged his hair" - ", remoulded his hat, encouraged his moustache, and in rather less than a quarter of a minute was" - ready to conduct her. Italians are born knowing the way. @@ -1612,7 +1703,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - network of the bushes shattered it into countless pieces. - "He was occupied in his cigar, and in holding back the pliant boughs." - "She was rejoicing in her escape from dullness. Not a step, not a twig, was unimportant to her." -- "“What is that?”\n\nThere was a voice in the wood, in the distance behind them. The voice of Mr. Eager?" +- “What is that?” +- "There was a voice in the wood, in the distance behind them. The voice of Mr. Eager?" - He shrugged his shoulders. An Italian’s ignorance is sometimes more remarkable than his knowledge. - She could not make him understand that perhaps they had missed the clergymen. - "The view was forming at last; she could discern the river, the golden plain, other hills." @@ -1633,12 +1725,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "For a moment he contemplated her, as one who had fallen out of heaven." - "He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves." - The bushes above them closed. He stepped quickly forward and kissed her. -- "Before she could speak, almost before she could feel, a voice called,\n“Lucy! Lucy! Lucy!”" +- "Before she could speak, almost before she could feel, a voice called," +- “Lucy! Lucy! Lucy!” - The silence of life had been broken by Miss Bartlett who stood brown against the view. - Chapter VII They Return - Some complicated game had been playing up and down the hillside all the afternoon. - "What it was and exactly how the players had sided, Lucy was slow to discover. Mr." -- "Eager had met them with a questioning eye.\nCharlotte had repulsed him with much small talk. Mr." +- Eager had met them with a questioning eye. +- Charlotte had repulsed him with much small talk. Mr. - "Emerson, seeking his son, was told whereabouts to find him. Mr." - "Beebe, who wore the heated aspect of a neutral, was bidden to collect the factions for the return" - home. There was a general sense of groping and bewilderment. @@ -1650,7 +1744,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - That last fact was undeniable. - "He climbed on to the box shivering, with his collar up, prophesying the swift approach of bad" - "weather. “Let us go immediately,” he told them. “The signorino will walk.”" -- "“All the way? He will be hours,” said Mr. Beebe.\n\n“Apparently. I told him it was unwise.”" +- "“All the way? He will be hours,” said Mr. Beebe." +- “Apparently. I told him it was unwise.” - He would look no one in the face; perhaps defeat was particularly mortifying for him. - "He alone had played skilfully, using the whole of his instinct, while the others had used scraps of" - "their intelligence. He alone had divined what things were, and what he wished them to be." @@ -1658,7 +1753,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "dying man. Persephone, who spends half her life in the grave—she could interpret it also." - "Not so these English. They gain knowledge slowly,\nand perhaps too late." - "The thoughts of a cab-driver, however just, seldom affect the lives of his employers." -- "He was the most competent of Miss Bartlett’s opponents,\nbut infinitely the least dangerous." +- "He was the most competent of Miss Bartlett’s opponents," +- but infinitely the least dangerous. - "Once back in the town, he and his insight and his knowledge would trouble English ladies no more." - "Of course, it was most unpleasant; she had seen his black head in the bushes; he might make a tavern" - "story out of it. But after all, what have we to do with taverns?" @@ -1698,14 +1794,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - “It is dreadful to be entangled with low-class people. He saw it all.” - "Tapping Phaethon’s back with her guide-book,\nshe said, “Silenzio!” and offered him a franc." - "“Va bene,” he replied, and accepted it. As well this ending to his day as any." -- "But Lucy, a mortal maid, was disappointed in him.\n\nThere was an explosion up the road." +- "But Lucy, a mortal maid, was disappointed in him." +- There was an explosion up the road. - "The storm had struck the overhead wire of the tramline, and one of the great supports had fallen." - If they had not stopped perhaps they might have been hurt. - "They chose to regard it as a miraculous preservation, and the floods of love and sincerity," - "which fructify every hour of life, burst forth in tumult." - They descended from the carriages; they embraced each other. - It was as joyful to be forgiven past unworthinesses as to forgive them. -- "For a moment they realized vast possibilities of good.\n\nThe older people recovered quickly." +- For a moment they realized vast possibilities of good. +- The older people recovered quickly. - In the very height of their emotion they knew it to be unmanly or unladylike. - "Miss Lavish calculated that," - "even if they had continued, they would not have been caught in the accident. Mr." @@ -1731,7 +1829,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "All the way back Lucy’s body was shaken by deep sighs, which nothing could repress." - "“I want to be truthful,” she whispered. “It is so hard to be absolutely truthful.”" - "“Don’t be troubled, dearest. Wait till you are calmer." -- "We will talk it over before bed-time in my room.”\n\nSo they re-entered the city with hands clasped." +- We will talk it over before bed-time in my room.” +- So they re-entered the city with hands clasped. - "It was a shock to the girl to find how far emotion had ebbed in others. The storm had ceased," - "and Mr. Emerson was easier about his son. Mr. Beebe had regained good humour, and Mr." - Eager was already snubbing Miss Lavish. @@ -1749,7 +1848,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - When it was over she capped it by a story of her own. Lucy became rather hysterical with the delay. - "In vain she tried to check, or at all events to accelerate, the tale." - It was not till a late hour that Miss Bartlett had recovered her luggage and could say in her usual -- "tone of gentle reproach:\n\n“Well, dear, I at all events am ready for Bedfordshire." +- "tone of gentle reproach:" +- "“Well, dear, I at all events am ready for Bedfordshire." - "Come into my room, and I will give a good brush to your hair.”" - "With some solemnity the door was shut, and a cane chair placed for the girl." - Then Miss Bartlett said “So what is to be done?” @@ -1787,7 +1887,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Mine and his.”\n\n“And you are going to _implore_ him, to _beg_ him to keep silence?”" - “Certainly not. There would be no difficulty. - "Whatever you ask him he answers, yes or no; then it is over. I have been frightened of him." -- "But now I am not one little bit.”\n\n“But we fear him for you, dear." +- But now I am not one little bit.” +- "“But we fear him for you, dear." - "You are so young and inexperienced, you have lived among such nice people, that you cannot realize" - what men can be—how they can take a brutal pleasure in insulting a woman whom her sex does not - protect and rally round. @@ -1873,7 +1974,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I will never speak of it either to her or to any one.” - Her promise brought the long-drawn interview to a sudden close. - "Miss Bartlett pecked her smartly on both cheeks, wished her good-night, and sent her to her own room" -- ".\n\nFor a moment the original trouble was in the background." +- "." +- For a moment the original trouble was in the background. - George would seem to have behaved like a cad throughout; perhaps that was the view which one would - take eventually. At present she neither acquitted nor condemned him; she did not pass judgement. - "At the moment when she was about to judge him her cousin’s voice had intervened, and, ever since," @@ -1928,7 +2030,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I think things are coming to a head,” she observed, rather wanting her son’s opinion on the" - "situation if she could obtain it without undue supplication.\n\n“Time they did.”" - "“I am glad that Cecil is asking her this once more.”\n\n“It’s his third go, isn’t it?”" -- "“Freddy I do call the way you talk unkind.”\n\n“I didn’t mean to be unkind.”" +- “Freddy I do call the way you talk unkind.” +- “I didn’t mean to be unkind.” - "Then he added: “But I do think Lucy might have got this off her chest in Italy." - "I don’t know how girls manage things, but she can’t have said ‘No’ properly before, or she wouldn’t" - have to say it again now. Over the whole thing—I can’t explain—I do feel so uncomfortable.” @@ -1943,7 +2046,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“What do you mean?”\n\n“He asked me for my permission also.”\n\nShe exclaimed: “How very odd of him!”" - “Why so?” asked the son and heir. “Why shouldn’t my permission be asked?” - “What do you know about Lucy or girls or anything? What ever did you say?” -- "“I said to Cecil, ‘Take her or leave her; it’s no business of mine!’”\n\n“What a helpful answer!”" +- "“I said to Cecil, ‘Take her or leave her; it’s no business of mine!’”" +- “What a helpful answer!” - "But her own answer, though more normal in its wording, had been to the same effect." - "“The bother is this,” began Freddy." - "Then he took up his work again, too shy to say what the bother was." @@ -1953,7 +2057,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But she returned to the writing-table, observing, as she passed her son, “Still page 322?”" - "Freddy snorted, and turned over two leaves. For a brief space they were silent." - "Close by, beyond the curtains, the gentle murmur of a long conversation had never ceased." -- "“The bother is this: I have put my foot in it with Cecil most awfully.”\nHe gave a nervous gulp." +- "“The bother is this: I have put my foot in it with Cecil most awfully.”" +- He gave a nervous gulp. - "“Not content with ‘permission’, which I did give—that is to say, I said, ‘I don’t mind’—well, not" - "content with that, he wanted to know whether I wasn’t off my head with joy." - "He practically put it like this: Wasn’t it a splendid thing for Lucy and for Windy Corner generally" @@ -1978,7 +2083,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I know his mother; he’s good, he’s clever, he’s rich, he’s well connected—Oh, you needn’t kick the" - "piano! He’s well connected—I’ll say it again if you like: he’s well connected.”" - "She paused, as if rehearsing her eulogy, but her face remained dissatisfied." -- "She added: “And he has beautiful manners.”\n\n“I liked him till just now." +- "She added: “And he has beautiful manners.”" +- “I liked him till just now. - I suppose it’s having him spoiling Lucy’s first week at home; and it’s also something that Mr. - "Beebe said, not knowing.”" - "“Mr. Beebe?” said his mother, trying to conceal her interest. “I don’t see how Mr. Beebe comes in.”" @@ -2016,7 +2122,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I have told Lucy so. - "But Lucy seems very uncertain, and in these days young people must decide for themselves." - "I know that Lucy likes your son, because she tells me everything. But I do not know—’”" -- "“Look out!” cried Freddy.\n\nThe curtains parted.\n\nCecil’s first movement was one of irritation." +- "“Look out!” cried Freddy.\n\nThe curtains parted." +- Cecil’s first movement was one of irritation. - He couldn’t bear the Honeychurch habit of sitting in the dark to save the furniture. - "Instinctively he give the curtains a twitch, and sent them swinging down their poles. Light entered." - "There was revealed a terrace, such as is owned by many villas with trees each side of it, and on it" @@ -2048,17 +2155,20 @@ input_file: tests/inputs/text/room_with_a_view.txt - "We are obliged to become vaguely poetic, or to take refuge in Scriptural reminiscences." - "“Welcome as one of the family!” said Mrs. Honeychurch, waving her hand at the furniture." - “This is indeed a joyous day! I feel sure that you will make our dear Lucy happy.” -- "“I hope so,” replied the young man, shifting his eyes to the ceiling.\n\n“We mothers—” simpered Mrs." +- "“I hope so,” replied the young man, shifting his eyes to the ceiling." +- “We mothers—” simpered Mrs. - "Honeychurch, and then realized that she was affected, sentimental, bombastic—all the things she" - "hated most. Why could she not be Freddy, who stood stiff in the middle of the room;" - looking very cross and almost handsome? -- "“I say, Lucy!” called Cecil, for conversation seemed to flag.\n\nLucy rose from the seat." +- "“I say, Lucy!” called Cecil, for conversation seemed to flag." +- Lucy rose from the seat. - "She moved across the lawn and smiled in at them, just as if she was going to ask them to play tennis" - ". Then she saw her brother’s face. Her lips parted, and she took him in her arms." - "He said, “Steady on!”\n\n“Not a kiss for me?” asked her mother.\n\nLucy kissed her also." - “Would you take them into the garden and tell Mrs. Honeychurch all about it?” Cecil suggested. - "“And I’d stop here and tell my mother.”\n\n“We go with Lucy?” said Freddy, as if taking orders." -- "“Yes, you go with Lucy.”\n\nThey passed into the sunlight. Cecil watched them cross the terrace," +- "“Yes, you go with Lucy.”" +- "They passed into the sunlight. Cecil watched them cross the terrace," - and descend out of sight by the steps. - "They would descend—he knew their ways—past the shrubbery, and past the tennis-lawn and the dahlia-" - "bed," @@ -2095,7 +2205,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - happy. - "His mother, too, would be pleased; she had counselled the step; he must write her a long account." - "Glancing at his hand, in case any of Freddy’s chemicals had come off on it, he moved to the writing" -- "table. There he saw “Dear Mrs. Vyse,”\nfollowed by many erasures." +- "table. There he saw “Dear Mrs. Vyse,”" +- followed by many erasures. - "He recoiled without reading any more, and after a little hesitation sat down elsewhere, and" - pencilled a note on his knee. - "Then he lit another cigarette, which did not seem quite as divine as the first, and considered what" @@ -2113,11 +2224,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - reflected. “I represent all that he despises. Why should he want me for a brother-in-law?” - "The Honeychurches were a worthy family, but he began to realize that Lucy was of another clay; and" - perhaps—he did not put it very definitely—he ought to introduce her into more congenial circles as -- "soon as possible.\n\n“Mr. Beebe!”" +- soon as possible. +- “Mr. Beebe!” - "said the maid, and the new rector of Summer Street was shown in; he had at once started on friendly" - "relations, owing to Lucy’s praise of him in her letters from Florence." - Cecil greeted him rather critically. -- "“I’ve come for tea, Mr. Vyse. Do you suppose that I shall get it?”\n\n“I should say so." +- "“I’ve come for tea, Mr. Vyse. Do you suppose that I shall get it?”" +- “I should say so. - Food is the thing one does get here—Don’t sit in that chair; young Honeychurch has left a bone in it - ".”\n\n“Pfui!”\n\n“I know,” said Cecil. “I know. I can’t think why Mrs. Honeychurch allows it.”" - "For Cecil considered the bone and the Maples’ furniture separately; he did not realize that, taken" @@ -2131,12 +2244,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - Was it likely that a clergyman and a gentleman would refer to his engagement in a manner so flippant - "?" - "But his stiffness remained, and, though he asked who Cissie and Albert might be, he still thought Mr" -- ". Beebe rather a bounder.\n\n“Unpardonable question!" +- ". Beebe rather a bounder." +- “Unpardonable question! - "To have stopped a week at Windy Corner and not to have met Cissie and Albert, the semi-detached" - villas that have been run up opposite the church! I’ll set Mrs. Honeychurch after you.” - "“I’m shockingly stupid over local affairs,” said the young man languidly." - “I can’t even remember the difference between a Parish Council and a Local Government Board. -- "Perhaps there is no difference,\nor perhaps those aren’t the right names." +- "Perhaps there is no difference," +- or perhaps those aren’t the right names. - I only go into the country to see my friends and to enjoy the scenery. It is very remiss of me. - Italy and London are the only places where I don’t feel to exist on sufferance.” - "Mr. Beebe, distressed at this heavy reception of Cissie and Albert,\ndetermined to shift the subject." @@ -2145,7 +2260,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - My attitude—quite an indefensible one—is that so long as I am no trouble to any one I have a right - to do as I like. - "I know I ought to be getting money out of people, or devoting myself to things I don’t care a straw" -- "about, but somehow, I’ve not been able to begin.”\n\n“You are very fortunate,” said Mr. Beebe." +- "about, but somehow, I’ve not been able to begin.”" +- "“You are very fortunate,” said Mr. Beebe." - "“It is a wonderful opportunity, the possession of leisure.”" - "His voice was rather parochial, but he did not quite see his way to answering naturally." - "He felt, as all who have regular occupation must feel, that others should have it also." @@ -2168,7 +2284,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Ah, he has too many. No one but his mother can remember the faults of Freddy." - Try the faults of Miss Honeychurch; they are not innumerable.” - "“She has none,” said the young man, with grave sincerity.\n\n“I quite agree. At present she has none.”" -- "“At present?”\n\n“I’m not cynical. I’m only thinking of my pet theory about Miss Honeychurch." +- “At present?” +- “I’m not cynical. I’m only thinking of my pet theory about Miss Honeychurch. - "Does it seem reasonable that she should play so wonderfully, and live so quietly?" - I suspect that one day she will be wonderful in both. - "The water-tight compartments in her will break down," @@ -2198,20 +2315,23 @@ input_file: tests/inputs/text/room_with_a_view.txt - The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. - “I am sorry; I must apologize. - "I had no idea you were intimate with her, or I should never have talked in this flippant," -- "superficial way.\nMr. Vyse, you ought to have stopped me.”" +- superficial way. +- "Mr. Vyse, you ought to have stopped me.”" - "And down the garden he saw Lucy herself; yes, he was disappointed." - "Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners." - Was this the reception his action would get from the world? - "Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of" - refinement. But he was sensitive to the successive particles of it which he encountered. -- "Occasionally he could be quite crude.\n\n“I am sorry I have given you a shock,” he said dryly." +- Occasionally he could be quite crude. +- "“I am sorry I have given you a shock,” he said dryly." - “I fear that Lucy’s choice does not meet with your approval.” - “Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. - Perhaps I oughtn’t to have discussed her so freely with any one; certainly not with you.” - “You are conscious of having said something indiscreet?” - "Mr. Beebe pulled himself together. Really, Mr." - Vyse had the art of placing one in the most tiresome positions. -- "He was driven to use the prerogatives of his profession.\n\n“No, I have said nothing indiscreet." +- He was driven to use the prerogatives of his profession. +- "“No, I have said nothing indiscreet." - "I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended." - I realized dimly enough that she might take some momentous step. She has taken it. - "She has learnt—you will let me talk freely, as I have begun freely—she has learnt what it is to love" @@ -2221,11 +2341,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - be your care that her knowledge is profitable to her.” - "“Grazie tante!” said Cecil, who did not like parsons." - "“Have you heard?” shouted Mrs. Honeychurch as she toiled up the sloping garden. “Oh, Mr." -- "Beebe, have you heard the news?”\n\nFreddy, now full of geniality, whistled the wedding march." -- "Youth seldom criticizes the accomplished fact.\n\n“Indeed I have!” he cried. He looked at Lucy." +- "Beebe, have you heard the news?”" +- "Freddy, now full of geniality, whistled the wedding march." +- Youth seldom criticizes the accomplished fact. +- “Indeed I have!” he cried. He looked at Lucy. - In her presence he could not act the parson any longer—at all events not without apology. “Mrs. - "Honeychurch, I’m going to do what I am always supposed to do, but generally I’m too shy." -- "I want to invoke every kind of blessing on them,\ngrave and gay, great and small." +- "I want to invoke every kind of blessing on them," +- "grave and gay, great and small." - "I want them all their lives to be supremely good and supremely happy as husband and wife, as father" - and mother. And now I want my tea.” - "“You only asked for it just in time,” the lady retorted. “How dare you be serious at Windy Corner?”" @@ -2252,7 +2375,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Honeychurch, amusing and portly, promised well as a mother-in-law." - "As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but" - "waited, as earnest worshippers should, for the disclosure of some holier shrine of joy." -- "Chapter IX Lucy As a Work of Art\n\n\nA few days after the engagement was announced Mrs." +- Chapter IX Lucy As a Work of Art +- A few days after the engagement was announced Mrs. - "Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood," - for naturally she wanted to show people that her daughter was marrying a presentable man. - "Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim" @@ -2266,11 +2390,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - When they returned he was not as pleasant as he had been. - “Do you go to much of this sort of thing?” he asked when they were driving home. - "“Oh, now and then,” said Lucy, who had rather enjoyed herself.\n\n“Is it typical of country society?”" -- "“I suppose so. Mother, would it be?”\n\n“Plenty of society,” said Mrs." +- "“I suppose so. Mother, would it be?”" +- "“Plenty of society,” said Mrs." - "Honeychurch, who was trying to remember the hang of one of the dresses." - "Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said:" - "“To me it seemed perfectly appalling, disastrous, portentous.”" -- "“I am so sorry that you were stranded.”\n\n“Not that, but the congratulations." +- “I am so sorry that you were stranded.” +- "“Not that, but the congratulations." - "It is so disgusting, the way an engagement is regarded as public property—a kind of waste place" - where every outsider may shoot his vulgar sentiment. All those old women smirking!” - "“One has to go through it, I suppose. They won’t notice us so much next time.”" @@ -2285,7 +2411,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I don’t play tennis—at least, not in public." - The neighbourhood is deprived of the romance of me being athletic. - "Such romance as I have is that of the Inglese Italianato.”\n\n“Inglese Italianato?”" -- "“E un diavolo incarnato! You know the proverb?”\n\nShe did not." +- “E un diavolo incarnato! You know the proverb?” +- She did not. - Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. - "But Cecil, since his engagement," - had taken to affect a cosmopolitan naughtiness which he was far from possessing. @@ -2338,7 +2465,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "mystery, not in muscular rant." - "But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive" - ". After a moment, he contemplated her flushed face and excited gestures with a certain approval." -- "He forebore to repress the sources of youth.\n\nNature—simplest of topics, he thought—lay around them." +- He forebore to repress the sources of youth. +- "Nature—simplest of topics, he thought—lay around them." - "He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-" - "bushes, the serviceable beauty of the turnpike road." - "The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact" @@ -2354,7 +2482,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Do you feel that, Mrs.\nHoneychurch?”" - "Mrs. Honeychurch started and smiled. She had not been attending. Cecil," - "who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say" -- "anything interesting again.\n\nLucy had not attended either." +- anything interesting again. +- Lucy had not attended either. - "Her brow was wrinkled, and she still looked furiously cross—the result, he concluded, of too much" - moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. - "“‘Come down, O maid, from yonder mountain height,’” he quoted, and touched her knee with his own." @@ -2396,13 +2525,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - He had known Summer Street for so many years that he could not imagine it being spoilt. - Not till Mrs. - "Flack had laid the foundation stone, and the apparition of red and cream brick began to rise did he" -- "take alarm.\nHe called on Mr." +- take alarm. +- He called on Mr. - "Flack, the local builder,—a most reasonable and respectful man—who agreed that tiles would have made" - "more artistic roof, but pointed out that slates were cheaper. He ventured to differ," - "however, about the Corinthian columns which were to cling like leeches to the frames of the bow" - "windows, saying that, for his part, he liked to relieve the façade by a bit of decoration." - "Sir Harry hinted that a column, if possible, should be structural as well as decorative." -- "Mr. Flack replied that all the columns had been ordered, adding, “and all the capitals different—one" +- Mr. +- "Flack replied that all the columns had been ordered, adding, “and all the capitals different—one" - "with dragons in the foliage, another approaching to the Ionian style, another introducing Mrs." - Flack’s initials—every one different.” For he had read his Ruskin. - He built his villas according to his desire; and not until he had inserted an immovable aunt into @@ -2429,7 +2560,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She saw that he was laughing at their harmless neighbour, and roused herself to stop him." - "“Sir Harry!” she exclaimed, “I have an idea. How would you like spinsters?”" - "“My dear Lucy, it would be splendid. Do you know any such?”\n\n“Yes; I met them abroad.”" -- "“Gentlewomen?” he asked tentatively.\n\n“Yes, indeed, and at the present moment homeless." +- “Gentlewomen?” he asked tentatively. +- "“Yes, indeed, and at the present moment homeless." - I heard from them last week—Miss Teresa and Miss Catharine Alan. I’m really not joking. - "They are quite the right people. Mr. Beebe knows them, too. May I tell them to write to you?”" - “Indeed you may!” he cried. “Here we are with the difficulty solved already. How delightful it is! @@ -2448,19 +2580,22 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It’s a sad thing, but I’d far rather let to some one who is going up in the world than to someone" - who has come down.” - "“I think I follow you,” said Sir Harry; “but it is, as you say, a very sad thing.”" -- "“The Misses Alan aren’t that!” cried Lucy.\n\n“Yes, they are,” said Cecil." +- “The Misses Alan aren’t that!” cried Lucy. +- "“Yes, they are,” said Cecil." - “I haven’t met them but I should say they were a highly unsuitable addition to the neighbourhood.” - "“Don’t listen to him, Sir Harry—he’s tiresome.”" - "“It’s I who am tiresome,” he replied. “I oughtn’t to come with my troubles to young people." - "But really I am so worried, and Lady Otway will only say that I cannot be too careful, which is" - "quite true, but no real help.”\n\n“Then may I write to my Misses Alan?”\n\n“Please!”" -- "But his eye wavered when Mrs. Honeychurch exclaimed:\n\n“Beware! They are certain to have canaries." +- "But his eye wavered when Mrs. Honeychurch exclaimed:" +- “Beware! They are certain to have canaries. - "Sir Harry, beware of canaries: they spit the seed out through the bars of the cages and then the" - mice come. Beware of women altogether. Only let to a man.” - "“Really—” he murmured gallantly, though he saw the wisdom of her remark." - “Men don’t gossip over tea-cups. - "If they get drunk, there’s an end of them—they lie down comfortably and sleep it off." -- "If they’re vulgar,\nthey somehow keep it to themselves. It doesn’t spread so." +- "If they’re vulgar," +- they somehow keep it to themselves. It doesn’t spread so. - "Give me a man—of course, provided he’s clean.”" - Sir Harry blushed. Neither he nor Cecil enjoyed these open compliments to their sex. - Even the exclusion of the dirty did not leave them much distinction. He suggested that Mrs. @@ -2470,7 +2605,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Domestic arrangements always attracted her, especially when they were on a small scale." - Cecil pulled Lucy back as she followed her mother. - "“Mrs. Honeychurch,” he said, “what if we two walk home and leave you?”" -- "“Certainly!” was her cordial reply.\n\nSir Harry likewise seemed almost too glad to get rid of them." +- “Certainly!” was her cordial reply. +- Sir Harry likewise seemed almost too glad to get rid of them. - "He beamed at them knowingly, said, “Aha! young people, young people!”" - and then hastened to unlock the house. - "“Hopeless vulgarian!” exclaimed Cecil, almost before they were out of earshot.\n\n“Oh, Cecil!”" @@ -2494,11 +2630,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Further than Freddy she did not go, but he gave her anxiety enough." - "She could only assure herself that Cecil had known Freddy some time, and that they had always got on" - "pleasantly, except, perhaps,\nduring the last few days, which was an accident, perhaps." -- "“Which way shall we go?” she asked him.\n\nNature—simplest of topics, she thought—was around them." +- “Which way shall we go?” she asked him. +- "Nature—simplest of topics, she thought—was around them." - "Summer Street lay deep in the woods, and she had stopped where a footpath diverged from the highroad" - ".\n\n“Are there two ways?”\n\n“Perhaps the road is more sensible, as we’re got up smart.”" - "“I’d rather go through the wood,” said Cecil, With that subdued irritation that she had noticed in" -- "him all the afternoon. “Why is it,\nLucy, that you always say the road?" +- "him all the afternoon. “Why is it," +- "Lucy, that you always say the road?" - Do you know that you have never once been with me in the fields or the wood since we were engaged?” - “Haven’t I? - "The wood, then,” said Lucy, startled at his queerness, but pretty sure that he would explain later;" @@ -2524,11 +2662,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Italy, it had lost none of its charm." - "Presently they came to a little clearing among the pines—another tiny green alp, solitary this time," - "and holding in its bosom a shallow pool.\n\nShe exclaimed, “The Sacred Lake!”" -- "“Why do you call it that?”\n\n“I can’t remember why. I suppose it comes out of some book." +- “Why do you call it that?” +- “I can’t remember why. I suppose it comes out of some book. - "It’s only a puddle now, but you see that stream going through it?" - "Well, a good deal of water comes down after heavy rains, and can’t get away at once, and the pool" - becomes quite large and beautiful. Then Freddy used to bathe there. He is very fond of it.” -- "“And you?”\n\nHe meant, “Are you fond of it?”" +- “And you?” +- "He meant, “Are you fond of it?”" - "But she answered dreamily, “I bathed here, too, till I was found out. Then there was a row.”" - "At another time he might have been shocked, for he had depths of prudishness within him. But now?" - "with his momentary cult of the fresh air, he was delighted at her admirable simplicity." @@ -2617,10 +2757,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The sentence is confused, but the better illustrates Lucy’s state of mind, for she was trying to" - talk to Mr. Beebe at the same time. - "“Oh, it has been such a nuisance—first he, then they—no one knowing what they wanted, and everyone" -- "so tiresome.”\n\n“But they really are coming now,” said Mr. Beebe." +- so tiresome.” +- "“But they really are coming now,” said Mr. Beebe." - "“I wrote to Miss Teresa a few days ago—she was wondering how often the butcher called," - and my reply of once a month must have impressed her favourably. They are coming. -- "I heard from them this morning.\n\n“I shall hate those Miss Alans!” Mrs. Honeychurch cried." +- I heard from them this morning. +- “I shall hate those Miss Alans!” Mrs. Honeychurch cried. - “Just because they’re old and silly one’s expected to say ‘How sweet!’ - I hate their ‘if’-ing and ‘but’-ing and ‘and’-ing. And poor Lucy—serve her right—worn to a shadow.” - Mr. Beebe watched the shadow springing and shouting over the tennis-court. @@ -2661,13 +2803,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, good gracious, there isn’t going to be another muddle!” Mrs." - "Honeychurch exclaimed. “Do you notice, Lucy, I’m always right?" - I _said_ don’t interfere with Cissie Villa. I’m always right. -- "I’m quite uneasy at being always right so often.”\n\n“It’s only another muddle of Freddy’s." +- I’m quite uneasy at being always right so often.” +- “It’s only another muddle of Freddy’s. - Freddy doesn’t even know the name of the people he pretends have taken it instead.” - "“Yes, I do. I’ve got it. Emerson.”\n\n“What name?”\n\n“Emerson. I’ll bet you anything you like.”" - "“What a weathercock Sir Harry is,” said Lucy quietly. “I wish I had never bothered over it at all.”" - "Then she lay on her back and gazed at the cloudless sky. Mr. Beebe," - "whose opinion of her rose daily, whispered to his niece that _that_ was the proper way to behave if" -- "any little thing went wrong.\n\nMeanwhile the name of the new tenants had diverted Mrs." +- any little thing went wrong. +- Meanwhile the name of the new tenants had diverted Mrs. - Honeychurch from the contemplation of her own abilities. - "“Emerson, Freddy? Do you know what Emersons they are?”" - "“I don’t know whether they’re any Emersons,” retorted Freddy, who was democratic." @@ -2677,12 +2821,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "All right, Lucy”—she was sitting up again—“I see you looking down your nose and thinking your" - mother’s a snob. - "But there is a right sort and a wrong sort, and it’s affectation to pretend there isn’t.”" -- "“Emerson’s a common enough name,” Lucy remarked.\n\nShe was gazing sideways." +- "“Emerson’s a common enough name,” Lucy remarked." +- She was gazing sideways. - "Seated on a promontory herself, she could see the pine-clad promontories descending one beyond" - another into the Weald. - "The further one descended the garden, the more glorious was this lateral view." - "“I was merely going to remark, Freddy, that I trusted they were no relations of Emerson the" -- "philosopher, a most trying man. Pray, does that satisfy you?”\n\n“Oh, yes,” he grumbled." +- "philosopher, a most trying man. Pray, does that satisfy you?”" +- "“Oh, yes,” he grumbled." - "“And you will be satisfied, too, for they’re friends of Cecil; so”—elaborate irony—“you and the" - "other country families will be able to call in perfect safety.”\n\n“_Cecil?_” exclaimed Lucy." - "“Don’t be rude, dear,” said his mother placidly. “Lucy, don’t screech." @@ -2700,7 +2846,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“The Emersons who were at Florence, do you mean? No, I don’t suppose it will prove to be them." - "It is probably a long cry from them to friends of Mr. Vyse’s. Oh, Mrs." - "Honeychurch, the oddest people! The queerest people! For our part we liked them, didn’t we?”" -- "He appealed to Lucy.\n“There was a great scene over some violets." +- He appealed to Lucy. +- “There was a great scene over some violets. - They picked violets and filled all the vases in the room of these very Miss Alans who have failed to - come to Cissie Villa. Poor little ladies! So shocked and so pleased. - "It used to be one of Miss Catharine’s great stories. ‘My dear sister loves flowers,’ it began." @@ -2712,7 +2859,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“These particular Emersons consisted of a father and a son—the son a goodly, if not a good young man" - "; not a fool, I fancy, but very immature—pessimism, et cetera." - "Our special joy was the father—such a sentimental darling, and people declared he had murdered his" -- "wife.”\n\nIn his normal state Mr. Beebe would never have repeated such gossip," +- wife.” +- "In his normal state Mr. Beebe would never have repeated such gossip," - but he was trying to shelter Lucy in her little trouble. - He repeated any rubbish that came into his head. - "“Murdered his wife?” said Mrs. Honeychurch. “Lucy, don’t desert us—go on playing bumble-puppy." @@ -2741,7 +2889,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I, have found tenants for the distressful Cissie Villa. Don’t be angry! Don’t be angry!" - You’ll forgive me when you hear it all.” - "He looked very attractive when his face was bright, and he dispelled her ridiculous forebodings at" -- "once.\n\n“I have heard,” she said. “Freddy has told us. Naughty Cecil! I suppose I must forgive you." +- once. +- "“I have heard,” she said. “Freddy has told us. Naughty Cecil! I suppose I must forgive you." - Just think of all the trouble I took for nothing! - "Certainly the Miss Alans are a little tiresome, and I’d rather have nice friends of yours." - But you oughtn’t to tease one so.” @@ -2758,7 +2907,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", the son to run down for week-ends. I thought, ‘What a chance of scoring off Sir Harry!’" - "and I took their address and a London reference, found they weren’t actual blackguards—it was great" - "sport—and wrote to him, making out—”\n\n“Cecil! No, it’s not fair. I’ve probably met them before—”" -- "He bore her down.\n\n“Perfectly fair. Anything is fair that punishes a snob." +- He bore her down. +- “Perfectly fair. Anything is fair that punishes a snob. - That old man will do the neighbourhood a world of good. - Sir Harry is too disgusting with his ‘decayed gentlewomen.’ I meant to read him a lesson some time. - "No, Lucy, the classes ought to mix, and before long you’ll agree with me." @@ -2814,7 +2964,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - had replied that she was quite used to being abandoned suddenly. - "Finally nothing happened; but the coolness remained, and, for Lucy, was even increased when she" - opened the letter and read as follows. It had been forwarded from Windy Corner. -- "“TUNBRIDGE WELLS,\n“_September_.\n\n\n“DEAREST LUCIA,\n\n\n“I have news of you at last!" +- "“TUNBRIDGE WELLS,\n“_September_.\n\n\n“DEAREST LUCIA," +- “I have news of you at last! - "Miss Lavish has been bicycling in your parts, but was not sure whether a call would be welcome." - "Puncturing her tire near Summer Street, and it being mended while she sat very woebegone in that" - "pretty churchyard, she saw to her astonishment, a door open opposite and the younger Emerson man" @@ -2823,7 +2974,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - He never suggested giving Eleanor a cup of tea. - "Dear Lucy, I am much worried, and I advise you to make a clean breast of his past behaviour to your" - "mother, Freddy, and Mr. Vyse, who will forbid him to enter the house, etc." -- "That was a great misfortune,\nand I dare say you have told them already. Mr. Vyse is so sensitive." +- "That was a great misfortune," +- and I dare say you have told them already. Mr. Vyse is so sensitive. - I remember how I used to get on his nerves at Rome. - "I am very sorry about it all, and should not feel easy unless I warned you." - "“Believe me,\n“Your anxious and loving cousin,\n“CHARLOTTE.”" @@ -2850,7 +3002,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "discovered it, or with a little thing which he would laugh at? Miss Bartlett suggested the former." - Perhaps she was right. It had become a great thing now. - "Left to herself, Lucy would have told her mother and her lover ingenuously, and it would have" -- "remained a little thing.\n“Emerson, not Harris”; it was only that a few weeks ago." +- remained a little thing. +- "“Emerson, not Harris”; it was only that a few weeks ago." - She tried to tell Cecil even now when they were laughing about some beautiful lady who had smitten - his heart at school. But her body behaved so ridiculously that she stopped. - She and her secret stayed ten days longer in the deserted Metropolis visiting the scenes they were @@ -2865,7 +3018,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - laughter. - "In this atmosphere the Pension Bertolini and Windy Corner appeared equally crude, and Lucy saw that" - her London career would estrange her a little from all that she had loved in the past. -- "The grandchildren asked her to play the piano.\n\nShe played Schumann." +- The grandchildren asked her to play the piano. +- She played Schumann. - "“Now some Beethoven” called Cecil, when the querulous beauty of the music had died." - "She shook her head and played Schumann again. The melody rose, unprofitably magical." - "It broke; it was resumed broken, not marching once from the cradle to the grave." @@ -2905,7 +3059,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "about you, dear. He admires you more than ever. Dream of that.”" - "Lucy returned the kiss, still covering one cheek with her hand. Mrs." - "Vyse recessed to bed. Cecil, whom the cry had not awoke, snored.\nDarkness enveloped the flat." -- "Chapter XII Twelfth Chapter\n\n\nIt was a Saturday afternoon, gay and brilliant after abundant rains," +- Chapter XII Twelfth Chapter +- "It was a Saturday afternoon, gay and brilliant after abundant rains," - "and the spirit of youth dwelt in it, though the season was now autumn." - All that was gracious triumphed. - "As the motorcars passed through Summer Street they raised only a little dust, and their stench was" @@ -2924,7 +3079,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Are these people great readers?” Freddy whispered. “Are they that sort?” - “I fancy they know how to read—a rare accomplishment. What have they got? Byron. Exactly. - A Shropshire Lad. Never heard of it. The Way of All Flesh. Never heard of it. Gibbon. Hullo! -- "dear George reads German.\nUm—um—Schopenhauer, Nietzsche, and so we go on." +- dear George reads German. +- "Um—um—Schopenhauer, Nietzsche, and so we go on." - "Well, I suppose your generation knows its own business, Honeychurch.”" - "“Mr. Beebe, look at that,” said Freddy in awestruck tones." - "On the cornice of the wardrobe, the hand of an amateur had painted this inscription: “Mistrust all" @@ -2957,12 +3113,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - with ‘How do you do? Come and have a bathe’? And yet you will tell me that the sexes are equal.” - "“I tell you that they shall be,” said Mr. Emerson, who had been slowly descending the stairs." - "“Good afternoon, Mr. Beebe. I tell you they shall be comrades, and George thinks the same.”" -- "“We are to raise ladies to our level?” the clergyman inquired.\n\n“The Garden of Eden,” pursued Mr." +- “We are to raise ladies to our level?” the clergyman inquired. +- "“The Garden of Eden,” pursued Mr." - "Emerson, still descending, “which you place in the past, is really yet to come." - We shall enter it when we no longer despise our bodies.” - Mr. Beebe disclaimed placing the Garden of Eden anywhere. - “In this—not in other things—we men are ahead. We despise the body less than women do. -- "But not until we are comrades shall we enter the garden.”\n\n“I say, what about this bathe?”" +- But not until we are comrades shall we enter the garden.” +- "“I say, what about this bathe?”" - "murmured Freddy, appalled at the mass of philosophy that was approaching him." - “I believed in a return to Nature once. - But how can we return to Nature when we have never been with her? @@ -2977,11 +3135,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - Though I hope I have not vexed Sir Harry Otway. - "I have met so few Liberal landowners, and I was anxious to compare his attitude towards the game" - "laws with the Conservative attitude. Ah, this wind! You do well to bathe." -- "Yours is a glorious country, Honeychurch!”\n\n“Not a bit!” mumbled Freddy." +- "Yours is a glorious country, Honeychurch!”" +- “Not a bit!” mumbled Freddy. - "“I must—that is to say, I have to—have the pleasure of calling on you later on, my mother says, I" -- "hope.”\n\n“_Call_, my lad? Who taught us that drawing-room twaddle? Call on your grandmother!" +- hope.” +- "“_Call_, my lad? Who taught us that drawing-room twaddle? Call on your grandmother!" - "Listen to the wind among the pines! Yours is a glorious country.”\n\nMr. Beebe came to the rescue." -- "“Mr. Emerson, he will call, I shall call; you or your son will return our calls before ten days have" +- “Mr. +- "Emerson, he will call, I shall call; you or your son will return our calls before ten days have" - elapsed. I trust that you have realized about the ten days’ interval. - It does not count that I helped you with the stair-eyes yesterday. - It does not count that they are going to bathe this afternoon.” @@ -2989,9 +3150,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Bring back some milk, cakes, honey. The change will do you good." - George has been working very hard at his office. I can’t believe he’s well.” - "George bowed his head, dusty and sombre, exhaling the peculiar smell of one who has handled" -- "furniture.\n\n“Do you really want this bathe?” Freddy asked him. “It is only a pond," +- furniture. +- "“Do you really want this bathe?” Freddy asked him. “It is only a pond," - "don’t you know. I dare say you are used to something better.”\n\n“Yes—I have said ‘Yes’ already.”" -- "Mr. Beebe felt bound to assist his young friend, and led the way out of the house and into the pine-" +- Mr. +- "Beebe felt bound to assist his young friend, and led the way out of the house and into the pine-" - woods. How glorious it was! For a little time the voice of old Mr. - Emerson pursued them dispensing good wishes and philosophy. - "It ceased, and they only heard the fair wind blowing the bracken and the trees. Mr." @@ -3006,9 +3169,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“When I was a young man, I always meant to write a ‘History of Coincidence.’”\n\nNo enthusiasm." - "“Though, as a matter of fact, coincidences are much rarer than we suppose." - "For example, it isn’t purely coincidentally that you are here now, when one comes to reflect.”" -- "To his relief, George began to talk.\n\n“It is. I have reflected. It is Fate. Everything is Fate." +- "To his relief, George began to talk." +- “It is. I have reflected. It is Fate. Everything is Fate. - "We are flung together by Fate, drawn apart by Fate—flung together, drawn apart." -- "The twelve winds blow us—we settle nothing—”\n\n“You have not reflected at all,” rapped the clergyman." +- The twelve winds blow us—we settle nothing—” +- "“You have not reflected at all,” rapped the clergyman." - "“Let me give you a useful tip, Emerson: attribute nothing to Fate." - "Don’t say, ‘I didn’t do this,’ for you did it, ten to one. Now I’ll cross-question you." - "Where did you first meet Miss Honeychurch and myself?”\n\n“Italy.”" @@ -3051,7 +3216,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Hee-poof—I’ve swallowed a pollywog, Mr. Beebe, water’s wonderful,\nwater’s simply ripping.”" - "“Water’s not so bad,” said George, reappearing from his plunge, and sputtering at the sun." - "“Water’s wonderful. Mr. Beebe, do.”\n\n“Apooshoo, kouf.”" -- "Mr. Beebe, who was hot, and who always acquiesced where possible,\nlooked around him." +- "Mr. Beebe, who was hot, and who always acquiesced where possible," +- looked around him. - "He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing" - to each other against the blue. How glorious it was! - The world of motor-cars and rural Deans receded inimitably. @@ -3078,7 +3244,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "in the bracken, they bathed to get clean." - "And all the time three little bundles lay discreetly on the sward, proclaiming:" - “No. We are what matters. Without us shall no enterprise begin. -- "To us shall all flesh turn in the end.”\n\n“A try! A try!”" +- To us shall all flesh turn in the end.” +- “A try! A try!” - "yelled Freddy, snatching up George’s bundle and placing it beside an imaginary goal-post." - "“Socker rules,” George retorted, scattering Freddy’s bundle with a kick.\n\n“Goal!”\n\n“Goal!”\n\n“Pass!”" - "“Take care my watch!” cried Mr. Beebe.\n\nClothes flew in all directions." @@ -3089,12 +3256,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“That’ll do!” shouted Mr. Beebe, remembering that after all he was in his own parish." - Then his voice changed as if every pine-tree was a Rural Dean. “Hi! Steady on! - "I see people coming you fellows!”\n\nYells, and widening circles over the dappled earth." -- "“Hi! hi! _Ladies!_”\n\nNeither George nor Freddy was truly refined. Still, they did not hear Mr." +- “Hi! hi! _Ladies!_” +- "Neither George nor Freddy was truly refined. Still, they did not hear Mr." - "Beebe’s last warning or they would have avoided Mrs. Honeychurch," - "Cecil, and Lucy, who were walking down to call on old Mrs. Butterworth." - "Freddy dropped the waistcoat at their feet, and dashed into some bracken." - "George whooped in their faces, turned and scudded away down the path to the pond, still clad in Mr." -- "Beebe’s hat.\n\n“Gracious alive!” cried Mrs. Honeychurch. “Whoever were those unfortunate people?" +- Beebe’s hat. +- “Gracious alive!” cried Mrs. Honeychurch. “Whoever were those unfortunate people? - "Oh, dears, look away! And poor Mr. Beebe, too!\nWhatever has happened?”" - "“Come this way immediately,” commanded Cecil, who always felt that he must lead women, though he" - "knew not whither, and protect them, though he knew not against what." @@ -3110,7 +3279,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Why not have a comfortable bath at home, with hot and cold laid on?”" - "“Look here, mother, a fellow must wash, and a fellow’s got to dry, and if another fellow—”" - "“Dear, no doubt you’re right as usual, but you are in no position to argue. Come, Lucy.”" -- "They turned. “Oh, look—don’t look! Oh, poor Mr.\nBeebe! How unfortunate again—”\n\nFor Mr." +- "They turned. “Oh, look—don’t look! Oh, poor Mr.\nBeebe! How unfortunate again—”" +- For Mr. - "Beebe was just crawling out of the pond, on whose surface garments of an intimate nature did float;" - "while George, the world-weary George, shouted to Freddy that he had hooked a fish." - "“And me, I’ve swallowed one,” answered he of the bracken. “I’ve swallowed a pollywog." @@ -3118,10 +3288,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Hush, dears,” said Mrs. Honeychurch, who found it impossible to remain shocked." - “And do be sure you dry yourselves thoroughly first. All these colds come of not drying thoroughly.” - "“Mother, do come away,” said Lucy. “Oh for goodness’ sake, do come.”" -- "“Hullo!” cried George, so that again the ladies stopped.\n\nHe regarded himself as dressed." +- "“Hullo!” cried George, so that again the ladies stopped." +- He regarded himself as dressed. - "Barefoot, bare-chested, radiant and personable against the shadowy woods, he called:" - "“Hullo, Miss Honeychurch! Hullo!”\n\n“Bow, Lucy; better bow. Whoever is it? I shall bow.”" -- "Miss Honeychurch bowed.\n\nThat evening and all that night the water ran away." +- Miss Honeychurch bowed. +- That evening and all that night the water ran away. - On the morrow the pool had shrunk to its old size and lost its glory. - "It had been a call to the blood and to the relaxed will, a passing benediction whose influence did" - "not pass, a holiness, a spell, a momentary chalice for youth." @@ -3139,7 +3311,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - that it is impossible to rehearse life. - "A fault in the scenery, a face in the audience, an irruption of the audience on to the stage, and" - "all our carefully planned gestures mean nothing, or mean too much. “I will bow,” she had thought." -- "“I will not shake hands with him.\nThat will be just the proper thing.” She had bowed—but to whom?" +- “I will not shake hands with him. +- That will be just the proper thing.” She had bowed—but to whom? - "To gods, to heroes, to the nonsense of school-girls!" - She had bowed across the rubbish that cumbers the world. - "So ran her thoughts, while her faculties were busy with Cecil." @@ -3165,7 +3338,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "typhoid fever. No—it is just the same thing everywhere.”\n\n“Let me just put your bonnet away, may I?”" - “Surely he could answer her civilly for one half-hour?” - "“Cecil has a very high standard for people,” faltered Lucy, seeing trouble ahead." -- "“It’s part of his ideals—it is really that that makes him sometimes seem—”\n\n“Oh, rubbish!" +- “It’s part of his ideals—it is really that that makes him sometimes seem—” +- "“Oh, rubbish!" - "If high ideals make a young man rude, the sooner he gets rid of them the better,” said Mrs." - "Honeychurch, handing her the bonnet." - "“Now, mother! I’ve seen you cross with Mrs. Butterworth yourself!”" @@ -3205,7 +3379,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - And she ought not to have mentioned Miss Bartlett’s letter. She must be more careful; - "her mother was rather inquisitive, and might have asked what it was about." - "Oh, dear, what should she do?—and then Freddy came bounding upstairs, and joined the ranks of the" -- "ill-behaved.\n\n“I say, those are topping people.”\n\n“My dear baby, how tiresome you’ve been!" +- "ill-behaved.\n\n“I say, those are topping people.”" +- "“My dear baby, how tiresome you’ve been!" - You have no business to take them bathing in the Sacred Lake; it’s much too public. - It was all right for you but most awkward for everyone else. Do be more careful. - "You forget the place is growing half suburban.”\n\n“I say, is anything on to-morrow week?”" @@ -3233,7 +3408,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - So the grittiness went out of life. It generally did at Windy Corner. - "At the last minute, when the social machine was clogged hopelessly, one member or other of the" - family poured in a drop of oil. Cecil despised their methods—perhaps rightly. -- "At all events, they were not his own.\n\nDinner was at half-past seven." +- "At all events, they were not his own." +- Dinner was at half-past seven. - "Freddy gabbled the grace, and they drew up their heavy chairs and fell to." - "Fortunately, the men were hungry.\nNothing untoward occurred until the pudding. Then Freddy said:" - "“Lucy, what’s Emerson like?”" @@ -3269,7 +3445,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the substance. - "“And I have been thinking,” she added rather nervously, “surely we could squeeze Charlotte in here" - "next week, and give her a nice holiday while the plumbers at Tunbridge Wells finish." -- "I have not seen poor Charlotte for so long.”\n\nIt was more than her nerves could stand." +- I have not seen poor Charlotte for so long.” +- It was more than her nerves could stand. - And she could not protest violently after her mother’s goodness to her upstairs. - "“Mother, no!” she pleaded. “It’s impossible." - We can’t have Charlotte on the top of the other things; we’re squeezed to death as it is. @@ -3282,9 +3459,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "but it really isn’t fair on the maids to fill up the house so.”\n\nAlas!" - "“The truth is, dear, you don’t like Charlotte.”" - "“No, I don’t. And no more does Cecil. She gets on our nerves." -- "You haven’t seen her lately, and don’t realize how tiresome she can be,\nthough so good." +- "You haven’t seen her lately, and don’t realize how tiresome she can be," +- though so good. - "So please, mother, don’t worry us this last summer; but spoil us by not asking her to come.”" -- "“Hear, hear!” said Cecil.\n\nMrs." +- "“Hear, hear!” said Cecil." +- Mrs. - "Honeychurch, with more gravity than usual, and with more feeling than she usually permitted herself," - "replied: “This isn’t very kind of you two." - "You have each other and all these woods to walk in, so full of beautiful things; and poor Charlotte" @@ -3294,9 +3473,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - Cecil crumbled his bread. - "“I must say Cousin Charlotte was very kind to me that year I called on my bike,” put in Freddy." - "“She thanked me for coming till I felt like such a fool, and fussed round no end to get an egg" -- "boiled for my tea just right.”\n\n“I know, dear." +- boiled for my tea just right.” +- "“I know, dear." - "She is kind to everyone, and yet Lucy makes this difficulty when we try to give her some little" -- "return.”\n\nBut Lucy hardened her heart. It was no good being kind to Miss Bartlett." +- return.” +- But Lucy hardened her heart. It was no good being kind to Miss Bartlett. - She had tried herself too often and too recently. - "One might lay up treasure in heaven by the attempt, but one enriched neither Miss Bartlett nor any" - "one else upon earth. She was reduced to saying: “I can’t help it, mother. I don’t like Charlotte." @@ -3314,7 +3495,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Cecil frowned again. Oh, these Honeychurches! Eggs, boilers," - "hydrangeas, maids—of such were their lives compact. “May me and Lucy get down from our chairs?”" - "he asked, with scarcely veiled insolence.\n“We don’t want no dessert.”" -- "Chapter XIV How Lucy Faced the External Situation Bravely\n\n\nOf course Miss Bartlett accepted." +- Chapter XIV How Lucy Faced the External Situation Bravely +- Of course Miss Bartlett accepted. - "And, equally of course, she felt sure that she would prove a nuisance, and begged to be given an" - "inferior spare room—something with no view, anything. Her love to Lucy. And," - "equally of course, George Emerson could come to tennis on the Sunday week." @@ -3343,10 +3525,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“A nice fellow,” said Mr. Beebe afterwards “He will work off his crudities in time." - I rather mistrust young men who slip into life gracefully.” - "Lucy said, “He seems in better spirits. He laughs more.”" -- "“Yes,” replied the clergyman. “He is waking up.”\n\nThat was all." +- "“Yes,” replied the clergyman. “He is waking up.”" +- That was all. - "But, as the week wore on, more of her defences fell, and she entertained an image that had physical" - "beauty. In spite of the clearest directions, Miss Bartlett contrived to bungle her arrival." -- "She was due at the South-Eastern station at Dorking, whither Mrs.\nHoneychurch drove to meet her." +- "She was due at the South-Eastern station at Dorking, whither Mrs." +- Honeychurch drove to meet her. - "She arrived at the London and Brighton station, and had to hire a cab up." - "No one was at home except Freddy and his friend, who had to stop their tennis and to entertain her" - for a solid hour. @@ -3391,7 +3575,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“No, thank you. I’m done. I don’t see why—Freddy, don’t poke me." - "Miss Honeychurch, your brother’s hurting me. Ow! What about Mr. Floyd’s ten shillings? Ow!" - "No, I don’t see and I never shall see why Miss What’s-her-name shouldn’t pay that bob for the driver" -- ".”\n\n“I had forgotten the driver,” said Miss Bartlett, reddening. “Thank you, dear, for reminding me." +- ".”" +- "“I had forgotten the driver,” said Miss Bartlett, reddening. “Thank you, dear, for reminding me." - A shilling was it? Can any one give me change for half a crown?” - "“I’ll get it,” said the young hostess, rising with decision." - "“Cecil, give me that sovereign. No, give me up that sovereign." @@ -3421,13 +3606,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, it’s all right.”\n\n“Or perhaps old Mr. Emerson knows. In fact, he is certain to know.”" - “I don’t care if he does. - "I was grateful to you for your letter, but even if the news does get round, I think I can trust" -- "Cecil to laugh at it.”\n\n“To contradict it?”\n\n“No, to laugh at it.”" +- "Cecil to laugh at it.”\n\n“To contradict it?”" +- "“No, to laugh at it.”" - "But she knew in her heart that she could not trust him, for he desired her untouched." - "“Very well, dear, you know best. Perhaps gentlemen are different to what they were when I was young." - Ladies are certainly different.” - "“Now, Charlotte!” She struck at her playfully. “You kind, anxious thing." - "What _would_ you have me do? First you say ‘Don’t tell’; and then you say, ‘Tell’." -- "Which is it to be? Quick!”\n\nMiss Bartlett sighed “I am no match for you in conversation, dearest." +- Which is it to be? Quick!” +- "Miss Bartlett sighed “I am no match for you in conversation, dearest." - "I blush when I think how I interfered at Florence, and you so well able to look after yourself, and" - so much cleverer in all ways than I am. You will never forgive me.” - "“Shall we go out, then. They will smash all the china if we don’t.”" @@ -3437,7 +3624,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“No line. He talked about Italy, like any other person. It is really all right." - "What advantage would he get from being a cad, to put it bluntly?" - "I do wish I could make you see it my way. He really won’t be any nuisance, Charlotte.”" -- "“Once a cad, always a cad. That is my poor opinion.”\n\nLucy paused." +- "“Once a cad, always a cad. That is my poor opinion.”" +- Lucy paused. - “Cecil said one day—and I thought it so profound—that there are two kinds of cads—the conscious and - "the subconscious.” She paused again, to be sure of doing justice to Cecil’s profundity." - "Through the window she saw Cecil himself, turning over the pages of a novel." @@ -3481,13 +3669,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "things, on the red book mentioned previously. The ladies move, Mr." - "Beebe moves, George moves, and movement may engender shadow." - "But this book lies motionless, to be caressed all the morning by the sun and to raise its covers" -- "slightly,\nas though acknowledging the caress.\n\nPresently Lucy steps out of the drawing-room window." +- "slightly,\nas though acknowledging the caress." +- Presently Lucy steps out of the drawing-room window. - "Her new cerise dress has been a failure, and makes her look tawdry and wan." - "At her throat is a garnet brooch, on her finger a ring set with rubies—an engagement ring." - Her eyes are bent to the Weald. - "She frowns a little—not in anger, but as a brave child frowns when he is trying not to cry." - "In all that expanse no human eye is looking at her, and she may frown unrebuked and measure the" -- "spaces that yet survive between Apollo and the western hills.\n\n“Lucy! Lucy! What’s that book?" +- spaces that yet survive between Apollo and the western hills. +- “Lucy! Lucy! What’s that book? - Who’s been taking a book out of the shelf and leaving it about to spoil?” - “It’s only the library book that Cecil’s been reading.” - "“But pick it up, and don’t stand idling there like a flamingo.”" @@ -3532,7 +3722,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Honest orthodoxy Cecil respected, but he always assumed that honesty is the result of a spiritual" - "crisis; he could not imagine it as a natural birthright, that might grow heavenward like flowers." - "All that he said on this subject pained her, though he exuded tolerance from every pore; somehow the" -- "Emersons were different.\n\nShe saw the Emersons after church." +- Emersons were different. +- She saw the Emersons after church. - "There was a line of carriages down the road, and the Honeychurch vehicle happened to be opposite" - Cissie Villa. - "To save time, they walked over the green to it, and found father and son smoking in the garden." @@ -3580,12 +3771,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Beebe and Lucy had always known to exist in him came out suddenly, like sunlight touching a vast" - landscape—a touch of the morning sun? - She remembered that in all his perversities he had never spoken against affection. -- "Miss Bartlett approached.\n\n“You know our cousin, Miss Bartlett,” said Mrs. Honeychurch pleasantly." +- Miss Bartlett approached. +- "“You know our cousin, Miss Bartlett,” said Mrs. Honeychurch pleasantly." - “You met her with my daughter in Florence.” - "“Yes, indeed!” said the old man, and made as if he would come out of the garden to meet the lady." - "Miss Bartlett promptly got into the victoria. Thus entrenched, she emitted a formal bow." - "It was the pension Bertolini again, the dining-table with the decanters of water and wine." -- "It was the old, old battle of the room with the view.\n\nGeorge did not respond to the bow." +- "It was the old, old battle of the room with the view." +- George did not respond to the bow. - "Like any boy, he blushed and was ashamed; he knew that the chaperon remembered." - "He said: “I—I’ll come up to tennis if I can manage it,” and went into the house." - "Perhaps anything that he did would have pleased Lucy, but his awkwardness went straight to her heart" @@ -3599,7 +3792,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Lucy caught her cousin’s eye. Something in its mute appeal made her reckless. - "“Yes,” she said, raising her voice, “I do hope he will.”" - "Then she went to the carriage and murmured, “The old man hasn’t been told; I knew it was all right.”" -- "Mrs. Honeychurch followed her, and they drove away.\n\nSatisfactory that Mr." +- "Mrs. Honeychurch followed her, and they drove away." +- Satisfactory that Mr. - Emerson had not been told of the Florence escapade; yet Lucy’s spirits should not have leapt up as - if she had sighted the ramparts of heaven. - Satisfactory; yet surely she greeted it with disproportionate joy. @@ -3640,7 +3834,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She closed the instrument.\n\n\n\n\n\n\n*** END OF THE PROJECT GUTENBERG EBOOK A ROOM WITH A VIEW ***" - Updated editions will replace the previous one--the old editions will be renamed. - Creating the works from print editions not protected by U.S. copyright law means that no one owns a -- "United States copyright in these works,\nso the Foundation (and you!)" +- "United States copyright in these works," +- so the Foundation (and you!) - can copy and distribute it in the United States without permission and without paying copyright - royalties. - "Special rules, set forth in the General Terms of Use part of this license, apply to copying and" @@ -3649,7 +3844,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "and may not be used if you charge for an eBook, except by following the terms of the trademark" - "license, including paying royalties for use of the Project Gutenberg trademark." - "If you do not charge anything for copies of this eBook, complying with the trademark license is very" -- "easy. 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And yet—there was a rebellious spirit in her which wondered whether the acceptance might not have been less delicate and more beautiful. At all events, she entered her own room without any feeling of joy.\n\n“I want to explain,” said Miss Bartlett, “why it is that I have taken the largest room. Naturally, of course, I should have given it to you;\nbut I happen to know that it belongs to the young man, and I was sure your mother would not like it.”\n\nLucy was bewildered.\n\n“If you are to accept a favour it is more suitable you should be under an obligation to his father than to him. I am a woman of the world, in my small way, and I know where things lead to. However, Mr. Beebe is a guarantee of a sort that they will not presume on this.”" - "“Mother wouldn’t mind I’m sure,” said Lucy, but again had the sense of larger and unsuspected issues.\n\nMiss Bartlett only sighed, and enveloped her in a protecting embrace as she wished her good-night. It gave Lucy the sensation of a fog, and when she reached her own room she opened the window and breathed the clean night air, thinking of the kind old man who had enabled her to see the lights dancing in the Arno and the cypresses of San Miniato,\nand the foot-hills of the Apennines, black against the rising moon.\n\nMiss Bartlett, in her room, fastened the window-shutters and locked the door, and then made a tour of the apartment to see where the cupboards led, and whether there were any oubliettes or secret entrances. It was then that she saw, pinned up over the washstand, a sheet of paper on which was scrawled an enormous note of interrogation. Nothing more." - "“What does it mean?” she thought, and she examined it carefully by the light of a candle. Meaningless at first, it gradually became menacing,\nobnoxious, portentous with evil. She was seized with an impulse to destroy it, but fortunately remembered that she had no right to do so,\nsince it must be the property of young Mr. Emerson. So she unpinned it carefully, and put it between two pieces of blotting-paper to keep it clean for him. Then she completed her inspection of the room, sighed heavily according to her habit, and went to bed.\n\n\n\n\nChapter II In Santa Croce with No Baedeker" -- "It was pleasant to wake up in Florence, to open the eyes upon a bright bare room, with a floor of red tiles which look clean though they are not; with a painted ceiling whereon pink griffins and blue amorini sport in a forest of yellow violins and bassoons. It was pleasant, too,\nto fling wide the windows, pinching the fingers in unfamiliar fastenings, to lean out into sunshine with beautiful hills and trees and marble churches opposite, and close below, the Arno, gurgling against the embankment of the road.\n\nOver the river men were at work with spades and sieves on the sandy foreshore, and on the river was a boat, also diligently employed for some mysterious end. An electric tram came rushing underneath the window. No one was inside it, except one tourist; but its platforms were overflowing with Italians, who preferred to stand. Children tried to hang on behind, and the conductor, with no malice, spat in their faces to make them let go. Then soldiers appeared—good-looking," +- "It was pleasant to wake up in Florence, to open the eyes upon a bright bare room, with a floor of red tiles which look clean though they are not; with a painted ceiling whereon pink griffins and blue amorini sport in a forest of yellow violins and bassoons. It was pleasant, too,\nto fling wide the windows, pinching the fingers in unfamiliar fastenings, to lean out into sunshine with beautiful hills and trees and marble churches opposite, and close below, the Arno, gurgling against the embankment of the road." +- "Over the river men were at work with spades and sieves on the sandy foreshore, and on the river was a boat, also diligently employed for some mysterious end. An electric tram came rushing underneath the window. No one was inside it, except one tourist; but its platforms were overflowing with Italians, who preferred to stand. Children tried to hang on behind, and the conductor, with no malice, spat in their faces to make them let go. Then soldiers appeared—good-looking," - "undersized men—wearing each a knapsack covered with mangy fur, and a great-coat which had been cut for some larger soldier. Beside them walked officers, looking foolish and fierce, and before them went little boys, turning somersaults in time with the band. The tramcar became entangled in their ranks, and moved on painfully, like a caterpillar in a swarm of ants. One of the little boys fell down, and some white bullocks came out of an archway. Indeed, if it had not been for the good advice of an old man who was selling button-hooks, the road might never have got clear." - "Over such trivialities as these many a valuable hour may slip away, and the traveller who has gone to Italy to study the tactile values of Giotto, or the corruption of the Papacy, may return remembering nothing but the blue sky and the men and women who live under it. So it was as well that Miss Bartlett should tap and come in, and having commented on Lucy’s leaving the door unlocked, and on her leaning out of the window before she was fully dressed, should urge her to hasten herself, or the best of the day would be gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs." - "A conversation then ensued, on not unfamiliar lines. Miss Bartlett was,\nafter all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy would at all like to go out? Lucy would rather like to go out, as it was her first day in Florence, but,\nof course, she could go alone. Miss Bartlett could not allow this. Of course she would accompany Lucy everywhere. Oh, certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes!\n\nAt this point the clever lady broke in.\n\n“If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind.”" @@ -65,7 +66,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Poor girl? I fail to understand the point of that remark. I think myself a very fortunate girl, I assure you. I’m thoroughly happy, and having a splendid time. Pray don’t waste time mourning over _me_.\nThere’s enough sorrow in the world, isn’t there, without trying to invent it. Good-bye. Thank you both so much for all your kindness. Ah,\nyes! there does come my cousin. A delightful morning! Santa Croce is a wonderful church.”\n\nShe joined her cousin.\n\n\n\n\nChapter III Music, Violets, and the Letter “S”" - "It so happened that Lucy, who found daily life rather chaotic, entered a more solid world when she opened the piano. She was then no longer either deferential or patronizing; no longer either a rebel or a slave.\nThe kingdom of music is not the kingdom of this world; it will accept those whom breeding and intellect and culture have alike rejected. The commonplace person begins to play, and shoots into the empyrean without effort, whilst we look up, marvelling how he has escaped us, and thinking how we could worship him and love him, would he but translate his visions into human words, and his experiences into human actions.\nPerhaps he cannot; certainly he does not, or does so very seldom. Lucy had done so never." - "She was no dazzling _exécutante;_ her runs were not at all like strings of pearls, and she struck no more right notes than was suitable for one of her age and situation. Nor was she the passionate young lady, who performs so tragically on a summer’s evening with the window open.\nPassion was there, but it could not be easily labelled; it slipped between love and hatred and jealousy, and all the furniture of the pictorial style. And she was tragical only in the sense that she was great, for she loved to play on the side of Victory. Victory of what and over what—that is more than the words of daily life can tell us.\nBut that some sonatas of Beethoven are written tragic no one can gainsay; yet they can triumph or despair as the player decides, and Lucy had decided that they should triumph." -- "A very wet afternoon at the Bertolini permitted her to do the thing she really liked, and after lunch she opened the little draped piano. A few people lingered round and praised her playing, but finding that she made no reply, dispersed to their rooms to write up their diaries or to sleep. She took no notice of Mr. Emerson looking for his son, nor of Miss Bartlett looking for Miss Lavish, nor of Miss Lavish looking for her cigarette-case. Like every true performer, she was intoxicated by the mere feel of the notes: they were fingers caressing her own; and by touch, not by sound alone, did she come to her desire.\n\nMr. Beebe, sitting unnoticed in the window, pondered this illogical element in Miss Honeychurch, and recalled the occasion at Tunbridge Wells when he had discovered it. It was at one of those entertainments where the upper classes entertain the lower. The seats were filled with a respectful audience, and the ladies and gentlemen of the parish," +- "A very wet afternoon at the Bertolini permitted her to do the thing she really liked, and after lunch she opened the little draped piano. A few people lingered round and praised her playing, but finding that she made no reply, dispersed to their rooms to write up their diaries or to sleep. She took no notice of Mr. Emerson looking for his son, nor of Miss Bartlett looking for Miss Lavish, nor of Miss Lavish looking for her cigarette-case. Like every true performer, she was intoxicated by the mere feel of the notes: they were fingers caressing her own; and by touch, not by sound alone, did she come to her desire." +- "Mr. Beebe, sitting unnoticed in the window, pondered this illogical element in Miss Honeychurch, and recalled the occasion at Tunbridge Wells when he had discovered it. It was at one of those entertainments where the upper classes entertain the lower. The seats were filled with a respectful audience, and the ladies and gentlemen of the parish," - "under the auspices of their vicar, sang, or recited, or imitated the drawing of a champagne cork. Among the promised items was “Miss Honeychurch. Piano. Beethoven,” and Mr. Beebe was wondering whether it would be Adelaida, or the march of The Ruins of Athens, when his composure was disturbed by the opening bars of Opus III. He was in suspense all through the introduction, for not until the pace quickens does one know what the performer intends. With the roar of the opening theme he knew that things were going extraordinarily; in the chords that herald the conclusion he heard the hammer strokes of victory. He was glad that she only played the first movement, for he could have paid no attention to the winding intricacies of the measures of nine-sixteen. The audience clapped, no less respectful. It was Mr.\nBeebe who started the stamping; it was all that one could do.\n\n“Who is she?” he asked the vicar afterwards." - "“Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs.”\n\n“Introduce me.”\n\n“She will be delighted. She and Miss Bartlett are full of the praises of your sermon.”\n\n“My sermon?” cried Mr. Beebe. “Why ever did she listen to it?”\n\nWhen he was introduced he understood why, for Miss Honeychurch,\ndisjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him:" - "“If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her.”\n\nLucy at once re-entered daily life.\n\n“Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet.”\n\n“Doesn’t Mrs. Honeychurch like music?”\n\n“She doesn’t mind it. But she doesn’t like one to get excited over anything; she thinks I am silly about it. She thinks—I can’t make out.\nOnce, you know, I said that I liked my own playing better than any one’s. She has never got over it. Of course, I didn’t mean that I played well; I only meant—”\n\n“Of course,” said he, wondering why she bothered to explain.\n\n“Music—” said Lucy, as if attempting some generality. She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized, and the most graceful nation in Europe had turned into formless lumps of clothes." @@ -79,7 +81,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “What was that?” asked Lucy. - "Mr. Beebe sat back complacently, and Miss Alan began as follows: “It was a novel—and I am afraid, from what I can gather, not a very nice novel. It is so sad when people who have abilities misuse them, and I must say they nearly always do. Anyhow, she left it almost finished in the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she went for a little ink. She said: ‘Can I have a little ink, please?’ But you know what Italians are, and meanwhile the Grotto fell roaring on to the beach, and the saddest thing of all is that she cannot remember what she has written. The poor thing was very ill after it, and so got tempted into cigarettes. It is a great secret, but I am glad to say that she is writing another novel. She told Teresa and Miss Pole the other day that she had got up all the local colour—this novel is to be about modern Italy; the other was historical—but that she could not start till she had an idea. First she tried Perugia for an inspiration," - "then she came here—this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them.”\n\nMiss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.\n\n“All the same, she is a little too—I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived.”\n\nMr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.\n\n“I don’t know, Miss Honeychurch, if you have noticed that Miss Pole,\nthe lady who has so much yellow hair, takes lemonade. That old Mr.\nEmerson, who puts things very strangely—”" -- "Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:\n\n“Stomach. He warned Miss Pole of her stomach-acidity, he called it—and he may have meant to be kind. I must say I forgot myself and laughed;" +- "Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:" +- "“Stomach. He warned Miss Pole of her stomach-acidity, he called it—and he may have meant to be kind. I must say I forgot myself and laughed;" - "it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively _attracted_ by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers—‘drummers’ was the word she used—and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. Teresa was very much annoyed, and left the table before the cheese, saying as she did so: ‘There, Miss Lavish, is one who can confute you better than I,’ and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said: ‘Tut! The early Victorians.’ Just imagine! ‘Tut! The early Victorians.’ My sister had gone, and I felt bound to speak. I said: ‘Miss Lavish, _I_ am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.’ It was horrible speaking." - "I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. Emerson overheard this part, and called in his deep voice: ‘Quite so, quite so!\nI honour the woman for her Irish visit.’ The woman! I tell things so badly; but you see what a tangle we were in by this time, all on account of S. having been mentioned in the first place. But that was not all. After dinner Miss Lavish actually came up and said: ‘Miss Alan, I am going into the smoking-room to talk to those two nice men.\nCome, too.’ Needless to say, I refused such an unsuitable invitation,\nand she had the impertinence to tell me that it would broaden my ideas,\nand said that she had four brothers, all University men, except one who was in the army, who always made a point of talking to commercial travellers.”\n\n“Let me finish the story,” said Mr. Beebe, who had returned." - "“Miss Lavish tried Miss Pole, myself, everyone, and finally said: ‘I shall go alone.’ She went. At the end of five minutes she returned unobtrusively with a green baize board, and began playing patience.”\n\n“Whatever happened?” cried Lucy.\n\n“No one knows. No one will ever know. Miss Lavish will never dare to tell, and Mr. Emerson does not think it worth telling.”\n\n“Mr. Beebe—old Mr. Emerson, is he nice or not nice? I do so want to know.”\n\nMr. Beebe laughed and suggested that she should settle the question for herself.\n\n“No; but it is so difficult. Sometimes he is so silly, and then I do not mind him. Miss Alan, what do you think? Is he nice?”\n\nThe little old lady shook her head, and sighed disapprovingly. Mr.\nBeebe, whom the conversation amused, stirred her up by saying:\n\n“I consider that you are bound to class him as nice, Miss Alan, after that business of the violets.”" @@ -196,7 +199,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "They passed into the sunlight. Cecil watched them cross the terrace,\nand descend out of sight by the steps. They would descend—he knew their ways—past the shrubbery, and past the tennis-lawn and the dahlia-bed,\nuntil they reached the kitchen garden, and there, in the presence of the potatoes and the peas, the great event would be discussed.\n\nSmiling indulgently, he lit a cigarette, and rehearsed the events that had led to such a happy conclusion." - "He had known Lucy for several years, but only as a commonplace girl who happened to be musical. He could still remember his depression that afternoon at Rome, when she and her terrible cousin fell on him out of the blue, and demanded to be taken to St. Peter’s. That day she had seemed a typical tourist—shrill, crude, and gaunt with travel. But Italy worked some marvel in her. It gave her light, and—which he held more precious—it gave her shadow. Soon he detected in her a wonderful reticence. She was like a woman of Leonardo da Vinci’s, whom we love not so much for herself as for the things that she will not tell us.\nThe things are assuredly not of this life; no woman of Leonardo’s could have anything so vulgar as a “story.” She did develop most wonderfully day by day." - "So it happened that from patronizing civility he had slowly passed if not to passion, at least to a profound uneasiness. Already at Rome he had hinted to her that they might be suitable for each other. It had touched him greatly that she had not broken away at the suggestion. Her refusal had been clear and gentle; after it—as the horrid phrase went—she had been exactly the same to him as before. Three months later, on the margin of Italy, among the flower-clad Alps, he had asked her again in bald, traditional language. She reminded him of a Leonardo more than ever; her sunburnt features were shadowed by fantastic rock;\nat his words she had turned and stood between him and the light with immeasurable plains behind her. He walked home with her unashamed,\nfeeling not at all like a rejected suitor. The things that really mattered were unshaken." -- "So now he had asked her once more, and, clear and gentle as ever, she had accepted him, giving no coy reasons for her delay, but simply saying that she loved him and would do her best to make him happy. His mother, too, would be pleased; she had counselled the step; he must write her a long account.\n\nGlancing at his hand, in case any of Freddy’s chemicals had come off on it, he moved to the writing table. There he saw “Dear Mrs. Vyse,”\nfollowed by many erasures. He recoiled without reading any more, and after a little hesitation sat down elsewhere, and pencilled a note on his knee.\n\nThen he lit another cigarette, which did not seem quite as divine as the first, and considered what might be done to make Windy Corner drawing-room more distinctive. With that outlook it should have been a successful room, but the trail of Tottenham Court Road was upon it; he could almost visualize the motor-vans of Messrs. Shoolbred and Messrs." +- "So now he had asked her once more, and, clear and gentle as ever, she had accepted him, giving no coy reasons for her delay, but simply saying that she loved him and would do her best to make him happy. His mother, too, would be pleased; she had counselled the step; he must write her a long account.\n\nGlancing at his hand, in case any of Freddy’s chemicals had come off on it, he moved to the writing table. There he saw “Dear Mrs. Vyse,”\nfollowed by many erasures. He recoiled without reading any more, and after a little hesitation sat down elsewhere, and pencilled a note on his knee." +- "Then he lit another cigarette, which did not seem quite as divine as the first, and considered what might be done to make Windy Corner drawing-room more distinctive. With that outlook it should have been a successful room, but the trail of Tottenham Court Road was upon it; he could almost visualize the motor-vans of Messrs. Shoolbred and Messrs." - "Maple arriving at the door and depositing this chair, those varnished book-cases, that writing-table. The table recalled Mrs. Honeychurch’s letter. He did not want to read that letter—his temptations never lay in that direction; but he worried about it none the less. It was his own fault that she was discussing him with his mother; he had wanted her support in his third attempt to win Lucy; he wanted to feel that others, no matter who they were, agreed with him, and so he had asked their permission. Mrs. Honeychurch had been civil, but obtuse in essentials, while as for Freddy—“He is only a boy,” he reflected. “I represent all that he despises. Why should he want me for a brother-in-law?”\n\nThe Honeychurches were a worthy family, but he began to realize that Lucy was of another clay; and perhaps—he did not put it very definitely—he ought to introduce her into more congenial circles as soon as possible." - "“Mr. Beebe!” said the maid, and the new rector of Summer Street was shown in; he had at once started on friendly relations, owing to Lucy’s praise of him in her letters from Florence.\n\nCecil greeted him rather critically.\n\n“I’ve come for tea, Mr. Vyse. Do you suppose that I shall get it?”\n\n“I should say so. Food is the thing one does get here—Don’t sit in that chair; young Honeychurch has left a bone in it.”\n\n“Pfui!”\n\n“I know,” said Cecil. “I know. I can’t think why Mrs. Honeychurch allows it.”\n\nFor Cecil considered the bone and the Maples’ furniture separately; he did not realize that, taken together, they kindled the room into the life that he desired.\n\n“I’ve come for tea and for gossip. Isn’t this news?”\n\n“News? I don’t understand you,” said Cecil. “News?”\n\nMr. Beebe, whose news was of a very different nature, prattled forward.\n\n“I met Sir Harry Otway as I came up; I have every reason to hope that I am first in the field. He has bought Cissie and Albert from Mr. Flack!”" - "“Has he indeed?” said Cecil, trying to recover himself. Into what a grotesque mistake had he fallen! Was it likely that a clergyman and a gentleman would refer to his engagement in a manner so flippant? But his stiffness remained, and, though he asked who Cissie and Albert might be, he still thought Mr. Beebe rather a bounder.\n\n“Unpardonable question! To have stopped a week at Windy Corner and not to have met Cissie and Albert, the semi-detached villas that have been run up opposite the church! I’ll set Mrs. Honeychurch after you.”\n\n“I’m shockingly stupid over local affairs,” said the young man languidly. “I can’t even remember the difference between a Parish Council and a Local Government Board. Perhaps there is no difference,\nor perhaps those aren’t the right names. I only go into the country to see my friends and to enjoy the scenery. It is very remiss of me. Italy and London are the only places where I don’t feel to exist on sufferance.”" @@ -237,7 +241,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He meant, “Are you fond of it?” But she answered dreamily, “I bathed here, too, till I was found out. Then there was a row.”\n\nAt another time he might have been shocked, for he had depths of prudishness within him. But now? with his momentary cult of the fresh air, he was delighted at her admirable simplicity. He looked at her as she stood by the pool’s edge. She was got up smart, as she phrased it,\nand she reminded him of some brilliant flower that has no leaves of its own, but blooms abruptly out of a world of green.\n\n“Who found you out?”\n\n“Charlotte,” she murmured. “She was stopping with us.\nCharlotte—Charlotte.”\n\n“Poor girl!”\n\nShe smiled gravely. A certain scheme, from which hitherto he had shrunk, now appeared practical.\n\n“Lucy!”\n\n“Yes, I suppose we ought to be going,” was her reply.\n\n“Lucy, I want to ask something of you that I have never asked before.”\n\nAt the serious note in his voice she stepped frankly and kindly towards him.\n\n“What, Cecil?”" - "“Hitherto never—not even that day on the lawn when you agreed to marry me—”\n\nHe became self-conscious and kept glancing round to see if they were observed. His courage had gone.\n\n“Yes?”\n\n“Up to now I have never kissed you.”\n\nShe was as scarlet as if he had put the thing most indelicately.\n\n“No—more you have,” she stammered.\n\n“Then I ask you—may I now?”\n\n“Of course, you may, Cecil. You might before. I can’t run at you, you know.”\n\nAt that supreme moment he was conscious of nothing but absurdities. Her reply was inadequate. She gave such a business-like lift to her veil.\nAs he approached her he found time to wish that he could recoil. As he touched her, his gold pince-nez became dislodged and was flattened between them." - "Such was the embrace. He considered, with truth, that it had been a failure. Passion should believe itself irresistible. It should forget civility and consideration and all the other curses of a refined nature. Above all, it should never ask for leave where there is a right of way. Why could he not do as any labourer or navvy—nay, as any young man behind the counter would have done? He recast the scene. Lucy was standing flowerlike by the water, he rushed up and took her in his arms; she rebuked him, permitted him and revered him ever after for his manliness. For he believed that women revere men for their manliness.\n\nThey left the pool in silence, after this one salutation. He waited for her to make some remark which should show him her inmost thoughts. At last she spoke, and with fitting gravity.\n\n“Emerson was the name, not Harris.”\n\n“What name?”\n\n“The old man’s.”\n\n“What old man?”\n\n“That old man I told you about. The one Mr. Eager was so unkind to.”" -- "He could not know that this was the most intimate conversation they had ever had.\n\n\n\n\nChapter X Cecil as a Humourist\n\n\nThe society out of which Cecil proposed to rescue Lucy was perhaps no very splendid affair, yet it was more splendid than her antecedents entitled her to. Her father, a prosperous local solicitor, had built Windy Corner, as a speculation at the time the district was opening up,\nand, falling in love with his own creation, had ended by living there himself. Soon after his marriage the social atmosphere began to alter." +- "He could not know that this was the most intimate conversation they had ever had.\n\n\n\n\nChapter X Cecil as a Humourist" +- "The society out of which Cecil proposed to rescue Lucy was perhaps no very splendid affair, yet it was more splendid than her antecedents entitled her to. Her father, a prosperous local solicitor, had built Windy Corner, as a speculation at the time the district was opening up,\nand, falling in love with his own creation, had ended by living there himself. Soon after his marriage the social atmosphere began to alter." - "Other houses were built on the brow of that steep southern slope and others, again, among the pine-trees behind, and northward on the chalk barrier of the downs. Most of these houses were larger than Windy Corner, and were filled by people who came, not from the district, but from London, and who mistook the Honeychurches for the remnants of an indigenous aristocracy. He was inclined to be frightened, but his wife accepted the situation without either pride or humility. “I cannot think what people are doing,” she would say, “but it is extremely fortunate for the children.” She called everywhere; her calls were returned with enthusiasm, and by the time people found out that she was not exactly of their _milieu_, they liked her, and it did not seem to matter. When Mr. Honeychurch died, he had the satisfaction—which few honest solicitors despise—of leaving his family rooted in the best society obtainable." - "The best obtainable. Certainly many of the immigrants were rather dull,\nand Lucy realized this more vividly since her return from Italy.\nHitherto she had accepted their ideals without questioning—their kindly affluence, their inexplosive religion, their dislike of paper-bags,\norange-peel, and broken bottles. A Radical out and out, she learnt to speak with horror of Suburbia. Life, so far as she troubled to conceive it, was a circle of rich, pleasant people, with identical interests and identical foes. In this circle, one thought, married, and died. Outside it were poverty and vulgarity for ever trying to enter, just as the London fog tries to enter the pine-woods pouring through the gaps in the northern hills. But, in Italy, where any one who chooses may warm himself in equality, as in the sun, this conception of life vanished." - "Her senses expanded; she felt that there was no one whom she might not get to like, that social barriers were irremovable, doubtless, but not particularly high. You jump over them just as you jump into a peasant’s olive-yard in the Apennines, and he is glad to see you. She returned with new eyes." diff --git a/tests/snapshots/text_splitter_snapshots__characters_trim@room_with_a_view.txt.snap b/tests/snapshots/text_splitter_snapshots__characters_trim@room_with_a_view.txt.snap index 658bd458..38243b0d 100644 --- a/tests/snapshots/text_splitter_snapshots__characters_trim@room_with_a_view.txt.snap +++ b/tests/snapshots/text_splitter_snapshots__characters_trim@room_with_a_view.txt.snap @@ -28,7 +28,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - restrictio - ns - whatsoever -- ". You may" +- "." +- You may - "copy it," - give it - away or re @@ -100,7 +101,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - The - Bertolini - Chapter II -- ". In Santa" +- "." +- In Santa - Croce with - "No" - Baedeker @@ -111,7 +113,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - and the - Letter “S” - Chapter IV -- ". Fourth" +- "." +- Fourth - Chapter - Chapter V. - Possibilit @@ -119,7 +122,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Pleasant - Outing - Chapter VI -- ". The" +- "." +- The - Reverend - Arthur - "Beebe, the" @@ -127,7 +131,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Cuthbert - "Eager, Mr." - "Emerson," -- Mr. George +- Mr. +- George - "Emerson," - Miss - Eleanor @@ -146,7 +151,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Italians - Drive Them - Chapter -- VII. They +- VII. +- They - Return - Part Two. - Chapter @@ -185,7 +191,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Situation - Bravely - Chapter XV -- ". The" +- "." +- The - Disaster - Within - Chapter @@ -261,9 +268,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - accent. - “It might - be London. -- ” -- She looked -- at the two +- ” She +- looked at +- the two - rows of - English - people who @@ -351,7 +358,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - would have - looked - over the -- Arno. The +- Arno. +- The - Signora - had no - business @@ -552,7 +560,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "then said:" - “A view? - "Oh, a view" -- "! How" +- "!" +- How - delightful - a view is! - ” @@ -591,7 +600,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - sympathize - d with the - new-comers -- ". Miss" +- "." +- Miss - "Bartlett," - "in reply," - opened her @@ -799,7 +809,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - opposite. - “Eat your - "dinner," -- dear. This +- dear. +- This - pension is - a failure. - To-morrow @@ -813,7 +824,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - decision - when she - reversed -- it. The +- it. +- The - curtains - at the end - of the @@ -845,7 +857,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - exclaiming - ": “Oh, oh!" - "Why, it’s" -- "Mr.\nBeebe!" +- Mr. +- Beebe! - "Oh, how" - perfectly - lovely! @@ -856,7 +869,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - however - bad the - rooms are. -- "Oh!”\n\nMiss" +- Oh!” +- Miss - Bartlett - "said, with" - more @@ -925,7 +939,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - her cousin - had - permitted -- it. “Just +- it. +- “Just - fancy how - small the - world is. @@ -973,7 +988,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I said: ‘" - Mr. - Beebe is—’ -- "”\n\n“Quite" +- ” +- “Quite - "right,”" - said the - clergyman. @@ -997,7 +1013,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - house is - Windy - Corner.” -- Mr. Beebe +- Mr. +- Beebe - bowed. - “There is - mother and @@ -1019,12 +1036,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - let Mr. - Beebe eat - his dinner -- ".”\n\n“I am" +- ".”" +- “I am - "eating it," - "thank you," - and - enjoying -- "it.”\n\nHe" +- it.” +- He - preferred - to talk to - "Lucy," @@ -1268,7 +1287,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - supported - "by ’Enery," - her little -- "boy,\nand" +- "boy," +- and - "Victorier," - her - daughter. @@ -1443,7 +1463,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - be under - an - obligation -- ".”\n\n“He is" +- ".”" +- “He is - rather a - peculiar - man.” @@ -1576,7 +1597,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - is a - Socialist? - ” -- Mr. Beebe +- Mr. +- Beebe - accepted - the - convenient @@ -1675,7 +1697,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - as soon as - he had - disappeare -- d. “Why +- d. +- “Why - didn’t you - "talk, Lucy" - "?" @@ -1701,7 +1724,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Lucy. - “Just what - I remember -- ". He seems" +- "." +- He seems - to see - good in - everyone. @@ -1808,7 +1832,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - a very - depressing - companion. -- "”\n\nAnd the" +- ” +- And the - girl again - "thought: “" - I must @@ -1947,7 +1972,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - into the - court.” - She sighed -- ". “If only" +- "." +- “If only - Mr. - Emerson - was more @@ -2048,7 +2074,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - said the - other - helplessly -- ". “But" +- "." +- “But - things are - so - "difficult," @@ -2145,7 +2172,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - t in - comparison - with yours -- ". It would" +- "." +- It would - be hard - indeed if - I stopped @@ -2169,7 +2197,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "." - Would you - "then," -- "Mr. Beebe," +- Mr. +- "Beebe," - kindly - tell Mr. - Emerson @@ -2197,7 +2226,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the Guelfs - and the - Ghibelline -- s. The +- s. +- The - "clergyman," - inwardly - cursing @@ -2220,7 +2250,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Grant me - "that, at" - all events -- ".”\n\nMr." +- ".”" +- Mr. - Beebe was - "back," - saying @@ -2251,7 +2282,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - cannot - thank him - personally -- ". But any" +- "." +- But any - message - given by - you to me @@ -2287,8 +2319,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Lucy. - “Poor - young man! -- ” -- said Miss +- ” said +- Miss - "Bartlett," - as soon as - he had @@ -2371,7 +2403,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Handbook - to - Northern -- "Italy,\nshe" +- "Italy," +- she - committed - to memory - the most @@ -2385,7 +2418,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - to enjoy - herself on - the morrow -- ". Thus the" +- "." +- Thus the - half-hour - crept - profitably @@ -2496,7 +2530,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - like it.” - Lucy was - bewildered -- ".\n\n“If you" +- "." +- “If you - are to - accept a - favour it @@ -2776,7 +2811,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - employed - for some - mysterious -- end. An +- end. +- An - electric - tram came - rushing @@ -2844,7 +2880,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - somersault - s in time - with the -- band. The +- band. +- The - tramcar - became - entangled @@ -2951,7 +2988,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - clever - lady among - the crumbs -- ".\n\nA" +- "." +- A - conversati - on then - "ensued, on" @@ -2997,7 +3035,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - accompany - Lucy - everywhere -- ". Oh," +- "." +- "Oh," - certainly - not; Lucy - would stop @@ -3033,7 +3072,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - safe. - Italians - understand -- ". A dear" +- "." +- A dear - friend of - "mine," - Contessa @@ -3144,7 +3184,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - found by - patient - observatio -- "n.”\n\nThis" +- n.” +- This - sounded - very - interestin @@ -3161,7 +3202,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - spirits. - Italy was - coming at -- "last.\nThe" +- last. +- The - Cockney - Signora - and her @@ -3446,7 +3488,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - field of - us! - How funny! -- "”\n\nMiss" +- ” +- Miss - Lavish - looked at - the narrow @@ -3457,7 +3500,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - have - property - in Surrey? -- "”\n\n“Hardly" +- ” +- “Hardly - "any,” said" - "Lucy," - fearful of @@ -3504,7 +3548,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "liked it," - which was - odd of her -- ". And just" +- "." +- And just - as Miss - Lavish had - got the @@ -3548,7 +3593,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - her with - "no" - misgivings -- ".\n\n“Lost!" +- "." +- “Lost! - lost! - My dear - "Miss Lucy," @@ -3564,7 +3610,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Conservati - ves would - jeer at us -- "!\nWhat are" +- "!" +- What are - we to do? - Two lone - females in @@ -3636,7 +3683,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - and became - discontent - ed herself -- ". For one" +- "." +- For one - ravishing - moment - Italy @@ -3756,9 +3804,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - spoke to - it - dramatical -- ly. It was +- ly. +- It was - Santa -- Croce. The +- Croce. +- The - adventure - was over. - “Stop a @@ -3769,7 +3819,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I shall - have to - speak to -- them. I do +- them. +- I do - detest - convention - al @@ -3836,7 +3887,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "events," - would get - full marks -- ". In this" +- "." +- In this - exalted - mood they - reached @@ -3858,7 +3910,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - goes my - local- - colour box -- "! I must" +- "!" +- I must - have a - word with - him!” @@ -3885,7 +3938,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - him - playfully - upon the -- "arm.\n\nLucy" +- arm. +- Lucy - waited for - nearly ten - minutes. @@ -3989,7 +4043,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - was full - of - originalit -- y. Now she +- y. +- Now she - entered - the church - depressed @@ -4109,8 +4164,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - which they - found - themselves -- ",\nnot to" -- spit. She +- "," +- not to +- spit. +- She - watched - the - tourists; @@ -4272,7 +4329,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "baby hurt," - "cold, and" - frightened -- "! But what" +- "!" +- But what - else can - you expect - from a @@ -4303,7 +4361,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "prayers," - came to - the rescue -- ". By some" +- "." +- By some - mysterious - "virtue," - which @@ -4384,7 +4443,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - rather - than - "delicate," -- "and,\nif" +- "and," +- if - "possible," - to erase - Miss @@ -4407,7 +4467,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “But what - are you - doing here -- "? Are you" +- "?" +- Are you - doing the - church? - Are you @@ -4529,7 +4590,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - giving us - your rooms - last night -- ".\nI hope" +- "." +- I hope - that you - have not - been put @@ -4548,7 +4610,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - have heard - older - people say -- ". You are" +- "." +- You are - pretending - to be - touchy; @@ -4599,7 +4662,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - surely a - girl might - humour him -- ". On the" +- "." +- On the - other hand - ", his son" - was a @@ -4718,7 +4782,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - anatomy - and - perspectiv -- e. Could +- e. +- Could - anything - be more - "majestic," @@ -4792,7 +4857,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - voice - "faltered," - as well it -- might. The +- might. +- The - audience - shifted - "uneasily," @@ -4822,7 +4888,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "happen, or" - didn’t it? - Yes or no? -- "”\n\nGeorge" +- ” +- George - "replied:" - “It - happened @@ -4876,7 +4943,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "the saint," - whoever he - "is, going" -- up. It did +- up. +- It did - happen - "like that," - if it @@ -4978,11 +5046,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - remind him - who I am. - It’s that -- "Mr.\nEager." +- Mr. +- Eager. - Why did he -- go? Did we +- go? +- Did we - talk too -- loud? How +- loud? +- How - vexatious. - I shall go - and say we @@ -5007,7 +5078,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - away to - apologize - to the Rev -- ". Cuthbert" +- "." +- Cuthbert - Eager. - "Lucy," - apparently @@ -5108,7 +5180,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - pace up - and down - the chapel -- ".\nFor a" +- "." +- For a - young man - his face - was rugged @@ -5122,7 +5195,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - sprang - into - tenderness -- ". She saw" +- "." +- She saw - him once - again at - "Rome, on" @@ -5147,7 +5221,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - only find - solution - in the -- night. The +- night. +- The - feeling - soon - passed; it @@ -5180,7 +5255,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - asked his - son - tranquilly -- ".\n\n“But we" +- "." +- “But we - have - spoilt the - pleasure @@ -5359,8 +5435,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “He’s - unhappy.” - "“Oh, dear!" -- ” -- said Lucy. +- ” said +- Lucy. - “How can - he be - unhappy @@ -5447,7 +5523,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Lucy had - made no - suggestion -- ". Suddenly" +- "." +- Suddenly - "he said:" - “Now don’t - be stupid @@ -5496,7 +5573,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - if I may - judge from - last night -- ". Let" +- "." +- Let - yourself - go. - Pull out @@ -5515,7 +5593,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - and know - the - meaning of -- them. By +- them. +- By - understand - ing George - you may @@ -5551,7 +5630,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - trouble; - things - won’t fit. -- "”\n\n“What" +- ” +- “What - things?” - “The - things of @@ -5614,11 +5694,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - the - eternal - smoothness -- ". But why" +- "." +- But why - should - this make - us unhappy -- "? Let us" +- "?" +- Let us - rather - love one - "another," @@ -5704,14 +5786,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - no end of - good for - my brother -- ". Perhaps" +- "." +- Perhaps - Italy - bores him; - you ought - to try the - Alps or - the Lakes. -- "”\n\nThe old" +- ” +- The old - man’s face - "saddened," - and he @@ -5742,7 +5826,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - kind thing - ", but" - quite -- silly. Her +- silly. +- Her - feelings - were as - inflated @@ -5768,9 +5853,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - both - pitiable - and absurd -- ". He" +- "." +- He - approached -- ",\nhis face" +- "," +- his face - in the - shadow. - "He said:" @@ -5829,7 +5916,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - fortunate - "girl, I" - assure you -- ". I’m" +- "." +- I’m - thoroughly - "happy, and" - having a @@ -5854,10 +5942,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - much for - all your - kindness. -- "Ah,\nyes!" +- "Ah," +- yes! - there does - come my -- cousin. A +- cousin. +- A - delightful - morning! - Santa @@ -5895,7 +5985,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - longer - either a - rebel or a -- "slave.\nThe" +- slave. +- The - kingdom of - music is - not the @@ -6122,7 +6213,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - she come - to her - desire. -- "Mr. Beebe," +- Mr. +- "Beebe," - sitting - unnoticed - in the @@ -6599,7 +6691,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - in the way - of - definition -- ". Miss" +- "." +- Miss - Lavish was - so - original. @@ -6694,7 +6787,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - all events - ", have" - made it up -- ".”\n\nHe was" +- ".”" +- He was - interested - in the - sudden @@ -6766,7 +6860,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Lucy were - charming - to look at -- ",\nbut Mr." +- "," +- but Mr. - "Beebe was," - from - rather @@ -6930,7 +7025,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - quite - agree with - "you, Miss" -- Alan. The +- Alan. +- The - Italians - are a most - unpleasant @@ -6939,7 +7035,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - everywhere - ", they see" - everything -- ",\nand they" +- "," +- and they - know what - we want - before we @@ -7126,7 +7223,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “What was - that?” - asked Lucy -- ".\n\nMr." +- "." +- Mr. - Beebe sat - back - complacent @@ -7143,7 +7241,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "gather," - not a very - nice novel -- ". It is so" +- "." +- It is so - sad when - people who - have @@ -7203,7 +7302,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - tempted - into - cigarettes -- ". It is a" +- "." +- It is a - great - "secret," - but I am @@ -7320,7 +7420,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - when the - Emersons - arrived.” -- Mr. Beebe +- Mr. +- Beebe - smiled as - Miss Alan - plunged @@ -7357,11 +7458,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - things - very - strangely— -- "”\n\nHer jaw" +- ” +- Her jaw - dropped. - She was - silent. -- "Mr. Beebe," +- Mr. +- "Beebe," - whose - social - resources @@ -7469,7 +7572,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "!" - The early - Victorians -- ".’ Just" +- ".’" +- Just - imagine! - ‘Tut! - The early @@ -7549,7 +7653,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - place. - But that - was not -- all. After +- all. +- After - dinner - Miss - Lavish @@ -7572,7 +7677,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - such an - unsuitable - invitation -- ",\nand she" +- "," +- and she - had the - impertinen - ce to tell @@ -7632,11 +7738,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Whatever - happened?” - cried Lucy -- ".\n\n“No one" +- "." +- “No one - knows. - No one - will ever -- know. Miss +- know. +- Miss - Lavish - will never - dare to @@ -7657,7 +7765,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I do so - want to - know.” -- Mr. Beebe +- Mr. +- Beebe - laughed - and - suggested @@ -7746,10 +7855,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - They are - _not_ nice - ".”" -- Mr. Beebe +- Mr. +- Beebe - smiled - nonchalant -- ly. He had +- ly. +- He had - made a - gentle - effort to @@ -7786,7 +7897,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "breeding," - were - following -- her. Miss +- her. +- Miss - "Bartlett," - smarting - under an @@ -7880,7 +7992,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - seats at - dinner had - been moved -- ".\n\n“But" +- "." +- “But - aren’t - they - always @@ -7904,7 +8017,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - quite - "politely," - of course. -- "”\n\n“Most" +- ” +- “Most - right of - her. - They don’t @@ -7913,12 +8027,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - They must - find their - level.” -- Mr. Beebe +- Mr. +- Beebe - rather - felt that - they had - gone under -- ". They had" +- "." +- They had - given up - their - attempt—if @@ -7931,7 +8047,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - was almost - as silent - as the son -- ". He" +- "." +- He - wondered - whether he - would not @@ -8209,7 +8326,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - immortal - in this - medieval -- lady. The +- lady. +- The - dragons - "have gone," - and so @@ -8249,7 +8367,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - creature - grows - degenerate -- ". In her" +- "." +- In her - heart also - there are - springing @@ -8264,7 +8383,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - and green - expanses - of the sea -- ". She has" +- "." +- She has - marked the - kingdom of - this world @@ -8367,7 +8487,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - her well- - wishers - disapprove -- d. As she +- d. +- As she - might not - go on the - electric @@ -8609,10 +8730,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - throbbing - in the - tranquil -- sky. Its +- sky. +- Its - brightness - mesmerized -- "her,\nstill" +- "her," +- still - dancing - before her - eyes when @@ -8626,7 +8749,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Then - something - did happen -- ".\n\nTwo" +- "." +- Two - Italians - by the - Loggia had @@ -8688,7 +8812,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - him away - to the - fountain. -- Mr. George +- Mr. +- George - Emerson - happened - to be a @@ -8728,7 +8853,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - done?” - "“Oh, what" - have I -- done?” she +- done?” +- she - "murmured," - and opened - her eyes. @@ -8767,7 +8893,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "spoke, and" - began to - dust his -- knees. She +- knees. +- She - "repeated:" - "“Oh, what" - have I @@ -8798,7 +8925,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - out his - hand to - pull her -- up. She +- up. +- She - pretended - not to see - it. @@ -8836,7 +8964,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - extended. - "“Oh, my" - photograph -- s!” she +- s!” +- she - exclaimed - suddenly. - “What @@ -8883,7 +9012,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the Arno. - “Miss - Honeychurc -- "h!”\n\nShe" +- h!” +- She - stopped - with her - hand on @@ -8972,7 +9102,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "that she," - as well as - the dying -- "man,\nhad" +- "man," +- had - crossed - some - spiritual @@ -8982,7 +9113,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - and she - talked of - the murder -- ". Oddly" +- "." +- Oddly - "enough, it" - was an - easy topic @@ -9122,8 +9254,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - wondering - what to do - with them. -- ” -- He pointed +- ” He +- pointed - down- - stream. - “They’ve @@ -9152,7 +9284,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Then the - boy verged - into a man -- ". “For" +- "." +- “For - something - tremendous - has @@ -9179,7 +9312,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - mean to - find out - what it is -- ".”\n\n“Mr." +- ".”" +- “Mr. - Emerson—” - He turned - towards @@ -9210,7 +9344,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - parapet of - the - embankment -- ". He did" +- "." +- He did - likewise. - There is - at times a @@ -9291,7 +9426,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", my" - foolish - behaviour? -- "”\n\n“Your" +- ” +- “Your - behaviour? - "Oh, yes," - all right— @@ -9488,7 +9624,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Charlotte - Bartlett - would turn -- ".” She was" +- ".”" +- She was - perfectly - pleasant - and @@ -9535,7 +9672,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - reticules - for - provisions -- ". It might" +- "." +- It might - have been - most - unpleasant @@ -9590,7 +9728,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - not that - she had - encountere -- d it. This +- d it. +- This - solitude - oppressed - her; she @@ -9613,7 +9752,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - she was - thinking - right or -- "wrong.\n\nAt" +- wrong. +- At - breakfast - next - morning @@ -9681,10 +9821,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - alone. - "“No," - Charlotte! -- ” -- cried the -- "girl, with" -- real +- ” cried +- "the girl," +- with real - warmth. - “It’s very - kind of Mr @@ -9711,7 +9850,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - of shame - on the - cheeks of -- Lucy. How +- Lucy. +- How - abominably - she - behaved to @@ -9720,12 +9860,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - always! - But now - she should -- alter. All +- alter. +- All - morning - she would - be really - nice to -- "her.\n\nShe" +- her. +- She - slipped - her arm - into her @@ -9749,7 +9891,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - over the - parapet to - look at it -- ". She then" +- "." +- She then - made her - usual - "remark," @@ -9761,7 +9904,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - mother - could see - "this, too!" -- "”\n\nLucy" +- ” +- Lucy - fidgeted; - it was - tiresome @@ -9863,7 +10007,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - would have - such - significan -- ce. For a +- ce. +- For a - moment she - understood - the nature @@ -9912,12 +10057,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - What a - fortunate - thing!” -- “Aha! Miss +- “Aha! +- Miss - Honeychurc - "h, come" - you here I - am in luck -- ". Now, you" +- "." +- "Now, you" - are to - tell me - absolutely @@ -9926,10 +10073,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - saw from - the - beginning. -- ” -- Lucy poked -- at the -- ground +- ” Lucy +- poked at +- the ground - with her - parasol. - “But @@ -9975,7 +10121,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - heart into - which we - wouldn’t -- "pry.”\n\nShe" +- pry.” +- She - marched - cheerfully - to the @@ -10042,7 +10189,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Eleanor. - “I do hope - she’s nice -- ".”\n\nThat" +- ".”" +- That - desideratu - m would - not be @@ -10145,7 +10293,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - going to - paint so - far as I -- can. For I +- can. +- For I - repeat and - "I insist," - and I have @@ -10204,7 +10353,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - aim was - not to get - put into -- it. Her +- it. +- Her - perception - s this - morning @@ -10286,7 +10436,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Were you - indeed? - Andate via -- "! sono" +- "!" +- sono - occupato!” - The last - remark was @@ -10379,7 +10530,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "no" - commonplac - e chaplain -- ". He was a" +- "." +- He was a - member of - the - residentia @@ -10388,7 +10540,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - made - Florence - their home -- ". He knew" +- "." +- He knew - the people - who never - walked @@ -10558,7 +10711,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - message of - purity. - Andate via -- "! andate" +- "!" +- andate - "presto," - presto! - "Ah, the" @@ -10592,7 +10746,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - portentous - and - humiliatin -- "g.”\n\n“" +- g.” +- “ - Humiliatin - "g indeed,”" - said Miss @@ -10609,7 +10764,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - hardly - bear to - speak of -- "it.”\nShe" +- it.” +- She - glanced at - Lucy - proudly. @@ -10620,7 +10776,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - asked the - chaplain - paternally -- ".\n\nMiss" +- "." +- Miss - Bartlett’s - recent - liberalism @@ -10664,7 +10821,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - towards - her to - catch her -- "reply.\n\n“" +- reply. +- “ - Practicall - y.” - “One of @@ -10687,7 +10845,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - been a - terrible - experience -- ". I trust" +- "." +- I trust - that - neither of - you was at @@ -10696,7 +10855,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - in your - immediate - proximity? -- "”\n\nOf the" +- ” +- Of the - many - things - Lucy was @@ -10821,14 +10981,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - Bartlett. - “Ignore - "him,” said" -- Mr. Eager +- Mr. +- Eager - "sharply," - and they - all walked - rapidly - away from - the square -- ".\n\nBut an" +- "." +- But an - Italian - can never - be ignored @@ -10843,13 +11005,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - Eager - became - relentless -- ";\nthe air" +- ; +- the air - rang with - his - threats - and - lamentatio -- ns. He +- ns. +- He - appealed - to Lucy; - would not @@ -10977,7 +11141,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "enough," - ceased to - respect -- them. She +- them. +- She - doubted - that Miss - Lavish was @@ -11050,7 +11215,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - y people - rise in - these days -- "!” sighed" +- "!”" +- sighed - Miss - "Bartlett," - fingering @@ -11096,7 +11262,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ".”" - “Is he a - journalist -- now?” Miss +- now?” +- Miss - Bartlett - asked. - “He is not @@ -11116,7 +11283,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - a sigh. - "“Oh, so he" - has a wife -- ".”\n\n“Dead," +- ".”" +- "“Dead," - Miss - "Bartlett," - dead. @@ -11160,9 +11328,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", flushing" - "." - “Exposure! -- ” -- hissed Mr. -- Eager. +- ” hissed +- Mr. Eager. - He tried - to change - the @@ -11312,7 +11479,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “That man - murdered - his wife!” -- “How?” she +- “How?” +- she - retorted. - “To all - intents @@ -11327,7 +11495,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - they say - anything - against me -- "?”\n\n“Not a" +- "?”" +- “Not a - "word, Mr." - Eager—not - a single @@ -11373,7 +11542,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - discomfite - d by the - unpleasant -- scene. The +- scene. +- The - shopman - was - possibly @@ -11387,7 +11557,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - his wife - in the - sight of -- "God.”\n\nThe" +- God.” +- The - addition - of God was - striking. @@ -11480,11 +11651,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - We might - as well - invite him -- ". We are" +- "." +- We are - each - paying for - ourselves. -- "”\n\nMiss" +- ” +- Miss - "Bartlett," - who had - intended @@ -11584,7 +11757,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the most - extraordin - ary things -- ".\nMurder," +- "." +- "Murder," - accusation - s of - "murder, a" @@ -11616,7 +11790,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - speedily - to a - fulfillmen -- "t?\n\nHappy" +- t? +- Happy - "Charlotte," - "who," - though @@ -11839,7 +12014,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the heart - of Sir - Harry -- Otway. She +- Otway. +- She - recalled - "the free," - pleasant @@ -12063,7 +12239,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Cuthbert - "Eager, Mr." - "Emerson," -- Mr. George +- Mr. +- George - "Emerson," - Miss - Eleanor @@ -12081,7 +12258,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - View; - Italians - Drive Them -- ".\n\n\nIt was" +- "." +- It was - Phaethon - who drove - them to @@ -12156,7 +12334,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - guard - against - imposition -- ". But the" +- "." +- But the - ladies - interceded - ", and when" @@ -12219,7 +12398,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - dreadful - thing had - "happened:" -- "Mr. Beebe," +- Mr. +- "Beebe," - without - consulting - Mr. @@ -12282,7 +12462,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "it," - was now - impossible -- ". Lucy and" +- "." +- Lucy and - Miss - Bartlett - had a @@ -12313,7 +12494,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - villa at - his - introducti -- "on.\n\nLucy," +- on. +- "Lucy," - elegantly - dressed in - "white, sat" @@ -12399,7 +12581,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - of death - is - pardonable -- ".\nBut to" +- "." +- But to - discuss it - afterwards - ", to pass" @@ -12500,7 +12683,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Honeychurc - "h, you are" - travelling -- "? As a" +- "?" +- As a - student of - art?” - "“Oh, dear" @@ -12596,7 +12780,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - where we - saw the - yaller dog -- ".’ There’s" +- ".’" +- There’s - travelling - for you. - Ha! ha! @@ -12612,7 +12797,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - interrupt - his - mordant -- wit. “The +- wit. +- “The - narrowness - and - superficia @@ -12812,7 +12998,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - enjoying - the - expedition -- ". The" +- "." +- The - carriage - swept with - agonizing @@ -12876,7 +13063,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "large," - slumbering - form of Mr -- ".\nEmerson" +- "." +- Emerson - was thrown - against - the @@ -12942,7 +13130,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - round on - them with - piteous -- "eyes.\n\nMr." +- eyes. +- Mr. - Eager took - the - trouble to @@ -12959,7 +13148,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - accusation - ", but at" - its manner -- ". At this" +- "." +- At this - point Mr. - "Emerson," - whom the @@ -12989,7 +13179,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the cause - of - Bohemianis -- "m.\n\n“Most" +- m. +- “Most - certainly - I would - let them @@ -13042,7 +13233,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "up behind," - and - sensible -- Mr. Beebe +- Mr. +- Beebe - called out - that after - this @@ -13111,7 +13303,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - determined - to make - himself -- heard. He +- heard. +- He - addressed - the driver - again. @@ -13171,7 +13364,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - he appeal - to Lucy? - “Signorina -- "!” echoed" +- "!”" +- echoed - Persephone - in her - glorious @@ -13186,7 +13380,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - two girls - looked at - each other -- ". Then" +- "." +- Then - Persephone - got down - from the @@ -13212,7 +13407,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - parted two - people who - were happy -- ".”\n\nMr." +- ".”" +- Mr. - Eager shut - his eyes. - He was @@ -13231,7 +13427,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - and took - up the - matter -- warmly. He +- warmly. +- He - commanded - Lucy to - agree with @@ -13246,7 +13443,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - cannot be - bought - with money -- ". He has" +- "." +- He has - bargained - to drive - "us, and he" @@ -13281,7 +13479,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - It was as - restful as - sleeping. -- Aha! he is +- Aha! +- he is - jolting us - now. - Can you @@ -13300,7 +13499,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ous I’d be - frightened - of the -- "girl,\ntoo." +- "girl," +- too. - It doesn’t - do to - injure @@ -13310,7 +13510,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ever heard - of Lorenzo - de Medici? -- "”\n\nMiss" +- ” +- Miss - Lavish - bristled. - “Most @@ -13350,7 +13551,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - against - the Spring - ".’”" -- Mr. Eager +- Mr. +- Eager - could not - resist the - opportunit @@ -13468,7 +13670,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - promontory - "," - uncultivat -- "ed,\nwet," +- "ed," +- "wet," - covered - with - bushes and @@ -13580,7 +13783,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - go - different - directions -- ". Finally" +- "." +- Finally - they split - into - groups. @@ -13631,7 +13835,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Miss - Bartlett - had asked -- Mr. George +- Mr. +- George - Emerson - what his - profession @@ -13668,7 +13873,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - much hurt - at her - asking him -- ".\n\n“The" +- "." +- “The - railway!” - gasped - Miss @@ -13709,7 +13915,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - it’s all - "right,”" - put in -- Lucy. “The +- Lucy. +- “The - Emersons - won’t hear - ", and they" @@ -13729,7 +13936,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - rather - crossly. - “Pouf! -- Wouf! You +- Wouf! +- You - naughty - girl! - Go away!” @@ -13744,7 +13952,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "now, and I" - don’t want - to either. -- "”\n\n“Mr." +- ” +- “Mr. - Eager will - be - offended. @@ -13835,7 +14044,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - functions - of - enthusiasm -- ". Lucy did" +- "." +- Lucy did - not look - at the - view @@ -13948,7 +14158,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "cough, and" - I have had - it three -- days. It’s +- days. +- It’s - nothing to - do with - sitting @@ -13968,7 +14179,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - in search - of Mr. - Beebe and -- "Mr. Eager," +- Mr. +- "Eager," - vanquished - by the - mackintosh @@ -14049,7 +14261,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Italian - for “ - clergyman” -- "?\n\n“Dove" +- "?" +- “Dove - buoni - uomini?” - said she @@ -14158,7 +14371,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - was - beautiful - and direct -- ". For the" +- "." +- For the - first time - she felt - the @@ -14186,7 +14400,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "first," - violets - afterwards -- ". They" +- "." +- They - proceeded - briskly - through @@ -14244,7 +14459,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - them. - The voice - of Mr. -- Eager? He +- Eager? +- He - shrugged - his - shoulders. @@ -14313,11 +14529,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - standing - some six - feet above -- ".\n“Courage" +- "." +- “Courage - and love.” - She did - not answer -- ". From her" +- "." +- From her - feet the - ground - sloped @@ -14423,7 +14641,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "called," - “Lucy! - Lucy! -- Lucy!” The +- Lucy!” +- The - silence of - life had - been @@ -14579,7 +14798,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - He will be - "hours,”" - said Mr. -- "Beebe.\n\n“" +- Beebe. +- “ - Apparently - "." - I told him @@ -14618,7 +14838,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - what he - wished - them to be -- ". He alone" +- "." +- He alone - had - interprete - d the @@ -14800,7 +15021,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - to - extinguish - you or me? -- "”\n\n“No—of" +- ” +- “No—of - course—” - “Even from - the @@ -14860,7 +15082,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - to pay for - it - afterwards -- ". Miss" +- "." +- Miss - "Bartlett," - by this - timely @@ -14876,7 +15099,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - preaching - or cross - examinatio -- "n.\n\nShe" +- n. +- She - renewed it - when the - two @@ -14891,7 +15115,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “We want - your - assistance -- ". Will you" +- "." +- Will you - interpret - for us?” - “George!” @@ -14966,7 +15191,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - —“_he_ - knows - everything -- ". Dearest," +- "." +- "Dearest," - had we - better? - Shall I?” @@ -15024,7 +15250,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the great - supports - had fallen -- ". If they" +- "." +- If they - had not - stopped - perhaps @@ -15086,7 +15313,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - it to be - unmanly or - unladylike -- ". Miss" +- "." +- Miss - Lavish - calculated - "that," @@ -15099,7 +15327,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - caught in - the - accident. -- Mr. Eager +- Mr. +- Eager - mumbled a - temperate - prayer. @@ -15164,7 +15393,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - disturbed - her - repentance -- ". As a" +- "." +- As a - matter of - "fact, the" - storm was @@ -15194,7 +15424,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "surprise," - just as I - was before -- ".\nBut this" +- "." +- But this - time I’m - not to - blame; I @@ -15236,7 +15467,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - schoolgirl - s.” - “And then? -- "”\n\n“But," +- ” +- "“But," - "Charlotte," - you know - what @@ -15245,7 +15477,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Miss - Bartlett - was silent -- ". Indeed," +- "." +- "Indeed," - she had - little - more to @@ -15306,7 +15539,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - in others. - The storm - had ceased -- ",\nand Mr." +- "," +- and Mr. - Emerson - was easier - about his @@ -15400,12 +15634,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - She - refused - vehemently -- ". Music" +- "." +- Music - seemed to - her the - employment - of a child -- ". She sat" +- "." +- She sat - close to - her cousin - ", who," @@ -15501,7 +15737,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - upon. - “What is - to be done -- "? A point," +- "?" +- "A point," - "dearest," - which you - alone can @@ -15572,7 +15809,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Bartlett - ignored - the remark -- ".\n\n“How do" +- "." +- “How do - you - propose to - silence @@ -15581,7 +15819,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - driver?” - “My dear - "girl, no;" -- Mr. George +- Mr. +- George - Emerson.” - Lucy began - to pace up @@ -15591,7 +15830,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - understand - ",” she" - said at -- "last.\n\nShe" +- last. +- She - understood - "very well," - but she no @@ -15616,7 +15856,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - intend to - judge him - charitably -- ". But" +- "." +- But - unfortunat - ely I have - met the @@ -15630,9 +15871,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - themselves - ".”" - “Exploits? -- ” -- cried Lucy -- ", wincing" +- ” cried +- "Lucy," +- wincing - under the - horrible - plural. @@ -15751,11 +15992,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - to keep - silence?” - “Certainly -- not. There +- not. +- There - would be - "no" - difficulty -- ". Whatever" +- "." +- Whatever - you ask - him he - "answers," @@ -15824,7 +16067,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - intoning - it more - vigorously -- ".\n\n“What" +- "." +- “What - would have - happened - if I @@ -16045,7 +16289,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - remained - motionless - and silent -- ". To her" +- "." +- To her - tired eyes - Charlotte - throbbed @@ -16071,7 +16316,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - to Rome. - "Lucy, when" - admonished -- ",\nbegan to" +- "," +- began to - move to - and fro - between @@ -16152,7 +16398,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - and - receive - some human -- "love.\nThe" +- love. +- The - impulse - had come - before to- @@ -16175,7 +16422,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - with - tenderness - and warmth -- ". But she" +- "." +- But she - was not a - stupid - "woman, and" @@ -16211,7 +16459,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - forgiving - Miss - Bartlett -- meant. Her +- meant. +- Her - emotion - "relaxed," - she @@ -16301,7 +16550,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - often able - to leave - me at home -- ". I had my" +- "." +- I had my - own poor - ideas of - what a @@ -16320,7 +16570,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - these - "rooms, at" - all events -- ".”\n\n“You" +- ".”" +- “You - mustn’t - say these - "things,”" @@ -16335,7 +16586,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - loved each - "other," - heart and -- soul. They +- soul. +- They - continued - to pack in - silence. @@ -16412,7 +16664,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - true that - I have - neglected -- you. Your +- you. +- Your - mother - will see - this as @@ -16438,11 +16691,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I suppose - I do - generally. -- "”\n\n“I dare" +- ” +- “I dare - not break - your - confidence -- ". There is" +- "." +- There is - something - sacred in - it. @@ -16478,7 +16733,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - it either - to her or - to any one -- ".”\n\nHer" +- ".”" +- Her - promise - brought - the long- @@ -16504,7 +16760,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - trouble - was in the - background -- ". George" +- "." +- George - would seem - to have - behaved @@ -16538,7 +16795,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - intervened - ", and," - ever since -- ",\nit was" +- "," +- it was - Miss - Bartlett - who had @@ -16685,7 +16943,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - his room - he had to - go by hers -- ". She was" +- "." +- She was - still - dressed. - It struck @@ -16706,7 +16965,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ary - intercours - e was over -- ".\n\nWhether" +- "." +- Whether - she would - have dared - to do this @@ -16721,7 +16981,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "own door," - and her - voice said -- ":\n\n“I wish" +- ":" +- “I wish - one word - with you - in the @@ -16750,7 +17011,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Lucy cried - "aloud: “It" - isn’t true -- ". It can’t" +- "." +- It can’t - all be - true. - I want not @@ -16808,7 +17070,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - them was - subdued - and varied -- ". A poet—" +- "." +- A poet— - none was - present— - might have @@ -17014,12 +17277,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - ble.” - “Do you - "indeed," -- dear? How +- dear? +- How - interestin - g!” - “I feel— - never mind -- ".”\n\nHe" +- ".”" +- He - returned - to his - work. @@ -17098,7 +17363,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Why so?” - asked the - son and -- heir. “Why +- heir. +- “Why - shouldn’t - my - permission @@ -17146,7 +17412,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - shy to say - what the - bother was -- ".\nMrs." +- "." +- Mrs. - Honeychurc - h went - back to @@ -17211,7 +17478,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - awfully.” - He gave a - nervous -- gulp. “Not +- gulp. +- “Not - content - with ‘ - permission @@ -17256,7 +17524,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - you gave a - careful - "answer," -- "dear.”\n\n“I" +- dear.” +- “I - answered ‘ - No’” said - "the boy," @@ -17274,7 +17543,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - He ought - never to - have asked -- "me.”\n\n“" +- me.” +- “ - Ridiculous - child!” - cried his @@ -17367,7 +17637,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Not a bit - "!”" - he pleaded -- ". “I only" +- "." +- “I only - let out I - didn’t - like him. @@ -17389,7 +17660,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "like him,”" - said Mrs. - Honeychurc -- h. “I know +- h. +- “I know - his mother - ; he’s - "good, he’s" @@ -17409,9 +17681,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "like: he’s" - well - connected. -- ” -- She paused -- ", as if" +- ” She +- "paused, as" +- if - rehearsing - her eulogy - ", but her" @@ -17451,7 +17723,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - interest. - “I don’t - see how Mr -- ". Beebe" +- "." +- Beebe - comes in.” - “You know - Mr. @@ -17564,7 +17837,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - called his - mother. - “‘Dear Mrs -- ". Vyse,—" +- "." +- "Vyse,—" - Cecil has - just asked - my @@ -17575,11 +17849,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - delighted - if Lucy - wishes it. -- ’ -- Then I put -- in at the -- "top, ‘and" -- I have +- ’ Then I +- put in at +- "the top, ‘" +- and I have - told Lucy - so.’ - I must @@ -17599,7 +17872,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - must - decide for - themselves -- ".’\nI said" +- ".’" +- I said - that - because I - didn’t @@ -17655,7 +17929,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - must - decide for - themselves -- ". I know" +- "." +- I know - that Lucy - likes your - "son," @@ -17723,7 +17998,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - must - decide for - themselves -- ". I know" +- "." +- I know - that Lucy - likes your - "son," @@ -17731,7 +18007,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - she tells - me - everything -- ". But I do" +- "." +- But I do - not know—’ - ” - “Look out! @@ -17745,7 +18022,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - movement - was one of - irritation -- ". He" +- "." +- He - couldn’t - bear the - Honeychurc @@ -17880,7 +18158,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - worshipped - as - asceticism -- ". A Gothic" +- "." +- A Gothic - statue - implies - "celibacy," @@ -17909,7 +18188,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - wearing - another - fellow’s -- "cap.\n\nMrs." +- cap. +- Mrs. - Honeychurc - h left her - letter on @@ -17922,11 +18202,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - acquaintan - ce. - "“Oh, Cecil" -- "!” she" +- "!”" +- she - exclaimed— - "“oh, Cecil" - ", do tell" -- "me!”\n\n“I" +- me!” +- “I - promessi - "sposi,”" - said he. @@ -18004,7 +18286,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “This is - indeed a - joyous day -- "! I feel" +- "!" +- I feel - sure that - you will - make our @@ -18081,7 +18364,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - arms. - "He said, “" - Steady on! -- "”\n\n“Not a" +- ” +- “Not a - kiss for - me?” - asked her @@ -18103,7 +18387,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - stop here - and tell - my mother. -- "”\n\n“We go" +- ” +- “We go - with Lucy? - ” said - "Freddy, as" @@ -18166,7 +18451,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - such a - happy - conclusion -- ".\n\nHe had" +- "." +- He had - known Lucy - for - several @@ -18220,7 +18506,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - precious— - it gave - her shadow -- ". Soon he" +- "." +- Soon he - detected - in her a - wonderful @@ -18293,7 +18580,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - away at - the - suggestion -- ". Her" +- "." +- Her - refusal - had been - clear and @@ -18322,7 +18610,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "bald," - traditiona - l language -- ". She" +- "." +- She - reminded - him of a - Leonardo @@ -18471,7 +18760,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Messrs. - Shoolbred - and Messrs -- ".\nMaple" +- "." +- Maple - arriving - at the - door and @@ -18666,7 +18956,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "you,” said" - Cecil. - “News?” -- "Mr. Beebe," +- Mr. +- "Beebe," - whose news - was of a - very @@ -18726,7 +19017,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "might be," - he still - thought Mr -- ". Beebe" +- "." +- Beebe - rather a - bounder. - “ @@ -18750,7 +19042,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - up - opposite - the church -- "! I’ll set" +- "!" +- I’ll set - Mrs. - Honeychurc - h after @@ -18806,7 +19099,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "on" - sufferance - ".”" -- "Mr. Beebe," +- Mr. +- "Beebe," - distressed - at this - heavy @@ -18907,12 +19201,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "example," - Freddy - Honeychurc -- "h.”\n\n“Oh," +- h.” +- "“Oh," - Freddy’s a - "good sort," - isn’t he?” - “Admirable -- ". The sort" +- "." +- The sort - who has - made - England @@ -18921,7 +19217,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Cecil - wondered - at himself -- ". Why, on" +- "." +- "Why, on" - this day - of all - "others," @@ -19000,7 +19297,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Mary, but" - they are - very grave -- ". Shall we" +- "." +- Shall we - look in - the garden - "?”" @@ -19073,7 +19371,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - theory - about Miss - Honeychurc -- h. Does it +- h. +- Does it - seem - reasonable - that she @@ -19152,7 +19451,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "course," - you knew - her before -- ". No, she" +- "." +- "No, she" - wasn’t - wonderful - in @@ -19203,7 +19503,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Bartlett - holding - the string -- ". Picture" +- "." +- Picture - number two - ": the" - string @@ -19218,7 +19519,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - viewed - things - artistical -- ly. At the +- ly. +- At the - time he - had given - surreptiti @@ -19287,7 +19589,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - that she - is going - to marry -- "me.”\n\nThe" +- me.” +- The - clergyman - was - conscious @@ -19315,7 +19618,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - this - "flippant," - superficia -- "l way.\nMr." +- l way. +- Mr. - "Vyse, you" - ought to - have @@ -19380,7 +19684,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - you a - "shock,” he" - said dryly -- ". “I fear" +- "." +- “I fear - that - Lucy’s - choice @@ -19393,7 +19698,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ought to - have - stopped me -- ". I know" +- "." +- I know - Miss - Honeychurc - h only a @@ -19417,12 +19723,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - something - indiscreet - "?”" -- Mr. Beebe +- Mr. +- Beebe - pulled - himself - together. - "Really, Mr" -- ". Vyse had" +- "." +- Vyse had - the art of - placing - one in the @@ -19435,7 +19743,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - prerogativ - es of his - profession -- ".\n\n“No, I" +- "." +- "“No, I" - have said - nothing - indiscreet @@ -19624,7 +19933,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - poetry or - the - Scriptures -- ". None of" +- "." +- None of - them dared - or was - able to be @@ -19693,7 +20003,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the most - feel - sentimenta -- "l. Inside," +- l. +- "Inside," - though the - saints and - gods are @@ -19759,7 +20070,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - kicked the - drawing- - room door. -- Mr. Beebe +- Mr. +- Beebe - chirruped. - Freddy was - at his @@ -19822,7 +20134,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - party in - the - neighbourh -- "ood,\nfor" +- "ood," +- for - naturally - she wanted - to show @@ -20009,7 +20322,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - notice us - so much - next time. -- "”\n\n“But my" +- ” +- “But my - point is - that their - whole @@ -20100,7 +20414,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ".”" - “Inglese - Italianato -- "?”\n\n“E un" +- "?”" +- “E un - diavolo - incarnato! - You know @@ -20133,7 +20448,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - was far - from - possessing -- ".\n\n“Well,”" +- "." +- "“Well,”" - "said he, “" - I cannot - help it if @@ -20187,14 +20503,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - by the - barriers - of others? -- "”\n\nShe" +- ” +- She - thought a - "moment," - and agreed - that it - did make a - difference -- ".\n\n“" +- "." +- “ - Difference - "?”" - cried Mrs. @@ -20224,16 +20542,17 @@ input_file: tests/inputs/text/room_with_a_view.txt - “My dear - "Cecil," - look here. -- ” -- She spread -- out her -- knees and +- ” She +- spread out +- her knees +- and - perched - her card- - case on - her lap. - “This is -- me. That’s +- me. +- That’s - Windy - Corner. - The rest @@ -20247,7 +20566,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - but the - fence - comes here -- ".”\n\n“We" +- ".”" +- “We - weren’t - talking of - real @@ -20380,7 +20700,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - he had.” - “No!” - “Why ‘no’? -- "”\n\n“He was" +- ” +- “He was - such a - nice old - "man, I’m" @@ -20485,19 +20806,22 @@ input_file: tests/inputs/text/room_with_a_view.txt - lecture on - Giotto. - I hate him -- ". Nothing" +- "." +- Nothing - can hide a - petty - nature. - I _hate_ -- "him.”\n\n“My" +- him.” +- “My - goodness - gracious - "me, child!" -- ” -- said Mrs. +- ” said Mrs +- "." - Honeychurc -- h. “You’ll +- h. +- “You’ll - blow my - head off! - Whatever @@ -20546,7 +20870,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "mystery," - not in - muscular -- rant. But +- rant. +- But - possibly - rant is a - sign of @@ -20599,7 +20924,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - e beauty - of the - turnpike -- road. The +- road. +- The - outdoor - world was - not very @@ -20679,7 +21005,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - depressing - of - companions -- ". Yet they" +- "." +- Yet they - may have a - tacit - sympathy @@ -20694,11 +21021,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "feel that," - Mrs. - Honeychurc -- "h?”\n\nMrs." +- h?” +- Mrs. - Honeychurc - h started - and smiled -- ". She had" +- "." +- She had - not been - attending. - "Cecil," @@ -20754,7 +21083,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - touched - her knee - with his -- "own.\n\nShe" +- own. +- She - flushed - again and - "said: “" @@ -20855,7 +21185,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - with - Cecil’s - engagement -- ",\nhaving" +- "," +- having - been - acquired - by Sir @@ -20922,7 +21253,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - lace. - “Cissie” - was to let -- ". Three" +- "." +- Three - notice- - "boards," - belonging @@ -20958,7 +21290,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - will never - be the - same again -- ".”\n\nAs the" +- ".”" +- As the - carriage - "passed, “" - Cissie’s” @@ -21014,7 +21347,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - before the - contract - was signed -- ". Does she" +- "." +- Does she - still live - "rent free," - as she did @@ -21141,7 +21475,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - as well as - decorative - "." -- Mr. Flack +- Mr. +- Flack - replied - that all - the @@ -21169,10 +21504,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - initials— - every one - different. -- ” -- For he had -- read his -- Ruskin. +- ” For he +- had read +- his Ruskin +- "." - He built - his villas - according @@ -21188,7 +21523,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - one of - them did - Sir Harry -- "buy.\n\nThis" +- buy. +- This - futile and - unprofitab - le @@ -21350,7 +21686,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - herself to - stop him. - “Sir Harry -- "!” she" +- "!”" +- she - "exclaimed," - “I have an - idea. @@ -21373,7 +21710,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - n?” - he asked - tentativel -- "y.\n\n“Yes," +- y. +- "“Yes," - "indeed," - and at the - present @@ -21389,11 +21727,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - Alan. - I’m really - not joking -- ".\nThey are" +- "." +- They are - quite the - right - people. -- Mr. Beebe +- Mr. +- Beebe - knows them - ", too." - May I tell @@ -21450,7 +21790,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - As if one - cares - about that -- "! And" +- "!" +- And - several - references - I took up @@ -21461,9 +21802,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "swindlers," - or not - respectabl -- "e. And oh," +- e. +- "And oh," - the deceit -- "! I have" +- "!" +- I have - seen a - good deal - of the @@ -21560,7 +21903,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - who am - "tiresome,”" - he replied -- ". “I" +- "." +- “I - oughtn’t - to come - with my @@ -21614,7 +21958,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Beware of - women - altogether -- ". Only let" +- "." +- Only let - to a man.” - “Really—” - he @@ -21670,7 +22015,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - not leave - them much - distinctio -- n. He +- n. +- He - suggested - that Mrs. - Honeychurc @@ -21710,7 +22056,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - as she - followed - her mother -- ".\n\n“Mrs." +- "." +- “Mrs. - Honeychurc - "h,” he" - "said, “" @@ -21720,7 +22067,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - leave you? - ” - “Certainly -- "!” was her" +- "!”" +- was her - cordial - reply. - Sir Harry @@ -21734,7 +22082,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - at them - "knowingly," - "said, “Aha" -- "! young" +- "!" +- young - "people," - young - people!” @@ -21817,7 +22166,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - whether it - matters so - very much. -- "”\n\n“It" +- ” +- “It - matters - supremely. - Sir Harry @@ -21825,7 +22175,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - essence of - that - garden- -- "party.\nOh," +- party. +- "Oh," - "goodness," - how cross - I feel! @@ -21859,7 +22210,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - disliked - Sir Harry - Otway and -- "Mr. Beebe," +- Mr. +- "Beebe," - what - guarantee - was there @@ -22035,7 +22387,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "," - hopelessly - bewildered -- ".\n\n“Yes." +- "." +- “Yes. - "Or, at the" - "most, in a" - "garden, or" @@ -22069,7 +22422,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - view—a - certain - type of -- view. Why +- view. +- Why - shouldn’t - you - connect me @@ -22095,7 +22449,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - always as - in a room. - How funny! -- "”\n\nTo her" +- ” +- To her - "surprise," - he seemed - annoyed. @@ -22195,7 +22550,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - holding in - its bosom - a shallow -- "pool.\n\nShe" +- pool. +- She - "exclaimed," - “The - Sacred @@ -22218,7 +22574,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - stream - going - through it -- "? Well, a" +- "?" +- "Well, a" - good deal - of water - comes down @@ -22245,7 +22602,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He meant," - “Are you - fond of it -- "?” But she" +- "?”" +- But she - answered - "dreamily," - “I bathed @@ -22288,7 +22646,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "smart, as" - she - phrased it -- ",\nand she" +- "," +- and she - reminded - him of - some @@ -22417,7 +22776,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Her reply - was - inadequate -- ". She gave" +- "." +- She gave - such a - business- - like lift @@ -22601,7 +22961,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - district - was - opening up -- ",\nand," +- "," +- "and," - falling in - love with - his own @@ -22661,7 +23022,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - of an - indigenous - aristocrac -- y. He was +- y. +- He was - inclined - to be - frightened @@ -22739,7 +23101,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - since her - return - from Italy -- ".\nHitherto" +- "." +- Hitherto - she had - accepted - their @@ -22755,7 +23118,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", their" - dislike of - paper-bags -- ",\norange-" +- "," +- orange- - "peel, and" - broken - bottles. @@ -22864,7 +23228,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "tolerance," - but to - irritation -- ". He saw" +- "." +- He saw - that the - local - society @@ -23003,7 +23368,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - she was - trying to - talk to Mr -- ". Beebe at" +- "." +- Beebe at - the same - time. - "“Oh, it" @@ -23044,7 +23410,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - impressed - her - favourably -- ". They are" +- "." +- They are - coming. - I heard - from them @@ -23076,7 +23443,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - her right— - worn to a - shadow.” -- Mr. Beebe +- Mr. +- Beebe - watched - the shadow - springing @@ -23185,7 +23553,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "her hand," - ready to - plug it in -- ". That’s" +- "." +- That’s - "right," - "Minnie, go" - for her— @@ -23205,7 +23574,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - rolled - from her - hand. -- Mr. Beebe +- Mr. +- Beebe - picked it - "up, and" - "said: “The" @@ -23281,7 +23651,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - could see - "this,”" - observed -- "Mr. Beebe," +- Mr. +- "Beebe," - just as - "Lucy, who" - was @@ -23315,14 +23686,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - most - agreeably - on to the -- grass. An +- grass. +- An - interval - elapses. - “Wasn’t - what name? -- ” -- asked Lucy -- ", with her" +- ” asked +- "Lucy, with" +- her - brother’s - head in - her lap. @@ -23362,7 +23734,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - tenants.’ - "I said, ‘" - "ooray, old" -- "boy!’\nand" +- boy!’ +- and - slapped - him on the - back.” @@ -23418,7 +23791,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - it instead - ".”" - "“Yes, I do" -- ". I’ve got" +- "." +- I’ve got - it. - Emerson.” - “What name @@ -23490,7 +23864,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Freddy," - who was - democratic -- ". Like his" +- "." +- Like his - sister and - like most - young @@ -23561,7 +23936,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - one beyond - another - into the -- Weald. The +- Weald. +- The - further - one - descended @@ -23612,7 +23988,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - call in - perfect - safety.” -- “_Cecil?_” +- “_Cecil? +- _” - exclaimed - Lucy. - “Don’t be @@ -23743,7 +24120,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - suppose it - will prove - to be them -- ". It is" +- "." +- It is - probably a - long cry - from them @@ -23762,7 +24140,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - part we - liked them - ", didn’t" -- we?” He +- we?” +- He - appealed - to Lucy. - “There was @@ -23815,9 +24194,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - nly and - yet so - beautiful. -- ’ -- It is all -- very +- ’ It is +- all very - difficult. - "Yes, I" - always @@ -23904,7 +24282,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - his wife?” - said Mrs. - Honeychurc -- "h. “Lucy," +- h. +- "“Lucy," - don’t - desert us— - go on @@ -23937,7 +24316,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Charlotte - here some - time.” -- Mr. Beebe +- Mr. +- Beebe - could - recall no - second @@ -23952,7 +24332,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - hint of - opposition - she warmed -- ". She was" +- "." +- She was - perfectly - sure that - there had @@ -23970,7 +24351,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the name? - "Oh, what" - was the -- name? She +- name? +- She - clasped - her knees - for the @@ -24039,7 +24421,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - pair of - nondescrip - t tourists -- ". Hitherto" +- "." +- Hitherto - truth had - come to - her @@ -24057,13 +24440,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - all events - ", she must" - not tell -- lies. She +- lies. +- She - hurried up - the garden - ", still" - flushed - with shame -- ". A word" +- "." +- A word - from Cecil - would - soothe her @@ -24083,7 +24468,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I was - hoping - you’d come -- ". I heard" +- "." +- I heard - you all - bear- - "gardening," @@ -24097,7 +24483,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - victory - for the - Comic Muse -- ". George" +- "." +- George - Meredith’s - right—the - cause of @@ -24313,7 +24700,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - long - you’ll - agree with -- me. There +- me. +- There - ought to - be - intermarri @@ -24366,7 +24754,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - make me - look - ridiculous -- ". You call" +- "." +- You call - it scoring - off Sir - "Harry, but" @@ -24402,7 +24791,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - g the Miss - "Alans, she" - had not -- minded. He +- minded. +- He - perceived - that these - new @@ -24418,7 +24808,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - out the - "son, who" - was silent -- ". In the" +- "." +- In the - interests - of the - Comic Muse @@ -24488,7 +24879,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - responsibl - e for the - failure. -- Mr. Beebe +- Mr. +- Beebe - planned - pleasant - moments @@ -24521,7 +24913,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - to be - "forgotten," - and to die -- ".\n\nLucy—to" +- "." +- Lucy—to - descend - from - bright @@ -24547,7 +24940,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - did not - matter the - very least -- ".\nNow that" +- "." +- Now that - she was - "engaged," - the @@ -24646,7 +25040,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “So you do - "love me," - little -- thing?” he +- thing?” +- he - murmured. - "“Oh, Cecil" - ", I do, I" @@ -24721,7 +25116,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - they could - continue - their tour -- ". Lucy had" +- "." +- Lucy had - said she - would join - the Vyses— @@ -24767,7 +25163,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - from Windy - Corner. - “TUNBRIDGE -- "WELLS,\n“" +- "WELLS," +- “ - _September - _. - “DEAREST @@ -24775,7 +25172,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I have - news of - you at -- last! Miss +- last! +- Miss - Lavish has - been - bicycling @@ -24877,7 +25275,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - warned you - "." - “Believe -- "me,\n“Your" +- "me," +- “Your - anxious - and loving - "cousin," @@ -24958,7 +25357,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - making a - fuss at - this stage -- ". You must" +- "." +- You must - see that - it would - be too @@ -25071,7 +25471,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Bartlett - suggested - the former -- ". Perhaps" +- "." +- Perhaps - she was - right. - It had @@ -25155,7 +25556,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - In spite - of the - "season," -- Mrs. Vyse +- Mrs. +- Vyse - managed to - scrape - together a @@ -25194,7 +25596,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - amid - sympatheti - c laughter -- ". In this" +- "." +- In this - atmosphere - the - Pension @@ -25216,7 +25619,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - that she - had loved - in the -- "past.\n\nThe" +- past. +- The - grandchild - ren asked - her to @@ -25252,7 +25656,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - once from - the cradle - to the -- grave. The +- grave. +- The - sadness of - the - incomplete @@ -25427,7 +25832,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - of us - already.” - “But her -- music!” he +- music!” +- he - exclaimed. - “The style - of her! @@ -25507,7 +25913,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the maid - if she - liked but -- Mrs. Vyse +- Mrs. +- Vyse - thought it - kind to go - herself. @@ -25639,7 +26046,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “They - might - amuse you. -- "”\n\nFreddy," +- ” +- "Freddy," - whom his - fellow- - creatures @@ -25655,7 +26063,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - since they - had only - just moved -- "in.\n\n“I" +- in. +- “I - suggested - we should - hinder @@ -25712,7 +26121,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - round it - with - difficulty -- ". The" +- "." +- The - sitting- - room - itself was @@ -25738,9 +26148,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - What have - they got? - Byron. -- Exactly. A +- Exactly. +- A - Shropshire -- Lad. Never +- Lad. +- Never - heard of - it. - The Way of @@ -25768,7 +26180,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - own - "business," - Honeychurc -- "h.”\n\n“Mr." +- h.” +- “Mr. - "Beebe," - look at - "that,”" @@ -25799,7 +26212,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Isn’t it - jolly? - I like -- that. I’m +- that. +- I’m - certain - that’s the - old man’s @@ -25860,7 +26274,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Cecil are - thicker - than ever. -- "”\n\n“That’s" +- ” +- “That’s - good - hearing.” - “I wish I @@ -25868,7 +26283,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - such a - "fool, Mr." - Beebe.” -- Mr. Beebe +- Mr. +- Beebe - ignored - the remark - "." @@ -25897,7 +26313,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - can talk - about - afterwards -- ".\nCecil is" +- "." +- Cecil is - teaching - Lucy - "Italian," @@ -25939,7 +26356,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Honeychurc - "h, a" - neighbour. -- "”\n\nThen" +- ” +- Then - Freddy - hurled one - of the @@ -26031,7 +26449,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - slowly - descending - the stairs -- ". “Good" +- "." +- “Good - "afternoon," - Mr. Beebe. - I tell you @@ -26052,7 +26471,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Garden of - "Eden,”" - pursued Mr -- ". Emerson," +- "." +- "Emerson," - still - descending - ", “which" @@ -26068,7 +26488,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - despise - our bodies - ".”" -- Mr. Beebe +- Mr. +- Beebe - disclaimed - placing - the Garden @@ -26103,7 +26524,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - philosophy - that was - approachin -- "g him.\n\n“I" +- g him. +- “I - believed - in a - return to @@ -26213,7 +26635,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Honeychurc - h!” - “Not a bit -- "!” mumbled" +- "!”" +- mumbled - Freddy. - “I must— - that is to @@ -26309,7 +26732,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I can’t - believe - he’s well. -- "”\n\nGeorge" +- ” +- George - bowed his - "head," - dusty and @@ -26354,7 +26778,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - house and - into the - pine-woods -- ". How" +- "." +- How - glorious - it was! - For a @@ -26442,7 +26867,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - down here? - ” - “I did not -- ". Miss" +- "." +- Miss - Lavish - told me.” - “When I @@ -26453,7 +26879,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - write a ‘ - History of - Coincidenc -- "e.’”\n\nNo" +- e.’” +- "No" - enthusiasm - "." - "“Though," @@ -26522,7 +26949,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - for you - "did it," - ten to one -- ". Now I’ll" +- "." +- Now I’ll - cross- - question - you. @@ -26553,7 +26981,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - talk of - coincidenc - e and Fate -- ". You" +- "." +- You - naturally - seek out - things @@ -26627,7 +27056,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, good!" - ” - exclaimed -- "Mr. Beebe," +- Mr. +- "Beebe," - mopping - his brow. - “In @@ -26755,7 +27185,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - he - stripped - himself. -- Mr. Beebe +- Mr. +- Beebe - thought he - was not. - “Water’s @@ -26879,7 +27310,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "possible," - looked - around him -- ". He could" +- "." +- He could - detect no - parishione - rs except @@ -27000,7 +27432,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Freddy - splashed - each other -- ". A little" +- "." +- A little - deferentia - "lly, they" - splashed @@ -27082,7 +27515,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - on the - "sward," - proclaimin -- "g:\n\n“No." +- "g:" +- “No. - We are - what - matters. @@ -27135,7 +27569,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Freddy. - Dress now. - "No, I say!" -- "”\n\nBut the" +- ” +- But the - two young - men were - delirious. @@ -27158,7 +27593,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “That’ll - do!” - shouted Mr -- ". Beebe," +- "." +- "Beebe," - rememberin - g that - after all @@ -27212,7 +27648,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - call on - old Mrs. - Butterwort -- "h.\nFreddy" +- h. +- Freddy - dropped - the - waistcoat @@ -27249,7 +27686,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - And poor - Mr. - "Beebe, too" -- "!\nWhatever" +- "!" +- Whatever - has - happened?” - “Come this @@ -27288,10 +27726,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - waistcoat - we left in - the path? -- "Cecil,\nMr." +- "Cecil," +- Mr. - Beebe’s - waistcoat— -- "”\n\nNo" +- ” +- "No" - business - "of ours," - said Cecil @@ -27304,7 +27744,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - evidently - “minded.” - “I fancy -- Mr. Beebe +- Mr. +- Beebe - jumped - back into - the pond.” @@ -27346,14 +27787,17 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I can’t - be trodden - "on, can I?" -- "”\n\n“Good" +- ” +- “Good - gracious - "me, dear;" - so it’s -- you! What +- you! +- What - miserable - management -- "! Why not" +- "!" +- Why not - have a - comfortabl - e bath at @@ -27381,13 +27825,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - position - to argue. - "Come, Lucy" -- ".” They" +- ".”" +- They - turned. - "“Oh, look—" - don’t look -- "! Oh, poor" +- "!" +- "Oh, poor" - Mr. -- Beebe! How +- Beebe! +- How - unfortunat - e again—” - For Mr. @@ -27423,7 +27870,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I’ve - swallowed - a pollywog -- ". It" +- "." +- It - wriggleth - in my - tummy. @@ -27433,7 +27881,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "you beast," - you’ve got - on my bags -- ".”\n\n“Hush," +- ".”" +- "“Hush," - "dears,”" - said Mrs. - Honeychurc @@ -27676,7 +28125,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - faculties - were busy - with Cecil -- ". It was" +- "." +- It was - another of - those - dreadful @@ -27716,7 +28166,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - where “Yes - ” or “No” - would have -- done. Lucy +- done. +- Lucy - soothed - him and - tinkered @@ -27751,7 +28202,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - contains - nothing - satisfacto -- "ry. Lucy," +- ry. +- "Lucy," - though she - disliked - the @@ -27774,7 +28226,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - anything - the matter - with Cecil -- "?”\n\nThe" +- "?”" +- The - question - was - ominous; @@ -27796,7 +28249,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ” - “Perhaps - he’s tired -- ".”\n\nLucy" +- ".”" +- Lucy - compromise - "d: perhaps" - Cecil was @@ -27928,7 +28382,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - while I - was away - in London. -- "”\n\nThis" +- ” +- This - attempt to - divert the - conversati @@ -27986,7 +28441,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - certainly - Cecil - oughtn’t -- to. But he +- to. +- But he - does not - mean to be - uncivil—he @@ -28095,7 +28551,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - distinguis - hable from - the comic -- "song.\n\nShe" +- song. +- She - remained - in much - embarrassm @@ -28166,14 +28623,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "-trees" - hung close - to her -- eyes. One +- eyes. +- One - connected - the - landing - window - with - depression -- ". No" +- "." +- "No" - definite - problem - menaced @@ -28193,7 +28652,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - else was - behaving - very badly -- ". And she" +- "." +- And she - ought not - to have - mentioned @@ -28265,7 +28725,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - week?” - “Not that - I know of. -- "”\n\n“Then I" +- ” +- “Then I - want to - ask the - Emersons @@ -28295,7 +28756,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I meant - _it’s_ - better not -- ". I really" +- "." +- I really - mean it.” - He seized - her by the @@ -28347,15 +28809,17 @@ input_file: tests/inputs/text/room_with_a_view.txt - letter - from - Charlotte? -- ” -- and Freddy -- ran away. +- ” and +- Freddy ran +- away. - “Yes. - I really - can’t stop -- ". I must" +- "." +- I must - dress too. -- "”\n\n“How’s" +- ” +- “How’s - Charlotte? - ” - “All right @@ -28414,12 +28878,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - not - pleased - with Cecil -- ".”\n\nMrs." +- ".”" +- Mrs. - Honeychurc - h might - have - flamed out -- ". She did" +- "." +- She did - not. - "She said:" - “Come here @@ -28470,7 +28936,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the family - poured in - a drop of -- oil. Cecil +- oil. +- Cecil - despised - their - methods— @@ -28484,7 +28951,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Dinner was - at half- - past seven -- ". Freddy" +- "." +- Freddy - gabbled - "the grace," - and they @@ -28534,7 +29002,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "sort, like" - "myself,”" - said Cecil -- ".\n\nFreddy" +- "." +- Freddy - looked at - him - doubtfully @@ -28544,8 +29013,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - know them - at the - Bertolini? -- ” -- asked Mrs. +- ” asked +- Mrs. - Honeychurc - h. - "“Oh, very" @@ -28681,7 +29150,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - There were - too many - ghosts -- about. The +- about. +- The - original - ghost—that - touch of @@ -28706,7 +29176,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Miss - Bartlett’s - "letter, Mr" -- ". Beebe’s" +- "." +- Beebe’s - memories - of violets - —and one @@ -28752,17 +29223,20 @@ input_file: tests/inputs/text/room_with_a_view.txt - very - "cheerful," - I suppose. -- "”\n\n“Then," +- ” +- "“Then," - depend - "upon it," - it _is_ - the boiler -- ". I know" +- "." +- I know - myself how - water - preys upon - one’s mind -- ". I would" +- "." +- I would - rather - anything - else—even @@ -28828,11 +29302,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - to her - upstairs. - "“Mother," -- no!” she +- no!” +- she - pleaded. - “It’s - impossible -- ". We can’t" +- "." +- We can’t - have - Charlotte - on the top @@ -28869,7 +29345,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the bath. - Not - otherwise. -- "”\n\n“Minnie" +- ” +- “Minnie - can sleep - with you.” - “I won’t @@ -28903,7 +29380,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - want to - make - difficulti -- "es,\nbut it" +- "es," +- but it - really - isn’t fair - on the @@ -28917,7 +29395,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - you don’t - like - Charlotte. -- "”\n\n“No, I" +- ” +- "“No, I" - don’t. - And no - more does @@ -28950,7 +29429,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Hear," - hear!” - said Cecil -- ".\n\nMrs." +- "." +- Mrs. - Honeychurc - "h, with" - more @@ -28967,7 +29447,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - This isn’t - very kind - of you two -- ". You have" +- "." +- You have - each other - and all - these @@ -28990,7 +29471,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - clever - young - people are -- ",\nand" +- "," +- and - however - many books - "they read," @@ -29071,12 +29553,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - nor any - one else - upon earth -- ". She was" +- "." +- She was - reduced to - "saying: “I" - can’t help - "it, mother" -- ". I don’t" +- "." +- I don’t - like - Charlotte. - I admit @@ -29178,12 +29662,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - meant how - jolly kind - she seemed -- ".”\n\nCecil" +- ".”" +- Cecil - frowned - again. - "Oh, these" - Honeychurc -- "hes! Eggs," +- hes! +- "Eggs," - "boilers," - hydrangeas - ", maids—of" @@ -29334,9 +29820,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - and meant - she didn’t - know what. -- ” -- Now Cecil -- had +- ” Now +- Cecil had - explained - psychology - to her one @@ -29557,7 +30042,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I have - upset - everything -- ". Bursting" +- "." +- Bursting - in on - young - people! @@ -29619,7 +30105,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - and I gave - a bob to - the driver -- ".”\n\nMiss" +- ".”" +- Miss - Bartlett - looked in - her purse. @@ -29680,7 +30167,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Here - Freddy’s - "friend, Mr" -- ". Floyd," +- "." +- "Floyd," - made the - one remark - of his @@ -29852,7 +30340,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - see why— - "Freddy," - don’t poke -- me. Miss +- me. +- Miss - Honeychurc - "h, your" - brother’s @@ -29863,7 +30352,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Floyd’s - ten - shillings? -- "Ow! No, I" +- Ow! +- "No, I" - don’t see - and I - never @@ -29875,7 +30365,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - pay that - bob for - the driver -- ".”\n\n“I had" +- ".”" +- “I had - forgotten - the driver - ",” said" @@ -30022,7 +30513,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - settle - your debt - nicely now -- ".”\n\nMiss" +- ".”" +- Miss - Bartlett - was in the - drawing- @@ -30057,7 +30549,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "girl," - entering - the battle -- ". “George" +- "." +- “George - Emerson is - "all right," - and what @@ -30067,7 +30560,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Miss - Bartlett - considered -- ". “For" +- "." +- “For - "instance," - the driver - "." @@ -30081,7 +30575,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - violet - between - his teeth. -- "”\n\nLucy" +- ” +- Lucy - shuddered - a little. - “We shall @@ -30106,7 +30601,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - y.” - "“Oh, it’s" - all right. -- "”\n\n“Or" +- ” +- “Or - perhaps - old Mr. - Emerson @@ -30131,7 +30627,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - can trust - Cecil to - laugh at -- "it.”\n\n“To" +- it.” +- “To - contradict - it?” - "“No, to" @@ -30162,11 +30659,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - Ladies are - certainly - different. -- "”\n\n“Now," -- Charlotte! - ” -- She struck -- at her +- "“Now," +- Charlotte! +- ” She +- struck at +- her - playfully. - "“You kind," - anxious @@ -30283,7 +30781,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - any - "nuisance," - Charlotte. -- "”\n\n“Once a" +- ” +- “Once a - "cad," - always a - cad. @@ -30313,7 +30812,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - justice to - Cecil’s - profundity -- ".\nThrough" +- "." +- Through - the window - she saw - Cecil @@ -30403,7 +30903,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - he’s going - to burst - into tears -- ". He is a" +- "." +- He is a - clerk in - the - General @@ -30434,7 +30935,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - hold of - her guest - by the arm -- ". “Suppose" +- "." +- “Suppose - we don’t - talk about - this silly @@ -30451,7 +30953,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Corner," - with no - worriting. -- "”\n\nLucy" +- ” +- Lucy - thought - this - rather a @@ -30548,7 +31051,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "," - themselves - unchangeab -- le. Either +- le. +- Either - country - was - spanned by @@ -30592,7 +31096,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "says, “" - need she - go?”—“Tell -- "her,\nno" +- "her," +- "no" - nonsense”— - “Anne! - Mary! @@ -30773,7 +31278,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - idling - there like - a flamingo -- ".”\n\nLucy" +- ".”" +- Lucy - picked up - the book - and @@ -31021,8 +31527,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "now, when" - should I - wear them? -- ” -- said Miss +- ” said +- Miss - Bartlett - reproachfu - lly. @@ -31060,7 +31566,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - unsatisfac - tory - conversati -- on. He had +- on. +- He had - said that - people - ought to @@ -31146,7 +31653,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Introduce - "me,” said" - her mother -- ". “Unless" +- "." +- “Unless - the young - man - considers @@ -31237,7 +31745,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - said Mrs. - Honeychurc - h uneasily -- ".\n\n“Our" +- "." +- “Our - landlord - was told - that we @@ -31269,7 +31778,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Alans and - offer to - give it up -- ". What do" +- "." +- What do - you think? - ” He - appealed @@ -31326,10 +31836,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - exclaimed - Mrs. - Honeychurc -- h. “That’s +- h. +- “That’s - exactly - what I say -- ". Why all" +- "." +- Why all - this - twiddling - and @@ -31418,7 +31930,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - to me. - It is his - philosophy -- ". Only he" +- "." +- Only he - starts - life with - it; and I @@ -31464,7 +31977,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - tennis on - Sunday. - No more do -- I. That’s +- I. +- That’s - settled. - Mr. - "Emerson," @@ -31502,7 +32016,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - his arm - round his - father’s -- neck. The +- neck. +- The - kindness - that Mr. - Beebe and @@ -31521,7 +32036,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - a touch of - the - morning -- sun? She +- sun? +- She - remembered - that in - all his @@ -31543,7 +32059,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Honeychurc - h - pleasantly -- ".\n“You met" +- "." +- “You met - her with - my - daughter @@ -31559,7 +32076,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - out of the - garden to - meet the -- lady. Miss +- lady. +- Miss - Bartlett - promptly - got into @@ -31685,7 +32203,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - coming up - this - afternoon. -- "”\n\nLucy" +- ” +- Lucy - caught her - cousin’s - eye. @@ -31721,7 +32240,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - away. - Satisfacto - ry that Mr -- ". Emerson" +- "." +- Emerson - had not - been told - of the @@ -31744,7 +32264,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - with - disproport - ionate joy -- ". All the" +- "." +- All the - way home - the horses - ’ hoofs @@ -31798,7 +32319,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ever. - Cecil will - never hear -- ".” She was" +- ".”" +- She was - even glad - that Miss - Bartlett @@ -32325,7 +32847,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - works in - your - possession -- ". If you" +- "." +- If you - paid a fee - for - obtaining @@ -32420,10 +32943,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - Gutenberg- - tm - electronic -- works. See +- works. +- See - paragraph - 1.E below. -- 1.C. The +- 1.C. +- The - Project - Gutenberg - Literary @@ -32550,7 +33075,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - charge - with - others. -- 1.D. The +- 1.D. +- The - copyright - laws of - the place @@ -32627,7 +33153,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - references - to Project - "Gutenberg:" -- 1.E.1. The +- 1.E.1. +- The - following - "sentence," - with @@ -32687,7 +33214,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - restrictio - ns - whatsoever -- ". You may" +- "." +- You may - "copy it," - give it - away or re @@ -32782,7 +33310,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - requiremen - ts of - paragraphs -- 1.E.1 +- "1." +- E.1 - through 1. - E.7 or - obtain @@ -32822,7 +33351,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - comply - with both - paragraphs -- 1.E.1 +- "1." +- E.1 - through 1. - E.7 and - any @@ -32899,7 +33429,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - set forth - in - paragraph -- 1.E.1 with +- "1." +- E.1 with - active - links or - immediate @@ -32910,7 +33441,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Project - Gutenberg- - tm License -- ".\n\n1.E.6." +- "." +- 1.E.6. - You may - convert to - and @@ -32986,7 +33518,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Vanilla - "ASCII\" or" - other form -- ". Any" +- "." +- Any - alternate - format - must @@ -33083,7 +33616,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Literary - Archive - Foundation -- ". Royalty" +- "." +- Royalty - payments - must be - paid @@ -33130,7 +33664,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Literary - Archive - Foundation -- ".\"\n\n* You" +- ".\"" +- "* You" - provide a - full - refund of @@ -33177,13 +33712,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - Project - Gutenberg- - tm works -- ".\n\n* You" +- "." +- "* You" - "provide," - in - accordance - with - paragraph -- "1.F.3, a" +- "1." +- "F.3, a" - full - refund of - any money @@ -33289,7 +33826,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Gutenberg- - tm - collection -- ". Despite" +- "." +- Despite - these - "efforts," - Project @@ -33351,7 +33889,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - described - in - paragraph -- "1.F.3, the" +- "1." +- "F.3, the" - Project - Gutenberg - Literary @@ -33617,7 +34156,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - void the - remaining - provisions -- ".\n\n1.F.6." +- "." +- 1.F.6. - INDEMNITY - "- You" - agree to @@ -33878,7 +34418,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - laws and - your - "state's" -- "laws.\n\nThe" +- laws. +- The - Foundation - "'s" - business @@ -33967,7 +34508,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - exempt - status - with the -- "IRS.\n\nThe" +- IRS. +- The - Foundation - is - committed @@ -34013,7 +34555,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - confirmati - on of - compliance -- ". To SEND" +- "." +- To SEND - DONATIONS - or - determine diff --git a/tests/snapshots/text_splitter_snapshots__huggingface_default@romeo_and_juliet.txt-2.snap b/tests/snapshots/text_splitter_snapshots__huggingface_default@romeo_and_juliet.txt-2.snap index 22004254..66d6eef1 100644 --- a/tests/snapshots/text_splitter_snapshots__huggingface_default@romeo_and_juliet.txt-2.snap +++ b/tests/snapshots/text_splitter_snapshots__huggingface_default@romeo_and_juliet.txt-2.snap @@ -344,7 +344,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "CAPULET.\nThings have fallen out, sir, so unluckily\nThat we have had no time to move our daughter.\nLook you, she lov’d her kinsman Tybalt dearly,\nAnd so did I. Well, we were born to die.\n’Tis very late; she’ll not come down tonight.\nI promise you, but for your company,\nI would have been abed an hour ago.\n\n" - "PARIS.\nThese times of woe afford no tune to woo.\nMadam, good night. Commend me to your daughter.\n\nLADY CAPULET.\nI will, and know her mind early tomorrow;\nTonight she’s mew’d up to her heaviness.\n\n" - "CAPULET.\nSir Paris, I will make a desperate tender\nOf my child’s love. I think she will be rul’d\nIn all respects by me; nay more, I doubt it not.\nWife, go you to her ere you go to bed,\nAcquaint her here of my son Paris’ love,\nAnd bid her, mark you me, on Wednesday next,\nBut, soft, what day is this?\n\n" -- "PARIS.\nMonday, my lord.\n\nCAPULET.\nMonday! Ha, ha! Well, Wednesday is too soon,\nA Thursday let it be; a Thursday, tell her,\nShe shall be married to this noble earl.\nWill you be ready? Do you like this haste?\nWe’ll keep no great ado,—a friend or two,\nFor, hark you, Tybalt being slain so late,\nIt may be thought we held him carelessly,\n" +- "PARIS.\nMonday, my lord.\n\n" +- "CAPULET.\nMonday! Ha, ha! Well, Wednesday is too soon,\nA Thursday let it be; a Thursday, tell her,\nShe shall be married to this noble earl.\nWill you be ready? Do you like this haste?\nWe’ll keep no great ado,—a friend or two,\nFor, hark you, Tybalt being slain so late,\nIt may be thought we held him carelessly,\n" - "Being our kinsman, if we revel much.\nTherefore we’ll have some half a dozen friends,\nAnd there an end. But what say you to Thursday?\n\nPARIS.\nMy lord, I would that Thursday were tomorrow.\n\n" - "CAPULET.\nWell, get you gone. A Thursday be it then.\nGo you to Juliet ere you go to bed,\nPrepare her, wife, against this wedding day.\nFarewell, my lord.—Light to my chamber, ho!\nAfore me, it is so very very late that we\nMay call it early by and by. Good night.\n\n [_Exeunt._]\n\n" - "SCENE V. An open Gallery to Juliet’s Chamber, overlooking the Garden.\n\n Enter Romeo and Juliet.\n\nJULIET.\nWilt thou be gone? It is not yet near day.\nIt was the nightingale, and not the lark,\nThat pierc’d the fearful hollow of thine ear;\nNightly she sings on yond pomegranate tree.\nBelieve me, love, it was the nightingale.\n\n" @@ -385,7 +386,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Trust to’t, bethink you, I’ll not be forsworn.\n\n [_Exit._]\n\nJULIET.\nIs there no pity sitting in the clouds,\nThat sees into the bottom of my grief?\nO sweet my mother, cast me not away,\nDelay this marriage for a month, a week,\nOr, if you do not, make the bridal bed\nIn that dim monument where Tybalt lies.\n\n" - "LADY CAPULET.\nTalk not to me, for I’ll not speak a word.\nDo as thou wilt, for I have done with thee.\n\n [_Exit._]\n\n" - "JULIET.\nO God! O Nurse, how shall this be prevented?\nMy husband is on earth, my faith in heaven.\nHow shall that faith return again to earth,\nUnless that husband send it me from heaven\nBy leaving earth? Comfort me, counsel me.\nAlack, alack, that heaven should practise stratagems\nUpon so soft a subject as myself.\nWhat say’st thou? Hast thou not a word of joy?\n" -- "Some comfort, Nurse.\n\nNURSE.\nFaith, here it is.\nRomeo is banished; and all the world to nothing\nThat he dares ne’er come back to challenge you.\nOr if he do, it needs must be by stealth.\nThen, since the case so stands as now it doth,\nI think it best you married with the County.\nO, he’s a lovely gentleman.\nRomeo’s a dishclout to him. An eagle, madam,\n" +- "Some comfort, Nurse.\n\n" +- "NURSE.\nFaith, here it is.\nRomeo is banished; and all the world to nothing\nThat he dares ne’er come back to challenge you.\nOr if he do, it needs must be by stealth.\nThen, since the case so stands as now it doth,\nI think it best you married with the County.\nO, he’s a lovely gentleman.\nRomeo’s a dishclout to him. An eagle, madam,\n" - "Hath not so green, so quick, so fair an eye\nAs Paris hath. Beshrew my very heart,\nI think you are happy in this second match,\nFor it excels your first: or if it did not,\nYour first is dead, or ’twere as good he were,\nAs living here and you no use of him.\n\nJULIET.\nSpeakest thou from thy heart?\n\n" - "NURSE.\nAnd from my soul too,\nOr else beshrew them both.\n\nJULIET.\nAmen.\n\nNURSE.\nWhat?\n\nJULIET.\nWell, thou hast comforted me marvellous much.\nGo in, and tell my lady I am gone,\nHaving displeas’d my father, to Lawrence’ cell,\nTo make confession and to be absolv’d.\n\n" - "NURSE.\nMarry, I will; and this is wisely done.\n\n [_Exit._]\n\n" @@ -554,7 +556,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "representations concerning the copyright status of any work in any\ncountry other than the United States.\n\n1.E. Unless you have removed all references to Project Gutenberg:\n\n" - "1.E.1. 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Do not unlink or detach or remove the full Project Gutenberg-tm\nLicense terms from this work, or any files containing a part of this\nwork or any other work associated with Project Gutenberg-tm.\n\n" diff --git a/tests/snapshots/text_splitter_snapshots__huggingface_default@romeo_and_juliet.txt.snap b/tests/snapshots/text_splitter_snapshots__huggingface_default@romeo_and_juliet.txt.snap index a041e0c4..c6fd048d 100644 --- a/tests/snapshots/text_splitter_snapshots__huggingface_default@romeo_and_juliet.txt.snap +++ b/tests/snapshots/text_splitter_snapshots__huggingface_default@romeo_and_juliet.txt.snap @@ -8,7 +8,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "This eBook is for the use of anyone " - "anywhere in the United States and\n" - "most other parts of the world at no cost and " -- "with almost no restrictions\nwhatsoever. " +- "with almost no restrictions\n" +- "whatsoever. " - "You may copy it, give it away or re" - "-use it under the terms\n" - "of the Project Gutenberg License included with this " @@ -34,11 +35,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "AND JULIET\n\n\n\nby William Shakespeare\n\n\n" - "Contents\n\nTHE PROLOGUE.\n\n" - "ACT I\nScene I. A public place.\n" -- "Scene II. A Street.\nScene III. " +- "Scene II. A Street.\n" +- "Scene III. " - "Room in Capulet’s House.\n" -- "Scene IV. A Street.\nScene V. " +- "Scene IV. A Street.\n" +- "Scene V. " - "A Hall in Capulet’s House.\n\n\n" -- "ACT II\nCHORUS.\nScene I. " +- "ACT II\nCHORUS.\n" +- "Scene I. " - "An open place adjoining Capulet’s Garden.\n" - "Scene II. Capulet’s Garden.\n" - "Scene III. Friar Lawrence’s Cell.\n" @@ -53,7 +57,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "A Room in Capulet’s House.\n" - "Scene V. " - "An open Gallery to Juliet’s Chamber, overlooking " -- "the Garden.\n\n\nACT IV\n" +- "the Garden.\n\n\n" +- "ACT IV\n" - "Scene I. Friar Lawrence’s Cell.\n" - "Scene II. " - "Hall in Capulet’s House.\n" @@ -108,7 +113,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Citizens of Verona; several Men and Women, relations " - "to both houses;\n" - "Maskers, Guards, Watchmen and " -- "Attendants.\n\nSCENE. " +- "Attendants.\n\n" +- "SCENE. " - "During the greater part of the Play in Verona; " - "once, in the\n" - "Fifth Act, at Mantua.\n\n\n" @@ -140,11 +146,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " [_Exit._]\n\n\n\nACT I\n\n" - "SCENE I. A public place.\n\n" - " Enter Sampson and Gregory armed with swords and " -- "bucklers.\n\nSAMPSON.\n" +- "bucklers.\n\n" +- "SAMPSON.\n" - "Gregory, on my word, we’ll not " -- "carry coals.\n\nGREGORY.\n" +- "carry coals.\n\n" +- "GREGORY.\n" - "No, for then we should be colliers" -- ".\n\nSAMPSON.\n" +- ".\n\n" +- "SAMPSON.\n" - "I mean, if we be in choler" - ", we’ll draw.\n\n" - "GREGORY.\n" @@ -156,12 +165,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "But thou art not quickly moved to strike.\n\n" - "SAMPSON.\n" - A dog of the house of Montague moves me -- ".\n\nGREGORY.\n" +- ".\n\n" +- "GREGORY.\n" - "To move is to stir; and to be " - "valiant is to stand: therefore, if " - "thou\n" - "art moved, thou runn’st away" -- ".\n\nSAMPSON.\n" +- ".\n\n" +- "SAMPSON.\n" - A dog of that house shall move me to stand - ".\n" - "I will take the wall of any man or maid " @@ -177,7 +188,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "thrust his maids to the wall.\n\n" - "GREGORY.\n" - "The quarrel is between our masters and us " -- "their men.\n\nSAMPSON.\n" +- "their men.\n\n" +- "SAMPSON.\n" - "’Tis all one, I will show myself " - "a tyrant: when I have fought with " - "the\n" @@ -188,7 +200,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "SAMPSON.\n" - "Ay, the heads of the maids, " - "or their maidenheads; take it in what sense\n" -- "thou wilt.\n\nGREGORY.\n" +- "thou wilt.\n\n" +- "GREGORY.\n" - "They must take it in sense that feel it.\n\n" - "SAMPSON.\n" - Me they shall feel while I am able to stand @@ -201,7 +214,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Draw thy tool; here comes of the house of " - "Montagues.\n\n" - " Enter Abram and Balthasar" -- ".\n\nSAMPSON.\n" +- ".\n\n" +- "SAMPSON.\n" - "My naked weapon is out: quarrel, " - "I will back thee.\n\n" - "GREGORY.\n" @@ -211,14 +225,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "No, marry; I fear thee!\n\n" - "SAMPSON.\n" - "Let us take the law of our sides; let " -- "them begin.\n\nGREGORY.\n" +- "them begin.\n\n" +- "GREGORY.\n" - "I will frown as I pass by, and let " - "them take it as they list.\n\n" - "SAMPSON.\n" - "Nay, as they dare. " - "I will bite my thumb at them, which is " - "disgrace to\n" -- "them if they bear it.\n\nABRAM.\n" +- "them if they bear it.\n\n" +- "ABRAM.\n" - "Do you bite your thumb at us, sir?\n\n" - "SAMPSON.\n" - "I do bite my thumb, sir.\n\n" @@ -231,7 +247,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "SAMPSON.\n" - "No sir, I do not bite my thumb at " - "you, sir; but I bite my thumb, " -- "sir.\n\nGREGORY.\n" +- "sir.\n\n" +- "GREGORY.\n" - "Do you quarrel, sir?\n\n" - "ABRAM.\n" - "Quarrel, sir? No, sir.\n\n" @@ -257,11 +274,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "put up your swords, you know not what you " - "do.\n\n" - " [_Beats down their swords._]\n\n" -- " Enter Tybalt.\n\nTYBALT.\n" +- " Enter Tybalt.\n\n" +- "TYBALT.\n" - "What, art thou drawn among these heartless " - "hinds?\n" - "Turn thee Benvolio, look upon thy death" -- ".\n\nBENVOLIO.\n" +- ".\n\n" +- "BENVOLIO.\n" - "I do but keep the peace, put up thy " - "sword,\n" - "Or manage it to part these men with me.\n\n" @@ -278,7 +297,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Down with the Capulets! " - "Down with the Montagues!\n\n" - " Enter Capulet in his gown, and Lady " -- "Capulet.\n\nCAPULET.\n" +- "Capulet.\n\n" +- "CAPULET.\n" - "What noise is this? " - "Give me my long sword, ho!\n\n" - "LADY CAPULET.\n" @@ -296,10 +316,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Thou shalt not stir one foot to seek " - "a foe.\n\n" - " Enter Prince Escalus, with " -- "Attendants.\n\nPRINCE.\n" +- "Attendants.\n\n" +- "PRINCE.\n" - "Rebellious subjects, enemies to peace,\n" - "Profaners of this neighbour-stained steel," -- "—\nWill they not hear? What, ho! " +- "—\n" +- "Will they not hear? What, ho! " - "You men, you beasts,\n" - "That quench the fire of your pernicious " - "rage\nWith purple fountains issuing from your veins,\n" @@ -335,7 +357,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Who set this ancient quarrel new " - "abroach?\n" - "Speak, nephew, were you by when it began" -- "?\n\nBENVOLIO.\n" +- "?\n\n" +- "BENVOLIO.\n" - "Here were the servants of your adversary\n" - "And yours, close fighting ere I did approach" - ".\n" @@ -355,7 +378,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "LADY MONTAGUE.\n" - "O where is Romeo, saw you him today?\n" - "Right glad I am he was not at this " -- "fray.\n\nBENVOLIO.\n" +- "fray.\n\n" +- "BENVOLIO.\n" - "Madam, an hour before the " - "worshipp’d sun\n" - "Peer’d forth the golden window of the " @@ -395,7 +419,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I neither know it nor can learn of him.\n\n" - "BENVOLIO.\n" - Have you importun’d him by any means -- "?\n\nMONTAGUE.\n" +- "?\n\n" +- "MONTAGUE.\n" - "Both by myself and many other friends;\n" - "But he, his own affections’ counsellor" - ",\n" @@ -410,11 +435,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Could we but learn from whence his sorrows " - "grow,\n" - "We would as willingly give cure as know.\n\n" -- " Enter Romeo.\n\nBENVOLIO.\n" +- " Enter Romeo.\n\n" +- "BENVOLIO.\n" - "See, where he comes. " - "So please you step aside;\n" - "I’ll know his grievance or be " -- "much denied.\n\nMONTAGUE.\n" +- "much denied.\n\n" +- "MONTAGUE.\n" - "I would thou wert so happy by thy stay\n" - "To hear true shrift. " - "Come, madam, let’s away,\n\n" @@ -424,10 +451,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Good morrow, cousin.\n\n" - "ROMEO.\nIs the day so young?\n\n" - "BENVOLIO.\n" -- "But new struck nine.\n\nROMEO.\n" +- "But new struck nine.\n\n" +- "ROMEO.\n" - "Ay me, sad hours seem long.\n" - "Was that my father that went hence so fast?\n\n" -- "BENVOLIO.\nIt was. " +- "BENVOLIO.\n" +- "It was. " - "What sadness lengthens Romeo’s hours?\n\n" - "ROMEO.\n" - "Not having that which, having, makes them short" @@ -439,11 +468,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "BENVOLIO.\n" - "Alas that love so gentle in his view,\n" - "Should be so tyrannous and rough in " -- "proof.\n\nROMEO.\n" +- "proof.\n\n" +- "ROMEO.\n" - "Alas that love, whose view is muffled still" - ",\n" - "Should, without eyes, see pathways to his will" -- "!\nWhere shall we dine? O me! " +- "!\n" +- "Where shall we dine? O me! " - "What fray was here?\n" - "Yet tell me not, for I have heard it " - "all.\n" @@ -470,7 +501,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Griefs of mine own lie heavy in my " - "breast,\n" - "Which thou wilt propagate to have it " -- "prest\nWith more of thine. " +- "prest\n" +- "With more of thine. " - "This love that thou hast shown\n" - "Doth add more grief to too much of mine " - "own.\n" @@ -488,14 +520,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "BENVOLIO.\n" - "Soft! I will go along:\n" - "And if you leave me so, you do me " -- "wrong.\n\nROMEO.\nTut! " +- "wrong.\n\n" +- "ROMEO.\n" +- "Tut! " - "I have lost myself; I am not here.\n" - "This is not Romeo, he’s some other " -- "where.\n\nBENVOLIO.\n" +- "where.\n\n" +- "BENVOLIO.\n" - "Tell me in sadness who is that you love?\n\n" - "ROMEO.\n" - "What, shall I groan and tell thee?\n\n" -- "BENVOLIO.\nGroan! " +- "BENVOLIO.\n" +- "Groan! " - "Why, no; but sadly tell me who.\n\n" - "ROMEO.\n" - Bid a sick man in sadness make his will @@ -503,14 +539,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "A word ill urg’d to one that " - "is so ill.\n" - "In sadness, cousin, I do love a woman" -- ".\n\nBENVOLIO.\n" +- ".\n\n" +- "BENVOLIO.\n" - "I aim’d so near when I " - suppos’d you lov’d -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "A right good markman, and she’s " -- "fair I love.\n\nBENVOLIO.\n" +- "fair I love.\n\n" +- "BENVOLIO.\n" - "A right fair mark, fair coz, is " -- "soonest hit.\n\nROMEO.\n" +- "soonest hit.\n\n" +- "ROMEO.\n" - "Well, in that hit you miss: " - "she’ll not be hit\n" - "With Cupid’s arrow, she hath " @@ -526,9 +566,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "gold:\n" - "O she’s rich in beauty, only poor\n" - "That when she dies, with beauty dies her store" -- ".\n\nBENVOLIO.\n" +- ".\n\n" +- "BENVOLIO.\n" - "Then she hath sworn that she will still live " -- "chaste?\n\nROMEO.\n" +- "chaste?\n\n" +- "ROMEO.\n" - "She hath, and in that sparing makes " - "huge waste;\n" - "For beauty starv’d with her severity,\n" @@ -539,9 +581,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "She hath forsworn to love, " - "and in that vow\n" - "Do I live dead, that live to tell it " -- "now.\n\nBENVOLIO.\n" +- "now.\n\n" +- "BENVOLIO.\n" - "Be rul’d by me, forget to " -- "think of her.\n\nROMEO.\n" +- "think of her.\n\n" +- "ROMEO.\n" - "O teach me how I should forget to think.\n\n" - "BENVOLIO.\n" - "By giving liberty unto thine eyes;\n" @@ -557,7 +601,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Where I may read who pass’d that passing " - "fair?\n" - "Farewell, thou canst not teach me " -- "to forget.\n\nBENVOLIO.\n" +- "to forget.\n\n" +- "BENVOLIO.\n" - "I’ll pay that doctrine, or else die " - "in debt.\n\n" - " [_Exeunt._]\n\n" @@ -568,19 +613,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - In penalty alike; and ’tis not hard - ", I think,\n" - For men so old as we to keep the peace -- ".\n\nPARIS.\n" +- ".\n\n" +- "PARIS.\n" - "Of honourable reckoning are you both,\n" - "And pity ’tis you liv’d " - "at odds so long.\n" - "But now my lord, what say you to my " -- "suit?\n\nCAPULET.\n" +- "suit?\n\n" +- "CAPULET.\n" - But saying o’er what I have said before - ".\n" - "My child is yet a stranger in the world,\n" - She hath not seen the change of fourteen years - ";\nLet two more summers wither in their pride\n" - "Ere we may think her ripe to be a " -- "bride.\n\nPARIS.\n" +- "bride.\n\n" +- "PARIS.\n" - "Younger than she are happy mothers made.\n\n" - "CAPULET.\n" - "And too soon marr’d are those so " @@ -613,14 +661,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Which, on more view of many, mine, " - "being one,\n" - "May stand in number, though in reckoning " -- "none.\nCome, go with me. " +- "none.\n" +- "Come, go with me. " - "Go, sirrah, trudge about\n" - "Through fair Verona; find those persons out\n" - "Whose names are written there, [_gives " - "a paper_] and to them say,\n" - "My house and welcome on their pleasure stay.\n\n" - " [_Exeunt Capulet and Paris." -- "_]\n\nSERVANT.\n" +- "_]\n\n" +- "SERVANT.\n" - "Find them out whose names are written here! " - "It is written that the\n" - "shoemaker should meddle with his yard and the " @@ -664,9 +714,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "SERVANT.\n" - "Perhaps you have learned it without book.\n" - "But I pray, can you read anything you see" -- "?\n\nROMEO.\n" +- "?\n\n" +- "ROMEO.\n" - "Ay, If I know the letters and the " -- "language.\n\nSERVANT.\n" +- "language.\n\n" +- "SERVANT.\n" - "Ye say honestly, rest you merry!\n\n" - "ROMEO.\n" - "Stay, fellow; I can read.\n\n" @@ -691,7 +743,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "SERVANT.\nMy master’s.\n\n" - "ROMEO.\n" - Indeed I should have ask’d you that before -- ".\n\nSERVANT.\n" +- ".\n\n" +- "SERVANT.\n" - "Now I’ll tell you without asking. " - "My master is the great rich Capulet,\n" - "and if you be not of the house of " @@ -708,26 +761,31 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Compare her face with some that I shall " - "show,\n" - "And I will make thee think thy swan a " -- "crow.\n\nROMEO.\n" +- "crow.\n\n" +- "ROMEO.\n" - "When the devout religion of mine eye\n" - "Maintains such falsehood, then turn tears to " - "fire;\n" - "And these who, often drown’d, could " - "never die,\n" - "Transparent heretics, be burnt for " -- "liars.\nOne fairer than my love? " +- "liars.\n" +- "One fairer than my love? " - "The all-seeing sun\n" - "Ne’er saw her match since first the " -- "world begun.\n\nBENVOLIO.\n" +- "world begun.\n\n" +- "BENVOLIO.\n" - "Tut, you saw her fair, none else " - "being by,\n" - "Herself pois’d with herself in either " -- "eye:\nBut in that crystal scales let there be " +- "eye:\n" +- "But in that crystal scales let there be " - "weigh’d\n" - "Your lady’s love against some other maid\n" - "That I will show you shining at this feast,\n" - "And she shall scant show well that now shows " -- "best.\n\nROMEO.\n" +- "best.\n\n" +- "ROMEO.\n" - "I’ll go along, no such sight to " - "be shown,\n" - "But to rejoice in splendour " @@ -738,9 +796,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Enter Lady Capulet and Nurse.\n\n" - "LADY CAPULET.\n" - "Nurse, where’s my daughter? " -- "Call her forth to me.\n\nNURSE.\n" +- "Call her forth to me.\n\n" +- "NURSE.\n" - "Now, by my maidenhead, at twelve year " -- "old,\nI bade her come. " +- "old,\n" +- "I bade her come. " - "What, lamb! What ladybird!\n" - "God forbid! Where’s this girl? " - "What, Juliet!\n\n Enter Juliet.\n\n" @@ -758,10 +818,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I have remember’d me, thou’s " - "hear our counsel.\n" - "Thou knowest my daughter’s of a " -- "pretty age.\n\nNURSE.\n" +- "pretty age.\n\n" +- "NURSE.\n" - "Faith, I can tell her age unto an hour" -- ".\n\nLADY CAPULET.\n" -- "She’s not fourteen.\n\nNURSE.\n" +- ".\n\n" +- "LADY CAPULET.\n" +- "She’s not fourteen.\n\n" +- "NURSE.\n" - "I’ll lay fourteen of my teeth,\n" - "And yet, to my teen be it spoken, " - "I have but four,\n" @@ -775,7 +838,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Come Lammas Eve at night shall she be fourteen - ".\n" - "Susan and she,—God rest all Christian souls" -- "!—\nWere of an age. " +- "!—\n" +- "Were of an age. " - "Well, Susan is with God;\n" - "She was too good for me. " - "But as I said,\n" @@ -792,7 +856,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ",\n" - "Sitting in the sun under the dovehouse wall;\n" - My lord and you were then at Mantua -- ":\nNay, I do bear a brain. " +- ":\n" +- "Nay, I do bear a brain. " - "But as I said,\n" - "When it did taste the wormwood on the nipple\n" - "Of my dug and felt it bitter, pretty fool" @@ -822,14 +887,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - To see now how a jest shall come about - ".\n" - "I warrant, and I should live a thousand years" -- ",\nI never should forget it. " +- ",\n" +- "I never should forget it. " - "‘Wilt thou not, Jule?’ " - "quoth he;\n" - "And, pretty fool, it stinted, and " - "said ‘Ay.’\n\n" - "LADY CAPULET.\n" - Enough of this; I pray thee hold thy peace -- ".\n\nNURSE.\n" +- ".\n\n" +- "NURSE.\n" - "Yes, madam, yet I cannot choose but " - "laugh,\n" - "To think it should leave crying, and say ‘" @@ -845,10 +912,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "to age;\n" - "Wilt thou not, Jule?’ " - "it stinted, and said ‘Ay’" -- ".\n\nJULIET.\n" +- ".\n\n" +- "JULIET.\n" - "And stint thou too, I pray thee, Nurse" - ", say I.\n\n" -- "NURSE.\nPeace, I have done. " +- "NURSE.\n" +- "Peace, I have done. " - "God mark thee to his grace\n" - "Thou wast the prettiest babe that " - "e’er I nurs’d:\n" @@ -861,7 +930,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "How stands your disposition to be married?\n\n" - "JULIET.\n" - "It is an honour that I dream not of.\n\n" -- "NURSE.\nAn honour! " +- "NURSE.\n" +- "An honour! " - "Were not I thine only nurse,\n" - "I would say thou hadst suck’d wisdom " - "from thy teat.\n\n" @@ -874,13 +944,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Thus, then, in brief;\n" - The valiant Paris seeks you for his love - ".\n\n" -- "NURSE.\nA man, young lady! " +- "NURSE.\n" +- "A man, young lady! " - "Lady, such a man\n" - "As all the world—why he’s a " - "man of wax.\n\n" - "LADY CAPULET.\n" - Verona’s summer hath not such a flower -- ".\n\nNURSE.\n" +- ".\n\n" +- "NURSE.\n" - "Nay, he’s a flower, in " - "faith a very flower.\n\n" - "LADY CAPULET.\n" @@ -898,7 +970,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "This precious book of love, this unbound lover" - ",\n" - "To beautify him, only lacks a cover" -- ":\nThe fish lives in the sea; and ’" +- ":\n" +- The fish lives in the sea; and ’ - "tis much pride\n" - "For fair without the fair within to hide.\n" - "That book in many’s eyes doth share " @@ -912,7 +985,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Women grow by men.\n\n" - "LADY CAPULET.\n" - "Speak briefly, can you like of Paris’ love" -- "?\n\nJULIET.\n" +- "?\n\n" +- "JULIET.\n" - "I’ll look to like, if looking liking " - "move:\n" - "But no more deep will I endart mine eye\n" @@ -928,7 +1002,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "LADY CAPULET.\n" - "We follow thee.\n\n" - " [_Exit Servant._]\n\n" -- "Juliet, the County stays.\n\nNURSE.\n" +- "Juliet, the County stays.\n\n" +- "NURSE.\n" - "Go, girl, seek happy nights to happy days" - ".\n\n [_Exeunt._]\n\n" - "SCENE IV. A Street.\n\n" @@ -949,13 +1024,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "After the prompter, for our entrance:\n" - "But let them measure us by what they will,\n" - "We’ll measure them a measure, and be " -- "gone.\n\nROMEO.\n" +- "gone.\n\n" +- "ROMEO.\n" - "Give me a torch, I am not for this " - "ambling;\n" - "Being but heavy I will bear the light.\n\n" - "MERCUTIO.\n" - "Nay, gentle Romeo, we must have you " -- "dance.\n\nROMEO.\n" +- "dance.\n\n" +- "ROMEO.\n" - "Not I, believe me, you have dancing shoes" - ",\n" - "With nimble soles, I have a soul " @@ -975,7 +1052,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "MERCUTIO.\n" - "And, to sink in it, should you burden " - "love;\nToo great oppression for a tender thing.\n\n" -- "ROMEO.\nIs love a tender thing? " +- "ROMEO.\n" +- "Is love a tender thing? " - "It is too rough,\n" - "Too rude, too boisterous; and " - "it pricks like thorn.\n\n" @@ -991,25 +1069,29 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What care I\n" - "What curious eye doth quote deformities?\n" - Here are the beetle-brows shall blush for me -- ".\n\nBENVOLIO.\n" +- ".\n\n" +- "BENVOLIO.\n" - "Come, knock and enter; and no sooner in\n" - "But every man betake him to his legs.\n\n" - "ROMEO.\n" - "A torch for me: let wantons, light " - "of heart,\n" - Tickle the senseless rushes with their heels -- ";\nFor I am proverb’d with a " +- ";\n" +- "For I am proverb’d with a " - "grandsire phrase,\n" - "I’ll be a candle-holder and look " - "on,\n" - "The game was ne’er so fair, and " -- "I am done.\n\nMERCUTIO.\n" +- "I am done.\n\n" +- "MERCUTIO.\n" - "Tut, dun’s the mouse, " - "the constable’s own word:\n" - "If thou art dun, we’ll draw " - "thee from the mire\n" - "Or save your reverence love, wherein thou " -- "stickest\nUp to the ears. " +- "stickest\n" +- "Up to the ears. " - "Come, we burn daylight, ho.\n\n" - "ROMEO.\n" - "Nay, that’s not so.\n\n" @@ -1019,18 +1101,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "day.\n" - "Take our good meaning, for our judgment sits\n" - "Five times in that ere once in our five " -- "wits.\n\nROMEO.\n" +- "wits.\n\n" +- "ROMEO.\n" - "And we mean well in going to this mask;\n" - "But ’tis no wit to go.\n\n" - "MERCUTIO.\n" -- "Why, may one ask?\n\nROMEO.\n" +- "Why, may one ask?\n\n" +- "ROMEO.\n" - "I dreamt a dream tonight.\n\n" - "MERCUTIO.\nAnd so did I.\n\n" - "ROMEO.\nWell what was yours?\n\n" - "MERCUTIO.\n" -- "That dreamers often lie.\n\nROMEO.\n" +- "That dreamers often lie.\n\n" +- "ROMEO.\n" - "In bed asleep, while they do dream things true" -- ".\n\nMERCUTIO.\n" +- ".\n\n" +- "MERCUTIO.\n" - "O, then, I see Queen Mab " - "hath been with you.\n" - "She is the fairies’ midwife, and she " @@ -1045,7 +1131,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "The cover, of the wings of grasshoppers" - ";\n" - "Her traces, of the smallest spider’s web" -- ";\nThe collars, of the " +- ";\n" +- "The collars, of the " - "moonshine’s watery beams;\n" - "Her whip of cricket’s bone; the " - "lash, of film;\n" @@ -1055,7 +1142,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Prick’d from the lazy finger of a " - "maid:\n" - Her chariot is an empty hazelnut -- ",\nMade by the joiner squirrel or old " +- ",\n" +- "Made by the joiner squirrel or old " - "grub,\n" - Time out o’ mind the fairies’ coachmakers - ".\n" @@ -1071,7 +1159,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Which oft the angry Mab with " - "blisters plagues,\n" - Because their breaths with sweetmeats tainted are -- ":\nSometime she gallops o’er a " +- ":\n" +- "Sometime she gallops o’er a " - "courtier’s nose,\n" - "And then dreams he of smelling out a suit;\n" - And sometime comes she with a tithe- @@ -1089,7 +1178,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Drums in his ear, at which he starts and " - "wakes;\n" - "And, being thus frighted, swears " -- "a prayer or two,\nAnd sleeps again. " +- "a prayer or two,\n" +- "And sleeps again. " - "This is that very Mab\n" - "That plats the manes of horses in " - "the night;\n" @@ -1101,7 +1191,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "on their backs,\n" - "That presses them, and learns them first to bear" - ",\nMaking them women of good carriage:\n" -- "This is she,—\n\nROMEO.\n" +- "This is she,—\n\n" +- "ROMEO.\n" - "Peace, peace, Mercutio, peace" - ",\nThou talk’st of nothing.\n\n" - "MERCUTIO.\n" @@ -1116,10 +1207,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And, being anger’d, puffs away " - "from thence,\n" - Turning his side to the dew-dropping south -- ".\n\nBENVOLIO.\n" +- ".\n\n" +- "BENVOLIO.\n" - "This wind you talk of blows us from ourselves:\n" - "Supper is done, and we shall come too " -- "late.\n\nROMEO.\n" +- "late.\n\n" +- "ROMEO.\n" - "I fear too early: for my mind " - "misgives\n" - "Some consequence yet hanging in the stars,\n" @@ -1151,7 +1244,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "FIRST SERVANT.\n" - "Away with the join-stools, remove the " - "court-cupboard, look to the\n" -- "plate. Good thou, save me a piece of " +- "plate. " +- "Good thou, save me a piece of " - "marchpane; and as thou loves me,\n" - "let the porter let in Susan " - "Grindstone and Nell. " @@ -1169,7 +1263,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " [_Exeunt._]\n\n" - " Enter Capulet, &c. with the " - "Guests and Gentlewomen to the " -- "Maskers.\n\nCAPULET.\n" +- "Maskers.\n\n" +- "CAPULET.\n" - "Welcome, gentlemen, ladies that have their toes\n" - "Unplagu’d with corns will " - "have a bout with you.\n" @@ -1224,14 +1319,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What lady is that, which doth enrich " - "the hand\nOf yonder knight?\n\n" - "SERVANT.\n" -- "I know not, sir.\n\nROMEO.\n" +- "I know not, sir.\n\n" +- "ROMEO.\n" - "O, she doth teach the torches to " - "burn bright!\n" - "It seems she hangs upon the cheek of night\n" - "As a rich jewel in an " - "Ethiop’s ear;\n" - "Beauty too rich for use, for earth too dear" -- "!\nSo shows a snowy dove trooping with " +- "!\n" +- "So shows a snowy dove trooping with " - "crows\n" - As yonder lady o’er her fellows shows - ".\n" @@ -1241,9 +1338,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Did my heart love till now? " - "Forswear it, sight!\n" - "For I ne’er saw true beauty till this " -- "night.\n\nTYBALT.\n" +- "night.\n\n" +- "TYBALT.\n" - "This by his voice, should be a Montague" -- ".\nFetch me my rapier, boy. " +- ".\n" +- "Fetch me my rapier, boy. " - "What, dares the slave\n" - "Come hither, cover’d with an " - "antic face,\n" @@ -1251,7 +1350,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "?\n" - "Now by the stock and honour of my kin,\n" - To strike him dead I hold it not a sin -- ".\n\nCAPULET.\n" +- ".\n\n" +- "CAPULET.\n" - "Why how now, kinsman!\n" - "Wherefore storm you so?\n\n" - "TYBALT.\n" @@ -1267,7 +1367,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Content thee, gentle coz, let him alone" - ",\nA bears him like a portly gentleman;\n" - "And, to say truth, Verona brags of " -- "him\nTo be a virtuous and well-" +- "him\n" +- To be a virtuous and well- - "govern’d youth.\n" - "I would not for the wealth of all the town\n" - Here in my house do him disparagement @@ -1278,7 +1379,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Show a fair presence and put off these frowns - ",\n" - "An ill-beseeming semblance for " -- "a feast.\n\nTYBALT.\n" +- "a feast.\n\n" +- "TYBALT.\n" - "It fits when such a villain is a guest:\n" - "I’ll not endure him.\n\n" - "CAPULET.\n" @@ -1286,7 +1388,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What, goodman boy! " - "I say he shall, go to;\n" - "Am I the master here, or you? " -- "Go to.\nYou’ll not endure him! " +- "Go to.\n" +- "You’ll not endure him! " - "God shall mend my soul,\n" - "You’ll make a mutiny among my " - "guests!\n" @@ -1299,7 +1402,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "You are a saucy boy. " - "Is’t so, indeed?\n" - "This trick may chance to scathe you, " -- "I know what.\nYou must contrary me! " +- "I know what.\n" +- "You must contrary me! " - "Marry, ’tis time.\n" - "Well said, my hearts!—You are a " - "princox; go:\n" @@ -1314,7 +1418,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I will withdraw: but this intrusion shall,\n" - "Now seeming sweet, convert to bitter gall.\n\n" - " [_Exit._]\n\n" -- "ROMEO.\n[_To Juliet." +- "ROMEO.\n" +- "[_To Juliet." - "_] If I profane with my " - "unworthiest hand\n" - "This holy shrine, the gentle sin is this,\n" @@ -1327,17 +1432,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - For saints have hands that pilgrims’ hands do touch - ",\n" - And palm to palm is holy palmers’ kiss -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Have not saints lips, and holy palmers too" -- "?\n\nJULIET.\n" +- "?\n\n" +- "JULIET.\n" - "Ay, pilgrim, lips that they " -- "must use in prayer.\n\nROMEO.\n" +- "must use in prayer.\n\n" +- "ROMEO.\n" - "O, then, dear saint, let lips do " - "what hands do:\n" - "They pray, grant thou, lest faith turn " -- "to despair.\n\nJULIET.\n" +- "to despair.\n\n" +- "JULIET.\n" - "Saints do not move, though grant for prayers’ " -- "sake.\n\nROMEO.\n" +- "sake.\n\n" +- "ROMEO.\n" - "Then move not while my prayer’s effect I " - "take.\n" - "Thus from my lips, by thine my sin " @@ -1345,11 +1455,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Kissing her._]\n\n" - "JULIET.\n" - Then have my lips the sin that they have took -- ".\n\nROMEO.\nSin from my lips? " +- ".\n\n" +- "ROMEO.\n" +- "Sin from my lips? " - "O trespass sweetly urg’d!\n" - "Give me my sin again.\n\n" - "JULIET.\n" -- "You kiss by the book.\n\nNURSE.\n" +- "You kiss by the book.\n\n" +- "NURSE.\n" - "Madam, your mother craves a word " - "with you.\n\n" - "ROMEO.\nWhat is her mother?\n\n" @@ -1366,13 +1479,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My life is my foe’s debt.\n\n" - "BENVOLIO.\n" - "Away, be gone; the sport is at the " -- "best.\n\nROMEO.\n" +- "best.\n\n" +- "ROMEO.\n" - "Ay, so I fear; the more is " -- "my unrest.\n\nCAPULET.\n" +- "my unrest.\n\n" +- "CAPULET.\n" - "Nay, gentlemen, prepare not to be gone" - ",\n" - We have a trifling foolish banquet towards -- ".\nIs it e’en so? " +- ".\n" +- "Is it e’en so? " - "Why then, I thank you all;\n" - "I thank you, honest gentlemen; good night.\n" - "More torches here! " @@ -1381,13 +1497,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "it waxes late,\n" - "I’ll to my rest.\n\n" - " [_Exeunt all but Juliet and Nurse" -- "._]\n\nJULIET.\n" +- "._]\n\n" +- "JULIET.\n" - "Come hither, Nurse. " -- "What is yond gentleman?\n\nNURSE.\n" +- "What is yond gentleman?\n\n" +- "NURSE.\n" - "The son and heir of old Tiberio.\n\n" - "JULIET.\n" - "What’s he that now is going out of " -- "door?\n\nNURSE.\n" +- "door?\n\n" +- "NURSE.\n" - "Marry, that I think be young " - "Petruchio.\n\n" - "JULIET.\n" @@ -1416,7 +1535,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "NURSE.\nAnon, anon!\n" - "Come let’s away, the strangers all are " - "gone.\n\n [_Exeunt._]\n\n\n\n" -- "ACT II\n\n Enter Chorus.\n\nCHORUS.\n" +- "ACT II\n\n Enter Chorus.\n\n" +- "CHORUS.\n" - Now old desire doth in his deathbed lie - ",\n" - "And young affection gapes to be his heir;\n" @@ -1442,14 +1562,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ".\n\n [_Exit._]\n\n" - "SCENE I. " - "An open place adjoining Capulet’s Garden.\n\n" -- " Enter Romeo.\n\nROMEO.\n" +- " Enter Romeo.\n\n" +- "ROMEO.\n" - "Can I go forward when my heart is here?\n" - "Turn back, dull earth, and find thy centre " - "out.\n\n" - " [_He climbs the wall and leaps down " - "within it._]\n\n" - " Enter Benvolio and Mercutio" -- ".\n\nBENVOLIO.\n" +- ".\n\n" +- "BENVOLIO.\n" - "Romeo! My cousin Romeo! Romeo!\n\n" - "MERCUTIO.\nHe is wise,\n" - "And on my life hath " @@ -1486,7 +1608,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "That in thy likeness thou appear to us.\n\n" - "BENVOLIO.\n" - "An if he hear thee, thou wilt anger " -- "him.\n\nMERCUTIO.\n" +- "him.\n\n" +- "MERCUTIO.\n" - "This cannot anger him. ’Twould anger him\n" - "To raise a spirit in his mistress’ circle,\n" - "Of some strange nature, letting it there stand\n" @@ -1500,7 +1623,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Come, he hath hid himself among these trees\n" - "To be consorted with the humorous night.\n" - "Blind is his love, and best befits " -- "the dark.\n\nMERCUTIO.\n" +- "the dark.\n\n" +- "MERCUTIO.\n" - "If love be blind, love cannot hit the mark" - ".\n" - Now will he sit under a medlar tree @@ -1510,7 +1634,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O Romeo, that she were, O that she " - "were\n" - "An open-arse and thou a poperin " -- "pear!\nRomeo, good night. " +- "pear!\n" +- "Romeo, good night. " - "I’ll to my truckle-bed.\n" - "This field-bed is too cold for me to " - "sleep.\nCome, shall we go?\n\n" @@ -1566,19 +1691,25 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "When he bestrides the lazy-puffing " - "clouds\n" - And sails upon the bosom of the air -- ".\n\nJULIET.\n" +- ".\n\n" +- "JULIET.\n" - "O Romeo, Romeo, wherefore art thou " - "Romeo?\n" - "Deny thy father and refuse thy name.\n" - "Or if thou wilt not, be but sworn " - "my love,\n" - And I’ll no longer be a Capulet -- ".\n\nROMEO.\n[_Aside." +- ".\n\n" +- "ROMEO.\n" +- "[_Aside." - "_] Shall I hear more, or shall I " -- "speak at this?\n\nJULIET.\n" +- "speak at this?\n\n" +- "JULIET.\n" - ’Tis but thy name that is my enemy -- ";\nThou art thyself, though not a " -- "Montague.\nWhat’s Montague? " +- ";\n" +- "Thou art thyself, though not a " +- "Montague.\n" +- "What’s Montague? " - "It is nor hand nor foot,\n" - "Nor arm, nor face, nor any other part\n" - "Belonging to a man. " @@ -1592,7 +1723,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Without that title. " - "Romeo, doff thy name,\n" - "And for thy name, which is no part of " -- "thee,\nTake all myself.\n\nROMEO.\n" +- "thee,\nTake all myself.\n\n" +- "ROMEO.\n" - "I take thee at thy word.\n" - "Call me but love, and I’ll be " - "new baptis’d;\n" @@ -1607,7 +1739,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My name, dear saint, is hateful to " - "myself,\nBecause it is an enemy to thee.\n" - "Had I it written, I would tear the word" -- ".\n\nJULIET.\n" +- ".\n\n" +- "JULIET.\n" - "My ears have yet not drunk a hundred words\n" - "Of thy tongue’s utterance, yet I " - "know the sound.\n" @@ -1621,37 +1754,45 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ",\n" - "And the place death, considering who thou art,\n" - If any of my kinsmen find thee here -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "With love’s light wings did I " - "o’erperch these walls,\n" - "For stony limits cannot hold love out,\n" - "And what love can do, that dares love " - "attempt:\n" - Therefore thy kinsmen are no stop to me -- ".\n\nJULIET.\n" +- ".\n\n" +- "JULIET.\n" - "If they do see thee, they will murder thee" -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Alack, there lies more peril in " -- "thine eye\nThan twenty of their swords. " +- "thine eye\n" +- "Than twenty of their swords. " - "Look thou but sweet,\n" - "And I am proof against their enmity.\n\n" - "JULIET.\n" - I would not for the world they saw thee here -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "I have night’s cloak to hide me from " - "their eyes,\n" - "And but thou love me, let them find me " - "here.\nMy life were better ended by their hate\n" - "Than death prorogued, wanting of thy love" -- ".\n\nJULIET.\n" +- ".\n\n" +- "JULIET.\n" - "By whose direction found’st thou out this " -- "place?\n\nROMEO.\n" +- "place?\n\n" +- "ROMEO.\n" - "By love, that first did prompt me to " - "enquire;\n" - "He lent me counsel, and I lent him eyes" - ".\n" - "I am no pilot; yet wert thou as " -- "far\nAs that vast shore wash’d with the " +- "far\n" +- "As that vast shore wash’d with the " - "farthest sea,\n" - "I should adventure for such merchandise.\n\n" - "JULIET.\n" @@ -1697,7 +1838,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\n" - "Lady, by yonder blessed moon I vow,\n" - That tips with silver all these fruit-tree tops -- ",—\n\nJULIET.\n" +- ",—\n\n" +- "JULIET.\n" - "O swear not by the moon, " - "th’inconstant moon,\n" - "That monthly changes in her circled orb,\n" @@ -1718,12 +1860,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "It is too rash, too " - "unadvis’d, too sudden,\n" - "Too like the lightning, which doth cease to " -- "be\nEre one can say It lightens. " +- "be\n" +- "Ere one can say It lightens. " - "Sweet, good night.\n" - "This bud of love, by summer’s " - "ripening breath,\n" - "May prove a beauteous flower when next we " -- "meet.\nGood night, good night. " +- "meet.\n" +- "Good night, good night. " - "As sweet repose and rest\n" - "Come to thy heart as that within my breast.\n\n" - "ROMEO.\n" @@ -1733,7 +1877,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What satisfaction canst thou have tonight?\n\n" - "ROMEO.\n" - "Th’exchange of thy love’s faithful " -- "vow for mine.\n\nJULIET.\n" +- "vow for mine.\n\n" +- "JULIET.\n" - I gave thee mine before thou didst request it - ";\n" - "And yet I would it were to give again.\n\n" @@ -1756,7 +1901,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "be true.\n" - "Stay but a little, I will come again.\n\n" - " [_Exit._]\n\n" -- "ROMEO.\nO blessed, blessed night. " +- "ROMEO.\n" +- "O blessed, blessed night. " - "I am afeard,\n" - "Being in night, all this is but a dream" - ",\nToo flattering sweet to be substantial.\n\n" @@ -1788,7 +1934,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "So thrive my soul,—\n\n" - "JULIET.\n" - "A thousand times good night.\n\n" -- " [_Exit._]\n\nROMEO.\n" +- " [_Exit._]\n\n" +- "ROMEO.\n" - "A thousand times the worse, to want thy light" - ".\n" - "Love goes toward love as schoolboys from their " @@ -1843,7 +1990,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "JULIET.\n" - "Sweet, so would I:\n" - Yet I should kill thee with much cherishing -- ".\nGood night, good night. " +- ".\n" +- "Good night, good night. " - "Parting is such sweet sorrow\n" - "That I shall say good night till it be " - "morrow.\n\n [_Exit._]\n\n" @@ -1869,7 +2017,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Enter Friar Lawrence with a basket.\n\n" - "FRIAR LAWRENCE.\n" - "Now, ere the sun advance his burning eye" -- ",\nThe day to cheer, and night’s " +- ",\n" +- "The day to cheer, and night’s " - "dank dew to dry,\n" - "I must upfill this osier cage of " - "ours\n" @@ -1893,7 +2042,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Nor aught so good but, strain’d " - "from that fair use,\n" - "Revolts from true birth, stumbling on abuse" -- ".\nVirtue itself turns vice being " +- ".\n" +- "Virtue itself turns vice being " - "misapplied,\n" - And vice sometime’s by action dignified - ".\n\n Enter Romeo.\n\n" @@ -1908,7 +2058,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "rude will;\n" - "And where the worser is predominant,\n" - Full soon the canker death eats up that plant -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Good morrow, father.\n\n" - "FRIAR LAWRENCE.\n" - "Benedicite!\n" @@ -1932,12 +2083,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Our Romeo hath not been in bed tonight.\n\n" - "ROMEO.\n" - "That last is true; the sweeter rest was " -- "mine.\n\nFRIAR LAWRENCE.\n" +- "mine.\n\n" +- "FRIAR LAWRENCE.\n" - "God pardon sin. " - "Wast thou with Rosaline?\n\n" - "ROMEO.\n" - "With Rosaline, my ghostly father? " -- "No.\nI have forgot that name, and that " +- "No.\n" +- "I have forgot that name, and that " - "name’s woe.\n\n" - "FRIAR LAWRENCE.\n" - "That’s my good son. " @@ -1958,14 +2111,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Be plain, good son, and homely in " - "thy drift;\n" - "Riddling confession finds but riddling " -- "shrift.\n\nROMEO.\n" +- "shrift.\n\n" +- "ROMEO.\n" - "Then plainly know my heart’s dear love " - "is set\n" - "On the fair daughter of rich Capulet.\n" - "As mine on hers, so hers is set on " - "mine;\n" - "And all combin’d, save what thou " -- "must combine\nBy holy marriage. " +- "must combine\n" +- "By holy marriage. " - "When, and where, and how\n" - "We met, we woo’d, and " - "made exchange of vow,\n" @@ -1975,7 +2130,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "FRIAR LAWRENCE.\n" - "Holy Saint Francis! What a change is here!\n" - "Is Rosaline, that thou didst love so " -- "dear,\nSo soon forsaken? " +- "dear,\n" +- "So soon forsaken? " - "Young men’s love then lies\n" - "Not truly in their hearts, but in their eyes" - ".\n" @@ -1999,12 +2155,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And art thou chang’d? " - "Pronounce this sentence then,\n" - "Women may fall, when there’s no strength " -- "in men.\n\nROMEO.\n" +- "in men.\n\n" +- "ROMEO.\n" - "Thou chidd’st me " - "oft for loving Rosaline.\n\n" - "FRIAR LAWRENCE.\n" - "For doting, not for loving, pupil mine" -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "And bad’st me bury love.\n\n" - "FRIAR LAWRENCE.\n" - "Not in a grave\n" @@ -2023,7 +2181,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "In one respect I’ll thy assistant be;\n" - "For this alliance may so happy prove,\n" - "To turn your households’ rancour to pure " -- "love.\n\nROMEO.\n" +- "love.\n\n" +- "ROMEO.\n" - "O let us hence; I stand on sudden " - "haste.\n\n" - "FRIAR LAWRENCE.\n" @@ -2031,22 +2190,26 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ".\n\n [_Exeunt._]\n\n" - "SCENE IV. A Street.\n\n" - " Enter Benvolio and Mercutio" -- ".\n\nMERCUTIO.\n" +- ".\n\n" +- "MERCUTIO.\n" - "Where the devil should this Romeo be? " - "Came he not home tonight?\n\n" - "BENVOLIO.\n" - "Not to his father’s; I spoke with " -- "his man.\n\nMERCUTIO.\n" +- "his man.\n\n" +- "MERCUTIO.\n" - "Why, that same pale hard-hearted wench" - ", that Rosaline, torments him so\n" - "that he will sure run mad.\n\n" - "BENVOLIO.\n" - "Tybalt, the kinsman to old Capulet" - ", hath sent a letter to his " -- "father’s\nhouse.\n\nMERCUTIO.\n" +- "father’s\nhouse.\n\n" +- "MERCUTIO.\n" - "A challenge, on my life.\n\n" - "BENVOLIO.\n" -- "Romeo will answer it.\n\nMERCUTIO.\n" +- "Romeo will answer it.\n\n" +- "MERCUTIO.\n" - "Any man that can write may answer a letter.\n\n" - "BENVOLIO.\n" - "Nay, he will answer the letter’s " @@ -2066,7 +2229,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O, he’s the courageous captain of\n" - "compliments. " - "He fights as you sing prick-song, " -- "keeps time, distance,\nand proportion. " +- "keeps time, distance,\n" +- "and proportion. " - "He rests his minim rest, one, two" - ", and the third in\n" - "your bosom: the very butcher of a " @@ -2080,9 +2244,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "MERCUTIO.\n" - The pox of such antic lisping - ", affecting phantasies; these new " -- "tuners\nof accent. " +- "tuners\n" +- "of accent. " - "By Jesu, a very good blade, a " -- "very tall man, a very good\nwhore. " +- "very tall man, a very good\n" +- "whore. " - "Why, is not this a lamentable thing" - ", grandsire, that we should\n" - be thus afflicted with these strange flies @@ -2091,7 +2257,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "much on the new form that they cannot\n" - "sit at ease on the old bench? " - "O their bones, their bones!\n\n" -- " Enter Romeo.\n\nBENVOLIO.\n" +- " Enter Romeo.\n\n" +- "BENVOLIO.\n" - "Here comes Romeo, here comes Romeo!\n\n" - "MERCUTIO.\n" - "Without his roe, like a dried herring" @@ -2106,7 +2273,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Helen and Hero hildings\n" - "and harlots; Thisbe a grey eye " - "or so, but not to the purpose. " -- "Signior\nRomeo, bonjour! " +- "Signior\n" +- "Romeo, bonjour! " - "There’s a French salutation to your " - "French slop. You\n" - "gave us the counterfeit fairly last night.\n\n" @@ -2115,14 +2283,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What counterfeit did I give you?\n\n" - "MERCUTIO.\n" - "The slip sir, the slip; can you not " -- "conceive?\n\nROMEO.\n" +- "conceive?\n\n" +- "ROMEO.\n" - "Pardon, good Mercutio, my " - "business was great, and in such a case as\n" - "mine a man may strain courtesy.\n\n" - "MERCUTIO.\n" - "That’s as much as to say, such " - "a case as yours constrains a man to " -- "bow\nin the hams.\n\nROMEO.\n" +- "bow\nin the hams.\n\n" +- "ROMEO.\n" - "Meaning, to curtsy.\n\n" - "MERCUTIO.\n" - "Thou hast most kindly hit it.\n\n" @@ -2138,37 +2308,45 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "till thou hast worn out thy pump,\n" - "that when the single sole of it is worn, " - "the jest may remain after the\n" -- "wearing, solely singular.\n\nROMEO.\n" +- "wearing, solely singular.\n\n" +- "ROMEO.\n" - "O single-soled jest, solely singular " -- "for the singleness!\n\nMERCUTIO.\n" +- "for the singleness!\n\n" +- "MERCUTIO.\n" - "Come between us, good Benvolio; my " -- "wits faint.\n\nROMEO.\n" +- "wits faint.\n\n" +- "ROMEO.\n" - "Swits and spurs, swits " - "and spurs; or I’ll cry a " -- "match.\n\nMERCUTIO.\n" +- "match.\n\n" +- "MERCUTIO.\n" - "Nay, if thy wits run the wild" - "-goose chase, I am done. " - "For thou hast\n" - "more of the wild-goose in one of thy " - "wits, than I am sure, I have " -- "in my\nwhole five. " +- "in my\n" +- "whole five. " - "Was I with you there for the goose?\n\n" - "ROMEO.\n" - "Thou wast never with me for anything, " - "when thou wast not there for the\ngoose.\n\n" - "MERCUTIO.\n" - "I will bite thee by the ear for that " -- "jest.\n\nROMEO.\n" +- "jest.\n\n" +- "ROMEO.\n" - "Nay, good goose, bite not.\n\n" - "MERCUTIO.\n" - "Thy wit is a very bitter sweeting, " - "it is a most sharp sauce.\n\n" - "ROMEO.\n" - "And is it not then well served in to a " -- "sweet goose?\n\nMERCUTIO.\n" +- "sweet goose?\n\n" +- "MERCUTIO.\n" - O here’s a wit of cheveril - ", that stretches from an inch narrow to an\n" -- "ell broad.\n\nROMEO.\n" +- "ell broad.\n\n" +- "ROMEO.\n" - "I stretch it out for that word broad, which " - "added to the goose, proves\n" - "thee far and wide a broad goose.\n\n" @@ -2186,14 +2364,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Stop there, stop there.\n\n" - "MERCUTIO.\n" - "Thou desirest me to stop in my tale " -- "against the hair.\n\nBENVOLIO.\n" +- "against the hair.\n\n" +- "BENVOLIO.\n" - Thou wouldst else have made thy tale large -- ".\n\nMERCUTIO.\n" +- ".\n\n" +- "MERCUTIO.\n" - "O, thou art deceived; I would have " - "made it short, for I was come to the\n" - "whole depth of my tale, and meant indeed to " - "occupy the argument no\nlonger.\n\n" -- " Enter Nurse and Peter.\n\nROMEO.\n" +- " Enter Nurse and Peter.\n\n" +- "ROMEO.\n" - "Here’s goodly gear!\n" - "A sail, a sail!\n\n" - "MERCUTIO.\n" @@ -2217,12 +2398,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Out upon you! What a man are you?\n\n" - "ROMEO.\n" - "One, gentlewoman, that God hath made " -- "for himself to mar.\n\nNURSE.\n" +- "for himself to mar.\n\n" +- "NURSE.\n" - "By my troth, it is well said; " - "for himself to mar, quoth a" - "? Gentlemen,\n" - "can any of you tell me where I may find " -- "the young Romeo?\n\nROMEO.\n" +- "the young Romeo?\n\n" +- "ROMEO.\n" - "I can tell you: but young Romeo will be " - "older when you have found him\n" - "than he was when you sought him. " @@ -2232,9 +2415,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "MERCUTIO.\n" - "Yea, is the worst well? " - "Very well took, i’faith; wisely" -- ", wisely.\n\nNURSE.\n" +- ", wisely.\n\n" +- "NURSE.\n" - "If you be he, sir, I desire some " -- "confidence with you.\n\nBENVOLIO.\n" +- "confidence with you.\n\n" +- "BENVOLIO.\n" - "She will endite him to some supper.\n\n" - "MERCUTIO.\n" - "A bawd, a bawd, " @@ -2259,14 +2444,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Farewell, ancient lady; farewell, lady" - ", lady, lady.\n\n" - " [_Exeunt Mercutio and " -- "Benvolio._]\n\nNURSE.\n" +- "Benvolio._]\n\n" +- "NURSE.\n" - "I pray you, sir, what saucy " - "merchant was this that was so full of his\n" -- "ropery?\n\nROMEO.\n" +- "ropery?\n\n" +- "ROMEO.\n" - "A gentleman, Nurse, that loves to hear himself " - "talk, and will speak\n" - "more in a minute than he will stand to in " -- "a month.\n\nNURSE.\n" +- "a month.\n\n" +- "NURSE.\n" - "And a speak anything against me, I’ll " - "take him down, and a were lustier\n" - "than he is, and twenty such Jacks. " @@ -2276,17 +2464,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "gills; I am none of\n" - "his skains-mates.—And thou " - "must stand by too and suffer every knave to\n" -- "use me at his pleasure!\n\nPETER.\n" +- "use me at his pleasure!\n\n" +- "PETER.\n" - "I saw no man use you at his pleasure; " - "if I had, my weapon should\n" - "quickly have been out. " - "I warrant you, I dare draw as soon as " -- "another\nman, if I see occasion in a good " +- "another\n" +- "man, if I see occasion in a good " - "quarrel, and the law on my side" -- ".\n\nNURSE.\n" +- ".\n\n" +- "NURSE.\n" - "Now, afore God, I am so " - vexed that every part about me quivers -- ". Scurvy\nknave. " +- ". Scurvy\n" +- "knave. " - "Pray you, sir, a word: and " - "as I told you, my young lady bid me\n" - "enquire you out; what she bade me " @@ -2299,13 +2491,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And therefore, if you should deal double with\n" - "her, truly it were an ill thing to be " - "offered to any gentlewoman, and\n" -- "very weak dealing.\n\nROMEO. " +- "very weak dealing.\n\n" +- "ROMEO. " - "Nurse, commend me to thy lady and " - "mistress. I protest unto\nthee,—\n\n" - "NURSE.\n" - "Good heart, and i’faith I will tell " - "her as much. Lord, Lord, she will\n" -- "be a joyful woman.\n\nROMEO.\n" +- "be a joyful woman.\n\n" +- "ROMEO.\n" - "What wilt thou tell her, Nurse? " - "Thou dost not mark me.\n\n" - "NURSE.\n" @@ -2317,11 +2511,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ",\n" - "And there she shall at Friar Lawrence’ cell\n" - "Be shriv’d and married. " -- "Here is for thy pains.\n\nNURSE.\n" +- "Here is for thy pains.\n\n" +- "NURSE.\n" - "No truly, sir; not a penny.\n\n" - "ROMEO.\n" - "Go to; I say you shall.\n\n" -- "NURSE.\nThis afternoon, sir? " +- "NURSE.\n" +- "This afternoon, sir? " - "Well, she shall be there.\n\n" - "ROMEO.\n" - "And stay, good Nurse, behind the abbey wall" @@ -2334,16 +2530,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Farewell, be trusty, and " - "I’ll quit thy pains;\n" - "Farewell; commend me to thy " -- "mistress.\n\nNURSE.\n" +- "mistress.\n\n" +- "NURSE.\n" - "Now God in heaven bless thee. " -- "Hark you, sir.\n\nROMEO.\n" +- "Hark you, sir.\n\n" +- "ROMEO.\n" - "What say’st thou, my dear Nurse" -- "?\n\nNURSE.\nIs your man secret? " +- "?\n\n" +- "NURSE.\n" +- "Is your man secret? " - "Did you ne’er hear say,\n" - "Two may keep counsel, putting one away?\n\n" - "ROMEO.\n" - "I warrant thee my man’s as true as " -- "steel.\n\nNURSE.\n" +- "steel.\n\n" +- "NURSE.\n" - "Well, sir, my mistress is the sweetest " - "lady. Lord, Lord! " - "When ’twas a\n" @@ -2364,7 +2565,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\n" - "Ay, Nurse; what of that? " - "Both with an R.\n\n" -- "NURSE.\nAh, mocker! " +- "NURSE.\n" +- "Ah, mocker! " - "That’s the dog’s name. " - "R is for the—no, I know it " - "begins\n" @@ -2412,7 +2614,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O God, she comes. " - "O honey Nurse, what news?\n" - "Hast thou met with him? " -- "Send thy man away.\n\nNURSE.\n" +- "Send thy man away.\n\n" +- "NURSE.\n" - "Peter, stay at the gate.\n\n" - " [_Exit Peter._]\n\n" - "JULIET.\n" @@ -2423,7 +2626,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "If good, thou sham’st the " - "music of sweet news\n" - By playing it to me with so sour a face -- ".\n\nNURSE.\n" +- ".\n\n" +- "NURSE.\n" - "I am aweary, give me leave awhile;\n" - "Fie, how my bones ache! " - "What a jaunt have I had!\n\n" @@ -2431,11 +2635,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I would thou hadst my bones, and I " - "thy news:\n" - "Nay come, I pray thee speak; good" -- ", good Nurse, speak.\n\nNURSE.\n" +- ", good Nurse, speak.\n\n" +- "NURSE.\n" - "Jesu, what haste? " - "Can you not stay a while? " - "Do you not see that I am\n" -- "out of breath?\n\nJULIET.\n" +- "out of breath?\n\n" +- "JULIET.\n" - "How art thou out of breath, when thou " - "hast breath\n" - To say to me that thou art out of breath @@ -2447,7 +2653,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Say either, and I’ll stay the " - "circumstance.\n" - "Let me be satisfied, is’t good or " -- "bad?\n\nNURSE.\n" +- "bad?\n\n" +- "NURSE.\n" - "Well, you have made a simple choice; you " - "know not how to choose a man.\n" - "Romeo? No, not he. " @@ -2462,10 +2669,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "as gentle as a lamb. Go thy\n" - "ways, wench, serve God. " - "What, have you dined at home?\n\n" -- "JULIET.\nNo, no. " +- "JULIET.\n" +- "No, no. " - "But all this did I know before.\n" - "What says he of our marriage? " -- "What of that?\n\nNURSE.\n" +- "What of that?\n\n" +- "NURSE.\n" - "Lord, how my head aches! " - "What a head have I!\n" - "It beats as it would fall in twenty pieces.\n" @@ -2473,16 +2682,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O my back, my back!\n" - "Beshrew your heart for sending me about\n" - "To catch my death with jauncing up and " -- "down.\n\nJULIET.\n" +- "down.\n\n" +- "JULIET.\n" - "I’faith, I am sorry that thou art " - "not well.\n" - "Sweet, sweet, sweet Nurse, tell me, " -- "what says my love?\n\nNURSE.\n" +- "what says my love?\n\n" +- "NURSE.\n" - "Your love says like an honest gentleman,\n" - "And a courteous, and a kind, and " - "a handsome,\n" - "And I warrant a virtuous,—Where " -- "is your mother?\n\nJULIET.\n" +- "is your mother?\n\n" +- "JULIET.\n" - "Where is my mother? " - "Why, she is within.\n" - "Where should she be? " @@ -2498,7 +2710,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Henceforward do your messages yourself.\n\n" - "JULIET.\n" - "Here’s such a coil. " -- "Come, what says Romeo?\n\nNURSE.\n" +- "Come, what says Romeo?\n\n" +- "NURSE.\n" - "Have you got leave to go to shrift " - "today?\n\n" - "JULIET.\nI have.\n\n" @@ -2509,7 +2722,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Now comes the wanton blood up in your cheeks - ",\n" - They’ll be in scarlet straight at any news -- ".\nHie you to church. " +- ".\n" +- "Hie you to church. " - "I must another way,\n" - "To fetch a ladder by the which your love\n" - "Must climb a bird’s nest soon when it " @@ -2519,7 +2733,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "But you shall bear the burden soon at night.\n" - "Go. " - "I’ll to dinner; hie you to " -- "the cell.\n\nJULIET.\n" +- "the cell.\n\n" +- "JULIET.\n" - "Hie to high fortune! " - "Honest Nurse, farewell.\n\n" - " [_Exeunt._]\n\n" @@ -2529,7 +2744,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "FRIAR LAWRENCE.\n" - "So smile the heavens upon this holy act\n" - That after-hours with sorrow chide us not -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Amen, amen, but come what sorrow " - "can,\n" - "It cannot countervail the exchange of joy\n" @@ -2547,20 +2763,24 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And in the taste confounds the appetite.\n" - "Therefore love moderately: long love doth so;\n" - "Too swift arrives as tardy as too slow.\n\n" -- " Enter Juliet.\n\nHere comes the lady. " +- " Enter Juliet.\n\n" +- "Here comes the lady. " - "O, so light a foot\n" - "Will ne’er wear out the everlasting " - "flint.\n" - "A lover may bestride the gossamers\n" - "That idles in the wanton summer air\n" - And yet not fall; so light is vanity -- ".\n\nJULIET.\n" +- ".\n\n" +- "JULIET.\n" - "Good even to my ghostly confessor.\n\n" - "FRIAR LAWRENCE.\n" - "Romeo shall thank thee, daughter, for us both" -- ".\n\nJULIET.\n" +- ".\n\n" +- "JULIET.\n" - "As much to him, else is his thanks too " -- "much.\n\nROMEO.\n" +- "much.\n\n" +- "ROMEO.\n" - "Ah, Juliet, if the measure of thy joy\n" - "Be heap’d like mine, and that thy " - "skill be more\n" @@ -2572,7 +2792,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "both\nReceive in either by this dear encounter.\n\n" - "JULIET.\n" - Conceit more rich in matter than in words -- ",\nBrags of his substance, not of " +- ",\n" +- "Brags of his substance, not of " - "ornament.\n" - "They are but beggars that can count their " - "worth;\n" @@ -2595,7 +2816,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And if we meet, we shall not scape " - "a brawl,\n" - "For now these hot days, is the mad blood " -- "stirring.\n\nMERCUTIO.\n" +- "stirring.\n\n" +- "MERCUTIO.\n" - "Thou art like one of these fellows that, " - "when he enters the confines of\n" - "a tavern, claps me his sword upon " @@ -2622,7 +2844,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "thou hast. " - "Thou wilt quarrel\n" - "with a man for cracking nuts, having no other " -- "reason but because thou\nhast hazel eyes. " +- "reason but because thou\n" +- "hast hazel eyes. " - "What eye but such an eye would spy out such " - "a quarrel?\n" - "Thy head is as full of " @@ -2644,29 +2867,35 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And I were so apt to quarrel " - "as thou art, any man should buy the fee\n" - simple of my life for an hour and a quarter -- ".\n\nMERCUTIO.\n" +- ".\n\n" +- "MERCUTIO.\n" - "The fee simple! O simple!\n\n" - " Enter Tybalt and others.\n\n" - "BENVOLIO.\n" - "By my head, here comes the Capulets" -- ".\n\nMERCUTIO.\n" +- ".\n\n" +- "MERCUTIO.\n" - "By my heel, I care not.\n\n" - "TYBALT.\n" - "Follow me close, for I will speak to them" - ".\n" - "Gentlemen, good-den: a word with one " -- "of you.\n\nMERCUTIO.\n" +- "of you.\n\n" +- "MERCUTIO.\n" - "And but one word with one of us? " - "Couple it with something; make it a\n" -- "word and a blow.\n\nTYBALT.\n" +- "word and a blow.\n\n" +- "TYBALT.\n" - "You shall find me apt enough to that, " - "sir, and you will give me\noccasion.\n\n" - "MERCUTIO.\n" - "Could you not take some occasion without giving?\n\n" - "TYBALT.\n" - "Mercutio, thou consortest with Romeo" -- ".\n\nMERCUTIO.\n" -- "Consort? What, dost thou make us " +- ".\n\n" +- "MERCUTIO.\n" +- "Consort? " +- "What, dost thou make us " - "minstrels? " - "And thou make minstrels of\n" - "us, look to hear nothing but discords. " @@ -2678,14 +2907,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ".\nEither withdraw unto some private place,\n" - "And reason coldly of your grievances,\n" - Or else depart; here all eyes gaze on us -- ".\n\nMERCUTIO.\n" +- ".\n\n" +- "MERCUTIO.\n" - "Men’s eyes were made to look, and " - "let them gaze.\n" - "I will not budge for no man’s " - "pleasure, I.\n\n Enter Romeo.\n\n" - "TYBALT.\n" - "Well, peace be with you, sir, here " -- "comes my man.\n\nMERCUTIO.\n" +- "comes my man.\n\n" +- "MERCUTIO.\n" - "But I’ll be hanged, sir, if " - "he wear your livery.\n" - "Marry, go before to field, " @@ -2694,17 +2925,20 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "TYBALT.\n" - "Romeo, the love I bear thee can afford\n" - "No better term than this: Thou art a " -- "villain.\n\nROMEO.\n" +- "villain.\n\n" +- "ROMEO.\n" - "Tybalt, the reason that I have to love " - "thee\n" - "Doth much excuse the appertaining rage\n" - "To such a greeting. " - "Villain am I none;\n" - "Therefore farewell; I see thou know’st " -- "me not.\n\nTYBALT.\n" +- "me not.\n\n" +- "TYBALT.\n" - "Boy, this shall not excuse the injuries\n" - "That thou hast done me, therefore turn and " -- "draw.\n\nROMEO.\n" +- "draw.\n\n" +- "ROMEO.\n" - "I do protest I never injur’d " - "thee,\n" - "But love thee better than thou canst devise\n" @@ -2714,27 +2948,32 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "As dearly as mine own, be satisfied.\n\n" - "MERCUTIO.\n" - "O calm, dishonourable, vile submission" -- "!\n[_Draws." +- "!\n" +- "[_Draws." - "_] Alla stoccata carries it " - "away.\n" - "Tybalt, you rat-catcher, will you " -- "walk?\n\nTYBALT.\n" +- "walk?\n\n" +- "TYBALT.\n" - "What wouldst thou have with me?\n\n" - "MERCUTIO.\n" - "Good King of Cats, nothing but one of your " - "nine lives; that I mean to\n" - "make bold withal, and, as you shall " - "use me hereafter, dry-beat the " -- "rest\nof the eight. " +- "rest\n" +- "of the eight. " - "Will you pluck your sword out of his " - "pilcher by the ears?\n" - "Make haste, lest mine be about your " - "ears ere it be out.\n\n" -- "TYBALT.\n[_Drawing." +- "TYBALT.\n" +- "[_Drawing." - "_] I am for you.\n\n" - "ROMEO.\n" - "Gentle Mercutio, put thy " -- "rapier up.\n\nMERCUTIO.\n" +- "rapier up.\n\n" +- "MERCUTIO.\n" - "Come, sir, your passado.\n\n" - " [_They fight._]\n\n" - "ROMEO.\n" @@ -2769,12 +3008,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "but ’tis\n" - "enough, ’twill serve. " - "Ask for me tomorrow, and you shall find me " -- "a\ngrave man. " +- "a\n" +- "grave man. " - "I am peppered, I warrant, for this " -- "world. A plague o’ both\nyour houses. " +- "world. A plague o’ both\n" +- "your houses. " - "Zounds, a dog, a rat, " - "a mouse, a cat, to scratch a man " -- "to\ndeath. " +- "to\n" +- "death. " - "A braggart, a rogue, a villain" - ", that fights by the book of\n" - arithmetic!—Why the devil came you between us @@ -2789,7 +3031,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I have it, and soundly too. " - "Your houses!\n\n" - " [_Exeunt Mercutio and " -- "Benvolio._]\n\nROMEO.\n" +- "Benvolio._]\n\n" +- "ROMEO.\n" - "This gentleman, the Prince’s near ally,\n" - "My very friend, hath got his mortal hurt\n" - "In my behalf; my reputation stain’d\n" @@ -2806,7 +3049,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "That gallant spirit hath " - "aspir’d the clouds,\n" - "Which too untimely here did scorn the " -- "earth.\n\nROMEO.\n" +- "earth.\n\n" +- "ROMEO.\n" - "This day’s black fate on mo days " - "doth depend;\n" - "This but begins the woe others must end.\n\n" @@ -2825,12 +3069,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Is but a little way above our heads,\n" - "Staying for thine to keep him company.\n" - "Either thou or I, or both, must go " -- "with him.\n\nTYBALT.\n" +- "with him.\n\n" +- "TYBALT.\n" - "Thou wretched boy, that didst " - "consort him here,\nShalt with him hence.\n\n" - "ROMEO.\nThis shall determine that.\n\n" - " [_They fight; Tybalt falls." -- "_]\n\nBENVOLIO.\n" +- "_]\n\n" +- "BENVOLIO.\n" - "Romeo, away, be gone!\n" - "The citizens are up, and Tybalt slain.\n" - "Stand not amaz’d. " @@ -2847,16 +3093,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Which way ran he that kill’d " - "Mercutio?\n" - "Tybalt, that murderer, which way ran he" -- "?\n\nBENVOLIO.\n" +- "?\n\n" +- "BENVOLIO.\n" - "There lies that Tybalt.\n\n" - "FIRST CITIZEN.\n" - "Up, sir, go with me.\n" - I charge thee in the Prince’s name obey -- ".\n\n Enter Prince, attended; Montague, " +- ".\n\n" +- " Enter Prince, attended; Montague, " - "Capulet, their Wives and others.\n\n" - "PRINCE.\n" - "Where are the vile beginners of this " -- "fray?\n\nBENVOLIO.\n" +- "fray?\n\n" +- "BENVOLIO.\n" - "O noble Prince, I can discover all\n" - The unlucky manage of this fatal brawl - ".\n" @@ -2871,9 +3120,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Of my dear kinsman! " - "Prince, as thou art true,\n" - "For blood of ours shed blood of Montague.\n" -- "O cousin, cousin.\n\nPRINCE.\n" +- "O cousin, cousin.\n\n" +- "PRINCE.\n" - "Benvolio, who began this bloody fray" -- "?\n\nBENVOLIO.\n" +- "?\n\n" +- "BENVOLIO.\n" - "Tybalt, here slain, whom Romeo’s " - "hand did slay;\n" - "Romeo, that spoke him fair, bid him " @@ -2886,7 +3137,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Could not take truce with the unruly " - "spleen\n" - "Of Tybalt, deaf to peace, but that " -- "he tilts\nWith piercing steel at bold " +- "he tilts\n" +- "With piercing steel at bold " - "Mercutio’s breast,\n" - "Who, all as hot, turns deadly point to " - "point,\n" @@ -2917,17 +3169,20 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "LADY CAPULET.\n" - "He is a kinsman to the Montague.\n" - "Affection makes him false, he speaks not " -- "true.\nSome twenty of them fought in this black " +- "true.\n" +- "Some twenty of them fought in this black " - "strife,\n" - "And all those twenty could but kill one life.\n" - "I beg for justice, which thou, Prince, " - "must give;\n" - "Romeo slew Tybalt, Romeo must not live" -- ".\n\nPRINCE.\n" +- ".\n\n" +- "PRINCE.\n" - "Romeo slew him, he slew " - "Mercutio.\n" - "Who now the price of his dear blood doth " -- "owe?\n\nMONTAGUE.\n" +- "owe?\n\n" +- "MONTAGUE.\n" - "Not Romeo, Prince, he was " - "Mercutio’s friend;\n" - "His fault concludes but what the law should end,\n" @@ -2952,7 +3207,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " [_Exeunt._]\n\n" - "SCENE II. " - "A Room in Capulet’s House.\n\n" -- " Enter Juliet.\n\nJULIET.\n" +- " Enter Juliet.\n\n" +- "JULIET.\n" - "Gallop apace, you fiery-" - "footed steeds,\n" - "Towards Phoebus’ lodging. " @@ -2962,11 +3218,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Spread thy close curtain, love-performing " - "night,\n" - "That runaway’s eyes may wink, and " -- "Romeo\nLeap to these arms, " +- "Romeo\n" +- "Leap to these arms, " - "untalk’d of and unseen.\n" - "Lovers can see to do their amorous rites\n" - "By their own beauties: or, if " -- "love be blind,\nIt best agrees with night. " +- "love be blind,\n" +- "It best agrees with night. " - "Come, civil night,\n" - "Thou sober-suited matron, all in " - "black,\n" @@ -2995,7 +3253,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O, I have bought the mansion of a love" - ",\n" - "But not possess’d it; and though I " -- "am sold,\nNot yet enjoy’d. " +- "am sold,\n" +- "Not yet enjoy’d. " - "So tedious is this day\n" - "As is the night before some festival\n" - "To an impatient child that hath new robes\n" @@ -3021,14 +3280,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "undone.\n" - "Alack the day, he’s gone, " - "he’s kill’d, he’s " -- "dead.\n\nJULIET.\n" +- "dead.\n\n" +- "JULIET.\n" - "Can heaven be so envious?\n\n" - "NURSE.\nRomeo can,\n" - "Though heaven cannot. O Romeo, Romeo.\n" - "Who ever would have thought it? Romeo!\n\n" - "JULIET.\n" - "What devil art thou, that dost torment me " -- "thus?\nThis torture should be roar’d in " +- "thus?\n" +- "This torture should be roar’d in " - "dismal hell.\n" - "Hath Romeo slain himself? " - "Say thou but Ay,\n" @@ -3042,7 +3303,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "If he be slain, say Ay; or " - "if not, No.\n" - "Brief sounds determine of my weal or " -- "woe.\n\nNURSE.\n" +- "woe.\n\n" +- "NURSE.\n" - "I saw the wound, I saw it with mine " - "eyes,\n" - "God save the mark!—here on his " @@ -3073,14 +3335,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My dearest cousin, and my dearer lord" - "?\nThen dreadful trumpet sound the general doom,\n" - "For who is living, if those two are gone" -- "?\n\nNURSE.\n" +- "?\n\n" +- "NURSE.\n" - "Tybalt is gone, and Romeo banished,\n" - "Romeo that kill’d him, he is banished" -- ".\n\nJULIET.\nO God! " +- ".\n\n" +- "JULIET.\n" +- "O God! " - "Did Romeo’s hand shed Tybalt’s " -- "blood?\n\nNURSE.\n" +- "blood?\n\n" +- "NURSE.\n" - "It did, it did; alas the day" -- ", it did.\n\nJULIET.\n" +- ", it did.\n\n" +- "JULIET.\n" - "O serpent heart, hid with a flowering face!\n" - "Did ever dragon keep so fair a cave?\n" - "Beautiful tyrant, fiend angelical,\n" @@ -3118,9 +3385,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "crown’d\n" - "Sole monarch of the universal earth.\n" - "O, what a beast was I to chide " -- "at him!\n\nNURSE.\n" +- "at him!\n\n" +- "NURSE.\n" - "Will you speak well of him that kill’d " -- "your cousin?\n\nJULIET.\n" +- "your cousin?\n\n" +- "JULIET.\n" - Shall I speak ill of him that is my husband - "?\n" - "Ah, poor my lord, what tongue shall smooth " @@ -3161,7 +3430,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Thy father or thy mother, nay or " - "both,\n" - Which modern lamentation might have mov’d -- "?\nBut with a rear-ward following " +- "?\n" +- "But with a rear-ward following " - "Tybalt’s death,\n" - "‘Romeo is banished’—to speak that word\n" - "Is father, mother, Tybalt, Romeo, " @@ -3181,7 +3451,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Wash they his wounds with tears. " - "Mine shall be spent,\n" - "When theirs are dry, for Romeo’s " -- "banishment.\nTake up those cords. " +- "banishment.\n" +- "Take up those cords. " - "Poor ropes, you are beguil’d,\n" - "Both you and I; for Romeo is " - "exil’d.\n" @@ -3192,13 +3463,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "to my wedding bed,\n" - "And death, not Romeo, take my maidenhead" - ".\n\n" -- "NURSE.\nHie to your chamber. " -- "I’ll find Romeo\nTo comfort you. " +- "NURSE.\n" +- "Hie to your chamber. " +- "I’ll find Romeo\n" +- "To comfort you. " - "I wot well where he is.\n" - "Hark ye, your Romeo will be here at " - "night.\n" - "I’ll to him, he is hid at " -- "Lawrence’ cell.\n\nJULIET.\n" +- "Lawrence’ cell.\n\n" +- "JULIET.\n" - "O find him, give this ring to my true " - "knight,\n" - "And bid him come to take his last farewell.\n\n" @@ -3213,14 +3487,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "of thy parts\n" - "And thou art wedded to calamity.\n\n" - " Enter Romeo.\n\n" -- "ROMEO.\nFather, what news? " +- "ROMEO.\n" +- "Father, what news? " - "What is the Prince’s doom?\n" - "What sorrow craves acquaintance at my hand,\n" - "That I yet know not?\n\n" - "FRIAR LAWRENCE.\nToo familiar\n" - "Is my dear son with such sour company.\n" - "I bring thee tidings of the " -- "Prince’s doom.\n\nROMEO.\n" +- "Prince’s doom.\n\n" +- "ROMEO.\n" - "What less than doomsday is the " - "Prince’s doom?\n\n" - "FRIAR LAWRENCE.\n" @@ -3228,7 +3504,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "lips,\n" - "Not body’s death, but body’s " - "banishment.\n\n" -- "ROMEO.\nHa, banishment? " +- "ROMEO.\n" +- "Ha, banishment? " - "Be merciful, say death;\n" - "For exile hath more terror in his look,\n" - "Much more than death. " @@ -3236,7 +3513,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "FRIAR LAWRENCE.\n" - "Hence from Verona art thou banished.\n" - "Be patient, for the world is broad and wide" -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "There is no world without Verona walls,\n" - "But purgatory, torture, hell itself.\n" - Hence banished is banish’d from the world @@ -3283,7 +3561,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "so mean,\n" - "But banished to kill me? Banished?\n" - "O Friar, the damned use that word in " -- "hell.\nHowlings attends it. " +- "hell.\n" +- "Howlings attends it. " - "How hast thou the heart,\n" - "Being a divine, a ghostly confessor,\n" - "A sin-absolver, and my " @@ -3291,7 +3570,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "To mangle me with that word banished?\n\n" - "FRIAR LAWRENCE.\n" - "Thou fond mad man, hear me speak a " -- "little,\n\nROMEO.\n" +- "little,\n\n" +- "ROMEO.\n" - "O, thou wilt speak again of " - "banishment.\n\n" - "FRIAR LAWRENCE.\n" @@ -3308,9 +3588,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "talk no more.\n\n" - "FRIAR LAWRENCE.\n" - "O, then I see that mad men have no " -- "ears.\n\nROMEO.\n" +- "ears.\n\n" +- "ROMEO.\n" - "How should they, when that wise men have no " -- "eyes?\n\nFRIAR LAWRENCE.\n" +- "eyes?\n\n" +- "FRIAR LAWRENCE.\n" - "Let me dispute with thee of thy estate.\n\n" - "ROMEO.\n" - "Thou canst not speak of that thou " @@ -3346,7 +3628,9 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " [_Knocking._]\n\n" - "Who knocks so hard? " - "Whence come you, what’s your will" -- "?\n\nNURSE.\n[_Within." +- "?\n\n" +- "NURSE.\n" +- "[_Within." - "_] Let me come in, and you shall " - "know my errand.\n" - "I come from Lady Juliet.\n\n" @@ -3359,9 +3643,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "where’s Romeo?\n\n" - "FRIAR LAWRENCE.\n" - "There on the ground, with his own tears made " -- "drunk.\n\nNURSE.\n" +- "drunk.\n\n" +- "NURSE.\n" - "O, he is even in my mistress’ case" -- ".\nJust in her case! " +- ".\n" +- "Just in her case! " - "O woeful sympathy!\n" - "Piteous predicament. " - "Even so lies she,\n" @@ -3372,9 +3658,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "For Juliet’s sake, for her sake, " - "rise and stand.\n" - "Why should you fall into so deep an O?\n\n" -- "ROMEO.\nNurse.\n\nNURSE.\n" +- "ROMEO.\nNurse.\n\n" +- "NURSE.\n" - "Ah sir, ah sir, death’s the " -- "end of all.\n\nROMEO.\n" +- "end of all.\n\n" +- "ROMEO.\n" - "Spakest thou of Juliet? " - "How is it with her?\n" - "Doth not she think me an old murderer,\n" @@ -3383,8 +3671,10 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "With blood remov’d but little from " - "her own?\n" - "Where is she? And how doth she? " -- "And what says\nMy conceal’d lady to our " -- "cancell’d love?\n\nNURSE.\n" +- "And what says\n" +- "My conceal’d lady to our " +- "cancell’d love?\n\n" +- "NURSE.\n" - "O, she says nothing, sir, but " - "weeps and weeps;\n" - "And now falls on her bed, and then starts " @@ -3394,7 +3684,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\nAs if that name,\n" - "Shot from the deadly level of a gun,\n" - "Did murder her, as that name’s cursed " -- "hand\nMurder’d her kinsman. " +- "hand\n" +- "Murder’d her kinsman. " - "O, tell me, Friar, tell me" - ",\nIn what vile part of this anatomy\n" - "Doth my name lodge? " @@ -3402,7 +3693,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "The hateful mansion.\n\n" - " [_Drawing his sword._]\n\n" - "FRIAR LAWRENCE.\n" -- "Hold thy desperate hand.\nArt thou a man? " +- "Hold thy desperate hand.\n" +- "Art thou a man? " - "Thy form cries out thou art.\n" - "Thy tears are womanish, thy wild acts " - "denote\n" @@ -3450,7 +3742,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What, rouse thee, man. " - "Thy Juliet is alive,\n" - For whose dear sake thou wast but lately dead -- ".\nThere art thou happy. " +- ".\n" +- "There art thou happy. " - "Tybalt would kill thee,\n" - "But thou slew’st Tybalt; " - "there art thou happy.\n" @@ -3470,25 +3763,31 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "decreed,\n" - "Ascend her chamber, hence and comfort her.\n" - But look thou stay not till the watch be set -- ",\nFor then thou canst not pass to " +- ",\n" +- "For then thou canst not pass to " - "Mantua;\n" - "Where thou shalt live till we can find a " - "time\nTo blaze your marriage, reconcile your friends,\n" - "Beg pardon of the Prince, and call thee " - "back\nWith twenty hundred thousand times more joy\n" - Than thou went’st forth in lamentation -- ".\nGo before, Nurse. " +- ".\n" +- "Go before, Nurse. " - "Commend me to thy lady,\n" - And bid her hasten all the house to bed - ",\nWhich heavy sorrow makes them apt unto.\n" -- "Romeo is coming.\n\nNURSE.\n" +- "Romeo is coming.\n\n" +- "NURSE.\n" - "O Lord, I could have stay’d here " -- "all the night\nTo hear good counsel. " +- "all the night\n" +- "To hear good counsel. " - "O, what learning is!\n" - "My lord, I’ll tell my lady you " -- "will come.\n\nROMEO.\n" +- "will come.\n\n" +- "ROMEO.\n" - "Do so, and bid my sweet prepare to " -- "chide.\n\nNURSE.\n" +- "chide.\n\n" +- "NURSE.\n" - "Here sir, a ring she bid me give you" - ", sir.\n" - "Hie you, make haste, for it " @@ -3507,7 +3806,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And he shall signify from time to time\n" - "Every good hap to you that chances here.\n" - "Give me thy hand; ’tis late; " -- "farewell; good night.\n\nROMEO.\n" +- "farewell; good night.\n\n" +- "ROMEO.\n" - But that a joy past joy calls out on me - ",\n" - It were a grief so brief to part with thee @@ -3516,11 +3816,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "SCENE IV. " - "A Room in Capulet’s House.\n\n" - " Enter Capulet, Lady Capulet and Paris" -- ".\n\nCAPULET.\n" +- ".\n\n" +- "CAPULET.\n" - "Things have fallen out, sir, so " - "unluckily\n" - That we have had no time to move our daughter -- ".\nLook you, she lov’d her " +- ".\n" +- "Look you, she lov’d her " - "kinsman Tybalt dearly,\n" - "And so did I. " - "Well, we were born to die.\n" @@ -3530,7 +3832,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I would have been abed an hour ago.\n\n" - "PARIS.\n" - "These times of woe afford no tune to " -- "woo.\nMadam, good night. " +- "woo.\n" +- "Madam, good night. " - "Commend me to your daughter.\n\n" - "LADY CAPULET.\n" - "I will, and know her mind early tomorrow;\n" @@ -3566,7 +3869,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Being our kinsman, if we revel much" - ".\n" - Therefore we’ll have some half a dozen friends -- ",\nAnd there an end. " +- ",\n" +- "And there an end. " - "But what say you to Thursday?\n\n" - "PARIS.\n" - "My lord, I would that Thursday were tomorrow.\n\n" @@ -3597,17 +3901,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Nightly she sings on yond " - "pomegranate tree.\n" - "Believe me, love, it was the " -- "nightingale.\n\nROMEO.\n" +- "nightingale.\n\n" +- "ROMEO.\n" - "It was the lark, the herald of " -- "the morn,\nNo nightingale. " +- "the morn,\n" +- "No nightingale. " - "Look, love, what envious streaks\n" - Do lace the severing clouds in yonder east -- ".\nNight’s candles are burnt out, and " +- ".\n" +- "Night’s candles are burnt out, and " - "jocund day\n" - "Stands tiptoe on the misty mountain " - "tops.\n" - "I must be gone and live, or stay and " -- "die.\n\nJULIET.\n" +- "die.\n\n" +- "JULIET.\n" - "Yond light is not daylight, I know it" - ", I.\n" - "It is some meteor that the sun exhales\n" @@ -3616,7 +3924,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - And light thee on thy way to Mantua - ".\n" - "Therefore stay yet, thou need’st not " -- "to be gone.\n\nROMEO.\n" +- "to be gone.\n\n" +- "ROMEO.\n" - "Let me be ta’en, let me be " - "put to death,\n" - "I am content, so thou wilt have it " @@ -3629,7 +3938,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "beat\n" - "The vaulty heaven so high above our heads.\n" - I have more care to stay than will to go -- ".\nCome, death, and welcome. " +- ".\n" +- "Come, death, and welcome. " - "Juliet wills it so.\n" - "How is’t, my soul? " - "Let’s talk. It is not day.\n\n" @@ -3644,14 +3954,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "This doth not so, for she divideth " - "us.\n" - "Some say the lark and loathed toad " -- "change eyes.\nO, now I would they had " +- "change eyes.\n" +- "O, now I would they had " - "chang’d voices too,\n" - "Since arm from arm that voice doth us " - "affray,\n" - "Hunting thee hence with hunt’s-up to " - "the day.\n" - "O now be gone, more light and light it " -- "grows.\n\nROMEO.\n" +- "grows.\n\n" +- "ROMEO.\n" - "More light and light, more dark and dark our " - "woes.\n\n Enter Nurse.\n\n" - "NURSE.\nMadam.\n\n" @@ -3662,7 +3974,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ".\n\n [_Exit._]\n\n" - "JULIET.\n" - "Then, window, let day in, and let " -- "life out.\n\nROMEO.\n" +- "life out.\n\n" +- "ROMEO.\n" - "Farewell, farewell, one kiss, and " - "I’ll descend.\n\n" - " [_Descends._]\n\n" @@ -3676,21 +3989,25 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\nFarewell!\n" - "I will omit no opportunity\n" - "That may convey my greetings, love, to " -- "thee.\n\nJULIET.\n" +- "thee.\n\n" +- "JULIET.\n" - "O thinkest thou we shall ever meet again?\n\n" - "ROMEO.\n" - "I doubt it not, and all these woes " - "shall serve\n" - "For sweet discourses in our time to come.\n\n" -- "JULIET.\nO God! " +- "JULIET.\n" +- "O God! " - "I have an ill-divining soul!\n" - "Methinks I see thee, now thou art " - "so low,\n" - "As one dead in the bottom of a tomb.\n" - "Either my eyesight fails, or thou " -- "look’st pale.\n\nROMEO.\n" +- "look’st pale.\n\n" +- "ROMEO.\n" - "And trust me, love, in my eye so " -- "do you.\nDry sorrow drinks our blood. " +- "do you.\n" +- "Dry sorrow drinks our blood. " - "Adieu, adieu.\n\n" - " [_Exit below._]\n\n" - "JULIET.\n" @@ -3709,7 +4026,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Who is’t that calls? " - "Is it my lady mother?\n" - "Is she not down so late, or up so " -- "early?\nWhat unaccustom’d cause " +- "early?\n" +- "What unaccustom’d cause " - "procures her hither?\n\n" - " Enter Lady Capulet.\n\n" - "LADY CAPULET.\n" @@ -3725,9 +4043,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Therefore have done: some grief shows much of love" - ",\n" - But much of grief shows still some want of wit -- ".\n\nJULIET.\n" +- ".\n\n" +- "JULIET.\n" - Yet let me weep for such a feeling loss -- ".\n\nLADY CAPULET.\n" +- ".\n\n" +- "LADY CAPULET.\n" - "So shall you feel the loss, but not the " - "friend\nWhich you weep for.\n\n" - "JULIET.\n" @@ -3737,13 +4057,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Well, girl, thou weep’st " - "not so much for his death\n" - As that the villain lives which slaughter’d him -- ".\n\nJULIET.\n" +- ".\n\n" +- "JULIET.\n" - "What villain, madam?\n\n" - "LADY CAPULET.\n" - "That same villain Romeo.\n\n" - "JULIET.\n" - Villain and he be many miles asunder -- ".\nGod pardon him. " +- ".\n" +- "God pardon him. " - "I do, with all my heart.\n" - "And yet no man like he doth grieve " - "my heart.\n\n" @@ -3756,11 +4078,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "cousin’s death.\n\n" - "LADY CAPULET.\n" - "We will have vengeance for it, fear thou not" -- ".\nThen weep no more. " +- ".\n" +- "Then weep no more. " - I’ll send to one in Mantua - ",\n" - "Where that same banish’d runagate " -- "doth live,\nShall give him such an " +- "doth live,\n" +- "Shall give him such an " - "unaccustom’d dram\n" - "That he shall soon keep Tybalt company:\n" - "And then I hope thou wilt be satisfied.\n\n" @@ -3779,7 +4103,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "come to him,\n" - "To wreak the love I bore my cousin\n" - Upon his body that hath slaughter’d him -- ".\n\nLADY CAPULET.\n" +- ".\n\n" +- "LADY CAPULET.\n" - "Find thou the means, and I’ll find " - "such a man.\n" - "But now I’ll tell thee joyful " @@ -3795,7 +4120,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ",\n" - "Hath sorted out a sudden day of joy,\n" - "That thou expects not, nor I look’d " -- "not for.\n\nJULIET.\n" +- "not for.\n\n" +- "JULIET.\n" - "Madam, in happy time, what day is " - "that?\n\n" - "LADY CAPULET.\n" @@ -3811,7 +4137,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - He shall not make me there a joyful bride - ".\n" - "I wonder at this haste, that I must " -- "wed\nEre he that should be husband comes to " +- "wed\n" +- "Ere he that should be husband comes to " - "woo.\n" - "I pray you tell my lord and father, " - "madam,\n" @@ -3848,15 +4175,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Ay, sir; but she will none, " - "she gives you thanks.\n" - "I would the fool were married to her grave.\n\n" -- "CAPULET.\nSoft. " +- "CAPULET.\n" +- "Soft. " - "Take me with you, take me with you, " -- "wife.\nHow, will she none? " +- "wife.\n" +- "How, will she none? " - "Doth she not give us thanks?\n" - "Is she not proud? " - "Doth she not count her blest,\n" - "Unworthy as she is, that we have wrought\n" - So worthy a gentleman to be her bridegroom -- "?\n\nJULIET.\n" +- "?\n\n" +- "JULIET.\n" - "Not proud you have, but thankful that you have" - ".\n" - Proud can I never be of what I hate @@ -3894,7 +4224,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "a Thursday,\n" - "Or never after look me in the face.\n" - "Speak not, reply not, do not answer me" -- ".\nMy fingers itch. " +- ".\n" +- "My fingers itch. " - "Wife, we scarce thought us blest\n" - "That God had lent us but this only child;\n" - But now I see this one is one too much @@ -3904,7 +4235,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "NURSE.\n" - "God in heaven bless her.\n" - "You are to blame, my lord, to rate " -- "her so.\n\nCAPULET.\n" +- "her so.\n\n" +- "CAPULET.\n" - "And why, my lady wisdom? " - "Hold your tongue,\n" - "Good prudence; smatter with your " @@ -3941,7 +4273,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "To answer, ‘I’ll not wed, " - "I cannot love,\n" - "I am too young, I pray you pardon me" -- ".’\nBut, and you will not wed, " +- ".’\n" +- "But, and you will not wed, " - "I’ll pardon you.\n" - "Graze where you will, you shall not house " - "with me.\n" @@ -3964,7 +4297,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "That sees into the bottom of my grief?\n" - "O sweet my mother, cast me not away,\n" - "Delay this marriage for a month, a week" -- ",\nOr, if you do not, make the " +- ",\n" +- "Or, if you do not, make the " - "bridal bed\n" - "In that dim monument where Tybalt lies.\n\n" - "LADY CAPULET.\n" @@ -3972,7 +4306,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "speak a word.\n" - "Do as thou wilt, for I have done " - "with thee.\n\n [_Exit._]\n\n" -- "JULIET.\nO God! " +- "JULIET.\n" +- "O God! " - "O Nurse, how shall this be prevented?\n" - "My husband is on earth, my faith in heaven" - ".\nHow shall that faith return again to earth,\n" @@ -3998,7 +4333,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Romeo’s a dishclout to him - ". An eagle, madam,\n" - "Hath not so green, so quick, so " -- "fair an eye\nAs Paris hath. " +- "fair an eye\n" +- "As Paris hath. " - "Beshrew my very heart,\n" - "I think you are happy in this second match,\n" - "For it excels your first: or if " @@ -4044,14 +4380,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Enter Friar Lawrence and Paris.\n\n" - "FRIAR LAWRENCE.\n" - "On Thursday, sir? " -- "The time is very short.\n\nPARIS.\n" +- "The time is very short.\n\n" +- "PARIS.\n" - "My father Capulet will have it so;\n" - And I am nothing slow to slack his haste -- ".\n\nFRIAR LAWRENCE.\n" +- ".\n\n" +- "FRIAR LAWRENCE.\n" - "You say you do not know the lady’s " - "mind.\n" - "Uneven is the course; I like it " -- "not.\n\nPARIS.\n" +- "not.\n\n" +- "PARIS.\n" - "Immoderately she weeps for " - "Tybalt’s death,\n" - And therefore have I little talk’d of love @@ -4064,18 +4403,23 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Which, too much minded by herself alone,\n" - "May be put from her by society.\n" - Now do you know the reason of this haste -- ".\n\nFRIAR LAWRENCE.\n" +- ".\n\n" +- "FRIAR LAWRENCE.\n" - "[_Aside." - "_] I would I knew not why it should " - "be slow’d.—\n" - "Look, sir, here comes the lady toward my " -- "cell.\n\n Enter Juliet.\n\nPARIS.\n" +- "cell.\n\n Enter Juliet.\n\n" +- "PARIS.\n" - "Happily met, my lady and my wife" -- "!\n\nJULIET.\n" +- "!\n\n" +- "JULIET.\n" - "That may be, sir, when I may be " -- "a wife.\n\nPARIS.\n" +- "a wife.\n\n" +- "PARIS.\n" - "That may be, must be, love, on " -- "Thursday next.\n\nJULIET.\n" +- "Thursday next.\n\n" +- "JULIET.\n" - "What must be shall be.\n\n" - "FRIAR LAWRENCE.\n" - "That’s a certain text.\n\n" @@ -4089,7 +4433,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I will confess to you that I love him.\n\n" - "PARIS.\n" - "So will ye, I am sure, that you " -- "love me.\n\nJULIET.\n" +- "love me.\n\n" +- "JULIET.\n" - "If I do so, it will be of more " - "price,\n" - "Being spoke behind your back than to your face.\n\n" @@ -4101,11 +4446,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "For it was bad enough before their spite.\n\n" - "PARIS.\n" - "Thou wrong’st it more than tears " -- "with that report.\n\nJULIET.\n" +- "with that report.\n\n" +- "JULIET.\n" - "That is no slander, sir, which is " - "a truth,\n" - "And what I spake, I spake it " -- "to my face.\n\nPARIS.\n" +- "to my face.\n\n" +- "PARIS.\n" - "Thy face is mine, and thou hast " - "slander’d it.\n\n" - "JULIET.\n" @@ -4117,7 +4464,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My leisure serves me, pensive daughter, now" - ".—\n" - "My lord, we must entreat the time " -- "alone.\n\nPARIS.\n" +- "alone.\n\n" +- "PARIS.\n" - "God shield I should disturb devotion!—\n" - "Juliet, on Thursday early will I rouse ye" - ",\n" @@ -4131,7 +4479,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "FRIAR LAWRENCE.\n" - "O Juliet, I already know thy grief;\n" - It strains me past the compass of my wits -- ".\nI hear thou must, and nothing may " +- ".\n" +- "I hear thou must, and nothing may " - "prorogue it,\n" - "On Thursday next be married to this County.\n\n" - "JULIET.\n" @@ -4149,7 +4498,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Shall be the label to another deed,\n" - "Or my true heart with treacherous revolt\n" - "Turn to another, this shall slay them both" -- ".\nTherefore, out of thy long-" +- ".\n" +- "Therefore, out of thy long-" - "experienc’d time,\n" - "Give me some present counsel, or behold\n" - "’Twixt my extremes and me " @@ -4160,7 +4510,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Be not so long to speak. " - "I long to die,\n" - "If what thou speak’st speak not of " -- "remedy.\n\nFRIAR LAWRENCE.\n" +- "remedy.\n\n" +- "FRIAR LAWRENCE.\n" - "Hold, daughter. " - "I do spy a kind of hope,\n" - "Which craves as desperate an execution\n" @@ -4170,7 +4521,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "slay thyself,\n" - "Then is it likely thou wilt undertake\n" - A thing like death to chide away this shame -- ",\nThat cop’st with death himself to " +- ",\n" +- "That cop’st with death himself to " - "scape from it.\n" - "And if thou dar’st, " - "I’ll give thee remedy.\n\n" @@ -4179,7 +4531,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ",\n" - "From off the battlements of yonder tower,\n" - "Or walk in thievish ways, or " -- "bid me lurk\nWhere serpents are. " +- "bid me lurk\n" +- "Where serpents are. " - "Chain me with roaring bears;\n" - Or hide me nightly in a charnel - "-house,\n" @@ -4188,7 +4541,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "With reeky shanks and yellow " - "chapless skulls.\n" - Or bid me go into a new-made grave -- ",\nAnd hide me with a dead man in his " +- ",\n" +- "And hide me with a dead man in his " - "shroud;\n" - "Things that, to hear them told, have made " - "me tremble,\n" @@ -4241,7 +4595,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And this shall free thee from this present shame,\n" - "If no inconstant toy nor womanish fear\n" - Abate thy valour in the acting it -- ".\n\nJULIET.\n" +- ".\n\n" +- "JULIET.\n" - "Give me, give me! " - "O tell not me of fear!\n\n" - "FRIAR LAWRENCE.\n" @@ -4249,7 +4604,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "In this resolve. " - "I’ll send a friar with speed\n" - "To Mantua, with my letters to thy " -- "lord.\n\nJULIET.\n" +- "lord.\n\n" +- "JULIET.\n" - "Love give me strength, and strength shall help afford" - ".\nFarewell, dear father.\n\n" - " [_Exeunt._]\n\n" @@ -4265,28 +4621,33 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "SECOND SERVANT.\n" - "You shall have none ill, sir; for " - "I’ll try if they can lick their\n" -- "fingers.\n\nCAPULET.\n" +- "fingers.\n\n" +- "CAPULET.\n" - "How canst thou try them so?\n\n" - "SECOND SERVANT.\n" - "Marry, sir, ’tis an ill " - "cook that cannot lick his own fingers;\n" - "therefore he that cannot lick his fingers goes not with " -- "me.\n\nCAPULET.\n" +- "me.\n\n" +- "CAPULET.\n" - "Go, begone.\n\n" - " [_Exit second Servant._]\n\n" - "We shall be much unfurnish’d " - "for this time.\n" - "What, is my daughter gone to Friar Lawrence" -- "?\n\nNURSE.\n" +- "?\n\n" +- "NURSE.\n" - "Ay, forsooth.\n\n" - "CAPULET.\n" - "Well, he may chance to do some good on " - "her.\n" - "A peevish self-will’d " - "harlotry it is.\n\n" -- " Enter Juliet.\n\nNURSE.\n" +- " Enter Juliet.\n\n" +- "NURSE.\n" - "See where she comes from shrift with " -- "merry look.\n\nCAPULET.\n" +- "merry look.\n\n" +- "CAPULET.\n" - "How now, my headstrong. " - "Where have you been gadding?\n\n" - "JULIET.\n" @@ -4303,11 +4664,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Send for the County, go tell him of this" - ".\n" - I’ll have this knot knit up tomorrow morning -- ".\n\nJULIET.\n" +- ".\n\n" +- "JULIET.\n" - "I met the youthful lord at Lawrence’ cell,\n" - "And gave him what becomed love I might,\n" - Not stepping o’er the bounds of modesty -- ".\n\nCAPULET.\n" +- ".\n\n" +- "CAPULET.\n" - "Why, I am glad on’t. " - "This is well. Stand up.\n" - "This is as’t should be. " @@ -4380,7 +4743,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "hast need.\n\n" - " [_Exeunt Lady Capulet and Nurse" - "._]\n\n" -- "JULIET.\nFarewell. " +- "JULIET.\n" +- "Farewell. " - "God knows when we shall meet again.\n" - "I have a faint cold fear thrills through my " - "veins\n" @@ -4397,7 +4761,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What if it be a poison, which the " - "Friar\n" - "Subtly hath minister’d to have me " -- "dead,\nLest in this marriage he should be " +- "dead,\n" +- "Lest in this marriage he should be " - "dishonour’d,\n" - "Because he married me before to Romeo?\n" - "I fear it is. " @@ -4444,7 +4809,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And, in this rage, with some great " - "kinsman’s bone,\n" - "As with a club, dash out my desperate brains" -- "?\nO look, methinks I see my " +- "?\n" +- "O look, methinks I see my " - "cousin’s ghost\n" - "Seeking out Romeo that did spit his body\n" - "Upon a rapier’s point. " @@ -4452,12 +4818,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Romeo, Romeo, Romeo, here’s drink" - "! I drink to thee.\n\n" - " [_Throws herself on the bed." -- "_]\n\nSCENE IV. " +- "_]\n\n" +- "SCENE IV. " - "Hall in Capulet’s House.\n\n" - " Enter Lady Capulet and Nurse.\n\n" - "LADY CAPULET.\n" - "Hold, take these keys and fetch more spices, " -- "Nurse.\n\nNURSE.\n" +- "Nurse.\n\n" +- "NURSE.\n" - "They call for dates and quinces in the " - "pastry.\n\n Enter Capulet.\n\n" - "CAPULET.\n" @@ -4482,19 +4850,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "in your time;\n" - "But I will watch you from such watching now.\n\n" - " [_Exeunt Lady Capulet and Nurse" -- "._]\n\nCAPULET.\n" +- "._]\n\n" +- "CAPULET.\n" - "A jealous-hood, a jealous-hood!\n\n" - " Enter Servants, with spits, " - "logs and baskets.\n\n" - "Now, fellow, what’s there?\n\n" - "FIRST SERVANT.\n" - "Things for the cook, sir; but I know " -- "not what.\n\nCAPULET.\n" +- "not what.\n\n" +- "CAPULET.\n" - "Make haste, make haste.\n\n" - " [_Exit First Servant._]\n\n" - "—Sirrah, fetch drier logs.\n" - "Call Peter, he will show thee where they are" -- ".\n\nSECOND SERVANT.\n" +- ".\n\n" +- "SECOND SERVANT.\n" - "I have a head, sir, that will find " - "out logs\nAnd never trouble Peter for the matter.\n\n" - " [_Exit._]\n\n" @@ -4511,14 +4882,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What, Nurse, I say!\n\n" - " Re-enter Nurse.\n\n" - "Go waken Juliet, go and trim her up" -- ".\nI’ll go and chat with Paris. " +- ".\n" +- "I’ll go and chat with Paris. " - "Hie, make haste,\n" - "Make haste; the bridegroom he is " - "come already.\nMake haste I say.\n\n" - " [_Exeunt._]\n\n" - "SCENE V. " - "Juliet’s Chamber; Juliet on the bed.\n\n" -- " Enter Nurse.\n\nNURSE.\n" +- " Enter Nurse.\n\n" +- "NURSE.\n" - "Mistress! What, mistress! Juliet! " - "Fast, I warrant her, she.\n" - "Why, lamb, why, lady, " @@ -4531,12 +4904,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I warrant,\n" - "The County Paris hath set up his rest\n" - "That you shall rest but little. " -- "God forgive me!\nMarry and amen. " +- "God forgive me!\n" +- "Marry and amen. " - "How sound is she asleep!\n" - "I needs must wake her. " - "Madam, madam, madam!\n" - "Ay, let the County take you in your " -- "bed,\nHe’ll fright you up, " +- "bed,\n" +- "He’ll fright you up, " - "i’faith. Will it not be?\n" - "What, dress’d, and in your clothes" - ", and down again?\n" @@ -4553,7 +4928,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What noise is here?\n\n" - "NURSE.\nO lamentable day!\n\n" - "LADY CAPULET.\n" -- "What is the matter?\n\nNURSE.\n" +- "What is the matter?\n\n" +- "NURSE.\n" - "Look, look! O heavy day!\n\n" - "LADY CAPULET.\n" - "O me, O me! " @@ -4563,10 +4939,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Enter Capulet.\n\n" - "CAPULET.\n" - "For shame, bring Juliet forth, her lord is " -- "come.\n\nNURSE.\n" +- "come.\n\n" +- "NURSE.\n" - "She’s dead, deceas’d" - ", she’s dead; alack the day" -- "!\n\nLADY CAPULET.\n" +- "!\n\n" +- "LADY CAPULET.\n" - "Alack the day, she’s dead, " - "she’s dead, she’s dead!\n\n" - "CAPULET.\n" @@ -4587,7 +4965,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Enter Friar Lawrence and Paris with Musicians.\n\n" - "FRIAR LAWRENCE.\n" - "Come, is the bride ready to go to church" -- "?\n\nCAPULET.\n" +- "?\n\n" +- "CAPULET.\n" - "Ready to go, but never to return.\n" - "O son, the night before thy wedding day\n" - "Hath death lain with thy bride. " @@ -4599,7 +4978,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My daughter he hath wedded. " - "I will die.\n" - "And leave him all; life, living, all " -- "is death’s.\n\nPARIS.\n" +- "is death’s.\n\n" +- "PARIS.\n" - "Have I thought long to see this morning’s " - "face,\n" - "And doth it give me such a sight as " @@ -4615,7 +4995,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "in,\n" - "And cruel death hath catch’d it from " - "my sight.\n\n" -- "NURSE.\nO woe! " +- "NURSE.\n" +- "O woe! " - "O woeful, woeful, " - "woeful day.\n" - "Most lamentable day, most woeful " @@ -4626,7 +5007,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "hateful day.\n" - "Never was seen so black a day as this.\n" - "O woeful day, O woeful " -- "day.\n\nPARIS.\n" +- "day.\n\n" +- "PARIS.\n" - "Beguil’d, divorced, wronged" - ", spited, slain.\n" - "Most detestable death, by thee " @@ -4667,14 +5049,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - She’s not well married that lives married long - ",\n" - But she’s best married that dies married young -- ".\nDry up your tears, and stick your " +- ".\n" +- "Dry up your tears, and stick your " - "rosemary\n" - "On this fair corse, and, as the " - "custom is,\n" - "And in her best array bear her to church;\n" - "For though fond nature bids us all lament,\n" - "Yet nature’s tears are reason’s " -- "merriment.\n\nCAPULET.\n" +- "merriment.\n\n" +- "CAPULET.\n" - "All things that we ordained festival\n" - "Turn from their office to black funeral:\n" - "Our instruments to melancholy bells,\n" @@ -4693,15 +5077,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Capulet, Paris and Friar._]\n\n" - "FIRST MUSICIAN.\n" - "Faith, we may put up our pipes and be " -- "gone.\n\nNURSE.\n" +- "gone.\n\n" +- "NURSE.\n" - "Honest good fellows, ah, put up, " - "put up,\n" - For well you know this is a pitiful case -- ".\n\nFIRST MUSICIAN.\n" +- ".\n\n" +- "FIRST MUSICIAN.\n" - "Ay, by my troth, the case " - "may be amended.\n\n" - " [_Exit Nurse._]\n\n" -- " Enter Peter.\n\nPETER.\n" +- " Enter Peter.\n\n" +- "PETER.\n" - "Musicians, O, musicians, ‘Heart’s " - "ease,’ ‘Heart’s ease’, " - "O, and you\n" @@ -4718,10 +5105,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "to play now.\n\n" - "PETER.\nYou will not then?\n\n" - "FIRST MUSICIAN.\n" -- "No.\n\nPETER.\n" +- "No.\n\n" +- "PETER.\n" - "I will then give it you soundly.\n\n" - "FIRST MUSICIAN.\n" -- "What will you give us?\n\nPETER.\n" +- "What will you give us?\n\n" +- "PETER.\n" - "No money, on my faith, but the " - "gleek! " - "I will give you the minstrel.\n\n" @@ -4738,10 +5127,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "note us.\n\n" - "SECOND MUSICIAN.\n" - "Pray you put up your dagger, and put " -- "out your wit.\n\nPETER.\n" +- "out your wit.\n\n" +- "PETER.\n" - "Then have at you with my wit. " - I will dry-beat you with an iron wit -- ", and\nput up my iron dagger. " +- ", and\n" +- "put up my iron dagger. " - "Answer me like men.\n" - " ‘When griping griefs the heart doth " - "wound,\n" @@ -4752,11 +5143,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What say you,\nSimon Catling?\n\n" - "FIRST MUSICIAN.\n" - "Marry, sir, because silver hath a " -- "sweet sound.\n\nPETER.\nPrates. " +- "sweet sound.\n\n" +- "PETER.\n" +- "Prates. " - "What say you, Hugh Rebeck?\n\n" - "SECOND MUSICIAN.\n" - "I say ‘silver sound’ because musicians sound for " -- "silver.\n\nPETER.\nPrates too! " +- "silver.\n\n" +- "PETER.\n" +- "Prates too! " - "What say you, James Soundpost?\n\n" - "THIRD MUSICIAN.\n" - "Faith, I know not what to say.\n\n" @@ -4784,7 +5179,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My dreams presage some joyful news at " - "hand.\n" - "My bosom’s lord sits lightly in " -- "his throne;\nAnd all this day an " +- "his throne;\n" +- "And all this day an " - "unaccustom’d spirit\n" - "Lifts me above the ground with cheerful thoughts.\n" - I dreamt my lady came and found me dead @@ -4802,7 +5198,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "News from Verona! " - "How now, Balthasar?\n" - "Dost thou not bring me letters from the " -- "Friar?\nHow doth my lady? " +- "Friar?\n" +- "How doth my lady? " - "Is my father well?\n" - "How fares my Juliet? " - "That I ask again;\n" @@ -4817,7 +5214,9 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And presently took post to tell it you.\n" - "O pardon me for bringing these ill news,\n" - "Since you did leave it for my office, sir" -- ".\n\nROMEO.\nIs it even so? " +- ".\n\n" +- "ROMEO.\n" +- "Is it even so? " - "Then I defy you, stars!\n" - "Thou know’st my lodging. " - "Get me ink and paper,\n" @@ -4827,20 +5226,24 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I do beseech you sir, have patience" - ".\n" - "Your looks are pale and wild, and do import\n" -- "Some misadventure.\n\nROMEO.\n" +- "Some misadventure.\n\n" +- "ROMEO.\n" - "Tush, thou art deceiv’d" - ".\n" - "Leave me, and do the thing I bid thee " - "do.\n" - "Hast thou no letters to me from the " -- "Friar?\n\nBALTHASAR.\n" -- "No, my good lord.\n\nROMEO.\n" +- "Friar?\n\n" +- "BALTHASAR.\n" +- "No, my good lord.\n\n" +- "ROMEO.\n" - "No matter. Get thee gone,\n" - "And hire those horses. " - "I’ll be with thee straight.\n\n" - " [_Exit Balthasar._]\n\n" - "Well, Juliet, I will lie with thee tonight" -- ".\nLet’s see for means. " +- ".\n" +- "Let’s see for means. " - "O mischief thou art swift\n" - "To enter in the thoughts of desperate men.\n" - "I do remember an apothecary," @@ -4881,7 +5284,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Enter Apothecary.\n\n" - "APOTHECARY.\n" - "Who calls so loud?\n\n" -- "ROMEO.\nCome hither, man. " +- "ROMEO.\n" +- "Come hither, man. " - "I see that thou art poor.\n" - "Hold, there is forty ducats. " - "Let me have\n" @@ -4890,11 +5294,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - As will disperse itself through all the veins - ",\n" - That the life-weary taker may fall dead -- ",\nAnd that the trunk may be " +- ",\n" +- "And that the trunk may be " - "discharg’d of breath\n" - "As violently as hasty powder fir’d\n" - "Doth hurry from the fatal cannon’s " -- "womb.\n\nAPOTHECARY.\n" +- "womb.\n\n" +- "APOTHECARY.\n" - "Such mortal drugs I have, but " - "Mantua’s law\n" - "Is death to any he that utters them.\n\n" @@ -4912,7 +5318,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - The world affords no law to make thee rich - ";\n" - "Then be not poor, but break it and take " -- "this.\n\nAPOTHECARY.\n" +- "this.\n\n" +- "APOTHECARY.\n" - "My poverty, but not my will consents.\n\n" - "ROMEO.\n" - "I pay thy poverty, and not thy will.\n\n" @@ -4921,7 +5328,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And drink it off; and, if you had " - "the strength\n" - "Of twenty men, it would despatch you " -- "straight.\n\nROMEO.\n" +- "straight.\n\n" +- "ROMEO.\n" - "There is thy gold, worse poison to " - "men’s souls,\n" - "Doing more murder in this loathsome world\n" @@ -4992,7 +5400,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "A churchyard; in it a Monument belonging to the " - "Capulets.\n\n" - " Enter Paris, and his Page bearing flowers and " -- "a torch.\n\nPARIS.\n" +- "a torch.\n\n" +- "PARIS.\n" - "Give me thy torch, boy. " - "Hence and stand aloof.\n" - "Yet put it out, for I would not be " @@ -5001,12 +5410,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ",\nHolding thy ear close to the hollow ground;\n" - "So shall no foot upon the churchyard tread,\n" - "Being loose, unfirm, with digging up " -- "of graves,\nBut thou shalt hear it. " +- "of graves,\n" +- "But thou shalt hear it. " - "Whistle then to me,\n" - As signal that thou hear’st something approach -- ".\nGive me those flowers. " +- ".\n" +- "Give me those flowers. " - "Do as I bid thee, go.\n\n" -- "PAGE.\n[_Aside." +- "PAGE.\n" +- "[_Aside." - "_] I am almost afraid to stand alone\n" - "Here in the churchyard; yet I will adventure.\n\n" - " [_Retires._]\n\n" @@ -5016,7 +5428,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O woe, thy canopy is dust and stones" - ",\n" - Which with sweet water nightly I will dew -- ",\nOr wanting that, with tears " +- ",\n" +- "Or wanting that, with tears " - "distill’d by moans.\n" - "The obsequies that I for thee " - "will keep,\n" @@ -5057,11 +5470,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Than empty tigers or the roaring sea.\n\n" - "BALTHASAR.\n" - "I will be gone, sir, and not trouble " -- "you.\n\nROMEO.\n" +- "you.\n\n" +- "ROMEO.\n" - "So shalt thou show me friendship. " - "Take thou that.\n" - "Live, and be prosperous, and farewell, good " -- "fellow.\n\nBALTHASAR.\n" +- "fellow.\n\n" +- "BALTHASAR.\n" - "For all this same, I’ll hide me " - "hereabout.\n" - "His looks I fear, and his intents I " @@ -5075,7 +5490,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " [_Breaking open the door of the monument." - "_]\n\n" - "And in despite, I’ll cram thee " -- "with more food.\n\nPARIS.\n" +- "with more food.\n\n" +- "PARIS.\n" - "This is that banish’d haughty " - "Montague\n" - "That murder’d my love’s cousin," @@ -5088,14 +5504,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Stop thy unhallow’d toil, " - "vile Montague.\n" - "Can vengeance be pursu’d further than " -- "death?\nCondemned villain, I do " +- "death?\n" +- "Condemned villain, I do " - "apprehend thee.\n" - "Obey, and go with me, for thou " -- "must die.\n\nROMEO.\n" +- "must die.\n\n" +- "ROMEO.\n" - I must indeed; and therefore came I hither - ".\n" - "Good gentle youth, tempt not a desperate man" -- ".\nFly hence and leave me. " +- ".\n" +- "Fly hence and leave me. " - "Think upon these gone;\n" - "Let them affright thee. " - "I beseech thee, youth,\n" @@ -5103,24 +5522,30 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "By urging me to fury. O be gone.\n" - "By heaven I love thee better than myself;\n" - For I come hither arm’d against myself -- ".\nStay not, be gone, live, and " +- ".\n" +- "Stay not, be gone, live, and " - "hereafter say,\n" - A madman’s mercy bid thee run away -- ".\n\nPARIS.\n" +- ".\n\n" +- "PARIS.\n" - "I do defy thy conjuration,\n" - "And apprehend thee for a felon " -- "here.\n\nROMEO.\n" +- "here.\n\n" +- "ROMEO.\n" - "Wilt thou provoke me? " - "Then have at thee, boy!\n\n" - " [_They fight._]\n\n" -- "PAGE.\nO lord, they fight! " +- "PAGE.\n" +- "O lord, they fight! " - "I will go call the watch.\n\n" -- " [_Exit._]\n\nPARIS.\n" +- " [_Exit._]\n\n" +- "PARIS.\n" - "O, I am slain! [_Falls." - "_] If thou be merciful,\n" - "Open the tomb, lay me with Juliet.\n\n" - " [_Dies._]\n\n" -- "ROMEO.\nIn faith, I will. " +- "ROMEO.\n" +- "In faith, I will. " - "Let me peruse this face.\n" - "Mercutio’s kinsman, noble " - "County Paris!\n" @@ -5131,12 +5556,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Said he not so? " - "Or did I dream it so?\n" - "Or am I mad, hearing him talk of Juliet" -- ",\nTo think it was so? " +- ",\n" +- "To think it was so? " - "O, give me thy hand,\n" - "One writ with me in sour " - "misfortune’s book.\n" - I’ll bury thee in a triumphant grave -- ".\nA grave? O no, a lantern, " +- ".\n" +- "A grave? " +- "O no, a lantern, " - "slaught’red youth,\n" - "For here lies Juliet, and her beauty makes\n" - "This vault a feasting presence full of light.\n" @@ -5145,7 +5573,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " [_Laying Paris in the monument." - "_]\n\n" - "How oft when men are at the point of " -- "death\nHave they been merry! " +- "death\n" +- "Have they been merry! " - "Which their keepers call\n" - "A lightning before death. O, how may I\n" - "Call this a lightning? " @@ -5180,7 +5609,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O, here\n" - "Will I set up my everlasting rest;\n" - "And shake the yoke of inauspicious " -- "stars\nFrom this world-wearied flesh. " +- "stars\n" +- "From this world-wearied flesh. " - "Eyes, look your last.\n" - "Arms, take your last embrace! " - "And, lips, O you\n" @@ -5191,7 +5621,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "unsavoury guide.\n" - "Thou desperate pilot, now at once run on\n" - The dashing rocks thy sea-sick weary bark -- ".\nHere’s to my love! " +- ".\n" +- "Here’s to my love! " - "[_Drinks." - "_] O true apothecary!\n" - "Thy drugs are quick. " @@ -5205,7 +5636,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Have my old feet stumbled at graves? " - "Who’s there?\n" - "Who is it that consorts, so late, " -- "the dead?\n\nBALTHASAR.\n" +- "the dead?\n\n" +- "BALTHASAR.\n" - "Here’s one, a friend, and one " - "that knows you well.\n\n" - "FRIAR LAWRENCE.\n" @@ -5234,18 +5666,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My master knows not but I am gone hence,\n" - "And fearfully did menace me with death\n" - If I did stay to look on his intents -- ".\n\nFRIAR LAWRENCE.\n" +- ".\n\n" +- "FRIAR LAWRENCE.\n" - "Stay then, I’ll go alone. " - "Fear comes upon me.\n" - "O, much I fear some ill unlucky " -- "thing.\n\nBALTHASAR.\n" +- "thing.\n\n" +- "BALTHASAR.\n" - As I did sleep under this yew tree here - ",\nI dreamt my master and another fought,\n" - "And that my master slew him.\n\n" - "FRIAR LAWRENCE.\n" - "Romeo! [_Advances._]\n" - "Alack, alack, what blood is this " -- "which stains\nThe stony entrance of this " +- "which stains\n" +- "The stony entrance of this " - "sepulchre?\n" - "What mean these masterless and gory swords\n" - "To lie discolour’d by this place of " @@ -5271,11 +5706,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Hath thwarted our intents. " - "Come, come away.\n" - "Thy husband in thy bosom there lies " -- "dead;\nAnd Paris too. " +- "dead;\n" +- "And Paris too. " - "Come, I’ll dispose of thee\n" - "Among a sisterhood of holy nuns.\n" - "Stay not to question, for the watch is coming" -- ".\nCome, go, good Juliet. " +- ".\n" +- "Come, go, good Juliet. " - "I dare no longer stay.\n\n" - "JULIET.\n" - "Go, get thee hence, for I will not " @@ -5285,7 +5722,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "A cup clos’d in my true " - "love’s hand?\n" - "Poison, I see, hath been his " -- "timeless end.\nO churl. " +- "timeless end.\n" +- "O churl. " - "Drink all, and left no friendly drop\n" - "To help me after? " - "I will kiss thy lips.\n" @@ -5296,7 +5734,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Thy lips are warm!\n\n" - "FIRST WATCH.\n" - "[_Within._] Lead, boy. " -- "Which way?\n\nJULIET.\n" +- "Which way?\n\n" +- "JULIET.\n" - "Yea, noise? " - "Then I’ll be brief. " - "O happy dagger.\n\n" @@ -5308,7 +5747,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " [_Falls on Romeo’s body and dies" - "._]\n\n" - " Enter Watch with the Page of Paris.\n\n" -- "PAGE.\nThis is the place. " +- "PAGE.\n" +- "This is the place. " - "There, where the torch doth burn.\n\n" - "FIRST WATCH.\n" - "The ground is bloody. Search about the churchyard.\n" @@ -5319,7 +5759,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Pitiful sight! Here lies the County slain,\n" - "And Juliet bleeding, warm, and newly dead,\n" - Who here hath lain this two days buried -- ".\nGo tell the Prince; run to the " +- ".\n" +- "Go tell the Prince; run to the " - "Capulets.\n" - "Raise up the Montagues, some others " - "search.\n\n" @@ -5330,7 +5771,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "But the true ground of all these piteous " - "woes\n" - We cannot without circumstance descry -- ".\n\n Re-enter some of the Watch with " +- ".\n\n" +- " Re-enter some of the Watch with " - "Balthasar.\n\n" - "SECOND WATCH.\n" - "Here’s Romeo’s man. " @@ -5339,7 +5781,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Hold him in safety till the Prince come hither - ".\n\n" - " Re-enter others of the Watch with Friar " -- "Lawrence.\n\nTHIRD WATCH. " +- "Lawrence.\n\n" +- "THIRD WATCH. " - "Here is a Friar that trembles, sighs" - ", and weeps.\n" - "We took this mattock and this spade from " @@ -5352,7 +5795,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - That calls our person from our morning’s rest - "?\n\n" - " Enter Capulet, Lady Capulet and others" -- ".\n\nCAPULET.\n" +- ".\n\n" +- "CAPULET.\n" - "What should it be that they so shriek " - "abroad?\n\n" - "LADY CAPULET.\n" @@ -5361,18 +5805,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "With open outcry toward our monument.\n\n" - "PRINCE.\n" - What fear is this which startles in our ears -- "?\n\nFIRST WATCH.\n" +- "?\n\n" +- "FIRST WATCH.\n" - "Sovereign, here lies the County Paris slain,\n" - "And Romeo dead, and Juliet, dead before,\n" - "Warm and new kill’d.\n\n" - "PRINCE.\n" - "Search, seek, and know how this foul murder " -- "comes.\n\nFIRST WATCH.\n" +- "comes.\n\n" +- "FIRST WATCH.\n" - "Here is a Friar, and slaughter’d " - "Romeo’s man,\n" - "With instruments upon them fit to open\n" - "These dead men’s tombs.\n\n" -- "CAPULET.\nO heaven! " +- "CAPULET.\n" +- "O heaven! " - "O wife, look how our daughter bleeds!\n" - "This dagger hath mista’en, for " - "lo, his house\n" @@ -5395,7 +5842,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Grief of my son’s exile hath " - "stopp’d her breath.\n" - What further woe conspires against mine age -- "?\n\nPRINCE.\n" +- "?\n\n" +- "PRINCE.\n" - "Look, and thou shalt see.\n\n" - "MONTAGUE.\n" - "O thou untaught! " @@ -5407,7 +5855,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And know their spring, their head, their true " - "descent,\n" - And then will I be general of your woes -- ",\nAnd lead you even to death. " +- ",\n" +- "And lead you even to death. " - "Meantime forbear,\n" - "And let mischance be slave to patience.\n" - "Bring forth the parties of suspicion.\n\n" @@ -5421,7 +5870,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Myself condemned and myself excus’d.\n\n" - "PRINCE.\n" - "Then say at once what thou dost know in " -- "this.\n\nFRIAR LAWRENCE.\n" +- "this.\n\n" +- "FRIAR LAWRENCE.\n" - "I will be brief, for my short date of " - "breath\n" - Is not so long as is a tedious tale @@ -5429,7 +5879,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Romeo, there dead, was husband to that Juliet" - ",\n" - "And she, there dead, that Romeo’s " -- "faithful wife.\nI married them; and their " +- "faithful wife.\n" +- "I married them; and their " - "stol’n marriage day\n" - "Was Tybalt’s doomsday, whose " - "untimely death\n" @@ -5457,7 +5908,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Being the time the potion’s force should " - "cease.\n" - "But he which bore my letter, Friar John" -- ",\nWas stay’d by accident; and " +- ",\n" +- "Was stay’d by accident; and " - "yesternight\n" - "Return’d my letter back. Then all alone\n" - "At the prefixed hour of her waking\n" @@ -5499,10 +5951,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "If I departed not, and left him there.\n\n" - "PRINCE.\n" - "Give me the letter, I will look on it" -- ".\nWhere is the County’s Page that " +- ".\n" +- "Where is the County’s Page that " - "rais’d the watch?\n" - "Sirrah, what made your master in this place" -- "?\n\nPAGE.\n" +- "?\n\n" +- "PAGE.\n" - "He came with flowers to strew his " - "lady’s grave,\n" - "And bid me stand aloof, and so I " @@ -5520,7 +5974,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Of a poor ’pothecary, and " - "therewithal\n" - "Came to this vault to die, and lie with " -- "Juliet.\nWhere be these enemies? " +- "Juliet.\n" +- "Where be these enemies? " - "Capulet, Montague,\n" - "See what a scourge is laid upon your " - "hate,\n" @@ -5585,7 +6040,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "of the Project Gutenberg trademark. " - "If you do not charge anything for\n" - "copies of this eBook, complying with " -- "the trademark license is very\neasy. " +- "the trademark license is very\n" +- "easy. " - "You may use this eBook for nearly any " - "purpose such as creation\n" - "of derivative works, reports, performances and research. " @@ -5616,7 +6072,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Project Gutenberg-tm License available with " - "this file or online at\n" - "www.gutenberg.org/license.\n\n" -- "Section 1. General Terms of Use and " +- "Section 1. " +- "General Terms of Use and " - "Redistributing Project\n" - "Gutenberg-tm electronic works\n\n" - "1.A. " @@ -5625,12 +6082,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "electronic work, you indicate that you have read, " - "understand, agree to\n" - "and accept all the terms of this license and intellectual " -- "property\n(trademark/copyright) agreement. " +- "property\n" +- "(trademark/copyright) agreement. " - "If you do not agree to abide by all\n" - "the terms of this agreement, you must cease using " - "and return or\n" - destroy all copies of Project Gutenberg- -- "tm electronic works in your\npossession. " +- "tm electronic works in your\n" +- "possession. " - "If you paid a fee for obtaining a copy of " - "or access to a\n" - "Project Gutenberg-tm electronic work and " @@ -5649,7 +6108,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "things that you can do with most Project " - "Gutenberg-tm electronic works\n" - "even without complying with the full terms of this " -- "agreement. See\nparagraph 1.C below. " +- "agreement. See\n" +- "paragraph 1.C below. " - "There are a lot of things you can do with " - "Project\n" - "Gutenberg-tm electronic works if you " @@ -5665,7 +6125,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - of Project Gutenberg-tm electronic works - ". Nearly all the individual\n" - "works in the collection are in the public domain in " -- "the United\nStates. " +- "the United\n" +- "States. " - "If an individual work is unprotected by " - "copyright law in the\n" - United States and you are located in the United States @@ -5691,7 +6152,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "you share it without charge with others.\n\n" - "1.D. " - "The copyright laws of the place where you are located " -- "also govern\nwhat you can do with this work. " +- "also govern\n" +- "what you can do with this work. " - "Copyright laws in most countries are\n" - "in a constant state of change. " - "If you are outside the United States,\n" @@ -5707,7 +6169,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "country other than the United States.\n\n" - "1.E. " - "Unless you have removed all references to Project " -- "Gutenberg:\n\n1.E.1. " +- "Gutenberg:\n\n" +- "1.E.1. " - "The following sentence, with active links to, or " - "other\n" - "immediate access to, the full Project Gutenberg" @@ -5722,11 +6185,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " This eBook is for the use of anyone " - "anywhere in the United States and\n" - " most other parts of the world at no cost and " -- "with almost no\n restrictions whatsoever. " +- "with almost no\n" +- " restrictions whatsoever. " - "You may copy it, give it away or re" - "-use it\n" - " under the terms of the Project Gutenberg License " -- "included with this\n eBook or online at " +- "included with this\n" +- " eBook or online at " - "www.gutenberg.org. " - "If you are not located in the\n" - " United States, you will have to check the laws " @@ -5757,7 +6222,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "If an individual Project Gutenberg-tm " - "electronic work is posted\n" - "with the permission of the copyright holder, your use " -- "and distribution\nmust comply with both paragraphs 1." +- "and distribution\n" +- must comply with both paragraphs 1. - E.1 through 1. - "E.7 and any\n" - "additional terms imposed by the copyright holder. Additional terms\n" @@ -5813,7 +6279,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "E.8 or 1.E.9.\n\n" - "1.E.8. " - "You may charge a reasonable fee for copies of or " -- "providing\naccess to or distributing Project Gutenberg-" +- "providing\n" +- access to or distributing Project Gutenberg- - "tm electronic works\nprovided that:\n\n" - "* You pay a royalty fee of 20% of " - "the gross profits you derive from\n" @@ -5824,7 +6291,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " to the owner of the Project Gutenberg-" - "tm trademark, but he has\n" - " agreed to donate royalties under this paragraph to the " -- "Project\n Gutenberg Literary Archive Foundation. " +- "Project\n" +- " Gutenberg Literary Archive Foundation. " - "Royalty payments must be paid\n" - " within 60 days following each date on which you prepare " - "(or are\n" @@ -5841,7 +6309,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " you in writing (or by e-mail) " - "within 30 days of receipt that s/he\n" - " does not agree to the terms of the full Project " -- "Gutenberg-tm\n License. " +- "Gutenberg-tm\n" +- " License. " - "You must require such a user to return or destroy " - "all\n" - " copies of the works possessed in a physical medium and " @@ -5857,7 +6326,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "* You comply with all other terms of this agreement " - "for free\n" - " distribution of Project Gutenberg-tm works" -- ".\n\n1.E.9. " +- ".\n\n" +- "1.E.9. " - "If you wish to charge a fee or distribute a " - "Project\n" - "Gutenberg-tm electronic work or group " @@ -5871,7 +6341,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "forth in Section 3 below.\n\n1.F.\n\n" - "1.F.1. " - "Project Gutenberg volunteers and employees expend " -- "considerable\neffort to identify, do copyright research on, " +- "considerable\n" +- "effort to identify, do copyright research on, " - "transcribe and proofread\n" - "works not protected by U.S. copyright law " - "in creating the Project\n" @@ -5902,14 +6373,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "agreement, disclaim all\n" - "liability to you for damages, costs and expenses, " - "including legal\n" -- "fees. YOU AGREE THAT YOU " +- "fees. " +- "YOU AGREE THAT YOU " - "HAVE NO REMEDIES " - "FOR NEGLIGENCE, " - "STRICT\n" - "LIABILITY, BREACH " - "OF WARRANTY OR BREACH " - "OF CONTRACT EXCEPT " -- "THOSE\nPROVIDED IN " +- "THOSE\n" +- "PROVIDED IN " - PARAGRAPH 1. - "F.3. " - "YOU AGREE THAT THE " @@ -5918,7 +6391,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", AND ANY DISTRIBUTOR " - "UNDER THIS " - "AGREEMENT WILL NOT " -- "BE\nLIABLE TO YOU FOR " +- "BE\n" +- "LIABLE TO YOU FOR " - "ACTUAL, DIRECT, " - "INDIRECT, " - "CONSEQUENTIAL, " @@ -5938,10 +6412,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - written explanation to the person you received the work from - ". If you\n" - "received the work on a physical medium, you must " -- "return the medium\nwith your written explanation. " +- "return the medium\n" +- "with your written explanation. " - "The person or entity that provided you\n" - "with the defective work may elect to provide a " -- "replacement copy in\nlieu of a refund. " +- "replacement copy in\n" +- "lieu of a refund. " - "If you received the work electronically, the person\n" - "or entity providing it to you may choose to give " - "you a second\n" @@ -5952,7 +6428,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "without further opportunities to fix the problem.\n\n" - "1.F.4. " - "Except for the limited right of replacement or " -- "refund set forth\nin paragraph 1." +- "refund set forth\n" +- in paragraph 1. - "F.3, this work is provided to you " - "'AS-IS', WITH NO\n" - "OTHER WARRANTIES OF " @@ -5969,7 +6446,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Some states do not allow disclaimers of certain " - "implied\n" - "warranties or the exclusion or limitation of certain types " -- "of\ndamages. " +- "of\n" +- "damages. " - "If any disclaimer or limitation set forth in " - "this agreement\n" - "violates the law of the state applicable to this " @@ -6024,19 +6502,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Gutenberg Literary Archive Foundation was created to provide " - "a secure\n" - and permanent future for Project Gutenberg- -- "tm and future\ngenerations. " +- "tm and future\n" +- "generations. " - "To learn more about the Project Gutenberg Literary\n" - Archive Foundation and how your efforts and donations can help - ", see\n" - "Sections 3 and 4 and the Foundation information page " -- "at\nwww.gutenberg.org\n\nSection 3. " +- "at\nwww.gutenberg.org\n\n" +- "Section 3. 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" - "Information about Donations to the Project Gutenberg\n" - "Literary Archive Foundation\n\n" - "Project Gutenberg-tm depends upon and " @@ -6071,11 +6553,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "The Foundation is committed to complying with the laws " - "regulating\n" - "charities and charitable donations in all 50 states of the " -- "United\nStates. " +- "United\n" +- "States. " - "Compliance requirements are not uniform and it takes " - "a\n" - "considerable effort, much paperwork and many fees to meet " -- "and keep up\nwith these requirements. " +- "and keep up\n" +- "with these requirements. " - "We do not solicit donations in locations\n" - "where we have not received written confirmation of compliance. " - "To SEND\n" @@ -6094,14 +6578,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - U.S. laws alone swamp our small staff - ".\n\n" - "Please check the Project Gutenberg web pages for " -- "current donation\nmethods and addresses. " +- "current donation\n" +- "methods and addresses. " - "Donations are accepted in a number of other\n" - "ways including checks, online payments and credit card donations" -- ". To\ndonate, please visit: " +- ". To\n" +- "donate, please visit: " - "www.gutenberg.org/donate\n\n" - "Section 5. " - "General Information About Project Gutenberg-tm " -- "electronic works\n\nProfessor Michael S. " +- "electronic works\n\n" +- "Professor Michael S. " - "Hart was the originator of the Project\n" - "Gutenberg-tm concept of a library " - "of electronic works that could be\n" @@ -6109,7 +6596,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "For forty years, he produced and\n" - "distributed Project Gutenberg-tm " - "eBooks with only a loose network of\n" -- "volunteer support.\n\nProject Gutenberg-tm " +- "volunteer support.\n\n" +- "Project Gutenberg-tm " - "eBooks are often created from several printed\n" - "editions, all of which are confirmed as not protected " - "by copyright in\n" diff --git a/tests/snapshots/text_splitter_snapshots__huggingface_default@room_with_a_view.txt-2.snap b/tests/snapshots/text_splitter_snapshots__huggingface_default@room_with_a_view.txt-2.snap index 3c089a35..b8f9bd93 100644 --- a/tests/snapshots/text_splitter_snapshots__huggingface_default@room_with_a_view.txt-2.snap +++ b/tests/snapshots/text_splitter_snapshots__huggingface_default@room_with_a_view.txt-2.snap @@ -3,14 +3,16 @@ source: tests/text_splitter_snapshots.rs expression: chunks input_file: tests/inputs/text/room_with_a_view.txt --- -- "The Project Gutenberg eBook of A Room With A View, by E. M. Forster\n\nThis eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. " +- "The Project Gutenberg eBook of A Room With A View, by E. M. Forster\n\n" +- "This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. " - "If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.\n\nTitle: A Room With A View\n\nAuthor: E. M. Forster\n\nRelease Date: May, 2001 [eBook #2641]\n[Most recently updated: October 8, 2022]\n\nLanguage: English\n\n\n" - "*** START OF THE PROJECT GUTENBERG EBOOK A ROOM WITH A VIEW ***\n\n\n\n\n[Illustration]\n\n\n\n\nA Room With A View\n\nBy E. M. Forster\n\n\n\n\nCONTENTS\n\n" - " Part One.\n Chapter I. The Bertolini\n Chapter II. In Santa Croce with No Baedeker\n Chapter III. Music, Violets, and the Letter “S”\n Chapter IV. Fourth Chapter\n Chapter V. Possibilities of a Pleasant Outing\n" - " Chapter VI. The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them\n Chapter VII. They Return\n\n" - " Part Two.\n Chapter VIII. Medieval\n Chapter IX. Lucy As a Work of Art\n Chapter X. Cecil as a Humourist\n Chapter XI. In Mrs. Vyse’s Well-Appointed Flat\n Chapter XII. Twelfth Chapter\n Chapter XIII. How Miss Bartlett’s Boiler Was So Tiresome\n Chapter XIV. How Lucy Faced the External Situation Bravely\n Chapter XV. The Disaster Within\n Chapter XVI. Lying to George\n Chapter XVII. Lying to Cecil\n" - " Chapter XVIII. Lying to Mr. Beebe, Mrs. Honeychurch, Freddy, and The Servants\n Chapter XIX. Lying to Mr. Emerson\n Chapter XX. The End of the Middle Ages\n\n\n\n\nPART ONE\n\n\n\n\nChapter I The Bertolini\n\n\n" -- "“The Signora had no business to do it,” said Miss Bartlett, “no business at all. She promised us south rooms with a view close together, instead of which here are north rooms, looking into a courtyard, and a long way apart. Oh, Lucy!”\n\n“And a Cockney, besides!” said Lucy, who had been further saddened by the Signora’s unexpected accent. “It might be London.” " +- "“The Signora had no business to do it,” said Miss Bartlett, “no business at all. She promised us south rooms with a view close together, instead of which here are north rooms, looking into a courtyard, and a long way apart. Oh, Lucy!”\n\n" +- "“And a Cockney, besides!” said Lucy, who had been further saddened by the Signora’s unexpected accent. “It might be London.” " - "She looked at the two rows of English people who were sitting at the table; at the row of white bottles of water and red bottles of wine that ran between the English people; at the portraits of the late Queen and the late Poet Laureate that hung behind the English people, heavily framed; at the notice of the English church (Rev. Cuthbert Eager, M. A. Oxon.),\n" - "that was the only other decoration of the wall. “Charlotte, don’t you feel, too, that we might be in London? I can hardly believe that all kinds of other things are just outside. I suppose it is one’s being so tired.”\n\n“This meat has surely been used for soup,” said Miss Bartlett, laying down her fork.\n\n" - "“I want so to see the Arno. The rooms the Signora promised us in her letter would have looked over the Arno. The Signora had no business to do it at all. Oh, it is a shame!”\n\n“Any nook does for me,” Miss Bartlett continued; “but it does seem hard that you shouldn’t have a view.”\n\n" @@ -23,7 +25,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The better class of tourist was shocked at this, and sympathized with the new-comers. Miss Bartlett, in reply, opened her mouth as little as possible, and said “Thank you very much indeed; that is out of the question.”\n\n“Why?” said the old man, with both fists on the table.\n\n“Because it is quite out of the question, thank you.”\n\n" - "“You see, we don’t like to take—” began Lucy. Her cousin again repressed her.\n\n“But why?” he persisted. “Women like looking at a view; men don’t.” And he thumped with his fists like a naughty child, and turned to his son,\nsaying, “George, persuade them!”\n\n“It’s so obvious they should have the rooms,” said the son. “There’s nothing else to say.”\n\n" - "He did not look at the ladies as he spoke, but his voice was perplexed and sorrowful. Lucy, too, was perplexed; but she saw that they were in for what is known as “quite a scene,” and she had an odd feeling that whenever these ill-bred tourists spoke the contest widened and deepened till it dealt, not with rooms and views, but with—well, with something quite different, whose existence she had not realized before. " -- "Now the old man attacked Miss Bartlett almost violently: Why should she not change? What possible objection had she? They would clear out in half an hour.\n\nMiss Bartlett, though skilled in the delicacies of conversation, was powerless in the presence of brutality. It was impossible to snub any one so gross. Her face reddened with displeasure. She looked around as much as to say, “Are you all like this?” " +- "Now the old man attacked Miss Bartlett almost violently: Why should she not change? What possible objection had she? They would clear out in half an hour.\n\n" +- "Miss Bartlett, though skilled in the delicacies of conversation, was powerless in the presence of brutality. It was impossible to snub any one so gross. Her face reddened with displeasure. She looked around as much as to say, “Are you all like this?” " - "And two little old ladies, who were sitting further up the table, with shawls hanging over the backs of the chairs, looked back, clearly indicating “We are not; we are genteel.”\n\n“Eat your dinner, dear,” she said to Lucy, and began to toy again with the meat that she had once censured.\n\nLucy mumbled that those seemed very odd people opposite.\n\n" - "“Eat your dinner, dear. This pension is a failure. To-morrow we will make a change.”\n\n" - "Hardly had she announced this fell decision when she reversed it. The curtains at the end of the room parted, and revealed a clergyman, stout but attractive, who hurried forward to take his place at the table,\ncheerfully apologizing for his lateness. Lucy, who had not yet acquired decency, at once rose to her feet, exclaiming: “Oh, oh! Why, it’s Mr.\n" @@ -40,7 +43,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The young man named George glanced at the clever lady, and then returned moodily to his plate. Obviously he and his father did not do.\nLucy, in the midst of her success, found time to wish they did. It gave her no extra pleasure that any one should be left in the cold; and when she rose to go, she turned back and gave the two outsiders a nervous little bow.\n\n" - "The father did not see it; the son acknowledged it, not by another bow,\nbut by raising his eyebrows and smiling; he seemed to be smiling across something.\n\n" - "She hastened after her cousin, who had already disappeared through the curtains—curtains which smote one in the face, and seemed heavy with more than cloth. Beyond them stood the unreliable Signora, bowing good-evening to her guests, and supported by ’Enery, her little boy,\nand Victorier, her daughter. It made a curious little scene, this attempt of the Cockney to convey the grace and geniality of the South.\n" -- "And even more curious was the drawing-room, which attempted to rival the solid comfort of a Bloomsbury boarding-house. Was this really Italy?\n\nMiss Bartlett was already seated on a tightly stuffed arm-chair, which had the colour and the contours of a tomato. She was talking to Mr.\n" +- "And even more curious was the drawing-room, which attempted to rival the solid comfort of a Bloomsbury boarding-house. Was this really Italy?\n\n" +- "Miss Bartlett was already seated on a tightly stuffed arm-chair, which had the colour and the contours of a tomato. She was talking to Mr.\n" - "Beebe, and as she spoke, her long narrow head drove backwards and forwards, slowly, regularly, as though she were demolishing some invisible obstacle. “We are most grateful to you,” she was saying. “The first evening means so much. When you arrived we were in for a peculiarly _mauvais quart d’heure_.”\n\nHe expressed his regret.\n\n" - "“Do you, by any chance, know the name of an old man who sat opposite us at dinner?”\n\n“Emerson.”\n\n“Is he a friend of yours?”\n\n“We are friendly—as one is in pensions.”\n\n“Then I will say no more.”\n\nHe pressed her very slightly, and she said more.\n\n" - "“I am, as it were,” she concluded, “the chaperon of my young cousin,\nLucy, and it would be a serious thing if I put her under an obligation to people of whom we know nothing. His manner was somewhat unfortunate.\nI hope I acted for the best.”\n\n" @@ -55,7 +59,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“He is nice,” exclaimed Lucy. “Just what I remember. He seems to see good in everyone. No one would take him for a clergyman.”\n\n“My dear Lucia—”\n\n“Well, you know what I mean. And you know how clergymen generally laugh; Mr. Beebe laughs just like an ordinary man.”\n\n“Funny girl! How you do remind me of your mother. I wonder if she will approve of Mr. Beebe.”\n\n" - "“I’m sure she will; and so will Freddy.”\n\n“I think everyone at Windy Corner will approve; it is the fashionable world. I am used to Tunbridge Wells, where we are all hopelessly behind the times.”\n\n“Yes,” said Lucy despondently.\n\n" - "There was a haze of disapproval in the air, but whether the disapproval was of herself, or of Mr. Beebe, or of the fashionable world at Windy Corner, or of the narrow world at Tunbridge Wells, she could not determine. She tried to locate it, but as usual she blundered. Miss Bartlett sedulously denied disapproving of any one, and added “I am afraid you are finding me a very depressing companion.”\n\n" -- "And the girl again thought: “I must have been selfish or unkind; I must be more careful. It is so dreadful for Charlotte, being poor.”\n\nFortunately one of the little old ladies, who for some time had been smiling very benignly, now approached and asked if she might be allowed to sit where Mr. Beebe had sat. " +- "And the girl again thought: “I must have been selfish or unkind; I must be more careful. It is so dreadful for Charlotte, being poor.”\n\n" +- "Fortunately one of the little old ladies, who for some time had been smiling very benignly, now approached and asked if she might be allowed to sit where Mr. Beebe had sat. " - "Permission granted, she began to chatter gently about Italy, the plunge it had been to come there, the gratifying success of the plunge, the improvement in her sister’s health, the necessity of closing the bed-room windows at night, and of thoroughly emptying the water-bottles in the morning. " - "She handled her subjects agreeably, and they were, perhaps, more worthy of attention than the high discourse upon Guelfs and Ghibellines which was proceeding tempestuously at the other end of the room. It was a real catastrophe, not a mere episode, that evening of hers at Venice, when she had found in her bedroom something that is one worse than a flea,\nthough one better than something else.\n\n" - "“But here you are as safe as in England. Signora Bertolini is so English.”\n\n“Yet our rooms smell,” said poor Lucy. “We dread going to bed.”\n\n“Ah, then you look into the court.” She sighed. “If only Mr. Emerson was more tactful! We were so sorry for you at dinner.”\n\n“I think he was meaning to be kind.”\n\n" @@ -82,7 +87,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It was pleasant to wake up in Florence, to open the eyes upon a bright bare room, with a floor of red tiles which look clean though they are not; with a painted ceiling whereon pink griffins and blue amorini sport in a forest of yellow violins and bassoons. It was pleasant, too,\n" - "to fling wide the windows, pinching the fingers in unfamiliar fastenings, to lean out into sunshine with beautiful hills and trees and marble churches opposite, and close below, the Arno, gurgling against the embankment of the road.\n\n" - "Over the river men were at work with spades and sieves on the sandy foreshore, and on the river was a boat, also diligently employed for some mysterious end. An electric tram came rushing underneath the window. No one was inside it, except one tourist; but its platforms were overflowing with Italians, who preferred to stand. Children tried to hang on behind, and the conductor, with no malice, spat in their faces to make them let go. " -- "Then soldiers appeared—good-looking,\nundersized men—wearing each a knapsack covered with mangy fur, and a great-coat which had been cut for some larger soldier. Beside them walked officers, looking foolish and fierce, and before them went little boys, turning somersaults in time with the band. The tramcar became entangled in their ranks, and moved on painfully, like a caterpillar in a swarm of ants. " +- "Then soldiers appeared—good-looking,\n" +- "undersized men—wearing each a knapsack covered with mangy fur, and a great-coat which had been cut for some larger soldier. Beside them walked officers, looking foolish and fierce, and before them went little boys, turning somersaults in time with the band. The tramcar became entangled in their ranks, and moved on painfully, like a caterpillar in a swarm of ants. " - "One of the little boys fell down, and some white bullocks came out of an archway. Indeed, if it had not been for the good advice of an old man who was selling button-hooks, the road might never have got clear.\n\n" - "Over such trivialities as these many a valuable hour may slip away, and the traveller who has gone to Italy to study the tactile values of Giotto, or the corruption of the Papacy, may return remembering nothing but the blue sky and the men and women who live under it. " - "So it was as well that Miss Bartlett should tap and come in, and having commented on Lucy’s leaving the door unlocked, and on her leaning out of the window before she was fully dressed, should urge her to hasten herself, or the best of the day would be gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs.\n\n" @@ -105,7 +111,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss Lavish was not disgusted, and said it was just the size of her aunt’s Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:\n\n" - "“Bless us! Bless us and save us! We’ve lost the way.”\n\nCertainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings.\n\n" - "“Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us!\nWhat are we to do? Two lone females in an unknown town. Now, this is what _I_ call an adventure.”\n\nLucy, who wanted to see Santa Croce, suggested, as a possible solution,\nthat they should ask the way there.\n\n" -- "“Oh, but that is the word of a craven! And no, you are not, not, _not_ to look at your Baedeker. Give it to me; I shan’t let you carry it. We will simply drift.”\n\nAccordingly they drifted through a series of those grey-brown streets,\nneither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa,\n" +- "“Oh, but that is the word of a craven! And no, you are not, not, _not_ to look at your Baedeker. Give it to me; I shan’t let you carry it. We will simply drift.”\n\n" +- "Accordingly they drifted through a series of those grey-brown streets,\nneither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa,\n" - "and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. " - "Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile.\n\n" - "The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza,\n" @@ -146,11 +153,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Then I had better speak to him and remind him who I am. It’s that Mr.\nEager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn’t I better? Then perhaps he will come back.”\n\n“He will not come back,” said George.\n\n" - "But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also.\n\n" - "“My father has that effect on nearly everyone,” he informed her. “He will try to be kind.”\n\n“I hope we all try,” said she, smiling nervously.\n\n“Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened.”\n\n" -- "“How silly of them!” said Lucy, though in her heart she sympathized; “I think that a kind action done tactfully—”\n\n“Tact!”\n\nHe threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel.\n" +- "“How silly of them!” said Lucy, though in her heart she sympathized; “I think that a kind action done tactfully—”\n\n“Tact!”\n\n" +- "He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel.\n" - "For a young man his face was rugged, and—until the shadows fell upon it—hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness,\n" - "of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned,\nand she could re-enter the world of rapid talk, which was alone familiar to her.\n\n“Were you snubbed?” asked his son tranquilly.\n\n" - "“But we have spoilt the pleasure of I don’t know how many people. They won’t come back.”\n\n“...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man...” Scraps of the lecture on St. Francis came floating round the partition wall.\n\n" -- "“Don’t let us spoil yours,” he continued to Lucy. “Have you looked at those saints?”\n\n“Yes,” said Lucy. “They are lovely. Do you know which is the tombstone that is praised in Ruskin?”\n\nHe did not know, and suggested that they should try to guess it.\n" +- "“Don’t let us spoil yours,” he continued to Lucy. “Have you looked at those saints?”\n\n“Yes,” said Lucy. “They are lovely. Do you know which is the tombstone that is praised in Ruskin?”\n\n" +- "He did not know, and suggested that they should try to guess it.\n" - "George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested. " - "He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son.\n\n“Why will he look at that fresco?” he said uneasily. “I saw nothing in it.”\n\n“I like Giotto,” she replied. “It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better.”\n\n" - "“So you ought. A baby is worth a dozen saints. And my baby’s worth the whole of Paradise, and as far as I can see he lives in Hell.”\n\nLucy again felt that this did not do.\n\n“In Hell,” he repeated. “He’s unhappy.”\n\n“Oh, dear!” said Lucy.\n\n" @@ -168,9 +177,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "before she lost Baedeker. The dear George, now striding towards them over the tombstones, seemed both pitiable and absurd. He approached,\nhis face in the shadow. He said:\n\n“Miss Bartlett.”\n\n“Oh, good gracious me!” said Lucy, suddenly collapsing and again seeing the whole of life in a new perspective. “Where? Where?”\n\n“In the nave.”\n\n" - "“I see. Those gossiping little Miss Alans must have—” She checked herself.\n\n“Poor girl!” exploded Mr. Emerson. “Poor girl!”\n\nShe could not let this pass, for it was just what she was feeling herself.\n\n" - "“Poor girl? I fail to understand the point of that remark. I think myself a very fortunate girl, I assure you. I’m thoroughly happy, and having a splendid time. Pray don’t waste time mourning over _me_.\nThere’s enough sorrow in the world, isn’t there, without trying to invent it. Good-bye. Thank you both so much for all your kindness. Ah,\n" -- "yes! there does come my cousin. A delightful morning! Santa Croce is a wonderful church.”\n\nShe joined her cousin.\n\n\n\n\nChapter III Music, Violets, and the Letter “S”\n\n\nIt so happened that Lucy, who found daily life rather chaotic, entered a more solid world when she opened the piano. She was then no longer either deferential or patronizing; no longer either a rebel or a slave.\n" +- "yes! there does come my cousin. A delightful morning! Santa Croce is a wonderful church.”\n\nShe joined her cousin.\n\n\n\n\nChapter III Music, Violets, and the Letter “S”\n\n\n" +- "It so happened that Lucy, who found daily life rather chaotic, entered a more solid world when she opened the piano. She was then no longer either deferential or patronizing; no longer either a rebel or a slave.\n" - "The kingdom of music is not the kingdom of this world; it will accept those whom breeding and intellect and culture have alike rejected. The commonplace person begins to play, and shoots into the empyrean without effort, whilst we look up, marvelling how he has escaped us, and thinking how we could worship him and love him, would he but translate his visions into human words, and his experiences into human actions.\n" -- "Perhaps he cannot; certainly he does not, or does so very seldom. Lucy had done so never.\n\nShe was no dazzling _exécutante;_ her runs were not at all like strings of pearls, and she struck no more right notes than was suitable for one of her age and situation. Nor was she the passionate young lady, who performs so tragically on a summer’s evening with the window open.\n" +- "Perhaps he cannot; certainly he does not, or does so very seldom. Lucy had done so never.\n\n" +- "She was no dazzling _exécutante;_ her runs were not at all like strings of pearls, and she struck no more right notes than was suitable for one of her age and situation. Nor was she the passionate young lady, who performs so tragically on a summer’s evening with the window open.\n" - "Passion was there, but it could not be easily labelled; it slipped between love and hatred and jealousy, and all the furniture of the pictorial style. And she was tragical only in the sense that she was great, for she loved to play on the side of Victory. Victory of what and over what—that is more than the words of daily life can tell us.\n" - "But that some sonatas of Beethoven are written tragic no one can gainsay; yet they can triumph or despair as the player decides, and Lucy had decided that they should triumph.\n\n" - "A very wet afternoon at the Bertolini permitted her to do the thing she really liked, and after lunch she opened the little draped piano. A few people lingered round and praised her playing, but finding that she made no reply, dispersed to their rooms to write up their diaries or to sleep. She took no notice of Mr. Emerson looking for his son, nor of Miss Bartlett looking for Miss Lavish, nor of Miss Lavish looking for her cigarette-case. " @@ -179,7 +190,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "under the auspices of their vicar, sang, or recited, or imitated the drawing of a champagne cork. Among the promised items was “Miss Honeychurch. Piano. Beethoven,” and Mr. Beebe was wondering whether it would be Adelaida, or the march of The Ruins of Athens, when his composure was disturbed by the opening bars of Opus III. " - "He was in suspense all through the introduction, for not until the pace quickens does one know what the performer intends. With the roar of the opening theme he knew that things were going extraordinarily; in the chords that herald the conclusion he heard the hammer strokes of victory. He was glad that she only played the first movement, for he could have paid no attention to the winding intricacies of the measures of nine-sixteen. " - "The audience clapped, no less respectful. It was Mr.\nBeebe who started the stamping; it was all that one could do.\n\n“Who is she?” he asked the vicar afterwards.\n\n“Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs.”\n\n" -- "“Introduce me.”\n\n“She will be delighted. She and Miss Bartlett are full of the praises of your sermon.”\n\n“My sermon?” cried Mr. Beebe. “Why ever did she listen to it?”\n\nWhen he was introduced he understood why, for Miss Honeychurch,\n" +- "“Introduce me.”\n\n“She will be delighted. She and Miss Bartlett are full of the praises of your sermon.”\n\n“My sermon?” cried Mr. Beebe. “Why ever did she listen to it?”\n\n" +- "When he was introduced he understood why, for Miss Honeychurch,\n" - "disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him:\n\n" - "“If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her.”\n\nLucy at once re-entered daily life.\n\n“Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet.”\n\n“Doesn’t Mrs. Honeychurch like music?”\n\n" - "“She doesn’t mind it. But she doesn’t like one to get excited over anything; she thinks I am silly about it. She thinks—I can’t make out.\nOnce, you know, I said that I liked my own playing better than any one’s. She has never got over it. Of course, I didn’t mean that I played well; I only meant—”\n\n“Of course,” said he, wondering why she bothered to explain.\n\n" @@ -206,7 +218,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She told Teresa and Miss Pole the other day that she had got up all the local colour—this novel is to be about modern Italy; the other was historical—but that she could not start till she had an idea. First she tried Perugia for an inspiration,\nthen she came here—this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them.”\n\n" - "Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.\n\n“All the same, she is a little too—I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived.”\n\n" - "Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.\n\n“I don’t know, Miss Honeychurch, if you have noticed that Miss Pole,\nthe lady who has so much yellow hair, takes lemonade. That old Mr.\nEmerson, who puts things very strangely—”\n\n" -- "Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:\n\n“Stomach. He warned Miss Pole of her stomach-acidity, he called it—and he may have meant to be kind. I must say I forgot myself and laughed;\n" +- "Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:\n\n" +- "“Stomach. He warned Miss Pole of her stomach-acidity, he called it—and he may have meant to be kind. I must say I forgot myself and laughed;\n" - "it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively _attracted_ by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers—‘drummers’ was the word she used—and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. " - "Teresa was very much annoyed, and left the table before the cheese, saying as she did so: ‘There, Miss Lavish, is one who can confute you better than I,’ and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said: ‘Tut! The early Victorians.’ Just imagine! ‘Tut! The early Victorians.’ My sister had gone, and I felt bound to speak. " - "I said: ‘Miss Lavish, _I_ am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.’ It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. " @@ -233,10 +246,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self.\n\n" - "Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. " - "As she might not go on the electric tram, she went to Alinari’s shop.\n\n" -- "There she bought a photograph of Botticelli’s “Birth of Venus.” Venus,\nbeing a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione’s “Tempesta,” the “Idolino,” some of the Sistine frescoes and the Apoxyomenos, were added to it. " +- "There she bought a photograph of Botticelli’s “Birth of Venus.” Venus,\n" +- "being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione’s “Tempesta,” the “Idolino,” some of the Sistine frescoes and the Apoxyomenos, were added to it. " - "She felt a little calmer then, and bought Fra Angelico’s “Coronation,” Giotto’s “Ascension of St. John,” some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name.\n\n" - "But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. “The world,” she thought, “is certainly full of beautiful things, if only I could come across them.” It was not surprising that Mrs. " -- "Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.\n\n“Nothing ever happens to me,” she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god,\n" +- "Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.\n\n" +- "“Nothing ever happens to me,” she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god,\n" - "half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality—the hour, that is, when unfamiliar things are real. " - "An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more.\n\n" - "She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her,\nstill dancing before her eyes when she bent them to the ground and started towards home.\n\nThen something did happen.\n\n" @@ -252,7 +267,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day,\nand joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her,\n“Oh, what have I done?”—the thought that she, as well as the dying man,\nhad crossed some spiritual boundary.\n\n" - "He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her,\nshe walked firmly enough towards the Arno. There a cabman signalled to them; they refused him.\n\n" - "“And the murderer tried to kiss him, you say—how very odd Italians are!—and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday—What was that?”\n\nHe had thrown something into the stream.\n\n“What did you throw in?”\n\n“Things I didn’t want,” he said crossly.\n\n“Mr. Emerson!”\n\n" -- "“Well?”\n\n“Where are the photographs?”\n\nHe was silent.\n\n“I believe it was my photographs that you threw away.”\n\n“I didn’t know what to do with them,” he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time.\n" +- "“Well?”\n\n“Where are the photographs?”\n\nHe was silent.\n\n“I believe it was my photographs that you threw away.”\n\n" +- "“I didn’t know what to do with them,” he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time.\n" - "“They were covered with blood. There! I’m glad I’ve told you; and all the time we were making conversation I was wondering what to do with them.” He pointed down-stream. “They’ve gone.” The river swirled under the bridge, “I did mind them so, and one is so foolish, it seemed better that they should go out to the sea—I don’t know; I may just mean that they frightened me.” " - "Then the boy verged into a man. “For something tremendous has happened; I must face it without getting muddled. It isn’t exactly that a man has died.”\n\nSomething warned Lucy that she must stop him.\n\n“It has happened,” he repeated, “and I mean to find out what it is.”\n\n“Mr. Emerson—”\n\nHe turned towards her frowning, as if she had disturbed him in some abstract quest.\n\n" - "“I want to ask you something before we go in.”\n\nThey were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying:\n\n“I have behaved ridiculously.”\n\nHe was following his own thoughts.\n\n" @@ -301,9 +317,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Surely the vendor of photographs was in league with Lucy—in the eternal league of Italy with youth. He had suddenly extended his book before Miss Bartlett and Mr. Eager, binding their hands together by a long glossy ribbon of churches, pictures, and views.\n\n" - "“This is too much!” cried the chaplain, striking petulantly at one of Fra Angelico’s angels. She tore. A shrill cry rose from the vendor. The book it seemed, was more valuable than one would have supposed.\n\n“Willingly would I purchase—” began Miss Bartlett.\n\n“Ignore him,” said Mr. Eager sharply, and they all walked rapidly away from the square.\n\n" - "But an Italian can never be ignored, least of all when he has a grievance. His mysterious persecution of Mr. Eager became relentless;\nthe air rang with his threats and lamentations. He appealed to Lucy;\nwould not she intercede? He was poor—he sheltered a family—the tax on bread. He waited, he gibbered, he was recompensed, he was dissatisfied,\n" -- "he did not leave them until he had swept their minds clean of all thoughts whether pleasant or unpleasant.\n\nShopping was the topic that now ensued. " +- "he did not leave them until he had swept their minds clean of all thoughts whether pleasant or unpleasant.\n\n" +- "Shopping was the topic that now ensued. " - "Under the chaplain’s guidance they selected many hideous presents and mementoes—florid little picture-frames that seemed fashioned in gilded pastry; other little frames, more severe, that stood on little easels, and were carven out of oak; a blotting book of vellum; a Dante of the same material; cheap mosaic brooches, which the maids, next Christmas, would never tell from real; pins, pots, heraldic saucers" -- ", brown art-photographs; Eros and Psyche in alabaster; St. Peter to match—all of which would have cost less in London.\n\nThis successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough,\n" +- ", brown art-photographs; Eros and Psyche in alabaster; St. Peter to match—all of which would have cost less in London.\n\n" +- "This successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough,\n" - "ceased to respect them. She doubted that Miss Lavish was a great artist. She doubted that Mr. Eager was as full of spirituality and culture as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte—as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her.\n\n" - "“The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton.”\n\nThey were talking about the Emersons.\n\n“How wonderfully people rise in these days!” sighed Miss Bartlett,\nfingering a model of the leaning Tower of Pisa.\n\n" - "“Generally,” replied Mr. Eager, “one has only sympathy for their success. The desire for education and for social advance—in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence—little as they would make of it.”\n\n“Is he a journalist now?” Miss Bartlett asked.\n\n“He is not; he made an advantageous marriage.”\n\n" @@ -325,7 +343,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: “Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr.\n" - "Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether—which they could scarcely do—but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!”\n\n“It is indeed,” replied the girl, with a gravity that sounded sympathetic.\n\n" - "“What do you think about it?” asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.\n\n“I don’t know what I think, nor what I want.”\n\n“Oh, dear, Lucy! I do hope Florence isn’t boring you. Speak the word,\nand, as you know, I would take you to the ends of the earth to-morrow.”\n\n" -- "“Thank you, Charlotte,” said Lucy, and pondered over the offer.\n\nThere were letters for her at the bureau—one from her brother, full of athletics and biology; one from her mother, delightful as only her mother’s letters could be. " +- "“Thank you, Charlotte,” said Lucy, and pondered over the offer.\n\n" +- "There were letters for her at the bureau—one from her brother, full of athletics and biology; one from her mother, delightful as only her mother’s letters could be. " - "She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. " - "The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald—all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.\n\n“And the news?” asked Miss Bartlett.\n\n“Mrs. Vyse and her son have gone to Rome,” said Lucy, giving the news that interested her least. “Do you know the Vyses?”\n\n" - "“Oh, not that way back. We can never have too much of the dear Piazza Signoria.”\n\n“They’re nice people, the Vyses. So clever—my idea of what’s really clever. Don’t you long to be in Rome?”\n\n“I die for it!”\n\n" @@ -335,7 +354,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, you droll person! Pray, what would become of your drive in the hills?”\n\nThey passed together through the gaunt beauty of the square, laughing over the unpractical suggestion.\n\n\n\n\nChapter VI The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson,\nMr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them.\n\n\n" - "It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master’s horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. " - "And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister—Persephone, tall and slender and pale, returning with the Spring to her mother’s cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. " -- "But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god.\n\nPhaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr.\n" +- "But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god.\n\n" +- "Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr.\n" - "Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. " - "And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind.\n\n" - "It was hard on the poor chaplain to have his _partie carrée_ thus transformed. Tea at a Renaissance villa, if he had ever meditated it,\nwas now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God—they should enter no villa at his introduction.\n\n" @@ -368,7 +388,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character.\n\n“He was not driving us well,” she said. “He jolted us.”\n\n" - "“That I deny. It was as restful as sleeping. Aha! he is jolting us now.\nCan you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I’d be frightened of the girl,\ntoo. It doesn’t do to injure young people. Have you ever heard of Lorenzo de Medici?”\n\nMiss Lavish bristled.\n\n" - "“Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?”\n\n“The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line—so I heard yesterday—which runs like this: ‘Don’t go fighting against the Spring.’”\n\n" -- "Mr. Eager could not resist the opportunity for erudition.\n\n“Non fate guerra al Maggio,” he murmured. “‘War not with the May’ would render a correct meaning.”\n\n“The point is, we have warred with it. Look.” He pointed to the Val d’Arno, which was visible far below them, through the budding trees.\n" +- "Mr. Eager could not resist the opportunity for erudition.\n\n“Non fate guerra al Maggio,” he murmured. “‘War not with the May’ would render a correct meaning.”\n\n" +- "“The point is, we have warred with it. Look.” He pointed to the Val d’Arno, which was visible far below them, through the budding trees.\n" - "“Fifty miles of Spring, and we’ve come up to admire them. Do you suppose there’s any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both.”\n\n" - "No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain. " - "It was this promontory, uncultivated,\n" @@ -382,7 +403,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Please, I’d rather stop here with you.”\n\n“No, I agree,” said Miss Lavish. “It’s like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear.”\n\n" - "The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte. She wished she had not called attention to herself; they were both annoyed at her remark and seemed determined to get rid of her.\n\n“How tired one gets,” said Miss Bartlett. “Oh, I do wish Freddy and your mother could be here.”\n\n" - "Unselfishness with Miss Bartlett had entirely usurped the functions of enthusiasm. Lucy did not look at the view either. She would not enjoy anything till she was safe at Rome.\n\n“Then sit you down,” said Miss Lavish. “Observe my foresight.”\n\n" -- "With many a smile she produced two of those mackintosh squares that protect the frame of the tourist from damp grass or cold marble steps.\nShe sat on one; who was to sit on the other?\n\n“Lucy; without a moment’s doubt, Lucy. The ground will do for me.\n" +- "With many a smile she produced two of those mackintosh squares that protect the frame of the tourist from damp grass or cold marble steps.\nShe sat on one; who was to sit on the other?\n\n" +- "“Lucy; without a moment’s doubt, Lucy. The ground will do for me.\n" - "Really I have not had rheumatism for years. If I do feel it coming on I shall stand. Imagine your mother’s feelings if I let you sit in the wet in your white linen.” She sat down heavily where the ground looked particularly moist. “Here we are, all settled delightfully. Even if my dress is thinner it will not show so much, being brown. Sit down, dear;\n" - "you are too unselfish; you don’t assert yourself enough.” She cleared her throat. “Now don’t be alarmed; this isn’t a cold. It’s the tiniest cough, and I have had it three days. It’s nothing to do with sitting here at all.”\n\n" - "There was only one way of treating the situation. At the end of five minutes Lucy departed in search of Mr. Beebe and Mr. Eager, vanquished by the mackintosh square.\n\nShe addressed herself to the drivers, who were sprawling in the carriages, perfuming the cushions with cigars. The miscreant, a bony young man scorched black by the sun, rose to greet her with the courtesy of a host and the assurance of a relative.\n\n" @@ -396,12 +418,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Eccolo!” he exclaimed.\n\nAt the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end.\n\n“Courage!” cried her companion, now standing some six feet above.\n“Courage and love.”\n\n" - "She did not answer. From her feet the ground sloped sharply into view,\nand violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth.\n\n" - "Standing at its brink, like a swimmer who prepares, was the good man.\nBut he was not the good man that she had expected, and he was alone.\n\nGeorge had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her.\n\n" -- "Before she could speak, almost before she could feel, a voice called,\n“Lucy! Lucy! Lucy!” The silence of life had been broken by Miss Bartlett who stood brown against the view.\n\n\n\n\nChapter VII They Return\n\n\nSome complicated game had been playing up and down the hillside all the afternoon. What it was and exactly how the players had sided, Lucy was slow to discover. Mr. Eager had met them with a questioning eye.\n" +- "Before she could speak, almost before she could feel, a voice called,\n“Lucy! Lucy! Lucy!” The silence of life had been broken by Miss Bartlett who stood brown against the view.\n\n\n\n\nChapter VII They Return\n\n\n" +- "Some complicated game had been playing up and down the hillside all the afternoon. What it was and exactly how the players had sided, Lucy was slow to discover. Mr. Eager had met them with a questioning eye.\n" - "Charlotte had repulsed him with much small talk. Mr. Emerson, seeking his son, was told whereabouts to find him. Mr. Beebe, who wore the heated aspect of a neutral, was bidden to collect the factions for the return home. There was a general sense of groping and bewilderment. " - "Pan had been amongst them—not the great god Pan, who has been buried these two thousand years, but the little god Pan, who presides over social contretemps and unsuccessful picnics. Mr. Beebe had lost everyone, and had consumed in solitude the tea-basket which he had brought up as a pleasant surprise. Miss Lavish had lost Miss Bartlett. Lucy had lost Mr. Eager. Mr. Emerson had lost George. " - "Miss Bartlett had lost a mackintosh square. Phaethon had lost the game.\n\nThat last fact was undeniable. He climbed on to the box shivering, with his collar up, prophesying the swift approach of bad weather. “Let us go immediately,” he told them. “The signorino will walk.”\n\n“All the way? He will be hours,” said Mr. Beebe.\n\n" - "“Apparently. I told him it was unwise.” He would look no one in the face; perhaps defeat was particularly mortifying for him. He alone had played skilfully, using the whole of his instinct, while the others had used scraps of their intelligence. He alone had divined what things were, and what he wished them to be. He alone had interpreted the message that Lucy had received five days before from the lips of a dying man. " -- "Persephone, who spends half her life in the grave—she could interpret it also. Not so these English. They gain knowledge slowly,\nand perhaps too late.\n\nThe thoughts of a cab-driver, however just, seldom affect the lives of his employers. He was the most competent of Miss Bartlett’s opponents,\n" +- "Persephone, who spends half her life in the grave—she could interpret it also. Not so these English. They gain knowledge slowly,\nand perhaps too late.\n\n" +- "The thoughts of a cab-driver, however just, seldom affect the lives of his employers. He was the most competent of Miss Bartlett’s opponents,\n" - "but infinitely the least dangerous. Once back in the town, he and his insight and his knowledge would trouble English ladies no more. Of course, it was most unpleasant; she had seen his black head in the bushes; he might make a tavern story out of it. But after all, what have we to do with taverns? Real menace belongs to the drawing-room. It was of drawing-room people that Miss Bartlett thought as she journeyed downwards towards the fading sun. " - "Lucy sat beside her; Mr. Eager sat opposite, trying to catch her eye; he was vaguely suspicious. They spoke of Alessio Baldovinetti.\n\nRain and darkness came on together. The two ladies huddled together under an inadequate parasol. There was a lightning flash, and Miss Lavish who was nervous, screamed from the carriage in front. At the next flash, Lucy screamed also. Mr. Eager addressed her professionally:\n\n" - "“Courage, Miss Honeychurch, courage and faith. If I might say so, there is something almost blasphemous in this horror of the elements. Are we seriously to suppose that all these clouds, all this immense electrical display, is simply called into existence to extinguish you or me?”\n\n“No—of course—”\n\n" @@ -411,7 +435,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Go, Mr. Eager,” said Miss Bartlett, “don’t ask our driver; our driver is no help. Go and support poor Mr. Beebe—, he is nearly demented.”\n\n“He may be killed!” cried the old man. “He may be killed!”\n\n“Typical behaviour,” said the chaplain, as he quitted the carriage. “In the presence of reality that kind of person invariably breaks down.”\n\n" - "“What does he know?” whispered Lucy as soon as they were alone.\n“Charlotte, how much does Mr. Eager know?”\n\n" - "“Nothing, dearest; he knows nothing. But—” she pointed at the driver—“_he_ knows everything. Dearest, had we better? Shall I?” She took out her purse. “It is dreadful to be entangled with low-class people. He saw it all.” Tapping Phaethon’s back with her guide-book,\nshe said, “Silenzio!” and offered him a franc.\n\n" -- "“Va bene,” he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him.\n\nThere was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity,\n" +- "“Va bene,” he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him.\n\n" +- "There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity,\n" - "which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good.\n\n" - "The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that,\neven if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers,\nthrough miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.\n\n" - "“Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can understand me. You warned me to be careful. And I—I thought I was developing.”\n\n“Do not cry, dearest. Take your time.”\n\n“I have been obstinate and silly—worse than you know, far worse. Once by the river—Oh, but he isn’t killed—he wouldn’t be killed, would he?”\n\n" @@ -421,7 +446,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I want to be truthful,” she whispered. “It is so hard to be absolutely truthful.”\n\n“Don’t be troubled, dearest. Wait till you are calmer. We will talk it over before bed-time in my room.”\n\n" - "So they re-entered the city with hands clasped. It was a shock to the girl to find how far emotion had ebbed in others. The storm had ceased,\nand Mr. Emerson was easier about his son. Mr. Beebe had regained good humour, and Mr. Eager was already snubbing Miss Lavish. Charlotte alone she was sure of—Charlotte, whose exterior concealed so much insight and love.\n\n" - "The luxury of self-exposure kept her almost happy through the long evening. She thought not so much of what had happened as of how she should describe it. All her sensations, her spasms of courage, her moments of unreasonable joy, her mysterious discontent, should be carefully laid before her cousin. And together in divine confidence they would disentangle and interpret them all.\n\n" -- "“At last,” thought she, “I shall understand myself. I shan’t again be troubled by things that come out of nothing, and mean I don’t know what.”\n\nMiss Alan asked her to play. She refused vehemently. Music seemed to her the employment of a child. She sat close to her cousin, who, with commendable patience, was listening to a long story about lost luggage.\n" +- "“At last,” thought she, “I shall understand myself. I shan’t again be troubled by things that come out of nothing, and mean I don’t know what.”\n\n" +- "Miss Alan asked her to play. She refused vehemently. Music seemed to her the employment of a child. She sat close to her cousin, who, with commendable patience, was listening to a long story about lost luggage.\n" - "When it was over she capped it by a story of her own. Lucy became rather hysterical with the delay. In vain she tried to check, or at all events to accelerate, the tale. It was not till a late hour that Miss Bartlett had recovered her luggage and could say in her usual tone of gentle reproach:\n\n“Well, dear, I at all events am ready for Bedfordshire. Come into my room, and I will give a good brush to your hair.”\n\n" - "With some solemnity the door was shut, and a cane chair placed for the girl. Then Miss Bartlett said “So what is to be done?”\n\nShe was unprepared for the question. It had not occurred to her that she would have to do anything. A detailed exhibition of her emotions was all that she had counted upon.\n\n“What is to be done? A point, dearest, which you alone can settle.”\n\n" - "The rain was streaming down the black windows, and the great room felt damp and chilly, One candle burnt trembling on the chest of drawers close to Miss Bartlett’s toque, which cast monstrous and fantastic shadows on the bolted door. A tram roared by in the dark, and Lucy felt unaccountably sad, though she had long since dried her eyes. " @@ -457,7 +483,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The door-bell rang, and she started to the shutters. Before she reached them she hesitated, turned, and blew out the candle. Thus it was that,\nthough she saw someone standing in the wet below, he, though he looked up, did not see her.\n\n" - "To reach his room he had to go by hers. She was still dressed. It struck her that she might slip into the passage and just say that she would be gone before he was up, and that their extraordinary intercourse was over.\n\nWhether she would have dared to do this was never proved. At the critical moment Miss Bartlett opened her own door, and her voice said:\n\n“I wish one word with you in the drawing-room, Mr. Emerson, please.”\n\n" - "Soon their footsteps returned, and Miss Bartlett said: “Good-night, Mr.\nEmerson.”\n\nHis heavy, tired breathing was the only reply; the chaperon had done her work.\n\nLucy cried aloud: “It isn’t true. It can’t all be true. I want not to be muddled. I want to grow older quickly.”\n\nMiss Bartlett tapped on the wall.\n\n“Go to bed at once, dear. You need all the rest you can get.”\n\n" -- "In the morning they left for Rome.\n\n\n\n\nPART TWO\n\n\n\n\nChapter VIII Medieval\n\n\nThe drawing-room curtains at Windy Corner had been pulled to meet, for the carpet was new and deserved protection from the August sun. They were heavy curtains, reaching almost to the ground, and the light that filtered through them was subdued and varied. A poet—none was present—might have quoted, “Life like a dome of many coloured glass,”\n" +- "In the morning they left for Rome.\n\n\n\n\nPART TWO\n\n\n\n\nChapter VIII Medieval\n\n\n" +- "The drawing-room curtains at Windy Corner had been pulled to meet, for the carpet was new and deserved protection from the August sun. They were heavy curtains, reaching almost to the ground, and the light that filtered through them was subdued and varied. A poet—none was present—might have quoted, “Life like a dome of many coloured glass,”\n" - "or might have compared the curtains to sluice-gates, lowered against the intolerable tides of heaven. Without was poured a sea of radiance;\nwithin, the glory, though visible, was tempered to the capacities of man.\n\n" - "Two pleasant people sat in the room. One—a boy of nineteen—was studying a small manual of anatomy, and peering occasionally at a bone which lay upon the piano. From time to time he bounced in his chair and puffed and groaned, for the day was hot and the print small, and the human frame fearfully made; and his mother, who was writing a letter, did continually read out to him what she had written. " - "And continually did she rise from her seat and part the curtains so that a rivulet of light fell across the carpet, and make the remark that they were still there.\n\n“Where aren’t they?” said the boy, who was Freddy, Lucy’s brother. “I tell you I’m getting fairly sick.”\n\n" @@ -468,7 +495,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I said: ‘Dear Mrs. Vyse, Cecil has just asked my permission about it,\nand I should be delighted, if Lucy wishes it. But—’” She stopped reading, “I was rather amused at Cecil asking my permission at all. He has always gone in for unconventionality, and parents nowhere, and so forth. When it comes to the point, he can’t get on without me.”\n\n“Nor me.”\n\n“You?”\n\nFreddy nodded.\n\n" - "“What do you mean?”\n\n“He asked me for my permission also.”\n\nShe exclaimed: “How very odd of him!”\n\n“Why so?” asked the son and heir. “Why shouldn’t my permission be asked?”\n\n“What do you know about Lucy or girls or anything? What ever did you say?”\n\n“I said to Cecil, ‘Take her or leave her; it’s no business of mine!’”\n\n" - "“What a helpful answer!” But her own answer, though more normal in its wording, had been to the same effect.\n\n“The bother is this,” began Freddy.\n\nThen he took up his work again, too shy to say what the bother was.\nMrs. Honeychurch went back to the window.\n\n“Freddy, you must come. There they still are!”\n\n“I don’t see you ought to go peeping like that.”\n\n" -- "“Peeping like that! Can’t I look out of my own window?”\n\nBut she returned to the writing-table, observing, as she passed her son, “Still page 322?” Freddy snorted, and turned over two leaves. For a brief space they were silent. Close by, beyond the curtains, the gentle murmur of a long conversation had never ceased.\n\n“The bother is this: I have put my foot in it with Cecil most awfully.”\n" +- "“Peeping like that! Can’t I look out of my own window?”\n\nBut she returned to the writing-table, observing, as she passed her son, “Still page 322?” Freddy snorted, and turned over two leaves. For a brief space they were silent. Close by, beyond the curtains, the gentle murmur of a long conversation had never ceased.\n\n" +- "“The bother is this: I have put my foot in it with Cecil most awfully.”\n" - "He gave a nervous gulp. “Not content with ‘permission’, which I did give—that is to say, I said, ‘I don’t mind’—well, not content with that, he wanted to know whether I wasn’t off my head with joy. He practically put it like this: Wasn’t it a splendid thing for Lucy and for Windy Corner generally if he married her? " - "And he would have an answer—he said it would strengthen his hand.”\n\n“I hope you gave a careful answer, dear.”\n\n“I answered ‘No’” said the boy, grinding his teeth. “There! Fly into a stew! I can’t help it—had to say it. I had to say no. He ought never to have asked me.”\n\n" - "“Ridiculous child!” cried his mother. “You think you’re so holy and truthful, but really it’s only abominable conceit. Do you suppose that a man like Cecil would take the slightest notice of anything you say? I hope he boxed your ears. How dare you say no?”\n\n" @@ -485,7 +513,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I said that because I didn’t want Mrs. Vyse to think us old-fashioned.\nShe goes in for lectures and improving her mind, and all the time a thick layer of flue under the beds, and the maid’s dirty thumb-marks where you turn on the electric light. She keeps that flat abominably—”\n\n“Suppose Lucy marries Cecil, would she live in a flat, or in the country?”\n\n" - "“Don’t interrupt so foolishly. Where was I? Oh yes—‘Young people must decide for themselves. I know that Lucy likes your son, because she tells me everything, and she wrote to me from Rome when he asked her first.’ No, I’ll cross that last bit out—it looks patronizing. I’ll stop at ‘because she tells me everything.’ Or shall I cross that out,\ntoo?”\n\n" - "“Cross it out, too,” said Freddy.\n\nMrs. Honeychurch left it in.\n\n“Then the whole thing runs: ‘Dear Mrs. Vyse.—Cecil has just asked my permission about it, and I should be delighted if Lucy wishes it, and I have told Lucy so. But Lucy seems very uncertain, and in these days young people must decide for themselves. I know that Lucy likes your son, because she tells me everything. But I do not know—’”\n\n" -- "“Look out!” cried Freddy.\n\nThe curtains parted.\n\nCecil’s first movement was one of irritation. He couldn’t bear the Honeychurch habit of sitting in the dark to save the furniture.\n" +- "“Look out!” cried Freddy.\n\nThe curtains parted.\n\n" +- "Cecil’s first movement was one of irritation. He couldn’t bear the Honeychurch habit of sitting in the dark to save the furniture.\n" - "Instinctively he give the curtains a twitch, and sent them swinging down their poles. Light entered. There was revealed a terrace, such as is owned by many villas with trees each side of it, and on it a little rustic seat, and two flower-beds. But it was transfigured by the view beyond, for Windy Corner was built on the range that overlooks the Sussex Weald. " - "Lucy, who was in the little seat, seemed on the edge of a green magic carpet which hovered in the air above the tremulous world.\n\nCecil entered.\n\n" - "Appearing thus late in the story, Cecil must be at once described. He was medieval. Like a Gothic statue. Tall and refined, with shoulders that seemed braced square by an effort of the will, and a head that was tilted a little higher than the usual level of vision, he resembled those fastidious saints who guard the portals of a French cathedral.\n" @@ -513,7 +542,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I should say so. Food is the thing one does get here—Don’t sit in that chair; young Honeychurch has left a bone in it.”\n\n“Pfui!”\n\n“I know,” said Cecil. “I know. I can’t think why Mrs. Honeychurch allows it.”\n\nFor Cecil considered the bone and the Maples’ furniture separately; he did not realize that, taken together, they kindled the room into the life that he desired.\n\n" - "“I’ve come for tea and for gossip. Isn’t this news?”\n\n“News? I don’t understand you,” said Cecil. “News?”\n\nMr. Beebe, whose news was of a very different nature, prattled forward.\n\n“I met Sir Harry Otway as I came up; I have every reason to hope that I am first in the field. He has bought Cissie and Albert from Mr. Flack!”\n\n" - "“Has he indeed?” said Cecil, trying to recover himself. Into what a grotesque mistake had he fallen! Was it likely that a clergyman and a gentleman would refer to his engagement in a manner so flippant? But his stiffness remained, and, though he asked who Cissie and Albert might be, he still thought Mr. Beebe rather a bounder.\n\n" -- "“Unpardonable question! To have stopped a week at Windy Corner and not to have met Cissie and Albert, the semi-detached villas that have been run up opposite the church! I’ll set Mrs. Honeychurch after you.”\n\n“I’m shockingly stupid over local affairs,” said the young man languidly. “I can’t even remember the difference between a Parish Council and a Local Government Board. Perhaps there is no difference,\n" +- "“Unpardonable question! To have stopped a week at Windy Corner and not to have met Cissie and Albert, the semi-detached villas that have been run up opposite the church! I’ll set Mrs. Honeychurch after you.”\n\n" +- "“I’m shockingly stupid over local affairs,” said the young man languidly. “I can’t even remember the difference between a Parish Council and a Local Government Board. Perhaps there is no difference,\n" - "or perhaps those aren’t the right names. I only go into the country to see my friends and to enjoy the scenery. It is very remiss of me. Italy and London are the only places where I don’t feel to exist on sufferance.”\n\nMr. Beebe, distressed at this heavy reception of Cissie and Albert,\ndetermined to shift the subject.\n\n“Let me see, Mr. Vyse—I forget—what is your profession?”\n\n" - "“I have no profession,” said Cecil. “It is another example of my decadence. My attitude—quite an indefensible one—is that so long as I am no trouble to any one I have a right to do as I like. I know I ought to be getting money out of people, or devoting myself to things I don’t care a straw about, but somehow, I’ve not been able to begin.”\n\n" - "“You are very fortunate,” said Mr. Beebe. “It is a wonderful opportunity, the possession of leisure.”\n\nHis voice was rather parochial, but he did not quite see his way to answering naturally. He felt, as all who have regular occupation must feel, that others should have it also.\n\n“I am glad that you approve. I daren’t face the healthy person—for example, Freddy Honeychurch.”\n\n" @@ -532,10 +562,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The clergyman was conscious of some bitter disappointment which he could not keep out of his voice.\n\n“I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way.\nMr. Vyse, you ought to have stopped me.” And down the garden he saw Lucy herself; yes, he was disappointed.\n\n" - "Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered.\n\nOccasionally he could be quite crude.\n\n" - "“I am sorry I have given you a shock,” he said dryly. “I fear that Lucy’s choice does not meet with your approval.”\n\n“Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn’t to have discussed her so freely with any one; certainly not with you.”\n\n“You are conscious of having said something indiscreet?”\n\n" -- "Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.\n\n“No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it.\n" +- "Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.\n\n" +- "“No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it.\n" - "She has learnt—you will let me talk freely, as I have begun freely—she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides.” It was now time for him to wave his hat at the approaching trio. He did not omit to do so. " - "“She has learnt through you,” and if his voice was still clerical, it was now also sincere; “let it be your care that her knowledge is profitable to her.”\n\n“Grazie tante!” said Cecil, who did not like parsons.\n\n“Have you heard?” shouted Mrs. Honeychurch as she toiled up the sloping garden. “Oh, Mr. Beebe, have you heard the news?”\n\n" -- "Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.\n\n“Indeed I have!” he cried. He looked at Lucy. In her presence he could not act the parson any longer—at all events not without apology. “Mrs.\nHoneychurch, I’m going to do what I am always supposed to do, but generally I’m too shy. I want to invoke every kind of blessing on them,\n" +- "Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.\n\n" +- "“Indeed I have!” he cried. He looked at Lucy. In her presence he could not act the parson any longer—at all events not without apology. “Mrs.\nHoneychurch, I’m going to do what I am always supposed to do, but generally I’m too shy. I want to invoke every kind of blessing on them,\n" - "grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea.”\n\n“You only asked for it just in time,” the lady retorted. “How dare you be serious at Windy Corner?”\n\n" - "He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more.\n\n" - "An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. " @@ -570,7 +602,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs.\nHoneychurch?”\n\nMrs. Honeychurch started and smiled. She had not been attending. Cecil,\nwho was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again.\n\n" - "Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross—the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood.\n\n“‘Come down, O maid, from yonder mountain height,’” he quoted, and touched her knee with his own.\n\nShe flushed again and said: “What height?”\n\n" - "“‘Come down, O maid, from yonder mountain height,\nWhat pleasure lives in height (the shepherd sang).\nIn height and in the splendour of the hills?’\n\n\nLet us take Mrs. Honeychurch’s advice and hate clergymen no more.\nWhat’s this place?”\n\n“Summer Street, of course,” said Lucy, and roused herself.\n\n" -- "The woods had opened to leave space for a sloping triangular meadow.\nPretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe’s house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. " +- "The woods had opened to leave space for a sloping triangular meadow.\n" +- "Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe’s house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. " - "The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas—the villas that had competed with Cecil’s engagement,\nhaving been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil.\n\n" - "“Cissie” was the name of one of these villas, “Albert” of the other.\nThese titles were not only picked out in shaded Gothic on the garden gates, but appeared a second time on the porches, where they followed the semicircular curve of the entrance arch in block capitals. “Albert”\n" - "was inhabited. His tortured garden was bright with geraniums and lobelias and polished shells. His little windows were chastely swathed in Nottingham lace. “Cissie” was to let. Three notice-boards, belonging to Dorking agents, lolled on her fence and announced the not surprising fact. Her paths were already weedy; her pocket-handkerchief of a lawn was yellow with dandelions.\n\n" @@ -622,7 +655,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The society out of which Cecil proposed to rescue Lucy was perhaps no very splendid affair, yet it was more splendid than her antecedents entitled her to. Her father, a prosperous local solicitor, had built Windy Corner, as a speculation at the time the district was opening up,\nand, falling in love with his own creation, had ended by living there himself. Soon after his marriage the social atmosphere began to alter.\n" - "Other houses were built on the brow of that steep southern slope and others, again, among the pine-trees behind, and northward on the chalk barrier of the downs. Most of these houses were larger than Windy Corner, and were filled by people who came, not from the district, but from London, and who mistook the Honeychurches for the remnants of an indigenous aristocracy. He was inclined to be frightened, but his wife accepted the situation without either pride or humility. " - "“I cannot think what people are doing,” she would say, “but it is extremely fortunate for the children.” She called everywhere; her calls were returned with enthusiasm, and by the time people found out that she was not exactly of their _milieu_, they liked her, and it did not seem to matter. When Mr. " -- "Honeychurch died, he had the satisfaction—which few honest solicitors despise—of leaving his family rooted in the best society obtainable.\n\nThe best obtainable. Certainly many of the immigrants were rather dull,\nand Lucy realized this more vividly since her return from Italy.\nHitherto she had accepted their ideals without questioning—their kindly affluence, their inexplosive religion, their dislike of paper-bags,\n" +- "Honeychurch died, he had the satisfaction—which few honest solicitors despise—of leaving his family rooted in the best society obtainable.\n\n" +- "The best obtainable. Certainly many of the immigrants were rather dull,\nand Lucy realized this more vividly since her return from Italy.\nHitherto she had accepted their ideals without questioning—their kindly affluence, their inexplosive religion, their dislike of paper-bags,\n" - "orange-peel, and broken bottles. A Radical out and out, she learnt to speak with horror of Suburbia. Life, so far as she troubled to conceive it, was a circle of rich, pleasant people, with identical interests and identical foes. In this circle, one thought, married, and died. " - "Outside it were poverty and vulgarity for ever trying to enter, just as the London fog tries to enter the pine-woods pouring through the gaps in the northern hills. But, in Italy, where any one who chooses may warm himself in equality, as in the sun, this conception of life vanished.\n" - "Her senses expanded; she felt that there was no one whom she might not get to like, that social barriers were irremovable, doubtless, but not particularly high. You jump over them just as you jump into a peasant’s olive-yard in the Apennines, and he is glad to see you. She returned with new eyes.\n\n" @@ -632,7 +666,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Playing bumble-puppy with Minnie Beebe, niece to the rector, and aged thirteen—an ancient and most honourable game, which consists in striking tennis-balls high into the air, so that they fall over the net and immoderately bounce; some hit Mrs. Honeychurch; others are lost.\nThe sentence is confused, but the better illustrates Lucy’s state of mind, for she was trying to talk to Mr. Beebe at the same time.\n\n" - "“Oh, it has been such a nuisance—first he, then they—no one knowing what they wanted, and everyone so tiresome.”\n\n“But they really are coming now,” said Mr. Beebe. “I wrote to Miss Teresa a few days ago—she was wondering how often the butcher called,\nand my reply of once a month must have impressed her favourably. They are coming. I heard from them this morning.\n\n" - "“I shall hate those Miss Alans!” Mrs. Honeychurch cried. “Just because they’re old and silly one’s expected to say ‘How sweet!’ I hate their ‘if’-ing and ‘but’-ing and ‘and’-ing. And poor Lucy—serve her right—worn to a shadow.”\n\n" -- "Mr. Beebe watched the shadow springing and shouting over the tennis-court. Cecil was absent—one did not play bumble-puppy when he was there.\n\n“Well, if they are coming—No, Minnie, not Saturn.” Saturn was a tennis-ball whose skin was partially unsewn. When in motion his orb was encircled by a ring. " +- "Mr. Beebe watched the shadow springing and shouting over the tennis-court. Cecil was absent—one did not play bumble-puppy when he was there.\n\n" +- "“Well, if they are coming—No, Minnie, not Saturn.” Saturn was a tennis-ball whose skin was partially unsewn. When in motion his orb was encircled by a ring. " - "“If they are coming, Sir Harry will let them move in before the twenty-ninth, and he will cross out the clause about whitewashing the ceilings, because it made them nervous, and put in the fair wear and tear one.—That doesn’t count. I told you not Saturn.”\n\n“Saturn’s all right for bumble-puppy,” cried Freddy, joining them.\n“Minnie, don’t you listen to her.”\n\n" - "“Saturn doesn’t bounce.”\n\n“Saturn bounces enough.”\n\n“No, he doesn’t.”\n\n“Well; he bounces better than the Beautiful White Devil.”\n\n“Hush, dear,” said Mrs. Honeychurch.\n\n" - "“But look at Lucy—complaining of Saturn, and all the time’s got the Beautiful White Devil in her hand, ready to plug it in. That’s right,\nMinnie, go for her—get her over the shins with the racquet—get her over the shins!”\n\nLucy fell, the Beautiful White Devil rolled from her hand.\n\n" @@ -674,7 +709,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "No, it was worse than temper—snobbishness. As long as Lucy thought that his own smart friends were supplanting the Miss Alans, she had not minded. He perceived that these new tenants might be of value educationally. He would tolerate the father and draw out the son, who was silent. In the interests of the Comic Muse and of Truth, he would bring them to Windy Corner.\n\n\n\n\nChapter XI In Mrs. Vyse’s Well-Appointed Flat\n\n\n" - "The Comic Muse, though able to look after her own interests, did not disdain the assistance of Mr. Vyse. His idea of bringing the Emersons to Windy Corner struck her as decidedly good, and she carried through the negotiations without a hitch. Sir Harry Otway signed the agreement,\n" - "met Mr. Emerson, who was duly disillusioned. The Miss Alans were duly offended, and wrote a dignified letter to Lucy, whom they held responsible for the failure. Mr. Beebe planned pleasant moments for the new-comers, and told Mrs. Honeychurch that Freddy must call on them as soon as they arrived. Indeed, so ample was the Muse’s equipment that she permitted Mr. " -- "Harris, never a very robust criminal, to droop his head, to be forgotten, and to die.\n\nLucy—to descend from bright heaven to earth, whereon there are shadows because there are hills—Lucy was at first plunged into despair, but settled after a little thought that it did not matter the very least.\n" +- "Harris, never a very robust criminal, to droop his head, to be forgotten, and to die.\n\n" +- "Lucy—to descend from bright heaven to earth, whereon there are shadows because there are hills—Lucy was at first plunged into despair, but settled after a little thought that it did not matter the very least.\n" - "Now that she was engaged, the Emersons would scarcely insult her and were welcome into the neighbourhood. And Cecil was welcome to bring whom he would into the neighbourhood. Therefore Cecil was welcome to bring the Emersons into the neighbourhood. But, as I say, this took a little thinking, and—so illogical are girls—the event remained rather greater and rather more dreadful than it should have done. She was glad that a visit to Mrs. " - "Vyse now fell due; the tenants moved into Cissie Villa while she was safe in the London flat.\n\n“Cecil—Cecil darling,” she whispered the evening she arrived, and crept into his arms.\n\nCecil, too, became demonstrative. He saw that the needful fire had been kindled in Lucy. At last she longed for attention, as a woman should,\nand looked up to him because he was a man.\n\n" - "“So you do love me, little thing?” he murmured.\n\n“Oh, Cecil, I do, I do! I don’t know what I should do without you.”\n\n" @@ -684,7 +720,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I have news of you at last! Miss Lavish has been bicycling in your parts, but was not sure whether a call would be welcome. Puncturing her tire near Summer Street, and it being mended while she sat very woebegone in that pretty churchyard, she saw to her astonishment, a door open opposite and the younger Emerson man come out. He said his father had just taken the house. " - "He _said_ he did not know that you lived in the neighbourhood (?). He never suggested giving Eleanor a cup of tea. Dear Lucy, I am much worried, and I advise you to make a clean breast of his past behaviour to your mother, Freddy, and Mr. Vyse, who will forbid him to enter the house, etc. That was a great misfortune,\n" - "and I dare say you have told them already. Mr. Vyse is so sensitive. I remember how I used to get on his nerves at Rome. I am very sorry about it all, and should not feel easy unless I warned you.\n\n\n“Believe me,\n“Your anxious and loving cousin,\n“CHARLOTTE.”\n\n\nLucy was much annoyed, and replied as follows:\n\n“BEAUCHAMP MANSIONS, S.W.\n\n\n\n\n" -- "“DEAR CHARLOTTE,\n\n“Many thanks for your warning. When Mr. Emerson forgot himself on the mountain, you made me promise not to tell mother, because you said she would blame you for not being always with me. I have kept that promise,\n" +- "“DEAR CHARLOTTE,\n\n" +- "“Many thanks for your warning. When Mr. Emerson forgot himself on the mountain, you made me promise not to tell mother, because you said she would blame you for not being always with me. I have kept that promise,\n" - "and cannot possibly tell her now. I have said both to her and Cecil that I met the Emersons at Florence, and that they are respectable people—which I _do_ think—and the reason that he offered Miss Lavish no tea was probably that he had none himself. She should have tried at the Rectory. I cannot begin making a fuss at this stage. You must see that it would be too absurd. If the Emersons heard I had complained of them,\n" - "they would think themselves of importance, which is exactly what they are not. I like the old father, and look forward to seeing him again.\nAs for the son, I am sorry for _him_ when we meet, rather than for myself. They are known to Cecil, who is very well and spoke of you the other day. We expect to be married in January.\n\n" - "“Miss Lavish cannot have told you much about me, for I am not at Windy Corner at all, but here. Please do not put ‘Private’ outside your envelope again. No one opens my letters.\n\n\n“Yours affectionately,\n“L. M. HONEYCHURCH.”\n\n\n" @@ -740,7 +777,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Hee-poof—I’ve swallowed a pollywog, Mr. Beebe, water’s wonderful,\nwater’s simply ripping.”\n\n“Water’s not so bad,” said George, reappearing from his plunge, and sputtering at the sun.\n\n“Water’s wonderful. Mr. Beebe, do.”\n\n“Apooshoo, kouf.”\n\n" - "Mr. Beebe, who was hot, and who always acquiesced where possible,\n" - "looked around him. He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing to each other against the blue. How glorious it was! The world of motor-cars and rural Deans receded inimitably. Water, sky, evergreens, a wind—these things not even the seasons can touch, and surely they lie beyond the intrusion of man?\n\n" -- "“I may as well wash too”; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water.\n\nIt was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Götterdämmerung. " +- "“I may as well wash too”; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water.\n\n" +- "It was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Götterdämmerung. " - "But either because the rains had given a freshness or because the sun was shedding a most glorious heat, or because two of the gentlemen were young in years and the third young in spirit—for some reason or other a change came over them, and they forgot Italy and Botany and Fate. They began to play. Mr. Beebe and Freddy splashed each other. A little deferentially, they splashed George. He was quiet: they feared they had offended him. " - "Then all the forces of youth burst out.\nHe smiled, flung himself at them, splashed them, ducked them, kicked them, muddied them, and drove them out of the pool.\n\n“Race you round it, then,” cried Freddy, and they raced in the sunshine, and George took a short cut and dirtied his shins, and had to bathe a second time. Then Mr. Beebe consented to run—a memorable sight.\n\n" - "They ran to get dry, they bathed to get cool, they played at being Indians in the willow-herbs and in the bracken, they bathed to get clean. And all the time three little bundles lay discreetly on the sward, proclaiming:\n\n“No. We are what matters. Without us shall no enterprise begin. To us shall all flesh turn in the end.”\n\n" @@ -786,7 +824,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "So the grittiness went out of life. It generally did at Windy Corner.\nAt the last minute, when the social machine was clogged hopelessly, one member or other of the family poured in a drop of oil. Cecil despised their methods—perhaps rightly. At all events, they were not his own.\n\n" - "Dinner was at half-past seven. Freddy gabbled the grace, and they drew up their heavy chairs and fell to. Fortunately, the men were hungry.\nNothing untoward occurred until the pudding. Then Freddy said:\n\n“Lucy, what’s Emerson like?”\n\n“I saw him in Florence,” said Lucy, hoping that this would pass for a reply.\n\n“Is he the clever sort, or is he a decent chap?”\n\n" - "“Ask Cecil; it is Cecil who brought him here.”\n\n“He is the clever sort, like myself,” said Cecil.\n\nFreddy looked at him doubtfully.\n\n“How well did you know them at the Bertolini?” asked Mrs. Honeychurch.\n\n“Oh, very slightly. I mean, Charlotte knew them even less than I did.”\n\n“Oh, that reminds me—you never told me what Charlotte said in her letter.”\n\n" -- "“One thing and another,” said Lucy, wondering whether she would get through the meal without a lie. “Among other things, that an awful friend of hers had been bicycling through Summer Street, wondered if she’d come up and see us, and mercifully didn’t.”\n\n“Lucy, I do call the way you talk unkind.”\n\n“She was a novelist,” said Lucy craftily. The remark was a happy one,\n" +- "“One thing and another,” said Lucy, wondering whether she would get through the meal without a lie. “Among other things, that an awful friend of hers had been bicycling through Summer Street, wondered if she’d come up and see us, and mercifully didn’t.”\n\n“Lucy, I do call the way you talk unkind.”\n\n" +- "“She was a novelist,” said Lucy craftily. The remark was a happy one,\n" - "for nothing roused Mrs. Honeychurch so much as literature in the hands of females. She would abandon every topic to inveigh against those women who (instead of minding their houses and their children) seek notoriety by print. Her attitude was: “If books must be written, let them be written by men”; and she developed it at great length, while Cecil yawned and Freddy played at “This year, next year, now, never,”\n" - "with his plum-stones, and Lucy artfully fed the flames of her mother’s wrath. But soon the conflagration died down, and the ghosts began to gather in the darkness. There were too many ghosts about. The original ghost—that touch of lips on her cheek—had surely been laid long ago; it could be nothing to her that a man had kissed her on a mountain once.\n" - "But it had begotten a spectral family—Mr. Harris, Miss Bartlett’s letter, Mr. Beebe’s memories of violets—and one or other of these was bound to haunt her before Cecil’s very eyes. It was Miss Bartlett who returned now, and with appalling vividness.\n\n“I have been thinking, Lucy, of that letter of Charlotte’s. How is she?”\n\n“I tore the thing up.”\n\n" @@ -809,7 +848,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Now Cecil had explained psychology to her one wet afternoon, and all the troubles of youth in an unknown world could be dismissed.\n\n" - "It is obvious enough for the reader to conclude, “She loves young Emerson.” A reader in Lucy’s place would not find it obvious. Life is easy to chronicle, but bewildering to practice, and we welcome “nerves”\nor any other shibboleth that will cloak our personal desire. She loved Cecil; George made her nervous; will the reader explain to her that the phrases should have been reversed?\n\nBut the external situation—she will face that bravely.\n\n" - "The meeting at the Rectory had passed off well enough. Standing between Mr. Beebe and Cecil, she had made a few temperate allusions to Italy,\nand George had replied. She was anxious to show that she was not shy,\nand was glad that he did not seem shy either.\n\n“A nice fellow,” said Mr. Beebe afterwards “He will work off his crudities in time. I rather mistrust young men who slip into life gracefully.”\n\n" -- "Lucy said, “He seems in better spirits. He laughs more.”\n\n“Yes,” replied the clergyman. “He is waking up.”\n\nThat was all. But, as the week wore on, more of her defences fell, and she entertained an image that had physical beauty. In spite of the clearest directions, Miss Bartlett contrived to bungle her arrival. She was due at the South-Eastern station at Dorking, whither Mrs.\n" +- "Lucy said, “He seems in better spirits. He laughs more.”\n\n“Yes,” replied the clergyman. “He is waking up.”\n\n" +- "That was all. But, as the week wore on, more of her defences fell, and she entertained an image that had physical beauty. In spite of the clearest directions, Miss Bartlett contrived to bungle her arrival. She was due at the South-Eastern station at Dorking, whither Mrs.\n" - "Honeychurch drove to meet her. She arrived at the London and Brighton station, and had to hire a cab up. No one was at home except Freddy and his friend, who had to stop their tennis and to entertain her for a solid hour. Cecil and Lucy turned up at four o’clock, and these, with little Minnie Beebe, made a somewhat lugubrious sextette upon the upper lawn for tea.\n\n" - "“I shall never forgive myself,” said Miss Bartlett, who kept on rising from her seat, and had to be begged by the united company to remain. “I have upset everything. Bursting in on young people! But I insist on paying for my cab up. Grant that, at any rate.”\n\n" - "“Our visitors never do such dreadful things,” said Lucy, while her brother, in whose memory the boiled egg had already grown unsubstantial, exclaimed in irritable tones: “Just what I’ve been trying to convince Cousin Charlotte of, Lucy, for the last half hour.”\n\n“I do not feel myself an ordinary visitor,” said Miss Bartlett, and looked at her frayed glove.\n\n" @@ -840,7 +880,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She took hold of her guest by the arm. “Suppose we don’t talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting.”\n\n" - "Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain.\n\n\n\n\nChapter XV The Disaster Within\n\n\n" - "The Sunday after Miss Bartlett’s arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. " -- "Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells.\n\nThe garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. “The men say they won’t go”—“Well, I don’t blame them”—Minnie says, “need she go?”—“Tell her,\n" +- "Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells.\n\n" +- "The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. “The men say they won’t go”—“Well, I don’t blame them”—Minnie says, “need she go?”—“Tell her,\n" - "no nonsense”—“Anne! Mary! Hook me behind!”—“Dearest Lucia, may I trespass upon you for a pin?” For Miss Bartlett had announced that she at all events was one for church.\n\n" - "The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan;\n" - "on George Emerson cleaning his father’s boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly,\nas though acknowledging the caress.\n\n" @@ -880,9 +921,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Protégés!” she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl’s soul yearned.\n\n" - "“You shall see for yourself how your protégés are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don’t—” She nearly said, “Don’t protect him.” But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte.\n\n" - "Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed—either Cecil or Miss Bartlett or a Being not visible to the mortal eye—a Being who whispered to her soul: “It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men.” But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. " -- "The sun, though it had moved a little since the morning,\nwould never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck’s Armide that year, and played from memory the music of the enchanted garden—the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. " +- "The sun, though it had moved a little since the morning,\n" +- "would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck’s Armide that year, and played from memory the music of the enchanted garden—the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. " - "Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: “Now play us the other garden—the one in Parsifal.”\n\nShe closed the instrument.\n\n\n\n\n\n\n*** END OF THE PROJECT GUTENBERG EBOOK A ROOM WITH A VIEW ***\n\n" -- "Updated editions will replace the previous one--the old editions will be renamed.\n\nCreating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works,\n" +- "Updated editions will replace the previous one--the old editions will be renamed.\n\n" +- "Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works,\n" - "so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark,\n" - "and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. " - "Project Gutenberg eBooks may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.\n\nSTART: FULL LICENSE\n\n" @@ -907,7 +950,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work.\n\n" - "1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm.\n\n" - "1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License.\n\n" -- "1.E.6. You may convert to and distribute this work in any binary,\ncompressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. " +- "1.E.6. You may convert to and distribute this work in any binary,\n" +- "compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. " - "However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than \"Plain Vanilla ASCII\" or other format used in the official version posted on the official Project Gutenberg-tm website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of " - "the work in its original \"Plain Vanilla ASCII\" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1.\n\n1.E.7. Do not charge a fee for access to, viewing, displaying,\nperforming, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9.\n\n" - "1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that:\n\n" diff --git a/tests/snapshots/text_splitter_snapshots__huggingface_default@room_with_a_view.txt.snap b/tests/snapshots/text_splitter_snapshots__huggingface_default@room_with_a_view.txt.snap index 6e0086fd..3b6f814a 100644 --- a/tests/snapshots/text_splitter_snapshots__huggingface_default@room_with_a_view.txt.snap +++ b/tests/snapshots/text_splitter_snapshots__huggingface_default@room_with_a_view.txt.snap @@ -35,7 +35,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "In Santa Croce with No Baedeker\n" - " Chapter III. " - "Music, Violets, and the Letter “S" -- "”\n Chapter IV. Fourth Chapter\n Chapter V. " +- "”\n Chapter IV. Fourth Chapter\n" +- " Chapter V. " - "Possibilities of a Pleasant Outing\n" - " Chapter VI. " - "The Reverend Arthur Beebe, the Reverend Cuthbert " @@ -52,7 +53,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Chapter XII. Twelfth Chapter\n" - " Chapter XIII. " - "How Miss Bartlett’s Boiler Was So " -- "Tiresome\n Chapter XIV. " +- "Tiresome\n" +- " Chapter XIV. " - "How Lucy Faced the External Situation Bravely\n" - " Chapter XV. The Disaster Within\n" - " Chapter XVI. Lying to George\n" @@ -127,7 +129,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the table and actually intruded into their argument - ". He said:\n\n" - "“I have a view, I have a view" -- ".”\n\nMiss Bartlett was startled. " +- ".”\n\n" +- "Miss Bartlett was startled. " - "Generally at a pension people looked them over for a " - "day or two before speaking, and often did not " - "find out that they would “do” till they " @@ -164,7 +167,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss Bartlett, in reply, opened her mouth as " - "little as possible, and said “Thank you very " - much indeed; that is out of the question. -- "”\n\n“Why?” " +- "”\n\n" +- "“Why?” " - "said the old man, with both fists on the " - "table.\n\n" - "“Because it is quite out of the question, " @@ -291,7 +295,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“The first fine afternoon drive up to " - "Fiesole, and round by " - "Settignano, or something of that sort" -- ".”\n\n“No!” " +- ".”\n\n" +- "“No!” " - "cried a voice from the top of the table. " - "“Mr. Beebe, you are wrong. " - "The first fine afternoon your ladies must go to " @@ -524,7 +529,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I think he was meaning to be kind. - "”\n\n" - "“Undoubtedly he was,” " -- "said Miss Bartlett.\n\n“Mr. " +- "said Miss Bartlett.\n\n" +- "“Mr. " - "Beebe has just been scolding me for " - "my suspicious nature. " - "Of course, I was holding back on my " @@ -536,7 +542,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "help feeling a great fool. " - No one was careful with her at home; or - ", at all events, she had not noticed it" -- ".\n\n“About old Mr. " +- ".\n\n" +- "“About old Mr. " - "Emerson—I hardly know. " - "No, he is not tactful; yet" - ", have you ever noticed that there are people who " @@ -647,7 +654,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "No, Lucy, do not stir. " - "I will superintend the move.”\n\n" - "“How you do do everything,” said Lucy" -- ".\n\n“Naturally, dear. " +- ".\n\n" +- "“Naturally, dear. " - "It is my affair.”\n\n" - "“But I would like to help you.”\n\n" - "“No, dear.”\n\n" @@ -720,7 +728,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "to keep it clean for him. " - "Then she completed her inspection of the room, sighed " - "heavily according to her habit, and went to bed" -- ".\n\n\n\n\nChapter II In Santa Croce with No " +- ".\n\n\n\n\n" +- "Chapter II In Santa Croce with No " - "Baedeker\n\n\n" - "It was pleasant to wake up in Florence, to " - "open the eyes upon a bright bare room, with " @@ -848,7 +857,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "most information.) " - "Then Miss Lavish darted under the archway " - "of the white bullocks, and she stopped, " -- "and she cried:\n\n“A smell! " +- "and she cried:\n\n" +- "“A smell! " - "a true Florentine smell! " - "Every city, let me teach you, has its " - "own smell.”\n\n" @@ -883,11 +893,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Indeed, I’m not!” " - "exclaimed Lucy. " - "“We are Radicals, too, out and " -- "out.\nMy father always voted for Mr. " +- "out.\n" +- "My father always voted for Mr. " - "Gladstone, until he was so dreadful about Ireland." -- "”\n\n“I see, I see. " +- "”\n\n" +- "“I see, I see. " - And now you have gone over to the enemy. -- "”\n\n“Oh, please—! " +- "”\n\n" +- "“Oh, please—! " - "If my father was alive, I am sure he " - would vote Radical again now that Ireland is all right - ". " @@ -942,7 +955,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - diatribes we have taken a wrong turning - ". " - "How those horrid Conservatives would jeer at " -- "us!\nWhat are we to do? " +- "us!\n" +- "What are we to do? " - "Two lone females in an unknown town. " - "Now, this is what _I_ call an " - "adventure.”\n\n" @@ -962,7 +976,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "neither commodious nor picturesque, in which the " - "eastern quarter of the city abounds. " - "Lucy soon lost interest in the discontent of " -- "Lady Louisa,\nand became discontented herself. " +- "Lady Louisa,\n" +- "and became discontented herself. " - "For one ravishing moment Italy appeared. " - "She stood in the Square of the " - "Annunziata and saw in the living " @@ -1036,7 +1051,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But at that moment Miss Lavish and her " - "local-colour box moved also, and disappeared down " - "a side street, both gesticulating largely" -- ". Tears of indignation came to " +- ". " +- "Tears of indignation came to " - "Lucy’s eyes partly because Miss Lavish " - "had jilted her, partly because she had " - "taken her Baedeker. " @@ -1046,7 +1062,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Her first morning was ruined, and she might never " - "be in Florence again. " - A few minutes ago she had been all high spirits -- ",\ntalking as a woman of culture, and half " +- ",\n" +- "talking as a woman of culture, and half " - "persuading herself that she was full of " - "originality. " - "Now she entered the church depressed and humiliated, " @@ -1118,7 +1135,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Look at him!” said Mr. " - "Emerson to Lucy. " - "“Here’s a mess: a baby hurt" -- ",\ncold, and frightened! " +- ",\n" +- "cold, and frightened! " - But what else can you expect from a church? - "”\n\n" - The child’s legs had become as melting wax @@ -1174,7 +1192,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“But Miss Lavish has even taken away " - "Baedeker.”\n\n" - "“Baedeker?” said Mr. " -- "Emerson. “I’m glad it’s " +- "Emerson. " +- "“I’m glad it’s " - "_that_ you minded. " - "It’s worth minding, the loss of " - "a Baedeker. " @@ -1205,7 +1224,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Stop being so tiresome, and tell me instead " - "what part of the church you want to see. " - To take you to it will be a real pleasure -- ".”\n\nNow, this was abominably " +- ".”\n\n" +- "Now, this was abominably " - "impertinent, and she ought to have " - "been furious. " - "But it is sometimes as difficult to lose " @@ -1223,7 +1243,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I am not touchy, I hope. " - "It is the Giottos that I want to " - "see, if you will kindly tell me which they " -- "are.”\n\nThe son nodded. " +- "are.”\n\n" +- "The son nodded. " - "With a look of sombre satisfaction, he led " - "the way to the Peruzzi Chapel. " - "There was a hint of the teacher about him. " @@ -1247,9 +1268,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "more pathetic, beautiful, true? " - "How little, we feel, avails knowledge and " - technical cleverness against a man who truly feels! -- "”\n\n“No!” exclaimed Mr. " +- "”\n\n" +- "“No!” exclaimed Mr. " - "Emerson, in much too loud a voice for church" -- ".\n“Remember nothing of the sort! " +- ".\n" +- "“Remember nothing of the sort! " - "Built by faith indeed! " - "That simply means the workmen weren’t paid " - "properly. " @@ -1325,7 +1348,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Hadn’t I better? " - "Then perhaps he will come back.”\n\n" - "“He will not come back,” said George" -- ".\n\nBut Mr. " +- ".\n\n" +- "But Mr. " - "Emerson, contrite and unhappy, hurried away " - "to apologize to the Rev. Cuthbert Eager. " - "Lucy, apparently absorbed in a lunette, " @@ -1412,7 +1436,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“It is so wonderful what they say about his " - "tactile values. " - "Though I like things like the Della Robbia babies " -- "better.”\n\n“So you ought. " +- "better.”\n\n" +- "“So you ought. " - "A baby is worth a dozen saints. " - And my baby’s worth the whole of Paradise - ", and as far as I can see he lives " @@ -1553,7 +1578,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "isn’t there, without trying to invent " - "it. Good-bye. " - "Thank you both so much for all your kindness. " -- "Ah,\nyes! there does come my cousin. " +- "Ah,\n" +- "yes! there does come my cousin. " - "A delightful morning! " - "Santa Croce is a wonderful church.”\n\n" - "She joined her cousin.\n\n\n\n\n" @@ -1613,7 +1639,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "by the mere feel of the notes: they were " - "fingers caressing her own; and by touch, " - "not by sound alone, did she come to her " -- "desire.\n\nMr. " +- "desire.\n\n" +- "Mr. " - "Beebe, sitting unnoticed in the window, " - pondered this illogical element in Miss Honeychurch - ", and recalled the occasion at Tunbridge Wells when " @@ -1684,7 +1711,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, what a funny thing! " - "Some one said just the same to mother, and " - she said she trusted I should never live a duet -- ".”\n\n“Doesn’t Mrs. " +- ".”\n\n" +- "“Doesn’t Mrs. " - "Honeychurch like music?”\n\n" - "“She doesn’t mind it. " - "But she doesn’t like one to get excited " @@ -1857,7 +1885,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "the clergyman. " - "“A good fellow, Lavish,\n" - but I wish she’d start a pipe. -- "”\n\n“Oh, Mr. " +- "”\n\n" +- "“Oh, Mr. " - "Beebe,” said Miss Alan, divided between " - "awe and mirth.\n" - "“Indeed, though it is dreadful for her to " @@ -1912,7 +1941,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“All the same, she is a little too" - "—I hardly like to say unwomanly, " - "but she behaved most strangely when the Emersons " -- "arrived.”\n\nMr. " +- "arrived.”\n\n" +- "Mr. " - "Beebe smiled as Miss Alan plunged into an " - "anecdote which he knew she would be unable " - "to finish in the presence of a gentleman.\n\n" @@ -1972,7 +2002,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "After dinner Miss Lavish actually came up and " - "said: ‘Miss Alan, I am going into " - "the smoking-room to talk to those two nice " -- "men.\nCome, too.’ " +- "men.\n" +- "Come, too.’ " - "Needless to say, I refused such an " - "unsuitable invitation,\n" - "and she had the impertinence to tell " @@ -1997,7 +2028,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Emerson does not think it worth telling.”\n\n" - "“Mr. Beebe—old Mr. " - "Emerson, is he nice or not nice? " -- "I do so want to know.”\n\nMr. " +- "I do so want to know.”\n\n" +- "Mr. " - "Beebe laughed and suggested that she should settle the " - "question for herself.\n\n" - "“No; but it is so difficult. " @@ -2063,7 +2095,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "—quite politely, of course.”\n\n" - "“Most right of her. " - "They don’t understand our ways. " -- "They must find their level.”\n\nMr. " +- "They must find their level.”\n\n" +- "Mr. " - "Beebe rather felt that they had gone under. " - "They had given up their attempt—if it was " - "one—to conquer society, and now the father " @@ -2090,7 +2123,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Lucy. " - "“I want to go round the town in the " - circular tram—on the platform by the driver. -- "”\n\nHer two companions looked grave. Mr. " +- "”\n\n" +- "Her two companions looked grave. Mr. " - "Beebe, who felt responsible for her in the " - "absence of Miss Bartlett, ventured to say:\n\n" - "“I wish we could. " @@ -2292,7 +2326,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - The cries from the fountain—they had never ceased - "—rang emptily. " - "The whole world seemed pale and void of its original " -- "meaning.\n\n“How very kind you have been! " +- "meaning.\n\n" +- "“How very kind you have been! " - "I might have hurt myself falling. " - "But now I am well. " - "I can go alone, thank you.”\n\n" @@ -2304,7 +2339,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I must have dropped them out there in the square - ".” She looked at him cautiously. " - "“Would you add to your kindness by fetching " -- "them?”\n\nHe added to his kindness. " +- "them?”\n\n" +- "He added to his kindness. " - "As soon as he had turned his back, Lucy " - "arose with the running of a maniac and stole " - "down the arcade towards the Arno.\n\n" @@ -2328,7 +2364,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - In the distance she saw creatures with black hoods - ", such as appear in dreams. " - "The palace tower had lost the reflection of the declining " -- "day,\nand joined itself to earth. " +- "day,\n" +- "and joined itself to earth. " - "How should she talk to Mr. " - "Emerson when he returned from the shadowy square? " - "Again the thought occurred to her,\n" @@ -2390,7 +2427,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He turned towards her frowning, as if she had " - "disturbed him in some abstract quest.\n\n" - "“I want to ask you something before we go " -- "in.”\n\nThey were close to their pension. " +- "in.”\n\n" +- "They were close to their pension. " - "She stopped and leant her elbows against the " - "parapet of the embankment. " - "He did likewise. " @@ -2418,7 +2456,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "any one, my foolish behaviour?”\n\n" - "“Your behaviour? " - "Oh, yes, all right—all right." -- "”\n\n“Thank you so much. " +- "”\n\n" +- "“Thank you so much. " - "And would you—”\n\n" - "She could not carry her request any further. " - "The river was rushing below them, almost black in " @@ -2487,7 +2526,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "dinner-time, had again passed to himself the " - "remark of “Too much Beethoven.” " - "But he only supposed that she was ready for an " -- "adventure,\nnot that she had encountered it. " +- "adventure,\n" +- "not that she had encountered it. " - "This solitude oppressed her; she was " - "accustomed to have her thoughts confirmed by others or, " - "at all events,\n" @@ -2570,7 +2610,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, let me congratulate you" - "!” said Miss Bartlett. " - "“After your despair of yesterday! " -- "What a fortunate thing!”\n\n“Aha! " +- "What a fortunate thing!”\n\n" +- "“Aha! " - "Miss Honeychurch, come you here I am in " - "luck. " - "Now, you are to tell me absolutely everything that " @@ -2627,7 +2668,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I am sure you are thinking of the " - "Emersons.”\n\n" - "Miss Lavish gave a Machiavellian " -- "smile.\n\n“I confess that in Italy my " +- "smile.\n\n" +- "“I confess that in Italy my " - "sympathies are not with my own " - "countrymen.\n" - "It is the neglected Italians who attract me, and " @@ -2653,7 +2695,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "trial for an _ingenué_.\n\n" - "“She is emancipated, but " - "only in the very best sense of the word," -- "”\ncontinued Miss Bartlett slowly. " +- "”\n" +- "continued Miss Bartlett slowly. " - “None but the superficial would be shocked at her - ". We had a long talk yesterday. " - "She believes in justice and truth and human interest. " @@ -2692,7 +2735,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Decidedly. " - "But who looks at it to-day? " - "Ah, the world is too much for us." -- "”\n\nMiss Bartlett had not heard of Alessio " +- "”\n\n" +- "Miss Bartlett had not heard of Alessio " - "Baldovinetti, but she knew that Mr" - ". Eager was no commonplace chaplain. " - "He was a member of the residential colony who had " @@ -2847,7 +2891,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Lavish and by Mr. " - "Eager, she knew not why. " - "And as they frightened her, she had, strangely " -- "enough,\nceased to respect them. " +- "enough,\n" +- "ceased to respect them. " - "She doubted that Miss Lavish was a great " - "artist. She doubted that Mr. " - "Eager was as full of spirituality and culture as " @@ -2868,7 +2913,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “How wonderfully people rise in these days! - "” sighed Miss Bartlett,\n" - "fingering a model of the leaning Tower of " -- "Pisa.\n\n“Generally,” replied Mr. " +- "Pisa.\n\n" +- "“Generally,” replied Mr. " - "Eager, “one has only sympathy for their " - "success. " - "The desire for education and for social advance—in " @@ -2950,9 +2996,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "into the old chaotic methods. " - "“They’re nothing to me.”\n\n" - “How could you think she was defending them? -- "” " -- "said Miss Bartlett, much discomfited by " -- "the unpleasant scene. " +- "” said Miss Bartlett, much discomfited " +- "by the unpleasant scene. " - "The shopman was possibly listening.\n\n" - "“She will find it difficult. " - "For that man has murdered his wife in the sight " @@ -2967,7 +3012,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I must be going,” said he, " - "shutting his eyes and taking out his watch.\n\n" - "Miss Bartlett thanked him for his kindness, and spoke " -- "with enthusiasm of the approaching drive.\n\n“Drive? " +- "with enthusiasm of the approaching drive.\n\n" +- "“Drive? " - "Oh, is our drive to come off?”\n\n" - "Lucy was recalled to her manners, and after a " - little exertion the complacency of Mr @@ -2991,7 +3037,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "are going with Mr. " - "Beebe, then I foresee a sad " - "kettle of fish.”\n\n" -- "“How?”\n\n“Because Mr. " +- "“How?”\n\n" +- "“Because Mr. " - Beebe has asked Eleanor Lavish to come - ", too.”\n\n" - "“That will mean another carriage.”\n\n" @@ -3123,14 +3170,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "No, you said you’d go to the " - "ends of the earth! Do! Do!”\n\n" - "Miss Bartlett, with equal vivacity, replied" -- ":\n\n“Oh, you droll person! " +- ":\n\n" +- "“Oh, you droll person! " - "Pray, what would become of your drive in " - "the hills?”\n\n" - "They passed together through the gaunt beauty of the " - "square, laughing over the unpractical suggestion" - ".\n\n\n\n\n" - "Chapter VI The Reverend Arthur Beebe, the Reverend " -- "Cuthbert Eager, Mr. Emerson,\nMr. " +- "Cuthbert Eager, Mr. Emerson,\n" +- "Mr. " - "George Emerson, Miss Eleanor Lavish, Miss " - "Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out " - "in Carriages to See a View; Italians " @@ -3157,7 +3206,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But the ladies interceded, and when it had " - been made clear that it was a very great favour - ", the goddess was allowed to mount beside the god" -- ".\n\nPhaethon at once slipped the left " +- ".\n\n" +- "Phaethon at once slipped the left " - "rein over her head, thus enabling himself to " - "drive with his arm round her waist. " - "She did not mind. Mr.\n" @@ -3180,7 +3230,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It was hard on the poor chaplain to have his " - "_partie carrée_ thus transformed. " - "Tea at a Renaissance villa, if he had ever " -- "meditated it,\nwas now impossible. " +- "meditated it,\n" +- "was now impossible. " - Lucy and Miss Bartlett had a certain style about them - ", and Mr. " - "Beebe, though unreliable, was a man of " @@ -3229,7 +3280,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "And now celestial irony, working through her cousin and " - "two clergymen, did not suffer her to leave " - "Florence till she had made this expedition with him through " -- "the hills.\n\nMeanwhile Mr. " +- "the hills.\n\n" +- "Meanwhile Mr. " - "Eager held her in civil converse; their " - "little tiff was over.\n\n" - "“So, Miss Honeychurch, you are travelling" @@ -3238,7 +3290,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "no!”\n\n" - "“Perhaps as a student of human nature,” " - "interposed Miss Lavish, “like myself" -- "?”\n\n“Oh, no. " +- "?”\n\n" +- "“Oh, no. " - "I am here as a tourist.”\n\n" - "“Oh, indeed,” said Mr. " - "Eager. “Are you indeed? " @@ -3265,7 +3318,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "interrupt his mordant wit. " - “The narrowness and superficiality of the Anglo - "-Saxon tourist is nothing less than a menace" -- ".”\n\n“Quite so. " +- ".”\n\n" +- "“Quite so. " - "Now, the English colony at Florence, Miss " - "Honeychurch—and it is of considerable size, " - "though, of course, not all equally—a " @@ -3286,7 +3340,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“It does indeed!” " - "cried Miss Lavish. " - "“Tell me, where do they place the scene " -- "of that wonderful seventh day?”\n\nBut Mr. " +- "of that wonderful seventh day?”\n\n" +- "But Mr. " - "Eager proceeded to tell Miss Honeychurch that on " - "the right lived Mr. " - "Someone Something, an American of the best type—" @@ -3322,7 +3377,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Va bene, signore, " - "va bene, va bene," - "” crooned the driver, and whipped his " -- "horses up again.\n\nNow Mr. " +- "horses up again.\n\n" +- "Now Mr. " - "Eager and Miss Lavish began to talk " - "against each other on the subject of Alessio " - "Baldovinetti. " @@ -3332,7 +3388,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - As the pace increased to a gallop the large - ", slumbering form of Mr.\n" - "Emerson was thrown against the chaplain with the regularity " -- "of a machine.\n\n“Piano! piano!” " +- "of a machine.\n\n" +- "“Piano! piano!” " - "said he, with a martyred look at Lucy" - ".\n\n" - "An extra lurch made him turn angrily in " @@ -3392,7 +3449,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - more like sacrilege than anything I know - ".”\n\n" - "Here the voice of Miss Bartlett was heard saying that " -- "a crowd had begun to collect.\n\nMr. " +- "a crowd had begun to collect.\n\n" +- "Mr. " - "Eager, who suffered from an over-fluent " - "tongue rather than a resolute will, was " - "determined to make himself heard. " @@ -3462,7 +3520,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - He wrote a line—so I heard yesterday— - "which runs like this: ‘Don’t go " - "fighting against the Spring.’”\n\n" -- "Mr. Eager could not resist the opportunity for " +- "Mr. " +- "Eager could not resist the opportunity for " - "erudition.\n\n" - "“Non fate guerra al Maggio,” " - "he murmured. " @@ -3480,7 +3539,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But there we go, praising the one and " - "condemning the other as improper, " - ashamed that the same laws work eternally through both -- ".”\n\nNo one encouraged him to talk. " +- ".”\n\n" +- "No one encouraged him to talk. " - "Presently Mr. " - "Eager gave a signal for the carriages to stop " - "and marshalled the party for their ramble on " @@ -3491,7 +3551,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "of Fiesole, and the road, still " - "following its curve, was about to sweep on to " - a promontory which stood out in the plain -- ". It was this promontory, " +- ". " +- "It was this promontory, " - "uncultivated,\n" - "wet, covered with bushes and occasional trees, which " - "had caught the fancy of Alessio " @@ -3555,7 +3616,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“The Emersons won’t hear, and " - "they wouldn’t mind if they did.”\n\n" - Miss Lavish did not seem pleased at this -- ".\n\n“Miss Honeychurch listening!” " +- ".\n\n" +- "“Miss Honeychurch listening!” " - "she said rather crossly. “Pouf! " - "Wouf! You naughty girl! " - "Go away!”\n\n" @@ -3635,7 +3697,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The miscreant, a bony young man " - "scorched black by the sun, rose to " - "greet her with the courtesy of a host and the " -- "assurance of a relative.\n\n“Dove?” " +- "assurance of a relative.\n\n" +- "“Dove?” " - "said Lucy, after much anxious thought.\n\n" - "His face lit up. " - "Of course he knew where. " @@ -3648,7 +3711,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "More seemed necessary. " - "What was the Italian for “clergyman”?\n\n" - "“Dove buoni uomini?” " -- "said she at last.\n\nGood? " +- "said she at last.\n\n" +- "Good? " - "Scarcely the adjective for those noble " - "beings! He showed her his cigar.\n\n" - “Uno—piu— @@ -3656,7 +3720,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", implying “Has the cigar been given to you " - "by Mr. " - "Beebe, the smaller of the two good men" -- "?”\n\nShe was correct as usual. " +- "?”\n\n" +- "She was correct as usual. " - "He tied the horse to a tree, kicked it " - "to make it stay quiet, dusted the carriage" - ", arranged his hair, remoulded his " @@ -3713,7 +3778,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Light and beauty enveloped her. " - "She had fallen on to a little open terrace, " - which was covered with violets from end to end -- ".\n\n“Courage!” " +- ".\n\n" +- "“Courage!” " - "cried her companion, now standing some six feet above" - ".\n“Courage and love.”\n\n" - "She did not answer. " @@ -3780,7 +3846,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ". “The signorino will walk.”\n\n" - "“All the way? " - "He will be hours,” said Mr. " -- "Beebe.\n\n“Apparently. " +- "Beebe.\n\n" +- "“Apparently. " - "I told him it was unwise.” " - "He would look no one in the face; perhaps " - "defeat was particularly mortifying for him. " @@ -3799,7 +3866,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The thoughts of a cab-driver, however just" - ", seldom affect the lives of his employers. " - "He was the most competent of Miss Bartlett’s " -- "opponents,\nbut infinitely the least dangerous. " +- "opponents,\n" +- "but infinitely the least dangerous. " - "Once back in the town, he and his insight " - "and his knowledge would trouble English ladies no more. " - "Of course, it was most unpleasant; she had " @@ -3814,9 +3882,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Eager sat opposite, trying to catch her eye" - "; he was vaguely suspicious. " - They spoke of Alessio Baldovinetti -- ".\n\nRain and darkness came on together. " +- ".\n\n" +- "Rain and darkness came on together. " - The two ladies huddled together under an inadequate parasol -- ". There was a lightning flash, and Miss " +- ". " +- "There was a lightning flash, and Miss " - "Lavish who was nervous, screamed from the " - "carriage in front. " - "At the next flash, Lucy screamed also. " @@ -3861,7 +3931,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "don’t ask our driver; our driver is " - "no help. Go and support poor Mr. " - "Beebe—, he is nearly demented." -- "”\n\n“He may be killed!” " +- "”\n\n" +- "“He may be killed!” " - "cried the old man. " - "“He may be killed!”\n\n" - "“Typical behaviour,” said the chaplain, as " @@ -3888,7 +3959,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "and accepted it. " - "As well this ending to his day as any. " - "But Lucy, a mortal maid, was disappointed in " -- "him.\n\nThere was an explosion up the road. " +- "him.\n\n" +- "There was an explosion up the road. " - "The storm had struck the overhead wire of the " - "tramline, and one of the great supports had " - "fallen. " @@ -3929,7 +4001,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "As a matter of fact, the storm was worst " - along the road; but she had been near danger - ", and so she thought it must be near to " -- "everyone.\n\n“I trust not. " +- "everyone.\n\n" +- "“I trust not. " - "One would always pray against that.”\n\n" - "“He is really—I think he was taken " - "by surprise, just as I was before.\n" @@ -3946,7 +4019,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Heroes—gods—the nonsense of " - "schoolgirls.”\n\n“And then?”\n\n" - "“But, Charlotte, you know what happened then" -- ".”\n\nMiss Bartlett was silent. " +- ".”\n\n" +- "Miss Bartlett was silent. " - "Indeed, she had little more to learn. " - "With a certain amount of insight she drew her young " - "cousin affectionately to her. " @@ -4136,7 +4210,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "sister’s insult would rouse in him a " - "very lion. " - "Thank God, chivalry is not yet dead" -- ". There are still left some men who can " +- ". " +- "There are still left some men who can " - "reverence woman.”\n\n" - "As she spoke, she pulled off her rings, " - "of which she wore several, and ranged them upon " @@ -4210,7 +4285,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Charlotte dear, what do you mean? " - "As if I have anything to forgive!”\n\n" - "“You have a great deal, and I have " -- "a very great deal to forgive myself,\ntoo. " +- "a very great deal to forgive myself,\n" +- "too. " - "I know well how much I vex you at " - "every turn.”\n\n“But no—”\n\n" - "Miss Bartlett assumed her favourite role, that of the " @@ -4236,7 +4312,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“You mustn’t say these things," - "” said Lucy softly.\n\n" - "She still clung to the hope that she and Charlotte " -- "loved each other,\nheart and soul. " +- "loved each other,\n" +- "heart and soul. " - "They continued to pack in silence.\n\n" - "“I have been a failure,” said Miss " - "Bartlett, as she struggled with the straps of " @@ -4282,7 +4359,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "cheeks, wished her good-night, and sent " - "her to her own room.\n\n" - For a moment the original trouble was in the background -- ". George would seem to have behaved like a " +- ". " +- "George would seem to have behaved like a " - "cad throughout; perhaps that was the view which " - "one would take eventually. " - "At present she neither acquitted nor condemned him; she " @@ -4433,7 +4511,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Freddy nodded.\n\n“What do you mean?”\n\n" - "“He asked me for my permission also.”\n\n" - "She exclaimed: “How very odd of him!" -- "”\n\n“Why so?” " +- "”\n\n" +- "“Why so?” " - "asked the son and heir. " - “Why shouldn’t my permission be asked? - "”\n\n" @@ -4441,7 +4520,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "anything? What ever did you say?”\n\n" - "“I said to Cecil, ‘Take her or " - leave her; it’s no business of mine -- "!’”\n\n“What a helpful answer!” " +- "!’”\n\n" +- "“What a helpful answer!” " - "But her own answer, though more normal in its " - "wording, had been to the same effect.\n\n" - "“The bother is this,” began Freddy.\n\n" @@ -4532,7 +4612,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "eulogy, but her face remained " - "dissatisfied. " - "She added: “And he has beautiful manners." -- "”\n\n“I liked him till just now. " +- "”\n\n" +- "“I liked him till just now. " - "I suppose it’s having him spoiling " - "Lucy’s first week at home; and " - "it’s also something that Mr. " @@ -4560,7 +4641,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "You are jealous of Cecil because he may stop Lucy " - "knitting you silk ties.”\n\n" - "The explanation seemed plausible, and Freddy tried to accept " -- "it. But at the back of his brain there " +- "it. " +- "But at the back of his brain there " - "lurked a dim mistrust. " - "Cecil praised one too much for being athletic. " - "Was that it? " @@ -4594,7 +4676,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She keeps that flat abominably—”\n\n" - "“Suppose Lucy marries Cecil, would she " - "live in a flat, or in the country?" -- "”\n\n“Don’t interrupt so foolishly. " +- "”\n\n" +- "“Don’t interrupt so foolishly. " - "Where was I? " - Oh yes—‘Young people must decide for themselves - ". " @@ -4650,13 +4733,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "physically, he remained in the grip of a certain " - devil whom the modern world knows as self-consciousness - ", and whom the medieval, with dimmer vision" -- ",\nworshipped as asceticism. " +- ",\n" +- "worshipped as asceticism. " - "A Gothic statue implies celibacy, just " - "as a Greek statue implies fruition, and perhaps " - "this was what Mr. Beebe meant. " - "And Freddy, who ignored history and art, perhaps " - "meant the same when he failed to imagine Cecil wearing " -- "another fellow’s cap.\n\nMrs. " +- "another fellow’s cap.\n\n" +- "Mrs. " - "Honeychurch left her letter on the writing table and " - "moved towards her young acquaintance.\n\n" - "“Oh, Cecil!” " @@ -4709,7 +4794,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Mrs. Honeychurch all about it?” " - "Cecil suggested. " - "“And I’d stop here and tell my " -- "mother.”\n\n“We go with Lucy?” " +- "mother.”\n\n" +- "“We go with Lucy?” " - "said Freddy, as if taking orders.\n\n" - "“Yes, you go with Lucy.”\n\n" - "They passed into the sunlight. " @@ -4738,7 +4824,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It gave her light, and—which he held " - "more precious—it gave her shadow. " - Soon he detected in her a wonderful reticence -- ". She was like a woman of Leonardo da " +- ". " +- "She was like a woman of Leonardo da " - "Vinci’s, whom we love not so much " - "for herself as for the things that she will not " - "tell us.\n" @@ -4844,7 +4931,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ". Isn’t this news?”\n\n" - "“News? " - "I don’t understand you,” said Cecil" -- ". “News?”\n\nMr. " +- ". “News?”\n\n" +- "Mr. " - "Beebe, whose news was of a very different " - "nature, prattled forward.\n\n" - "“I met Sir Harry Otway as I " @@ -4882,7 +4970,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It is very remiss of me. " - "Italy and London are the only places where I " - don’t feel to exist on sufferance. -- "”\n\nMr. " +- "”\n\n" +- "Mr. " - "Beebe, distressed at this heavy reception of " - "Cissie and Albert,\n" - "determined to shift the subject.\n\n" @@ -4915,7 +5004,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "isn’t he?”\n\n" - "“Admirable. " - The sort who has made England what she is. -- "”\n\nCecil wondered at himself. " +- "”\n\n" +- "Cecil wondered at himself. " - "Why, on this day of all others, was " - "he so hopelessly contrary? " - "He tried to get right by inquiring " @@ -4953,7 +5043,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Try the faults of Miss Honeychurch; they are " - "not innumerable.”\n\n" - "“She has none,” said the young man" -- ", with grave sincerity.\n\n“I quite agree. " +- ", with grave sincerity.\n\n" +- "“I quite agree. " - "At present she has none.”\n\n" - "“At present?”\n\n" - "“I’m not cynical. " @@ -4964,7 +5055,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I suspect that one day she will be wonderful in " - "both. " - "The water-tight compartments in her will break " -- "down,\nand music and life will mingle. " +- "down,\n" +- "and music and life will mingle. " - "Then we shall have her heroically good,\n" - "heroically bad—too heroic, perhaps, to " - "be good or bad.”\n\n" @@ -4995,7 +5087,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Picture number two: the string breaks.”\n\n" - "The sketch was in his diary, but it had " - "been made afterwards, when he viewed things artistically" -- ". At the time he had given " +- ". " +- "At the time he had given " - "surreptitious tugs to the string " - "himself.\n\n“But the string never broke?”\n\n" - "“No. " @@ -5019,7 +5112,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I am sorry; I must apologize. " - "I had no idea you were intimate with her, " - "or I should never have talked in this " -- "flippant, superficial way.\nMr. " +- "flippant, superficial way.\n" +- "Mr. " - "Vyse, you ought to have stopped me" - ".” " - And down the garden he saw Lucy herself; yes @@ -5037,13 +5131,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I am sorry I have given you a shock - ",” he said dryly. " - "“I fear that Lucy’s choice does not " -- "meet with your approval.”\n\n“Not that. " +- "meet with your approval.”\n\n" +- "“Not that. " - "But you ought to have stopped me. " - "I know Miss Honeychurch only a little as time " - "goes. " - "Perhaps I oughtn’t to have discussed her " - so freely with any one; certainly not with you -- ".”\n\n“You are conscious of having said something " +- ".”\n\n" +- "“You are conscious of having said something " - "indiscreet?”\n\n" - "Mr. Beebe pulled himself together. " - "Really, Mr. " @@ -5088,7 +5184,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I am always supposed to do, but generally " - "I’m too shy. " - "I want to invoke every kind of blessing on " -- "them,\ngrave and gay, great and small. " +- "them,\n" +- "grave and gay, great and small. " - "I want them all their lives to be supremely " - "good and supremely happy as husband and wife, " - "as father and mother. " @@ -5096,7 +5193,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“You only asked for it just in time," - "” the lady retorted. " - “How dare you be serious at Windy Corner -- "?”\n\nHe took his tone from her. " +- "?”\n\n" +- "He took his tone from her. " - "There was no more heavy beneficence, " - "no more attempts to dignify the situation with " - "poetry or the Scriptures. " @@ -5189,7 +5287,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“To me it seemed perfectly appalling, " - "disastrous, portentous.”\n\n" - “I am so sorry that you were stranded. -- "”\n\n“Not that, but the congratulations. " +- "”\n\n" +- "“Not that, but the congratulations. " - "It is so disgusting, the way an engagement is " - "regarded as public property—a kind of waste place " - where every outsider may shoot his vulgar sentiment @@ -5265,7 +5364,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“We weren’t talking of real fences," - "” said Lucy, laughing.\n\n" - "“Oh, I see, dear—poetry." -- "”\n\nShe leant placidly back. " +- "”\n\n" +- "She leant placidly back. " - "Cecil wondered why Lucy had been amused.\n\n" - "“I tell you who has no ‘fences," - "’ as you call them,” she said, " @@ -5337,7 +5437,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“You’ll blow my head off! " - "Whatever is there to shout over? " - "I forbid you and Cecil to hate any more " -- "clergymen.”\n\nHe smiled. " +- "clergymen.”\n\n" +- "He smiled. " - "There was indeed something rather incongruous " - "in Lucy’s moral outburst over Mr. " - "Eager. " @@ -5398,12 +5499,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "yonder mountain height,’” he quoted, " - "and touched her knee with his own.\n\n" - "She flushed again and said: “What height?" -- "”\n\n“‘Come down, O maid, from " +- "”\n\n" +- "“‘Come down, O maid, from " - "yonder mountain height,\n" - "What pleasure lives in height (the shepherd " - "sang).\n" - "In height and in the splendour of " -- "the hills?’\n\n\nLet us take Mrs. " +- "the hills?’\n\n\n" +- "Let us take Mrs. " - "Honeychurch’s advice and hate clergymen no " - "more.\nWhat’s this place?”\n\n" - "“Summer Street, of course,” said Lucy" @@ -5432,7 +5535,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Gothic on the garden gates, but appeared a second " - "time on the porches, where they followed the " - "semicircular curve of the entrance arch in " -- "block capitals. “Albert”\nwas inhabited. " +- "block capitals. “Albert”\n" +- "was inhabited. " - "His tortured garden was bright with geraniums " - "and lobelias and polished shells. " - "His little windows were chastely swathed " @@ -5447,12 +5551,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“The place is ruined!” " - "said the ladies mechanically. " - “Summer Street will never be the same again. -- "”\n\nAs the carriage passed, “" +- "”\n\n" +- "As the carriage passed, “" - "Cissie’s” door opened, and " - "a gentleman came out of her.\n\n" - "“Stop!” cried Mrs. " - "Honeychurch, touching the coachman with her " -- "parasol.\n“Here’s Sir Harry. " +- "parasol.\n" +- "“Here’s Sir Harry. " - "Now we shall know. " - "Sir Harry, pull those things down at once!" - "”\n\n" @@ -5496,7 +5602,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "his part, he liked to relieve the façade by " - "a bit of decoration. " - "Sir Harry hinted that a column, if possible, " -- "should be structural as well as decorative.\n\nMr. " +- "should be structural as well as decorative.\n\n" +- "Mr. " - "Flack replied that all the columns had been " - "ordered, adding, “and all the capitals different" - "—one with dragons in the foliage, another approaching " @@ -5617,7 +5724,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Then may I write to my Misses Alan - "?”\n\n“Please!”\n\n" - "But his eye wavered when Mrs. " -- "Honeychurch exclaimed:\n\n“Beware! " +- "Honeychurch exclaimed:\n\n" +- "“Beware! " - "They are certain to have canaries. " - "Sir Harry, beware of canaries: they " - "spit the seed out through the bars of the " @@ -5634,7 +5742,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "they somehow keep it to themselves. " - "It doesn’t spread so. " - "Give me a man—of course, provided " -- "he’s clean.”\n\nSir Harry blushed. " +- "he’s clean.”\n\n" +- "Sir Harry blushed. " - "Neither he nor Cecil enjoyed these open compliments to " - "their sex. " - "Even the exclusion of the dirty did not leave them " @@ -5677,13 +5786,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“All that you say is quite true,” " - "said Lucy, though she felt discouraged. " - "“I wonder whether—whether it matters so very " -- "much.”\n\n“It matters supremely. " +- "much.”\n\n" +- "“It matters supremely. " - Sir Harry is the essence of that garden-party -- ".\nOh, goodness, how cross I feel! " +- ".\n" +- "Oh, goodness, how cross I feel! " - "How I do hope he’ll get some " - "vulgar tenant in that villa—some woman " - "so really vulgar that he’ll notice " -- "it.\n_Gentlefolks!" +- "it.\n" +- _Gentlefolks! - "_ Ugh! " - "with his bald head and retreating chin! " - "But let’s forget him.”\n\n" @@ -5721,7 +5833,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Lucy, that you always say the road? " - "Do you know that you have never once been with " - "me in the fields or the wood since we were " -- "engaged?”\n\n“Haven’t I? " +- "engaged?”\n\n" +- "“Haven’t I? " - "The wood, then,” said Lucy, startled " - "at his queerness, but pretty sure that " - "he would explain later; it was not his habit " @@ -5793,10 +5906,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He is very fond of it.”\n\n" - "“And you?”\n\n" - "He meant, “Are you fond of it?" -- "” " -- "But she answered dreamily, “I bathed " -- "here, too, till I was found out. " -- "Then there was a row.”\n\n" +- "” But she answered dreamily, “I " +- "bathed here, too, till I was found " +- "out. Then there was a row.”\n\n" - "At another time he might have been shocked, for " - he had depths of prudishness within him - ". But now? " @@ -5837,7 +5949,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“No—more you have,” she " - "stammered.\n\n" - “Then I ask you—may I now? -- "”\n\n“Of course, you may, Cecil. " +- "”\n\n" +- "“Of course, you may, Cecil. " - "You might before. " - "I can’t run at you, you know" - ".”\n\n" @@ -5849,7 +5962,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "he could recoil. " - "As he touched her, his gold pince-" - "nez became dislodged and was flattened " -- "between them.\n\nSuch was the embrace. " +- "between them.\n\n" +- "Such was the embrace. " - "He considered, with truth, that it had been " - "a failure. " - "Passion should believe itself irresistible. " @@ -5994,12 +6108,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Mrs. Honeychurch cried. " - "“Just because they’re old and silly " - one’s expected to say ‘How sweet! -- "’ " -- I hate their ‘if’-ing and ‘ -- but’-ing and ‘and’-ing -- ". " +- "’ I hate their ‘if’-ing and " +- ‘but’-ing and ‘and’- +- "ing. " - "And poor Lucy—serve her right—worn to " -- "a shadow.”\n\nMr. " +- "a shadow.”\n\n" +- "Mr. " - "Beebe watched the shadow springing and shouting over " - "the tennis-court. " - Cecil was absent—one did not play bumble @@ -6036,7 +6150,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the shins with the racquet— - "get her over the shins!”\n\n" - "Lucy fell, the Beautiful White Devil rolled from her " -- "hand.\n\nMr. " +- "hand.\n\n" +- "Mr. " - "Beebe picked it up, and said: “" - "The name of this ball is Vittoria " - "Corombona, please.” " @@ -6087,7 +6202,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Rather not. More like Anderson.”\n\n" - "“Oh, good gracious, there " - isn’t going to be another muddle! -- "” Mrs.\nHoneychurch exclaimed. " +- "” Mrs.\n" +- "Honeychurch exclaimed. " - "“Do you notice, Lucy, I’m " - "always right? " - "I _said_ don’t interfere with " @@ -6101,7 +6217,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "people he pretends have taken it instead.”\n\n" - "“Yes, I do. " - "I’ve got it. Emerson.”\n\n" -- "“What name?”\n\n“Emerson. " +- "“What name?”\n\n" +- "“Emerson. " - "I’ll bet you anything you like.”\n\n" - "“What a weathercock Sir Harry is,” " - "said Lucy quietly. " @@ -6115,7 +6232,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Meanwhile the name of the new tenants had diverted Mrs - ". " - "Honeychurch from the contemplation of her " -- "own abilities.\n\n“Emerson, Freddy? " +- "own abilities.\n\n" +- "“Emerson, Freddy? " - "Do you know what Emersons they are?”\n\n" - "“I don’t know whether they’re " - "any Emersons,” retorted Freddy, who was " @@ -6133,7 +6251,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", and it’s affectation to pretend there " - "isn’t.”\n\n" - "“Emerson’s a common enough name,” " -- "Lucy remarked.\n\nShe was gazing sideways. " +- "Lucy remarked.\n\n" +- "She was gazing sideways. " - "Seated on a promontory herself, she " - "could see the pine-clad promontories descending " - "one beyond another into the Weald. " @@ -6156,7 +6275,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "getting into.”\n\n“But has Cecil—”\n\n" - "“Friends of Cecil’s,” he repeated" - ", “‘and so really dee-sire" -- "-rebel.\nAhem! " +- "-rebel.\n" +- "Ahem! " - "Honeychurch, I have just telegraphed to them" - ".’”\n\nShe got up from the grass.\n\n" - "It was hard on Lucy. Mr. " @@ -6220,7 +6340,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "pessimism, et cetera. " - "Our special joy was the father—such a " - "sentimental darling, and people declared he had murdered " -- "his wife.”\n\nIn his normal state Mr. " +- "his wife.”\n\n" +- "In his normal state Mr. " - "Beebe would never have repeated such gossip,\n" - "but he was trying to shelter Lucy in her little " - "trouble. " @@ -6304,7 +6425,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ".”\n\n" - "“Friends of mine?” he laughed. " - "“But, Lucy, the whole joke is to " -- "come!\nCome here.” " +- "come!\n" +- "Come here.” " - "But she remained standing where she was. " - “Do you know where I met these desirable tenants - "? " @@ -6331,10 +6453,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "and I took their address and a London reference, " - found they weren’t actual blackguards— - "it was great sport—and wrote to him, " -- "making out—”\n\n“Cecil! " +- "making out—”\n\n" +- "“Cecil! " - "No, it’s not fair. " - "I’ve probably met them before—”\n\n" -- "He bore her down.\n\n“Perfectly fair. " +- "He bore her down.\n\n" +- "“Perfectly fair. " - "Anything is fair that punishes a snob. " - "That old man will do the neighbourhood a world of " - "good. " @@ -6434,7 +6558,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, Cecil, I do, I do" - "! " - "I don’t know what I should do without " -- "you.”\n\nSeveral days passed. " +- "you.”\n\n" +- "Several days passed. " - "Then she had a letter from Miss Bartlett. " - A coolness had sprung up between the two cousins - ", and they had not corresponded since they parted " @@ -6528,7 +6653,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Corner at all, but here. " - "Please do not put ‘Private’ outside your envelope " - "again. No one opens my letters.\n\n\n" -- "“Yours affectionately,\n“L. M. " +- "“Yours affectionately,\n" +- "“L. M. " - "HONEYCHURCH.”\n\n\n" - "Secrecy has this disadvantage: we lose the " - "sense of proportion; we cannot tell whether our secret " @@ -6716,13 +6842,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Nietzsche, and so we go on" - ". " - "Well, I suppose your generation knows its own business" -- ", Honeychurch.”\n\n“Mr. " +- ", Honeychurch.”\n\n" +- "“Mr. " - "Beebe, look at that,” said Freddy " - "in awestruck tones.\n\n" - "On the cornice of the wardrobe, the hand " - "of an amateur had painted this inscription: “" - Mistrust all enterprises that require new clothes. -- "”\n\n“I know. " +- "”\n\n" +- "“I know. " - "Isn’t it jolly? " - "I like that. " - "I’m certain that’s the old " @@ -6731,7 +6859,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Surely you agree?”\n\n" - "But Freddy was his mother’s son and felt " - "that one ought not to go on spoiling " -- "the furniture.\n\n“Pictures!” " +- "the furniture.\n\n" +- "“Pictures!” " - "the clergyman continued, scrambling about the " - "room.\n" - “Giotto—they got that at Florence @@ -6763,7 +6892,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Emerson—we think we’ll come another time - ".”\n\n" - "George ran down-stairs and pushed them into the " -- "room without speaking.\n\n“Let me introduce Mr. " +- "room without speaking.\n\n" +- "“Let me introduce Mr. " - "Honeychurch, a neighbour.”\n\n" - "Then Freddy hurled one of the thunderbolts of " - "youth. " @@ -6802,7 +6932,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Emerson, still descending, “which you place in " - "the past, is really yet to come. " - "We shall enter it when we no longer " -- "despise our bodies.”\n\nMr. " +- "despise our bodies.”\n\n" +- "Mr. " - "Beebe disclaimed placing the Garden of Eden " - "anywhere.\n\n" - "“In this—not in other things—we " @@ -6812,9 +6943,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But not until we are comrades shall we enter the " - "garden.”\n\n" - "“I say, what about this bathe?" -- "” " -- "murmured Freddy, appalled at the mass of " -- "philosophy that was approaching him.\n\n" +- "” murmured Freddy, appalled at the mass " +- "of philosophy that was approaching him.\n\n" - "“I believed in a return to Nature once. " - "But how can we return to Nature when we have " - "never been with her? " @@ -6824,13 +6954,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It is our heritage.”\n\n" - "“Let me introduce Mr. " - "Honeychurch, whose sister you will remember at Florence" -- ".”\n\n“How do you do? " +- ".”\n\n" +- "“How do you do? " - "Very glad to see you, and that you are " - "taking George for a bathe. " - "Very glad to hear that your sister is going to " -- "marry.\nMarriage is a duty. " +- "marry.\n" +- "Marriage is a duty. " - "I am sure that she will be happy, for " -- "we know Mr.\nVyse, too. " +- "we know Mr.\n" +- "Vyse, too. " - "He has been most kind. " - "He met us by chance in the National Gallery, " - "and arranged everything about this delightful house. " @@ -6845,7 +6978,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I must—that is to say, I " - "have to—have the pleasure of calling on you " - "later on, my mother says, I hope." -- "”\n\n“_Call_, my lad? " +- "”\n\n" +- "“_Call_, my lad? " - Who taught us that drawing-room twaddle - "? Call on your grandmother! " - "Listen to the wind among the pines! " @@ -6879,7 +7013,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I dare say you are used to something better. - "”\n\n" - “Yes—I have said ‘Yes’ already -- ".”\n\nMr. " +- ".”\n\n" +- "Mr. " - "Beebe felt bound to assist his young friend, " - "and led the way out of the house and into " - "the pine-woods. How glorious it was! " @@ -6918,7 +7053,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "We are flung together by Fate, drawn apart by " - "Fate—flung together, drawn apart. " - The twelve winds blow us—we settle nothing— -- "”\n\n“You have not reflected at all,” " +- "”\n\n" +- "“You have not reflected at all,” " - "rapped the clergyman. " - "“Let me give you a useful tip, Emerson" - ": attribute nothing to Fate. " @@ -6941,7 +7077,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“It is Fate that I am here,” " - "persisted George. " - "“But you can call it Italy if it makes " -- "you less unhappy.”\n\nMr. " +- "you less unhappy.”\n\n" +- "Mr. " - "Beebe slid away from such heavy treatment of the " - "subject. " - "But he was infinitely tolerant of the young, " @@ -6983,7 +7120,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "on either side of it all the growths are " - "tough or brittle—heather, " - "bracken, hurts, pines. " -- "Very charming, very charming.”\n\n“Mr. " +- "Very charming, very charming.”\n\n" +- "“Mr. " - "Beebe, aren’t you bathing?” " - "called Freddy, as he stripped himself.\n\n" - "Mr. Beebe thought he was not.\n\n" @@ -7015,10 +7153,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Water’s not so bad,” said " - "George, reappearing from his " - "plunge, and sputtering at the " -- "sun.\n\n“Water’s wonderful. Mr. " +- "sun.\n\n" +- "“Water’s wonderful. Mr. " - "Beebe, do.”\n\n" - "“Apooshoo, kouf." -- "”\n\nMr. " +- "”\n\n" +- "Mr. " - "Beebe, who was hot, and who always " - "acquiesced where possible,\n" - "looked around him. " @@ -7069,10 +7209,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", they bathed to get clean. " - "And all the time three little bundles lay " - "discreetly on the sward, proclaiming" -- ":\n\n“No. We are what matters. " +- ":\n\n" +- "“No. We are what matters. " - "Without us shall no enterprise begin. " - To us shall all flesh turn in the end. -- "”\n\n“A try! A try!” " +- "”\n\n" +- "“A try! A try!” " - "yelled Freddy, snatching up George’s " - bundle and placing it beside an imaginary goal-post - ".\n\n" @@ -7130,7 +7272,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Mr. Beebe’s waistcoat—”\n\n" - "No business of ours, said Cecil, glancing at " - "Lucy, who was all parasol and evidently “" -- "minded.”\n\n“I fancy Mr. " +- "minded.”\n\n" +- "“I fancy Mr. " - "Beebe jumped back into the pond.”\n\n" - "“This way, please, Mrs. " - "Honeychurch, this way.”\n\n" @@ -7167,7 +7310,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I’ve swallowed a pollywog - ". " - It wriggleth in my tummy -- ". I shall die—Emerson you beast, " +- ". " +- "I shall die—Emerson you beast, " - "you’ve got on my bags.”\n\n" - "“Hush, dears,” said Mrs" - ". " @@ -7180,7 +7324,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Mother, do come away,” said Lucy" - ". " - "“Oh for goodness’ sake, do come." -- "”\n\n“Hullo!” " +- "”\n\n" +- "“Hullo!” " - "cried George, so that again the ladies stopped.\n\n" - "He regarded himself as dressed. " - "Barefoot, bare-chested, " @@ -7192,7 +7337,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Whoever is it? I shall bow.”\n\n" - "Miss Honeychurch bowed.\n\n" - That evening and all that night the water ran away -- ". On the morrow the pool had " +- ". " +- "On the morrow the pool had " - "shrunk to its old size and lost its " - "glory. " - "It had been a call to the blood and to " @@ -7301,7 +7447,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Butterworth yourself!”\n\n" - "“Not in that way. " - "At times I could wring her neck. " -- "But not in that way.\nNo. " +- "But not in that way.\n" +- "No. " - "It is the same with Cecil all over.”\n\n" - "“By-the-by—I never told " - "you. " @@ -7467,7 +7614,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Freddy looked at him doubtfully.\n\n" - "“How well did you know them at the " - "Bertolini?” asked Mrs. " -- "Honeychurch.\n\n“Oh, very slightly. " +- "Honeychurch.\n\n" +- "“Oh, very slightly. " - "I mean, Charlotte knew them even less than I " - "did.”\n\n" - "“Oh, that reminds me—you never told " @@ -7537,7 +7685,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - while the plumbers at Tunbridge Wells finish - ". " - I have not seen poor Charlotte for so long. -- "”\n\nIt was more than her nerves could stand. " +- "”\n\n" +- "It was more than her nerves could stand. " - "And she could not protest violently after her " - "mother’s goodness to her upstairs.\n\n" - "“Mother, no!” she pleaded. " @@ -7573,7 +7722,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She gets on our nerves. " - "You haven’t seen her lately, and " - don’t realize how tiresome she can be -- ",\nthough so good. " +- ",\n" +- "though so good. " - "So please, mother, don’t worry us " - "this last summer; but spoil us by " - "not asking her to come.”\n\n" @@ -7598,10 +7748,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“She thanked me for coming till I felt like " - "such a fool, and fussed round no " - "end to get an egg boiled for my tea just " -- "right.”\n\n“I know, dear. " +- "right.”\n\n" +- "“I know, dear. " - "She is kind to everyone, and yet Lucy makes " - "this difficulty when we try to give her some little " -- "return.”\n\nBut Lucy hardened her heart. " +- "return.”\n\n" +- "But Lucy hardened her heart. " - "It was no good being kind to Miss Bartlett. " - "She had tried herself too often and too recently. " - One might lay up treasure in heaven by the attempt @@ -7635,7 +7787,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "off, and as a matter of fact I " - "don’t care for eggs. " - I only meant how jolly kind she seemed. -- "”\n\nCecil frowned again. " +- "”\n\n" +- "Cecil frowned again. " - "Oh, these Honeychurches! " - "Eggs, boilers,\n" - "hydrangeas, maids—of such " @@ -7646,7 +7799,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ".\n" - "“We don’t want no dessert.”\n\n\n\n\n" - "Chapter XIV How Lucy Faced the External Situation " -- "Bravely\n\n\nOf course Miss Bartlett accepted. " +- "Bravely\n\n\n" +- "Of course Miss Bartlett accepted. " - "And, equally of course, she felt sure that " - "she would prove a nuisance, and begged " - "to be given an inferior spare room—something with " @@ -7681,7 +7835,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It is obvious enough for the reader to conclude, " - "“She loves young Emerson.” " - "A reader in Lucy’s place would not find " -- "it obvious. Life is easy to chronicle, but " +- "it obvious. " +- "Life is easy to chronicle, but " - "bewildering to practice, and we welcome " - "“nerves”\n" - "or any other shibboleth that will " @@ -7699,7 +7854,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - She was anxious to show that she was not shy - ",\n" - and was glad that he did not seem shy either -- ".\n\n“A nice fellow,” said Mr. " +- ".\n\n" +- "“A nice fellow,” said Mr. " - "Beebe afterwards “He will work off his " - "crudities in time. " - "I rather mistrust young men who slip into life " @@ -7745,7 +7901,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "” said Miss Bartlett, and looked at her " - "frayed glove.\n\n" - "“All right, if you’d really rather" -- ". Five shillings, and I gave a " +- ". " +- "Five shillings, and I gave a " - "bob to the driver.”\n\n" - "Miss Bartlett looked in her purse. " - "Only sovereigns and pennies. " @@ -7845,7 +8002,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Lucy, and then could have bitten her tongue for " - "understanding so quickly what her cousin meant. " - "“Let me see—a sovereign’s worth " -- "of silver.”\n\nShe escaped into the kitchen. " +- "of silver.”\n\n" +- "She escaped into the kitchen. " - "Miss Bartlett’s sudden transitions were too " - "uncanny. " - "It sometimes seemed as if she planned every word she " @@ -7854,7 +8012,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "ruse to surprise the soul.\n\n" - "“No, I haven’t told Cecil or " - "any one,” she remarked, when she returned" -- ".\n“I promised you I shouldn’t. " +- ".\n" +- "“I promised you I shouldn’t. " - "Here is your money—all shillings, " - "except two half-crowns. " - "Would you count it? " @@ -7870,7 +8029,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, no, Charlotte,” said the " - "girl, entering the battle. " - "“George Emerson is all right, and what other " -- "source is there?”\n\nMiss Bartlett considered. " +- "source is there?”\n\n" +- "Miss Bartlett considered. " - "“For instance, the driver. " - "I saw him looking through the bushes at you, " - "remember he had a violet between his teeth.”\n\n" @@ -7936,9 +8096,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Cecil said one day—and I thought it " - "so profound—that there are two kinds of " - cads—the conscious and the subconscious. -- "” " -- "She paused again, to be sure of doing justice " -- "to Cecil’s profundity.\n" +- "” She paused again, to be sure of doing " +- "justice to Cecil’s profundity.\n" - "Through the window she saw Cecil himself, turning over " - "the pages of a novel. " - It was a new one from Smith’s library @@ -7967,7 +8126,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "office at one of the big railways—not a " - "porter! " - and runs down to his father for week-ends -- ". Papa was to do with journalism, but is " +- ". " +- "Papa was to do with journalism, but is " - "rheumatic and has retired. There! " - "Now for the garden.” " - "She took hold of her guest by the arm. " @@ -8047,11 +8207,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "In all that expanse no human eye is looking at " - "her, and she may frown unrebuked " - "and measure the spaces that yet survive between Apollo and " -- "the western hills.\n\n“Lucy! Lucy! " +- "the western hills.\n\n" +- "“Lucy! Lucy! " - "What’s that book? " - "Who’s been taking a book out of the " - shelf and leaving it about to spoil? -- "”\n\n“It’s only the library book that " +- "”\n\n" +- "“It’s only the library book that " - "Cecil’s been reading.”\n\n" - "“But pick it up, and don’t " - "stand idling there like a flamingo.”\n\n" @@ -8086,7 +8248,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "That book’s all warped.\n" - "(Gracious, how plain you look!" - ") Put it under the Atlas to press.\n" -- "Minnie!”\n\n“Oh, Mrs. " +- "Minnie!”\n\n" +- "“Oh, Mrs. " - "Honeychurch—” from the upper regions.\n\n" - "“Minnie, don’t be late. " - "Here comes the horse”—it was always the " @@ -8212,7 +8375,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "harm—yes, choose a place where you " - "won’t do very much harm, and stand " - "in it for all you are worth, facing the " -- "sunshine.”\n\n“Oh, Mr. " +- "sunshine.”\n\n" +- "“Oh, Mr. " - "Emerson, I see you’re clever!”\n\n" - "“Eh—?”\n\n" - “I see you’re going to be clever @@ -8258,7 +8422,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“You know our cousin, Miss Bartlett,” " - "said Mrs. Honeychurch pleasantly.\n" - “You met her with my daughter in Florence. -- "”\n\n“Yes, indeed!” " +- "”\n\n" +- "“Yes, indeed!” " - "said the old man, and made as if he " - would come out of the garden to meet the lady - ". " @@ -8357,7 +8522,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "as often happened, Cecil had paid no great attention " - "to her remarks. " - "Charm, not argument, was to be her " -- "forte.\n\nLunch was a cheerful meal. " +- "forte.\n\n" +- "Lunch was a cheerful meal. " - "Generally Lucy was depressed at meals. " - "Some one had to be soothed—either " - "Cecil or Miss Bartlett or a Being not visible to " @@ -8442,9 +8608,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Gutenberg-tm License available with this " - file or online at www.gutenberg.org - "/license.\n\n" -- "Section 1. General Terms of Use and " +- "Section 1. " +- "General Terms of Use and " - Redistributing Project Gutenberg- -- "tm electronic works\n\n1.A. " +- "tm electronic works\n\n" +- "1.A. " - "By reading or using any part of this Project " - "Gutenberg-tm electronic work, you " - "indicate that you have read, understand, agree to " @@ -8477,7 +8645,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "you follow the terms of this agreement and help preserve " - free future access to Project Gutenberg- - tm electronic works. See paragraph 1. -- "E below.\n\n1.C. " +- "E below.\n\n" +- "1.C. 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For forty years, he produced and distributed Project " +- ". " +- "For forty years, he produced and distributed Project " - "Gutenberg-tm eBooks " - "with only a loose network of volunteer support.\n\n" - "Project Gutenberg-tm " diff --git a/tests/snapshots/text_splitter_snapshots__huggingface_trim@romeo_and_juliet.txt-2.snap b/tests/snapshots/text_splitter_snapshots__huggingface_trim@romeo_and_juliet.txt-2.snap index a46b668b..4aa76bf1 100644 --- a/tests/snapshots/text_splitter_snapshots__huggingface_trim@romeo_and_juliet.txt-2.snap +++ b/tests/snapshots/text_splitter_snapshots__huggingface_trim@romeo_and_juliet.txt-2.snap @@ -344,7 +344,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "CAPULET.\nThings have fallen out, sir, so unluckily\nThat we have had no time to move our daughter.\nLook you, she lov’d her kinsman Tybalt dearly,\nAnd so did I. Well, we were born to die.\n’Tis very late; she’ll not come down tonight.\nI promise you, but for your company,\nI would have been abed an hour ago." - "PARIS.\nThese times of woe afford no tune to woo.\nMadam, good night. Commend me to your daughter.\n\nLADY CAPULET.\nI will, and know her mind early tomorrow;\nTonight she’s mew’d up to her heaviness." - "CAPULET.\nSir Paris, I will make a desperate tender\nOf my child’s love. I think she will be rul’d\nIn all respects by me; nay more, I doubt it not.\nWife, go you to her ere you go to bed,\nAcquaint her here of my son Paris’ love,\nAnd bid her, mark you me, on Wednesday next,\nBut, soft, what day is this?" -- "PARIS.\nMonday, my lord.\n\nCAPULET.\nMonday! Ha, ha! Well, Wednesday is too soon,\nA Thursday let it be; a Thursday, tell her,\nShe shall be married to this noble earl.\nWill you be ready? Do you like this haste?\nWe’ll keep no great ado,—a friend or two,\nFor, hark you, Tybalt being slain so late,\nIt may be thought we held him carelessly," +- "PARIS.\nMonday, my lord." +- "CAPULET.\nMonday! Ha, ha! Well, Wednesday is too soon,\nA Thursday let it be; a Thursday, tell her,\nShe shall be married to this noble earl.\nWill you be ready? Do you like this haste?\nWe’ll keep no great ado,—a friend or two,\nFor, hark you, Tybalt being slain so late,\nIt may be thought we held him carelessly," - "Being our kinsman, if we revel much.\nTherefore we’ll have some half a dozen friends,\nAnd there an end. But what say you to Thursday?\n\nPARIS.\nMy lord, I would that Thursday were tomorrow." - "CAPULET.\nWell, get you gone. A Thursday be it then.\nGo you to Juliet ere you go to bed,\nPrepare her, wife, against this wedding day.\nFarewell, my lord.—Light to my chamber, ho!\nAfore me, it is so very very late that we\nMay call it early by and by. Good night.\n\n [_Exeunt._]" - "SCENE V. An open Gallery to Juliet’s Chamber, overlooking the Garden.\n\n Enter Romeo and Juliet.\n\nJULIET.\nWilt thou be gone? It is not yet near day.\nIt was the nightingale, and not the lark,\nThat pierc’d the fearful hollow of thine ear;\nNightly she sings on yond pomegranate tree.\nBelieve me, love, it was the nightingale." @@ -385,7 +386,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Trust to’t, bethink you, I’ll not be forsworn.\n\n [_Exit._]\n\nJULIET.\nIs there no pity sitting in the clouds,\nThat sees into the bottom of my grief?\nO sweet my mother, cast me not away,\nDelay this marriage for a month, a week,\nOr, if you do not, make the bridal bed\nIn that dim monument where Tybalt lies." - "LADY CAPULET.\nTalk not to me, for I’ll not speak a word.\nDo as thou wilt, for I have done with thee.\n\n [_Exit._]" - "JULIET.\nO God! O Nurse, how shall this be prevented?\nMy husband is on earth, my faith in heaven.\nHow shall that faith return again to earth,\nUnless that husband send it me from heaven\nBy leaving earth? Comfort me, counsel me.\nAlack, alack, that heaven should practise stratagems\nUpon so soft a subject as myself.\nWhat say’st thou? Hast thou not a word of joy?" -- "Some comfort, Nurse.\n\nNURSE.\nFaith, here it is.\nRomeo is banished; and all the world to nothing\nThat he dares ne’er come back to challenge you.\nOr if he do, it needs must be by stealth.\nThen, since the case so stands as now it doth,\nI think it best you married with the County.\nO, he’s a lovely gentleman.\nRomeo’s a dishclout to him. An eagle, madam," +- "Some comfort, Nurse." +- "NURSE.\nFaith, here it is.\nRomeo is banished; and all the world to nothing\nThat he dares ne’er come back to challenge you.\nOr if he do, it needs must be by stealth.\nThen, since the case so stands as now it doth,\nI think it best you married with the County.\nO, he’s a lovely gentleman.\nRomeo’s a dishclout to him. An eagle, madam," - "Hath not so green, so quick, so fair an eye\nAs Paris hath. Beshrew my very heart,\nI think you are happy in this second match,\nFor it excels your first: or if it did not,\nYour first is dead, or ’twere as good he were,\nAs living here and you no use of him.\n\nJULIET.\nSpeakest thou from thy heart?" - "NURSE.\nAnd from my soul too,\nOr else beshrew them both.\n\nJULIET.\nAmen.\n\nNURSE.\nWhat?\n\nJULIET.\nWell, thou hast comforted me marvellous much.\nGo in, and tell my lady I am gone,\nHaving displeas’d my father, to Lawrence’ cell,\nTo make confession and to be absolv’d." - "NURSE.\nMarry, I will; and this is wisely done.\n\n [_Exit._]" @@ -554,7 +556,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "representations concerning the copyright status of any work in any\ncountry other than the United States.\n\n1.E. Unless you have removed all references to Project Gutenberg:" - "1.E.1. 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Do not unlink or detach or remove the full Project Gutenberg-tm\nLicense terms from this work, or any files containing a part of this\nwork or any other work associated with Project Gutenberg-tm." diff --git a/tests/snapshots/text_splitter_snapshots__huggingface_trim@romeo_and_juliet.txt.snap b/tests/snapshots/text_splitter_snapshots__huggingface_trim@romeo_and_juliet.txt.snap index d830880c..dfe84529 100644 --- a/tests/snapshots/text_splitter_snapshots__huggingface_trim@romeo_and_juliet.txt.snap +++ b/tests/snapshots/text_splitter_snapshots__huggingface_trim@romeo_and_juliet.txt.snap @@ -8,7 +8,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - This eBook is for the use of anyone - anywhere in the United States and - most other parts of the world at no cost and -- "with almost no restrictions\nwhatsoever." +- with almost no restrictions +- whatsoever. - "You may copy it, give it away or re" - "-use it under the terms" - of the Project Gutenberg License included with this @@ -34,11 +35,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "AND JULIET\n\n\n\nby William Shakespeare" - "Contents\n\nTHE PROLOGUE." - "ACT I\nScene I. A public place." -- "Scene II. A Street.\nScene III." +- Scene II. A Street. +- Scene III. - Room in Capulet’s House. -- "Scene IV. A Street.\nScene V." +- Scene IV. A Street. +- Scene V. - A Hall in Capulet’s House. -- "ACT II\nCHORUS.\nScene I." +- "ACT II\nCHORUS." +- Scene I. - An open place adjoining Capulet’s Garden. - Scene II. Capulet’s Garden. - Scene III. Friar Lawrence’s Cell. @@ -53,7 +57,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - A Room in Capulet’s House. - Scene V. - "An open Gallery to Juliet’s Chamber, overlooking" -- "the Garden.\n\n\nACT IV" +- the Garden. +- ACT IV - Scene I. Friar Lawrence’s Cell. - Scene II. - Hall in Capulet’s House. @@ -108,7 +113,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Citizens of Verona; several Men and Women, relations" - to both houses; - "Maskers, Guards, Watchmen and" -- "Attendants.\n\nSCENE." +- Attendants. +- SCENE. - During the greater part of the Play in Verona; - "once, in the" - "Fifth Act, at Mantua." @@ -140,11 +146,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Exit._]\n\n\n\nACT I" - SCENE I. A public place. - Enter Sampson and Gregory armed with swords and -- "bucklers.\n\nSAMPSON." +- bucklers. +- SAMPSON. - "Gregory, on my word, we’ll not" -- "carry coals.\n\nGREGORY." +- carry coals. +- GREGORY. - "No, for then we should be colliers" -- ".\n\nSAMPSON." +- "." +- SAMPSON. - "I mean, if we be in choler" - ", we’ll draw." - GREGORY. @@ -156,12 +165,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - But thou art not quickly moved to strike. - SAMPSON. - A dog of the house of Montague moves me -- ".\n\nGREGORY." +- "." +- GREGORY. - To move is to stir; and to be - "valiant is to stand: therefore, if" - thou - "art moved, thou runn’st away" -- ".\n\nSAMPSON." +- "." +- SAMPSON. - A dog of that house shall move me to stand - "." - I will take the wall of any man or maid @@ -177,7 +188,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - thrust his maids to the wall. - GREGORY. - The quarrel is between our masters and us -- "their men.\n\nSAMPSON." +- their men. +- SAMPSON. - "’Tis all one, I will show myself" - "a tyrant: when I have fought with" - the @@ -188,7 +200,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - SAMPSON. - "Ay, the heads of the maids," - or their maidenheads; take it in what sense -- "thou wilt.\n\nGREGORY." +- thou wilt. +- GREGORY. - They must take it in sense that feel it. - SAMPSON. - Me they shall feel while I am able to stand @@ -201,7 +214,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Draw thy tool; here comes of the house of - Montagues. - Enter Abram and Balthasar -- ".\n\nSAMPSON." +- "." +- SAMPSON. - "My naked weapon is out: quarrel," - I will back thee. - GREGORY. @@ -211,14 +225,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "No, marry; I fear thee!" - SAMPSON. - Let us take the law of our sides; let -- "them begin.\n\nGREGORY." +- them begin. +- GREGORY. - "I will frown as I pass by, and let" - them take it as they list. - SAMPSON. - "Nay, as they dare." - "I will bite my thumb at them, which is" - disgrace to -- "them if they bear it.\n\nABRAM." +- them if they bear it. +- ABRAM. - "Do you bite your thumb at us, sir?" - SAMPSON. - "I do bite my thumb, sir." @@ -231,7 +247,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - SAMPSON. - "No sir, I do not bite my thumb at" - "you, sir; but I bite my thumb," -- "sir.\n\nGREGORY." +- sir. +- GREGORY. - "Do you quarrel, sir?" - ABRAM. - "Quarrel, sir? No, sir." @@ -257,11 +274,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "put up your swords, you know not what you" - do. - "[_Beats down their swords._]" -- "Enter Tybalt.\n\nTYBALT." +- Enter Tybalt. +- TYBALT. - "What, art thou drawn among these heartless" - hinds? - "Turn thee Benvolio, look upon thy death" -- ".\n\nBENVOLIO." +- "." +- BENVOLIO. - "I do but keep the peace, put up thy" - "sword," - Or manage it to part these men with me. @@ -278,7 +297,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Down with the Capulets! - Down with the Montagues! - "Enter Capulet in his gown, and Lady" -- "Capulet.\n\nCAPULET." +- Capulet. +- CAPULET. - What noise is this? - "Give me my long sword, ho!" - LADY CAPULET. @@ -296,10 +316,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Thou shalt not stir one foot to seek - a foe. - "Enter Prince Escalus, with" -- "Attendants.\n\nPRINCE." +- Attendants. +- PRINCE. - "Rebellious subjects, enemies to peace," - "Profaners of this neighbour-stained steel," -- "—\nWill they not hear? What, ho!" +- — +- "Will they not hear? What, ho!" - "You men, you beasts," - That quench the fire of your pernicious - "rage\nWith purple fountains issuing from your veins," @@ -335,7 +357,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Who set this ancient quarrel new - abroach? - "Speak, nephew, were you by when it began" -- "?\n\nBENVOLIO." +- "?" +- BENVOLIO. - Here were the servants of your adversary - "And yours, close fighting ere I did approach" - "." @@ -355,7 +378,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - LADY MONTAGUE. - "O where is Romeo, saw you him today?" - Right glad I am he was not at this -- "fray.\n\nBENVOLIO." +- fray. +- BENVOLIO. - "Madam, an hour before the" - worshipp’d sun - Peer’d forth the golden window of the @@ -395,7 +419,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - I neither know it nor can learn of him. - BENVOLIO. - Have you importun’d him by any means -- "?\n\nMONTAGUE." +- "?" +- MONTAGUE. - Both by myself and many other friends; - "But he, his own affections’ counsellor" - "," @@ -410,11 +435,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Could we but learn from whence his sorrows - "grow," - We would as willingly give cure as know. -- "Enter Romeo.\n\nBENVOLIO." +- Enter Romeo. +- BENVOLIO. - "See, where he comes." - So please you step aside; - I’ll know his grievance or be -- "much denied.\n\nMONTAGUE." +- much denied. +- MONTAGUE. - I would thou wert so happy by thy stay - To hear true shrift. - "Come, madam, let’s away," @@ -424,10 +451,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Good morrow, cousin." - "ROMEO.\nIs the day so young?" - BENVOLIO. -- "But new struck nine.\n\nROMEO." +- But new struck nine. +- ROMEO. - "Ay me, sad hours seem long." - Was that my father that went hence so fast? -- "BENVOLIO.\nIt was." +- BENVOLIO. +- It was. - What sadness lengthens Romeo’s hours? - ROMEO. - "Not having that which, having, makes them short" @@ -439,11 +468,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - BENVOLIO. - "Alas that love so gentle in his view," - Should be so tyrannous and rough in -- "proof.\n\nROMEO." +- proof. +- ROMEO. - "Alas that love, whose view is muffled still" - "," - "Should, without eyes, see pathways to his will" -- "!\nWhere shall we dine? O me!" +- "!" +- Where shall we dine? O me! - What fray was here? - "Yet tell me not, for I have heard it" - all. @@ -470,7 +501,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Griefs of mine own lie heavy in my - "breast," - Which thou wilt propagate to have it -- "prest\nWith more of thine." +- prest +- With more of thine. - This love that thou hast shown - Doth add more grief to too much of mine - own. @@ -488,14 +520,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - BENVOLIO. - "Soft! I will go along:" - "And if you leave me so, you do me" -- "wrong.\n\nROMEO.\nTut!" +- wrong. +- ROMEO. +- Tut! - I have lost myself; I am not here. - "This is not Romeo, he’s some other" -- "where.\n\nBENVOLIO." +- where. +- BENVOLIO. - Tell me in sadness who is that you love? - ROMEO. - "What, shall I groan and tell thee?" -- "BENVOLIO.\nGroan!" +- BENVOLIO. +- Groan! - "Why, no; but sadly tell me who." - ROMEO. - Bid a sick man in sadness make his will @@ -503,14 +539,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - A word ill urg’d to one that - is so ill. - "In sadness, cousin, I do love a woman" -- ".\n\nBENVOLIO." +- "." +- BENVOLIO. - I aim’d so near when I - suppos’d you lov’d -- ".\n\nROMEO." +- "." +- ROMEO. - "A right good markman, and she’s" -- "fair I love.\n\nBENVOLIO." +- fair I love. +- BENVOLIO. - "A right fair mark, fair coz, is" -- "soonest hit.\n\nROMEO." +- soonest hit. +- ROMEO. - "Well, in that hit you miss:" - she’ll not be hit - "With Cupid’s arrow, she hath" @@ -526,9 +566,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "gold:" - "O she’s rich in beauty, only poor" - "That when she dies, with beauty dies her store" -- ".\n\nBENVOLIO." +- "." +- BENVOLIO. - Then she hath sworn that she will still live -- "chaste?\n\nROMEO." +- chaste? +- ROMEO. - "She hath, and in that sparing makes" - huge waste; - "For beauty starv’d with her severity," @@ -539,9 +581,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "She hath forsworn to love," - and in that vow - "Do I live dead, that live to tell it" -- "now.\n\nBENVOLIO." +- now. +- BENVOLIO. - "Be rul’d by me, forget to" -- "think of her.\n\nROMEO." +- think of her. +- ROMEO. - O teach me how I should forget to think. - BENVOLIO. - By giving liberty unto thine eyes; @@ -557,7 +601,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Where I may read who pass’d that passing - fair? - "Farewell, thou canst not teach me" -- "to forget.\n\nBENVOLIO." +- to forget. +- BENVOLIO. - "I’ll pay that doctrine, or else die" - in debt. - "[_Exeunt._]" @@ -568,19 +613,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - In penalty alike; and ’tis not hard - ", I think," - For men so old as we to keep the peace -- ".\n\nPARIS." +- "." +- PARIS. - "Of honourable reckoning are you both," - And pity ’tis you liv’d - at odds so long. - "But now my lord, what say you to my" -- "suit?\n\nCAPULET." +- suit? +- CAPULET. - But saying o’er what I have said before - "." - "My child is yet a stranger in the world," - She hath not seen the change of fourteen years - ";\nLet two more summers wither in their pride" - Ere we may think her ripe to be a -- "bride.\n\nPARIS." +- bride. +- PARIS. - Younger than she are happy mothers made. - CAPULET. - And too soon marr’d are those so @@ -613,14 +661,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Which, on more view of many, mine," - "being one," - "May stand in number, though in reckoning" -- "none.\nCome, go with me." +- none. +- "Come, go with me." - "Go, sirrah, trudge about" - Through fair Verona; find those persons out - "Whose names are written there, [_gives" - "a paper_] and to them say," - My house and welcome on their pleasure stay. - "[_Exeunt Capulet and Paris." -- "_]\n\nSERVANT." +- "_]" +- SERVANT. - Find them out whose names are written here! - It is written that the - shoemaker should meddle with his yard and the @@ -664,9 +714,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - SERVANT. - Perhaps you have learned it without book. - "But I pray, can you read anything you see" -- "?\n\nROMEO." +- "?" +- ROMEO. - "Ay, If I know the letters and the" -- "language.\n\nSERVANT." +- language. +- SERVANT. - "Ye say honestly, rest you merry!" - ROMEO. - "Stay, fellow; I can read." @@ -691,7 +743,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "SERVANT.\nMy master’s." - ROMEO. - Indeed I should have ask’d you that before -- ".\n\nSERVANT." +- "." +- SERVANT. - Now I’ll tell you without asking. - "My master is the great rich Capulet," - and if you be not of the house of @@ -708,26 +761,31 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Compare her face with some that I shall - "show," - And I will make thee think thy swan a -- "crow.\n\nROMEO." +- crow. +- ROMEO. - When the devout religion of mine eye - "Maintains such falsehood, then turn tears to" - fire; - "And these who, often drown’d, could" - "never die," - "Transparent heretics, be burnt for" -- "liars.\nOne fairer than my love?" +- liars. +- One fairer than my love? - The all-seeing sun - Ne’er saw her match since first the -- "world begun.\n\nBENVOLIO." +- world begun. +- BENVOLIO. - "Tut, you saw her fair, none else" - "being by," - Herself pois’d with herself in either -- "eye:\nBut in that crystal scales let there be" +- "eye:" +- But in that crystal scales let there be - weigh’d - Your lady’s love against some other maid - "That I will show you shining at this feast," - And she shall scant show well that now shows -- "best.\n\nROMEO." +- best. +- ROMEO. - "I’ll go along, no such sight to" - "be shown," - But to rejoice in splendour @@ -738,9 +796,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Enter Lady Capulet and Nurse. - LADY CAPULET. - "Nurse, where’s my daughter?" -- "Call her forth to me.\n\nNURSE." +- Call her forth to me. +- NURSE. - "Now, by my maidenhead, at twelve year" -- "old,\nI bade her come." +- "old," +- I bade her come. - "What, lamb! What ladybird!" - God forbid! Where’s this girl? - "What, Juliet!\n\n Enter Juliet." @@ -758,10 +818,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I have remember’d me, thou’s" - hear our counsel. - Thou knowest my daughter’s of a -- "pretty age.\n\nNURSE." +- pretty age. +- NURSE. - "Faith, I can tell her age unto an hour" -- ".\n\nLADY CAPULET." -- "She’s not fourteen.\n\nNURSE." +- "." +- LADY CAPULET. +- She’s not fourteen. +- NURSE. - "I’ll lay fourteen of my teeth," - "And yet, to my teen be it spoken," - "I have but four," @@ -775,7 +838,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Come Lammas Eve at night shall she be fourteen - "." - "Susan and she,—God rest all Christian souls" -- "!—\nWere of an age." +- "!—" +- Were of an age. - "Well, Susan is with God;" - She was too good for me. - "But as I said," @@ -792,7 +856,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "," - Sitting in the sun under the dovehouse wall; - My lord and you were then at Mantua -- ":\nNay, I do bear a brain." +- ":" +- "Nay, I do bear a brain." - "But as I said," - When it did taste the wormwood on the nipple - "Of my dug and felt it bitter, pretty fool" @@ -822,14 +887,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - To see now how a jest shall come about - "." - "I warrant, and I should live a thousand years" -- ",\nI never should forget it." +- "," +- I never should forget it. - "‘Wilt thou not, Jule?’" - quoth he; - "And, pretty fool, it stinted, and" - said ‘Ay.’ - LADY CAPULET. - Enough of this; I pray thee hold thy peace -- ".\n\nNURSE." +- "." +- NURSE. - "Yes, madam, yet I cannot choose but" - "laugh," - "To think it should leave crying, and say ‘" @@ -845,10 +912,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - to age; - "Wilt thou not, Jule?’" - "it stinted, and said ‘Ay’" -- ".\n\nJULIET." +- "." +- JULIET. - "And stint thou too, I pray thee, Nurse" - ", say I." -- "NURSE.\nPeace, I have done." +- NURSE. +- "Peace, I have done." - God mark thee to his grace - Thou wast the prettiest babe that - "e’er I nurs’d:" @@ -861,7 +930,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - How stands your disposition to be married? - JULIET. - It is an honour that I dream not of. -- "NURSE.\nAn honour!" +- NURSE. +- An honour! - "Were not I thine only nurse," - I would say thou hadst suck’d wisdom - from thy teat. @@ -874,13 +944,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Thus, then, in brief;" - The valiant Paris seeks you for his love - "." -- "NURSE.\nA man, young lady!" +- NURSE. +- "A man, young lady!" - "Lady, such a man" - As all the world—why he’s a - man of wax. - LADY CAPULET. - Verona’s summer hath not such a flower -- ".\n\nNURSE." +- "." +- NURSE. - "Nay, he’s a flower, in" - faith a very flower. - LADY CAPULET. @@ -898,7 +970,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "This precious book of love, this unbound lover" - "," - "To beautify him, only lacks a cover" -- ":\nThe fish lives in the sea; and ’" +- ":" +- The fish lives in the sea; and ’ - tis much pride - For fair without the fair within to hide. - That book in many’s eyes doth share @@ -912,7 +985,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Women grow by men. - LADY CAPULET. - "Speak briefly, can you like of Paris’ love" -- "?\n\nJULIET." +- "?" +- JULIET. - "I’ll look to like, if looking liking" - "move:" - But no more deep will I endart mine eye @@ -928,7 +1002,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - LADY CAPULET. - We follow thee. - "[_Exit Servant._]" -- "Juliet, the County stays.\n\nNURSE." +- "Juliet, the County stays." +- NURSE. - "Go, girl, seek happy nights to happy days" - ".\n\n [_Exeunt._]" - SCENE IV. A Street. @@ -949,13 +1024,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "After the prompter, for our entrance:" - "But let them measure us by what they will," - "We’ll measure them a measure, and be" -- "gone.\n\nROMEO." +- gone. +- ROMEO. - "Give me a torch, I am not for this" - ambling; - Being but heavy I will bear the light. - MERCUTIO. - "Nay, gentle Romeo, we must have you" -- "dance.\n\nROMEO." +- dance. +- ROMEO. - "Not I, believe me, you have dancing shoes" - "," - "With nimble soles, I have a soul" @@ -975,7 +1052,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - MERCUTIO. - "And, to sink in it, should you burden" - "love;\nToo great oppression for a tender thing." -- "ROMEO.\nIs love a tender thing?" +- ROMEO. +- Is love a tender thing? - "It is too rough," - "Too rude, too boisterous; and" - it pricks like thorn. @@ -991,25 +1069,29 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - What care I - What curious eye doth quote deformities? - Here are the beetle-brows shall blush for me -- ".\n\nBENVOLIO." +- "." +- BENVOLIO. - "Come, knock and enter; and no sooner in" - But every man betake him to his legs. - ROMEO. - "A torch for me: let wantons, light" - "of heart," - Tickle the senseless rushes with their heels -- ";\nFor I am proverb’d with a" +- ; +- For I am proverb’d with a - "grandsire phrase," - I’ll be a candle-holder and look - "on," - "The game was ne’er so fair, and" -- "I am done.\n\nMERCUTIO." +- I am done. +- MERCUTIO. - "Tut, dun’s the mouse," - "the constable’s own word:" - "If thou art dun, we’ll draw" - thee from the mire - "Or save your reverence love, wherein thou" -- "stickest\nUp to the ears." +- stickest +- Up to the ears. - "Come, we burn daylight, ho." - ROMEO. - "Nay, that’s not so." @@ -1019,18 +1101,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - day. - "Take our good meaning, for our judgment sits" - Five times in that ere once in our five -- "wits.\n\nROMEO." +- wits. +- ROMEO. - And we mean well in going to this mask; - But ’tis no wit to go. - MERCUTIO. -- "Why, may one ask?\n\nROMEO." +- "Why, may one ask?" +- ROMEO. - I dreamt a dream tonight. - "MERCUTIO.\nAnd so did I." - "ROMEO.\nWell what was yours?" - MERCUTIO. -- "That dreamers often lie.\n\nROMEO." +- That dreamers often lie. +- ROMEO. - "In bed asleep, while they do dream things true" -- ".\n\nMERCUTIO." +- "." +- MERCUTIO. - "O, then, I see Queen Mab" - hath been with you. - "She is the fairies’ midwife, and she" @@ -1045,7 +1131,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "The cover, of the wings of grasshoppers" - ; - "Her traces, of the smallest spider’s web" -- ";\nThe collars, of the" +- ; +- "The collars, of the" - moonshine’s watery beams; - Her whip of cricket’s bone; the - "lash, of film;" @@ -1055,7 +1142,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Prick’d from the lazy finger of a - "maid:" - Her chariot is an empty hazelnut -- ",\nMade by the joiner squirrel or old" +- "," +- Made by the joiner squirrel or old - "grub," - Time out o’ mind the fairies’ coachmakers - "." @@ -1071,7 +1159,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Which oft the angry Mab with - "blisters plagues," - Because their breaths with sweetmeats tainted are -- ":\nSometime she gallops o’er a" +- ":" +- Sometime she gallops o’er a - "courtier’s nose," - And then dreams he of smelling out a suit; - And sometime comes she with a tithe- @@ -1089,7 +1178,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Drums in his ear, at which he starts and" - wakes; - "And, being thus frighted, swears" -- "a prayer or two,\nAnd sleeps again." +- "a prayer or two," +- And sleeps again. - This is that very Mab - That plats the manes of horses in - the night; @@ -1101,7 +1191,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "on their backs," - "That presses them, and learns them first to bear" - ",\nMaking them women of good carriage:" -- "This is she,—\n\nROMEO." +- "This is she,—" +- ROMEO. - "Peace, peace, Mercutio, peace" - ",\nThou talk’st of nothing." - MERCUTIO. @@ -1116,10 +1207,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And, being anger’d, puffs away" - "from thence," - Turning his side to the dew-dropping south -- ".\n\nBENVOLIO." +- "." +- BENVOLIO. - "This wind you talk of blows us from ourselves:" - "Supper is done, and we shall come too" -- "late.\n\nROMEO." +- late. +- ROMEO. - "I fear too early: for my mind" - misgives - "Some consequence yet hanging in the stars," @@ -1151,7 +1244,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - FIRST SERVANT. - "Away with the join-stools, remove the" - "court-cupboard, look to the" -- "plate. Good thou, save me a piece of" +- plate. +- "Good thou, save me a piece of" - "marchpane; and as thou loves me," - let the porter let in Susan - Grindstone and Nell. @@ -1169,7 +1263,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Exeunt._]" - "Enter Capulet, &c. with the" - Guests and Gentlewomen to the -- "Maskers.\n\nCAPULET." +- Maskers. +- CAPULET. - "Welcome, gentlemen, ladies that have their toes" - Unplagu’d with corns will - have a bout with you. @@ -1224,14 +1319,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What lady is that, which doth enrich" - "the hand\nOf yonder knight?" - SERVANT. -- "I know not, sir.\n\nROMEO." +- "I know not, sir." +- ROMEO. - "O, she doth teach the torches to" - burn bright! - It seems she hangs upon the cheek of night - As a rich jewel in an - Ethiop’s ear; - "Beauty too rich for use, for earth too dear" -- "!\nSo shows a snowy dove trooping with" +- "!" +- So shows a snowy dove trooping with - crows - As yonder lady o’er her fellows shows - "." @@ -1241,9 +1338,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Did my heart love till now? - "Forswear it, sight!" - For I ne’er saw true beauty till this -- "night.\n\nTYBALT." +- night. +- TYBALT. - "This by his voice, should be a Montague" -- ".\nFetch me my rapier, boy." +- "." +- "Fetch me my rapier, boy." - "What, dares the slave" - "Come hither, cover’d with an" - "antic face," @@ -1251,7 +1350,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "?" - "Now by the stock and honour of my kin," - To strike him dead I hold it not a sin -- ".\n\nCAPULET." +- "." +- CAPULET. - "Why how now, kinsman!" - Wherefore storm you so? - TYBALT. @@ -1267,7 +1367,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Content thee, gentle coz, let him alone" - ",\nA bears him like a portly gentleman;" - "And, to say truth, Verona brags of" -- "him\nTo be a virtuous and well-" +- him +- To be a virtuous and well- - govern’d youth. - I would not for the wealth of all the town - Here in my house do him disparagement @@ -1278,7 +1379,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Show a fair presence and put off these frowns - "," - An ill-beseeming semblance for -- "a feast.\n\nTYBALT." +- a feast. +- TYBALT. - "It fits when such a villain is a guest:" - I’ll not endure him. - CAPULET. @@ -1286,7 +1388,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What, goodman boy!" - "I say he shall, go to;" - "Am I the master here, or you?" -- "Go to.\nYou’ll not endure him!" +- Go to. +- You’ll not endure him! - "God shall mend my soul," - You’ll make a mutiny among my - guests! @@ -1299,7 +1402,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - You are a saucy boy. - "Is’t so, indeed?" - "This trick may chance to scathe you," -- "I know what.\nYou must contrary me!" +- I know what. +- You must contrary me! - "Marry, ’tis time." - "Well said, my hearts!—You are a" - "princox; go:" @@ -1314,7 +1418,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I will withdraw: but this intrusion shall," - "Now seeming sweet, convert to bitter gall." - "[_Exit._]" -- "ROMEO.\n[_To Juliet." +- ROMEO. +- "[_To Juliet." - "_] If I profane with my" - unworthiest hand - "This holy shrine, the gentle sin is this," @@ -1327,17 +1432,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - For saints have hands that pilgrims’ hands do touch - "," - And palm to palm is holy palmers’ kiss -- ".\n\nROMEO." +- "." +- ROMEO. - "Have not saints lips, and holy palmers too" -- "?\n\nJULIET." +- "?" +- JULIET. - "Ay, pilgrim, lips that they" -- "must use in prayer.\n\nROMEO." +- must use in prayer. +- ROMEO. - "O, then, dear saint, let lips do" - "what hands do:" - "They pray, grant thou, lest faith turn" -- "to despair.\n\nJULIET." +- to despair. +- JULIET. - "Saints do not move, though grant for prayers’" -- "sake.\n\nROMEO." +- sake. +- ROMEO. - Then move not while my prayer’s effect I - take. - "Thus from my lips, by thine my sin" @@ -1345,11 +1455,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Kissing her._]" - JULIET. - Then have my lips the sin that they have took -- ".\n\nROMEO.\nSin from my lips?" +- "." +- ROMEO. +- Sin from my lips? - O trespass sweetly urg’d! - Give me my sin again. - JULIET. -- "You kiss by the book.\n\nNURSE." +- You kiss by the book. +- NURSE. - "Madam, your mother craves a word" - with you. - "ROMEO.\nWhat is her mother?" @@ -1366,13 +1479,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - My life is my foe’s debt. - BENVOLIO. - "Away, be gone; the sport is at the" -- "best.\n\nROMEO." +- best. +- ROMEO. - "Ay, so I fear; the more is" -- "my unrest.\n\nCAPULET." +- my unrest. +- CAPULET. - "Nay, gentlemen, prepare not to be gone" - "," - We have a trifling foolish banquet towards -- ".\nIs it e’en so?" +- "." +- Is it e’en so? - "Why then, I thank you all;" - "I thank you, honest gentlemen; good night." - More torches here! @@ -1381,13 +1497,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "it waxes late," - I’ll to my rest. - "[_Exeunt all but Juliet and Nurse" -- "._]\n\nJULIET." +- "._]" +- JULIET. - "Come hither, Nurse." -- "What is yond gentleman?\n\nNURSE." +- What is yond gentleman? +- NURSE. - The son and heir of old Tiberio. - JULIET. - What’s he that now is going out of -- "door?\n\nNURSE." +- door? +- NURSE. - "Marry, that I think be young" - Petruchio. - JULIET. @@ -1416,7 +1535,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "NURSE.\nAnon, anon!" - "Come let’s away, the strangers all are" - "gone.\n\n [_Exeunt._]" -- "ACT II\n\n Enter Chorus.\n\nCHORUS." +- "ACT II\n\n Enter Chorus." +- CHORUS. - Now old desire doth in his deathbed lie - "," - And young affection gapes to be his heir; @@ -1442,14 +1562,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ".\n\n [_Exit._]" - SCENE I. - An open place adjoining Capulet’s Garden. -- "Enter Romeo.\n\nROMEO." +- Enter Romeo. +- ROMEO. - Can I go forward when my heart is here? - "Turn back, dull earth, and find thy centre" - out. - "[_He climbs the wall and leaps down" - "within it._]" - Enter Benvolio and Mercutio -- ".\n\nBENVOLIO." +- "." +- BENVOLIO. - Romeo! My cousin Romeo! Romeo! - "MERCUTIO.\nHe is wise," - And on my life hath @@ -1486,7 +1608,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - That in thy likeness thou appear to us. - BENVOLIO. - "An if he hear thee, thou wilt anger" -- "him.\n\nMERCUTIO." +- him. +- MERCUTIO. - This cannot anger him. ’Twould anger him - "To raise a spirit in his mistress’ circle," - "Of some strange nature, letting it there stand" @@ -1500,7 +1623,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Come, he hath hid himself among these trees" - To be consorted with the humorous night. - "Blind is his love, and best befits" -- "the dark.\n\nMERCUTIO." +- the dark. +- MERCUTIO. - "If love be blind, love cannot hit the mark" - "." - Now will he sit under a medlar tree @@ -1510,7 +1634,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O Romeo, that she were, O that she" - were - An open-arse and thou a poperin -- "pear!\nRomeo, good night." +- pear! +- "Romeo, good night." - I’ll to my truckle-bed. - This field-bed is too cold for me to - "sleep.\nCome, shall we go?" @@ -1566,19 +1691,25 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - When he bestrides the lazy-puffing - clouds - And sails upon the bosom of the air -- ".\n\nJULIET." +- "." +- JULIET. - "O Romeo, Romeo, wherefore art thou" - Romeo? - Deny thy father and refuse thy name. - "Or if thou wilt not, be but sworn" - "my love," - And I’ll no longer be a Capulet -- ".\n\nROMEO.\n[_Aside." +- "." +- ROMEO. +- "[_Aside." - "_] Shall I hear more, or shall I" -- "speak at this?\n\nJULIET." +- speak at this? +- JULIET. - ’Tis but thy name that is my enemy -- ";\nThou art thyself, though not a" -- "Montague.\nWhat’s Montague?" +- ; +- "Thou art thyself, though not a" +- Montague. +- What’s Montague? - "It is nor hand nor foot," - "Nor arm, nor face, nor any other part" - Belonging to a man. @@ -1592,7 +1723,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Without that title. - "Romeo, doff thy name," - "And for thy name, which is no part of" -- "thee,\nTake all myself.\n\nROMEO." +- "thee,\nTake all myself." +- ROMEO. - I take thee at thy word. - "Call me but love, and I’ll be" - new baptis’d; @@ -1607,7 +1739,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My name, dear saint, is hateful to" - "myself,\nBecause it is an enemy to thee." - "Had I it written, I would tear the word" -- ".\n\nJULIET." +- "." +- JULIET. - My ears have yet not drunk a hundred words - "Of thy tongue’s utterance, yet I" - know the sound. @@ -1621,37 +1754,45 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "," - "And the place death, considering who thou art," - If any of my kinsmen find thee here -- ".\n\nROMEO." +- "." +- ROMEO. - With love’s light wings did I - "o’erperch these walls," - "For stony limits cannot hold love out," - "And what love can do, that dares love" - "attempt:" - Therefore thy kinsmen are no stop to me -- ".\n\nJULIET." +- "." +- JULIET. - "If they do see thee, they will murder thee" -- ".\n\nROMEO." +- "." +- ROMEO. - "Alack, there lies more peril in" -- "thine eye\nThan twenty of their swords." +- thine eye +- Than twenty of their swords. - "Look thou but sweet," - And I am proof against their enmity. - JULIET. - I would not for the world they saw thee here -- ".\n\nROMEO." +- "." +- ROMEO. - I have night’s cloak to hide me from - "their eyes," - "And but thou love me, let them find me" - "here.\nMy life were better ended by their hate" - "Than death prorogued, wanting of thy love" -- ".\n\nJULIET." +- "." +- JULIET. - By whose direction found’st thou out this -- "place?\n\nROMEO." +- place? +- ROMEO. - "By love, that first did prompt me to" - enquire; - "He lent me counsel, and I lent him eyes" - "." - I am no pilot; yet wert thou as -- "far\nAs that vast shore wash’d with the" +- far +- As that vast shore wash’d with the - "farthest sea," - I should adventure for such merchandise. - JULIET. @@ -1697,7 +1838,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ROMEO. - "Lady, by yonder blessed moon I vow," - That tips with silver all these fruit-tree tops -- ",—\n\nJULIET." +- ",—" +- JULIET. - "O swear not by the moon," - "th’inconstant moon," - "That monthly changes in her circled orb," @@ -1718,12 +1860,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "It is too rash, too" - "unadvis’d, too sudden," - "Too like the lightning, which doth cease to" -- "be\nEre one can say It lightens." +- be +- Ere one can say It lightens. - "Sweet, good night." - "This bud of love, by summer’s" - "ripening breath," - May prove a beauteous flower when next we -- "meet.\nGood night, good night." +- meet. +- "Good night, good night." - As sweet repose and rest - Come to thy heart as that within my breast. - ROMEO. @@ -1733,7 +1877,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - What satisfaction canst thou have tonight? - ROMEO. - Th’exchange of thy love’s faithful -- "vow for mine.\n\nJULIET." +- vow for mine. +- JULIET. - I gave thee mine before thou didst request it - ; - And yet I would it were to give again. @@ -1756,7 +1901,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - be true. - "Stay but a little, I will come again." - "[_Exit._]" -- "ROMEO.\nO blessed, blessed night." +- ROMEO. +- "O blessed, blessed night." - "I am afeard," - "Being in night, all this is but a dream" - ",\nToo flattering sweet to be substantial." @@ -1788,7 +1934,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "So thrive my soul,—" - JULIET. - A thousand times good night. -- "[_Exit._]\n\nROMEO." +- "[_Exit._]" +- ROMEO. - "A thousand times the worse, to want thy light" - "." - Love goes toward love as schoolboys from their @@ -1843,7 +1990,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - JULIET. - "Sweet, so would I:" - Yet I should kill thee with much cherishing -- ".\nGood night, good night." +- "." +- "Good night, good night." - Parting is such sweet sorrow - That I shall say good night till it be - "morrow.\n\n [_Exit._]" @@ -1869,7 +2017,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Enter Friar Lawrence with a basket. - FRIAR LAWRENCE. - "Now, ere the sun advance his burning eye" -- ",\nThe day to cheer, and night’s" +- "," +- "The day to cheer, and night’s" - "dank dew to dry," - I must upfill this osier cage of - ours @@ -1893,7 +2042,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Nor aught so good but, strain’d" - "from that fair use," - "Revolts from true birth, stumbling on abuse" -- ".\nVirtue itself turns vice being" +- "." +- Virtue itself turns vice being - "misapplied," - And vice sometime’s by action dignified - ".\n\n Enter Romeo." @@ -1908,7 +2058,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - rude will; - "And where the worser is predominant," - Full soon the canker death eats up that plant -- ".\n\nROMEO." +- "." +- ROMEO. - "Good morrow, father." - FRIAR LAWRENCE. - Benedicite! @@ -1932,12 +2083,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Our Romeo hath not been in bed tonight. - ROMEO. - That last is true; the sweeter rest was -- "mine.\n\nFRIAR LAWRENCE." +- mine. +- FRIAR LAWRENCE. - God pardon sin. - Wast thou with Rosaline? - ROMEO. - "With Rosaline, my ghostly father?" -- "No.\nI have forgot that name, and that" +- No. +- "I have forgot that name, and that" - name’s woe. - FRIAR LAWRENCE. - That’s my good son. @@ -1958,14 +2111,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Be plain, good son, and homely in" - thy drift; - Riddling confession finds but riddling -- "shrift.\n\nROMEO." +- shrift. +- ROMEO. - Then plainly know my heart’s dear love - is set - On the fair daughter of rich Capulet. - "As mine on hers, so hers is set on" - mine; - "And all combin’d, save what thou" -- "must combine\nBy holy marriage." +- must combine +- By holy marriage. - "When, and where, and how" - "We met, we woo’d, and" - "made exchange of vow," @@ -1975,7 +2130,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - FRIAR LAWRENCE. - Holy Saint Francis! What a change is here! - "Is Rosaline, that thou didst love so" -- "dear,\nSo soon forsaken?" +- "dear," +- So soon forsaken? - Young men’s love then lies - "Not truly in their hearts, but in their eyes" - "." @@ -1999,12 +2155,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - And art thou chang’d? - "Pronounce this sentence then," - "Women may fall, when there’s no strength" -- "in men.\n\nROMEO." +- in men. +- ROMEO. - Thou chidd’st me - oft for loving Rosaline. - FRIAR LAWRENCE. - "For doting, not for loving, pupil mine" -- ".\n\nROMEO." +- "." +- ROMEO. - And bad’st me bury love. - FRIAR LAWRENCE. - Not in a grave @@ -2023,7 +2181,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - In one respect I’ll thy assistant be; - "For this alliance may so happy prove," - To turn your households’ rancour to pure -- "love.\n\nROMEO." +- love. +- ROMEO. - O let us hence; I stand on sudden - haste. - FRIAR LAWRENCE. @@ -2031,22 +2190,26 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ".\n\n [_Exeunt._]" - SCENE IV. A Street. - Enter Benvolio and Mercutio -- ".\n\nMERCUTIO." +- "." +- MERCUTIO. - Where the devil should this Romeo be? - Came he not home tonight? - BENVOLIO. - Not to his father’s; I spoke with -- "his man.\n\nMERCUTIO." +- his man. +- MERCUTIO. - "Why, that same pale hard-hearted wench" - ", that Rosaline, torments him so" - that he will sure run mad. - BENVOLIO. - "Tybalt, the kinsman to old Capulet" - ", hath sent a letter to his" -- "father’s\nhouse.\n\nMERCUTIO." +- "father’s\nhouse." +- MERCUTIO. - "A challenge, on my life." - BENVOLIO. -- "Romeo will answer it.\n\nMERCUTIO." +- Romeo will answer it. +- MERCUTIO. - Any man that can write may answer a letter. - BENVOLIO. - "Nay, he will answer the letter’s" @@ -2066,7 +2229,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O, he’s the courageous captain of" - compliments. - "He fights as you sing prick-song," -- "keeps time, distance,\nand proportion." +- "keeps time, distance," +- and proportion. - "He rests his minim rest, one, two" - ", and the third in" - "your bosom: the very butcher of a" @@ -2080,9 +2244,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - MERCUTIO. - The pox of such antic lisping - ", affecting phantasies; these new" -- "tuners\nof accent." +- tuners +- of accent. - "By Jesu, a very good blade, a" -- "very tall man, a very good\nwhore." +- "very tall man, a very good" +- whore. - "Why, is not this a lamentable thing" - ", grandsire, that we should" - be thus afflicted with these strange flies @@ -2091,7 +2257,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - much on the new form that they cannot - sit at ease on the old bench? - "O their bones, their bones!" -- "Enter Romeo.\n\nBENVOLIO." +- Enter Romeo. +- BENVOLIO. - "Here comes Romeo, here comes Romeo!" - MERCUTIO. - "Without his roe, like a dried herring" @@ -2106,7 +2273,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Helen and Hero hildings - and harlots; Thisbe a grey eye - "or so, but not to the purpose." -- "Signior\nRomeo, bonjour!" +- Signior +- "Romeo, bonjour!" - There’s a French salutation to your - French slop. You - gave us the counterfeit fairly last night. @@ -2115,14 +2283,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - What counterfeit did I give you? - MERCUTIO. - "The slip sir, the slip; can you not" -- "conceive?\n\nROMEO." +- conceive? +- ROMEO. - "Pardon, good Mercutio, my" - "business was great, and in such a case as" - mine a man may strain courtesy. - MERCUTIO. - "That’s as much as to say, such" - a case as yours constrains a man to -- "bow\nin the hams.\n\nROMEO." +- "bow\nin the hams." +- ROMEO. - "Meaning, to curtsy." - MERCUTIO. - Thou hast most kindly hit it. @@ -2138,37 +2308,45 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "till thou hast worn out thy pump," - "that when the single sole of it is worn," - the jest may remain after the -- "wearing, solely singular.\n\nROMEO." +- "wearing, solely singular." +- ROMEO. - "O single-soled jest, solely singular" -- "for the singleness!\n\nMERCUTIO." +- for the singleness! +- MERCUTIO. - "Come between us, good Benvolio; my" -- "wits faint.\n\nROMEO." +- wits faint. +- ROMEO. - "Swits and spurs, swits" - and spurs; or I’ll cry a -- "match.\n\nMERCUTIO." +- match. +- MERCUTIO. - "Nay, if thy wits run the wild" - "-goose chase, I am done." - For thou hast - more of the wild-goose in one of thy - "wits, than I am sure, I have" -- "in my\nwhole five." +- in my +- whole five. - Was I with you there for the goose? - ROMEO. - "Thou wast never with me for anything," - "when thou wast not there for the\ngoose." - MERCUTIO. - I will bite thee by the ear for that -- "jest.\n\nROMEO." +- jest. +- ROMEO. - "Nay, good goose, bite not." - MERCUTIO. - "Thy wit is a very bitter sweeting," - it is a most sharp sauce. - ROMEO. - And is it not then well served in to a -- "sweet goose?\n\nMERCUTIO." +- sweet goose? +- MERCUTIO. - O here’s a wit of cheveril - ", that stretches from an inch narrow to an" -- "ell broad.\n\nROMEO." +- ell broad. +- ROMEO. - "I stretch it out for that word broad, which" - "added to the goose, proves" - thee far and wide a broad goose. @@ -2186,14 +2364,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Stop there, stop there." - MERCUTIO. - Thou desirest me to stop in my tale -- "against the hair.\n\nBENVOLIO." +- against the hair. +- BENVOLIO. - Thou wouldst else have made thy tale large -- ".\n\nMERCUTIO." +- "." +- MERCUTIO. - "O, thou art deceived; I would have" - "made it short, for I was come to the" - "whole depth of my tale, and meant indeed to" - "occupy the argument no\nlonger." -- "Enter Nurse and Peter.\n\nROMEO." +- Enter Nurse and Peter. +- ROMEO. - Here’s goodly gear! - "A sail, a sail!" - MERCUTIO. @@ -2217,12 +2398,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Out upon you! What a man are you? - ROMEO. - "One, gentlewoman, that God hath made" -- "for himself to mar.\n\nNURSE." +- for himself to mar. +- NURSE. - "By my troth, it is well said;" - "for himself to mar, quoth a" - "? Gentlemen," - can any of you tell me where I may find -- "the young Romeo?\n\nROMEO." +- the young Romeo? +- ROMEO. - "I can tell you: but young Romeo will be" - older when you have found him - than he was when you sought him. @@ -2232,9 +2415,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - MERCUTIO. - "Yea, is the worst well?" - "Very well took, i’faith; wisely" -- ", wisely.\n\nNURSE." +- ", wisely." +- NURSE. - "If you be he, sir, I desire some" -- "confidence with you.\n\nBENVOLIO." +- confidence with you. +- BENVOLIO. - She will endite him to some supper. - MERCUTIO. - "A bawd, a bawd," @@ -2259,14 +2444,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Farewell, ancient lady; farewell, lady" - ", lady, lady." - "[_Exeunt Mercutio and" -- "Benvolio._]\n\nNURSE." +- "Benvolio._]" +- NURSE. - "I pray you, sir, what saucy" - merchant was this that was so full of his -- "ropery?\n\nROMEO." +- ropery? +- ROMEO. - "A gentleman, Nurse, that loves to hear himself" - "talk, and will speak" - more in a minute than he will stand to in -- "a month.\n\nNURSE." +- a month. +- NURSE. - "And a speak anything against me, I’ll" - "take him down, and a were lustier" - "than he is, and twenty such Jacks." @@ -2276,17 +2464,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - gills; I am none of - his skains-mates.—And thou - must stand by too and suffer every knave to -- "use me at his pleasure!\n\nPETER." +- use me at his pleasure! +- PETER. - I saw no man use you at his pleasure; - "if I had, my weapon should" - quickly have been out. - "I warrant you, I dare draw as soon as" -- "another\nman, if I see occasion in a good" +- another +- "man, if I see occasion in a good" - "quarrel, and the law on my side" -- ".\n\nNURSE." +- "." +- NURSE. - "Now, afore God, I am so" - vexed that every part about me quivers -- ". Scurvy\nknave." +- ". Scurvy" +- knave. - "Pray you, sir, a word: and" - "as I told you, my young lady bid me" - enquire you out; what she bade me @@ -2299,13 +2491,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And therefore, if you should deal double with" - "her, truly it were an ill thing to be" - "offered to any gentlewoman, and" -- "very weak dealing.\n\nROMEO." +- very weak dealing. +- ROMEO. - "Nurse, commend me to thy lady and" - "mistress. I protest unto\nthee,—" - NURSE. - "Good heart, and i’faith I will tell" - "her as much. Lord, Lord, she will" -- "be a joyful woman.\n\nROMEO." +- be a joyful woman. +- ROMEO. - "What wilt thou tell her, Nurse?" - Thou dost not mark me. - NURSE. @@ -2317,11 +2511,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "," - And there she shall at Friar Lawrence’ cell - Be shriv’d and married. -- "Here is for thy pains.\n\nNURSE." +- Here is for thy pains. +- NURSE. - "No truly, sir; not a penny." - ROMEO. - Go to; I say you shall. -- "NURSE.\nThis afternoon, sir?" +- NURSE. +- "This afternoon, sir?" - "Well, she shall be there." - ROMEO. - "And stay, good Nurse, behind the abbey wall" @@ -2334,16 +2530,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Farewell, be trusty, and" - I’ll quit thy pains; - Farewell; commend me to thy -- "mistress.\n\nNURSE." +- mistress. +- NURSE. - Now God in heaven bless thee. -- "Hark you, sir.\n\nROMEO." +- "Hark you, sir." +- ROMEO. - "What say’st thou, my dear Nurse" -- "?\n\nNURSE.\nIs your man secret?" +- "?" +- NURSE. +- Is your man secret? - "Did you ne’er hear say," - "Two may keep counsel, putting one away?" - ROMEO. - I warrant thee my man’s as true as -- "steel.\n\nNURSE." +- steel. +- NURSE. - "Well, sir, my mistress is the sweetest" - "lady. Lord, Lord!" - When ’twas a @@ -2364,7 +2565,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ROMEO. - "Ay, Nurse; what of that?" - Both with an R. -- "NURSE.\nAh, mocker!" +- NURSE. +- "Ah, mocker!" - That’s the dog’s name. - "R is for the—no, I know it" - begins @@ -2412,7 +2614,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O God, she comes." - "O honey Nurse, what news?" - Hast thou met with him? -- "Send thy man away.\n\nNURSE." +- Send thy man away. +- NURSE. - "Peter, stay at the gate." - "[_Exit Peter._]" - JULIET. @@ -2423,7 +2626,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "If good, thou sham’st the" - music of sweet news - By playing it to me with so sour a face -- ".\n\nNURSE." +- "." +- NURSE. - "I am aweary, give me leave awhile;" - "Fie, how my bones ache!" - What a jaunt have I had! @@ -2431,11 +2635,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I would thou hadst my bones, and I" - "thy news:" - "Nay come, I pray thee speak; good" -- ", good Nurse, speak.\n\nNURSE." +- ", good Nurse, speak." +- NURSE. - "Jesu, what haste?" - Can you not stay a while? - Do you not see that I am -- "out of breath?\n\nJULIET." +- out of breath? +- JULIET. - "How art thou out of breath, when thou" - hast breath - To say to me that thou art out of breath @@ -2447,7 +2653,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Say either, and I’ll stay the" - circumstance. - "Let me be satisfied, is’t good or" -- "bad?\n\nNURSE." +- bad? +- NURSE. - "Well, you have made a simple choice; you" - know not how to choose a man. - "Romeo? No, not he." @@ -2462,10 +2669,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - as gentle as a lamb. Go thy - "ways, wench, serve God." - "What, have you dined at home?" -- "JULIET.\nNo, no." +- JULIET. +- "No, no." - But all this did I know before. - What says he of our marriage? -- "What of that?\n\nNURSE." +- What of that? +- NURSE. - "Lord, how my head aches!" - What a head have I! - It beats as it would fall in twenty pieces. @@ -2473,16 +2682,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O my back, my back!" - Beshrew your heart for sending me about - To catch my death with jauncing up and -- "down.\n\nJULIET." +- down. +- JULIET. - "I’faith, I am sorry that thou art" - not well. - "Sweet, sweet, sweet Nurse, tell me," -- "what says my love?\n\nNURSE." +- what says my love? +- NURSE. - "Your love says like an honest gentleman," - "And a courteous, and a kind, and" - "a handsome," - "And I warrant a virtuous,—Where" -- "is your mother?\n\nJULIET." +- is your mother? +- JULIET. - Where is my mother? - "Why, she is within." - Where should she be? @@ -2498,7 +2710,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Henceforward do your messages yourself. - JULIET. - Here’s such a coil. -- "Come, what says Romeo?\n\nNURSE." +- "Come, what says Romeo?" +- NURSE. - Have you got leave to go to shrift - today? - "JULIET.\nI have." @@ -2509,7 +2722,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Now comes the wanton blood up in your cheeks - "," - They’ll be in scarlet straight at any news -- ".\nHie you to church." +- "." +- Hie you to church. - "I must another way," - To fetch a ladder by the which your love - Must climb a bird’s nest soon when it @@ -2519,7 +2733,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - But you shall bear the burden soon at night. - Go. - I’ll to dinner; hie you to -- "the cell.\n\nJULIET." +- the cell. +- JULIET. - Hie to high fortune! - "Honest Nurse, farewell." - "[_Exeunt._]" @@ -2529,7 +2744,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - FRIAR LAWRENCE. - So smile the heavens upon this holy act - That after-hours with sorrow chide us not -- ".\n\nROMEO." +- "." +- ROMEO. - "Amen, amen, but come what sorrow" - "can," - It cannot countervail the exchange of joy @@ -2547,20 +2763,24 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - And in the taste confounds the appetite. - "Therefore love moderately: long love doth so;" - Too swift arrives as tardy as too slow. -- "Enter Juliet.\n\nHere comes the lady." +- Enter Juliet. +- Here comes the lady. - "O, so light a foot" - Will ne’er wear out the everlasting - flint. - A lover may bestride the gossamers - That idles in the wanton summer air - And yet not fall; so light is vanity -- ".\n\nJULIET." +- "." +- JULIET. - Good even to my ghostly confessor. - FRIAR LAWRENCE. - "Romeo shall thank thee, daughter, for us both" -- ".\n\nJULIET." +- "." +- JULIET. - "As much to him, else is his thanks too" -- "much.\n\nROMEO." +- much. +- ROMEO. - "Ah, Juliet, if the measure of thy joy" - "Be heap’d like mine, and that thy" - skill be more @@ -2572,7 +2792,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "both\nReceive in either by this dear encounter." - JULIET. - Conceit more rich in matter than in words -- ",\nBrags of his substance, not of" +- "," +- "Brags of his substance, not of" - ornament. - They are but beggars that can count their - worth; @@ -2595,7 +2816,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And if we meet, we shall not scape" - "a brawl," - "For now these hot days, is the mad blood" -- "stirring.\n\nMERCUTIO." +- stirring. +- MERCUTIO. - "Thou art like one of these fellows that," - when he enters the confines of - "a tavern, claps me his sword upon" @@ -2622,7 +2844,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - thou hast. - Thou wilt quarrel - "with a man for cracking nuts, having no other" -- "reason but because thou\nhast hazel eyes." +- reason but because thou +- hast hazel eyes. - What eye but such an eye would spy out such - a quarrel? - Thy head is as full of @@ -2644,29 +2867,35 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - And I were so apt to quarrel - "as thou art, any man should buy the fee" - simple of my life for an hour and a quarter -- ".\n\nMERCUTIO." +- "." +- MERCUTIO. - The fee simple! O simple! - Enter Tybalt and others. - BENVOLIO. - "By my head, here comes the Capulets" -- ".\n\nMERCUTIO." +- "." +- MERCUTIO. - "By my heel, I care not." - TYBALT. - "Follow me close, for I will speak to them" - "." - "Gentlemen, good-den: a word with one" -- "of you.\n\nMERCUTIO." +- of you. +- MERCUTIO. - And but one word with one of us? - Couple it with something; make it a -- "word and a blow.\n\nTYBALT." +- word and a blow. +- TYBALT. - "You shall find me apt enough to that," - "sir, and you will give me\noccasion." - MERCUTIO. - Could you not take some occasion without giving? - TYBALT. - "Mercutio, thou consortest with Romeo" -- ".\n\nMERCUTIO." -- "Consort? What, dost thou make us" +- "." +- MERCUTIO. +- Consort? +- "What, dost thou make us" - minstrels? - And thou make minstrels of - "us, look to hear nothing but discords." @@ -2678,14 +2907,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ".\nEither withdraw unto some private place," - "And reason coldly of your grievances," - Or else depart; here all eyes gaze on us -- ".\n\nMERCUTIO." +- "." +- MERCUTIO. - "Men’s eyes were made to look, and" - let them gaze. - I will not budge for no man’s - "pleasure, I.\n\n Enter Romeo." - TYBALT. - "Well, peace be with you, sir, here" -- "comes my man.\n\nMERCUTIO." +- comes my man. +- MERCUTIO. - "But I’ll be hanged, sir, if" - he wear your livery. - "Marry, go before to field," @@ -2694,17 +2925,20 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - TYBALT. - "Romeo, the love I bear thee can afford" - "No better term than this: Thou art a" -- "villain.\n\nROMEO." +- villain. +- ROMEO. - "Tybalt, the reason that I have to love" - thee - Doth much excuse the appertaining rage - To such a greeting. - Villain am I none; - Therefore farewell; I see thou know’st -- "me not.\n\nTYBALT." +- me not. +- TYBALT. - "Boy, this shall not excuse the injuries" - "That thou hast done me, therefore turn and" -- "draw.\n\nROMEO." +- draw. +- ROMEO. - I do protest I never injur’d - "thee," - But love thee better than thou canst devise @@ -2714,27 +2948,32 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "As dearly as mine own, be satisfied." - MERCUTIO. - "O calm, dishonourable, vile submission" -- "!\n[_Draws." +- "!" +- "[_Draws." - "_] Alla stoccata carries it" - away. - "Tybalt, you rat-catcher, will you" -- "walk?\n\nTYBALT." +- walk? +- TYBALT. - What wouldst thou have with me? - MERCUTIO. - "Good King of Cats, nothing but one of your" - nine lives; that I mean to - "make bold withal, and, as you shall" - "use me hereafter, dry-beat the" -- "rest\nof the eight." +- rest +- of the eight. - Will you pluck your sword out of his - pilcher by the ears? - "Make haste, lest mine be about your" - ears ere it be out. -- "TYBALT.\n[_Drawing." +- TYBALT. +- "[_Drawing." - "_] I am for you." - ROMEO. - "Gentle Mercutio, put thy" -- "rapier up.\n\nMERCUTIO." +- rapier up. +- MERCUTIO. - "Come, sir, your passado." - "[_They fight._]" - ROMEO. @@ -2769,12 +3008,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - but ’tis - "enough, ’twill serve." - "Ask for me tomorrow, and you shall find me" -- "a\ngrave man." +- a +- grave man. - "I am peppered, I warrant, for this" -- "world. A plague o’ both\nyour houses." +- world. A plague o’ both +- your houses. - "Zounds, a dog, a rat," - "a mouse, a cat, to scratch a man" -- "to\ndeath." +- to +- death. - "A braggart, a rogue, a villain" - ", that fights by the book of" - arithmetic!—Why the devil came you between us @@ -2789,7 +3031,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I have it, and soundly too." - Your houses! - "[_Exeunt Mercutio and" -- "Benvolio._]\n\nROMEO." +- "Benvolio._]" +- ROMEO. - "This gentleman, the Prince’s near ally," - "My very friend, hath got his mortal hurt" - In my behalf; my reputation stain’d @@ -2806,7 +3049,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - That gallant spirit hath - "aspir’d the clouds," - Which too untimely here did scorn the -- "earth.\n\nROMEO." +- earth. +- ROMEO. - This day’s black fate on mo days - doth depend; - This but begins the woe others must end. @@ -2825,12 +3069,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Is but a little way above our heads," - Staying for thine to keep him company. - "Either thou or I, or both, must go" -- "with him.\n\nTYBALT." +- with him. +- TYBALT. - "Thou wretched boy, that didst" - "consort him here,\nShalt with him hence." - "ROMEO.\nThis shall determine that." - "[_They fight; Tybalt falls." -- "_]\n\nBENVOLIO." +- "_]" +- BENVOLIO. - "Romeo, away, be gone!" - "The citizens are up, and Tybalt slain." - Stand not amaz’d. @@ -2847,16 +3093,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Which way ran he that kill’d - Mercutio? - "Tybalt, that murderer, which way ran he" -- "?\n\nBENVOLIO." +- "?" +- BENVOLIO. - There lies that Tybalt. - FIRST CITIZEN. - "Up, sir, go with me." - I charge thee in the Prince’s name obey -- ".\n\n Enter Prince, attended; Montague," +- "." +- "Enter Prince, attended; Montague," - "Capulet, their Wives and others." - PRINCE. - Where are the vile beginners of this -- "fray?\n\nBENVOLIO." +- fray? +- BENVOLIO. - "O noble Prince, I can discover all" - The unlucky manage of this fatal brawl - "." @@ -2871,9 +3120,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Of my dear kinsman! - "Prince, as thou art true," - For blood of ours shed blood of Montague. -- "O cousin, cousin.\n\nPRINCE." +- "O cousin, cousin." +- PRINCE. - "Benvolio, who began this bloody fray" -- "?\n\nBENVOLIO." +- "?" +- BENVOLIO. - "Tybalt, here slain, whom Romeo’s" - hand did slay; - "Romeo, that spoke him fair, bid him" @@ -2886,7 +3137,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Could not take truce with the unruly - spleen - "Of Tybalt, deaf to peace, but that" -- "he tilts\nWith piercing steel at bold" +- he tilts +- With piercing steel at bold - "Mercutio’s breast," - "Who, all as hot, turns deadly point to" - "point," @@ -2917,17 +3169,20 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - LADY CAPULET. - He is a kinsman to the Montague. - "Affection makes him false, he speaks not" -- "true.\nSome twenty of them fought in this black" +- true. +- Some twenty of them fought in this black - "strife," - And all those twenty could but kill one life. - "I beg for justice, which thou, Prince," - must give; - "Romeo slew Tybalt, Romeo must not live" -- ".\n\nPRINCE." +- "." +- PRINCE. - "Romeo slew him, he slew" - Mercutio. - Who now the price of his dear blood doth -- "owe?\n\nMONTAGUE." +- owe? +- MONTAGUE. - "Not Romeo, Prince, he was" - Mercutio’s friend; - "His fault concludes but what the law should end," @@ -2952,7 +3207,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Exeunt._]" - SCENE II. - A Room in Capulet’s House. -- "Enter Juliet.\n\nJULIET." +- Enter Juliet. +- JULIET. - "Gallop apace, you fiery-" - "footed steeds," - Towards Phoebus’ lodging. @@ -2962,11 +3218,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Spread thy close curtain, love-performing" - "night," - "That runaway’s eyes may wink, and" -- "Romeo\nLeap to these arms," +- Romeo +- "Leap to these arms," - untalk’d of and unseen. - Lovers can see to do their amorous rites - "By their own beauties: or, if" -- "love be blind,\nIt best agrees with night." +- "love be blind," +- It best agrees with night. - "Come, civil night," - "Thou sober-suited matron, all in" - "black," @@ -2995,7 +3253,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O, I have bought the mansion of a love" - "," - But not possess’d it; and though I -- "am sold,\nNot yet enjoy’d." +- "am sold," +- Not yet enjoy’d. - So tedious is this day - As is the night before some festival - To an impatient child that hath new robes @@ -3021,14 +3280,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - undone. - "Alack the day, he’s gone," - "he’s kill’d, he’s" -- "dead.\n\nJULIET." +- dead. +- JULIET. - Can heaven be so envious? - "NURSE.\nRomeo can," - "Though heaven cannot. O Romeo, Romeo." - Who ever would have thought it? Romeo! - JULIET. - "What devil art thou, that dost torment me" -- "thus?\nThis torture should be roar’d in" +- thus? +- This torture should be roar’d in - dismal hell. - Hath Romeo slain himself? - "Say thou but Ay," @@ -3042,7 +3303,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "If he be slain, say Ay; or" - "if not, No." - Brief sounds determine of my weal or -- "woe.\n\nNURSE." +- woe. +- NURSE. - "I saw the wound, I saw it with mine" - "eyes," - God save the mark!—here on his @@ -3073,14 +3335,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My dearest cousin, and my dearer lord" - "?\nThen dreadful trumpet sound the general doom," - "For who is living, if those two are gone" -- "?\n\nNURSE." +- "?" +- NURSE. - "Tybalt is gone, and Romeo banished," - "Romeo that kill’d him, he is banished" -- ".\n\nJULIET.\nO God!" +- "." +- JULIET. +- O God! - Did Romeo’s hand shed Tybalt’s -- "blood?\n\nNURSE." +- blood? +- NURSE. - "It did, it did; alas the day" -- ", it did.\n\nJULIET." +- ", it did." +- JULIET. - "O serpent heart, hid with a flowering face!" - Did ever dragon keep so fair a cave? - "Beautiful tyrant, fiend angelical," @@ -3118,9 +3385,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - crown’d - Sole monarch of the universal earth. - "O, what a beast was I to chide" -- "at him!\n\nNURSE." +- at him! +- NURSE. - Will you speak well of him that kill’d -- "your cousin?\n\nJULIET." +- your cousin? +- JULIET. - Shall I speak ill of him that is my husband - "?" - "Ah, poor my lord, what tongue shall smooth" @@ -3161,7 +3430,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Thy father or thy mother, nay or" - "both," - Which modern lamentation might have mov’d -- "?\nBut with a rear-ward following" +- "?" +- But with a rear-ward following - "Tybalt’s death," - ‘Romeo is banished’—to speak that word - "Is father, mother, Tybalt, Romeo," @@ -3181,7 +3451,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Wash they his wounds with tears. - "Mine shall be spent," - "When theirs are dry, for Romeo’s" -- "banishment.\nTake up those cords." +- banishment. +- Take up those cords. - "Poor ropes, you are beguil’d," - Both you and I; for Romeo is - exil’d. @@ -3192,13 +3463,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "to my wedding bed," - "And death, not Romeo, take my maidenhead" - "." -- "NURSE.\nHie to your chamber." -- "I’ll find Romeo\nTo comfort you." +- NURSE. +- Hie to your chamber. +- I’ll find Romeo +- To comfort you. - I wot well where he is. - "Hark ye, your Romeo will be here at" - night. - "I’ll to him, he is hid at" -- "Lawrence’ cell.\n\nJULIET." +- Lawrence’ cell. +- JULIET. - "O find him, give this ring to my true" - "knight," - And bid him come to take his last farewell. @@ -3213,14 +3487,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - of thy parts - And thou art wedded to calamity. - Enter Romeo. -- "ROMEO.\nFather, what news?" +- ROMEO. +- "Father, what news?" - What is the Prince’s doom? - "What sorrow craves acquaintance at my hand," - That I yet know not? - "FRIAR LAWRENCE.\nToo familiar" - Is my dear son with such sour company. - I bring thee tidings of the -- "Prince’s doom.\n\nROMEO." +- Prince’s doom. +- ROMEO. - What less than doomsday is the - Prince’s doom? - FRIAR LAWRENCE. @@ -3228,7 +3504,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "lips," - "Not body’s death, but body’s" - banishment. -- "ROMEO.\nHa, banishment?" +- ROMEO. +- "Ha, banishment?" - "Be merciful, say death;" - "For exile hath more terror in his look," - Much more than death. @@ -3236,7 +3513,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - FRIAR LAWRENCE. - Hence from Verona art thou banished. - "Be patient, for the world is broad and wide" -- ".\n\nROMEO." +- "." +- ROMEO. - "There is no world without Verona walls," - "But purgatory, torture, hell itself." - Hence banished is banish’d from the world @@ -3283,7 +3561,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "so mean," - But banished to kill me? Banished? - "O Friar, the damned use that word in" -- "hell.\nHowlings attends it." +- hell. +- Howlings attends it. - "How hast thou the heart," - "Being a divine, a ghostly confessor," - "A sin-absolver, and my" @@ -3291,7 +3570,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - To mangle me with that word banished? - FRIAR LAWRENCE. - "Thou fond mad man, hear me speak a" -- "little,\n\nROMEO." +- "little," +- ROMEO. - "O, thou wilt speak again of" - banishment. - FRIAR LAWRENCE. @@ -3308,9 +3588,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - talk no more. - FRIAR LAWRENCE. - "O, then I see that mad men have no" -- "ears.\n\nROMEO." +- ears. +- ROMEO. - "How should they, when that wise men have no" -- "eyes?\n\nFRIAR LAWRENCE." +- eyes? +- FRIAR LAWRENCE. - Let me dispute with thee of thy estate. - ROMEO. - Thou canst not speak of that thou @@ -3346,7 +3628,9 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Knocking._]" - Who knocks so hard? - "Whence come you, what’s your will" -- "?\n\nNURSE.\n[_Within." +- "?" +- NURSE. +- "[_Within." - "_] Let me come in, and you shall" - know my errand. - I come from Lady Juliet. @@ -3359,9 +3643,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - where’s Romeo? - FRIAR LAWRENCE. - "There on the ground, with his own tears made" -- "drunk.\n\nNURSE." +- drunk. +- NURSE. - "O, he is even in my mistress’ case" -- ".\nJust in her case!" +- "." +- Just in her case! - O woeful sympathy! - Piteous predicament. - "Even so lies she," @@ -3372,9 +3658,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "For Juliet’s sake, for her sake," - rise and stand. - Why should you fall into so deep an O? -- "ROMEO.\nNurse.\n\nNURSE." +- "ROMEO.\nNurse." +- NURSE. - "Ah sir, ah sir, death’s the" -- "end of all.\n\nROMEO." +- end of all. +- ROMEO. - Spakest thou of Juliet? - How is it with her? - "Doth not she think me an old murderer," @@ -3383,8 +3671,10 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - With blood remov’d but little from - her own? - Where is she? And how doth she? -- "And what says\nMy conceal’d lady to our" -- "cancell’d love?\n\nNURSE." +- And what says +- My conceal’d lady to our +- cancell’d love? +- NURSE. - "O, she says nothing, sir, but" - weeps and weeps; - "And now falls on her bed, and then starts" @@ -3394,7 +3684,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\nAs if that name," - "Shot from the deadly level of a gun," - "Did murder her, as that name’s cursed" -- "hand\nMurder’d her kinsman." +- hand +- Murder’d her kinsman. - "O, tell me, Friar, tell me" - ",\nIn what vile part of this anatomy" - Doth my name lodge? @@ -3402,7 +3693,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - The hateful mansion. - "[_Drawing his sword._]" - FRIAR LAWRENCE. -- "Hold thy desperate hand.\nArt thou a man?" +- Hold thy desperate hand. +- Art thou a man? - Thy form cries out thou art. - "Thy tears are womanish, thy wild acts" - denote @@ -3450,7 +3742,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What, rouse thee, man." - "Thy Juliet is alive," - For whose dear sake thou wast but lately dead -- ".\nThere art thou happy." +- "." +- There art thou happy. - "Tybalt would kill thee," - But thou slew’st Tybalt; - there art thou happy. @@ -3470,25 +3763,31 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "decreed," - "Ascend her chamber, hence and comfort her." - But look thou stay not till the watch be set -- ",\nFor then thou canst not pass to" +- "," +- For then thou canst not pass to - Mantua; - Where thou shalt live till we can find a - "time\nTo blaze your marriage, reconcile your friends," - "Beg pardon of the Prince, and call thee" - "back\nWith twenty hundred thousand times more joy" - Than thou went’st forth in lamentation -- ".\nGo before, Nurse." +- "." +- "Go before, Nurse." - "Commend me to thy lady," - And bid her hasten all the house to bed - ",\nWhich heavy sorrow makes them apt unto." -- "Romeo is coming.\n\nNURSE." +- Romeo is coming. +- NURSE. - "O Lord, I could have stay’d here" -- "all the night\nTo hear good counsel." +- all the night +- To hear good counsel. - "O, what learning is!" - "My lord, I’ll tell my lady you" -- "will come.\n\nROMEO." +- will come. +- ROMEO. - "Do so, and bid my sweet prepare to" -- "chide.\n\nNURSE." +- chide. +- NURSE. - "Here sir, a ring she bid me give you" - ", sir." - "Hie you, make haste, for it" @@ -3507,7 +3806,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - And he shall signify from time to time - Every good hap to you that chances here. - Give me thy hand; ’tis late; -- "farewell; good night.\n\nROMEO." +- farewell; good night. +- ROMEO. - But that a joy past joy calls out on me - "," - It were a grief so brief to part with thee @@ -3516,11 +3816,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - SCENE IV. - A Room in Capulet’s House. - "Enter Capulet, Lady Capulet and Paris" -- ".\n\nCAPULET." +- "." +- CAPULET. - "Things have fallen out, sir, so" - unluckily - That we have had no time to move our daughter -- ".\nLook you, she lov’d her" +- "." +- "Look you, she lov’d her" - "kinsman Tybalt dearly," - And so did I. - "Well, we were born to die." @@ -3530,7 +3832,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - I would have been abed an hour ago. - PARIS. - These times of woe afford no tune to -- "woo.\nMadam, good night." +- woo. +- "Madam, good night." - Commend me to your daughter. - LADY CAPULET. - "I will, and know her mind early tomorrow;" @@ -3566,7 +3869,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Being our kinsman, if we revel much" - "." - Therefore we’ll have some half a dozen friends -- ",\nAnd there an end." +- "," +- And there an end. - But what say you to Thursday? - PARIS. - "My lord, I would that Thursday were tomorrow." @@ -3597,17 +3901,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Nightly she sings on yond - pomegranate tree. - "Believe me, love, it was the" -- "nightingale.\n\nROMEO." +- nightingale. +- ROMEO. - "It was the lark, the herald of" -- "the morn,\nNo nightingale." +- "the morn," +- No nightingale. - "Look, love, what envious streaks" - Do lace the severing clouds in yonder east -- ".\nNight’s candles are burnt out, and" +- "." +- "Night’s candles are burnt out, and" - jocund day - Stands tiptoe on the misty mountain - tops. - "I must be gone and live, or stay and" -- "die.\n\nJULIET." +- die. +- JULIET. - "Yond light is not daylight, I know it" - ", I." - It is some meteor that the sun exhales @@ -3616,7 +3924,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - And light thee on thy way to Mantua - "." - "Therefore stay yet, thou need’st not" -- "to be gone.\n\nROMEO." +- to be gone. +- ROMEO. - "Let me be ta’en, let me be" - "put to death," - "I am content, so thou wilt have it" @@ -3629,7 +3938,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - beat - The vaulty heaven so high above our heads. - I have more care to stay than will to go -- ".\nCome, death, and welcome." +- "." +- "Come, death, and welcome." - Juliet wills it so. - "How is’t, my soul?" - Let’s talk. It is not day. @@ -3644,14 +3954,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "This doth not so, for she divideth" - us. - Some say the lark and loathed toad -- "change eyes.\nO, now I would they had" +- change eyes. +- "O, now I would they had" - "chang’d voices too," - Since arm from arm that voice doth us - "affray," - Hunting thee hence with hunt’s-up to - the day. - "O now be gone, more light and light it" -- "grows.\n\nROMEO." +- grows. +- ROMEO. - "More light and light, more dark and dark our" - "woes.\n\n Enter Nurse." - "NURSE.\nMadam." @@ -3662,7 +3974,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ".\n\n [_Exit._]" - JULIET. - "Then, window, let day in, and let" -- "life out.\n\nROMEO." +- life out. +- ROMEO. - "Farewell, farewell, one kiss, and" - I’ll descend. - "[_Descends._]" @@ -3676,21 +3989,25 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\nFarewell!" - I will omit no opportunity - "That may convey my greetings, love, to" -- "thee.\n\nJULIET." +- thee. +- JULIET. - O thinkest thou we shall ever meet again? - ROMEO. - "I doubt it not, and all these woes" - shall serve - For sweet discourses in our time to come. -- "JULIET.\nO God!" +- JULIET. +- O God! - I have an ill-divining soul! - "Methinks I see thee, now thou art" - "so low," - As one dead in the bottom of a tomb. - "Either my eyesight fails, or thou" -- "look’st pale.\n\nROMEO." +- look’st pale. +- ROMEO. - "And trust me, love, in my eye so" -- "do you.\nDry sorrow drinks our blood." +- do you. +- Dry sorrow drinks our blood. - "Adieu, adieu." - "[_Exit below._]" - JULIET. @@ -3709,7 +4026,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Who is’t that calls? - Is it my lady mother? - "Is she not down so late, or up so" -- "early?\nWhat unaccustom’d cause" +- early? +- What unaccustom’d cause - procures her hither? - Enter Lady Capulet. - LADY CAPULET. @@ -3725,9 +4043,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Therefore have done: some grief shows much of love" - "," - But much of grief shows still some want of wit -- ".\n\nJULIET." +- "." +- JULIET. - Yet let me weep for such a feeling loss -- ".\n\nLADY CAPULET." +- "." +- LADY CAPULET. - "So shall you feel the loss, but not the" - "friend\nWhich you weep for." - JULIET. @@ -3737,13 +4057,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Well, girl, thou weep’st" - not so much for his death - As that the villain lives which slaughter’d him -- ".\n\nJULIET." +- "." +- JULIET. - "What villain, madam?" - LADY CAPULET. - That same villain Romeo. - JULIET. - Villain and he be many miles asunder -- ".\nGod pardon him." +- "." +- God pardon him. - "I do, with all my heart." - And yet no man like he doth grieve - my heart. @@ -3756,11 +4078,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - cousin’s death. - LADY CAPULET. - "We will have vengeance for it, fear thou not" -- ".\nThen weep no more." +- "." +- Then weep no more. - I’ll send to one in Mantua - "," - Where that same banish’d runagate -- "doth live,\nShall give him such an" +- "doth live," +- Shall give him such an - unaccustom’d dram - "That he shall soon keep Tybalt company:" - And then I hope thou wilt be satisfied. @@ -3779,7 +4103,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "come to him," - To wreak the love I bore my cousin - Upon his body that hath slaughter’d him -- ".\n\nLADY CAPULET." +- "." +- LADY CAPULET. - "Find thou the means, and I’ll find" - such a man. - But now I’ll tell thee joyful @@ -3795,7 +4120,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "," - "Hath sorted out a sudden day of joy," - "That thou expects not, nor I look’d" -- "not for.\n\nJULIET." +- not for. +- JULIET. - "Madam, in happy time, what day is" - that? - LADY CAPULET. @@ -3811,7 +4137,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - He shall not make me there a joyful bride - "." - "I wonder at this haste, that I must" -- "wed\nEre he that should be husband comes to" +- wed +- Ere he that should be husband comes to - woo. - "I pray you tell my lord and father," - "madam," @@ -3848,15 +4175,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Ay, sir; but she will none," - she gives you thanks. - I would the fool were married to her grave. -- "CAPULET.\nSoft." +- CAPULET. +- Soft. - "Take me with you, take me with you," -- "wife.\nHow, will she none?" +- wife. +- "How, will she none?" - Doth she not give us thanks? - Is she not proud? - "Doth she not count her blest," - "Unworthy as she is, that we have wrought" - So worthy a gentleman to be her bridegroom -- "?\n\nJULIET." +- "?" +- JULIET. - "Not proud you have, but thankful that you have" - "." - Proud can I never be of what I hate @@ -3894,7 +4224,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "a Thursday," - Or never after look me in the face. - "Speak not, reply not, do not answer me" -- ".\nMy fingers itch." +- "." +- My fingers itch. - "Wife, we scarce thought us blest" - That God had lent us but this only child; - But now I see this one is one too much @@ -3904,7 +4235,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - NURSE. - God in heaven bless her. - "You are to blame, my lord, to rate" -- "her so.\n\nCAPULET." +- her so. +- CAPULET. - "And why, my lady wisdom?" - "Hold your tongue," - Good prudence; smatter with your @@ -3941,7 +4273,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "To answer, ‘I’ll not wed," - "I cannot love," - "I am too young, I pray you pardon me" -- ".’\nBut, and you will not wed," +- ".’" +- "But, and you will not wed," - I’ll pardon you. - "Graze where you will, you shall not house" - with me. @@ -3964,7 +4297,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - That sees into the bottom of my grief? - "O sweet my mother, cast me not away," - "Delay this marriage for a month, a week" -- ",\nOr, if you do not, make the" +- "," +- "Or, if you do not, make the" - bridal bed - In that dim monument where Tybalt lies. - LADY CAPULET. @@ -3972,7 +4306,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - speak a word. - "Do as thou wilt, for I have done" - "with thee.\n\n [_Exit._]" -- "JULIET.\nO God!" +- JULIET. +- O God! - "O Nurse, how shall this be prevented?" - "My husband is on earth, my faith in heaven" - ".\nHow shall that faith return again to earth," @@ -3998,7 +4333,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Romeo’s a dishclout to him - ". An eagle, madam," - "Hath not so green, so quick, so" -- "fair an eye\nAs Paris hath." +- fair an eye +- As Paris hath. - "Beshrew my very heart," - "I think you are happy in this second match," - "For it excels your first: or if" @@ -4044,14 +4380,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Enter Friar Lawrence and Paris. - FRIAR LAWRENCE. - "On Thursday, sir?" -- "The time is very short.\n\nPARIS." +- The time is very short. +- PARIS. - My father Capulet will have it so; - And I am nothing slow to slack his haste -- ".\n\nFRIAR LAWRENCE." +- "." +- FRIAR LAWRENCE. - You say you do not know the lady’s - mind. - Uneven is the course; I like it -- "not.\n\nPARIS." +- not. +- PARIS. - Immoderately she weeps for - "Tybalt’s death," - And therefore have I little talk’d of love @@ -4064,18 +4403,23 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Which, too much minded by herself alone," - May be put from her by society. - Now do you know the reason of this haste -- ".\n\nFRIAR LAWRENCE." +- "." +- FRIAR LAWRENCE. - "[_Aside." - "_] I would I knew not why it should" - be slow’d.— - "Look, sir, here comes the lady toward my" -- "cell.\n\n Enter Juliet.\n\nPARIS." +- "cell.\n\n Enter Juliet." +- PARIS. - "Happily met, my lady and my wife" -- "!\n\nJULIET." +- "!" +- JULIET. - "That may be, sir, when I may be" -- "a wife.\n\nPARIS." +- a wife. +- PARIS. - "That may be, must be, love, on" -- "Thursday next.\n\nJULIET." +- Thursday next. +- JULIET. - What must be shall be. - FRIAR LAWRENCE. - That’s a certain text. @@ -4089,7 +4433,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - I will confess to you that I love him. - PARIS. - "So will ye, I am sure, that you" -- "love me.\n\nJULIET." +- love me. +- JULIET. - "If I do so, it will be of more" - "price," - Being spoke behind your back than to your face. @@ -4101,11 +4446,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - For it was bad enough before their spite. - PARIS. - Thou wrong’st it more than tears -- "with that report.\n\nJULIET." +- with that report. +- JULIET. - "That is no slander, sir, which is" - "a truth," - "And what I spake, I spake it" -- "to my face.\n\nPARIS." +- to my face. +- PARIS. - "Thy face is mine, and thou hast" - slander’d it. - JULIET. @@ -4117,7 +4464,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My leisure serves me, pensive daughter, now" - ".—" - "My lord, we must entreat the time" -- "alone.\n\nPARIS." +- alone. +- PARIS. - God shield I should disturb devotion!— - "Juliet, on Thursday early will I rouse ye" - "," @@ -4131,7 +4479,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - FRIAR LAWRENCE. - "O Juliet, I already know thy grief;" - It strains me past the compass of my wits -- ".\nI hear thou must, and nothing may" +- "." +- "I hear thou must, and nothing may" - "prorogue it," - On Thursday next be married to this County. - JULIET. @@ -4149,7 +4498,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Shall be the label to another deed," - Or my true heart with treacherous revolt - "Turn to another, this shall slay them both" -- ".\nTherefore, out of thy long-" +- "." +- "Therefore, out of thy long-" - "experienc’d time," - "Give me some present counsel, or behold" - ’Twixt my extremes and me @@ -4160,7 +4510,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Be not so long to speak. - "I long to die," - If what thou speak’st speak not of -- "remedy.\n\nFRIAR LAWRENCE." +- remedy. +- FRIAR LAWRENCE. - "Hold, daughter." - "I do spy a kind of hope," - Which craves as desperate an execution @@ -4170,7 +4521,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "slay thyself," - Then is it likely thou wilt undertake - A thing like death to chide away this shame -- ",\nThat cop’st with death himself to" +- "," +- That cop’st with death himself to - scape from it. - "And if thou dar’st," - I’ll give thee remedy. @@ -4179,7 +4531,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "," - "From off the battlements of yonder tower," - "Or walk in thievish ways, or" -- "bid me lurk\nWhere serpents are." +- bid me lurk +- Where serpents are. - Chain me with roaring bears; - Or hide me nightly in a charnel - "-house," @@ -4188,7 +4541,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - With reeky shanks and yellow - chapless skulls. - Or bid me go into a new-made grave -- ",\nAnd hide me with a dead man in his" +- "," +- And hide me with a dead man in his - shroud; - "Things that, to hear them told, have made" - "me tremble," @@ -4241,7 +4595,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And this shall free thee from this present shame," - If no inconstant toy nor womanish fear - Abate thy valour in the acting it -- ".\n\nJULIET." +- "." +- JULIET. - "Give me, give me!" - O tell not me of fear! - FRIAR LAWRENCE. @@ -4249,7 +4604,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - In this resolve. - I’ll send a friar with speed - "To Mantua, with my letters to thy" -- "lord.\n\nJULIET." +- lord. +- JULIET. - "Love give me strength, and strength shall help afford" - ".\nFarewell, dear father." - "[_Exeunt._]" @@ -4265,28 +4621,33 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - SECOND SERVANT. - "You shall have none ill, sir; for" - I’ll try if they can lick their -- "fingers.\n\nCAPULET." +- fingers. +- CAPULET. - How canst thou try them so? - SECOND SERVANT. - "Marry, sir, ’tis an ill" - cook that cannot lick his own fingers; - therefore he that cannot lick his fingers goes not with -- "me.\n\nCAPULET." +- me. +- CAPULET. - "Go, begone." - "[_Exit second Servant._]" - We shall be much unfurnish’d - for this time. - "What, is my daughter gone to Friar Lawrence" -- "?\n\nNURSE." +- "?" +- NURSE. - "Ay, forsooth." - CAPULET. - "Well, he may chance to do some good on" - her. - A peevish self-will’d - harlotry it is. -- "Enter Juliet.\n\nNURSE." +- Enter Juliet. +- NURSE. - See where she comes from shrift with -- "merry look.\n\nCAPULET." +- merry look. +- CAPULET. - "How now, my headstrong." - Where have you been gadding? - JULIET. @@ -4303,11 +4664,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Send for the County, go tell him of this" - "." - I’ll have this knot knit up tomorrow morning -- ".\n\nJULIET." +- "." +- JULIET. - "I met the youthful lord at Lawrence’ cell," - "And gave him what becomed love I might," - Not stepping o’er the bounds of modesty -- ".\n\nCAPULET." +- "." +- CAPULET. - "Why, I am glad on’t." - This is well. Stand up. - This is as’t should be. @@ -4380,7 +4743,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - hast need. - "[_Exeunt Lady Capulet and Nurse" - "._]" -- "JULIET.\nFarewell." +- JULIET. +- Farewell. - God knows when we shall meet again. - I have a faint cold fear thrills through my - veins @@ -4397,7 +4761,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What if it be a poison, which the" - Friar - Subtly hath minister’d to have me -- "dead,\nLest in this marriage he should be" +- "dead," +- Lest in this marriage he should be - "dishonour’d," - Because he married me before to Romeo? - I fear it is. @@ -4444,7 +4809,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And, in this rage, with some great" - "kinsman’s bone," - "As with a club, dash out my desperate brains" -- "?\nO look, methinks I see my" +- "?" +- "O look, methinks I see my" - cousin’s ghost - Seeking out Romeo that did spit his body - Upon a rapier’s point. @@ -4452,12 +4818,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Romeo, Romeo, Romeo, here’s drink" - "! I drink to thee." - "[_Throws herself on the bed." -- "_]\n\nSCENE IV." +- "_]" +- SCENE IV. - Hall in Capulet’s House. - Enter Lady Capulet and Nurse. - LADY CAPULET. - "Hold, take these keys and fetch more spices," -- "Nurse.\n\nNURSE." +- Nurse. +- NURSE. - They call for dates and quinces in the - "pastry.\n\n Enter Capulet." - CAPULET. @@ -4482,19 +4850,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - in your time; - But I will watch you from such watching now. - "[_Exeunt Lady Capulet and Nurse" -- "._]\n\nCAPULET." +- "._]" +- CAPULET. - "A jealous-hood, a jealous-hood!" - "Enter Servants, with spits," - logs and baskets. - "Now, fellow, what’s there?" - FIRST SERVANT. - "Things for the cook, sir; but I know" -- "not what.\n\nCAPULET." +- not what. +- CAPULET. - "Make haste, make haste." - "[_Exit First Servant._]" - "—Sirrah, fetch drier logs." - "Call Peter, he will show thee where they are" -- ".\n\nSECOND SERVANT." +- "." +- SECOND SERVANT. - "I have a head, sir, that will find" - "out logs\nAnd never trouble Peter for the matter." - "[_Exit._]" @@ -4511,14 +4882,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What, Nurse, I say!" - Re-enter Nurse. - "Go waken Juliet, go and trim her up" -- ".\nI’ll go and chat with Paris." +- "." +- I’ll go and chat with Paris. - "Hie, make haste," - Make haste; the bridegroom he is - "come already.\nMake haste I say." - "[_Exeunt._]" - SCENE V. - Juliet’s Chamber; Juliet on the bed. -- "Enter Nurse.\n\nNURSE." +- Enter Nurse. +- NURSE. - "Mistress! What, mistress! Juliet!" - "Fast, I warrant her, she." - "Why, lamb, why, lady," @@ -4531,12 +4904,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I warrant," - The County Paris hath set up his rest - That you shall rest but little. -- "God forgive me!\nMarry and amen." +- God forgive me! +- Marry and amen. - How sound is she asleep! - I needs must wake her. - "Madam, madam, madam!" - "Ay, let the County take you in your" -- "bed,\nHe’ll fright you up," +- "bed," +- "He’ll fright you up," - i’faith. Will it not be? - "What, dress’d, and in your clothes" - ", and down again?" @@ -4553,7 +4928,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - What noise is here? - "NURSE.\nO lamentable day!" - LADY CAPULET. -- "What is the matter?\n\nNURSE." +- What is the matter? +- NURSE. - "Look, look! O heavy day!" - LADY CAPULET. - "O me, O me!" @@ -4563,10 +4939,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Enter Capulet. - CAPULET. - "For shame, bring Juliet forth, her lord is" -- "come.\n\nNURSE." +- come. +- NURSE. - "She’s dead, deceas’d" - ", she’s dead; alack the day" -- "!\n\nLADY CAPULET." +- "!" +- LADY CAPULET. - "Alack the day, she’s dead," - "she’s dead, she’s dead!" - CAPULET. @@ -4587,7 +4965,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Enter Friar Lawrence and Paris with Musicians. - FRIAR LAWRENCE. - "Come, is the bride ready to go to church" -- "?\n\nCAPULET." +- "?" +- CAPULET. - "Ready to go, but never to return." - "O son, the night before thy wedding day" - Hath death lain with thy bride. @@ -4599,7 +4978,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - My daughter he hath wedded. - I will die. - "And leave him all; life, living, all" -- "is death’s.\n\nPARIS." +- is death’s. +- PARIS. - Have I thought long to see this morning’s - "face," - And doth it give me such a sight as @@ -4615,7 +4995,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "in," - And cruel death hath catch’d it from - my sight. -- "NURSE.\nO woe!" +- NURSE. +- O woe! - "O woeful, woeful," - woeful day. - "Most lamentable day, most woeful" @@ -4626,7 +5007,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - hateful day. - Never was seen so black a day as this. - "O woeful day, O woeful" -- "day.\n\nPARIS." +- day. +- PARIS. - "Beguil’d, divorced, wronged" - ", spited, slain." - "Most detestable death, by thee" @@ -4667,14 +5049,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - She’s not well married that lives married long - "," - But she’s best married that dies married young -- ".\nDry up your tears, and stick your" +- "." +- "Dry up your tears, and stick your" - rosemary - "On this fair corse, and, as the" - "custom is," - And in her best array bear her to church; - "For though fond nature bids us all lament," - Yet nature’s tears are reason’s -- "merriment.\n\nCAPULET." +- merriment. +- CAPULET. - All things that we ordained festival - "Turn from their office to black funeral:" - "Our instruments to melancholy bells," @@ -4693,15 +5077,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Capulet, Paris and Friar._]" - FIRST MUSICIAN. - "Faith, we may put up our pipes and be" -- "gone.\n\nNURSE." +- gone. +- NURSE. - "Honest good fellows, ah, put up," - "put up," - For well you know this is a pitiful case -- ".\n\nFIRST MUSICIAN." +- "." +- FIRST MUSICIAN. - "Ay, by my troth, the case" - may be amended. - "[_Exit Nurse._]" -- "Enter Peter.\n\nPETER." +- Enter Peter. +- PETER. - "Musicians, O, musicians, ‘Heart’s" - "ease,’ ‘Heart’s ease’," - "O, and you" @@ -4718,10 +5105,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - to play now. - "PETER.\nYou will not then?" - FIRST MUSICIAN. -- "No.\n\nPETER." +- No. +- PETER. - I will then give it you soundly. - FIRST MUSICIAN. -- "What will you give us?\n\nPETER." +- What will you give us? +- PETER. - "No money, on my faith, but the" - gleek! - I will give you the minstrel. @@ -4738,10 +5127,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - note us. - SECOND MUSICIAN. - "Pray you put up your dagger, and put" -- "out your wit.\n\nPETER." +- out your wit. +- PETER. - Then have at you with my wit. - I will dry-beat you with an iron wit -- ", and\nput up my iron dagger." +- ", and" +- put up my iron dagger. - Answer me like men. - ‘When griping griefs the heart doth - "wound," @@ -4752,11 +5143,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What say you,\nSimon Catling?" - FIRST MUSICIAN. - "Marry, sir, because silver hath a" -- "sweet sound.\n\nPETER.\nPrates." +- sweet sound. +- PETER. +- Prates. - "What say you, Hugh Rebeck?" - SECOND MUSICIAN. - I say ‘silver sound’ because musicians sound for -- "silver.\n\nPETER.\nPrates too!" +- silver. +- PETER. +- Prates too! - "What say you, James Soundpost?" - THIRD MUSICIAN. - "Faith, I know not what to say." @@ -4784,7 +5179,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - My dreams presage some joyful news at - hand. - My bosom’s lord sits lightly in -- "his throne;\nAnd all this day an" +- his throne; +- And all this day an - unaccustom’d spirit - Lifts me above the ground with cheerful thoughts. - I dreamt my lady came and found me dead @@ -4802,7 +5198,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - News from Verona! - "How now, Balthasar?" - Dost thou not bring me letters from the -- "Friar?\nHow doth my lady?" +- Friar? +- How doth my lady? - Is my father well? - How fares my Juliet? - That I ask again; @@ -4817,7 +5214,9 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - And presently took post to tell it you. - "O pardon me for bringing these ill news," - "Since you did leave it for my office, sir" -- ".\n\nROMEO.\nIs it even so?" +- "." +- ROMEO. +- Is it even so? - "Then I defy you, stars!" - Thou know’st my lodging. - "Get me ink and paper," @@ -4827,20 +5226,24 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I do beseech you sir, have patience" - "." - "Your looks are pale and wild, and do import" -- "Some misadventure.\n\nROMEO." +- Some misadventure. +- ROMEO. - "Tush, thou art deceiv’d" - "." - "Leave me, and do the thing I bid thee" - do. - Hast thou no letters to me from the -- "Friar?\n\nBALTHASAR." -- "No, my good lord.\n\nROMEO." +- Friar? +- BALTHASAR. +- "No, my good lord." +- ROMEO. - "No matter. Get thee gone," - And hire those horses. - I’ll be with thee straight. - "[_Exit Balthasar._]" - "Well, Juliet, I will lie with thee tonight" -- ".\nLet’s see for means." +- "." +- Let’s see for means. - O mischief thou art swift - To enter in the thoughts of desperate men. - "I do remember an apothecary," @@ -4881,7 +5284,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Enter Apothecary. - APOTHECARY. - Who calls so loud? -- "ROMEO.\nCome hither, man." +- ROMEO. +- "Come hither, man." - I see that thou art poor. - "Hold, there is forty ducats." - Let me have @@ -4890,11 +5294,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - As will disperse itself through all the veins - "," - That the life-weary taker may fall dead -- ",\nAnd that the trunk may be" +- "," +- And that the trunk may be - discharg’d of breath - As violently as hasty powder fir’d - Doth hurry from the fatal cannon’s -- "womb.\n\nAPOTHECARY." +- womb. +- APOTHECARY. - "Such mortal drugs I have, but" - Mantua’s law - Is death to any he that utters them. @@ -4912,7 +5318,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - The world affords no law to make thee rich - ; - "Then be not poor, but break it and take" -- "this.\n\nAPOTHECARY." +- this. +- APOTHECARY. - "My poverty, but not my will consents." - ROMEO. - "I pay thy poverty, and not thy will." @@ -4921,7 +5328,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And drink it off; and, if you had" - the strength - "Of twenty men, it would despatch you" -- "straight.\n\nROMEO." +- straight. +- ROMEO. - "There is thy gold, worse poison to" - "men’s souls," - Doing more murder in this loathsome world @@ -4992,7 +5400,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - A churchyard; in it a Monument belonging to the - Capulets. - "Enter Paris, and his Page bearing flowers and" -- "a torch.\n\nPARIS." +- a torch. +- PARIS. - "Give me thy torch, boy." - Hence and stand aloof. - "Yet put it out, for I would not be" @@ -5001,12 +5410,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ",\nHolding thy ear close to the hollow ground;" - "So shall no foot upon the churchyard tread," - "Being loose, unfirm, with digging up" -- "of graves,\nBut thou shalt hear it." +- "of graves," +- But thou shalt hear it. - "Whistle then to me," - As signal that thou hear’st something approach -- ".\nGive me those flowers." +- "." +- Give me those flowers. - "Do as I bid thee, go." -- "PAGE.\n[_Aside." +- PAGE. +- "[_Aside." - "_] I am almost afraid to stand alone" - Here in the churchyard; yet I will adventure. - "[_Retires._]" @@ -5016,7 +5428,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O woe, thy canopy is dust and stones" - "," - Which with sweet water nightly I will dew -- ",\nOr wanting that, with tears" +- "," +- "Or wanting that, with tears" - distill’d by moans. - The obsequies that I for thee - "will keep," @@ -5057,11 +5470,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Than empty tigers or the roaring sea. - BALTHASAR. - "I will be gone, sir, and not trouble" -- "you.\n\nROMEO." +- you. +- ROMEO. - So shalt thou show me friendship. - Take thou that. - "Live, and be prosperous, and farewell, good" -- "fellow.\n\nBALTHASAR." +- fellow. +- BALTHASAR. - "For all this same, I’ll hide me" - hereabout. - "His looks I fear, and his intents I" @@ -5075,7 +5490,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Breaking open the door of the monument." - "_]" - "And in despite, I’ll cram thee" -- "with more food.\n\nPARIS." +- with more food. +- PARIS. - This is that banish’d haughty - Montague - "That murder’d my love’s cousin," @@ -5088,14 +5504,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Stop thy unhallow’d toil," - vile Montague. - Can vengeance be pursu’d further than -- "death?\nCondemned villain, I do" +- death? +- "Condemned villain, I do" - apprehend thee. - "Obey, and go with me, for thou" -- "must die.\n\nROMEO." +- must die. +- ROMEO. - I must indeed; and therefore came I hither - "." - "Good gentle youth, tempt not a desperate man" -- ".\nFly hence and leave me." +- "." +- Fly hence and leave me. - Think upon these gone; - Let them affright thee. - "I beseech thee, youth," @@ -5103,24 +5522,30 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - By urging me to fury. O be gone. - By heaven I love thee better than myself; - For I come hither arm’d against myself -- ".\nStay not, be gone, live, and" +- "." +- "Stay not, be gone, live, and" - "hereafter say," - A madman’s mercy bid thee run away -- ".\n\nPARIS." +- "." +- PARIS. - "I do defy thy conjuration," - And apprehend thee for a felon -- "here.\n\nROMEO." +- here. +- ROMEO. - Wilt thou provoke me? - "Then have at thee, boy!" - "[_They fight._]" -- "PAGE.\nO lord, they fight!" +- PAGE. +- "O lord, they fight!" - I will go call the watch. -- "[_Exit._]\n\nPARIS." +- "[_Exit._]" +- PARIS. - "O, I am slain! [_Falls." - "_] If thou be merciful," - "Open the tomb, lay me with Juliet." - "[_Dies._]" -- "ROMEO.\nIn faith, I will." +- ROMEO. +- "In faith, I will." - Let me peruse this face. - "Mercutio’s kinsman, noble" - County Paris! @@ -5131,12 +5556,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Said he not so? - Or did I dream it so? - "Or am I mad, hearing him talk of Juliet" -- ",\nTo think it was so?" +- "," +- To think it was so? - "O, give me thy hand," - One writ with me in sour - misfortune’s book. - I’ll bury thee in a triumphant grave -- ".\nA grave? O no, a lantern," +- "." +- A grave? +- "O no, a lantern," - "slaught’red youth," - "For here lies Juliet, and her beauty makes" - This vault a feasting presence full of light. @@ -5145,7 +5573,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Laying Paris in the monument." - "_]" - How oft when men are at the point of -- "death\nHave they been merry!" +- death +- Have they been merry! - Which their keepers call - "A lightning before death. O, how may I" - Call this a lightning? @@ -5180,7 +5609,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O, here" - Will I set up my everlasting rest; - And shake the yoke of inauspicious -- "stars\nFrom this world-wearied flesh." +- stars +- From this world-wearied flesh. - "Eyes, look your last." - "Arms, take your last embrace!" - "And, lips, O you" @@ -5191,7 +5621,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - unsavoury guide. - "Thou desperate pilot, now at once run on" - The dashing rocks thy sea-sick weary bark -- ".\nHere’s to my love!" +- "." +- Here’s to my love! - "[_Drinks." - "_] O true apothecary!" - Thy drugs are quick. @@ -5205,7 +5636,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Have my old feet stumbled at graves? - Who’s there? - "Who is it that consorts, so late," -- "the dead?\n\nBALTHASAR." +- the dead? +- BALTHASAR. - "Here’s one, a friend, and one" - that knows you well. - FRIAR LAWRENCE. @@ -5234,18 +5666,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My master knows not but I am gone hence," - And fearfully did menace me with death - If I did stay to look on his intents -- ".\n\nFRIAR LAWRENCE." +- "." +- FRIAR LAWRENCE. - "Stay then, I’ll go alone." - Fear comes upon me. - "O, much I fear some ill unlucky" -- "thing.\n\nBALTHASAR." +- thing. +- BALTHASAR. - As I did sleep under this yew tree here - ",\nI dreamt my master and another fought," - And that my master slew him. - FRIAR LAWRENCE. - "Romeo! [_Advances._]" - "Alack, alack, what blood is this" -- "which stains\nThe stony entrance of this" +- which stains +- The stony entrance of this - sepulchre? - What mean these masterless and gory swords - To lie discolour’d by this place of @@ -5271,11 +5706,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Hath thwarted our intents. - "Come, come away." - Thy husband in thy bosom there lies -- "dead;\nAnd Paris too." +- dead; +- And Paris too. - "Come, I’ll dispose of thee" - Among a sisterhood of holy nuns. - "Stay not to question, for the watch is coming" -- ".\nCome, go, good Juliet." +- "." +- "Come, go, good Juliet." - I dare no longer stay. - JULIET. - "Go, get thee hence, for I will not" @@ -5285,7 +5722,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - A cup clos’d in my true - love’s hand? - "Poison, I see, hath been his" -- "timeless end.\nO churl." +- timeless end. +- O churl. - "Drink all, and left no friendly drop" - To help me after? - I will kiss thy lips. @@ -5296,7 +5734,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Thy lips are warm! - FIRST WATCH. - "[_Within._] Lead, boy." -- "Which way?\n\nJULIET." +- Which way? +- JULIET. - "Yea, noise?" - Then I’ll be brief. - O happy dagger. @@ -5308,7 +5747,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Falls on Romeo’s body and dies" - "._]" - Enter Watch with the Page of Paris. -- "PAGE.\nThis is the place." +- PAGE. +- This is the place. - "There, where the torch doth burn." - FIRST WATCH. - The ground is bloody. Search about the churchyard. @@ -5319,7 +5759,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Pitiful sight! Here lies the County slain," - "And Juliet bleeding, warm, and newly dead," - Who here hath lain this two days buried -- ".\nGo tell the Prince; run to the" +- "." +- Go tell the Prince; run to the - Capulets. - "Raise up the Montagues, some others" - search. @@ -5330,7 +5771,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - But the true ground of all these piteous - woes - We cannot without circumstance descry -- ".\n\n Re-enter some of the Watch with" +- "." +- Re-enter some of the Watch with - Balthasar. - SECOND WATCH. - Here’s Romeo’s man. @@ -5339,7 +5781,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Hold him in safety till the Prince come hither - "." - Re-enter others of the Watch with Friar -- "Lawrence.\n\nTHIRD WATCH." +- Lawrence. +- THIRD WATCH. - "Here is a Friar that trembles, sighs" - ", and weeps." - We took this mattock and this spade from @@ -5352,7 +5795,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - That calls our person from our morning’s rest - "?" - "Enter Capulet, Lady Capulet and others" -- ".\n\nCAPULET." +- "." +- CAPULET. - What should it be that they so shriek - abroad? - LADY CAPULET. @@ -5361,18 +5805,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - With open outcry toward our monument. - PRINCE. - What fear is this which startles in our ears -- "?\n\nFIRST WATCH." +- "?" +- FIRST WATCH. - "Sovereign, here lies the County Paris slain," - "And Romeo dead, and Juliet, dead before," - Warm and new kill’d. - PRINCE. - "Search, seek, and know how this foul murder" -- "comes.\n\nFIRST WATCH." +- comes. +- FIRST WATCH. - "Here is a Friar, and slaughter’d" - "Romeo’s man," - With instruments upon them fit to open - These dead men’s tombs. -- "CAPULET.\nO heaven!" +- CAPULET. +- O heaven! - "O wife, look how our daughter bleeds!" - "This dagger hath mista’en, for" - "lo, his house" @@ -5395,7 +5842,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Grief of my son’s exile hath - stopp’d her breath. - What further woe conspires against mine age -- "?\n\nPRINCE." +- "?" +- PRINCE. - "Look, and thou shalt see." - MONTAGUE. - O thou untaught! @@ -5407,7 +5855,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And know their spring, their head, their true" - "descent," - And then will I be general of your woes -- ",\nAnd lead you even to death." +- "," +- And lead you even to death. - "Meantime forbear," - And let mischance be slave to patience. - Bring forth the parties of suspicion. @@ -5421,7 +5870,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Myself condemned and myself excus’d. - PRINCE. - Then say at once what thou dost know in -- "this.\n\nFRIAR LAWRENCE." +- this. +- FRIAR LAWRENCE. - "I will be brief, for my short date of" - breath - Is not so long as is a tedious tale @@ -5429,7 +5879,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Romeo, there dead, was husband to that Juliet" - "," - "And she, there dead, that Romeo’s" -- "faithful wife.\nI married them; and their" +- faithful wife. +- I married them; and their - stol’n marriage day - "Was Tybalt’s doomsday, whose" - untimely death @@ -5457,7 +5908,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Being the time the potion’s force should - cease. - "But he which bore my letter, Friar John" -- ",\nWas stay’d by accident; and" +- "," +- Was stay’d by accident; and - yesternight - Return’d my letter back. Then all alone - At the prefixed hour of her waking @@ -5499,10 +5951,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "If I departed not, and left him there." - PRINCE. - "Give me the letter, I will look on it" -- ".\nWhere is the County’s Page that" +- "." +- Where is the County’s Page that - rais’d the watch? - "Sirrah, what made your master in this place" -- "?\n\nPAGE." +- "?" +- PAGE. - He came with flowers to strew his - "lady’s grave," - "And bid me stand aloof, and so I" @@ -5520,7 +5974,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Of a poor ’pothecary, and" - therewithal - "Came to this vault to die, and lie with" -- "Juliet.\nWhere be these enemies?" +- Juliet. +- Where be these enemies? - "Capulet, Montague," - See what a scourge is laid upon your - "hate," @@ -5585,7 +6040,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - of the Project Gutenberg trademark. - If you do not charge anything for - "copies of this eBook, complying with" -- "the trademark license is very\neasy." +- the trademark license is very +- easy. - You may use this eBook for nearly any - purpose such as creation - "of derivative works, reports, performances and research." @@ -5616,7 +6072,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Project Gutenberg-tm License available with - this file or online at - www.gutenberg.org/license. -- Section 1. 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YOU AGREE THAT YOU +- fees. +- YOU AGREE THAT YOU - HAVE NO REMEDIES - "FOR NEGLIGENCE," - STRICT - "LIABILITY, BREACH" - OF WARRANTY OR BREACH - OF CONTRACT EXCEPT -- "THOSE\nPROVIDED IN" +- THOSE +- PROVIDED IN - PARAGRAPH 1. - F.3. - YOU AGREE THAT THE @@ -5918,7 +6391,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", AND ANY DISTRIBUTOR" - UNDER THIS - AGREEMENT WILL NOT -- "BE\nLIABLE TO YOU FOR" +- BE +- LIABLE TO YOU FOR - "ACTUAL, DIRECT," - "INDIRECT," - "CONSEQUENTIAL," @@ -5938,10 +6412,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - written explanation to the person you received the work from - ". 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M. Forster\n\nThis eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org." +- "The Project Gutenberg eBook of A Room With A View, by E. M. Forster" +- "This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org." - "If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.\n\nTitle: A Room With A View\n\nAuthor: E. M. Forster\n\nRelease Date: May, 2001 [eBook #2641]\n[Most recently updated: October 8, 2022]\n\nLanguage: English" - "*** START OF THE PROJECT GUTENBERG EBOOK A ROOM WITH A VIEW ***\n\n\n\n\n[Illustration]\n\n\n\n\nA Room With A View\n\nBy E. M. Forster\n\n\n\n\nCONTENTS" - "Part One.\n Chapter I. The Bertolini\n Chapter II. In Santa Croce with No Baedeker\n Chapter III. Music, Violets, and the Letter “S”\n Chapter IV. Fourth Chapter\n Chapter V. Possibilities of a Pleasant Outing" - "Chapter VI. The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them\n Chapter VII. They Return" - "Part Two.\n Chapter VIII. Medieval\n Chapter IX. Lucy As a Work of Art\n Chapter X. Cecil as a Humourist\n Chapter XI. In Mrs. Vyse’s Well-Appointed Flat\n Chapter XII. Twelfth Chapter\n Chapter XIII. How Miss Bartlett’s Boiler Was So Tiresome\n Chapter XIV. How Lucy Faced the External Situation Bravely\n Chapter XV. The Disaster Within\n Chapter XVI. Lying to George\n Chapter XVII. Lying to Cecil" - "Chapter XVIII. Lying to Mr. Beebe, Mrs. Honeychurch, Freddy, and The Servants\n Chapter XIX. Lying to Mr. Emerson\n Chapter XX. The End of the Middle Ages\n\n\n\n\nPART ONE\n\n\n\n\nChapter I The Bertolini" -- "“The Signora had no business to do it,” said Miss Bartlett, “no business at all. She promised us south rooms with a view close together, instead of which here are north rooms, looking into a courtyard, and a long way apart. Oh, Lucy!”\n\n“And a Cockney, besides!” said Lucy, who had been further saddened by the Signora’s unexpected accent. “It might be London.”" +- "“The Signora had no business to do it,” said Miss Bartlett, “no business at all. She promised us south rooms with a view close together, instead of which here are north rooms, looking into a courtyard, and a long way apart. Oh, Lucy!”" +- "“And a Cockney, besides!” said Lucy, who had been further saddened by the Signora’s unexpected accent. “It might be London.”" - "She looked at the two rows of English people who were sitting at the table; at the row of white bottles of water and red bottles of wine that ran between the English people; at the portraits of the late Queen and the late Poet Laureate that hung behind the English people, heavily framed; at the notice of the English church (Rev. Cuthbert Eager, M. A. Oxon.)," - "that was the only other decoration of the wall. “Charlotte, don’t you feel, too, that we might be in London? I can hardly believe that all kinds of other things are just outside. I suppose it is one’s being so tired.”\n\n“This meat has surely been used for soup,” said Miss Bartlett, laying down her fork." - "“I want so to see the Arno. The rooms the Signora promised us in her letter would have looked over the Arno. The Signora had no business to do it at all. Oh, it is a shame!”\n\n“Any nook does for me,” Miss Bartlett continued; “but it does seem hard that you shouldn’t have a view.”" @@ -23,7 +25,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The better class of tourist was shocked at this, and sympathized with the new-comers. Miss Bartlett, in reply, opened her mouth as little as possible, and said “Thank you very much indeed; that is out of the question.”\n\n“Why?” said the old man, with both fists on the table.\n\n“Because it is quite out of the question, thank you.”" - "“You see, we don’t like to take—” began Lucy. Her cousin again repressed her.\n\n“But why?” he persisted. “Women like looking at a view; men don’t.” And he thumped with his fists like a naughty child, and turned to his son,\nsaying, “George, persuade them!”\n\n“It’s so obvious they should have the rooms,” said the son. “There’s nothing else to say.”" - "He did not look at the ladies as he spoke, but his voice was perplexed and sorrowful. Lucy, too, was perplexed; but she saw that they were in for what is known as “quite a scene,” and she had an odd feeling that whenever these ill-bred tourists spoke the contest widened and deepened till it dealt, not with rooms and views, but with—well, with something quite different, whose existence she had not realized before." -- "Now the old man attacked Miss Bartlett almost violently: Why should she not change? What possible objection had she? They would clear out in half an hour.\n\nMiss Bartlett, though skilled in the delicacies of conversation, was powerless in the presence of brutality. It was impossible to snub any one so gross. Her face reddened with displeasure. She looked around as much as to say, “Are you all like this?”" +- "Now the old man attacked Miss Bartlett almost violently: Why should she not change? What possible objection had she? They would clear out in half an hour." +- "Miss Bartlett, though skilled in the delicacies of conversation, was powerless in the presence of brutality. It was impossible to snub any one so gross. Her face reddened with displeasure. She looked around as much as to say, “Are you all like this?”" - "And two little old ladies, who were sitting further up the table, with shawls hanging over the backs of the chairs, looked back, clearly indicating “We are not; we are genteel.”\n\n“Eat your dinner, dear,” she said to Lucy, and began to toy again with the meat that she had once censured.\n\nLucy mumbled that those seemed very odd people opposite." - "“Eat your dinner, dear. This pension is a failure. To-morrow we will make a change.”" - "Hardly had she announced this fell decision when she reversed it. The curtains at the end of the room parted, and revealed a clergyman, stout but attractive, who hurried forward to take his place at the table,\ncheerfully apologizing for his lateness. Lucy, who had not yet acquired decency, at once rose to her feet, exclaiming: “Oh, oh! Why, it’s Mr." @@ -40,7 +43,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The young man named George glanced at the clever lady, and then returned moodily to his plate. Obviously he and his father did not do.\nLucy, in the midst of her success, found time to wish they did. It gave her no extra pleasure that any one should be left in the cold; and when she rose to go, she turned back and gave the two outsiders a nervous little bow." - "The father did not see it; the son acknowledged it, not by another bow,\nbut by raising his eyebrows and smiling; he seemed to be smiling across something." - "She hastened after her cousin, who had already disappeared through the curtains—curtains which smote one in the face, and seemed heavy with more than cloth. Beyond them stood the unreliable Signora, bowing good-evening to her guests, and supported by ’Enery, her little boy,\nand Victorier, her daughter. It made a curious little scene, this attempt of the Cockney to convey the grace and geniality of the South." -- "And even more curious was the drawing-room, which attempted to rival the solid comfort of a Bloomsbury boarding-house. Was this really Italy?\n\nMiss Bartlett was already seated on a tightly stuffed arm-chair, which had the colour and the contours of a tomato. She was talking to Mr." +- "And even more curious was the drawing-room, which attempted to rival the solid comfort of a Bloomsbury boarding-house. Was this really Italy?" +- "Miss Bartlett was already seated on a tightly stuffed arm-chair, which had the colour and the contours of a tomato. She was talking to Mr." - "Beebe, and as she spoke, her long narrow head drove backwards and forwards, slowly, regularly, as though she were demolishing some invisible obstacle. “We are most grateful to you,” she was saying. “The first evening means so much. When you arrived we were in for a peculiarly _mauvais quart d’heure_.”\n\nHe expressed his regret." - "“Do you, by any chance, know the name of an old man who sat opposite us at dinner?”\n\n“Emerson.”\n\n“Is he a friend of yours?”\n\n“We are friendly—as one is in pensions.”\n\n“Then I will say no more.”\n\nHe pressed her very slightly, and she said more." - "“I am, as it were,” she concluded, “the chaperon of my young cousin,\nLucy, and it would be a serious thing if I put her under an obligation to people of whom we know nothing. His manner was somewhat unfortunate.\nI hope I acted for the best.”" @@ -55,7 +59,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“He is nice,” exclaimed Lucy. “Just what I remember. He seems to see good in everyone. No one would take him for a clergyman.”\n\n“My dear Lucia—”\n\n“Well, you know what I mean. And you know how clergymen generally laugh; Mr. Beebe laughs just like an ordinary man.”\n\n“Funny girl! How you do remind me of your mother. I wonder if she will approve of Mr. Beebe.”" - "“I’m sure she will; and so will Freddy.”\n\n“I think everyone at Windy Corner will approve; it is the fashionable world. I am used to Tunbridge Wells, where we are all hopelessly behind the times.”\n\n“Yes,” said Lucy despondently." - "There was a haze of disapproval in the air, but whether the disapproval was of herself, or of Mr. Beebe, or of the fashionable world at Windy Corner, or of the narrow world at Tunbridge Wells, she could not determine. She tried to locate it, but as usual she blundered. Miss Bartlett sedulously denied disapproving of any one, and added “I am afraid you are finding me a very depressing companion.”" -- "And the girl again thought: “I must have been selfish or unkind; I must be more careful. It is so dreadful for Charlotte, being poor.”\n\nFortunately one of the little old ladies, who for some time had been smiling very benignly, now approached and asked if she might be allowed to sit where Mr. Beebe had sat." +- "And the girl again thought: “I must have been selfish or unkind; I must be more careful. It is so dreadful for Charlotte, being poor.”" +- "Fortunately one of the little old ladies, who for some time had been smiling very benignly, now approached and asked if she might be allowed to sit where Mr. Beebe had sat." - "Permission granted, she began to chatter gently about Italy, the plunge it had been to come there, the gratifying success of the plunge, the improvement in her sister’s health, the necessity of closing the bed-room windows at night, and of thoroughly emptying the water-bottles in the morning." - "She handled her subjects agreeably, and they were, perhaps, more worthy of attention than the high discourse upon Guelfs and Ghibellines which was proceeding tempestuously at the other end of the room. It was a real catastrophe, not a mere episode, that evening of hers at Venice, when she had found in her bedroom something that is one worse than a flea,\nthough one better than something else." - "“But here you are as safe as in England. Signora Bertolini is so English.”\n\n“Yet our rooms smell,” said poor Lucy. “We dread going to bed.”\n\n“Ah, then you look into the court.” She sighed. “If only Mr. Emerson was more tactful! We were so sorry for you at dinner.”\n\n“I think he was meaning to be kind.”" @@ -82,7 +87,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It was pleasant to wake up in Florence, to open the eyes upon a bright bare room, with a floor of red tiles which look clean though they are not; with a painted ceiling whereon pink griffins and blue amorini sport in a forest of yellow violins and bassoons. It was pleasant, too," - "to fling wide the windows, pinching the fingers in unfamiliar fastenings, to lean out into sunshine with beautiful hills and trees and marble churches opposite, and close below, the Arno, gurgling against the embankment of the road." - "Over the river men were at work with spades and sieves on the sandy foreshore, and on the river was a boat, also diligently employed for some mysterious end. An electric tram came rushing underneath the window. No one was inside it, except one tourist; but its platforms were overflowing with Italians, who preferred to stand. Children tried to hang on behind, and the conductor, with no malice, spat in their faces to make them let go." -- "Then soldiers appeared—good-looking,\nundersized men—wearing each a knapsack covered with mangy fur, and a great-coat which had been cut for some larger soldier. Beside them walked officers, looking foolish and fierce, and before them went little boys, turning somersaults in time with the band. The tramcar became entangled in their ranks, and moved on painfully, like a caterpillar in a swarm of ants." +- "Then soldiers appeared—good-looking," +- "undersized men—wearing each a knapsack covered with mangy fur, and a great-coat which had been cut for some larger soldier. Beside them walked officers, looking foolish and fierce, and before them went little boys, turning somersaults in time with the band. The tramcar became entangled in their ranks, and moved on painfully, like a caterpillar in a swarm of ants." - "One of the little boys fell down, and some white bullocks came out of an archway. Indeed, if it had not been for the good advice of an old man who was selling button-hooks, the road might never have got clear." - "Over such trivialities as these many a valuable hour may slip away, and the traveller who has gone to Italy to study the tactile values of Giotto, or the corruption of the Papacy, may return remembering nothing but the blue sky and the men and women who live under it." - "So it was as well that Miss Bartlett should tap and come in, and having commented on Lucy’s leaving the door unlocked, and on her leaning out of the window before she was fully dressed, should urge her to hasten herself, or the best of the day would be gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs." @@ -105,7 +111,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss Lavish was not disgusted, and said it was just the size of her aunt’s Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:" - "“Bless us! Bless us and save us! We’ve lost the way.”\n\nCertainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings." - "“Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us!\nWhat are we to do? Two lone females in an unknown town. Now, this is what _I_ call an adventure.”\n\nLucy, who wanted to see Santa Croce, suggested, as a possible solution,\nthat they should ask the way there." -- "“Oh, but that is the word of a craven! And no, you are not, not, _not_ to look at your Baedeker. Give it to me; I shan’t let you carry it. We will simply drift.”\n\nAccordingly they drifted through a series of those grey-brown streets,\nneither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa," +- "“Oh, but that is the word of a craven! And no, you are not, not, _not_ to look at your Baedeker. Give it to me; I shan’t let you carry it. We will simply drift.”" +- "Accordingly they drifted through a series of those grey-brown streets,\nneither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa," - "and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven." - "Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile." - "The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza," @@ -146,11 +153,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Then I had better speak to him and remind him who I am. It’s that Mr.\nEager. Why did he go? Did we talk too loud? How vexatious. I shall go and say we are sorry. Hadn’t I better? Then perhaps he will come back.”\n\n“He will not come back,” said George." - "But Mr. Emerson, contrite and unhappy, hurried away to apologize to the Rev. Cuthbert Eager. Lucy, apparently absorbed in a lunette, could hear the lecture again interrupted, the anxious, aggressive voice of the old man, the curt, injured replies of his opponent. The son, who took every little contretemps as if it were a tragedy, was listening also." - "“My father has that effect on nearly everyone,” he informed her. “He will try to be kind.”\n\n“I hope we all try,” said she, smiling nervously.\n\n“Because we think it improves our characters. But he is kind to people because he loves them; and they find him out, and are offended, or frightened.”" -- "“How silly of them!” said Lucy, though in her heart she sympathized; “I think that a kind action done tactfully—”\n\n“Tact!”\n\nHe threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel." +- "“How silly of them!” said Lucy, though in her heart she sympathized; “I think that a kind action done tactfully—”\n\n“Tact!”" +- He threw up his head in disdain. Apparently she had given the wrong answer. She watched the singular creature pace up and down the chapel. - "For a young man his face was rugged, and—until the shadows fell upon it—hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness," - "of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned,\nand she could re-enter the world of rapid talk, which was alone familiar to her.\n\n“Were you snubbed?” asked his son tranquilly." - "“But we have spoilt the pleasure of I don’t know how many people. They won’t come back.”\n\n“...full of innate sympathy...quickness to perceive good in others...vision of the brotherhood of man...” Scraps of the lecture on St. Francis came floating round the partition wall." -- "“Don’t let us spoil yours,” he continued to Lucy. “Have you looked at those saints?”\n\n“Yes,” said Lucy. “They are lovely. Do you know which is the tombstone that is praised in Ruskin?”\n\nHe did not know, and suggested that they should try to guess it." +- "“Don’t let us spoil yours,” he continued to Lucy. “Have you looked at those saints?”\n\n“Yes,” said Lucy. “They are lovely. Do you know which is the tombstone that is praised in Ruskin?”" +- "He did not know, and suggested that they should try to guess it." - "George, rather to her relief, refused to move, and she and the old man wandered not unpleasantly about Santa Croce, which, though it is like a barn, has harvested many beautiful things inside its walls. There were also beggars to avoid and guides to dodge round the pillars, and an old lady with her dog, and here and there a priest modestly edging to his Mass through the groups of tourists. But Mr. Emerson was only half interested." - "He watched the lecturer, whose success he believed he had impaired, and then he anxiously watched his son.\n\n“Why will he look at that fresco?” he said uneasily. “I saw nothing in it.”\n\n“I like Giotto,” she replied. “It is so wonderful what they say about his tactile values. Though I like things like the Della Robbia babies better.”" - "“So you ought. A baby is worth a dozen saints. And my baby’s worth the whole of Paradise, and as far as I can see he lives in Hell.”\n\nLucy again felt that this did not do.\n\n“In Hell,” he repeated. “He’s unhappy.”\n\n“Oh, dear!” said Lucy." @@ -168,9 +177,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "before she lost Baedeker. The dear George, now striding towards them over the tombstones, seemed both pitiable and absurd. He approached,\nhis face in the shadow. He said:\n\n“Miss Bartlett.”\n\n“Oh, good gracious me!” said Lucy, suddenly collapsing and again seeing the whole of life in a new perspective. “Where? Where?”\n\n“In the nave.”" - "“I see. Those gossiping little Miss Alans must have—” She checked herself.\n\n“Poor girl!” exploded Mr. Emerson. “Poor girl!”\n\nShe could not let this pass, for it was just what she was feeling herself." - "“Poor girl? I fail to understand the point of that remark. I think myself a very fortunate girl, I assure you. I’m thoroughly happy, and having a splendid time. Pray don’t waste time mourning over _me_.\nThere’s enough sorrow in the world, isn’t there, without trying to invent it. Good-bye. Thank you both so much for all your kindness. Ah," -- "yes! there does come my cousin. A delightful morning! Santa Croce is a wonderful church.”\n\nShe joined her cousin.\n\n\n\n\nChapter III Music, Violets, and the Letter “S”\n\n\nIt so happened that Lucy, who found daily life rather chaotic, entered a more solid world when she opened the piano. She was then no longer either deferential or patronizing; no longer either a rebel or a slave." +- "yes! there does come my cousin. A delightful morning! Santa Croce is a wonderful church.”\n\nShe joined her cousin.\n\n\n\n\nChapter III Music, Violets, and the Letter “S”" +- "It so happened that Lucy, who found daily life rather chaotic, entered a more solid world when she opened the piano. She was then no longer either deferential or patronizing; no longer either a rebel or a slave." - "The kingdom of music is not the kingdom of this world; it will accept those whom breeding and intellect and culture have alike rejected. The commonplace person begins to play, and shoots into the empyrean without effort, whilst we look up, marvelling how he has escaped us, and thinking how we could worship him and love him, would he but translate his visions into human words, and his experiences into human actions." -- "Perhaps he cannot; certainly he does not, or does so very seldom. Lucy had done so never.\n\nShe was no dazzling _exécutante;_ her runs were not at all like strings of pearls, and she struck no more right notes than was suitable for one of her age and situation. Nor was she the passionate young lady, who performs so tragically on a summer’s evening with the window open." +- "Perhaps he cannot; certainly he does not, or does so very seldom. Lucy had done so never." +- "She was no dazzling _exécutante;_ her runs were not at all like strings of pearls, and she struck no more right notes than was suitable for one of her age and situation. Nor was she the passionate young lady, who performs so tragically on a summer’s evening with the window open." - "Passion was there, but it could not be easily labelled; it slipped between love and hatred and jealousy, and all the furniture of the pictorial style. And she was tragical only in the sense that she was great, for she loved to play on the side of Victory. Victory of what and over what—that is more than the words of daily life can tell us." - "But that some sonatas of Beethoven are written tragic no one can gainsay; yet they can triumph or despair as the player decides, and Lucy had decided that they should triumph." - "A very wet afternoon at the Bertolini permitted her to do the thing she really liked, and after lunch she opened the little draped piano. A few people lingered round and praised her playing, but finding that she made no reply, dispersed to their rooms to write up their diaries or to sleep. She took no notice of Mr. Emerson looking for his son, nor of Miss Bartlett looking for Miss Lavish, nor of Miss Lavish looking for her cigarette-case." @@ -179,7 +190,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "under the auspices of their vicar, sang, or recited, or imitated the drawing of a champagne cork. Among the promised items was “Miss Honeychurch. Piano. Beethoven,” and Mr. Beebe was wondering whether it would be Adelaida, or the march of The Ruins of Athens, when his composure was disturbed by the opening bars of Opus III." - "He was in suspense all through the introduction, for not until the pace quickens does one know what the performer intends. With the roar of the opening theme he knew that things were going extraordinarily; in the chords that herald the conclusion he heard the hammer strokes of victory. He was glad that she only played the first movement, for he could have paid no attention to the winding intricacies of the measures of nine-sixteen." - "The audience clapped, no less respectful. It was Mr.\nBeebe who started the stamping; it was all that one could do.\n\n“Who is she?” he asked the vicar afterwards.\n\n“Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs.”" -- "“Introduce me.”\n\n“She will be delighted. She and Miss Bartlett are full of the praises of your sermon.”\n\n“My sermon?” cried Mr. Beebe. “Why ever did she listen to it?”\n\nWhen he was introduced he understood why, for Miss Honeychurch," +- "“Introduce me.”\n\n“She will be delighted. She and Miss Bartlett are full of the praises of your sermon.”\n\n“My sermon?” cried Mr. Beebe. “Why ever did she listen to it?”" +- "When he was introduced he understood why, for Miss Honeychurch," - "disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him:" - "“If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her.”\n\nLucy at once re-entered daily life.\n\n“Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet.”\n\n“Doesn’t Mrs. Honeychurch like music?”" - "“She doesn’t mind it. But she doesn’t like one to get excited over anything; she thinks I am silly about it. She thinks—I can’t make out.\nOnce, you know, I said that I liked my own playing better than any one’s. She has never got over it. Of course, I didn’t mean that I played well; I only meant—”\n\n“Of course,” said he, wondering why she bothered to explain." @@ -206,7 +218,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She told Teresa and Miss Pole the other day that she had got up all the local colour—this novel is to be about modern Italy; the other was historical—but that she could not start till she had an idea. First she tried Perugia for an inspiration,\nthen she came here—this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them.”" - "Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.\n\n“All the same, she is a little too—I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived.”" - "Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.\n\n“I don’t know, Miss Honeychurch, if you have noticed that Miss Pole,\nthe lady who has so much yellow hair, takes lemonade. That old Mr.\nEmerson, who puts things very strangely—”" -- "Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:\n\n“Stomach. He warned Miss Pole of her stomach-acidity, he called it—and he may have meant to be kind. I must say I forgot myself and laughed;" +- "Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:" +- "“Stomach. He warned Miss Pole of her stomach-acidity, he called it—and he may have meant to be kind. I must say I forgot myself and laughed;" - "it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively _attracted_ by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers—‘drummers’ was the word she used—and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce." - "Teresa was very much annoyed, and left the table before the cheese, saying as she did so: ‘There, Miss Lavish, is one who can confute you better than I,’ and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said: ‘Tut! The early Victorians.’ Just imagine! ‘Tut! The early Victorians.’ My sister had gone, and I felt bound to speak." - "I said: ‘Miss Lavish, _I_ am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.’ It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr." @@ -233,10 +246,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self." - "Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved." - "As she might not go on the electric tram, she went to Alinari’s shop." -- "There she bought a photograph of Botticelli’s “Birth of Venus.” Venus,\nbeing a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione’s “Tempesta,” the “Idolino,” some of the Sistine frescoes and the Apoxyomenos, were added to it." +- "There she bought a photograph of Botticelli’s “Birth of Venus.” Venus," +- "being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione’s “Tempesta,” the “Idolino,” some of the Sistine frescoes and the Apoxyomenos, were added to it." - "She felt a little calmer then, and bought Fra Angelico’s “Coronation,” Giotto’s “Ascension of St. John,” some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name." - "But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. “The world,” she thought, “is certainly full of beautiful things, if only I could come across them.” It was not surprising that Mrs." -- "Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.\n\n“Nothing ever happens to me,” she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god," +- "Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy." +- "“Nothing ever happens to me,” she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god," - "half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality—the hour, that is, when unfamiliar things are real." - "An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more." - "She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her,\nstill dancing before her eyes when she bent them to the ground and started towards home.\n\nThen something did happen." @@ -252,7 +267,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day,\nand joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her,\n“Oh, what have I done?”—the thought that she, as well as the dying man,\nhad crossed some spiritual boundary." - "He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her,\nshe walked firmly enough towards the Arno. There a cabman signalled to them; they refused him." - "“And the murderer tried to kiss him, you say—how very odd Italians are!—and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday—What was that?”\n\nHe had thrown something into the stream.\n\n“What did you throw in?”\n\n“Things I didn’t want,” he said crossly.\n\n“Mr. Emerson!”" -- "“Well?”\n\n“Where are the photographs?”\n\nHe was silent.\n\n“I believe it was my photographs that you threw away.”\n\n“I didn’t know what to do with them,” he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time." +- "“Well?”\n\n“Where are the photographs?”\n\nHe was silent.\n\n“I believe it was my photographs that you threw away.”" +- "“I didn’t know what to do with them,” he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time." - "“They were covered with blood. There! I’m glad I’ve told you; and all the time we were making conversation I was wondering what to do with them.” He pointed down-stream. “They’ve gone.” The river swirled under the bridge, “I did mind them so, and one is so foolish, it seemed better that they should go out to the sea—I don’t know; I may just mean that they frightened me.”" - "Then the boy verged into a man. “For something tremendous has happened; I must face it without getting muddled. It isn’t exactly that a man has died.”\n\nSomething warned Lucy that she must stop him.\n\n“It has happened,” he repeated, “and I mean to find out what it is.”\n\n“Mr. Emerson—”\n\nHe turned towards her frowning, as if she had disturbed him in some abstract quest." - "“I want to ask you something before we go in.”\n\nThey were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying:\n\n“I have behaved ridiculously.”\n\nHe was following his own thoughts." @@ -301,9 +317,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Surely the vendor of photographs was in league with Lucy—in the eternal league of Italy with youth. He had suddenly extended his book before Miss Bartlett and Mr. Eager, binding their hands together by a long glossy ribbon of churches, pictures, and views." - "“This is too much!” cried the chaplain, striking petulantly at one of Fra Angelico’s angels. She tore. A shrill cry rose from the vendor. The book it seemed, was more valuable than one would have supposed.\n\n“Willingly would I purchase—” began Miss Bartlett.\n\n“Ignore him,” said Mr. Eager sharply, and they all walked rapidly away from the square." - "But an Italian can never be ignored, least of all when he has a grievance. His mysterious persecution of Mr. Eager became relentless;\nthe air rang with his threats and lamentations. He appealed to Lucy;\nwould not she intercede? He was poor—he sheltered a family—the tax on bread. He waited, he gibbered, he was recompensed, he was dissatisfied," -- "he did not leave them until he had swept their minds clean of all thoughts whether pleasant or unpleasant.\n\nShopping was the topic that now ensued." +- he did not leave them until he had swept their minds clean of all thoughts whether pleasant or unpleasant. +- Shopping was the topic that now ensued. - "Under the chaplain’s guidance they selected many hideous presents and mementoes—florid little picture-frames that seemed fashioned in gilded pastry; other little frames, more severe, that stood on little easels, and were carven out of oak; a blotting book of vellum; a Dante of the same material; cheap mosaic brooches, which the maids, next Christmas, would never tell from real; pins, pots, heraldic saucers" -- ", brown art-photographs; Eros and Psyche in alabaster; St. Peter to match—all of which would have cost less in London.\n\nThis successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough," +- ", brown art-photographs; Eros and Psyche in alabaster; St. Peter to match—all of which would have cost less in London." +- "This successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough," - "ceased to respect them. She doubted that Miss Lavish was a great artist. She doubted that Mr. Eager was as full of spirituality and culture as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte—as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her." - "“The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton.”\n\nThey were talking about the Emersons.\n\n“How wonderfully people rise in these days!” sighed Miss Bartlett,\nfingering a model of the leaning Tower of Pisa." - "“Generally,” replied Mr. Eager, “one has only sympathy for their success. The desire for education and for social advance—in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence—little as they would make of it.”\n\n“Is he a journalist now?” Miss Bartlett asked.\n\n“He is not; he made an advantageous marriage.”" @@ -325,7 +343,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: “Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr." - "Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether—which they could scarcely do—but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!”\n\n“It is indeed,” replied the girl, with a gravity that sounded sympathetic." - "“What do you think about it?” asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.\n\n“I don’t know what I think, nor what I want.”\n\n“Oh, dear, Lucy! I do hope Florence isn’t boring you. Speak the word,\nand, as you know, I would take you to the ends of the earth to-morrow.”" -- "“Thank you, Charlotte,” said Lucy, and pondered over the offer.\n\nThere were letters for her at the bureau—one from her brother, full of athletics and biology; one from her mother, delightful as only her mother’s letters could be." +- "“Thank you, Charlotte,” said Lucy, and pondered over the offer." +- "There were letters for her at the bureau—one from her brother, full of athletics and biology; one from her mother, delightful as only her mother’s letters could be." - "She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her." - "The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald—all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.\n\n“And the news?” asked Miss Bartlett.\n\n“Mrs. Vyse and her son have gone to Rome,” said Lucy, giving the news that interested her least. “Do you know the Vyses?”" - "“Oh, not that way back. We can never have too much of the dear Piazza Signoria.”\n\n“They’re nice people, the Vyses. So clever—my idea of what’s really clever. Don’t you long to be in Rome?”\n\n“I die for it!”" @@ -335,7 +354,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, you droll person! Pray, what would become of your drive in the hills?”\n\nThey passed together through the gaunt beauty of the square, laughing over the unpractical suggestion.\n\n\n\n\nChapter VI The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson,\nMr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them." - "It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master’s horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab." - "And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister—Persephone, tall and slender and pale, returning with the Spring to her mother’s cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition." -- "But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god.\n\nPhaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr." +- "But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god." +- "Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr." - "Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party." - "And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind." - "It was hard on the poor chaplain to have his _partie carrée_ thus transformed. Tea at a Renaissance villa, if he had ever meditated it,\nwas now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God—they should enter no villa at his introduction." @@ -368,7 +388,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss Lavish frowned. It is hard when a person you have classed as typically British speaks out of his character.\n\n“He was not driving us well,” she said. “He jolted us.”" - "“That I deny. It was as restful as sleeping. Aha! he is jolting us now.\nCan you wonder? He would like to throw us out, and most certainly he is justified. And if I were superstitious I’d be frightened of the girl,\ntoo. It doesn’t do to injure young people. Have you ever heard of Lorenzo de Medici?”\n\nMiss Lavish bristled." - "“Most certainly I have. Do you refer to Lorenzo il Magnifico, or to Lorenzo, Duke of Urbino, or to Lorenzo surnamed Lorenzino on account of his diminutive stature?”\n\n“The Lord knows. Possibly he does know, for I refer to Lorenzo the poet. He wrote a line—so I heard yesterday—which runs like this: ‘Don’t go fighting against the Spring.’”" -- "Mr. Eager could not resist the opportunity for erudition.\n\n“Non fate guerra al Maggio,” he murmured. “‘War not with the May’ would render a correct meaning.”\n\n“The point is, we have warred with it. Look.” He pointed to the Val d’Arno, which was visible far below them, through the budding trees." +- "Mr. Eager could not resist the opportunity for erudition.\n\n“Non fate guerra al Maggio,” he murmured. “‘War not with the May’ would render a correct meaning.”" +- "“The point is, we have warred with it. Look.” He pointed to the Val d’Arno, which was visible far below them, through the budding trees." - "“Fifty miles of Spring, and we’ve come up to admire them. Do you suppose there’s any difference between Spring in nature and Spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both.”" - "No one encouraged him to talk. Presently Mr. Eager gave a signal for the carriages to stop and marshalled the party for their ramble on the hill. A hollow like a great amphitheatre, full of terraced steps and misty olives, now lay between them and the heights of Fiesole, and the road, still following its curve, was about to sweep on to a promontory which stood out in the plain." - "It was this promontory, uncultivated," @@ -382,7 +403,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Please, I’d rather stop here with you.”\n\n“No, I agree,” said Miss Lavish. “It’s like a school feast; the boys have got separated from the girls. Miss Lucy, you are to go. We wish to converse on high topics unsuited for your ear.”" - "The girl was stubborn. As her time at Florence drew to its close she was only at ease amongst those to whom she felt indifferent. Such a one was Miss Lavish, and such for the moment was Charlotte. She wished she had not called attention to herself; they were both annoyed at her remark and seemed determined to get rid of her.\n\n“How tired one gets,” said Miss Bartlett. “Oh, I do wish Freddy and your mother could be here.”" - "Unselfishness with Miss Bartlett had entirely usurped the functions of enthusiasm. Lucy did not look at the view either. She would not enjoy anything till she was safe at Rome.\n\n“Then sit you down,” said Miss Lavish. “Observe my foresight.”" -- "With many a smile she produced two of those mackintosh squares that protect the frame of the tourist from damp grass or cold marble steps.\nShe sat on one; who was to sit on the other?\n\n“Lucy; without a moment’s doubt, Lucy. The ground will do for me." +- "With many a smile she produced two of those mackintosh squares that protect the frame of the tourist from damp grass or cold marble steps.\nShe sat on one; who was to sit on the other?" +- "“Lucy; without a moment’s doubt, Lucy. The ground will do for me." - "Really I have not had rheumatism for years. If I do feel it coming on I shall stand. Imagine your mother’s feelings if I let you sit in the wet in your white linen.” She sat down heavily where the ground looked particularly moist. “Here we are, all settled delightfully. Even if my dress is thinner it will not show so much, being brown. Sit down, dear;" - "you are too unselfish; you don’t assert yourself enough.” She cleared her throat. “Now don’t be alarmed; this isn’t a cold. It’s the tiniest cough, and I have had it three days. It’s nothing to do with sitting here at all.”" - "There was only one way of treating the situation. At the end of five minutes Lucy departed in search of Mr. Beebe and Mr. Eager, vanquished by the mackintosh square.\n\nShe addressed herself to the drivers, who were sprawling in the carriages, perfuming the cushions with cigars. The miscreant, a bony young man scorched black by the sun, rose to greet her with the courtesy of a host and the assurance of a relative." @@ -396,12 +418,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Eccolo!” he exclaimed.\n\nAt the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end.\n\n“Courage!” cried her companion, now standing some six feet above.\n“Courage and love.”" - "She did not answer. From her feet the ground sloped sharply into view,\nand violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth." - "Standing at its brink, like a swimmer who prepares, was the good man.\nBut he was not the good man that she had expected, and he was alone.\n\nGeorge had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her." -- "Before she could speak, almost before she could feel, a voice called,\n“Lucy! Lucy! Lucy!” The silence of life had been broken by Miss Bartlett who stood brown against the view.\n\n\n\n\nChapter VII They Return\n\n\nSome complicated game had been playing up and down the hillside all the afternoon. What it was and exactly how the players had sided, Lucy was slow to discover. Mr. Eager had met them with a questioning eye." +- "Before she could speak, almost before she could feel, a voice called,\n“Lucy! Lucy! Lucy!” The silence of life had been broken by Miss Bartlett who stood brown against the view.\n\n\n\n\nChapter VII They Return" +- "Some complicated game had been playing up and down the hillside all the afternoon. What it was and exactly how the players had sided, Lucy was slow to discover. Mr. Eager had met them with a questioning eye." - "Charlotte had repulsed him with much small talk. Mr. Emerson, seeking his son, was told whereabouts to find him. Mr. Beebe, who wore the heated aspect of a neutral, was bidden to collect the factions for the return home. There was a general sense of groping and bewilderment." - "Pan had been amongst them—not the great god Pan, who has been buried these two thousand years, but the little god Pan, who presides over social contretemps and unsuccessful picnics. Mr. Beebe had lost everyone, and had consumed in solitude the tea-basket which he had brought up as a pleasant surprise. Miss Lavish had lost Miss Bartlett. Lucy had lost Mr. Eager. Mr. Emerson had lost George." - "Miss Bartlett had lost a mackintosh square. Phaethon had lost the game.\n\nThat last fact was undeniable. He climbed on to the box shivering, with his collar up, prophesying the swift approach of bad weather. “Let us go immediately,” he told them. “The signorino will walk.”\n\n“All the way? He will be hours,” said Mr. Beebe." - "“Apparently. I told him it was unwise.” He would look no one in the face; perhaps defeat was particularly mortifying for him. He alone had played skilfully, using the whole of his instinct, while the others had used scraps of their intelligence. He alone had divined what things were, and what he wished them to be. He alone had interpreted the message that Lucy had received five days before from the lips of a dying man." -- "Persephone, who spends half her life in the grave—she could interpret it also. Not so these English. They gain knowledge slowly,\nand perhaps too late.\n\nThe thoughts of a cab-driver, however just, seldom affect the lives of his employers. He was the most competent of Miss Bartlett’s opponents," +- "Persephone, who spends half her life in the grave—she could interpret it also. Not so these English. They gain knowledge slowly,\nand perhaps too late." +- "The thoughts of a cab-driver, however just, seldom affect the lives of his employers. He was the most competent of Miss Bartlett’s opponents," - "but infinitely the least dangerous. Once back in the town, he and his insight and his knowledge would trouble English ladies no more. Of course, it was most unpleasant; she had seen his black head in the bushes; he might make a tavern story out of it. But after all, what have we to do with taverns? Real menace belongs to the drawing-room. It was of drawing-room people that Miss Bartlett thought as she journeyed downwards towards the fading sun." - "Lucy sat beside her; Mr. Eager sat opposite, trying to catch her eye; he was vaguely suspicious. They spoke of Alessio Baldovinetti.\n\nRain and darkness came on together. The two ladies huddled together under an inadequate parasol. There was a lightning flash, and Miss Lavish who was nervous, screamed from the carriage in front. At the next flash, Lucy screamed also. Mr. Eager addressed her professionally:" - "“Courage, Miss Honeychurch, courage and faith. If I might say so, there is something almost blasphemous in this horror of the elements. Are we seriously to suppose that all these clouds, all this immense electrical display, is simply called into existence to extinguish you or me?”\n\n“No—of course—”" @@ -411,7 +435,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Go, Mr. Eager,” said Miss Bartlett, “don’t ask our driver; our driver is no help. Go and support poor Mr. Beebe—, he is nearly demented.”\n\n“He may be killed!” cried the old man. “He may be killed!”\n\n“Typical behaviour,” said the chaplain, as he quitted the carriage. “In the presence of reality that kind of person invariably breaks down.”" - "“What does he know?” whispered Lucy as soon as they were alone.\n“Charlotte, how much does Mr. Eager know?”" - "“Nothing, dearest; he knows nothing. But—” she pointed at the driver—“_he_ knows everything. Dearest, had we better? Shall I?” She took out her purse. “It is dreadful to be entangled with low-class people. He saw it all.” Tapping Phaethon’s back with her guide-book,\nshe said, “Silenzio!” and offered him a franc." -- "“Va bene,” he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him.\n\nThere was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity," +- "“Va bene,” he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him." +- "There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity," - "which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good." - "The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that,\neven if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers,\nthrough miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin." - "“Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can understand me. You warned me to be careful. And I—I thought I was developing.”\n\n“Do not cry, dearest. Take your time.”\n\n“I have been obstinate and silly—worse than you know, far worse. Once by the river—Oh, but he isn’t killed—he wouldn’t be killed, would he?”" @@ -421,7 +446,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I want to be truthful,” she whispered. “It is so hard to be absolutely truthful.”\n\n“Don’t be troubled, dearest. Wait till you are calmer. We will talk it over before bed-time in my room.”" - "So they re-entered the city with hands clasped. It was a shock to the girl to find how far emotion had ebbed in others. The storm had ceased,\nand Mr. Emerson was easier about his son. Mr. Beebe had regained good humour, and Mr. Eager was already snubbing Miss Lavish. Charlotte alone she was sure of—Charlotte, whose exterior concealed so much insight and love." - "The luxury of self-exposure kept her almost happy through the long evening. She thought not so much of what had happened as of how she should describe it. All her sensations, her spasms of courage, her moments of unreasonable joy, her mysterious discontent, should be carefully laid before her cousin. And together in divine confidence they would disentangle and interpret them all." -- "“At last,” thought she, “I shall understand myself. I shan’t again be troubled by things that come out of nothing, and mean I don’t know what.”\n\nMiss Alan asked her to play. She refused vehemently. Music seemed to her the employment of a child. She sat close to her cousin, who, with commendable patience, was listening to a long story about lost luggage." +- "“At last,” thought she, “I shall understand myself. I shan’t again be troubled by things that come out of nothing, and mean I don’t know what.”" +- "Miss Alan asked her to play. She refused vehemently. Music seemed to her the employment of a child. She sat close to her cousin, who, with commendable patience, was listening to a long story about lost luggage." - "When it was over she capped it by a story of her own. Lucy became rather hysterical with the delay. In vain she tried to check, or at all events to accelerate, the tale. It was not till a late hour that Miss Bartlett had recovered her luggage and could say in her usual tone of gentle reproach:\n\n“Well, dear, I at all events am ready for Bedfordshire. Come into my room, and I will give a good brush to your hair.”" - "With some solemnity the door was shut, and a cane chair placed for the girl. Then Miss Bartlett said “So what is to be done?”\n\nShe was unprepared for the question. It had not occurred to her that she would have to do anything. A detailed exhibition of her emotions was all that she had counted upon.\n\n“What is to be done? A point, dearest, which you alone can settle.”" - "The rain was streaming down the black windows, and the great room felt damp and chilly, One candle burnt trembling on the chest of drawers close to Miss Bartlett’s toque, which cast monstrous and fantastic shadows on the bolted door. A tram roared by in the dark, and Lucy felt unaccountably sad, though she had long since dried her eyes." @@ -457,7 +483,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The door-bell rang, and she started to the shutters. Before she reached them she hesitated, turned, and blew out the candle. Thus it was that,\nthough she saw someone standing in the wet below, he, though he looked up, did not see her." - "To reach his room he had to go by hers. She was still dressed. It struck her that she might slip into the passage and just say that she would be gone before he was up, and that their extraordinary intercourse was over.\n\nWhether she would have dared to do this was never proved. At the critical moment Miss Bartlett opened her own door, and her voice said:\n\n“I wish one word with you in the drawing-room, Mr. Emerson, please.”" - "Soon their footsteps returned, and Miss Bartlett said: “Good-night, Mr.\nEmerson.”\n\nHis heavy, tired breathing was the only reply; the chaperon had done her work.\n\nLucy cried aloud: “It isn’t true. It can’t all be true. I want not to be muddled. I want to grow older quickly.”\n\nMiss Bartlett tapped on the wall.\n\n“Go to bed at once, dear. You need all the rest you can get.”" -- "In the morning they left for Rome.\n\n\n\n\nPART TWO\n\n\n\n\nChapter VIII Medieval\n\n\nThe drawing-room curtains at Windy Corner had been pulled to meet, for the carpet was new and deserved protection from the August sun. They were heavy curtains, reaching almost to the ground, and the light that filtered through them was subdued and varied. A poet—none was present—might have quoted, “Life like a dome of many coloured glass,”" +- "In the morning they left for Rome.\n\n\n\n\nPART TWO\n\n\n\n\nChapter VIII Medieval" +- "The drawing-room curtains at Windy Corner had been pulled to meet, for the carpet was new and deserved protection from the August sun. They were heavy curtains, reaching almost to the ground, and the light that filtered through them was subdued and varied. A poet—none was present—might have quoted, “Life like a dome of many coloured glass,”" - "or might have compared the curtains to sluice-gates, lowered against the intolerable tides of heaven. Without was poured a sea of radiance;\nwithin, the glory, though visible, was tempered to the capacities of man." - "Two pleasant people sat in the room. One—a boy of nineteen—was studying a small manual of anatomy, and peering occasionally at a bone which lay upon the piano. From time to time he bounced in his chair and puffed and groaned, for the day was hot and the print small, and the human frame fearfully made; and his mother, who was writing a letter, did continually read out to him what she had written." - "And continually did she rise from her seat and part the curtains so that a rivulet of light fell across the carpet, and make the remark that they were still there.\n\n“Where aren’t they?” said the boy, who was Freddy, Lucy’s brother. “I tell you I’m getting fairly sick.”" @@ -468,7 +495,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I said: ‘Dear Mrs. Vyse, Cecil has just asked my permission about it,\nand I should be delighted, if Lucy wishes it. But—’” She stopped reading, “I was rather amused at Cecil asking my permission at all. He has always gone in for unconventionality, and parents nowhere, and so forth. When it comes to the point, he can’t get on without me.”\n\n“Nor me.”\n\n“You?”\n\nFreddy nodded." - "“What do you mean?”\n\n“He asked me for my permission also.”\n\nShe exclaimed: “How very odd of him!”\n\n“Why so?” asked the son and heir. “Why shouldn’t my permission be asked?”\n\n“What do you know about Lucy or girls or anything? What ever did you say?”\n\n“I said to Cecil, ‘Take her or leave her; it’s no business of mine!’”" - "“What a helpful answer!” But her own answer, though more normal in its wording, had been to the same effect.\n\n“The bother is this,” began Freddy.\n\nThen he took up his work again, too shy to say what the bother was.\nMrs. Honeychurch went back to the window.\n\n“Freddy, you must come. There they still are!”\n\n“I don’t see you ought to go peeping like that.”" -- "“Peeping like that! Can’t I look out of my own window?”\n\nBut she returned to the writing-table, observing, as she passed her son, “Still page 322?” Freddy snorted, and turned over two leaves. For a brief space they were silent. Close by, beyond the curtains, the gentle murmur of a long conversation had never ceased.\n\n“The bother is this: I have put my foot in it with Cecil most awfully.”" +- "“Peeping like that! Can’t I look out of my own window?”\n\nBut she returned to the writing-table, observing, as she passed her son, “Still page 322?” Freddy snorted, and turned over two leaves. For a brief space they were silent. Close by, beyond the curtains, the gentle murmur of a long conversation had never ceased." +- "“The bother is this: I have put my foot in it with Cecil most awfully.”" - "He gave a nervous gulp. “Not content with ‘permission’, which I did give—that is to say, I said, ‘I don’t mind’—well, not content with that, he wanted to know whether I wasn’t off my head with joy. He practically put it like this: Wasn’t it a splendid thing for Lucy and for Windy Corner generally if he married her?" - "And he would have an answer—he said it would strengthen his hand.”\n\n“I hope you gave a careful answer, dear.”\n\n“I answered ‘No’” said the boy, grinding his teeth. “There! Fly into a stew! I can’t help it—had to say it. I had to say no. He ought never to have asked me.”" - "“Ridiculous child!” cried his mother. “You think you’re so holy and truthful, but really it’s only abominable conceit. Do you suppose that a man like Cecil would take the slightest notice of anything you say? I hope he boxed your ears. How dare you say no?”" @@ -485,7 +513,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I said that because I didn’t want Mrs. Vyse to think us old-fashioned.\nShe goes in for lectures and improving her mind, and all the time a thick layer of flue under the beds, and the maid’s dirty thumb-marks where you turn on the electric light. She keeps that flat abominably—”\n\n“Suppose Lucy marries Cecil, would she live in a flat, or in the country?”" - "“Don’t interrupt so foolishly. Where was I? Oh yes—‘Young people must decide for themselves. I know that Lucy likes your son, because she tells me everything, and she wrote to me from Rome when he asked her first.’ No, I’ll cross that last bit out—it looks patronizing. I’ll stop at ‘because she tells me everything.’ Or shall I cross that out,\ntoo?”" - "“Cross it out, too,” said Freddy.\n\nMrs. Honeychurch left it in.\n\n“Then the whole thing runs: ‘Dear Mrs. Vyse.—Cecil has just asked my permission about it, and I should be delighted if Lucy wishes it, and I have told Lucy so. But Lucy seems very uncertain, and in these days young people must decide for themselves. I know that Lucy likes your son, because she tells me everything. But I do not know—’”" -- "“Look out!” cried Freddy.\n\nThe curtains parted.\n\nCecil’s first movement was one of irritation. He couldn’t bear the Honeychurch habit of sitting in the dark to save the furniture." +- "“Look out!” cried Freddy.\n\nThe curtains parted." +- Cecil’s first movement was one of irritation. He couldn’t bear the Honeychurch habit of sitting in the dark to save the furniture. - "Instinctively he give the curtains a twitch, and sent them swinging down their poles. Light entered. There was revealed a terrace, such as is owned by many villas with trees each side of it, and on it a little rustic seat, and two flower-beds. But it was transfigured by the view beyond, for Windy Corner was built on the range that overlooks the Sussex Weald." - "Lucy, who was in the little seat, seemed on the edge of a green magic carpet which hovered in the air above the tremulous world.\n\nCecil entered." - "Appearing thus late in the story, Cecil must be at once described. He was medieval. Like a Gothic statue. Tall and refined, with shoulders that seemed braced square by an effort of the will, and a head that was tilted a little higher than the usual level of vision, he resembled those fastidious saints who guard the portals of a French cathedral." @@ -513,7 +542,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I should say so. Food is the thing one does get here—Don’t sit in that chair; young Honeychurch has left a bone in it.”\n\n“Pfui!”\n\n“I know,” said Cecil. “I know. I can’t think why Mrs. Honeychurch allows it.”\n\nFor Cecil considered the bone and the Maples’ furniture separately; he did not realize that, taken together, they kindled the room into the life that he desired." - "“I’ve come for tea and for gossip. Isn’t this news?”\n\n“News? I don’t understand you,” said Cecil. “News?”\n\nMr. Beebe, whose news was of a very different nature, prattled forward.\n\n“I met Sir Harry Otway as I came up; I have every reason to hope that I am first in the field. He has bought Cissie and Albert from Mr. Flack!”" - "“Has he indeed?” said Cecil, trying to recover himself. Into what a grotesque mistake had he fallen! Was it likely that a clergyman and a gentleman would refer to his engagement in a manner so flippant? But his stiffness remained, and, though he asked who Cissie and Albert might be, he still thought Mr. Beebe rather a bounder." -- "“Unpardonable question! To have stopped a week at Windy Corner and not to have met Cissie and Albert, the semi-detached villas that have been run up opposite the church! I’ll set Mrs. Honeychurch after you.”\n\n“I’m shockingly stupid over local affairs,” said the young man languidly. “I can’t even remember the difference between a Parish Council and a Local Government Board. Perhaps there is no difference," +- "“Unpardonable question! To have stopped a week at Windy Corner and not to have met Cissie and Albert, the semi-detached villas that have been run up opposite the church! I’ll set Mrs. Honeychurch after you.”" +- "“I’m shockingly stupid over local affairs,” said the young man languidly. “I can’t even remember the difference between a Parish Council and a Local Government Board. Perhaps there is no difference," - "or perhaps those aren’t the right names. I only go into the country to see my friends and to enjoy the scenery. It is very remiss of me. Italy and London are the only places where I don’t feel to exist on sufferance.”\n\nMr. Beebe, distressed at this heavy reception of Cissie and Albert,\ndetermined to shift the subject.\n\n“Let me see, Mr. Vyse—I forget—what is your profession?”" - "“I have no profession,” said Cecil. “It is another example of my decadence. My attitude—quite an indefensible one—is that so long as I am no trouble to any one I have a right to do as I like. I know I ought to be getting money out of people, or devoting myself to things I don’t care a straw about, but somehow, I’ve not been able to begin.”" - "“You are very fortunate,” said Mr. Beebe. “It is a wonderful opportunity, the possession of leisure.”\n\nHis voice was rather parochial, but he did not quite see his way to answering naturally. He felt, as all who have regular occupation must feel, that others should have it also.\n\n“I am glad that you approve. I daren’t face the healthy person—for example, Freddy Honeychurch.”" @@ -532,10 +562,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The clergyman was conscious of some bitter disappointment which he could not keep out of his voice.\n\n“I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way.\nMr. Vyse, you ought to have stopped me.” And down the garden he saw Lucy herself; yes, he was disappointed." - "Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered.\n\nOccasionally he could be quite crude." - "“I am sorry I have given you a shock,” he said dryly. “I fear that Lucy’s choice does not meet with your approval.”\n\n“Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn’t to have discussed her so freely with any one; certainly not with you.”\n\n“You are conscious of having said something indiscreet?”" -- "Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.\n\n“No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it." +- "Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession." +- "“No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it." - "She has learnt—you will let me talk freely, as I have begun freely—she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides.” It was now time for him to wave his hat at the approaching trio. He did not omit to do so." - "“She has learnt through you,” and if his voice was still clerical, it was now also sincere; “let it be your care that her knowledge is profitable to her.”\n\n“Grazie tante!” said Cecil, who did not like parsons.\n\n“Have you heard?” shouted Mrs. Honeychurch as she toiled up the sloping garden. “Oh, Mr. Beebe, have you heard the news?”" -- "Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.\n\n“Indeed I have!” he cried. He looked at Lucy. In her presence he could not act the parson any longer—at all events not without apology. “Mrs.\nHoneychurch, I’m going to do what I am always supposed to do, but generally I’m too shy. I want to invoke every kind of blessing on them," +- "Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact." +- "“Indeed I have!” he cried. He looked at Lucy. In her presence he could not act the parson any longer—at all events not without apology. “Mrs.\nHoneychurch, I’m going to do what I am always supposed to do, but generally I’m too shy. I want to invoke every kind of blessing on them," - "grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea.”\n\n“You only asked for it just in time,” the lady retorted. “How dare you be serious at Windy Corner?”" - "He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more." - "An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart." @@ -570,7 +602,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs.\nHoneychurch?”\n\nMrs. Honeychurch started and smiled. She had not been attending. Cecil,\nwho was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again." - "Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross—the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood.\n\n“‘Come down, O maid, from yonder mountain height,’” he quoted, and touched her knee with his own.\n\nShe flushed again and said: “What height?”" - "“‘Come down, O maid, from yonder mountain height,\nWhat pleasure lives in height (the shepherd sang).\nIn height and in the splendour of the hills?’\n\n\nLet us take Mrs. Honeychurch’s advice and hate clergymen no more.\nWhat’s this place?”\n\n“Summer Street, of course,” said Lucy, and roused herself." -- "The woods had opened to leave space for a sloping triangular meadow.\nPretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe’s house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees." +- The woods had opened to leave space for a sloping triangular meadow. +- "Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe’s house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees." - "The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas—the villas that had competed with Cecil’s engagement,\nhaving been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil." - "“Cissie” was the name of one of these villas, “Albert” of the other.\nThese titles were not only picked out in shaded Gothic on the garden gates, but appeared a second time on the porches, where they followed the semicircular curve of the entrance arch in block capitals. “Albert”" - "was inhabited. His tortured garden was bright with geraniums and lobelias and polished shells. His little windows were chastely swathed in Nottingham lace. “Cissie” was to let. Three notice-boards, belonging to Dorking agents, lolled on her fence and announced the not surprising fact. Her paths were already weedy; her pocket-handkerchief of a lawn was yellow with dandelions." @@ -622,7 +655,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The society out of which Cecil proposed to rescue Lucy was perhaps no very splendid affair, yet it was more splendid than her antecedents entitled her to. Her father, a prosperous local solicitor, had built Windy Corner, as a speculation at the time the district was opening up,\nand, falling in love with his own creation, had ended by living there himself. Soon after his marriage the social atmosphere began to alter." - "Other houses were built on the brow of that steep southern slope and others, again, among the pine-trees behind, and northward on the chalk barrier of the downs. Most of these houses were larger than Windy Corner, and were filled by people who came, not from the district, but from London, and who mistook the Honeychurches for the remnants of an indigenous aristocracy. He was inclined to be frightened, but his wife accepted the situation without either pride or humility." - "“I cannot think what people are doing,” she would say, “but it is extremely fortunate for the children.” She called everywhere; her calls were returned with enthusiasm, and by the time people found out that she was not exactly of their _milieu_, they liked her, and it did not seem to matter. When Mr." -- "Honeychurch died, he had the satisfaction—which few honest solicitors despise—of leaving his family rooted in the best society obtainable.\n\nThe best obtainable. Certainly many of the immigrants were rather dull,\nand Lucy realized this more vividly since her return from Italy.\nHitherto she had accepted their ideals without questioning—their kindly affluence, their inexplosive religion, their dislike of paper-bags," +- "Honeychurch died, he had the satisfaction—which few honest solicitors despise—of leaving his family rooted in the best society obtainable." +- "The best obtainable. Certainly many of the immigrants were rather dull,\nand Lucy realized this more vividly since her return from Italy.\nHitherto she had accepted their ideals without questioning—their kindly affluence, their inexplosive religion, their dislike of paper-bags," - "orange-peel, and broken bottles. A Radical out and out, she learnt to speak with horror of Suburbia. Life, so far as she troubled to conceive it, was a circle of rich, pleasant people, with identical interests and identical foes. In this circle, one thought, married, and died." - "Outside it were poverty and vulgarity for ever trying to enter, just as the London fog tries to enter the pine-woods pouring through the gaps in the northern hills. But, in Italy, where any one who chooses may warm himself in equality, as in the sun, this conception of life vanished." - "Her senses expanded; she felt that there was no one whom she might not get to like, that social barriers were irremovable, doubtless, but not particularly high. You jump over them just as you jump into a peasant’s olive-yard in the Apennines, and he is glad to see you. She returned with new eyes." @@ -632,7 +666,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Playing bumble-puppy with Minnie Beebe, niece to the rector, and aged thirteen—an ancient and most honourable game, which consists in striking tennis-balls high into the air, so that they fall over the net and immoderately bounce; some hit Mrs. Honeychurch; others are lost.\nThe sentence is confused, but the better illustrates Lucy’s state of mind, for she was trying to talk to Mr. Beebe at the same time." - "“Oh, it has been such a nuisance—first he, then they—no one knowing what they wanted, and everyone so tiresome.”\n\n“But they really are coming now,” said Mr. Beebe. “I wrote to Miss Teresa a few days ago—she was wondering how often the butcher called,\nand my reply of once a month must have impressed her favourably. They are coming. I heard from them this morning." - “I shall hate those Miss Alans!” Mrs. Honeychurch cried. “Just because they’re old and silly one’s expected to say ‘How sweet!’ I hate their ‘if’-ing and ‘but’-ing and ‘and’-ing. And poor Lucy—serve her right—worn to a shadow.” -- "Mr. Beebe watched the shadow springing and shouting over the tennis-court. Cecil was absent—one did not play bumble-puppy when he was there.\n\n“Well, if they are coming—No, Minnie, not Saturn.” Saturn was a tennis-ball whose skin was partially unsewn. When in motion his orb was encircled by a ring." +- Mr. Beebe watched the shadow springing and shouting over the tennis-court. Cecil was absent—one did not play bumble-puppy when he was there. +- "“Well, if they are coming—No, Minnie, not Saturn.” Saturn was a tennis-ball whose skin was partially unsewn. When in motion his orb was encircled by a ring." - "“If they are coming, Sir Harry will let them move in before the twenty-ninth, and he will cross out the clause about whitewashing the ceilings, because it made them nervous, and put in the fair wear and tear one.—That doesn’t count. I told you not Saturn.”\n\n“Saturn’s all right for bumble-puppy,” cried Freddy, joining them.\n“Minnie, don’t you listen to her.”" - "“Saturn doesn’t bounce.”\n\n“Saturn bounces enough.”\n\n“No, he doesn’t.”\n\n“Well; he bounces better than the Beautiful White Devil.”\n\n“Hush, dear,” said Mrs. Honeychurch." - "“But look at Lucy—complaining of Saturn, and all the time’s got the Beautiful White Devil in her hand, ready to plug it in. That’s right,\nMinnie, go for her—get her over the shins with the racquet—get her over the shins!”\n\nLucy fell, the Beautiful White Devil rolled from her hand." @@ -674,7 +709,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "No, it was worse than temper—snobbishness. As long as Lucy thought that his own smart friends were supplanting the Miss Alans, she had not minded. He perceived that these new tenants might be of value educationally. He would tolerate the father and draw out the son, who was silent. In the interests of the Comic Muse and of Truth, he would bring them to Windy Corner.\n\n\n\n\nChapter XI In Mrs. Vyse’s Well-Appointed Flat" - "The Comic Muse, though able to look after her own interests, did not disdain the assistance of Mr. Vyse. His idea of bringing the Emersons to Windy Corner struck her as decidedly good, and she carried through the negotiations without a hitch. Sir Harry Otway signed the agreement," - "met Mr. Emerson, who was duly disillusioned. The Miss Alans were duly offended, and wrote a dignified letter to Lucy, whom they held responsible for the failure. Mr. Beebe planned pleasant moments for the new-comers, and told Mrs. Honeychurch that Freddy must call on them as soon as they arrived. Indeed, so ample was the Muse’s equipment that she permitted Mr." -- "Harris, never a very robust criminal, to droop his head, to be forgotten, and to die.\n\nLucy—to descend from bright heaven to earth, whereon there are shadows because there are hills—Lucy was at first plunged into despair, but settled after a little thought that it did not matter the very least." +- "Harris, never a very robust criminal, to droop his head, to be forgotten, and to die." +- "Lucy—to descend from bright heaven to earth, whereon there are shadows because there are hills—Lucy was at first plunged into despair, but settled after a little thought that it did not matter the very least." - "Now that she was engaged, the Emersons would scarcely insult her and were welcome into the neighbourhood. And Cecil was welcome to bring whom he would into the neighbourhood. Therefore Cecil was welcome to bring the Emersons into the neighbourhood. But, as I say, this took a little thinking, and—so illogical are girls—the event remained rather greater and rather more dreadful than it should have done. She was glad that a visit to Mrs." - "Vyse now fell due; the tenants moved into Cissie Villa while she was safe in the London flat.\n\n“Cecil—Cecil darling,” she whispered the evening she arrived, and crept into his arms.\n\nCecil, too, became demonstrative. He saw that the needful fire had been kindled in Lucy. At last she longed for attention, as a woman should,\nand looked up to him because he was a man." - "“So you do love me, little thing?” he murmured.\n\n“Oh, Cecil, I do, I do! I don’t know what I should do without you.”" @@ -684,7 +720,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I have news of you at last! Miss Lavish has been bicycling in your parts, but was not sure whether a call would be welcome. Puncturing her tire near Summer Street, and it being mended while she sat very woebegone in that pretty churchyard, she saw to her astonishment, a door open opposite and the younger Emerson man come out. He said his father had just taken the house." - "He _said_ he did not know that you lived in the neighbourhood (?). He never suggested giving Eleanor a cup of tea. Dear Lucy, I am much worried, and I advise you to make a clean breast of his past behaviour to your mother, Freddy, and Mr. Vyse, who will forbid him to enter the house, etc. That was a great misfortune," - "and I dare say you have told them already. Mr. Vyse is so sensitive. I remember how I used to get on his nerves at Rome. I am very sorry about it all, and should not feel easy unless I warned you.\n\n\n“Believe me,\n“Your anxious and loving cousin,\n“CHARLOTTE.”\n\n\nLucy was much annoyed, and replied as follows:\n\n“BEAUCHAMP MANSIONS, S.W." -- "“DEAR CHARLOTTE,\n\n“Many thanks for your warning. When Mr. Emerson forgot himself on the mountain, you made me promise not to tell mother, because you said she would blame you for not being always with me. I have kept that promise," +- "“DEAR CHARLOTTE," +- "“Many thanks for your warning. When Mr. Emerson forgot himself on the mountain, you made me promise not to tell mother, because you said she would blame you for not being always with me. I have kept that promise," - "and cannot possibly tell her now. I have said both to her and Cecil that I met the Emersons at Florence, and that they are respectable people—which I _do_ think—and the reason that he offered Miss Lavish no tea was probably that he had none himself. She should have tried at the Rectory. I cannot begin making a fuss at this stage. You must see that it would be too absurd. If the Emersons heard I had complained of them," - "they would think themselves of importance, which is exactly what they are not. I like the old father, and look forward to seeing him again.\nAs for the son, I am sorry for _him_ when we meet, rather than for myself. They are known to Cecil, who is very well and spoke of you the other day. We expect to be married in January." - "“Miss Lavish cannot have told you much about me, for I am not at Windy Corner at all, but here. Please do not put ‘Private’ outside your envelope again. No one opens my letters.\n\n\n“Yours affectionately,\n“L. M. HONEYCHURCH.”" @@ -740,7 +777,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Hee-poof—I’ve swallowed a pollywog, Mr. Beebe, water’s wonderful,\nwater’s simply ripping.”\n\n“Water’s not so bad,” said George, reappearing from his plunge, and sputtering at the sun.\n\n“Water’s wonderful. Mr. Beebe, do.”\n\n“Apooshoo, kouf.”" - "Mr. Beebe, who was hot, and who always acquiesced where possible," - "looked around him. He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing to each other against the blue. How glorious it was! The world of motor-cars and rural Deans receded inimitably. Water, sky, evergreens, a wind—these things not even the seasons can touch, and surely they lie beyond the intrusion of man?" -- "“I may as well wash too”; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water.\n\nIt was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Götterdämmerung." +- "“I may as well wash too”; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water." +- "It was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Götterdämmerung." - "But either because the rains had given a freshness or because the sun was shedding a most glorious heat, or because two of the gentlemen were young in years and the third young in spirit—for some reason or other a change came over them, and they forgot Italy and Botany and Fate. They began to play. Mr. Beebe and Freddy splashed each other. A little deferentially, they splashed George. He was quiet: they feared they had offended him." - "Then all the forces of youth burst out.\nHe smiled, flung himself at them, splashed them, ducked them, kicked them, muddied them, and drove them out of the pool.\n\n“Race you round it, then,” cried Freddy, and they raced in the sunshine, and George took a short cut and dirtied his shins, and had to bathe a second time. Then Mr. Beebe consented to run—a memorable sight." - "They ran to get dry, they bathed to get cool, they played at being Indians in the willow-herbs and in the bracken, they bathed to get clean. And all the time three little bundles lay discreetly on the sward, proclaiming:\n\n“No. We are what matters. Without us shall no enterprise begin. To us shall all flesh turn in the end.”" @@ -786,7 +824,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "So the grittiness went out of life. It generally did at Windy Corner.\nAt the last minute, when the social machine was clogged hopelessly, one member or other of the family poured in a drop of oil. Cecil despised their methods—perhaps rightly. At all events, they were not his own." - "Dinner was at half-past seven. Freddy gabbled the grace, and they drew up their heavy chairs and fell to. Fortunately, the men were hungry.\nNothing untoward occurred until the pudding. Then Freddy said:\n\n“Lucy, what’s Emerson like?”\n\n“I saw him in Florence,” said Lucy, hoping that this would pass for a reply.\n\n“Is he the clever sort, or is he a decent chap?”" - "“Ask Cecil; it is Cecil who brought him here.”\n\n“He is the clever sort, like myself,” said Cecil.\n\nFreddy looked at him doubtfully.\n\n“How well did you know them at the Bertolini?” asked Mrs. Honeychurch.\n\n“Oh, very slightly. I mean, Charlotte knew them even less than I did.”\n\n“Oh, that reminds me—you never told me what Charlotte said in her letter.”" -- "“One thing and another,” said Lucy, wondering whether she would get through the meal without a lie. “Among other things, that an awful friend of hers had been bicycling through Summer Street, wondered if she’d come up and see us, and mercifully didn’t.”\n\n“Lucy, I do call the way you talk unkind.”\n\n“She was a novelist,” said Lucy craftily. The remark was a happy one," +- "“One thing and another,” said Lucy, wondering whether she would get through the meal without a lie. “Among other things, that an awful friend of hers had been bicycling through Summer Street, wondered if she’d come up and see us, and mercifully didn’t.”\n\n“Lucy, I do call the way you talk unkind.”" +- "“She was a novelist,” said Lucy craftily. The remark was a happy one," - "for nothing roused Mrs. Honeychurch so much as literature in the hands of females. She would abandon every topic to inveigh against those women who (instead of minding their houses and their children) seek notoriety by print. Her attitude was: “If books must be written, let them be written by men”; and she developed it at great length, while Cecil yawned and Freddy played at “This year, next year, now, never,”" - "with his plum-stones, and Lucy artfully fed the flames of her mother’s wrath. But soon the conflagration died down, and the ghosts began to gather in the darkness. There were too many ghosts about. The original ghost—that touch of lips on her cheek—had surely been laid long ago; it could be nothing to her that a man had kissed her on a mountain once." - "But it had begotten a spectral family—Mr. Harris, Miss Bartlett’s letter, Mr. Beebe’s memories of violets—and one or other of these was bound to haunt her before Cecil’s very eyes. It was Miss Bartlett who returned now, and with appalling vividness.\n\n“I have been thinking, Lucy, of that letter of Charlotte’s. How is she?”\n\n“I tore the thing up.”" @@ -809,7 +848,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Now Cecil had explained psychology to her one wet afternoon, and all the troubles of youth in an unknown world could be dismissed." - "It is obvious enough for the reader to conclude, “She loves young Emerson.” A reader in Lucy’s place would not find it obvious. Life is easy to chronicle, but bewildering to practice, and we welcome “nerves”\nor any other shibboleth that will cloak our personal desire. She loved Cecil; George made her nervous; will the reader explain to her that the phrases should have been reversed?\n\nBut the external situation—she will face that bravely." - "The meeting at the Rectory had passed off well enough. Standing between Mr. Beebe and Cecil, she had made a few temperate allusions to Italy,\nand George had replied. She was anxious to show that she was not shy,\nand was glad that he did not seem shy either.\n\n“A nice fellow,” said Mr. Beebe afterwards “He will work off his crudities in time. I rather mistrust young men who slip into life gracefully.”" -- "Lucy said, “He seems in better spirits. He laughs more.”\n\n“Yes,” replied the clergyman. “He is waking up.”\n\nThat was all. But, as the week wore on, more of her defences fell, and she entertained an image that had physical beauty. In spite of the clearest directions, Miss Bartlett contrived to bungle her arrival. She was due at the South-Eastern station at Dorking, whither Mrs." +- "Lucy said, “He seems in better spirits. He laughs more.”\n\n“Yes,” replied the clergyman. “He is waking up.”" +- "That was all. But, as the week wore on, more of her defences fell, and she entertained an image that had physical beauty. In spite of the clearest directions, Miss Bartlett contrived to bungle her arrival. She was due at the South-Eastern station at Dorking, whither Mrs." - "Honeychurch drove to meet her. She arrived at the London and Brighton station, and had to hire a cab up. No one was at home except Freddy and his friend, who had to stop their tennis and to entertain her for a solid hour. Cecil and Lucy turned up at four o’clock, and these, with little Minnie Beebe, made a somewhat lugubrious sextette upon the upper lawn for tea." - "“I shall never forgive myself,” said Miss Bartlett, who kept on rising from her seat, and had to be begged by the united company to remain. “I have upset everything. Bursting in on young people! But I insist on paying for my cab up. Grant that, at any rate.”" - "“Our visitors never do such dreadful things,” said Lucy, while her brother, in whose memory the boiled egg had already grown unsubstantial, exclaimed in irritable tones: “Just what I’ve been trying to convince Cousin Charlotte of, Lucy, for the last half hour.”\n\n“I do not feel myself an ordinary visitor,” said Miss Bartlett, and looked at her frayed glove." @@ -840,7 +880,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She took hold of her guest by the arm. “Suppose we don’t talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting.”" - "Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain.\n\n\n\n\nChapter XV The Disaster Within" - "The Sunday after Miss Bartlett’s arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable." -- "Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells.\n\nThe garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. “The men say they won’t go”—“Well, I don’t blame them”—Minnie says, “need she go?”—“Tell her," +- "Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells." +- "The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. “The men say they won’t go”—“Well, I don’t blame them”—Minnie says, “need she go?”—“Tell her," - "no nonsense”—“Anne! Mary! Hook me behind!”—“Dearest Lucia, may I trespass upon you for a pin?” For Miss Bartlett had announced that she at all events was one for church." - "The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan;" - "on George Emerson cleaning his father’s boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly,\nas though acknowledging the caress." @@ -880,9 +921,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Protégés!” she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl’s soul yearned." - "“You shall see for yourself how your protégés are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don’t—” She nearly said, “Don’t protect him.” But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte." - "Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed—either Cecil or Miss Bartlett or a Being not visible to the mortal eye—a Being who whispered to her soul: “It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men.” But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here." -- "The sun, though it had moved a little since the morning,\nwould never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck’s Armide that year, and played from memory the music of the enchanted garden—the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland." +- "The sun, though it had moved a little since the morning," +- "would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck’s Armide that year, and played from memory the music of the enchanted garden—the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland." - "Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: “Now play us the other garden—the one in Parsifal.”\n\nShe closed the instrument.\n\n\n\n\n\n\n*** END OF THE PROJECT GUTENBERG EBOOK A ROOM WITH A VIEW ***" -- "Updated editions will replace the previous one--the old editions will be renamed.\n\nCreating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works," +- Updated editions will replace the previous one--the old editions will be renamed. +- "Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works," - "so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark," - "and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research." - "Project Gutenberg eBooks may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.\n\nSTART: FULL LICENSE" @@ -907,7 +950,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work." - "1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm." - "1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License." -- "1.E.6. You may convert to and distribute this work in any binary,\ncompressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form." +- "1.E.6. You may convert to and distribute this work in any binary," +- "compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form." - "However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than \"Plain Vanilla ASCII\" or other format used in the official version posted on the official Project Gutenberg-tm website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of" - "the work in its original \"Plain Vanilla ASCII\" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1.\n\n1.E.7. Do not charge a fee for access to, viewing, displaying,\nperforming, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9." - "1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that:" diff --git a/tests/snapshots/text_splitter_snapshots__huggingface_trim@room_with_a_view.txt.snap b/tests/snapshots/text_splitter_snapshots__huggingface_trim@room_with_a_view.txt.snap index 586bab7d..a87f0a9e 100644 --- a/tests/snapshots/text_splitter_snapshots__huggingface_trim@room_with_a_view.txt.snap +++ b/tests/snapshots/text_splitter_snapshots__huggingface_trim@room_with_a_view.txt.snap @@ -35,7 +35,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - In Santa Croce with No Baedeker - Chapter III. - "Music, Violets, and the Letter “S" -- "”\n Chapter IV. Fourth Chapter\n Chapter V." +- "”\n Chapter IV. Fourth Chapter" +- Chapter V. - Possibilities of a Pleasant Outing - Chapter VI. - "The Reverend Arthur Beebe, the Reverend Cuthbert" @@ -52,7 +53,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Chapter XII. Twelfth Chapter - Chapter XIII. - How Miss Bartlett’s Boiler Was So -- "Tiresome\n Chapter XIV." +- Tiresome +- Chapter XIV. - How Lucy Faced the External Situation Bravely - Chapter XV. The Disaster Within - Chapter XVI. Lying to George @@ -127,7 +129,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the table and actually intruded into their argument - ". He said:" - "“I have a view, I have a view" -- ".”\n\nMiss Bartlett was startled." +- ".”" +- Miss Bartlett was startled. - Generally at a pension people looked them over for a - "day or two before speaking, and often did not" - find out that they would “do” till they @@ -164,7 +167,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss Bartlett, in reply, opened her mouth as" - "little as possible, and said “Thank you very" - much indeed; that is out of the question. -- "”\n\n“Why?”" +- ” +- “Why?” - "said the old man, with both fists on the" - table. - "“Because it is quite out of the question," @@ -291,7 +295,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “The first fine afternoon drive up to - "Fiesole, and round by" - "Settignano, or something of that sort" -- ".”\n\n“No!”" +- ".”" +- “No!” - cried a voice from the top of the table. - "“Mr. Beebe, you are wrong." - The first fine afternoon your ladies must go to @@ -524,7 +529,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I think he was meaning to be kind. - ” - "“Undoubtedly he was,”" -- "said Miss Bartlett.\n\n“Mr." +- said Miss Bartlett. +- “Mr. - Beebe has just been scolding me for - my suspicious nature. - "Of course, I was holding back on my" @@ -536,7 +542,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - help feeling a great fool. - No one was careful with her at home; or - ", at all events, she had not noticed it" -- ".\n\n“About old Mr." +- "." +- “About old Mr. - Emerson—I hardly know. - "No, he is not tactful; yet" - ", have you ever noticed that there are people who" @@ -647,7 +654,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "No, Lucy, do not stir." - I will superintend the move.” - "“How you do do everything,” said Lucy" -- ".\n\n“Naturally, dear." +- "." +- "“Naturally, dear." - It is my affair.” - “But I would like to help you.” - "“No, dear.”" @@ -720,7 +728,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - to keep it clean for him. - "Then she completed her inspection of the room, sighed" - "heavily according to her habit, and went to bed" -- ".\n\n\n\n\nChapter II In Santa Croce with No" +- "." +- Chapter II In Santa Croce with No - Baedeker - "It was pleasant to wake up in Florence, to" - "open the eyes upon a bright bare room, with" @@ -848,7 +857,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - most information.) - Then Miss Lavish darted under the archway - "of the white bullocks, and she stopped," -- "and she cried:\n\n“A smell!" +- "and she cried:" +- “A smell! - a true Florentine smell! - "Every city, let me teach you, has its" - own smell.” @@ -883,11 +893,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Indeed, I’m not!”" - exclaimed Lucy. - "“We are Radicals, too, out and" -- "out.\nMy father always voted for Mr." +- out. +- My father always voted for Mr. - "Gladstone, until he was so dreadful about Ireland." -- "”\n\n“I see, I see." +- ” +- "“I see, I see." - And now you have gone over to the enemy. -- "”\n\n“Oh, please—!" +- ” +- "“Oh, please—!" - "If my father was alive, I am sure he" - would vote Radical again now that Ireland is all right - "." @@ -942,7 +955,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - diatribes we have taken a wrong turning - "." - How those horrid Conservatives would jeer at -- "us!\nWhat are we to do?" +- us! +- What are we to do? - Two lone females in an unknown town. - "Now, this is what _I_ call an" - adventure.” @@ -962,7 +976,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "neither commodious nor picturesque, in which the" - eastern quarter of the city abounds. - Lucy soon lost interest in the discontent of -- "Lady Louisa,\nand became discontented herself." +- "Lady Louisa," +- and became discontented herself. - For one ravishing moment Italy appeared. - She stood in the Square of the - Annunziata and saw in the living @@ -1036,7 +1051,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - But at that moment Miss Lavish and her - "local-colour box moved also, and disappeared down" - "a side street, both gesticulating largely" -- ". Tears of indignation came to" +- "." +- Tears of indignation came to - Lucy’s eyes partly because Miss Lavish - "had jilted her, partly because she had" - taken her Baedeker. @@ -1046,7 +1062,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Her first morning was ruined, and she might never" - be in Florence again. - A few minutes ago she had been all high spirits -- ",\ntalking as a woman of culture, and half" +- "," +- "talking as a woman of culture, and half" - persuading herself that she was full of - originality. - "Now she entered the church depressed and humiliated," @@ -1118,7 +1135,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Look at him!” said Mr. - Emerson to Lucy. - "“Here’s a mess: a baby hurt" -- ",\ncold, and frightened!" +- "," +- "cold, and frightened!" - But what else can you expect from a church? - ” - The child’s legs had become as melting wax @@ -1174,7 +1192,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “But Miss Lavish has even taken away - Baedeker.” - “Baedeker?” said Mr. -- Emerson. “I’m glad it’s +- Emerson. +- “I’m glad it’s - _that_ you minded. - "It’s worth minding, the loss of" - a Baedeker. @@ -1205,7 +1224,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Stop being so tiresome, and tell me instead" - what part of the church you want to see. - To take you to it will be a real pleasure -- ".”\n\nNow, this was abominably" +- ".”" +- "Now, this was abominably" - "impertinent, and she ought to have" - been furious. - But it is sometimes as difficult to lose @@ -1223,7 +1243,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I am not touchy, I hope." - It is the Giottos that I want to - "see, if you will kindly tell me which they" -- "are.”\n\nThe son nodded." +- are.” +- The son nodded. - "With a look of sombre satisfaction, he led" - the way to the Peruzzi Chapel. - There was a hint of the teacher about him. @@ -1247,9 +1268,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "more pathetic, beautiful, true?" - "How little, we feel, avails knowledge and" - technical cleverness against a man who truly feels! -- "”\n\n“No!” exclaimed Mr." +- ” +- “No!” exclaimed Mr. - "Emerson, in much too loud a voice for church" -- ".\n“Remember nothing of the sort!" +- "." +- “Remember nothing of the sort! - Built by faith indeed! - That simply means the workmen weren’t paid - properly. @@ -1325,7 +1348,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Hadn’t I better? - Then perhaps he will come back.” - "“He will not come back,” said George" -- ".\n\nBut Mr." +- "." +- But Mr. - "Emerson, contrite and unhappy, hurried away" - to apologize to the Rev. Cuthbert Eager. - "Lucy, apparently absorbed in a lunette," @@ -1412,7 +1436,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “It is so wonderful what they say about his - tactile values. - Though I like things like the Della Robbia babies -- "better.”\n\n“So you ought." +- better.” +- “So you ought. - A baby is worth a dozen saints. - And my baby’s worth the whole of Paradise - ", and as far as I can see he lives" @@ -1553,7 +1578,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "isn’t there, without trying to invent" - it. Good-bye. - Thank you both so much for all your kindness. -- "Ah,\nyes! there does come my cousin." +- "Ah," +- yes! there does come my cousin. - A delightful morning! - Santa Croce is a wonderful church.” - She joined her cousin. @@ -1613,7 +1639,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "by the mere feel of the notes: they were" - "fingers caressing her own; and by touch," - "not by sound alone, did she come to her" -- "desire.\n\nMr." +- desire. +- Mr. - "Beebe, sitting unnoticed in the window," - pondered this illogical element in Miss Honeychurch - ", and recalled the occasion at Tunbridge Wells when" @@ -1684,7 +1711,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, what a funny thing!" - "Some one said just the same to mother, and" - she said she trusted I should never live a duet -- ".”\n\n“Doesn’t Mrs." +- ".”" +- “Doesn’t Mrs. - Honeychurch like music?” - “She doesn’t mind it. - But she doesn’t like one to get excited @@ -1857,7 +1885,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the clergyman. - "“A good fellow, Lavish," - but I wish she’d start a pipe. -- "”\n\n“Oh, Mr." +- ” +- "“Oh, Mr." - "Beebe,” said Miss Alan, divided between" - awe and mirth. - "“Indeed, though it is dreadful for her to" @@ -1912,7 +1941,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“All the same, she is a little too" - "—I hardly like to say unwomanly," - but she behaved most strangely when the Emersons -- "arrived.”\n\nMr." +- arrived.” +- Mr. - Beebe smiled as Miss Alan plunged into an - anecdote which he knew she would be unable - to finish in the presence of a gentleman. @@ -1972,7 +2002,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - After dinner Miss Lavish actually came up and - "said: ‘Miss Alan, I am going into" - the smoking-room to talk to those two nice -- "men.\nCome, too.’" +- men. +- "Come, too.’" - "Needless to say, I refused such an" - "unsuitable invitation," - and she had the impertinence to tell @@ -1997,7 +2028,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Emerson does not think it worth telling.” - “Mr. Beebe—old Mr. - "Emerson, is he nice or not nice?" -- "I do so want to know.”\n\nMr." +- I do so want to know.” +- Mr. - Beebe laughed and suggested that she should settle the - question for herself. - “No; but it is so difficult. @@ -2063,7 +2095,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "—quite politely, of course.”" - “Most right of her. - They don’t understand our ways. -- "They must find their level.”\n\nMr." +- They must find their level.” +- Mr. - Beebe rather felt that they had gone under. - They had given up their attempt—if it was - "one—to conquer society, and now the father" @@ -2090,7 +2123,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Lucy. - “I want to go round the town in the - circular tram—on the platform by the driver. -- "”\n\nHer two companions looked grave. Mr." +- ” +- Her two companions looked grave. Mr. - "Beebe, who felt responsible for her in the" - "absence of Miss Bartlett, ventured to say:" - “I wish we could. @@ -2292,7 +2326,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - The cries from the fountain—they had never ceased - —rang emptily. - The whole world seemed pale and void of its original -- "meaning.\n\n“How very kind you have been!" +- meaning. +- “How very kind you have been! - I might have hurt myself falling. - But now I am well. - "I can go alone, thank you.”" @@ -2304,7 +2339,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I must have dropped them out there in the square - ".” She looked at him cautiously." - “Would you add to your kindness by fetching -- "them?”\n\nHe added to his kindness." +- them?” +- He added to his kindness. - "As soon as he had turned his back, Lucy" - arose with the running of a maniac and stole - down the arcade towards the Arno. @@ -2328,7 +2364,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - In the distance she saw creatures with black hoods - ", such as appear in dreams." - The palace tower had lost the reflection of the declining -- "day,\nand joined itself to earth." +- "day," +- and joined itself to earth. - How should she talk to Mr. - Emerson when he returned from the shadowy square? - "Again the thought occurred to her," @@ -2390,7 +2427,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He turned towards her frowning, as if she had" - disturbed him in some abstract quest. - “I want to ask you something before we go -- "in.”\n\nThey were close to their pension." +- in.” +- They were close to their pension. - She stopped and leant her elbows against the - parapet of the embankment. - He did likewise. @@ -2418,7 +2456,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "any one, my foolish behaviour?”" - “Your behaviour? - "Oh, yes, all right—all right." -- "”\n\n“Thank you so much." +- ” +- “Thank you so much. - And would you—” - She could not carry her request any further. - "The river was rushing below them, almost black in" @@ -2487,7 +2526,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "dinner-time, had again passed to himself the" - remark of “Too much Beethoven.” - But he only supposed that she was ready for an -- "adventure,\nnot that she had encountered it." +- "adventure," +- not that she had encountered it. - This solitude oppressed her; she was - "accustomed to have her thoughts confirmed by others or," - "at all events," @@ -2570,7 +2610,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, let me congratulate you" - "!” said Miss Bartlett." - “After your despair of yesterday! -- "What a fortunate thing!”\n\n“Aha!" +- What a fortunate thing!” +- “Aha! - "Miss Honeychurch, come you here I am in" - luck. - "Now, you are to tell me absolutely everything that" @@ -2627,7 +2668,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I am sure you are thinking of the - Emersons.” - Miss Lavish gave a Machiavellian -- "smile.\n\n“I confess that in Italy my" +- smile. +- “I confess that in Italy my - sympathies are not with my own - countrymen. - "It is the neglected Italians who attract me, and" @@ -2653,7 +2695,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - trial for an _ingenué_. - "“She is emancipated, but" - "only in the very best sense of the word," -- "”\ncontinued Miss Bartlett slowly." +- ” +- continued Miss Bartlett slowly. - “None but the superficial would be shocked at her - ". We had a long talk yesterday." - She believes in justice and truth and human interest. @@ -2692,7 +2735,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Decidedly. - But who looks at it to-day? - "Ah, the world is too much for us." -- "”\n\nMiss Bartlett had not heard of Alessio" +- ” +- Miss Bartlett had not heard of Alessio - "Baldovinetti, but she knew that Mr" - ". Eager was no commonplace chaplain." - He was a member of the residential colony who had @@ -2847,7 +2891,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Lavish and by Mr. - "Eager, she knew not why." - "And as they frightened her, she had, strangely" -- "enough,\nceased to respect them." +- "enough," +- ceased to respect them. - She doubted that Miss Lavish was a great - artist. She doubted that Mr. - Eager was as full of spirituality and culture as @@ -2868,7 +2913,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “How wonderfully people rise in these days! - "” sighed Miss Bartlett," - fingering a model of the leaning Tower of -- "Pisa.\n\n“Generally,” replied Mr." +- Pisa. +- "“Generally,” replied Mr." - "Eager, “one has only sympathy for their" - success. - The desire for education and for social advance—in @@ -2950,9 +2996,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - into the old chaotic methods. - “They’re nothing to me.” - “How could you think she was defending them? -- ” -- "said Miss Bartlett, much discomfited by" -- the unpleasant scene. +- "” said Miss Bartlett, much discomfited" +- by the unpleasant scene. - The shopman was possibly listening. - “She will find it difficult. - For that man has murdered his wife in the sight @@ -2967,7 +3012,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I must be going,” said he," - shutting his eyes and taking out his watch. - "Miss Bartlett thanked him for his kindness, and spoke" -- "with enthusiasm of the approaching drive.\n\n“Drive?" +- with enthusiasm of the approaching drive. +- “Drive? - "Oh, is our drive to come off?”" - "Lucy was recalled to her manners, and after a" - little exertion the complacency of Mr @@ -2991,7 +3037,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - are going with Mr. - "Beebe, then I foresee a sad" - kettle of fish.” -- "“How?”\n\n“Because Mr." +- “How?” +- “Because Mr. - Beebe has asked Eleanor Lavish to come - ", too.”" - “That will mean another carriage.” @@ -3123,14 +3170,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "No, you said you’d go to the" - ends of the earth! Do! Do!” - "Miss Bartlett, with equal vivacity, replied" -- ":\n\n“Oh, you droll person!" +- ":" +- "“Oh, you droll person!" - "Pray, what would become of your drive in" - the hills?” - They passed together through the gaunt beauty of the - "square, laughing over the unpractical suggestion" - "." - "Chapter VI The Reverend Arthur Beebe, the Reverend" -- "Cuthbert Eager, Mr. Emerson,\nMr." +- "Cuthbert Eager, Mr. Emerson," +- Mr. - "George Emerson, Miss Eleanor Lavish, Miss" - "Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out" - in Carriages to See a View; Italians @@ -3157,7 +3206,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But the ladies interceded, and when it had" - been made clear that it was a very great favour - ", the goddess was allowed to mount beside the god" -- ".\n\nPhaethon at once slipped the left" +- "." +- Phaethon at once slipped the left - "rein over her head, thus enabling himself to" - drive with his arm round her waist. - She did not mind. Mr. @@ -3180,7 +3230,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - It was hard on the poor chaplain to have his - _partie carrée_ thus transformed. - "Tea at a Renaissance villa, if he had ever" -- "meditated it,\nwas now impossible." +- "meditated it," +- was now impossible. - Lucy and Miss Bartlett had a certain style about them - ", and Mr." - "Beebe, though unreliable, was a man of" @@ -3229,7 +3280,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "And now celestial irony, working through her cousin and" - "two clergymen, did not suffer her to leave" - Florence till she had made this expedition with him through -- "the hills.\n\nMeanwhile Mr." +- the hills. +- Meanwhile Mr. - Eager held her in civil converse; their - little tiff was over. - "“So, Miss Honeychurch, you are travelling" @@ -3238,7 +3290,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - no!” - "“Perhaps as a student of human nature,”" - "interposed Miss Lavish, “like myself" -- "?”\n\n“Oh, no." +- "?”" +- "“Oh, no." - I am here as a tourist.” - "“Oh, indeed,” said Mr." - Eager. “Are you indeed? @@ -3265,7 +3318,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - interrupt his mordant wit. - “The narrowness and superficiality of the Anglo - "-Saxon tourist is nothing less than a menace" -- ".”\n\n“Quite so." +- ".”" +- “Quite so. - "Now, the English colony at Florence, Miss" - "Honeychurch—and it is of considerable size," - "though, of course, not all equally—a" @@ -3286,7 +3340,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “It does indeed!” - cried Miss Lavish. - "“Tell me, where do they place the scene" -- "of that wonderful seventh day?”\n\nBut Mr." +- of that wonderful seventh day?” +- But Mr. - Eager proceeded to tell Miss Honeychurch that on - the right lived Mr. - "Someone Something, an American of the best type—" @@ -3322,7 +3377,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Va bene, signore," - "va bene, va bene," - "” crooned the driver, and whipped his" -- "horses up again.\n\nNow Mr." +- horses up again. +- Now Mr. - Eager and Miss Lavish began to talk - against each other on the subject of Alessio - Baldovinetti. @@ -3332,7 +3388,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - As the pace increased to a gallop the large - ", slumbering form of Mr." - Emerson was thrown against the chaplain with the regularity -- "of a machine.\n\n“Piano! piano!”" +- of a machine. +- “Piano! piano!” - "said he, with a martyred look at Lucy" - "." - An extra lurch made him turn angrily in @@ -3392,7 +3449,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - more like sacrilege than anything I know - ".”" - Here the voice of Miss Bartlett was heard saying that -- "a crowd had begun to collect.\n\nMr." +- a crowd had begun to collect. +- Mr. - "Eager, who suffered from an over-fluent" - "tongue rather than a resolute will, was" - determined to make himself heard. @@ -3462,7 +3520,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - He wrote a line—so I heard yesterday— - "which runs like this: ‘Don’t go" - fighting against the Spring.’” -- Mr. Eager could not resist the opportunity for +- Mr. +- Eager could not resist the opportunity for - erudition. - "“Non fate guerra al Maggio,”" - he murmured. @@ -3480,7 +3539,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But there we go, praising the one and" - "condemning the other as improper," - ashamed that the same laws work eternally through both -- ".”\n\nNo one encouraged him to talk." +- ".”" +- No one encouraged him to talk. - Presently Mr. - Eager gave a signal for the carriages to stop - and marshalled the party for their ramble on @@ -3491,7 +3551,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "of Fiesole, and the road, still" - "following its curve, was about to sweep on to" - a promontory which stood out in the plain -- ". It was this promontory," +- "." +- "It was this promontory," - "uncultivated," - "wet, covered with bushes and occasional trees, which" - had caught the fancy of Alessio @@ -3555,7 +3616,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“The Emersons won’t hear, and" - they wouldn’t mind if they did.” - Miss Lavish did not seem pleased at this -- ".\n\n“Miss Honeychurch listening!”" +- "." +- “Miss Honeychurch listening!” - she said rather crossly. “Pouf! - Wouf! You naughty girl! - Go away!” @@ -3635,7 +3697,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The miscreant, a bony young man" - "scorched black by the sun, rose to" - greet her with the courtesy of a host and the -- "assurance of a relative.\n\n“Dove?”" +- assurance of a relative. +- “Dove?” - "said Lucy, after much anxious thought." - His face lit up. - Of course he knew where. @@ -3648,7 +3711,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - More seemed necessary. - What was the Italian for “clergyman”? - “Dove buoni uomini?” -- "said she at last.\n\nGood?" +- said she at last. +- Good? - Scarcely the adjective for those noble - beings! He showed her his cigar. - “Uno—piu— @@ -3656,7 +3720,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", implying “Has the cigar been given to you" - by Mr. - "Beebe, the smaller of the two good men" -- "?”\n\nShe was correct as usual." +- "?”" +- She was correct as usual. - "He tied the horse to a tree, kicked it" - "to make it stay quiet, dusted the carriage" - ", arranged his hair, remoulded his" @@ -3713,7 +3778,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Light and beauty enveloped her. - "She had fallen on to a little open terrace," - which was covered with violets from end to end -- ".\n\n“Courage!”" +- "." +- “Courage!” - "cried her companion, now standing some six feet above" - ".\n“Courage and love.”" - She did not answer. @@ -3780,7 +3846,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ". “The signorino will walk.”" - “All the way? - "He will be hours,” said Mr." -- "Beebe.\n\n“Apparently." +- Beebe. +- “Apparently. - I told him it was unwise.” - He would look no one in the face; perhaps - defeat was particularly mortifying for him. @@ -3799,7 +3866,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The thoughts of a cab-driver, however just" - ", seldom affect the lives of his employers." - He was the most competent of Miss Bartlett’s -- "opponents,\nbut infinitely the least dangerous." +- "opponents," +- but infinitely the least dangerous. - "Once back in the town, he and his insight" - and his knowledge would trouble English ladies no more. - "Of course, it was most unpleasant; she had" @@ -3814,9 +3882,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Eager sat opposite, trying to catch her eye" - ; he was vaguely suspicious. - They spoke of Alessio Baldovinetti -- ".\n\nRain and darkness came on together." +- "." +- Rain and darkness came on together. - The two ladies huddled together under an inadequate parasol -- ". There was a lightning flash, and Miss" +- "." +- "There was a lightning flash, and Miss" - "Lavish who was nervous, screamed from the" - carriage in front. - "At the next flash, Lucy screamed also." @@ -3861,7 +3931,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - don’t ask our driver; our driver is - no help. Go and support poor Mr. - "Beebe—, he is nearly demented." -- "”\n\n“He may be killed!”" +- ” +- “He may be killed!” - cried the old man. - “He may be killed!” - "“Typical behaviour,” said the chaplain, as" @@ -3888,7 +3959,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - and accepted it. - As well this ending to his day as any. - "But Lucy, a mortal maid, was disappointed in" -- "him.\n\nThere was an explosion up the road." +- him. +- There was an explosion up the road. - The storm had struck the overhead wire of the - "tramline, and one of the great supports had" - fallen. @@ -3929,7 +4001,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "As a matter of fact, the storm was worst" - along the road; but she had been near danger - ", and so she thought it must be near to" -- "everyone.\n\n“I trust not." +- everyone. +- “I trust not. - One would always pray against that.” - “He is really—I think he was taken - "by surprise, just as I was before." @@ -3946,7 +4019,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Heroes—gods—the nonsense of - "schoolgirls.”\n\n“And then?”" - "“But, Charlotte, you know what happened then" -- ".”\n\nMiss Bartlett was silent." +- ".”" +- Miss Bartlett was silent. - "Indeed, she had little more to learn." - With a certain amount of insight she drew her young - cousin affectionately to her. @@ -4136,7 +4210,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - sister’s insult would rouse in him a - very lion. - "Thank God, chivalry is not yet dead" -- ". There are still left some men who can" +- "." +- There are still left some men who can - reverence woman.” - "As she spoke, she pulled off her rings," - "of which she wore several, and ranged them upon" @@ -4210,7 +4285,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Charlotte dear, what do you mean?" - As if I have anything to forgive!” - "“You have a great deal, and I have" -- "a very great deal to forgive myself,\ntoo." +- "a very great deal to forgive myself," +- too. - I know well how much I vex you at - "every turn.”\n\n“But no—”" - "Miss Bartlett assumed her favourite role, that of the" @@ -4236,7 +4312,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“You mustn’t say these things," - ” said Lucy softly. - She still clung to the hope that she and Charlotte -- "loved each other,\nheart and soul." +- "loved each other," +- heart and soul. - They continued to pack in silence. - "“I have been a failure,” said Miss" - "Bartlett, as she struggled with the straps of" @@ -4282,7 +4359,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "cheeks, wished her good-night, and sent" - her to her own room. - For a moment the original trouble was in the background -- ". George would seem to have behaved like a" +- "." +- George would seem to have behaved like a - cad throughout; perhaps that was the view which - one would take eventually. - At present she neither acquitted nor condemned him; she @@ -4433,7 +4511,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Freddy nodded.\n\n“What do you mean?”" - “He asked me for my permission also.” - "She exclaimed: “How very odd of him!" -- "”\n\n“Why so?”" +- ” +- “Why so?” - asked the son and heir. - “Why shouldn’t my permission be asked? - ” @@ -4441,7 +4520,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - anything? What ever did you say?” - "“I said to Cecil, ‘Take her or" - leave her; it’s no business of mine -- "!’”\n\n“What a helpful answer!”" +- "!’”" +- “What a helpful answer!” - "But her own answer, though more normal in its" - "wording, had been to the same effect." - "“The bother is this,” began Freddy." @@ -4532,7 +4612,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "eulogy, but her face remained" - dissatisfied. - "She added: “And he has beautiful manners." -- "”\n\n“I liked him till just now." +- ” +- “I liked him till just now. - I suppose it’s having him spoiling - Lucy’s first week at home; and - it’s also something that Mr. @@ -4560,7 +4641,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - You are jealous of Cecil because he may stop Lucy - knitting you silk ties.” - "The explanation seemed plausible, and Freddy tried to accept" -- it. But at the back of his brain there +- it. +- But at the back of his brain there - lurked a dim mistrust. - Cecil praised one too much for being athletic. - Was that it? @@ -4594,7 +4676,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - She keeps that flat abominably—” - "“Suppose Lucy marries Cecil, would she" - "live in a flat, or in the country?" -- "”\n\n“Don’t interrupt so foolishly." +- ” +- “Don’t interrupt so foolishly. - Where was I? - Oh yes—‘Young people must decide for themselves - "." @@ -4650,13 +4733,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "physically, he remained in the grip of a certain" - devil whom the modern world knows as self-consciousness - ", and whom the medieval, with dimmer vision" -- ",\nworshipped as asceticism." +- "," +- worshipped as asceticism. - "A Gothic statue implies celibacy, just" - "as a Greek statue implies fruition, and perhaps" - this was what Mr. Beebe meant. - "And Freddy, who ignored history and art, perhaps" - meant the same when he failed to imagine Cecil wearing -- "another fellow’s cap.\n\nMrs." +- another fellow’s cap. +- Mrs. - Honeychurch left her letter on the writing table and - moved towards her young acquaintance. - "“Oh, Cecil!”" @@ -4709,7 +4794,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Mrs. Honeychurch all about it?” - Cecil suggested. - “And I’d stop here and tell my -- "mother.”\n\n“We go with Lucy?”" +- mother.” +- “We go with Lucy?” - "said Freddy, as if taking orders." - "“Yes, you go with Lucy.”" - They passed into the sunlight. @@ -4738,7 +4824,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It gave her light, and—which he held" - more precious—it gave her shadow. - Soon he detected in her a wonderful reticence -- ". She was like a woman of Leonardo da" +- "." +- She was like a woman of Leonardo da - "Vinci’s, whom we love not so much" - for herself as for the things that she will not - tell us. @@ -4844,7 +4931,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ". Isn’t this news?”" - “News? - "I don’t understand you,” said Cecil" -- ". “News?”\n\nMr." +- ". “News?”" +- Mr. - "Beebe, whose news was of a very different" - "nature, prattled forward." - “I met Sir Harry Otway as I @@ -4882,7 +4970,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - It is very remiss of me. - Italy and London are the only places where I - don’t feel to exist on sufferance. -- "”\n\nMr." +- ” +- Mr. - "Beebe, distressed at this heavy reception of" - "Cissie and Albert," - determined to shift the subject. @@ -4915,7 +5004,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - isn’t he?” - “Admirable. - The sort who has made England what she is. -- "”\n\nCecil wondered at himself." +- ” +- Cecil wondered at himself. - "Why, on this day of all others, was" - he so hopelessly contrary? - He tried to get right by inquiring @@ -4953,7 +5043,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Try the faults of Miss Honeychurch; they are - not innumerable.” - "“She has none,” said the young man" -- ", with grave sincerity.\n\n“I quite agree." +- ", with grave sincerity." +- “I quite agree. - At present she has none.” - “At present?” - “I’m not cynical. @@ -4964,7 +5055,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I suspect that one day she will be wonderful in - both. - The water-tight compartments in her will break -- "down,\nand music and life will mingle." +- "down," +- and music and life will mingle. - "Then we shall have her heroically good," - "heroically bad—too heroic, perhaps, to" - be good or bad.” @@ -4995,7 +5087,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Picture number two: the string breaks.”" - "The sketch was in his diary, but it had" - "been made afterwards, when he viewed things artistically" -- ". At the time he had given" +- "." +- At the time he had given - surreptitious tugs to the string - "himself.\n\n“But the string never broke?”" - “No. @@ -5019,7 +5112,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I am sorry; I must apologize. - "I had no idea you were intimate with her," - or I should never have talked in this -- "flippant, superficial way.\nMr." +- "flippant, superficial way." +- Mr. - "Vyse, you ought to have stopped me" - ".”" - And down the garden he saw Lucy herself; yes @@ -5037,13 +5131,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I am sorry I have given you a shock - ",” he said dryly." - “I fear that Lucy’s choice does not -- "meet with your approval.”\n\n“Not that." +- meet with your approval.” +- “Not that. - But you ought to have stopped me. - I know Miss Honeychurch only a little as time - goes. - Perhaps I oughtn’t to have discussed her - so freely with any one; certainly not with you -- ".”\n\n“You are conscious of having said something" +- ".”" +- “You are conscious of having said something - indiscreet?” - Mr. Beebe pulled himself together. - "Really, Mr." @@ -5088,7 +5184,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I am always supposed to do, but generally" - I’m too shy. - I want to invoke every kind of blessing on -- "them,\ngrave and gay, great and small." +- "them," +- "grave and gay, great and small." - I want them all their lives to be supremely - "good and supremely happy as husband and wife," - as father and mother. @@ -5096,7 +5193,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“You only asked for it just in time," - ” the lady retorted. - “How dare you be serious at Windy Corner -- "?”\n\nHe took his tone from her." +- "?”" +- He took his tone from her. - "There was no more heavy beneficence," - no more attempts to dignify the situation with - poetry or the Scriptures. @@ -5189,7 +5287,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“To me it seemed perfectly appalling," - "disastrous, portentous.”" - “I am so sorry that you were stranded. -- "”\n\n“Not that, but the congratulations." +- ” +- "“Not that, but the congratulations." - "It is so disgusting, the way an engagement is" - regarded as public property—a kind of waste place - where every outsider may shoot his vulgar sentiment @@ -5265,7 +5364,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“We weren’t talking of real fences," - "” said Lucy, laughing." - "“Oh, I see, dear—poetry." -- "”\n\nShe leant placidly back." +- ” +- She leant placidly back. - Cecil wondered why Lucy had been amused. - "“I tell you who has no ‘fences," - "’ as you call them,” she said," @@ -5337,7 +5437,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “You’ll blow my head off! - Whatever is there to shout over? - I forbid you and Cecil to hate any more -- "clergymen.”\n\nHe smiled." +- clergymen.” +- He smiled. - There was indeed something rather incongruous - in Lucy’s moral outburst over Mr. - Eager. @@ -5398,12 +5499,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "yonder mountain height,’” he quoted," - and touched her knee with his own. - "She flushed again and said: “What height?" -- "”\n\n“‘Come down, O maid, from" +- ” +- "“‘Come down, O maid, from" - "yonder mountain height," - What pleasure lives in height (the shepherd - sang). - In height and in the splendour of -- "the hills?’\n\n\nLet us take Mrs." +- the hills?’ +- Let us take Mrs. - Honeychurch’s advice and hate clergymen no - "more.\nWhat’s this place?”" - "“Summer Street, of course,” said Lucy" @@ -5432,7 +5535,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Gothic on the garden gates, but appeared a second" - "time on the porches, where they followed the" - semicircular curve of the entrance arch in -- "block capitals. “Albert”\nwas inhabited." +- block capitals. “Albert” +- was inhabited. - His tortured garden was bright with geraniums - and lobelias and polished shells. - His little windows were chastely swathed @@ -5447,12 +5551,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - “The place is ruined!” - said the ladies mechanically. - “Summer Street will never be the same again. -- "”\n\nAs the carriage passed, “" +- ” +- "As the carriage passed, “" - "Cissie’s” door opened, and" - a gentleman came out of her. - “Stop!” cried Mrs. - "Honeychurch, touching the coachman with her" -- "parasol.\n“Here’s Sir Harry." +- parasol. +- “Here’s Sir Harry. - Now we shall know. - "Sir Harry, pull those things down at once!" - ” @@ -5496,7 +5602,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "his part, he liked to relieve the façade by" - a bit of decoration. - "Sir Harry hinted that a column, if possible," -- "should be structural as well as decorative.\n\nMr." +- should be structural as well as decorative. +- Mr. - Flack replied that all the columns had been - "ordered, adding, “and all the capitals different" - "—one with dragons in the foliage, another approaching" @@ -5617,7 +5724,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Then may I write to my Misses Alan - "?”\n\n“Please!”" - But his eye wavered when Mrs. -- "Honeychurch exclaimed:\n\n“Beware!" +- "Honeychurch exclaimed:" +- “Beware! - They are certain to have canaries. - "Sir Harry, beware of canaries: they" - spit the seed out through the bars of the @@ -5634,7 +5742,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - they somehow keep it to themselves. - It doesn’t spread so. - "Give me a man—of course, provided" -- "he’s clean.”\n\nSir Harry blushed." +- he’s clean.” +- Sir Harry blushed. - Neither he nor Cecil enjoyed these open compliments to - their sex. - Even the exclusion of the dirty did not leave them @@ -5677,13 +5786,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“All that you say is quite true,”" - "said Lucy, though she felt discouraged." - “I wonder whether—whether it matters so very -- "much.”\n\n“It matters supremely." +- much.” +- “It matters supremely. - Sir Harry is the essence of that garden-party -- ".\nOh, goodness, how cross I feel!" +- "." +- "Oh, goodness, how cross I feel!" - How I do hope he’ll get some - vulgar tenant in that villa—some woman - so really vulgar that he’ll notice -- "it.\n_Gentlefolks!" +- it. +- _Gentlefolks! - _ Ugh! - with his bald head and retreating chin! - But let’s forget him.” @@ -5721,7 +5833,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Lucy, that you always say the road?" - Do you know that you have never once been with - me in the fields or the wood since we were -- "engaged?”\n\n“Haven’t I?" +- engaged?” +- “Haven’t I? - "The wood, then,” said Lucy, startled" - "at his queerness, but pretty sure that" - he would explain later; it was not his habit @@ -5793,10 +5906,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - He is very fond of it.” - “And you?” - "He meant, “Are you fond of it?" -- ” -- "But she answered dreamily, “I bathed" -- "here, too, till I was found out." -- Then there was a row.” +- "” But she answered dreamily, “I" +- "bathed here, too, till I was found" +- out. Then there was a row.” - "At another time he might have been shocked, for" - he had depths of prudishness within him - ". But now?" @@ -5837,7 +5949,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“No—more you have,” she" - stammered. - “Then I ask you—may I now? -- "”\n\n“Of course, you may, Cecil." +- ” +- "“Of course, you may, Cecil." - You might before. - "I can’t run at you, you know" - ".”" @@ -5849,7 +5962,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - he could recoil. - "As he touched her, his gold pince-" - nez became dislodged and was flattened -- "between them.\n\nSuch was the embrace." +- between them. +- Such was the embrace. - "He considered, with truth, that it had been" - a failure. - Passion should believe itself irresistible. @@ -5994,12 +6108,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - Mrs. Honeychurch cried. - “Just because they’re old and silly - one’s expected to say ‘How sweet! -- ’ -- I hate their ‘if’-ing and ‘ -- but’-ing and ‘and’-ing -- "." +- ’ I hate their ‘if’-ing and +- ‘but’-ing and ‘and’- +- ing. - And poor Lucy—serve her right—worn to -- "a shadow.”\n\nMr." +- a shadow.” +- Mr. - Beebe watched the shadow springing and shouting over - the tennis-court. - Cecil was absent—one did not play bumble @@ -6036,7 +6150,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the shins with the racquet— - get her over the shins!” - "Lucy fell, the Beautiful White Devil rolled from her" -- "hand.\n\nMr." +- hand. +- Mr. - "Beebe picked it up, and said: “" - The name of this ball is Vittoria - "Corombona, please.”" @@ -6087,7 +6202,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Rather not. More like Anderson.” - "“Oh, good gracious, there" - isn’t going to be another muddle! -- "” Mrs.\nHoneychurch exclaimed." +- ” Mrs. +- Honeychurch exclaimed. - "“Do you notice, Lucy, I’m" - always right? - I _said_ don’t interfere with @@ -6101,7 +6217,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - people he pretends have taken it instead.” - "“Yes, I do." - I’ve got it. Emerson.” -- "“What name?”\n\n“Emerson." +- “What name?” +- “Emerson. - I’ll bet you anything you like.” - "“What a weathercock Sir Harry is,”" - said Lucy quietly. @@ -6115,7 +6232,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Meanwhile the name of the new tenants had diverted Mrs - "." - Honeychurch from the contemplation of her -- "own abilities.\n\n“Emerson, Freddy?" +- own abilities. +- "“Emerson, Freddy?" - Do you know what Emersons they are?” - “I don’t know whether they’re - "any Emersons,” retorted Freddy, who was" @@ -6133,7 +6251,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", and it’s affectation to pretend there" - isn’t.” - "“Emerson’s a common enough name,”" -- "Lucy remarked.\n\nShe was gazing sideways." +- Lucy remarked. +- She was gazing sideways. - "Seated on a promontory herself, she" - could see the pine-clad promontories descending - one beyond another into the Weald. @@ -6156,7 +6275,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "getting into.”\n\n“But has Cecil—”" - "“Friends of Cecil’s,” he repeated" - ", “‘and so really dee-sire" -- "-rebel.\nAhem!" +- "-rebel." +- Ahem! - "Honeychurch, I have just telegraphed to them" - ".’”\n\nShe got up from the grass." - It was hard on Lucy. Mr. @@ -6220,7 +6340,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "pessimism, et cetera." - Our special joy was the father—such a - "sentimental darling, and people declared he had murdered" -- "his wife.”\n\nIn his normal state Mr." +- his wife.” +- In his normal state Mr. - "Beebe would never have repeated such gossip," - but he was trying to shelter Lucy in her little - trouble. @@ -6304,7 +6425,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ".”" - “Friends of mine?” he laughed. - "“But, Lucy, the whole joke is to" -- "come!\nCome here.”" +- come! +- Come here.” - But she remained standing where she was. - “Do you know where I met these desirable tenants - "?" @@ -6331,10 +6453,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "and I took their address and a London reference," - found they weren’t actual blackguards— - "it was great sport—and wrote to him," -- "making out—”\n\n“Cecil!" +- making out—” +- “Cecil! - "No, it’s not fair." - I’ve probably met them before—” -- "He bore her down.\n\n“Perfectly fair." +- He bore her down. +- “Perfectly fair. - Anything is fair that punishes a snob. - That old man will do the neighbourhood a world of - good. @@ -6434,7 +6558,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, Cecil, I do, I do" - "!" - I don’t know what I should do without -- "you.”\n\nSeveral days passed." +- you.” +- Several days passed. - Then she had a letter from Miss Bartlett. - A coolness had sprung up between the two cousins - ", and they had not corresponded since they parted" @@ -6528,7 +6653,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Corner at all, but here." - Please do not put ‘Private’ outside your envelope - again. No one opens my letters. -- "“Yours affectionately,\n“L. M." +- "“Yours affectionately," +- “L. M. - HONEYCHURCH.” - "Secrecy has this disadvantage: we lose the" - sense of proportion; we cannot tell whether our secret @@ -6716,13 +6842,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Nietzsche, and so we go on" - "." - "Well, I suppose your generation knows its own business" -- ", Honeychurch.”\n\n“Mr." +- ", Honeychurch.”" +- “Mr. - "Beebe, look at that,” said Freddy" - in awestruck tones. - "On the cornice of the wardrobe, the hand" - "of an amateur had painted this inscription: “" - Mistrust all enterprises that require new clothes. -- "”\n\n“I know." +- ” +- “I know. - Isn’t it jolly? - I like that. - I’m certain that’s the old @@ -6731,7 +6859,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Surely you agree?” - But Freddy was his mother’s son and felt - that one ought not to go on spoiling -- "the furniture.\n\n“Pictures!”" +- the furniture. +- “Pictures!” - "the clergyman continued, scrambling about the" - room. - “Giotto—they got that at Florence @@ -6763,7 +6892,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Emerson—we think we’ll come another time - ".”" - George ran down-stairs and pushed them into the -- "room without speaking.\n\n“Let me introduce Mr." +- room without speaking. +- “Let me introduce Mr. - "Honeychurch, a neighbour.”" - Then Freddy hurled one of the thunderbolts of - youth. @@ -6802,7 +6932,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Emerson, still descending, “which you place in" - "the past, is really yet to come." - We shall enter it when we no longer -- "despise our bodies.”\n\nMr." +- despise our bodies.” +- Mr. - Beebe disclaimed placing the Garden of Eden - anywhere. - “In this—not in other things—we @@ -6812,9 +6943,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - But not until we are comrades shall we enter the - garden.” - "“I say, what about this bathe?" -- ” -- "murmured Freddy, appalled at the mass of" -- philosophy that was approaching him. +- "” murmured Freddy, appalled at the mass" +- of philosophy that was approaching him. - “I believed in a return to Nature once. - But how can we return to Nature when we have - never been with her? @@ -6824,13 +6954,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - It is our heritage.” - “Let me introduce Mr. - "Honeychurch, whose sister you will remember at Florence" -- ".”\n\n“How do you do?" +- ".”" +- “How do you do? - "Very glad to see you, and that you are" - taking George for a bathe. - Very glad to hear that your sister is going to -- "marry.\nMarriage is a duty." +- marry. +- Marriage is a duty. - "I am sure that she will be happy, for" -- "we know Mr.\nVyse, too." +- we know Mr. +- "Vyse, too." - He has been most kind. - "He met us by chance in the National Gallery," - and arranged everything about this delightful house. @@ -6845,7 +6978,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I must—that is to say, I" - have to—have the pleasure of calling on you - "later on, my mother says, I hope." -- "”\n\n“_Call_, my lad?" +- ” +- "“_Call_, my lad?" - Who taught us that drawing-room twaddle - "? Call on your grandmother!" - Listen to the wind among the pines! @@ -6879,7 +7013,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I dare say you are used to something better. - ” - “Yes—I have said ‘Yes’ already -- ".”\n\nMr." +- ".”" +- Mr. - "Beebe felt bound to assist his young friend," - and led the way out of the house and into - the pine-woods. How glorious it was! @@ -6918,7 +7053,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "We are flung together by Fate, drawn apart by" - "Fate—flung together, drawn apart." - The twelve winds blow us—we settle nothing— -- "”\n\n“You have not reflected at all,”" +- ” +- "“You have not reflected at all,”" - rapped the clergyman. - "“Let me give you a useful tip, Emerson" - ": attribute nothing to Fate." @@ -6941,7 +7077,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“It is Fate that I am here,”" - persisted George. - “But you can call it Italy if it makes -- "you less unhappy.”\n\nMr." +- you less unhappy.” +- Mr. - Beebe slid away from such heavy treatment of the - subject. - "But he was infinitely tolerant of the young," @@ -6983,7 +7120,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - on either side of it all the growths are - "tough or brittle—heather," - "bracken, hurts, pines." -- "Very charming, very charming.”\n\n“Mr." +- "Very charming, very charming.”" +- “Mr. - "Beebe, aren’t you bathing?”" - "called Freddy, as he stripped himself." - Mr. Beebe thought he was not. @@ -7015,10 +7153,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Water’s not so bad,” said" - "George, reappearing from his" - "plunge, and sputtering at the" -- "sun.\n\n“Water’s wonderful. Mr." +- sun. +- “Water’s wonderful. Mr. - "Beebe, do.”" - "“Apooshoo, kouf." -- "”\n\nMr." +- ” +- Mr. - "Beebe, who was hot, and who always" - "acquiesced where possible," - looked around him. @@ -7069,10 +7209,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", they bathed to get clean." - And all the time three little bundles lay - "discreetly on the sward, proclaiming" -- ":\n\n“No. We are what matters." +- ":" +- “No. We are what matters. - Without us shall no enterprise begin. - To us shall all flesh turn in the end. -- "”\n\n“A try! A try!”" +- ” +- “A try! A try!” - "yelled Freddy, snatching up George’s" - bundle and placing it beside an imaginary goal-post - "." @@ -7130,7 +7272,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Mr. Beebe’s waistcoat—” - "No business of ours, said Cecil, glancing at" - "Lucy, who was all parasol and evidently “" -- "minded.”\n\n“I fancy Mr." +- minded.” +- “I fancy Mr. - Beebe jumped back into the pond.” - "“This way, please, Mrs." - "Honeychurch, this way.”" @@ -7167,7 +7310,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I’ve swallowed a pollywog - "." - It wriggleth in my tummy -- ". I shall die—Emerson you beast," +- "." +- "I shall die—Emerson you beast," - you’ve got on my bags.” - "“Hush, dears,” said Mrs" - "." @@ -7180,7 +7324,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Mother, do come away,” said Lucy" - "." - "“Oh for goodness’ sake, do come." -- "”\n\n“Hullo!”" +- ” +- “Hullo!” - "cried George, so that again the ladies stopped." - He regarded himself as dressed. - "Barefoot, bare-chested," @@ -7192,7 +7337,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Whoever is it? I shall bow.” - Miss Honeychurch bowed. - That evening and all that night the water ran away -- ". On the morrow the pool had" +- "." +- On the morrow the pool had - shrunk to its old size and lost its - glory. - It had been a call to the blood and to @@ -7301,7 +7447,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Butterworth yourself!” - “Not in that way. - At times I could wring her neck. -- "But not in that way.\nNo." +- But not in that way. +- No. - It is the same with Cecil all over.” - “By-the-by—I never told - you. @@ -7467,7 +7614,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Freddy looked at him doubtfully. - “How well did you know them at the - Bertolini?” asked Mrs. -- "Honeychurch.\n\n“Oh, very slightly." +- Honeychurch. +- "“Oh, very slightly." - "I mean, Charlotte knew them even less than I" - did.” - "“Oh, that reminds me—you never told" @@ -7537,7 +7685,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - while the plumbers at Tunbridge Wells finish - "." - I have not seen poor Charlotte for so long. -- "”\n\nIt was more than her nerves could stand." +- ” +- It was more than her nerves could stand. - And she could not protest violently after her - mother’s goodness to her upstairs. - "“Mother, no!” she pleaded." @@ -7573,7 +7722,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - She gets on our nerves. - "You haven’t seen her lately, and" - don’t realize how tiresome she can be -- ",\nthough so good." +- "," +- though so good. - "So please, mother, don’t worry us" - this last summer; but spoil us by - not asking her to come.” @@ -7598,10 +7748,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - “She thanked me for coming till I felt like - "such a fool, and fussed round no" - end to get an egg boiled for my tea just -- "right.”\n\n“I know, dear." +- right.” +- "“I know, dear." - "She is kind to everyone, and yet Lucy makes" - this difficulty when we try to give her some little -- "return.”\n\nBut Lucy hardened her heart." +- return.” +- But Lucy hardened her heart. - It was no good being kind to Miss Bartlett. - She had tried herself too often and too recently. - One might lay up treasure in heaven by the attempt @@ -7635,7 +7787,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "off, and as a matter of fact I" - don’t care for eggs. - I only meant how jolly kind she seemed. -- "”\n\nCecil frowned again." +- ” +- Cecil frowned again. - "Oh, these Honeychurches!" - "Eggs, boilers," - "hydrangeas, maids—of such" @@ -7646,7 +7799,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "." - “We don’t want no dessert.” - Chapter XIV How Lucy Faced the External Situation -- "Bravely\n\n\nOf course Miss Bartlett accepted." +- Bravely +- Of course Miss Bartlett accepted. - "And, equally of course, she felt sure that" - "she would prove a nuisance, and begged" - to be given an inferior spare room—something with @@ -7681,7 +7835,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It is obvious enough for the reader to conclude," - “She loves young Emerson.” - A reader in Lucy’s place would not find -- "it obvious. Life is easy to chronicle, but" +- it obvious. +- "Life is easy to chronicle, but" - "bewildering to practice, and we welcome" - “nerves” - or any other shibboleth that will @@ -7699,7 +7854,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - She was anxious to show that she was not shy - "," - and was glad that he did not seem shy either -- ".\n\n“A nice fellow,” said Mr." +- "." +- "“A nice fellow,” said Mr." - Beebe afterwards “He will work off his - crudities in time. - I rather mistrust young men who slip into life @@ -7745,7 +7901,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "” said Miss Bartlett, and looked at her" - frayed glove. - "“All right, if you’d really rather" -- ". Five shillings, and I gave a" +- "." +- "Five shillings, and I gave a" - bob to the driver.” - Miss Bartlett looked in her purse. - Only sovereigns and pennies. @@ -7845,7 +8002,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Lucy, and then could have bitten her tongue for" - understanding so quickly what her cousin meant. - “Let me see—a sovereign’s worth -- "of silver.”\n\nShe escaped into the kitchen." +- of silver.” +- She escaped into the kitchen. - Miss Bartlett’s sudden transitions were too - uncanny. - It sometimes seemed as if she planned every word she @@ -7854,7 +8012,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ruse to surprise the soul. - "“No, I haven’t told Cecil or" - "any one,” she remarked, when she returned" -- ".\n“I promised you I shouldn’t." +- "." +- “I promised you I shouldn’t. - "Here is your money—all shillings," - except two half-crowns. - Would you count it? @@ -7870,7 +8029,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, no, Charlotte,” said the" - "girl, entering the battle." - "“George Emerson is all right, and what other" -- "source is there?”\n\nMiss Bartlett considered." +- source is there?” +- Miss Bartlett considered. - "“For instance, the driver." - "I saw him looking through the bushes at you," - remember he had a violet between his teeth.” @@ -7936,9 +8096,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Cecil said one day—and I thought it - so profound—that there are two kinds of - cads—the conscious and the subconscious. -- ” -- "She paused again, to be sure of doing justice" -- to Cecil’s profundity. +- "” She paused again, to be sure of doing" +- justice to Cecil’s profundity. - "Through the window she saw Cecil himself, turning over" - the pages of a novel. - It was a new one from Smith’s library @@ -7967,7 +8126,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - office at one of the big railways—not a - porter! - and runs down to his father for week-ends -- ". Papa was to do with journalism, but is" +- "." +- "Papa was to do with journalism, but is" - rheumatic and has retired. There! - Now for the garden.” - She took hold of her guest by the arm. @@ -8047,11 +8207,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - In all that expanse no human eye is looking at - "her, and she may frown unrebuked" - and measure the spaces that yet survive between Apollo and -- "the western hills.\n\n“Lucy! Lucy!" +- the western hills. +- “Lucy! Lucy! - What’s that book? - Who’s been taking a book out of the - shelf and leaving it about to spoil? -- "”\n\n“It’s only the library book that" +- ” +- “It’s only the library book that - Cecil’s been reading.” - "“But pick it up, and don’t" - stand idling there like a flamingo.” @@ -8086,7 +8248,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - That book’s all warped. - "(Gracious, how plain you look!" - ) Put it under the Atlas to press. -- "Minnie!”\n\n“Oh, Mrs." +- Minnie!” +- "“Oh, Mrs." - Honeychurch—” from the upper regions. - "“Minnie, don’t be late." - Here comes the horse”—it was always the @@ -8212,7 +8375,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "harm—yes, choose a place where you" - "won’t do very much harm, and stand" - "in it for all you are worth, facing the" -- "sunshine.”\n\n“Oh, Mr." +- sunshine.” +- "“Oh, Mr." - "Emerson, I see you’re clever!”" - “Eh—?” - “I see you’re going to be clever @@ -8258,7 +8422,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“You know our cousin, Miss Bartlett,”" - said Mrs. Honeychurch pleasantly. - “You met her with my daughter in Florence. -- "”\n\n“Yes, indeed!”" +- ” +- "“Yes, indeed!”" - "said the old man, and made as if he" - would come out of the garden to meet the lady - "." @@ -8357,7 +8522,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "as often happened, Cecil had paid no great attention" - to her remarks. - "Charm, not argument, was to be her" -- "forte.\n\nLunch was a cheerful meal." +- forte. +- Lunch was a cheerful meal. - Generally Lucy was depressed at meals. - Some one had to be soothed—either - Cecil or Miss Bartlett or a Being not visible to @@ -8442,9 +8608,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - Gutenberg-tm License available with this - file or online at www.gutenberg.org - /license. -- Section 1. General Terms of Use and +- Section 1. +- General Terms of Use and - Redistributing Project Gutenberg- -- "tm electronic works\n\n1.A." +- tm electronic works +- 1.A. - By reading or using any part of this Project - "Gutenberg-tm electronic work, you" - "indicate that you have read, understand, agree to" @@ -8477,7 +8645,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - you follow the terms of this agreement and help preserve - free future access to Project Gutenberg- - tm electronic works. See paragraph 1. -- "E below.\n\n1.C." +- E below. +- 1.C. - "The Project Gutenberg Literary Archive Foundation (\"" - "the Foundation\" or PGLAF)," - owns a compilation copyright in the collection of Project @@ -8517,9 +8686,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "." - The Foundation makes no representations concerning the copyright status of - any work in any country other than the United States -- ".\n\n1.E." +- "." +- 1.E. - Unless you have removed all references to Project -- "Gutenberg:\n\n1.E.1." +- "Gutenberg:" +- 1.E.1. - "The following sentence, with active links to, or" - "other immediate access to, the full Project" - Gutenberg-tm License must appear prominently @@ -8540,7 +8711,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "If you are not located in the United States," - you will have to check the laws of the country - where you are located before using this eBook -- ".\n\n1.E.2." +- "." +- 1.E.2. - If an individual Project Gutenberg-tm - electronic work is derived from texts not protected by - U.S. copyright law (does not contain @@ -8557,7 +8729,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the work and the Project Gutenberg- - tm trademark as set forth in paragraphs 1 - ".E.8 or 1." -- "E.9.\n\n1.E.3." +- E.9. +- 1.E.3. - If an individual Project Gutenberg-tm - electronic work is posted with the permission of the copyright - "holder, your use and distribution must comply with both" @@ -8581,7 +8754,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the sentence set forth in paragraph 1. - E.1 with active links or immediate access to - the full terms of the Project Gutenberg- -- "tm License.\n\n1.E.6." +- tm License. +- 1.E.6. - You may convert to and distribute this work in any - "binary," - "compressed, marked up, nonproprietary" @@ -8609,7 +8783,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "performing, copying or distributing any Project" - Gutenberg-tm works unless you comply - with paragraph 1.E.8 or 1. -- "E.9.\n\n1.E.8." +- E.9. +- 1.E.8. - You may charge a reasonable fee for copies of or - providing access to or distributing Project Gutenberg- - "tm electronic works provided that:" @@ -8648,7 +8823,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - of the work. - "* You comply with all other terms of this agreement" - for free distribution of Project Gutenberg- -- "tm works.\n\n1.E.9." +- tm works. +- 1.E.9. - If you wish to charge a fee or distribute a - Project Gutenberg-tm electronic work or - group of works on different terms than are set forth @@ -8758,7 +8934,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the applicable state law. - The invalidity or unenforceability of any - provision of this agreement shall not void the remaining provisions -- ".\n\n1.F.6." +- "." +- 1.F.6. - INDEMNITY - You agree to - "indemnify and hold the Foundation," - "the trademark owner, any agent or employee of the" @@ -8775,7 +8952,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "b) alteration, modification, or additions or" - deletions to any Project Gutenberg- - "tm work, and (c) any" -- "Defect you cause.\n\nSection 2." +- Defect you cause. +- Section 2. - Information about the Mission of Project Gutenberg- - tm - Project Gutenberg-tm is synonymous with @@ -8817,7 +8995,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Email contact links and up to date contact information - "can be found at the Foundation's website and" - official page at www.gutenberg.org/ -- "contact\n\nSection 4." +- contact +- Section 4. - Information about Donations to the Project Gutenberg - Literary Archive Foundation - Project Gutenberg-tm depends upon and @@ -8858,11 +9037,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - www.gutenberg.org/donate - Section 5. - General Information About Project Gutenberg-tm -- "electronic works\n\nProfessor Michael S." +- electronic works +- Professor Michael S. - Hart was the originator of the Project - Gutenberg-tm concept of a library - of electronic works that could be freely shared with anyone -- ". For forty years, he produced and distributed Project" +- "." +- "For forty years, he produced and distributed Project" - Gutenberg-tm eBooks - with only a loose network of volunteer support. - Project Gutenberg-tm diff --git a/tests/snapshots/text_splitter_snapshots__tiktoken_default@romeo_and_juliet.txt-2.snap b/tests/snapshots/text_splitter_snapshots__tiktoken_default@romeo_and_juliet.txt-2.snap index c5d18786..3bcdc978 100644 --- a/tests/snapshots/text_splitter_snapshots__tiktoken_default@romeo_and_juliet.txt-2.snap +++ b/tests/snapshots/text_splitter_snapshots__tiktoken_default@romeo_and_juliet.txt-2.snap @@ -378,7 +378,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "JULIET.\nO shut the door, and when thou hast done so,\nCome weep with me, past hope, past cure, past help!\n\nFRIAR LAWRENCE.\nO Juliet, I already know thy grief;\nIt strains me past the compass of my wits.\nI hear thou must, and nothing may prorogue it,\nOn Thursday next be married to this County.\n\n" - "JULIET.\nTell me not, Friar, that thou hear’st of this,\nUnless thou tell me how I may prevent it.\nIf in thy wisdom, thou canst give no help,\nDo thou but call my resolution wise,\nAnd with this knife I’ll help it presently.\nGod join’d my heart and Romeo’s, thou our hands;\nAnd ere this hand, by thee to Romeo’s seal’d,\nShall be the label to another deed,\n" - "Or my true heart with treacherous revolt\nTurn to another, this shall slay them both.\nTherefore, out of thy long-experienc’d time,\nGive me some present counsel, or behold\n’Twixt my extremes and me this bloody knife\nShall play the empire, arbitrating that\nWhich the commission of thy years and art\nCould to no issue of true honour bring.\nBe not so long to speak. I long to die,\n" -- "If what thou speak’st speak not of remedy.\n\nFRIAR LAWRENCE.\nHold, daughter. I do spy a kind of hope,\nWhich craves as desperate an execution\nAs that is desperate which we would prevent.\nIf, rather than to marry County Paris\nThou hast the strength of will to slay thyself,\nThen is it likely thou wilt undertake\nA thing like death to chide away this shame,\nThat cop’st with death himself to scape from it.\n" +- "If what thou speak’st speak not of remedy.\n\n" +- "FRIAR LAWRENCE.\nHold, daughter. I do spy a kind of hope,\nWhich craves as desperate an execution\nAs that is desperate which we would prevent.\nIf, rather than to marry County Paris\nThou hast the strength of will to slay thyself,\nThen is it likely thou wilt undertake\nA thing like death to chide away this shame,\nThat cop’st with death himself to scape from it.\n" - "And if thou dar’st, I’ll give thee remedy.\n\n" - "JULIET.\nO, bid me leap, rather than marry Paris,\nFrom off the battlements of yonder tower,\nOr walk in thievish ways, or bid me lurk\nWhere serpents are. Chain me with roaring bears;\nOr hide me nightly in a charnel-house,\nO’er-cover’d quite with dead men’s rattling bones,\nWith reeky shanks and yellow chapless skulls.\nOr bid me go into a new-made grave,\n" - "And hide me with a dead man in his shroud;\nThings that, to hear them told, have made me tremble,\nAnd I will do it without fear or doubt,\nTo live an unstain’d wife to my sweet love.\n\n" @@ -465,7 +466,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Stop thy unhallow’d toil, vile Montague.\nCan vengeance be pursu’d further than death?\nCondemned villain, I do apprehend thee.\nObey, and go with me, for thou must die.\n\n" - "ROMEO.\nI must indeed; and therefore came I hither.\nGood gentle youth, tempt not a desperate man.\nFly hence and leave me. Think upon these gone;\nLet them affright thee. I beseech thee, youth,\nPut not another sin upon my head\nBy urging me to fury. O be gone.\nBy heaven I love thee better than myself;\nFor I come hither arm’d against myself.\nStay not, be gone, live, and hereafter say,\n" - "A madman’s mercy bid thee run away.\n\nPARIS.\nI do defy thy conjuration,\nAnd apprehend thee for a felon here.\n\nROMEO.\nWilt thou provoke me? Then have at thee, boy!\n\n [_They fight._]\n\nPAGE.\nO lord, they fight! I will go call the watch.\n\n [_Exit._]\n\nPARIS.\nO, I am slain! [_Falls._] If thou be merciful,\nOpen the tomb, lay me with Juliet.\n\n" -- " [_Dies._]\n\nROMEO.\nIn faith, I will. Let me peruse this face.\nMercutio’s kinsman, noble County Paris!\nWhat said my man, when my betossed soul\nDid not attend him as we rode? I think\nHe told me Paris should have married Juliet.\nSaid he not so? Or did I dream it so?\nOr am I mad, hearing him talk of Juliet,\nTo think it was so? O, give me thy hand,\n" +- " [_Dies._]\n\n" +- "ROMEO.\nIn faith, I will. Let me peruse this face.\nMercutio’s kinsman, noble County Paris!\nWhat said my man, when my betossed soul\nDid not attend him as we rode? I think\nHe told me Paris should have married Juliet.\nSaid he not so? Or did I dream it so?\nOr am I mad, hearing him talk of Juliet,\nTo think it was so? O, give me thy hand,\n" - "One writ with me in sour misfortune’s book.\nI’ll bury thee in a triumphant grave.\nA grave? O no, a lantern, slaught’red youth,\nFor here lies Juliet, and her beauty makes\nThis vault a feasting presence full of light.\nDeath, lie thou there, by a dead man interr’d.\n\n [_Laying Paris in the monument._]\n\n" - "How oft when men are at the point of death\nHave they been merry! Which their keepers call\nA lightning before death. O, how may I\nCall this a lightning? O my love, my wife,\nDeath that hath suck’d the honey of thy breath,\nHath had no power yet upon thy beauty.\nThou art not conquer’d. Beauty’s ensign yet\nIs crimson in thy lips and in thy cheeks,\nAnd death’s pale flag is not advanced there.\n" - "Tybalt, liest thou there in thy bloody sheet?\nO, what more favour can I do to thee\nThan with that hand that cut thy youth in twain\nTo sunder his that was thine enemy?\nForgive me, cousin. Ah, dear Juliet,\nWhy art thou yet so fair? Shall I believe\nThat unsubstantial death is amorous;\nAnd that the lean abhorred monster keeps\nThee here in dark to be his paramour?\n" diff --git a/tests/snapshots/text_splitter_snapshots__tiktoken_default@romeo_and_juliet.txt.snap b/tests/snapshots/text_splitter_snapshots__tiktoken_default@romeo_and_juliet.txt.snap index 1216174e..b5cbcf5e 100644 --- a/tests/snapshots/text_splitter_snapshots__tiktoken_default@romeo_and_juliet.txt.snap +++ b/tests/snapshots/text_splitter_snapshots__tiktoken_default@romeo_and_juliet.txt.snap @@ -8,17 +8,20 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - This eBook is for the use of anyone anywhere in - " the United States and\n" - most other parts of the world at no cost and -- " with almost no restrictions\nwhatsoever. " +- " with almost no restrictions\n" +- "whatsoever. " - "You may copy it, give it away or re" - "-use it under the terms\n" - of the Project Gutenberg License included with this eBook or -- " online at\nwww.gutenberg.org. " +- " online at\n" +- "www.gutenberg.org. " - "If you are not located in the United States," - " you\n" - will have to check the laws of the country where - " you are located before\nusing this eBook.\n\n" - "Title: Romeo and Juliet\n\nAuthor: William Shakespeare" -- "\n\nRelease Date: November, 1998 [" +- "\n\n" +- "Release Date: November, 1998 [" - "eBook #1513]\n" - "[Most recently updated: May 11, " - "2022]\n\nLanguage: English\n\n\n" @@ -32,7 +35,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ACT I\nScene I. A public place.\n" - "Scene II. A Street.\n" - "Scene III. Room in Capulet’s House.\n" -- "Scene IV. A Street.\nScene V. " +- "Scene IV. A Street.\n" +- "Scene V. " - "A Hall in Capulet’s House.\n\n\n" - "ACT II\nCHORUS.\n" - "Scene I. " @@ -50,7 +54,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "A Room in Capulet’s House.\n" - "Scene V. " - "An open Gallery to Juliet’s Chamber, overlooking the" -- " Garden.\n\n\nACT IV\n" +- " Garden.\n\n\n" +- "ACT IV\n" - "Scene I. Friar Lawrence’s Cell.\n" - "Scene II. Hall in Capulet’s House.\n" - "Scene III. Juliet’s Chamber.\n" @@ -98,7 +103,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Citizens of Verona; several Men and Women - ", relations to both houses;\n" - "Maskers, Guards, Watchmen and Attendants" -- ".\n\nSCENE. " +- ".\n\n" +- "SCENE. " - During the greater part of the Play in Verona - "; once, in the\n" - "Fifth Act, at Mantua.\n\n\n" @@ -128,21 +134,26 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " to mend.\n\n [_Exit._]\n\n\n\nACT I\n\n" - "SCENE I. A public place.\n\n" - " Enter Sampson and Gregory armed with swords and " -- "bucklers.\n\nSAMPSON.\n" +- "bucklers.\n\n" +- "SAMPSON.\n" - "Gregory, on my word, we’ll not" -- " carry coals.\n\nGREGORY.\n" +- " carry coals.\n\n" +- "GREGORY.\n" - "No, for then we should be colliers.\n\n" - "SAMPSON.\n" - "I mean, if we be in choler," -- " we’ll draw.\n\nGREGORY.\n" +- " we’ll draw.\n\n" +- "GREGORY.\n" - "Ay, while you live, draw your neck out" -- " o’ the collar.\n\nSAMPSON.\n" +- " o’ the collar.\n\n" +- "SAMPSON.\n" - "I strike quickly, being moved.\n\n" - "GREGORY.\n" - "But thou art not quickly moved to strike.\n\n" - "SAMPSON.\n" - A dog of the house of Montague moves me -- ".\n\nGREGORY.\n" +- ".\n\n" +- "GREGORY.\n" - "To move is to stir; and to be " - "valiant is to stand: therefore, if thou" - "\n" @@ -151,9 +162,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - A dog of that house shall move me to stand - ".\n" - I will take the wall of any man or maid -- " of Montague’s.\n\nGREGORY.\n" +- " of Montague’s.\n\n" +- "GREGORY.\n" - "That shows thee a weak slave, for the weakest" -- " goes to the wall.\n\nSAMPSON.\n" +- " goes to the wall.\n\n" +- "SAMPSON.\n" - "True, and therefore women, being the weaker vessels" - ", are ever thrust to\n" - "the wall: therefore I will push Montague’s" @@ -161,7 +174,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "thrust his maids to the wall.\n\n" - "GREGORY.\n" - The quarrel is between our masters and us their -- " men.\n\nSAMPSON.\n" +- " men.\n\n" +- "SAMPSON.\n" - "’Tis all one, I will show myself a" - " tyrant: when I have fought with the\n" - "men I will be civil with the maids," @@ -171,26 +185,30 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "SAMPSON.\n" - "Ay, the heads of the maids, or" - " their maidenheads; take it in what sense\n" -- "thou wilt.\n\nGREGORY.\n" +- "thou wilt.\n\n" +- "GREGORY.\n" - "They must take it in sense that feel it.\n\n" - "SAMPSON.\n" - Me they shall feel while I am able to stand - ": and ’tis known I am a\n" -- "pretty piece of flesh.\n\nGREGORY.\n" +- "pretty piece of flesh.\n\n" +- "GREGORY.\n" - ’Tis well thou art not fish; if thou - " hadst, thou hadst been poor John.\n" - Draw thy tool; here comes of the house of - " Montagues.\n\n Enter Abram and Balthasar.\n\n" - "SAMPSON.\n" - "My naked weapon is out: quarrel, I" -- " will back thee.\n\nGREGORY.\n" +- " will back thee.\n\n" +- "GREGORY.\n" - "How? Turn thy back and run?\n\n" - "SAMPSON.\nFear me not.\n\n" - "GREGORY.\n" - "No, marry; I fear thee!\n\n" - "SAMPSON.\n" - Let us take the law of our sides; let -- " them begin.\n\nGREGORY.\n" +- " them begin.\n\n" +- "GREGORY.\n" - "I will frown as I pass by, and" - " let them take it as they list.\n\n" - "SAMPSON.\n" @@ -209,8 +227,10 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "SAMPSON.\n" - "No sir, I do not bite my thumb at" - " you, sir; but I bite my thumb," -- " sir.\n\nGREGORY.\n" -- "Do you quarrel, sir?\n\nABRAM.\n" +- " sir.\n\n" +- "GREGORY.\n" +- "Do you quarrel, sir?\n\n" +- "ABRAM.\n" - "Quarrel, sir? No, sir.\n\n" - "SAMPSON.\n" - "But if you do, sir, I am for" @@ -218,22 +238,27 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I serve as good a man as you.\n\n" - "ABRAM.\nNo better.\n\n" - "SAMPSON.\nWell, sir.\n\n" -- " Enter Benvolio.\n\nGREGORY.\n" +- " Enter Benvolio.\n\n" +- "GREGORY.\n" - Say better; here comes one of my master’s - " kinsmen.\n\n" - "SAMPSON.\nYes, better, sir.\n\n" -- "ABRAM.\nYou lie.\n\nSAMPSON.\n" +- "ABRAM.\nYou lie.\n\n" +- "SAMPSON.\n" - "Draw, if you be men. " - "Gregory, remember thy washing blow.\n\n" - " [_They fight._]\n\n" -- "BENVOLIO.\nPart, fools! " +- "BENVOLIO.\n" +- "Part, fools! " - "put up your swords, you know not what you" - " do.\n\n [_Beats down their swords._]\n\n" -- " Enter Tybalt.\n\nTYBALT.\n" +- " Enter Tybalt.\n\n" +- "TYBALT.\n" - "What, art thou drawn among these heartless " - "hinds?\n" - "Turn thee Benvolio, look upon thy death" -- ".\n\nBENVOLIO.\n" +- ".\n\n" +- "BENVOLIO.\n" - "I do but keep the peace, put up thy" - " sword,\n" - "Or manage it to part these men with me.\n\n" @@ -251,7 +276,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Down with the Montagues!\n\n" - " Enter Capulet in his gown, and Lady " - "Capulet.\n\n" -- "CAPULET.\nWhat noise is this? " +- "CAPULET.\n" +- "What noise is this? " - "Give me my long sword, ho!\n\n" - "LADY CAPULET.\n" - "A crutch, a crutch! " @@ -306,7 +332,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "MONTAGUE.\n" - "Who set this ancient quarrel new abroach?\n" - "Speak, nephew, were you by when it began" -- "?\n\nBENVOLIO.\n" +- "?\n\n" +- "BENVOLIO.\n" - "Here were the servants of your adversary\n" - "And yours, close fighting ere I did approach.\n" - "I drew to part them, in the instant came" @@ -323,10 +350,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Came more and more, and fought on part" - " and part,\n" - "Till the Prince came, who parted either part" -- ".\n\nLADY MONTAGUE.\n" +- ".\n\n" +- "LADY MONTAGUE.\n" - "O where is Romeo, saw you him today?\n" - Right glad I am he was not at this fray -- ".\n\nBENVOLIO.\n" +- ".\n\n" +- "BENVOLIO.\n" - "Madam, an hour before the worshipp’d" - " sun\n" - "Peer’d forth the golden window of the east,\n" @@ -344,7 +373,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Pursu’d my humour, not pursuing his" - ",\n" - And gladly shunn’d who gladly fled from me -- ".\n\nMONTAGUE.\n" +- ".\n\n" +- "MONTAGUE.\n" - "Many a morning hath he there been seen,\n" - "With tears augmenting the fresh morning’s dew,\n" - Adding to clouds more clouds with his deep sighs @@ -377,23 +407,28 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " air,\nOr dedicate his beauty to the sun.\n" - Could we but learn from whence his sorrows grow - ",\nWe would as willingly give cure as know.\n\n" -- " Enter Romeo.\n\nBENVOLIO.\n" +- " Enter Romeo.\n\n" +- "BENVOLIO.\n" - "See, where he comes. " - "So please you step aside;\n" - I’ll know his grievance or be much denied -- ".\n\nMONTAGUE.\n" +- ".\n\n" +- "MONTAGUE.\n" - I would thou wert so happy by thy stay -- "\nTo hear true shrift. " +- "\n" +- "To hear true shrift. " - "Come, madam, let’s away,\n\n" - " [_Exeunt Montague and Lady Montague" -- "._]\n\nBENVOLIO.\n" +- "._]\n\n" +- "BENVOLIO.\n" - "Good morrow, cousin.\n\n" - "ROMEO.\nIs the day so young?\n\n" - "BENVOLIO.\nBut new struck nine.\n\n" - "ROMEO.\n" - "Ay me, sad hours seem long.\n" - "Was that my father that went hence so fast?\n\n" -- "BENVOLIO.\nIt was. " +- "BENVOLIO.\n" +- "It was. " - "What sadness lengthens Romeo’s hours?\n\n" - "ROMEO.\n" - "Not having that which, having, makes them short" @@ -405,11 +440,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "BENVOLIO.\n" - "Alas that love so gentle in his view,\n" - Should be so tyrannous and rough in proof -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Alas that love, whose view is muffled" - " still,\n" - "Should, without eyes, see pathways to his will" -- "!\nWhere shall we dine? O me! " +- "!\n" +- "Where shall we dine? O me! " - "What fray was here?\n" - "Yet tell me not, for I have heard it" - " all.\n" @@ -431,11 +468,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "No coz, I rather weep.\n\n" - "ROMEO.\nGood heart, at what?\n\n" - "BENVOLIO.\n" -- "At thy good heart’s oppression.\n\nROMEO.\n" +- "At thy good heart’s oppression.\n\n" +- "ROMEO.\n" - "Why such is love’s transgression.\n" - Griefs of mine own lie heavy in my - " breast,\nWhich thou wilt propagate to have it prest" -- "\nWith more of thine. " +- "\n" +- "With more of thine. " - "This love that thou hast shown\n" - Doth add more grief to too much of mine - " own.\n" @@ -448,36 +487,46 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What is it else? A madness most discreet,\n" - "A choking gall, and a preserving sweet.\n" - "Farewell, my coz.\n\n" -- " [_Going._]\n\nBENVOLIO.\n" +- " [_Going._]\n\n" +- "BENVOLIO.\n" - "Soft! I will go along:\n" - "And if you leave me so, you do me" -- " wrong.\n\nROMEO.\nTut! " +- " wrong.\n\n" +- "ROMEO.\n" +- "Tut! " - "I have lost myself; I am not here.\n" - "This is not Romeo, he’s some other where" -- ".\n\nBENVOLIO.\n" +- ".\n\n" +- "BENVOLIO.\n" - "Tell me in sadness who is that you love?\n\n" - "ROMEO.\n" - "What, shall I groan and tell thee?\n\n" -- "BENVOLIO.\nGroan! " +- "BENVOLIO.\n" +- "Groan! " - "Why, no; but sadly tell me who.\n\n" - "ROMEO.\n" - "Bid a sick man in sadness make his will,\n" - A word ill urg’d to one that is so - " ill.\n" - "In sadness, cousin, I do love a woman" -- ".\n\nBENVOLIO.\n" +- ".\n\n" +- "BENVOLIO.\n" - I aim’d so near when I suppos’d -- " you lov’d.\n\nROMEO.\n" +- " you lov’d.\n\n" +- "ROMEO.\n" - "A right good markman, and she’s fair" -- " I love.\n\nBENVOLIO.\n" +- " I love.\n\n" +- "BENVOLIO.\n" - "A right fair mark, fair coz, is " -- "soonest hit.\n\nROMEO.\n" +- "soonest hit.\n\n" +- "ROMEO.\n" - "Well, in that hit you miss: she’ll" - " not be hit\n" - "With Cupid’s arrow, she hath " - "Dian’s wit;\n" - And in strong proof of chastity well arm’d -- ",\nFrom love’s weak childish bow she lives " +- ",\n" +- "From love’s weak childish bow she lives " - "uncharm’d.\n" - "She will not stay the siege of loving terms\n" - Nor bide th’encounter of assailing @@ -486,9 +535,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " gold:\n" - "O she’s rich in beauty, only poor\n" - "That when she dies, with beauty dies her store" -- ".\n\nBENVOLIO.\n" +- ".\n\n" +- "BENVOLIO.\n" - "Then she hath sworn that she will still live " -- "chaste?\n\nROMEO.\n" +- "chaste?\n\n" +- "ROMEO.\n" - "She hath, and in that sparing makes huge waste" - ";\nFor beauty starv’d with her severity,\n" - "Cuts beauty off from all posterity.\n" @@ -497,9 +548,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "She hath forsworn to love, and in" - " that vow\n" - "Do I live dead, that live to tell it" -- " now.\n\nBENVOLIO.\n" +- " now.\n\n" +- "BENVOLIO.\n" - "Be rul’d by me, forget to think" -- " of her.\n\nROMEO.\n" +- " of her.\n\n" +- "ROMEO.\n" - "O teach me how I should forget to think.\n\n" - "BENVOLIO.\n" - "By giving liberty unto thine eyes;\n" @@ -516,7 +569,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Where I may read who pass’d that passing fair - "?\n" - "Farewell, thou canst not teach me" -- " to forget.\n\nBENVOLIO.\n" +- " to forget.\n\n" +- "BENVOLIO.\n" - "I’ll pay that doctrine, or else die in" - " debt.\n\n [_Exeunt._]\n\n" - "SCENE II. A Street.\n\n" @@ -526,19 +580,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - In penalty alike; and ’tis not hard - ", I think,\n" - For men so old as we to keep the peace -- ".\n\nPARIS.\n" +- ".\n\n" +- "PARIS.\n" - "Of honourable reckoning are you both,\n" - And pity ’tis you liv’d at odds - " so long.\n" - "But now my lord, what say you to my" -- " suit?\n\nCAPULET.\n" +- " suit?\n\n" +- "CAPULET.\n" - But saying o’er what I have said before - ".\n" - "My child is yet a stranger in the world,\n" - "She hath not seen the change of fourteen years;\n" - "Let two more summers wither in their pride\n" - Ere we may think her ripe to be a -- " bride.\n\nPARIS.\n" +- " bride.\n\n" +- "PARIS.\n" - "Younger than she are happy mothers made.\n\n" - "CAPULET.\n" - And too soon marr’d are those so early @@ -569,7 +626,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Which, on more view of many, mine," - " being one,\n" - "May stand in number, though in reckoning none" -- ".\nCome, go with me. " +- ".\n" +- "Come, go with me. " - "Go, sirrah, trudge about\n" - "Through fair Verona; find those persons out\n" - "Whose names are written there, [_gives" @@ -610,7 +668,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Shut up in prison, kept without my food" - ",\n" - Whipp’d and tormented and—God-den -- ", good fellow.\n\nSERVANT.\n" +- ", good fellow.\n\n" +- "SERVANT.\n" - "God gi’ go-den. " - "I pray, sir, can you read?\n\n" - "ROMEO.\n" @@ -618,9 +677,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "SERVANT.\n" - "Perhaps you have learned it without book.\n" - "But I pray, can you read anything you see" -- "?\n\nROMEO.\n" +- "?\n\n" +- "ROMEO.\n" - "Ay, If I know the letters and the language" -- ".\n\nSERVANT.\n" +- ".\n\n" +- "SERVANT.\n" - "Ye say honestly, rest you merry!\n\n" - "ROMEO.\n" - "Stay, fellow; I can read.\n\n" @@ -652,7 +713,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "and if you be not of the house of " - "Montagues, I pray come and crush a\n" - "cup of wine. Rest you merry.\n\n" -- " [_Exit._]\n\nBENVOLIO.\n" +- " [_Exit._]\n\n" +- "BENVOLIO.\n" - "At this same ancient feast of Capulet’s\n" - Sups the fair Rosaline whom thou so - " lov’st;\n" @@ -671,7 +733,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "One fairer than my love? " - "The all-seeing sun\n" - Ne’er saw her match since first the world -- " begun.\n\nBENVOLIO.\n" +- " begun.\n\n" +- "BENVOLIO.\n" - "Tut, you saw her fair, none else" - " being by,\n" - Herself pois’d with herself in either eye @@ -680,7 +743,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "\nYour lady’s love against some other maid\n" - "That I will show you shining at this feast,\n" - And she shall scant show well that now shows best -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "I’ll go along, no such sight to be" - " shown,\n" - But to rejoice in splendour of my own @@ -690,9 +754,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Enter Lady Capulet and Nurse.\n\n" - "LADY CAPULET.\n" - "Nurse, where’s my daughter? " -- "Call her forth to me.\n\nNURSE.\n" +- "Call her forth to me.\n\n" +- "NURSE.\n" - "Now, by my maidenhead, at twelve year" -- " old,\nI bade her come. " +- " old,\n" +- "I bade her come. " - "What, lamb! What ladybird!\n" - "God forbid! Where’s this girl? " - "What, Juliet!\n\n Enter Juliet.\n\n" @@ -710,10 +776,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I have remember’d me, thou’s hear our" - " counsel.\n" - Thou knowest my daughter’s of a pretty -- " age.\n\nNURSE.\n" +- " age.\n\n" +- "NURSE.\n" - "Faith, I can tell her age unto an" -- " hour.\n\nLADY CAPULET.\n" -- "She’s not fourteen.\n\nNURSE.\n" +- " hour.\n\n" +- "LADY CAPULET.\n" +- "She’s not fourteen.\n\n" +- "NURSE.\n" - "I’ll lay fourteen of my teeth,\n" - "And yet, to my teen be it spoken," - " I have but four,\n" @@ -727,7 +796,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Come Lammas Eve at night shall she be fourteen - ".\n" - "Susan and she,—God rest all Christian souls!" -- "—\nWere of an age. " +- "—\n" +- "Were of an age. " - "Well, Susan is with God;\n" - "She was too good for me. " - "But as I said,\n" @@ -764,23 +834,27 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And then my husband,—God be with his soul" - "!\n" - "A was a merry man,—took up the child" -- ":\n‘Yea,’ quoth he, ‘" +- ":\n" +- "‘Yea,’ quoth he, ‘" - "dost thou fall upon thy face?\n" - Thou wilt fall backward when thou hast more wit -- ";\nWilt thou not, Jule?’ " +- ";\n" +- "Wilt thou not, Jule?’ " - "and, by my holidame,\n" - "The pretty wretch left crying, and said ‘" - "Ay’.\n" - "To see now how a jest shall come about.\n" - "I warrant, and I should live a thousand years" -- ",\nI never should forget it. " +- ",\n" +- "I never should forget it. " - "‘Wilt thou not, Jule?’ " - "quoth he;\n" - "And, pretty fool, it stinted, and" - " said ‘Ay.’\n\n" - "LADY CAPULET.\n" - Enough of this; I pray thee hold thy peace -- ".\n\nNURSE.\n" +- ".\n\n" +- "NURSE.\n" - "Yes, madam, yet I cannot choose but" - " laugh,\n" - "To think it should leave crying, and say ‘" @@ -797,7 +871,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "it stinted, and said ‘Ay’.\n\n" - "JULIET.\n" - "And stint thou too, I pray thee, Nurse" -- ", say I.\n\nNURSE.\n" +- ", say I.\n\n" +- "NURSE.\n" - "Peace, I have done. " - "God mark thee to his grace\n" - "Thou wast the prettiest babe that " @@ -811,7 +886,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "How stands your disposition to be married?\n\n" - "JULIET.\n" - "It is an honour that I dream not of.\n\n" -- "NURSE.\nAn honour! " +- "NURSE.\n" +- "An honour! " - "Were not I thine only nurse,\n" - I would say thou hadst suck’d wisdom from - " thy teat.\n\n" @@ -827,7 +903,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "A man, young lady! " - "Lady, such a man\n" - As all the world—why he’s a man -- " of wax.\n\nLADY CAPULET.\n" +- " of wax.\n\n" +- "LADY CAPULET.\n" - "Verona’s summer hath not such a flower.\n\n" - "NURSE.\n" - "Nay, he’s a flower, in faith" @@ -860,13 +937,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Women grow by men.\n\n" - "LADY CAPULET.\n" - "Speak briefly, can you like of Paris’ love" -- "?\n\nJULIET.\n" +- "?\n\n" +- "JULIET.\n" - "I’ll look to like, if looking liking move" - ":\n" - But no more deep will I endart mine eye - "\n" - "Than your consent gives strength to make it fly.\n\n" -- " Enter a Servant.\n\nSERVANT.\n" +- " Enter a Servant.\n\n" +- "SERVANT.\n" - "Madam, the guests are come, supper served" - " up, you called, my young lady\n" - "asked for, the Nurse cursed in the pantry" @@ -882,7 +961,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "SCENE IV. A Street.\n\n" - " Enter Romeo, Mercutio, Benvolio" - ", with five or six Maskers;\n" -- " Torch-bearers and others.\n\nROMEO.\n" +- " Torch-bearers and others.\n\n" +- "ROMEO.\n" - "What, shall this speech be spoke for our excuse" - "?\nOr shall we on without apology?\n\n" - "BENVOLIO.\n" @@ -896,13 +976,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "\nAfter the prompter, for our entrance:\n" - "But let them measure us by what they will,\n" - "We’ll measure them a measure, and be gone" -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Give me a torch, I am not for this" - " ambling;\n" - "Being but heavy I will bear the light.\n\n" - "MERCUTIO.\n" - "Nay, gentle Romeo, we must have you" -- " dance.\n\nROMEO.\n" +- " dance.\n\n" +- "ROMEO.\n" - "Not I, believe me, you have dancing shoes" - ",\n" - "With nimble soles, I have a soul" @@ -921,7 +1003,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "MERCUTIO.\n" - "And, to sink in it, should you burden" - " love;\nToo great oppression for a tender thing.\n\n" -- "ROMEO.\nIs love a tender thing? " +- "ROMEO.\n" +- "Is love a tender thing? " - "It is too rough,\n" - "Too rude, too boisterous; and it" - " pricks like thorn.\n\n" @@ -936,7 +1019,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What care I\n" - "What curious eye doth quote deformities?\n" - Here are the beetle-brows shall blush for me -- ".\n\nBENVOLIO.\n" +- ".\n\n" +- "BENVOLIO.\n" - "Come, knock and enter; and no sooner in" - "\n" - "But every man betake him to his legs.\n\n" @@ -948,13 +1032,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ",\n" - "I’ll be a candle-holder and look on,\n" - "The game was ne’er so fair, and" -- " I am done.\n\nMERCUTIO.\n" +- " I am done.\n\n" +- "MERCUTIO.\n" - "Tut, dun’s the mouse, the " - "constable’s own word:\n" - "If thou art dun, we’ll draw thee from" - " the mire\n" - "Or save your reverence love, wherein thou stickest" -- "\nUp to the ears. " +- "\n" +- "Up to the ears. " - "Come, we burn daylight, ho.\n\n" - "ROMEO.\n" - "Nay, that’s not so.\n\n" @@ -964,7 +1050,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " day.\n" - "Take our good meaning, for our judgment sits\n" - "Five times in that ere once in our five " -- "wits.\n\nROMEO.\n" +- "wits.\n\n" +- "ROMEO.\n" - "And we mean well in going to this mask;\n" - "But ’tis no wit to go.\n\n" - "MERCUTIO.\n" @@ -973,9 +1060,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "MERCUTIO.\nAnd so did I.\n\n" - "ROMEO.\nWell what was yours?\n\n" - "MERCUTIO.\n" -- "That dreamers often lie.\n\nROMEO.\n" +- "That dreamers often lie.\n\n" +- "ROMEO.\n" - "In bed asleep, while they do dream things true" -- ".\n\nMERCUTIO.\n" +- ".\n\n" +- "MERCUTIO.\n" - "O, then, I see Queen Mab hath" - " been with you.\n" - "She is the fairies’ midwife, and" @@ -1046,7 +1135,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " on their backs,\n" - "That presses them, and learns them first to bear" - ",\nMaking them women of good carriage:\n" -- "This is she,—\n\nROMEO.\n" +- "This is she,—\n\n" +- "ROMEO.\n" - "Peace, peace, Mercutio, peace,\n" - "Thou talk’st of nothing.\n\n" - "MERCUTIO.\n" @@ -1063,7 +1153,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "BENVOLIO.\n" - "This wind you talk of blows us from ourselves:\n" - "Supper is done, and we shall come too" -- " late.\n\nROMEO.\n" +- " late.\n\n" +- "ROMEO.\n" - "I fear too early: for my mind " - "misgives\n" - "Some consequence yet hanging in the stars,\n" @@ -1084,13 +1175,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Musicians waiting. Enter Servants.\n\n" - "FIRST SERVANT.\n" - "Where’s Potpan, that he helps not to" -- " take away?\nHe shift a trencher! " +- " take away?\n" +- "He shift a trencher! " - "He scrape a trencher!\n\n" - "SECOND SERVANT.\n" - When good manners shall lie all in one or two - " men’s hands, and they\n" - "unwash’d too, ’tis a foul" -- " thing.\n\nFIRST SERVANT.\n" +- " thing.\n\n" +- "FIRST SERVANT.\n" - "Away with the join-stools, remove the court" - "-cupboard, look to the\n" - "plate. " @@ -1181,18 +1274,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Did my heart love till now? " - "Forswear it, sight!\n" - For I ne’er saw true beauty till this -- " night.\n\nTYBALT.\n" +- " night.\n\n" +- "TYBALT.\n" - "This by his voice, should be a Montague" -- ".\nFetch me my rapier, boy. " +- ".\n" +- "Fetch me my rapier, boy. " - "What, dares the slave\n" - "Come hither, cover’d with an antic face" - ",\n" - "To fleer and scorn at our solemnity?\n" - "Now by the stock and honour of my kin,\n" - To strike him dead I hold it not a sin -- ".\n\nCAPULET.\n" +- ".\n\n" +- "CAPULET.\n" - "Why how now, kinsman!\n" -- "Wherefore storm you so?\n\nTYBALT.\n" +- "Wherefore storm you so?\n\n" +- "TYBALT.\n" - "Uncle, this is a Montague, our" - " foe;\n" - "A villain that is hither come in spite,\n" @@ -1211,27 +1308,33 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "\nHere in my house do him disparagement.\n" - "Therefore be patient, take no note of him,\n" - It is my will; the which if thou respect -- ",\nShow a fair presence and put off these " +- ",\n" +- "Show a fair presence and put off these " - "frowns,\n" - An ill-beseeming semblance for a feast -- ".\n\nTYBALT.\n" +- ".\n\n" +- "TYBALT.\n" - "It fits when such a villain is a guest:\n" -- "I’ll not endure him.\n\nCAPULET.\n" +- "I’ll not endure him.\n\n" +- "CAPULET.\n" - "He shall be endur’d.\n" - "What, goodman boy! " - "I say he shall, go to;\n" - "Am I the master here, or you? " -- "Go to.\nYou’ll not endure him! " +- "Go to.\n" +- "You’ll not endure him! " - "God shall mend my soul,\n" - "You’ll make a mutiny among my guests!\n" - "You will set cock-a-hoop, you’ll" -- " be the man!\n\nTYBALT.\n" +- " be the man!\n\n" +- "TYBALT.\n" - "Why, uncle, ’tis a shame.\n\n" - "CAPULET.\nGo to, go to!\n" - "You are a saucy boy. " - "Is’t so, indeed?\n" - "This trick may chance to scathe you, I" -- " know what.\nYou must contrary me! " +- " know what.\n" +- "You must contrary me! " - "Marry, ’tis time.\n" - "Well said, my hearts!—You are a" - " princox; go:\n" @@ -1246,7 +1349,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I will withdraw: but this intrusion shall,\n" - "Now seeming sweet, convert to bitter gall.\n\n" - " [_Exit._]\n\n" -- "ROMEO.\n[_To Juliet." +- "ROMEO.\n" +- "[_To Juliet." - "_] If I profane with my unworthiest" - " hand\n" - "This holy shrine, the gentle sin is this,\n" @@ -1259,17 +1363,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - For saints have hands that pilgrims’ hands do - " touch,\n" - And palm to palm is holy palmers’ kiss -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Have not saints lips, and holy palmers too" -- "?\n\nJULIET.\n" +- "?\n\n" +- "JULIET.\n" - "Ay, pilgrim, lips that they must use" -- " in prayer.\n\nROMEO.\n" +- " in prayer.\n\n" +- "ROMEO.\n" - "O, then, dear saint, let lips do" - " what hands do:\n" - "They pray, grant thou, lest faith turn to" -- " despair.\n\nJULIET.\n" +- " despair.\n\n" +- "JULIET.\n" - "Saints do not move, though grant for prayers" -- "’ sake.\n\nROMEO.\n" +- "’ sake.\n\n" +- "ROMEO.\n" - Then move not while my prayer’s effect I take - ".\n" - "Thus from my lips, by thine my sin" @@ -1277,11 +1386,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Kissing her._]\n\n" - "JULIET.\n" - Then have my lips the sin that they have took -- ".\n\nROMEO.\nSin from my lips? " +- ".\n\n" +- "ROMEO.\n" +- "Sin from my lips? " - "O trespass sweetly urg’d!\n" - "Give me my sin again.\n\n" - "JULIET.\n" -- "You kiss by the book.\n\nNURSE.\n" +- "You kiss by the book.\n\n" +- "NURSE.\n" - "Madam, your mother craves a word with" - " you.\n\nROMEO.\nWhat is her mother?\n\n" - "NURSE.\nMarry, bachelor,\n" @@ -1297,9 +1409,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My life is my foe’s debt.\n\n" - "BENVOLIO.\n" - "Away, be gone; the sport is at the" -- " best.\n\nROMEO.\n" +- " best.\n\n" +- "ROMEO.\n" - "Ay, so I fear; the more is my" -- " unrest.\n\nCAPULET.\n" +- " unrest.\n\n" +- "CAPULET.\n" - "Nay, gentlemen, prepare not to be gone" - ",\nWe have a trifling foolish banquet towards.\n" - "Is it e’en so? " @@ -1311,15 +1425,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " it waxes late,\n" - "I’ll to my rest.\n\n" - " [_Exeunt all but Juliet and Nurse." -- "_]\n\nJULIET.\n" +- "_]\n\n" +- "JULIET.\n" - "Come hither, Nurse. " -- "What is yond gentleman?\n\nNURSE.\n" +- "What is yond gentleman?\n\n" +- "NURSE.\n" - "The son and heir of old Tiberio.\n\n" - "JULIET.\n" - What’s he that now is going out of door -- "?\n\nNURSE.\n" +- "?\n\n" +- "NURSE.\n" - "Marry, that I think be young " -- "Petruchio.\n\nJULIET.\n" +- "Petruchio.\n\n" +- "JULIET.\n" - "What’s he that follows here, that would not" - " dance?\n\nNURSE.\nI know not.\n\n" - "JULIET.\n" @@ -1343,7 +1461,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "NURSE.\nAnon, anon!\n" - "Come let’s away, the strangers all are gone" - ".\n\n [_Exeunt._]\n\n\n\nACT II\n\n" -- " Enter Chorus.\n\nCHORUS.\n" +- " Enter Chorus.\n\n" +- "CHORUS.\n" - Now old desire doth in his deathbed lie - ",\n" - "And young affection gapes to be his heir;\n" @@ -1365,9 +1484,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " less\nTo meet her new beloved anywhere.\n" - "But passion lends them power, time means, to" - " meet,\nTempering extremities with extreme sweet.\n\n" -- " [_Exit._]\n\nSCENE I. " +- " [_Exit._]\n\n" +- "SCENE I. " - "An open place adjoining Capulet’s Garden.\n\n" -- " Enter Romeo.\n\nROMEO.\n" +- " Enter Romeo.\n\n" +- "ROMEO.\n" - "Can I go forward when my heart is here?\n" - "Turn back, dull earth, and find thy centre" - " out.\n\n" @@ -1378,7 +1499,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Romeo! My cousin Romeo! Romeo!\n\n" - "MERCUTIO.\nHe is wise,\n" - And on my life hath stol’n him home -- " to bed.\n\nBENVOLIO.\n" +- " to bed.\n\n" +- "BENVOLIO.\n" - "He ran this way, and leap’d this " - "orchard wall:\n" - "Call, good Mercutio.\n\n" @@ -1409,7 +1531,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "That in thy likeness thou appear to us.\n\n" - "BENVOLIO.\n" - "An if he hear thee, thou wilt anger him" -- ".\n\nMERCUTIO.\n" +- ".\n\n" +- "MERCUTIO.\n" - This cannot anger him. ’Twould anger him - "\n" - "To raise a spirit in his mistress’ circle,\n" @@ -1424,7 +1547,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Come, he hath hid himself among these trees\n" - "To be consorted with the humorous night.\n" - "Blind is his love, and best befits" -- " the dark.\n\nMERCUTIO.\n" +- " the dark.\n\n" +- "MERCUTIO.\n" - "If love be blind, love cannot hit the mark" - ".\n" - "Now will he sit under a medlar tree,\n" @@ -1434,7 +1558,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O Romeo, that she were, O that she" - " were\n" - An open-arse and thou a poperin pear -- "!\nRomeo, good night. " +- "!\n" +- "Romeo, good night. " - "I’ll to my truckle-bed.\n" - This field-bed is too cold for me to sleep - ".\nCome, shall we go?\n\n" @@ -1443,7 +1568,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - To seek him here that means not to be found - ".\n\n [_Exeunt._]\n\n" - "SCENE II. Capulet’s Garden.\n\n" -- " Enter Romeo.\n\nROMEO.\n" +- " Enter Romeo.\n\n" +- "ROMEO.\n" - He jests at scars that never felt a wound - ".\n\n Juliet appears above at a window.\n\n" - "But soft, what light through yonder window breaks" @@ -1499,15 +1625,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Or if thou wilt not, be but sworn my" - " love,\n" - "And I’ll no longer be a Capulet.\n\n" -- "ROMEO.\n[_Aside." +- "ROMEO.\n" +- "[_Aside." - "_] Shall I hear more, or shall I speak" -- " at this?\n\nJULIET.\n" +- " at this?\n\n" +- "JULIET.\n" - "’Tis but thy name that is my enemy;\n" - "Thou art thyself, though not a " -- "Montague.\nWhat’s Montague? " +- "Montague.\n" +- "What’s Montague? " - "It is nor hand nor foot,\n" - "Nor arm, nor face, nor any other part" -- "\nBelonging to a man. " +- "\n" +- "Belonging to a man. " - "O be some other name.\n" - "What’s in a name? " - "That which we call a rose\n" @@ -1531,7 +1661,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My name, dear saint, is hateful to myself" - ",\nBecause it is an enemy to thee.\n" - "Had I it written, I would tear the word" -- ".\n\nJULIET.\n" +- ".\n\n" +- "JULIET.\n" - "My ears have yet not drunk a hundred words\n" - "Of thy tongue’s utterance, yet I know" - " the sound.\n" @@ -1545,32 +1676,39 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ",\n" - "And the place death, considering who thou art,\n" - If any of my kinsmen find thee here -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "With love’s light wings did I " - "o’erperch these walls,\n" - "For stony limits cannot hold love out,\n" - "And what love can do, that dares love" - " attempt:\n" - Therefore thy kinsmen are no stop to me -- ".\n\nJULIET.\n" +- ".\n\n" +- "JULIET.\n" - "If they do see thee, they will murder thee" -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Alack, there lies more peril in thine" -- " eye\nThan twenty of their swords. " +- " eye\n" +- "Than twenty of their swords. " - "Look thou but sweet,\n" - "And I am proof against their enmity.\n\n" - "JULIET.\n" - I would not for the world they saw thee here -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - I have night’s cloak to hide me from their - " eyes,\n" - "And but thou love me, let them find me" - " here.\nMy life were better ended by their hate" - "\n" - "Than death prorogued, wanting of thy" -- " love.\n\nJULIET.\n" +- " love.\n\n" +- "JULIET.\n" - By whose direction found’st thou out this place -- "?\n\nROMEO.\n" +- "?\n\n" +- "ROMEO.\n" - "By love, that first did prompt me to " - "enquire;\n" - "He lent me counsel, and I lent him eyes" @@ -1598,7 +1736,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Or if thou thinkest I am too quickly won - ",\n" - "I’ll frown and be perverse, and say" -- " thee nay,\nSo thou wilt woo. " +- " thee nay,\n" +- "So thou wilt woo. " - "But else, not for the world.\n" - "In truth, fair Montague, I am too" - " fond;\n" @@ -1617,7 +1756,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\n" - "Lady, by yonder blessed moon I vow,\n" - "That tips with silver all these fruit-tree tops,—" -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "O swear not by the moon, th’inconstant" - " moon,\n" - "That monthly changes in her circled orb,\n" @@ -1630,7 +1770,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Which is the god of my idolatry,\n" - "And I’ll believe thee.\n\n" - "ROMEO.\nIf my heart’s dear love,—" -- "\n\nJULIET.\n" +- "\n\n" +- "JULIET.\n" - "Well, do not swear. " - "Although I joy in thee,\n" - "I have no joy of this contract tonight;\n" @@ -1643,7 +1784,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "This bud of love, by summer’s ripening" - " breath,\n" - May prove a beauteous flower when next -- " we meet.\nGood night, good night. " +- " we meet.\n" +- "Good night, good night. " - "As sweet repose and rest\n" - "Come to thy heart as that within my breast.\n\n" - "ROMEO.\n" @@ -1652,7 +1794,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What satisfaction canst thou have tonight?\n\n" - "ROMEO.\n" - Th’exchange of thy love’s faithful vow for -- " mine.\n\nJULIET.\n" +- " mine.\n\n" +- "JULIET.\n" - I gave thee mine before thou didst request it - ";\n" - "And yet I would it were to give again.\n\n" @@ -1674,11 +1817,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " be true.\n" - "Stay but a little, I will come again.\n\n" - " [_Exit._]\n\n" -- "ROMEO.\nO blessed, blessed night. " +- "ROMEO.\n" +- "O blessed, blessed night. " - "I am afeard,\n" - "Being in night, all this is but a dream" - ",\nToo flattering sweet to be substantial.\n\n" -- " Enter Juliet above.\n\nJULIET.\n" +- " Enter Juliet above.\n\n" +- "JULIET.\n" - "Three words, dear Romeo, and good night indeed" - ".\n" - "If that thy bent of love be honourable,\n" @@ -1694,7 +1839,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "JULIET.\n" - "I come, anon.— But if thou meanest" - " not well,\nI do beseech thee,—" -- "\n\nNURSE.\n" +- "\n\n" +- "NURSE.\n" - "[_Within._] Madam.\n\n" - "JULIET.\n" - "By and by I come—\n" @@ -1758,7 +1904,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Good night, good night. " - "Parting is such sweet sorrow\n" - "That I shall say good night till it be " -- "morrow.\n\n [_Exit._]\n\nROMEO.\n" +- "morrow.\n\n [_Exit._]\n\n" +- "ROMEO.\n" - "Sleep dwell upon thine eyes, peace in thy" - " breast.\n" - "Would I were sleep and peace, so sweet to" @@ -1840,16 +1987,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Our Romeo hath not been in bed tonight.\n\n" - "ROMEO.\n" - That last is true; the sweeter rest was -- " mine.\n\nFRIAR LAWRENCE.\n" +- " mine.\n\n" +- "FRIAR LAWRENCE.\n" - "God pardon sin. " - "Wast thou with Rosaline?\n\n" - "ROMEO.\n" - "With Rosaline, my ghostly father?" - " No.\n" - "I have forgot that name, and that name’s" -- " woe.\n\nFRIAR LAWRENCE.\n" +- " woe.\n\n" +- "FRIAR LAWRENCE.\n" - "That’s my good son. " -- "But where hast thou been then?\n\nROMEO.\n" +- "But where hast thou been then?\n\n" +- "ROMEO.\n" - I’ll tell thee ere thou ask it me again - ".\nI have been feasting with mine enemy,\n" - "Where on a sudden one hath wounded me\n" @@ -1861,13 +2011,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Be plain, good son, and homely in" - " thy drift;\n" - "Riddling confession finds but riddling " -- "shrift.\n\nROMEO.\n" +- "shrift.\n\n" +- "ROMEO.\n" - Then plainly know my heart’s dear love is set - "\nOn the fair daughter of rich Capulet.\n" - "As mine on hers, so hers is set on" - " mine;\n" - "And all combin’d, save what thou must combine" -- "\nBy holy marriage. " +- "\n" +- "By holy marriage. " - "When, and where, and how\n" - "We met, we woo’d, and made exchange" - " of vow,\n" @@ -1877,7 +2029,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "FRIAR LAWRENCE.\n" - "Holy Saint Francis! What a change is here!\n" - "Is Rosaline, that thou didst love" -- " so dear,\nSo soon forsaken? " +- " so dear,\n" +- "So soon forsaken? " - "Young men’s love then lies\n" - "Not truly in their hearts, but in their eyes" - ".\n" @@ -1903,12 +2056,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And art thou chang’d? " - "Pronounce this sentence then,\n" - "Women may fall, when there’s no strength in" -- " men.\n\nROMEO.\n" +- " men.\n\n" +- "ROMEO.\n" - Thou chidd’st me oft for loving - " Rosaline.\n\n" - "FRIAR LAWRENCE.\n" - "For doting, not for loving, pupil mine" -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "And bad’st me bury love.\n\n" - "FRIAR LAWRENCE.\n" - "Not in a grave\n" @@ -1927,9 +2082,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "In one respect I’ll thy assistant be;\n" - "For this alliance may so happy prove,\n" - To turn your households’ rancour to pure -- " love.\n\nROMEO.\n" +- " love.\n\n" +- "ROMEO.\n" - O let us hence; I stand on sudden haste -- ".\n\nFRIAR LAWRENCE.\n" +- ".\n\n" +- "FRIAR LAWRENCE.\n" - Wisely and slow; they stumble that run fast - ".\n\n [_Exeunt._]\n\n" - "SCENE IV. A Street.\n\n" @@ -1939,14 +2096,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Came he not home tonight?\n\n" - "BENVOLIO.\n" - Not to his father’s; I spoke with his -- " man.\n\nMERCUTIO.\n" +- " man.\n\n" +- "MERCUTIO.\n" - "Why, that same pale hard-hearted wench," - " that Rosaline, torments him so\n" - "that he will sure run mad.\n\n" - "BENVOLIO.\n" - "Tybalt, the kinsman to old" - " Capulet, hath sent a letter to his " -- "father’s\nhouse.\n\nMERCUTIO.\n" +- "father’s\nhouse.\n\n" +- "MERCUTIO.\n" - "A challenge, on my life.\n\n" - "BENVOLIO.\n" - "Romeo will answer it.\n\n" @@ -1962,14 +2121,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", the very pin of his heart\n" - cleft with the blind bow-boy’s butt- - "shaft. And is he a man to encounter\n" -- "Tybalt?\n\nBENVOLIO.\n" +- "Tybalt?\n\n" +- "BENVOLIO.\n" - "Why, what is Tybalt?\n\n" - "MERCUTIO.\n" - "More than Prince of cats. " - "O, he’s the courageous captain of\n" - "compliments. " - "He fights as you sing prick-song, keeps time" -- ", distance,\nand proportion. " +- ", distance,\n" +- "and proportion. " - "He rests his minim rest, one, two," - " and the third in\n" - "your bosom: the very butcher of a silk" @@ -2010,7 +2171,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Hero hildings\n" - and harlots; Thisbe a grey eye or - " so, but not to the purpose. Signior" -- "\nRomeo, bonjour! " +- "\n" +- "Romeo, bonjour! " - "There’s a French salutation to your French " - "slop. You\n" - "gave us the counterfeit fairly last night.\n\n" @@ -2019,7 +2181,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What counterfeit did I give you?\n\n" - "MERCUTIO.\n" - "The slip sir, the slip; can you not" -- " conceive?\n\nROMEO.\n" +- " conceive?\n\n" +- "ROMEO.\n" - "Pardon, good Mercutio, my business" - " was great, and in such a case as\n" - "mine a man may strain courtesy.\n\n" @@ -2034,18 +2197,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "MERCUTIO.\n" - "Nay, I am the very pink of courtesy" - ".\n\nROMEO.\nPink for flower.\n\n" -- "MERCUTIO.\nRight.\n\nROMEO.\n" +- "MERCUTIO.\nRight.\n\n" +- "ROMEO.\n" - "Why, then is my pump well flowered.\n\n" - "MERCUTIO.\n" - "Sure wit, follow me this jest now, till" - " thou hast worn out thy pump,\n" - "that when the single sole of it is worn," - " the jest may remain after the\n" -- "wearing, solely singular.\n\nROMEO.\n" +- "wearing, solely singular.\n\n" +- "ROMEO.\n" - "O single-soled jest, solely singular for the" -- " singleness!\n\nMERCUTIO.\n" +- " singleness!\n\n" +- "MERCUTIO.\n" - "Come between us, good Benvolio; my" -- " wits faint.\n\nROMEO.\n" +- " wits faint.\n\n" +- "ROMEO.\n" - "Swits and spurs, swits and " - "spurs; or I’ll cry a match.\n\n" - "MERCUTIO.\n" @@ -2054,23 +2221,28 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "For thou hast\n" - more of the wild-goose in one of thy - " wits, than I am sure, I have" -- " in my\nwhole five. " +- " in my\n" +- "whole five. " - "Was I with you there for the goose?\n\n" - "ROMEO.\n" - "Thou wast never with me for anything, when" - " thou wast not there for the\ngoose.\n\n" - "MERCUTIO.\n" - I will bite thee by the ear for that jest -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Nay, good goose, bite not.\n\n" - "MERCUTIO.\n" - "Thy wit is a very bitter sweeting," -- " it is a most sharp sauce.\n\nROMEO.\n" +- " it is a most sharp sauce.\n\n" +- "ROMEO.\n" - And is it not then well served in to a -- " sweet goose?\n\nMERCUTIO.\n" +- " sweet goose?\n\n" +- "MERCUTIO.\n" - "O here’s a wit of cheveril," - " that stretches from an inch narrow to an\n" -- "ell broad.\n\nROMEO.\n" +- "ell broad.\n\n" +- "ROMEO.\n" - "I stretch it out for that word broad, which" - " added to the goose, proves\n" - "thee far and wide a broad goose.\n\n" @@ -2088,9 +2260,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Stop there, stop there.\n\n" - "MERCUTIO.\n" - Thou desirest me to stop in my tale -- " against the hair.\n\nBENVOLIO.\n" +- " against the hair.\n\n" +- "BENVOLIO.\n" - Thou wouldst else have made thy tale large -- ".\n\nMERCUTIO.\n" +- ".\n\n" +- "MERCUTIO.\n" - "O, thou art deceived; I would have made" - " it short, for I was come to the\n" - "whole depth of my tale, and meant indeed to" @@ -2119,12 +2293,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Out upon you! What a man are you?\n\n" - "ROMEO.\n" - "One, gentlewoman, that God hath made for" -- " himself to mar.\n\nNURSE.\n" +- " himself to mar.\n\n" +- "NURSE.\n" - "By my troth, it is well said;" - " for himself to mar, quoth a? " - "Gentlemen,\n" - can any of you tell me where I may find -- " the young Romeo?\n\nROMEO.\n" +- " the young Romeo?\n\n" +- "ROMEO.\n" - "I can tell you: but young Romeo will be" - " older when you have found him\n" - "than he was when you sought him. " @@ -2134,9 +2310,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "MERCUTIO.\n" - "Yea, is the worst well? " - "Very well took, i’faith; wisely," -- " wisely.\n\nNURSE.\n" +- " wisely.\n\n" +- "NURSE.\n" - "If you be he, sir, I desire some" -- " confidence with you.\n\nBENVOLIO.\n" +- " confidence with you.\n\n" +- "BENVOLIO.\n" - "She will endite him to some supper.\n\n" - "MERCUTIO.\n" - "A bawd, a bawd," @@ -2161,14 +2339,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Farewell, ancient lady; farewell, lady" - ", lady, lady.\n\n" - " [_Exeunt Mercutio and " -- "Benvolio._]\n\nNURSE.\n" +- "Benvolio._]\n\n" +- "NURSE.\n" - "I pray you, sir, what saucy" - " merchant was this that was so full of his\n" -- "ropery?\n\nROMEO.\n" +- "ropery?\n\n" +- "ROMEO.\n" - "A gentleman, Nurse, that loves to hear himself" - " talk, and will speak\n" - more in a minute than he will stand to in -- " a month.\n\nNURSE.\n" +- " a month.\n\n" +- "NURSE.\n" - "And a speak anything against me, I’ll take" - " him down, and a were lustier\n" - "than he is, and twenty such Jacks." @@ -2178,7 +2359,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " am none of\n" - his skains-mates.—And thou must stand - " by too and suffer every knave to\n" -- "use me at his pleasure!\n\nPETER.\n" +- "use me at his pleasure!\n\n" +- "PETER.\n" - I saw no man use you at his pleasure; - " if I had, my weapon should\n" - "quickly have been out. " @@ -2186,10 +2368,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " another\n" - "man, if I see occasion in a good " - "quarrel, and the law on my side" -- ".\n\nNURSE.\n" +- ".\n\n" +- "NURSE.\n" - "Now, afore God, I am so vexed" - " that every part about me quivers. " -- "Scurvy\nknave. " +- "Scurvy\n" +- "knave. " - "Pray you, sir, a word: and" - " as I told you, my young lady bid me" - "\n" @@ -2204,13 +2388,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And therefore, if you should deal double with\n" - "her, truly it were an ill thing to be" - " offered to any gentlewoman, and\n" -- "very weak dealing.\n\nROMEO. " +- "very weak dealing.\n\n" +- "ROMEO. " - "Nurse, commend me to thy lady and mistress" - ". I protest unto\nthee,—\n\n" - "NURSE.\n" - "Good heart, and i’faith I will tell" - " her as much. Lord, Lord, she will" -- "\nbe a joyful woman.\n\nROMEO.\n" +- "\nbe a joyful woman.\n\n" +- "ROMEO.\n" - "What wilt thou tell her, Nurse? " - "Thou dost not mark me.\n\n" - "NURSE.\n" @@ -2220,13 +2406,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\nBid her devise\n" - "Some means to come to shrift this afternoon,\n" - And there she shall at Friar Lawrence’ cell -- "\nBe shriv’d and married. " -- "Here is for thy pains.\n\nNURSE.\n" +- "\n" +- "Be shriv’d and married. " +- "Here is for thy pains.\n\n" +- "NURSE.\n" - "No truly, sir; not a penny.\n\n" - "ROMEO.\n" - "Go to; I say you shall.\n\n" -- "NURSE.\nThis afternoon, sir? " -- "Well, she shall be there.\n\nROMEO.\n" +- "NURSE.\n" +- "This afternoon, sir? " +- "Well, she shall be there.\n\n" +- "ROMEO.\n" - "And stay, good Nurse, behind the abbey" - " wall.\n" - "Within this hour my man shall be with thee,\n" @@ -2239,14 +2429,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Farewell; commend me to thy mistress.\n\n" - "NURSE.\n" - "Now God in heaven bless thee. " -- "Hark you, sir.\n\nROMEO.\n" +- "Hark you, sir.\n\n" +- "ROMEO.\n" - "What say’st thou, my dear Nurse?\n\n" -- "NURSE.\nIs your man secret? " +- "NURSE.\n" +- "Is your man secret? " - "Did you ne’er hear say,\n" - "Two may keep counsel, putting one away?\n\n" - "ROMEO.\n" - I warrant thee my man’s as true as steel -- ".\n\nNURSE.\n" +- ".\n\n" +- "NURSE.\n" - "Well, sir, my mistress is the sweetest" - " lady. Lord, Lord! " - "When ’twas a\n" @@ -2265,7 +2458,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\n" - "Ay, Nurse; what of that? " - "Both with an R.\n\n" -- "NURSE.\nAh, mocker! " +- "NURSE.\n" +- "Ah, mocker! " - "That’s the dog’s name. " - "R is for the—no, I know it" - " begins\n" @@ -2281,7 +2475,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "NURSE.\nBefore and apace.\n\n" - " [_Exeunt._]\n\n" - "SCENE V. Capulet’s Garden.\n\n" -- " Enter Juliet.\n\nJULIET.\n" +- " Enter Juliet.\n\n" +- "JULIET.\n" - The clock struck nine when I did send the Nurse - ",\nIn half an hour she promised to return.\n" - "Perchance she cannot meet him. " @@ -2310,9 +2505,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O God, she comes. " - "O honey Nurse, what news?\n" - "Hast thou met with him? " -- "Send thy man away.\n\nNURSE.\n" +- "Send thy man away.\n\n" +- "NURSE.\n" - "Peter, stay at the gate.\n\n" -- " [_Exit Peter._]\n\nJULIET.\n" +- " [_Exit Peter._]\n\n" +- "JULIET.\n" - "Now, good sweet Nurse,—O Lord, why" - " look’st thou sad?\n" - "Though news be sad, yet tell them " @@ -2320,7 +2517,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "If good, thou sham’st the music of" - " sweet news\n" - By playing it to me with so sour a face -- ".\n\nNURSE.\n" +- ".\n\n" +- "NURSE.\n" - "I am aweary, give me leave awhile;\n" - "Fie, how my bones ache! " - "What a jaunt have I had!\n\n" @@ -2328,11 +2526,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I would thou hadst my bones, and I" - " thy news:\n" - "Nay come, I pray thee speak; good" -- ", good Nurse, speak.\n\nNURSE.\n" +- ", good Nurse, speak.\n\n" +- "NURSE.\n" - "Jesu, what haste? " - "Can you not stay a while? " - "Do you not see that I am\n" -- "out of breath?\n\nJULIET.\n" +- "out of breath?\n\n" +- "JULIET.\n" - "How art thou out of breath, when thou hast" - " breath\n" - To say to me that thou art out of breath @@ -2342,7 +2542,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Answer to that;\n" - "Say either, and I’ll stay the circumstance.\n" - "Let me be satisfied, is’t good or bad" -- "?\n\nNURSE.\n" +- "?\n\n" +- "NURSE.\n" - "Well, you have made a simple choice; you" - " know not how to choose a man.\n" - "Romeo? No, not he. " @@ -2357,10 +2558,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " gentle as a lamb. Go thy\n" - "ways, wench, serve God. " - "What, have you dined at home?\n\n" -- "JULIET.\nNo, no. " +- "JULIET.\n" +- "No, no. " - "But all this did I know before.\n" - "What says he of our marriage? " -- "What of that?\n\nNURSE.\n" +- "What of that?\n\n" +- "NURSE.\n" - "Lord, how my head aches! " - "What a head have I!\n" - "It beats as it would fall in twenty pieces.\n" @@ -2368,16 +2571,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " my back, my back!\n" - "Beshrew your heart for sending me about\n" - To catch my death with jauncing up and -- " down.\n\nJULIET.\n" +- " down.\n\n" +- "JULIET.\n" - "I’faith, I am sorry that thou art" - " not well.\n" - "Sweet, sweet, sweet Nurse, tell me," -- " what says my love?\n\nNURSE.\n" +- " what says my love?\n\n" +- "NURSE.\n" - "Your love says like an honest gentleman,\n" - "And a courteous, and a kind, and a" - " handsome,\n" - "And I warrant a virtuous,—Where is your" -- " mother?\n\nJULIET.\n" +- " mother?\n\n" +- "JULIET.\n" - "Where is my mother? " - "Why, she is within.\n" - "Where should she be? " @@ -2391,7 +2597,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " bones?\nHenceforward do your messages yourself.\n\n" - "JULIET.\n" - "Here’s such a coil. " -- "Come, what says Romeo?\n\nNURSE.\n" +- "Come, what says Romeo?\n\n" +- "NURSE.\n" - Have you got leave to go to shrift today - "?\n\nJULIET.\nI have.\n\n" - "NURSE.\n" @@ -2401,7 +2608,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Now comes the wanton blood up in your cheeks - ",\n" - They’ll be in scarlet straight at any news -- ".\nHie you to church. " +- ".\n" +- "Hie you to church. " - "I must another way,\n" - "To fetch a ladder by the which your love\n" - Must climb a bird’s nest soon when it is @@ -2411,7 +2619,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "But you shall bear the burden soon at night.\n" - "Go. " - I’ll to dinner; hie you to the -- " cell.\n\nJULIET.\n" +- " cell.\n\n" +- "JULIET.\n" - "Hie to high fortune! " - "Honest Nurse, farewell.\n\n" - " [_Exeunt._]\n\n" @@ -2439,7 +2648,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And in the taste confounds the appetite.\n" - "Therefore love moderately: long love doth so;\n" - "Too swift arrives as tardy as too slow.\n\n" -- " Enter Juliet.\n\nHere comes the lady. " +- " Enter Juliet.\n\n" +- "Here comes the lady. " - "O, so light a foot\n" - Will ne’er wear out the everlasting flint - ".\n" @@ -2451,9 +2661,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Good even to my ghostly confessor.\n\n" - "FRIAR LAWRENCE.\n" - "Romeo shall thank thee, daughter, for" -- " us both.\n\nJULIET.\n" +- " us both.\n\n" +- "JULIET.\n" - "As much to him, else is his thanks too" -- " much.\n\nROMEO.\n" +- " much.\n\n" +- "ROMEO.\n" - "Ah, Juliet, if the measure of thy joy" - "\n" - "Be heap’d like mine, and that thy skill" @@ -2480,7 +2692,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " [_Exeunt._]\n\n\n\nACT III\n\n" - "SCENE I. A public Place.\n\n" - " Enter Mercutio, Benvolio, Page" -- " and Servants.\n\nBENVOLIO.\n" +- " and Servants.\n\n" +- "BENVOLIO.\n" - "I pray thee, good Mercutio, " - "let’s retire:\n" - "The day is hot, the Capulets abroad" @@ -2488,7 +2701,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And if we meet, we shall not scape a" - " brawl,\n" - "For now these hot days, is the mad blood" -- " stirring.\n\nMERCUTIO.\n" +- " stirring.\n\n" +- "MERCUTIO.\n" - "Thou art like one of these fellows that," - " when he enters the confines of\n" - "a tavern, claps me his sword upon the" @@ -2537,45 +2751,54 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - And I were so apt to quarrel as thou - " art, any man should buy the fee\n" - simple of my life for an hour and a quarter -- ".\n\nMERCUTIO.\n" +- ".\n\n" +- "MERCUTIO.\n" - "The fee simple! O simple!\n\n" - " Enter Tybalt and others.\n\n" - "BENVOLIO.\n" - "By my head, here comes the Capulets" -- ".\n\nMERCUTIO.\n" +- ".\n\n" +- "MERCUTIO.\n" - "By my heel, I care not.\n\n" - "TYBALT.\n" - "Follow me close, for I will speak to them" - ".\n" - "Gentlemen, good-den: a word with" -- " one of you.\n\nMERCUTIO.\n" +- " one of you.\n\n" +- "MERCUTIO.\n" - "And but one word with one of us? " - "Couple it with something; make it a\n" -- "word and a blow.\n\nTYBALT.\n" +- "word and a blow.\n\n" +- "TYBALT.\n" - "You shall find me apt enough to that, sir" - ", and you will give me\noccasion.\n\n" - "MERCUTIO.\n" - "Could you not take some occasion without giving?\n\n" - "TYBALT.\n" - "Mercutio, thou consortest with Romeo.\n\n" -- "MERCUTIO.\nConsort? " +- "MERCUTIO.\n" +- "Consort? " - "What, dost thou make us minstrels?" - " And thou make minstrels of\n" - "us, look to hear nothing but discords." - " Here’s my fiddlestick, here’s\n" - "that shall make you dance. " -- "Zounds, consort!\n\nBENVOLIO.\n" +- "Zounds, consort!\n\n" +- "BENVOLIO.\n" - "We talk here in the public haunt of men.\n" - "Either withdraw unto some private place,\n" - "And reason coldly of your grievances,\n" - Or else depart; here all eyes gaze on us -- ".\n\nMERCUTIO.\n" +- ".\n\n" +- "MERCUTIO.\n" - "Men’s eyes were made to look, and let" - " them gaze.\n" - I will not budge for no man’s pleasure -- ", I.\n\n Enter Romeo.\n\nTYBALT.\n" +- ", I.\n\n Enter Romeo.\n\n" +- "TYBALT.\n" - "Well, peace be with you, sir, here" -- " comes my man.\n\nMERCUTIO.\n" +- " comes my man.\n\n" +- "MERCUTIO.\n" - "But I’ll be hanged, sir, if" - " he wear your livery.\n" - "Marry, go before to field, he’ll" @@ -2585,17 +2808,20 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Romeo, the love I bear thee can" - " afford\n" - "No better term than this: Thou art a villain" -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "Tybalt, the reason that I have to" - " love thee\n" - "Doth much excuse the appertaining rage\n" - "To such a greeting. " - "Villain am I none;\n" - Therefore farewell; I see thou know’st me -- " not.\n\nTYBALT.\n" +- " not.\n\n" +- "TYBALT.\n" - "Boy, this shall not excuse the injuries\n" - "That thou hast done me, therefore turn and draw" -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "I do protest I never injur’d thee,\n" - "But love thee better than thou canst devise\n" - Till thou shalt know the reason of my love @@ -2604,27 +2830,33 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "\nAs dearly as mine own, be satisfied.\n\n" - "MERCUTIO.\n" - "O calm, dishonourable, vile submission" -- "!\n[_Draws." +- "!\n" +- "[_Draws." - "_] Alla stoccata carries it away.\n" - "Tybalt, you rat-catcher, will" -- " you walk?\n\nTYBALT.\n" +- " you walk?\n\n" +- "TYBALT.\n" - "What wouldst thou have with me?\n\n" - "MERCUTIO.\n" - "Good King of Cats, nothing but one of your" - " nine lives; that I mean to\n" - "make bold withal, and, as you shall" - " use me hereafter, dry-beat the rest" -- "\nof the eight. " +- "\n" +- "of the eight. " - "Will you pluck your sword out of his " - "pilcher by the ears?\n" - "Make haste, lest mine be about your ears ere" -- " it be out.\n\nTYBALT.\n" +- " it be out.\n\n" +- "TYBALT.\n" - "[_Drawing._] I am for you.\n\n" - "ROMEO.\n" - "Gentle Mercutio, put thy " -- "rapier up.\n\nMERCUTIO.\n" +- "rapier up.\n\n" +- "MERCUTIO.\n" - "Come, sir, your passado.\n\n" -- " [_They fight._]\n\nROMEO.\n" +- " [_They fight._]\n\n" +- "ROMEO.\n" - "Draw, Benvolio; beat down their weapons" - ".\n" - "Gentlemen, for shame, forbear this" @@ -2647,21 +2879,25 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Marry, ’tis enough.\n" - "Where is my page? " - "Go villain, fetch a surgeon.\n\n" -- " [_Exit Page._]\n\nROMEO.\n" +- " [_Exit Page._]\n\n" +- "ROMEO.\n" - "Courage, man; the hurt cannot be much" -- ".\n\nMERCUTIO.\n" +- ".\n\n" +- "MERCUTIO.\n" - "No, ’tis not so deep as a" - " well, nor so wide as a church door," - " but ’tis\n" - "enough, ’twill serve. " - "Ask for me tomorrow, and you shall find me" -- " a\ngrave man. " +- " a\n" +- "grave man. " - "I am peppered, I warrant, for this" - " world. A plague o’ both\n" - "your houses. " - "Zounds, a dog, a rat, a" - " mouse, a cat, to scratch a man to" -- "\ndeath. " +- "\n" +- "death. " - "A braggart, a rogue, a villain" - ", that fights by the book of\n" - arithmetic!—Why the devil came you between @@ -2675,7 +2911,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I have it, and soundly too. " - "Your houses!\n\n" - " [_Exeunt Mercutio and " -- "Benvolio._]\n\nROMEO.\n" +- "Benvolio._]\n\n" +- "ROMEO.\n" - "This gentleman, the Prince’s near ally,\n" - "My very friend, hath got his mortal hurt\n" - "In my behalf; my reputation stain’d\n" @@ -2690,7 +2927,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " dead,\n" - "That gallant spirit hath aspir’d the clouds,\n" - Which too untimely here did scorn the earth -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - This day’s black fate on mo days doth - " depend;\n" - "This but begins the woe others must end.\n\n" @@ -2701,14 +2939,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Again in triumph, and Mercutio slain?\n" - "Away to heaven respective lenity,\n" - And fire-ey’d fury be my conduct now -- "!\nNow, Tybalt, take the ‘" +- "!\n" +- "Now, Tybalt, take the ‘" - "villain’ back again\n" - "That late thou gav’st me, for" - " Mercutio’s soul\n" - "Is but a little way above our heads,\n" - "Staying for thine to keep him company.\n" - "Either thou or I, or both, must go" -- " with him.\n\nTYBALT.\n" +- " with him.\n\n" +- "TYBALT.\n" - "Thou wretched boy, that didst consort" - " him here,\nShalt with him hence.\n\n" - "ROMEO.\nThis shall determine that.\n\n" @@ -2716,7 +2956,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "BENVOLIO.\n" - "Romeo, away, be gone!\n" - "The citizens are up, and Tybalt slain" -- ".\nStand not amaz’d. " +- ".\n" +- "Stand not amaz’d. " - "The Prince will doom thee death\n" - "If thou art taken. " - "Hence, be gone, away!\n\n" @@ -2728,7 +2969,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Which way ran he that kill’d Mercutio - "?\n" - "Tybalt, that murderer, which way ran" -- " he?\n\nBENVOLIO.\n" +- " he?\n\n" +- "BENVOLIO.\n" - "There lies that Tybalt.\n\n" - "FIRST CITIZEN.\n" - "Up, sir, go with me.\n" @@ -2751,7 +2993,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Of my dear kinsman! " - "Prince, as thou art true,\n" - "For blood of ours shed blood of Montague.\n" -- "O cousin, cousin.\n\nPRINCE.\n" +- "O cousin, cousin.\n\n" +- "PRINCE.\n" - "Benvolio, who began this bloody fray?\n\n" - "BENVOLIO.\n" - "Tybalt, here slain, whom Romeo’s" @@ -2793,7 +3036,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " slain;\n" - "And as he fell did Romeo turn and fly.\n" - "This is the truth, or let Benvolio" -- " die.\n\nLADY CAPULET.\n" +- " die.\n\n" +- "LADY CAPULET.\n" - He is a kinsman to the Montague - ".\n" - "Affection makes him false, he speaks not true" @@ -2803,11 +3047,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I beg for justice, which thou, Prince," - " must give;\n" - "Romeo slew Tybalt, Romeo must" -- " not live.\n\nPRINCE.\n" +- " not live.\n\n" +- "PRINCE.\n" - "Romeo slew him, he slew " - "Mercutio.\n" - Who now the price of his dear blood doth -- " owe?\n\nMONTAGUE.\n" +- " owe?\n\n" +- "MONTAGUE.\n" - "Not Romeo, Prince, he was " - "Mercutio’s friend;\n" - "His fault concludes but what the law should end,\n" @@ -2830,7 +3076,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ".\n\n [_Exeunt._]\n\n" - "SCENE II. " - "A Room in Capulet’s House.\n\n" -- " Enter Juliet.\n\nJULIET.\n" +- " Enter Juliet.\n\n" +- "JULIET.\n" - "Gallop apace, you fiery-footed " - "steeds,\n" - "Towards Phoebus’ lodging. " @@ -2844,7 +3091,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Lovers can see to do their amorous rites - "\n" - "By their own beauties: or, if love" -- " be blind,\nIt best agrees with night. " +- " be blind,\n" +- "It best agrees with night. " - "Come, civil night,\n" - "Thou sober-suited matron, all in" - " black,\n" @@ -2917,7 +3165,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "If he be slain, say Ay; or if" - " not, No.\n" - Brief sounds determine of my weal or woe -- ".\n\nNURSE.\n" +- ".\n\n" +- "NURSE.\n" - "I saw the wound, I saw it with mine" - " eyes,\n" - "God save the mark!—here on his " @@ -2925,7 +3174,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "A piteous corse, a bloody " - "piteous corse;\n" - "Pale, pale as ashes, all bedaub’d" -- " in blood,\nAll in gore-blood. " +- " in blood,\n" +- "All in gore-blood. " - "I swounded at the sight.\n\n" - "JULIET.\n" - "O, break, my heart. " @@ -2947,16 +3197,20 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My dearest cousin, and my dearer lord" - "?\nThen dreadful trumpet sound the general doom,\n" - "For who is living, if those two are gone" -- "?\n\nNURSE.\n" +- "?\n\n" +- "NURSE.\n" - "Tybalt is gone, and Romeo banished" - ",\n" - "Romeo that kill’d him, he is" - " banished.\n\n" -- "JULIET.\nO God! " +- "JULIET.\n" +- "O God! " - Did Romeo’s hand shed Tybalt’s blood -- "?\n\nNURSE.\n" +- "?\n\n" +- "NURSE.\n" - "It did, it did; alas the day," -- " it did.\n\nJULIET.\n" +- " it did.\n\n" +- "JULIET.\n" - "O serpent heart, hid with a flowering face!\n" - "Did ever dragon keep so fair a cave?\n" - "Beautiful tyrant, fiend angelical,\n" @@ -2992,9 +3246,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " crown’d\n" - "Sole monarch of the universal earth.\n" - "O, what a beast was I to chide" -- " at him!\n\nNURSE.\n" +- " at him!\n\n" +- "NURSE.\n" - Will you speak well of him that kill’d your -- " cousin?\n\nJULIET.\n" +- " cousin?\n\n" +- "JULIET.\n" - Shall I speak ill of him that is my - " husband?\n" - "Ah, poor my lord, what tongue shall smooth" @@ -3021,7 +3277,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "But O, it presses to my memory\n" - "Like damned guilty deeds to sinners’ minds.\n" - "Tybalt is dead, and Romeo banished" -- ".\nThat ‘banished,’ that one word ‘" +- ".\n" +- "That ‘banished,’ that one word ‘" - "banished,’\n" - "Hath slain ten thousand Tybalts. " - "Tybalt’s death\n" @@ -3039,7 +3296,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ‘Romeo is banished’—to - " speak that word\n" - "Is father, mother, Tybalt, Romeo" -- ", Juliet,\nAll slain, all dead. " +- ", Juliet,\n" +- "All slain, all dead. " - "Romeo is banished,\n" - "There is no end, no limit, measure," - " bound,\n" @@ -3048,13 +3306,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Where is my father and my mother, Nurse?\n\n" - "NURSE.\n" - Weeping and wailing over Tybalt’s -- " corse.\nWill you go to them? " +- " corse.\n" +- "Will you go to them? " - "I will bring you thither.\n\n" - "JULIET.\n" - "Wash they his wounds with tears. " - "Mine shall be spent,\n" - "When theirs are dry, for Romeo’s banishment" -- ".\nTake up those cords. " +- ".\n" +- "Take up those cords. " - "Poor ropes, you are beguil’d,\n" - "Both you and I; for Romeo is " - "exil’d.\n" @@ -3064,14 +3324,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Come cords, come Nurse, I’ll to my" - " wedding bed,\n" - "And death, not Romeo, take my maidenhead" -- ".\n\nNURSE.\n" +- ".\n\n" +- "NURSE.\n" - Hie to your chamber. I’ll find Romeo -- "\nTo comfort you. " +- "\n" +- "To comfort you. " - "I wot well where he is.\n" - "Hark ye, your Romeo will be here at" - " night.\n" - "I’ll to him, he is hid at Lawrence" -- "’ cell.\n\nJULIET.\n" +- "’ cell.\n\n" +- "JULIET.\n" - "O find him, give this ring to my true" - " knight,\n" - "And bid him come to take his last farewell.\n\n" @@ -3085,19 +3348,24 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " parts\n" - "And thou art wedded to calamity.\n\n" - " Enter Romeo.\n\n" -- "ROMEO.\nFather, what news? " +- "ROMEO.\n" +- "Father, what news? " - "What is the Prince’s doom?\n" - "What sorrow craves acquaintance at my hand,\n" - "That I yet know not?\n\n" - "FRIAR LAWRENCE.\nToo familiar\n" - "Is my dear son with such sour company.\n" - I bring thee tidings of the Prince’s doom -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - What less than doomsday is the Prince’s -- " doom?\n\nFRIAR LAWRENCE.\n" +- " doom?\n\n" +- "FRIAR LAWRENCE.\n" - "A gentler judgment vanish’d from his lips,\n" - "Not body’s death, but body’s banishment" -- ".\n\nROMEO.\nHa, banishment? " +- ".\n\n" +- "ROMEO.\n" +- "Ha, banishment? " - "Be merciful, say death;\n" - "For exile hath more terror in his look,\n" - "Much more than death. " @@ -3105,13 +3373,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "FRIAR LAWRENCE.\n" - "Hence from Verona art thou banished.\n" - "Be patient, for the world is broad and wide" -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "There is no world without Verona walls,\n" - "But purgatory, torture, hell itself.\n" - Hence banished is banish’d from the - " world,\n" - And world’s exile is death. Then banished -- "\nIs death misterm’d. " +- "\n" +- "Is death misterm’d. " - "Calling death banished,\n" - Thou cutt’st my head off with - " a golden axe,\n" @@ -3125,7 +3395,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - And turn’d that black word death to banishment - ".\n" - "This is dear mercy, and thou see’st" -- " it not.\n\nROMEO.\n" +- " it not.\n\n" +- "ROMEO.\n" - "’Tis torture, and not mercy. " - "Heaven is here\n" - "Where Juliet lives, and every cat and dog,\n" @@ -3152,7 +3423,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " so mean,\n" - "But banished to kill me? Banished?\n" - "O Friar, the damned use that word in" -- " hell.\nHowlings attends it. " +- " hell.\n" +- "Howlings attends it. " - "How hast thou the heart,\n" - "Being a divine, a ghostly confessor,\n" - "A sin-absolver, and my friend profess’d" @@ -3160,7 +3432,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "To mangle me with that word banished?\n\n" - "FRIAR LAWRENCE.\n" - "Thou fond mad man, hear me speak a" -- " little,\n\nROMEO.\n" +- " little,\n\n" +- "ROMEO.\n" - "O, thou wilt speak again of banishment.\n\n" - "FRIAR LAWRENCE.\n" - I’ll give thee armour to keep off that word @@ -3172,11 +3445,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Displant a town, reverse a Prince’s doom" - ",\n" - "It helps not, it prevails not, talk" -- " no more.\n\nFRIAR LAWRENCE.\n" +- " no more.\n\n" +- "FRIAR LAWRENCE.\n" - "O, then I see that mad men have no" -- " ears.\n\nROMEO.\n" +- " ears.\n\n" +- "ROMEO.\n" - "How should they, when that wise men have no" -- " eyes?\n\nFRIAR LAWRENCE.\n" +- " eyes?\n\n" +- "FRIAR LAWRENCE.\n" - "Let me dispute with thee of thy estate.\n\n" - "ROMEO.\n" - Thou canst not speak of that thou dost @@ -3193,7 +3469,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " [_Knocking within._]\n\n" - "FRIAR LAWRENCE.\n" - "Arise; one knocks. " -- "Good Romeo, hide thyself.\n\nROMEO.\n" +- "Good Romeo, hide thyself.\n\n" +- "ROMEO.\n" - "Not I, unless the breath of heartsick " - "groans\n" - Mist-like infold me from the search of @@ -3209,17 +3486,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " come.\n\n [_Knocking._]\n\n" - "Who knocks so hard? " - "Whence come you, what’s your will?\n\n" -- "NURSE.\n[_Within." +- "NURSE.\n" +- "[_Within." - "_] Let me come in, and you shall know" - " my errand.\nI come from Lady Juliet.\n\n" - "FRIAR LAWRENCE.\nWelcome then.\n\n" -- " Enter Nurse.\n\nNURSE.\n" +- " Enter Nurse.\n\n" +- "NURSE.\n" - "O holy Friar, O, tell me," - " holy Friar,\n" - "Where is my lady’s lord, where’s Romeo" -- "?\n\nFRIAR LAWRENCE.\n" +- "?\n\n" +- "FRIAR LAWRENCE.\n" - "There on the ground, with his own tears made" -- " drunk.\n\nNURSE.\n" +- " drunk.\n\n" +- "NURSE.\n" - "O, he is even in my mistress’ case" - ".\n" - "Just in her case! O woeful sympathy!\n" @@ -3232,16 +3513,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "For Juliet’s sake, for her sake, rise" - " and stand.\n" - "Why should you fall into so deep an O?\n\n" -- "ROMEO.\nNurse.\n\nNURSE.\n" +- "ROMEO.\nNurse.\n\n" +- "NURSE.\n" - "Ah sir, ah sir, death’s the end" - " of all.\n\n" -- "ROMEO.\nSpakest thou of Juliet? " +- "ROMEO.\n" +- "Spakest thou of Juliet? " - "How is it with her?\n" - "Doth not she think me an old murderer,\n" - Now I have stain’d the childhood of our joy - "\n" - With blood remov’d but little from her own -- "?\nWhere is she? " +- "?\n" +- "Where is she? " - "And how doth she? And what says\n" - "My conceal’d lady to our cancell’d love?\n\n" - "NURSE.\n" @@ -3254,7 +3538,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\nAs if that name,\n" - "Shot from the deadly level of a gun,\n" - "Did murder her, as that name’s cursed hand" -- "\nMurder’d her kinsman. " +- "\n" +- "Murder’d her kinsman. " - "O, tell me, Friar, tell me" - ",\nIn what vile part of this anatomy\n" - "Doth my name lodge? " @@ -3302,7 +3587,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ",\n" - "Is set afire by thine own ignorance,\n" - And thou dismember’d with thine own defence -- ".\nWhat, rouse thee, man. " +- ".\n" +- "What, rouse thee, man. " - "Thy Juliet is alive,\n" - "For whose dear sake thou wast but lately dead.\n" - "There art thou happy. " @@ -3335,30 +3621,38 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Commend me to thy lady,\n" - And bid her hasten all the house to bed - ",\nWhich heavy sorrow makes them apt unto.\n" -- "Romeo is coming.\n\nNURSE.\n" +- "Romeo is coming.\n\n" +- "NURSE.\n" - "O Lord, I could have stay’d here all" -- " the night\nTo hear good counsel. " +- " the night\n" +- "To hear good counsel. " - "O, what learning is!\n" - "My lord, I’ll tell my lady you will" -- " come.\n\nROMEO.\n" +- " come.\n\n" +- "ROMEO.\n" - "Do so, and bid my sweet prepare to " -- "chide.\n\nNURSE.\n" +- "chide.\n\n" +- "NURSE.\n" - "Here sir, a ring she bid me give you" - ", sir.\n" - "Hie you, make haste, for it grows" -- " very late.\n\n [_Exit._]\n\nROMEO.\n" +- " very late.\n\n [_Exit._]\n\n" +- "ROMEO.\n" - How well my comfort is reviv’d by this -- ".\n\nFRIAR LAWRENCE.\n" +- ".\n\n" +- "FRIAR LAWRENCE.\n" - "Go hence, good night, and here stands all" - " your state:\n" - "Either be gone before the watch be set,\n" - Or by the break of day disguis’d from -- " hence.\nSojourn in Mantua. " +- " hence.\n" +- "Sojourn in Mantua. " - "I’ll find out your man,\n" - "And he shall signify from time to time\n" - "Every good hap to you that chances here.\n" - Give me thy hand; ’tis late; -- " farewell; good night.\n\nROMEO.\n" +- " farewell; good night.\n\n" +- "ROMEO.\n" - But that a joy past joy calls out on me - ",\n" - It were a grief so brief to part with thee @@ -3382,12 +3676,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I would have been abed an hour ago.\n\n" - "PARIS.\n" - These times of woe afford no tune to woo -- ".\nMadam, good night. " +- ".\n" +- "Madam, good night. " - "Commend me to your daughter.\n\n" - "LADY CAPULET.\n" - "I will, and know her mind early tomorrow;\n" - "Tonight she’s mew’d up to her " -- "heaviness.\n\nCAPULET.\n" +- "heaviness.\n\n" +- "CAPULET.\n" - "Sir Paris, I will make a desperate tender\n" - "Of my child’s love. " - "I think she will be rul’d\n" @@ -3418,7 +3714,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ".\n" - "Therefore we’ll have some half a dozen friends,\n" - "And there an end. " -- "But what say you to Thursday?\n\nPARIS.\n" +- "But what say you to Thursday?\n\n" +- "PARIS.\n" - "My lord, I would that Thursday were tomorrow.\n\n" - "CAPULET.\n" - "Well, get you gone. " @@ -3440,27 +3737,33 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "It was the nightingale, and not the" - " lark,\n" - That pierc’d the fearful hollow of thine -- " ear;\nNightly she sings on yond " +- " ear;\n" +- "Nightly she sings on yond " - "pomegranate tree.\n" - "Believe me, love, it was the " -- "nightingale.\n\nROMEO.\n" +- "nightingale.\n\n" +- "ROMEO.\n" - "It was the lark, the herald of the" -- " morn,\nNo nightingale. " +- " morn,\n" +- "No nightingale. " - "Look, love, what envious streaks\n" - Do lace the severing clouds in yonder east -- ".\nNight’s candles are burnt out, and " +- ".\n" +- "Night’s candles are burnt out, and " - "jocund day\n" - Stands tiptoe on the misty mountain - " tops.\n" - "I must be gone and live, or stay and" -- " die.\n\nJULIET.\n" +- " die.\n\n" +- "JULIET.\n" - "Yond light is not daylight, I know it" - ", I.\n" - "It is some meteor that the sun exhales\n" - "To be to thee this night a torchbearer\n" - "And light thee on thy way to Mantua.\n" - "Therefore stay yet, thou need’st not to" -- " be gone.\n\nROMEO.\n" +- " be gone.\n\n" +- "ROMEO.\n" - "Let me be ta’en, let me be put" - " to death,\n" - "I am content, so thou wilt have it so" @@ -3473,7 +3776,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " beat\n" - "The vaulty heaven so high above our heads.\n" - I have more care to stay than will to go -- ".\nCome, death, and welcome. " +- ".\n" +- "Come, death, and welcome. " - "Juliet wills it so.\n" - "How is’t, my soul? " - "Let’s talk. It is not day.\n\n" @@ -3496,7 +3800,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Hunting thee hence with hunt’s-up to the - " day.\n" - "O now be gone, more light and light it" -- " grows.\n\nROMEO.\n" +- " grows.\n\n" +- "ROMEO.\n" - "More light and light, more dark and dark our" - " woes.\n\n Enter Nurse.\n\n" - "NURSE.\nMadam.\n\n" @@ -3504,9 +3809,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "NURSE.\n" - "Your lady mother is coming to your chamber.\n" - "The day is broke, be wary, look about" -- ".\n\n [_Exit._]\n\nJULIET.\n" +- ".\n\n [_Exit._]\n\n" +- "JULIET.\n" - "Then, window, let day in, and let" -- " life out.\n\nROMEO.\n" +- " life out.\n\n" +- "ROMEO.\n" - "Farewell, farewell, one kiss, and" - " I’ll descend.\n\n [_Descends._]\n\n" - "JULIET.\n" @@ -3519,31 +3826,38 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\nFarewell!\n" - "I will omit no opportunity\n" - "That may convey my greetings, love, to thee" -- ".\n\nJULIET.\n" +- ".\n\n" +- "JULIET.\n" - "O thinkest thou we shall ever meet again?\n\n" - "ROMEO.\n" - "I doubt it not, and all these woes shall" - " serve\n" - "For sweet discourses in our time to come.\n\n" -- "JULIET.\nO God! " +- "JULIET.\n" +- "O God! " - "I have an ill-divining soul!\n" - "Methinks I see thee, now thou art" - " so low,\n" - "As one dead in the bottom of a tomb.\n" - "Either my eyesight fails, or thou " -- "look’st pale.\n\nROMEO.\n" +- "look’st pale.\n\n" +- "ROMEO.\n" - "And trust me, love, in my eye so" -- " do you.\nDry sorrow drinks our blood. " +- " do you.\n" +- "Dry sorrow drinks our blood. " - "Adieu, adieu.\n\n" -- " [_Exit below._]\n\nJULIET.\n" +- " [_Exit below._]\n\n" +- "JULIET.\n" - "O Fortune, Fortune! " - "All men call thee fickle,\n" - "If thou art fickle, what dost thou with" -- " him\nThat is renown’d for faith? " +- " him\n" +- "That is renown’d for faith? " - "Be fickle, Fortune;\n" - "For then, I hope thou wilt not keep him" - " long\nBut send him back.\n\n" -- "LADY CAPULET.\n[_Within." +- "LADY CAPULET.\n" +- "[_Within." - "_] Ho, daughter, are you up?\n\n" - "JULIET.\n" - "Who is’t that calls? " @@ -3565,9 +3879,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Therefore have done: some grief shows much of love" - ",\n" - But much of grief shows still some want of wit -- ".\n\nJULIET.\n" +- ".\n\n" +- "JULIET.\n" - Yet let me weep for such a feeling loss -- ".\n\nLADY CAPULET.\n" +- ".\n\n" +- "LADY CAPULET.\n" - "So shall you feel the loss, but not the" - " friend\nWhich you weep for.\n\n" - "JULIET.\n" @@ -3580,20 +3896,25 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "JULIET.\n" - "What villain, madam?\n\n" - "LADY CAPULET.\n" -- "That same villain Romeo.\n\nJULIET.\n" +- "That same villain Romeo.\n\n" +- "JULIET.\n" - Villain and he be many miles asunder -- ".\nGod pardon him. " +- ".\n" +- "God pardon him. " - "I do, with all my heart.\n" - And yet no man like he doth grieve -- " my heart.\n\nLADY CAPULET.\n" +- " my heart.\n\n" +- "LADY CAPULET.\n" - "That is because the traitor murderer lives.\n\n" - "JULIET.\n" - "Ay madam, from the reach of these my" - " hands.\n" - Would none but I might venge my cousin’s -- " death.\n\nLADY CAPULET.\n" +- " death.\n\n" +- "LADY CAPULET.\n" - "We will have vengeance for it, fear thou not" -- ".\nThen weep no more. " +- ".\n" +- "Then weep no more. " - "I’ll send to one in Mantua,\n" - Where that same banish’d runagate doth - " live,\n" @@ -3619,7 +3940,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Find thou the means, and I’ll find such" - " a man.\n" - "But now I’ll tell thee joyful tidings," -- " girl.\n\nJULIET.\n" +- " girl.\n\n" +- "JULIET.\n" - "And joy comes well in such a needy time.\n" - "What are they, I beseech your " - "ladyship?\n\n" @@ -3629,9 +3951,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "One who to put thee from thy heaviness,\n" - "Hath sorted out a sudden day of joy,\n" - "That thou expects not, nor I look’d not" -- " for.\n\nJULIET.\n" +- " for.\n\n" +- "JULIET.\n" - "Madam, in happy time, what day is" -- " that?\n\nLADY CAPULET.\n" +- " that?\n\n" +- "LADY CAPULET.\n" - "Marry, my child, early next Thursday " - "morn\n" - "The gallant, young, and noble gentleman,\n" @@ -3680,16 +4004,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Ay, sir; but she will none, she" - " gives you thanks.\n" - "I would the fool were married to her grave.\n\n" -- "CAPULET.\nSoft. " +- "CAPULET.\n" +- "Soft. " - "Take me with you, take me with you," -- " wife.\nHow, will she none? " +- " wife.\n" +- "How, will she none? " - "Doth she not give us thanks?\n" - "Is she not proud? " - "Doth she not count her blest,\n" - "Unworthy as she is, that we have wrought" - "\n" - So worthy a gentleman to be her bridegroom -- "?\n\nJULIET.\n" +- "?\n\n" +- "JULIET.\n" - "Not proud you have, but thankful that you have" - ".\n" - Proud can I never be of what I hate @@ -3717,13 +4044,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Good father, I beseech you on my" - " knees,\n" - Hear me with patience but to speak a word -- ".\n\nCAPULET.\n" +- ".\n\n" +- "CAPULET.\n" - "Hang thee young baggage, disobedient wretch!\n" - "I tell thee what,—get thee to church a" - " Thursday,\n" - "Or never after look me in the face.\n" - "Speak not, reply not, do not answer me" -- ".\nMy fingers itch. " +- ".\n" +- "My fingers itch. " - "Wife, we scarce thought us blest\n" - "That God had lent us but this only child;\n" - But now I see this one is one too much @@ -3732,7 +4061,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Out on her, hilding.\n\n" - "NURSE.\nGod in heaven bless her.\n" - "You are to blame, my lord, to rate" -- " her so.\n\nCAPULET.\n" +- " her so.\n\n" +- "CAPULET.\n" - "And why, my lady wisdom? " - "Hold your tongue,\n" - "Good prudence; smatter with your " @@ -3745,7 +4075,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Utter your gravity o’er a gossip’s - " bowl,\nFor here we need it not.\n\n" - "LADY CAPULET.\n" -- "You are too hot.\n\nCAPULET.\n" +- "You are too hot.\n\n" +- "CAPULET.\n" - "God’s bread, it makes me mad!\n" - "Day, night, hour, ride, time," - " work, play,\n" @@ -3784,7 +4115,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Nor what is mine shall never do thee good.\n" - "Trust to’t, bethink you, " - "I’ll not be forsworn.\n\n" -- " [_Exit._]\n\nJULIET.\n" +- " [_Exit._]\n\n" +- "JULIET.\n" - "Is there no pity sitting in the clouds,\n" - "That sees into the bottom of my grief?\n" - "O sweet my mother, cast me not away,\n" @@ -3797,7 +4129,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " a word.\n" - "Do as thou wilt, for I have done with" - " thee.\n\n [_Exit._]\n\n" -- "JULIET.\nO God! " +- "JULIET.\n" +- "O God! " - "O Nurse, how shall this be prevented?\n" - "My husband is on earth, my faith in heaven" - ".\nHow shall that faith return again to earth,\n" @@ -3808,7 +4141,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Upon so soft a subject as myself.\n" - "What say’st thou? " - "Hast thou not a word of joy?\n" -- "Some comfort, Nurse.\n\nNURSE.\n" +- "Some comfort, Nurse.\n\n" +- "NURSE.\n" - "Faith, here it is.\n" - Romeo is banished; and all the - " world to nothing\n" @@ -3823,7 +4157,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Romeo’s a dishclout to him - ". An eagle, madam,\n" - "Hath not so green, so quick, so" -- " fair an eye\nAs Paris hath. " +- " fair an eye\n" +- "As Paris hath. " - "Beshrew my very heart,\n" - "I think you are happy in this second match,\n" - "For it excels your first: or if it" @@ -3856,7 +4191,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Or to dispraise my lord with that same - " tongue\n" - Which she hath prais’d him with above compare -- "\nSo many thousand times? " +- "\n" +- "So many thousand times? " - "Go, counsellor.\n" - Thou and my bosom henceforth shall be - " twain.\n" @@ -3868,14 +4204,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Enter Friar Lawrence and Paris.\n\n" - "FRIAR LAWRENCE.\n" - "On Thursday, sir? " -- "The time is very short.\n\nPARIS.\n" +- "The time is very short.\n\n" +- "PARIS.\n" - "My father Capulet will have it so;\n" - "And I am nothing slow to slack his haste.\n\n" - "FRIAR LAWRENCE.\n" - You say you do not know the lady’s mind - ".\n" - Uneven is the course; I like it not -- ".\n\nPARIS.\n" +- ".\n\n" +- "PARIS.\n" - "Immoderately she weeps for " - "Tybalt’s death,\n" - "And therefore have I little talk’d of love;\n" @@ -3887,20 +4225,26 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Which, too much minded by herself alone,\n" - "May be put from her by society.\n" - "Now do you know the reason of this haste.\n\n" -- "FRIAR LAWRENCE.\n[_Aside." +- "FRIAR LAWRENCE.\n" +- "[_Aside." - "_] I would I knew not why it should be" - " slow’d.—\n" - "Look, sir, here comes the lady toward my" -- " cell.\n\n Enter Juliet.\n\nPARIS.\n" +- " cell.\n\n Enter Juliet.\n\n" +- "PARIS.\n" - "Happily met, my lady and my wife" -- "!\n\nJULIET.\n" +- "!\n\n" +- "JULIET.\n" - "That may be, sir, when I may be" -- " a wife.\n\nPARIS.\n" +- " a wife.\n\n" +- "PARIS.\n" - "That may be, must be, love, on" -- " Thursday next.\n\nJULIET.\n" +- " Thursday next.\n\n" +- "JULIET.\n" - "What must be shall be.\n\n" - "FRIAR LAWRENCE.\n" -- "That’s a certain text.\n\nPARIS.\n" +- "That’s a certain text.\n\n" +- "PARIS.\n" - "Come you to make confession to this father?\n\n" - "JULIET.\n" - "To answer that, I should confess to you.\n\n" @@ -3910,24 +4254,29 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I will confess to you that I love him.\n\n" - "PARIS.\n" - "So will ye, I am sure, that you" -- " love me.\n\nJULIET.\n" +- " love me.\n\n" +- "JULIET.\n" - "If I do so, it will be of more" - " price,\n" - "Being spoke behind your back than to your face.\n\n" - "PARIS.\n" - "Poor soul, thy face is much abus’d" -- " with tears.\n\nJULIET.\n" +- " with tears.\n\n" +- "JULIET.\n" - "The tears have got small victory by that;\n" - "For it was bad enough before their spite.\n\n" - "PARIS.\n" - Thou wrong’st it more than tears with -- " that report.\n\nJULIET.\n" +- " that report.\n\n" +- "JULIET.\n" - "That is no slander, sir, which is a" - " truth,\n" - "And what I spake, I spake it" -- " to my face.\n\nPARIS.\n" +- " to my face.\n\n" +- "PARIS.\n" - "Thy face is mine, and thou hast " -- "slander’d it.\n\nJULIET.\n" +- "slander’d it.\n\n" +- "JULIET.\n" - "It may be so, for it is not mine" - " own.\n" - "Are you at leisure, holy father, now,\n" @@ -3936,7 +4285,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My leisure serves me, pensive daughter, now" - ".—\n" - "My lord, we must entreat the time alone" -- ".\n\nPARIS.\n" +- ".\n\n" +- "PARIS.\n" - "God shield I should disturb devotion!—\n" - "Juliet, on Thursday early will I rouse" - " ye,\n" @@ -3950,7 +4300,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "FRIAR LAWRENCE.\n" - "O Juliet, I already know thy grief;\n" - It strains me past the compass of my wits -- ".\nI hear thou must, and nothing may " +- ".\n" +- "I hear thou must, and nothing may " - "prorogue it,\n" - "On Thursday next be married to this County.\n\n" - "JULIET.\n" @@ -3979,7 +4330,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Be not so long to speak. " - "I long to die,\n" - If what thou speak’st speak not of remedy -- ".\n\nFRIAR LAWRENCE.\n" +- ".\n\n" +- "FRIAR LAWRENCE.\n" - "Hold, daughter. " - "I do spy a kind of hope,\n" - "Which craves as desperate an execution\n" @@ -3993,7 +4345,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - That cop’st with death himself to scape from - " it.\n" - "And if thou dar’st, I’ll give" -- " thee remedy.\n\nJULIET.\n" +- " thee remedy.\n\n" +- "JULIET.\n" - "O, bid me leap, rather than marry Paris" - ",\n" - "From off the battlements of yonder tower,\n" @@ -4013,7 +4366,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " me tremble,\n" - "And I will do it without fear or doubt,\n" - To live an unstain’d wife to my sweet -- " love.\n\nFRIAR LAWRENCE.\n" +- " love.\n\n" +- "FRIAR LAWRENCE.\n" - "Hold then. " - "Go home, be merry, give consent\n" - "To marry Paris. Wednesday is tomorrow;\n" @@ -4064,24 +4418,28 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O tell not me of fear!\n\n" - "FRIAR LAWRENCE.\n" - "Hold; get you gone, be strong and prosperous" -- "\nIn this resolve. " +- "\n" +- "In this resolve. " - "I’ll send a friar with speed\n" - "To Mantua, with my letters to thy lord" -- ".\n\nJULIET.\n" +- ".\n\n" +- "JULIET.\n" - "Love give me strength, and strength shall help afford" - ".\nFarewell, dear father.\n\n" - " [_Exeunt._]\n\n" - "SCENE II. " - "Hall in Capulet’s House.\n\n" - " Enter Capulet, Lady Capulet, Nurse and" -- " Servants.\n\nCAPULET.\n" +- " Servants.\n\n" +- "CAPULET.\n" - "So many guests invite as here are writ.\n\n" - " [_Exit first Servant._]\n\n" - "Sirrah, go hire me twenty cunning cooks.\n\n" - "SECOND SERVANT.\n" - "You shall have none ill, sir; for " - "I’ll try if they can lick their\n" -- "fingers.\n\nCAPULET.\n" +- "fingers.\n\n" +- "CAPULET.\n" - "How canst thou try them so?\n\n" - "SECOND SERVANT.\n" - "Marry, sir, ’tis an ill" @@ -4102,7 +4460,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "harlotry it is.\n\n Enter Juliet.\n\n" - "NURSE.\n" - See where she comes from shrift with merry look -- ".\n\nCAPULET.\n" +- ".\n\n" +- "CAPULET.\n" - "How now, my headstrong. " - "Where have you been gadding?\n\n" - "JULIET.\n" @@ -4114,7 +4473,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "To beg your pardon. " - "Pardon, I beseech you.\n" - Henceforward I am ever rul’d by -- " you.\n\nCAPULET.\n" +- " you.\n\n" +- "CAPULET.\n" - "Send for the County, go tell him of this" - ".\n" - "I’ll have this knot knit up tomorrow morning.\n\n" @@ -4122,7 +4482,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I met the youthful lord at Lawrence’ cell,\n" - "And gave him what becomed love I might,\n" - Not stepping o’er the bounds of modesty -- ".\n\nCAPULET.\n" +- ".\n\n" +- "CAPULET.\n" - "Why, I am glad on’t. " - "This is well. Stand up.\n" - "This is as’t should be. " @@ -4139,13 +4500,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "\nAs you think fit to furnish me tomorrow?\n\n" - "LADY CAPULET.\n" - "No, not till Thursday. " -- "There is time enough.\n\nCAPULET.\n" +- "There is time enough.\n\n" +- "CAPULET.\n" - "Go, Nurse, go with her. " - "We’ll to church tomorrow.\n\n" - " [_Exeunt Juliet and Nurse._]\n\n" - "LADY CAPULET.\n" - "We shall be short in our provision,\n" -- "’Tis now near night.\n\nCAPULET.\n" +- "’Tis now near night.\n\n" +- "CAPULET.\n" - "Tush, I will stir about,\n" - "And all things shall be well, I warrant thee" - ", wife.\n" @@ -4162,7 +4525,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Since this same wayward girl is so reclaim’d - ".\n\n [_Exeunt._]\n\n" - "SCENE III. Juliet’s Chamber.\n\n" -- " Enter Juliet and Nurse.\n\nJULIET.\n" +- " Enter Juliet and Nurse.\n\n" +- "JULIET.\n" - "Ay, those attires are best. " - "But, gentle Nurse,\n" - "I pray thee leave me to myself tonight;\n" @@ -4172,7 +4536,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " and full of sin.\n\n Enter Lady Capulet.\n\n" - "LADY CAPULET.\n" - "What, are you busy, ho? " -- "Need you my help?\n\nJULIET.\n" +- "Need you my help?\n\n" +- "JULIET.\n" - "No, madam; we have cull’d" - " such necessaries\n" - "As are behoveful for our state tomorrow.\n" @@ -4187,7 +4552,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " need.\n\n" - " [_Exeunt Lady Capulet and Nurse." - "_]\n\n" -- "JULIET.\nFarewell. " +- "JULIET.\n" +- "Farewell. " - "God knows when we shall meet again.\n" - I have a faint cold fear thrills through my - " veins\n" @@ -4204,7 +4570,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What if it be a poison, which the " - "Friar\n" - Subtly hath minister’d to have me dead -- ",\nLest in this marriage he should be " +- ",\n" +- "Lest in this marriage he should be " - "dishonour’d,\n" - "Because he married me before to Romeo?\n" - "I fear it is. " @@ -4263,9 +4630,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Enter Lady Capulet and Nurse.\n\n" - "LADY CAPULET.\n" - "Hold, take these keys and fetch more spices," -- " Nurse.\n\nNURSE.\n" +- " Nurse.\n\n" +- "NURSE.\n" - They call for dates and quinces in the pastry -- ".\n\n Enter Capulet.\n\nCAPULET.\n" +- ".\n\n Enter Capulet.\n\n" +- "CAPULET.\n" - "Come, stir, stir, stir! " - "The second cock hath crow’d,\n" - "The curfew bell hath rung, ’" @@ -4280,12 +4649,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "No, not a whit. What! " - "I have watch’d ere now\n" - "All night for lesser cause, and ne’er" -- " been sick.\n\nLADY CAPULET.\n" +- " been sick.\n\n" +- "LADY CAPULET.\n" - "Ay, you have been a mouse-hunt in" - " your time;\n" - "But I will watch you from such watching now.\n\n" - " [_Exeunt Lady Capulet and Nurse." -- "_]\n\nCAPULET.\n" +- "_]\n\n" +- "CAPULET.\n" - "A jealous-hood, a jealous-hood!\n\n" - " Enter Servants, with spits, logs and" - " baskets.\n\nNow, fellow, what’s there?\n\n" @@ -4296,11 +4667,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " [_Exit First Servant._]\n\n" - "—Sirrah, fetch drier logs.\n" - "Call Peter, he will show thee where they are" -- ".\n\nSECOND SERVANT.\n" +- ".\n\n" +- "SECOND SERVANT.\n" - "I have a head, sir, that will find" - " out logs\n" - "And never trouble Peter for the matter.\n\n" -- " [_Exit._]\n\nCAPULET.\n" +- " [_Exit._]\n\n" +- "CAPULET.\n" - Mass and well said; a merry whoreson - ", ha.\n" - "Thou shalt be loggerhead.—Good faith," @@ -4312,14 +4685,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What, Nurse, I say!\n\n" - " Re-enter Nurse.\n\n" - "Go waken Juliet, go and trim her up" -- ".\nI’ll go and chat with Paris. " +- ".\n" +- "I’ll go and chat with Paris. " - "Hie, make haste,\n" - Make haste; the bridegroom he is come - " already.\nMake haste I say.\n\n" - " [_Exeunt._]\n\n" - "SCENE V. " - "Juliet’s Chamber; Juliet on the bed.\n\n" -- " Enter Nurse.\n\nNURSE.\n" +- " Enter Nurse.\n\n" +- "NURSE.\n" - "Mistress! What, mistress! " - "Juliet! " - "Fast, I warrant her, she.\n" @@ -4333,7 +4708,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " I warrant,\n" - "The County Paris hath set up his rest\n" - "That you shall rest but little. " -- "God forgive me!\nMarry and amen. " +- "God forgive me!\n" +- "Marry and amen. " - "How sound is she asleep!\n" - "I needs must wake her. " - "Madam, madam, madam!\n" @@ -4348,23 +4724,27 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Alas, alas! Help, help! " - "My lady’s dead!\n" - "O, well-a-day that ever I was born" -- ".\nSome aqua vitae, ho! " +- ".\n" +- "Some aqua vitae, ho! " - "My lord! My lady!\n\n" - " Enter Lady Capulet.\n\n" - "LADY CAPULET.\n" - "What noise is here?\n\n" - "NURSE.\nO lamentable day!\n\n" - "LADY CAPULET.\n" -- "What is the matter?\n\nNURSE.\n" +- "What is the matter?\n\n" +- "NURSE.\n" - "Look, look! O heavy day!\n\n" - "LADY CAPULET.\n" - "O me, O me! " - "My child, my only life.\n" - "Revive, look up, or I will die" - " with thee.\nHelp, help! Call help.\n\n" -- " Enter Capulet.\n\nCAPULET.\n" +- " Enter Capulet.\n\n" +- "CAPULET.\n" - "For shame, bring Juliet forth, her lord is" -- " come.\n\nNURSE.\n" +- " come.\n\n" +- "NURSE.\n" - "She’s dead, deceas’d, she’s" - " dead; alack the day!\n\n" - "LADY CAPULET.\n" @@ -4380,7 +4760,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Upon the sweetest flower of all the field.\n\n" - "NURSE.\nO lamentable day!\n\n" - "LADY CAPULET.\n" -- "O woful time!\n\nCAPULET.\n" +- "O woful time!\n\n" +- "CAPULET.\n" - "Death, that hath ta’en her hence to make" - " me wail,\n" - Ties up my tongue and will not let me @@ -4388,7 +4769,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Enter Friar Lawrence and Paris with Musicians.\n\n" - "FRIAR LAWRENCE.\n" - "Come, is the bride ready to go to church" -- "?\n\nCAPULET.\n" +- "?\n\n" +- "CAPULET.\n" - "Ready to go, but never to return.\n" - "O son, the night before thy wedding day\n" - "Hath death lain with thy bride. " @@ -4396,14 +4778,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Flower as she was, deflowered by" - " him.\n" - "Death is my son-in-law, death is my" -- " heir;\nMy daughter he hath wedded. " +- " heir;\n" +- "My daughter he hath wedded. " - "I will die.\n" - "And leave him all; life, living, all" -- " is death’s.\n\nPARIS.\n" +- " is death’s.\n\n" +- "PARIS.\n" - Have I thought long to see this morning’s face - ",\n" - And doth it give me such a sight as -- " this?\n\nLADY CAPULET.\n" +- " this?\n\n" +- "LADY CAPULET.\n" - "Accurs’d, unhappy, wretched, hateful" - " day.\n" - "Most miserable hour that e’er time saw\n" @@ -4412,7 +4797,9 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " child,\n" - "But one thing to rejoice and solace in,\n" - And cruel death hath catch’d it from my sight -- ".\n\nNURSE.\nO woe! " +- ".\n\n" +- "NURSE.\n" +- "O woe! " - "O woeful, woeful, woeful day" - ".\nMost lamentable day, most woeful day" - "\n" @@ -4487,20 +4874,25 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", Paris and Friar._]\n\n" - "FIRST MUSICIAN.\n" - "Faith, we may put up our pipes and" -- " be gone.\n\nNURSE.\n" +- " be gone.\n\n" +- "NURSE.\n" - "Honest good fellows, ah, put up," - " put up,\n" - For well you know this is a pitiful case -- ".\n\nFIRST MUSICIAN.\n" +- ".\n\n" +- "FIRST MUSICIAN.\n" - "Ay, by my troth, the case may" - " be amended.\n\n [_Exit Nurse._]\n\n" -- " Enter Peter.\n\nPETER.\n" +- " Enter Peter.\n\n" +- "PETER.\n" - "Musicians, O, musicians, ‘Heart’s" - " ease,’ ‘Heart’s ease’, O, and" - " you\n" - "will have me live, play ‘Heart’s ease" -- ".’\n\nFIRST MUSICIAN.\n" -- "Why ‘Heart’s ease’?\n\nPETER.\n" +- ".’\n\n" +- "FIRST MUSICIAN.\n" +- "Why ‘Heart’s ease’?\n\n" +- "PETER.\n" - "O musicians, because my heart itself plays ‘My" - " heart is full’. O play\n" - "me some merry dump to comfort me.\n\n" @@ -4508,7 +4900,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Not a dump we, ’tis no time" - " to play now.\n\n" - "PETER.\nYou will not then?\n\n" -- "FIRST MUSICIAN.\nNo.\n\nPETER.\n" +- "FIRST MUSICIAN.\nNo.\n\n" +- "PETER.\n" - "I will then give it you soundly.\n\n" - "FIRST MUSICIAN.\nWhat will you give us?\n\n" - "PETER.\n" @@ -4522,14 +4915,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " on your pate. I will\n" - "carry no crotchets. " - "I’ll re you, I’ll fa you." -- " Do you note me?\n\nFIRST MUSICIAN.\n" +- " Do you note me?\n\n" +- "FIRST MUSICIAN.\n" - "And you re us and fa us, you note" -- " us.\n\nSECOND MUSICIAN.\n" +- " us.\n\n" +- "SECOND MUSICIAN.\n" - "Pray you put up your dagger, and put" -- " out your wit.\n\nPETER.\n" +- " out your wit.\n\n" +- "PETER.\n" - "Then have at you with my wit. " - I will dry-beat you with an iron wit -- ", and\nput up my iron dagger. " +- ", and\n" +- "put up my iron dagger. " - "Answer me like men.\n" - " ‘When griping griefs the heart " - "doth wound,\n" @@ -4540,11 +4937,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What say you,\nSimon Catling?\n\n" - "FIRST MUSICIAN.\n" - "Marry, sir, because silver hath a sweet" -- " sound.\n\nPETER.\nPrates. " +- " sound.\n\n" +- "PETER.\n" +- "Prates. " - "What say you, Hugh Rebeck?\n\n" - "SECOND MUSICIAN.\n" - I say ‘silver sound’ because musicians sound for -- " silver.\n\nPETER.\nPrates too! " +- " silver.\n\n" +- "PETER.\n" +- "Prates too! " - "What say you, James Soundpost?\n\n" - "THIRD MUSICIAN.\n" - "Faith, I know not what to say.\n\n" @@ -4556,14 +4957,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " no gold for\nsounding.\n" - " ‘Then music with her silver sound\n" - " With speedy help doth lend redress.’\n\n" -- " [_Exit._]\n\nFIRST MUSICIAN.\n" +- " [_Exit._]\n\n" +- "FIRST MUSICIAN.\n" - "What a pestilent knave is this same!\n\n" -- "SECOND MUSICIAN.\nHang him, Jack. " +- "SECOND MUSICIAN.\n" +- "Hang him, Jack. " - "Come, we’ll in here, tarry for" - " the mourners, and stay\ndinner.\n\n" - " [_Exeunt._]\n\n\n\nACT V\n\n" - "SCENE I. Mantua. A Street.\n\n" -- " Enter Romeo.\n\nROMEO.\n" +- " Enter Romeo.\n\n" +- "ROMEO.\n" - "If I may trust the flattering eye of sleep,\n" - "My dreams presage some joyful news at hand.\n" - My bosom’s lord sits lightly in his throne @@ -4587,7 +4991,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "News from Verona! " - "How now, Balthasar?\n" - "Dost thou not bring me letters from the " -- "Friar?\nHow doth my lady? " +- "Friar?\n" +- "How doth my lady? " - "Is my father well?\n" - "How fares my Juliet? That I ask again;\n" - "For nothing can be ill if she be well.\n\n" @@ -4600,28 +5005,34 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And presently took post to tell it you.\n" - "O pardon me for bringing these ill news,\n" - "Since you did leave it for my office, sir" -- ".\n\nROMEO.\nIs it even so? " +- ".\n\n" +- "ROMEO.\n" +- "Is it even so? " - "Then I defy you, stars!\n" - "Thou know’st my lodging. " - "Get me ink and paper,\n" - "And hire post-horses. " -- "I will hence tonight.\n\nBALTHASAR.\n" +- "I will hence tonight.\n\n" +- "BALTHASAR.\n" - "I do beseech you sir, have patience" - ".\n" - "Your looks are pale and wild, and do import" -- "\nSome misadventure.\n\nROMEO.\n" +- "\nSome misadventure.\n\n" +- "ROMEO.\n" - "Tush, thou art deceiv’d.\n" - "Leave me, and do the thing I bid thee" - " do.\n" - "Hast thou no letters to me from the " -- "Friar?\n\nBALTHASAR.\n" +- "Friar?\n\n" +- "BALTHASAR.\n" - "No, my good lord.\n\n" - "ROMEO.\nNo matter. Get thee gone,\n" - "And hire those horses. " - "I’ll be with thee straight.\n\n" - " [_Exit Balthasar._]\n\n" - "Well, Juliet, I will lie with thee tonight" -- ".\nLet’s see for means. " +- ".\n" +- "Let’s see for means. " - "O mischief thou art swift\n" - "To enter in the thoughts of desperate men.\n" - "I do remember an apothecary,—\n" @@ -4656,7 +5067,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Enter Apothecary.\n\n" - "APOTHECARY.\n" - "Who calls so loud?\n\n" -- "ROMEO.\nCome hither, man. " +- "ROMEO.\n" +- "Come hither, man. " - "I see that thou art poor.\n" - "Hold, there is forty ducats. " - "Let me have\n" @@ -4675,7 +5087,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Is death to any he that utters them.\n\n" - "ROMEO.\n" - Art thou so bare and full of wretchedness -- ",\nAnd fear’st to die? " +- ",\n" +- "And fear’st to die? " - "Famine is in thy cheeks,\n" - Need and oppression starveth in thine eyes - ",\n" @@ -4685,7 +5098,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - The world affords no law to make thee rich - ";\n" - "Then be not poor, but break it and take" -- " this.\n\nAPOTHECARY.\n" +- " this.\n\n" +- "APOTHECARY.\n" - "My poverty, but not my will consents.\n\n" - "ROMEO.\n" - "I pay thy poverty, and not thy will.\n\n" @@ -4694,7 +5108,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And drink it off; and, if you had" - " the strength\n" - "Of twenty men, it would despatch you straight" -- ".\n\nROMEO.\n" +- ".\n\n" +- "ROMEO.\n" - "There is thy gold, worse poison to men’s" - " souls,\n" - "Doing more murder in this loathsome world\n" @@ -4709,14 +5124,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "To Juliet’s grave, for there must I use" - " thee.\n\n [_Exeunt._]\n\n" - "SCENE II. Friar Lawrence’s Cell.\n\n" -- " Enter Friar John.\n\nFRIAR JOHN.\n" +- " Enter Friar John.\n\n" +- "FRIAR JOHN.\n" - "Holy Franciscan Friar! " - "Brother, ho!\n\n Enter Friar Lawrence.\n\n" - "FRIAR LAWRENCE.\n" - This same should be the voice of Friar John - ".\nWelcome from Mantua. What says Romeo?\n" - "Or, if his mind be writ, give me" -- " his letter.\n\nFRIAR JOHN.\n" +- " his letter.\n\n" +- "FRIAR JOHN.\n" - "Going to find a barefoot brother out,\n" - "One of our order, to associate me,\n" - "Here in this city visiting the sick,\n" @@ -4726,7 +5143,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Seal’d up the doors, and would not" - " let us forth,\n" - "So that my speed to Mantua there was " -- "stay’d.\n\nFRIAR LAWRENCE.\n" +- "stay’d.\n\n" +- "FRIAR LAWRENCE.\n" - "Who bare my letter then to Romeo?\n\n" - "FRIAR JOHN.\n" - "I could not send it,—here it is again" @@ -4737,10 +5155,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Unhappy fortune! By my brotherhood,\n" - "The letter was not nice, but full of charge" - ",\nOf dear import, and the neglecting it" -- "\nMay do much danger. " +- "\n" +- "May do much danger. " - "Friar John, go hence,\n" - "Get me an iron crow and bring it straight\n" -- "Unto my cell.\n\nFRIAR JOHN.\n" +- "Unto my cell.\n\n" +- "FRIAR JOHN.\n" - "Brother, I’ll go and bring it thee" - ".\n\n [_Exit._]\n\n" - "FRIAR LAWRENCE.\n" @@ -4756,7 +5176,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - A churchyard; in it a Monument belonging to - " the Capulets.\n\n" - " Enter Paris, and his Page bearing flowers and a" -- " torch.\n\nPARIS.\n" +- " torch.\n\n" +- "PARIS.\n" - "Give me thy torch, boy. " - "Hence and stand aloof.\n" - "Yet put it out, for I would not be" @@ -4766,15 +5187,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Holding thy ear close to the hollow ground;\n" - "So shall no foot upon the churchyard tread,\n" - "Being loose, unfirm, with digging up of" -- " graves,\nBut thou shalt hear it. " +- " graves,\n" +- "But thou shalt hear it. " - "Whistle then to me,\n" - "As signal that thou hear’st something approach.\n" - "Give me those flowers. " - "Do as I bid thee, go.\n\n" -- "PAGE.\n[_Aside." +- "PAGE.\n" +- "[_Aside." - "_] I am almost afraid to stand alone\n" - Here in the churchyard; yet I will adventure -- ".\n\n [_Retires._]\n\nPARIS.\n" +- ".\n\n [_Retires._]\n\n" +- "PARIS.\n" - "Sweet flower, with flowers thy bridal bed I " - "strew.\n" - "O woe, thy canopy is dust and stones" @@ -4788,11 +5212,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "The boy gives warning something doth approach.\n" - "What cursed foot wanders this way tonight,\n" - To cross my obsequies and true love’s -- " rite?\nWhat, with a torch! " +- " rite?\n" +- "What, with a torch! " - "Muffle me, night, awhile.\n\n" - " [_Retires._]\n\n" - " Enter Romeo and Balthasar with a torch," -- " mattock, &c.\n\nROMEO.\n" +- " mattock, &c.\n\n" +- "ROMEO.\n" - Give me that mattock and the wrenching - " iron.\n" - "Hold, take this letter; early in the morning" @@ -4820,15 +5246,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Than empty tigers or the roaring sea.\n\n" - "BALTHASAR.\n" - "I will be gone, sir, and not trouble" -- " you.\n\nROMEO.\n" +- " you.\n\n" +- "ROMEO.\n" - "So shalt thou show me friendship. " - "Take thou that.\n" - "Live, and be prosperous, and farewell, good" -- " fellow.\n\nBALTHASAR.\n" +- " fellow.\n\n" +- "BALTHASAR.\n" - "For all this same, I’ll hide me " - "hereabout.\n" - "His looks I fear, and his intents I doubt" -- ".\n\n [_Retires_]\n\nROMEO.\n" +- ".\n\n [_Retires_]\n\n" +- "ROMEO.\n" - "Thou detestable maw, thou womb" - " of death,\n" - Gorg’d with the dearest morsel @@ -4836,14 +5265,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Thus I enforce thy rotten jaws to open,\n\n" - " [_Breaking open the door of the monument._]\n\n" - "And in despite, I’ll cram thee with more" -- " food.\n\nPARIS.\n" +- " food.\n\n" +- "PARIS.\n" - This is that banish’d haughty Montague - "\n" - "That murder’d my love’s cousin,—with which" - " grief,\n" - "It is supposed, the fair creature died,—\n" - And here is come to do some villanous -- " shame\nTo the dead bodies. " +- " shame\n" +- "To the dead bodies. " - "I will apprehend him.\n\n" - " [_Advances._]\n\n" - "Stop thy unhallow’d toil, vile " @@ -4852,7 +5283,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Condemned villain, I do apprehend thee" - ".\n" - "Obey, and go with me, for thou" -- " must die.\n\nROMEO.\n" +- " must die.\n\n" +- "ROMEO.\n" - I must indeed; and therefore came I hither - ".\n" - "Good gentle youth, tempt not a desperate man.\n" @@ -4869,17 +5301,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "A madman’s mercy bid thee run away.\n\n" - "PARIS.\nI do defy thy conjuration,\n" - "And apprehend thee for a felon here.\n\n" -- "ROMEO.\nWilt thou provoke me? " +- "ROMEO.\n" +- "Wilt thou provoke me? " - "Then have at thee, boy!\n\n" - " [_They fight._]\n\n" -- "PAGE.\nO lord, they fight! " +- "PAGE.\n" +- "O lord, they fight! " - "I will go call the watch.\n\n" -- " [_Exit._]\n\nPARIS.\n" +- " [_Exit._]\n\n" +- "PARIS.\n" - "O, I am slain! [_Falls." - "_] If thou be merciful,\n" - "Open the tomb, lay me with Juliet.\n\n" - " [_Dies._]\n\n" -- "ROMEO.\nIn faith, I will. " +- "ROMEO.\n" +- "In faith, I will. " - "Let me peruse this face.\n" - "Mercutio’s kinsman, noble County" - " Paris!\n" @@ -4890,7 +5326,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Said he not so? " - "Or did I dream it so?\n" - "Or am I mad, hearing him talk of Juliet" -- ",\nTo think it was so? " +- ",\n" +- "To think it was so? " - "O, give me thy hand,\n" - One writ with me in sour misfortune’s book - ".\n" @@ -4908,7 +5345,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Have they been merry! Which their keepers call - "\n" - "A lightning before death. O, how may I" -- "\nCall this a lightning? " +- "\n" +- "Call this a lightning? " - "O my love, my wife,\n" - Death that hath suck’d the honey of thy breath - ",\n" @@ -4965,7 +5403,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Have my old feet stumbled at graves? " - "Who’s there?\n" - "Who is it that consorts, so late," -- " the dead?\n\nBALTHASAR.\n" +- " the dead?\n\n" +- "BALTHASAR.\n" - "Here’s one, a friend, and one that" - " knows you well.\n\n" - "FRIAR LAWRENCE.\n" @@ -5029,11 +5468,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Hath thwarted our intents. " - "Come, come away.\n" - Thy husband in thy bosom there lies dead -- ";\nAnd Paris too. " +- ";\n" +- "And Paris too. " - "Come, I’ll dispose of thee\n" - "Among a sisterhood of holy nuns.\n" - "Stay not to question, for the watch is coming" -- ".\nCome, go, good Juliet. " +- ".\n" +- "Come, go, good Juliet. " - "I dare no longer stay.\n\n" - "JULIET.\n" - "Go, get thee hence, for I will not" @@ -5042,7 +5483,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - A cup clos’d in my true love’s hand - "?\n" - "Poison, I see, hath been his timeless" -- " end.\nO churl. " +- " end.\n" +- "O churl. " - "Drink all, and left no friendly drop\n" - "To help me after? " - "I will kiss thy lips.\n" @@ -5050,9 +5492,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " them,\n" - "To make me die with a restorative.\n\n" - " [_Kisses him._]\n\n" -- "Thy lips are warm!\n\nFIRST WATCH.\n" +- "Thy lips are warm!\n\n" +- "FIRST WATCH.\n" - "[_Within._] Lead, boy. " -- "Which way?\n\nJULIET.\n" +- "Which way?\n\n" +- "JULIET.\n" - "Yea, noise? " - "Then I’ll be brief. O happy dagger.\n\n" - " [_Snatching Romeo’s dagger._]\n\n" @@ -5061,9 +5505,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " die.\n\n" - " [_Falls on Romeo’s body and dies." - "_]\n\n Enter Watch with the Page of Paris.\n\n" -- "PAGE.\nThis is the place. " +- "PAGE.\n" +- "This is the place. " - "There, where the torch doth burn.\n\n" -- "FIRST WATCH.\nThe ground is bloody. " +- "FIRST WATCH.\n" +- "The ground is bloody. " - "Search about the churchyard.\n" - "Go, some of you, whoe’er" - " you find attach.\n\n" @@ -5082,13 +5528,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " woes\nWe cannot without circumstance descry.\n\n" - " Re-enter some of the Watch with Balthasar" - ".\n\n" -- "SECOND WATCH.\nHere’s Romeo’s man. " +- "SECOND WATCH.\n" +- "Here’s Romeo’s man. " - "We found him in the churchyard.\n\n" - "FIRST WATCH.\n" - Hold him in safety till the Prince come hither - ".\n\n" - " Re-enter others of the Watch with Friar Lawrence" -- ".\n\nTHIRD WATCH. " +- ".\n\n" +- "THIRD WATCH. " - "Here is a Friar that trembles, " - "sighs, and weeps.\n" - We took this mattock and this spade @@ -5103,35 +5551,42 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " Enter Capulet, Lady Capulet and others.\n\n" - "CAPULET.\n" - What should it be that they so shriek abroad -- "?\n\nLADY CAPULET.\n" +- "?\n\n" +- "LADY CAPULET.\n" - "O the people in the street cry Romeo,\n" - "Some Juliet, and some Paris, and all run" - "\nWith open outcry toward our monument.\n\n" - "PRINCE.\n" - What fear is this which startles in our ears -- "?\n\nFIRST WATCH.\n" +- "?\n\n" +- "FIRST WATCH.\n" - "Sovereign, here lies the County Paris slain" - ",\n" - "And Romeo dead, and Juliet, dead before,\n" -- "Warm and new kill’d.\n\nPRINCE.\n" +- "Warm and new kill’d.\n\n" +- "PRINCE.\n" - "Search, seek, and know how this foul murder" -- " comes.\n\nFIRST WATCH.\n" +- " comes.\n\n" +- "FIRST WATCH.\n" - "Here is a Friar, and slaughter’d " - "Romeo’s man,\n" - "With instruments upon them fit to open\n" - "These dead men’s tombs.\n\n" -- "CAPULET.\nO heaven! " +- "CAPULET.\n" +- "O heaven! " - "O wife, look how our daughter bleeds!\n" - "This dagger hath mista’en, for lo," - " his house\n" - "Is empty on the back of Montague,\n" - And it mis-sheathed in my daughter’s -- " bosom.\n\nLADY CAPULET.\n" +- " bosom.\n\n" +- "LADY CAPULET.\n" - "O me! " - "This sight of death is as a bell\n" - "That warns my old age to a " - "sepulchre.\n\n" -- " Enter Montague and others.\n\nPRINCE.\n" +- " Enter Montague and others.\n\n" +- "PRINCE.\n" - "Come, Montague, for thou art early up" - ",\n" - "To see thy son and heir more early down.\n\n" @@ -5167,7 +5622,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Myself condemned and myself excus’d.\n\n" - "PRINCE.\n" - Then say at once what thou dost know in this -- ".\n\nFRIAR LAWRENCE.\n" +- ".\n\n" +- "FRIAR LAWRENCE.\n" - "I will be brief, for my short date of" - " breath\n" - "Is not so long as is a tedious tale.\n" @@ -5194,7 +5650,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Then gave I her, so tutored by my" - " art,\nA sleeping potion, which so took effect" - "\nAs I intended, for it wrought on her" -- "\nThe form of death. " +- "\n" +- "The form of death. " - "Meantime I writ to Romeo\n" - That he should hither come as this dire night - "\n" @@ -5202,7 +5659,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ",\n" - "Being the time the potion’s force should cease.\n" - "But he which bore my letter, Friar John" -- ",\nWas stay’d by accident; and " +- ",\n" +- "Was stay’d by accident; and " - "yesternight\n" - "Return’d my letter back. Then all alone\n" - "At the prefixed hour of her waking\n" @@ -5222,7 +5680,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " me,\n" - "But, as it seems, did violence on herself" - ".\nAll this I know; and to the marriage" -- "\nHer Nurse is privy. " +- "\n" +- "Her Nurse is privy. " - "And if ought in this\n" - "Miscarried by my fault, let my old" - " life\n" @@ -5246,7 +5705,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Where is the County’s Page that rais’d the - " watch?\n" - "Sirrah, what made your master in this place" -- "?\n\nPAGE.\n" +- "?\n\n" +- "PAGE.\n" - He came with flowers to strew his lady’s - " grave,\n" - "And bid me stand aloof, and so I" @@ -5265,7 +5725,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Of a poor ’pothecary, and" - " therewithal\n" - "Came to this vault to die, and lie" -- " with Juliet.\nWhere be these enemies? " +- " with Juliet.\n" +- "Where be these enemies? " - "Capulet, Montague,\n" - See what a scourge is laid upon your hate - ",\n" @@ -5274,7 +5735,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And I, for winking at your discords" - " too,\n" - "Have lost a brace of kinsmen. " -- "All are punish’d.\n\nCAPULET.\n" +- "All are punish’d.\n\n" +- "CAPULET.\n" - "O brother Montague, give me thy hand.\n" - "This is my daughter’s jointure, for no" - " more\nCan I demand.\n\n" @@ -5319,10 +5781,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - and may not be used if you charge for an - " eBook, except by following\n" - "the terms of the trademark license, including paying royalties" -- " for use\nof the Project Gutenberg trademark. " +- " for use\n" +- "of the Project Gutenberg trademark. " - "If you do not charge anything for\n" - "copies of this eBook, complying with the trademark license" -- " is very\neasy. " +- " is very\n" +- "easy. " - You may use this eBook for nearly any purpose such - " as creation\n" - "of derivative works, reports, performances and research." @@ -5350,7 +5814,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " at\nwww.gutenberg.org/license.\n\n" - "Section 1. " - "General Terms of Use and Redistributing Project\n" -- "Gutenberg-tm electronic works\n\n1.A. " +- "Gutenberg-tm electronic works\n\n" +- "1.A. " - By reading or using any part of this Project Gutenberg - "-tm\n" - "electronic work, you indicate that you have read" @@ -5362,7 +5827,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "the terms of this agreement, you must cease using" - " and return or\n" - destroy all copies of Project Gutenberg-tm electronic works in -- " your\npossession. " +- " your\n" +- "possession. " - If you paid a fee for obtaining a copy of - " or access to a\n" - Project Gutenberg-tm electronic work and you do not agree @@ -5381,7 +5847,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - things that you can do with most Project Gutenberg-tm - " electronic works\n" - even without complying with the full terms of this agreement -- ". See\nparagraph 1.C below. " +- ". See\n" +- "paragraph 1.C below. " - There are a lot of things you can do with - " Project\n" - Gutenberg-tm electronic works if you follow the terms @@ -5389,14 +5856,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - agreement and help preserve free future access to Project - " Gutenberg-tm\n" - electronic works. See paragraph 1. -- "E below.\n\n1.C. " +- "E below.\n\n" +- "1.C. " - "The Project Gutenberg Literary Archive Foundation (\"the\n" - "Foundation\" or PGLAF), owns a compilation" - " copyright in the collection\n" - "of Project Gutenberg-tm electronic works. " - "Nearly all the individual\n" - works in the collection are in the public domain in -- " the United\nStates. " +- " the United\n" +- "States. " - If an individual work is unprotected by copyright law in - " the\n" - United States and you are located in the United States @@ -5453,7 +5922,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " This eBook is for the use of anyone anywhere" - " in the United States and\n" - " most other parts of the world at no cost" -- " and with almost no\n restrictions whatsoever. " +- " and with almost no\n" +- " restrictions whatsoever. " - "You may copy it, give it away or re" - "-use it\n" - " under the terms of the Project Gutenberg License included" @@ -5504,7 +5974,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "License terms from this work, or any files containing" - " a part of this\n" - work or any other work associated with Project Gutenberg-tm -- ".\n\n1.E.5. " +- ".\n\n" +- "1.E.5. " - "Do not copy, display, perform, distribute or" - " redistribute this\n" - "electronic work, or any part of this electronic" @@ -5539,7 +6010,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Do not charge a fee for access to, viewing" - ", displaying,\n" - "performing, copying or distributing any Project Gutenberg-tm" -- " works\nunless you comply with paragraph 1." +- " works\n" +- unless you comply with paragraph 1. - "E.8 or 1.E.9.\n\n" - "1.E.8. " - You may charge a reasonable fee for copies of or @@ -5555,7 +6027,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " to the owner of the Project Gutenberg-tm trademark" - ", but he has\n" - " agreed to donate royalties under this paragraph to the" -- " Project\n Gutenberg Literary Archive Foundation. " +- " Project\n" +- " Gutenberg Literary Archive Foundation. " - "Royalty payments must be paid\n" - " within 60 days following each date on which" - " you prepare (or are\n" @@ -5572,7 +6045,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " you in writing (or by e-mail)" - " within 30 days of receipt that s/he\n" - " does not agree to the terms of the full" -- " Project Gutenberg-tm\n License. " +- " Project Gutenberg-tm\n" +- " License. " - You must require such a user to return or destroy - " all\n" - " copies of the works possessed in a physical medium" @@ -5597,7 +6071,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "are set forth in this agreement, you must obtain" - " permission in writing\n" - "from the Project Gutenberg Literary Archive Foundation, the manager" -- " of\nthe Project Gutenberg-tm trademark. " +- " of\n" +- "the Project Gutenberg-tm trademark. " - "Contact the Foundation as set\n" - "forth in Section 3 below.\n\n1.F.\n\n" - "1.F.1. " @@ -5605,7 +6080,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "effort to identify, do copyright research on," - " transcribe and proofread\n" - works not protected by U.S. copyright law in -- " creating the Project\nGutenberg-tm collection. " +- " creating the Project\n" +- "Gutenberg-tm collection. " - "Despite these efforts, Project Gutenberg-tm\n" - "electronic works, and the medium on which they" - " may be stored, may\n" @@ -5630,7 +6106,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Gutenberg-tm electronic work under this agreement, " - "disclaim all\n" - "liability to you for damages, costs and expenses" -- ", including legal\nfees. " +- ", including legal\n" +- "fees. " - YOU AGREE THAT YOU HAVE NO REMEDIES - " FOR NEGLIGENCE, STRICT\n" - "LIABILITY, BREACH OF WARRANTY OR BREACH" @@ -5654,10 +6131,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - written explanation to the person you received the work from - ". If you\n" - "received the work on a physical medium, you must" -- " return the medium\nwith your written explanation. " +- " return the medium\n" +- "with your written explanation. " - "The person or entity that provided you\n" - with the defective work may elect to provide a replacement -- " copy in\nlieu of a refund. " +- " copy in\n" +- "lieu of a refund. " - "If you received the work electronically, the person\n" - or entity providing it to you may choose to give - " you a second\n" @@ -5668,17 +6147,20 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "without further opportunities to fix the problem.\n\n" - "1.F.4. " - Except for the limited right of replacement or refund set -- " forth\nin paragraph 1." +- " forth\n" +- in paragraph 1. - "F.3, this work is provided to you" - " 'AS-IS', WITH NO\n" - "OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED," - " INCLUDING BUT NOT\n" - LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY -- " PURPOSE.\n\n1.F.5. " +- " PURPOSE.\n\n" +- "1.F.5. " - Some states do not allow disclaimers of certain - " implied\n" - warranties or the exclusion or limitation of certain -- " types of\ndamages. " +- " types of\n" +- "damages. " - If any disclaimer or limitation set forth in this agreement - "\n" - violates the law of the state applicable to this @@ -5709,7 +6191,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - " alteration, modification, or\n" - additions or deletions to any Project Gutenberg-tm - " work, and (c) any\n" -- "Defect you cause.\n\nSection 2. " +- "Defect you cause.\n\n" +- "Section 2. " - "Information about the Mission of Project Gutenberg-tm\n\n" - Project Gutenberg-tm is synonymous with the free distribution of - "\n" @@ -5724,7 +6207,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - assistance they need are critical to reaching Project Gutenberg - "-tm's\n" - goals and ensuring that the Project Gutenberg-tm collection will -- "\nremain freely available for generations to come. " +- "\n" +- "remain freely available for generations to come. " - "In 2001, the Project\n" - Gutenberg Literary Archive Foundation was created to provide a - " secure\n" @@ -5742,7 +6226,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - 501(c)(3) educational corporation organized under the - " laws of the\n" - state of Mississippi and granted tax exempt status by the -- " Internal\nRevenue Service. " +- " Internal\n" +- "Revenue Service. " - "The Foundation's EIN or federal tax identification\n" - "number is 64-6221541. " - "Contributions to the Project Gutenberg Literary\n" @@ -5776,11 +6261,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - The Foundation is committed to complying with the laws regulating - "\n" - charities and charitable donations in all 50 states -- " of the United\nStates. " +- " of the United\n" +- "States. " - Compliance requirements are not uniform and it takes a - "\n" - "considerable effort, much paperwork and many fees to" -- " meet and keep up\nwith these requirements. " +- " meet and keep up\n" +- "with these requirements. " - "We do not solicit donations in locations\n" - where we have not received written confirmation of compliance. - " To SEND\n" @@ -5799,12 +6286,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "outside the United States. " - "U.S. laws alone swamp our small staff.\n\n" - Please check the Project Gutenberg web pages for current donation -- "\nmethods and addresses. " +- "\n" +- "methods and addresses. " - "Donations are accepted in a number of other\n" - "ways including checks, online payments and credit card donations" - ". To\n" - "donate, please visit: www.gutenberg.org" -- "/donate\n\nSection 5. " +- "/donate\n\n" +- "Section 5. " - "General Information About Project Gutenberg-tm electronic works\n\n" - "Professor Michael S. " - "Hart was the originator of the Project\n" diff --git a/tests/snapshots/text_splitter_snapshots__tiktoken_default@room_with_a_view.txt-2.snap b/tests/snapshots/text_splitter_snapshots__tiktoken_default@room_with_a_view.txt-2.snap index 78c952ef..7e13bb26 100644 --- a/tests/snapshots/text_splitter_snapshots__tiktoken_default@room_with_a_view.txt-2.snap +++ b/tests/snapshots/text_splitter_snapshots__tiktoken_default@room_with_a_view.txt-2.snap @@ -40,7 +40,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The young man named George glanced at the clever lady, and then returned moodily to his plate. Obviously he and his father did not do.\nLucy, in the midst of her success, found time to wish they did. It gave her no extra pleasure that any one should be left in the cold; and when she rose to go, she turned back and gave the two outsiders a nervous little bow.\n\n" - "The father did not see it; the son acknowledged it, not by another bow,\nbut by raising his eyebrows and smiling; he seemed to be smiling across something.\n\n" - "She hastened after her cousin, who had already disappeared through the curtains—curtains which smote one in the face, and seemed heavy with more than cloth. Beyond them stood the unreliable Signora, bowing good-evening to her guests, and supported by ’Enery, her little boy,\nand Victorier, her daughter. It made a curious little scene, this attempt of the Cockney to convey the grace and geniality of the South.\n" -- "And even more curious was the drawing-room, which attempted to rival the solid comfort of a Bloomsbury boarding-house. Was this really Italy?\n\nMiss Bartlett was already seated on a tightly stuffed arm-chair, which had the colour and the contours of a tomato. She was talking to Mr.\n" +- "And even more curious was the drawing-room, which attempted to rival the solid comfort of a Bloomsbury boarding-house. Was this really Italy?\n\n" +- "Miss Bartlett was already seated on a tightly stuffed arm-chair, which had the colour and the contours of a tomato. She was talking to Mr.\n" - "Beebe, and as she spoke, her long narrow head drove backwards and forwards, slowly, regularly, as though she were demolishing some invisible obstacle. “We are most grateful to you,” she was saying. “The first evening means so much. When you arrived we were in for a peculiarly _mauvais quart d’heure_.”\n\nHe expressed his regret.\n\n“Do you, by any chance, know the name of an old man who sat opposite us at dinner?”\n\n" - "“Emerson.”\n\n“Is he a friend of yours?”\n\n“We are friendly—as one is in pensions.”\n\n“Then I will say no more.”\n\nHe pressed her very slightly, and she said more.\n\n“I am, as it were,” she concluded, “the chaperon of my young cousin,\nLucy, and it would be a serious thing if I put her under an obligation to people of whom we know nothing. His manner was somewhat unfortunate.\nI hope I acted for the best.”\n\n" - "“You acted very naturally,” said he. He seemed thoughtful, and after a few moments added: “All the same, I don’t think much harm would have come of accepting.”\n\n“No _harm_, of course. But we could not be under an obligation.”\n\n" @@ -79,7 +80,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It was pleasant to wake up in Florence, to open the eyes upon a bright bare room, with a floor of red tiles which look clean though they are not; with a painted ceiling whereon pink griffins and blue amorini sport in a forest of yellow violins and bassoons. It was pleasant, too,\n" - "to fling wide the windows, pinching the fingers in unfamiliar fastenings, to lean out into sunshine with beautiful hills and trees and marble churches opposite, and close below, the Arno, gurgling against the embankment of the road.\n\n" - "Over the river men were at work with spades and sieves on the sandy foreshore, and on the river was a boat, also diligently employed for some mysterious end. An electric tram came rushing underneath the window. No one was inside it, except one tourist; but its platforms were overflowing with Italians, who preferred to stand. Children tried to hang on behind, and the conductor, with no malice, spat in their faces to make them let go. " -- "Then soldiers appeared—good-looking,\nundersized men—wearing each a knapsack covered with mangy fur, and a great-coat which had been cut for some larger soldier. Beside them walked officers, looking foolish and fierce, and before them went little boys, turning somersaults in time with the band. The tramcar became entangled in their ranks, and moved on painfully, like a caterpillar in a swarm of ants. " +- "Then soldiers appeared—good-looking,\n" +- "undersized men—wearing each a knapsack covered with mangy fur, and a great-coat which had been cut for some larger soldier. Beside them walked officers, looking foolish and fierce, and before them went little boys, turning somersaults in time with the band. The tramcar became entangled in their ranks, and moved on painfully, like a caterpillar in a swarm of ants. " - "One of the little boys fell down, and some white bullocks came out of an archway. Indeed, if it had not been for the good advice of an old man who was selling button-hooks, the road might never have got clear.\n\n" - "Over such trivialities as these many a valuable hour may slip away, and the traveller who has gone to Italy to study the tactile values of Giotto, or the corruption of the Papacy, may return remembering nothing but the blue sky and the men and women who live under it. " - "So it was as well that Miss Bartlett should tap and come in, and having commented on Lucy’s leaving the door unlocked, and on her leaning out of the window before she was fully dressed, should urge her to hasten herself, or the best of the day would be gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs.\n\n" @@ -100,7 +102,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss Lavish was not disgusted, and said it was just the size of her aunt’s Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:\n\n“Bless us! Bless us and save us! We’ve lost the way.”\n\n" - "Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings.\n\n" - "“Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us!\nWhat are we to do? Two lone females in an unknown town. Now, this is what _I_ call an adventure.”\n\nLucy, who wanted to see Santa Croce, suggested, as a possible solution,\nthat they should ask the way there.\n\n" -- "“Oh, but that is the word of a craven! And no, you are not, not, _not_ to look at your Baedeker. Give it to me; I shan’t let you carry it. We will simply drift.”\n\nAccordingly they drifted through a series of those grey-brown streets,\nneither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa,\n" +- "“Oh, but that is the word of a craven! And no, you are not, not, _not_ to look at your Baedeker. Give it to me; I shan’t let you carry it. We will simply drift.”\n\n" +- "Accordingly they drifted through a series of those grey-brown streets,\nneither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa,\n" - "and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. " - "Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile.\n\n" - "The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza,\n" @@ -160,9 +163,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "before she lost Baedeker. The dear George, now striding towards them over the tombstones, seemed both pitiable and absurd. He approached,\nhis face in the shadow. He said:\n\n“Miss Bartlett.”\n\n“Oh, good gracious me!” said Lucy, suddenly collapsing and again seeing the whole of life in a new perspective. “Where? Where?”\n\n“In the nave.”\n\n“I see. Those gossiping little Miss Alans must have—” She checked herself.\n\n" - "“Poor girl!” exploded Mr. Emerson. “Poor girl!”\n\nShe could not let this pass, for it was just what she was feeling herself.\n\n" - "“Poor girl? I fail to understand the point of that remark. I think myself a very fortunate girl, I assure you. I’m thoroughly happy, and having a splendid time. Pray don’t waste time mourning over _me_.\nThere’s enough sorrow in the world, isn’t there, without trying to invent it. Good-bye. Thank you both so much for all your kindness. Ah,\n" -- "yes! there does come my cousin. A delightful morning! Santa Croce is a wonderful church.”\n\nShe joined her cousin.\n\n\n\n\nChapter III Music, Violets, and the Letter “S”\n\n\nIt so happened that Lucy, who found daily life rather chaotic, entered a more solid world when she opened the piano. She was then no longer either deferential or patronizing; no longer either a rebel or a slave.\n" +- "yes! there does come my cousin. A delightful morning! Santa Croce is a wonderful church.”\n\nShe joined her cousin.\n\n\n\n\nChapter III Music, Violets, and the Letter “S”\n\n\n" +- "It so happened that Lucy, who found daily life rather chaotic, entered a more solid world when she opened the piano. She was then no longer either deferential or patronizing; no longer either a rebel or a slave.\n" - "The kingdom of music is not the kingdom of this world; it will accept those whom breeding and intellect and culture have alike rejected. The commonplace person begins to play, and shoots into the empyrean without effort, whilst we look up, marvelling how he has escaped us, and thinking how we could worship him and love him, would he but translate his visions into human words, and his experiences into human actions.\n" -- "Perhaps he cannot; certainly he does not, or does so very seldom. Lucy had done so never.\n\nShe was no dazzling _exécutante;_ her runs were not at all like strings of pearls, and she struck no more right notes than was suitable for one of her age and situation. Nor was she the passionate young lady, who performs so tragically on a summer’s evening with the window open.\n" +- "Perhaps he cannot; certainly he does not, or does so very seldom. Lucy had done so never.\n\n" +- "She was no dazzling _exécutante;_ her runs were not at all like strings of pearls, and she struck no more right notes than was suitable for one of her age and situation. Nor was she the passionate young lady, who performs so tragically on a summer’s evening with the window open.\n" - "Passion was there, but it could not be easily labelled; it slipped between love and hatred and jealousy, and all the furniture of the pictorial style. And she was tragical only in the sense that she was great, for she loved to play on the side of Victory. Victory of what and over what—that is more than the words of daily life can tell us.\n" - "But that some sonatas of Beethoven are written tragic no one can gainsay; yet they can triumph or despair as the player decides, and Lucy had decided that they should triumph.\n\n" - "A very wet afternoon at the Bertolini permitted her to do the thing she really liked, and after lunch she opened the little draped piano. A few people lingered round and praised her playing, but finding that she made no reply, dispersed to their rooms to write up their diaries or to sleep. She took no notice of Mr. Emerson looking for his son, nor of Miss Bartlett looking for Miss Lavish, nor of Miss Lavish looking for her cigarette-case. " @@ -171,7 +176,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "under the auspices of their vicar, sang, or recited, or imitated the drawing of a champagne cork. Among the promised items was “Miss Honeychurch. Piano. Beethoven,” and Mr. Beebe was wondering whether it would be Adelaida, or the march of The Ruins of Athens, when his composure was disturbed by the opening bars of Opus III. " - "He was in suspense all through the introduction, for not until the pace quickens does one know what the performer intends. With the roar of the opening theme he knew that things were going extraordinarily; in the chords that herald the conclusion he heard the hammer strokes of victory. He was glad that she only played the first movement, for he could have paid no attention to the winding intricacies of the measures of nine-sixteen. The audience clapped, no less respectful. It was Mr.\n" - "Beebe who started the stamping; it was all that one could do.\n\n“Who is she?” he asked the vicar afterwards.\n\n“Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs.”\n\n“Introduce me.”\n\n" -- "“She will be delighted. She and Miss Bartlett are full of the praises of your sermon.”\n\n“My sermon?” cried Mr. Beebe. “Why ever did she listen to it?”\n\nWhen he was introduced he understood why, for Miss Honeychurch,\n" +- "“She will be delighted. She and Miss Bartlett are full of the praises of your sermon.”\n\n“My sermon?” cried Mr. Beebe. “Why ever did she listen to it?”\n\n" +- "When he was introduced he understood why, for Miss Honeychurch,\n" - "disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him:\n\n" - "“If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her.”\n\nLucy at once re-entered daily life.\n\n“Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet.”\n\n“Doesn’t Mrs. Honeychurch like music?”\n\n" - "“She doesn’t mind it. But she doesn’t like one to get excited over anything; she thinks I am silly about it. She thinks—I can’t make out.\nOnce, you know, I said that I liked my own playing better than any one’s. She has never got over it. Of course, I didn’t mean that I played well; I only meant—”\n\n“Of course,” said he, wondering why she bothered to explain.\n\n" @@ -197,7 +203,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She told Teresa and Miss Pole the other day that she had got up all the local colour—this novel is to be about modern Italy; the other was historical—but that she could not start till she had an idea. First she tried Perugia for an inspiration,\nthen she came here—this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them.”\n\n" - "Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.\n\n“All the same, she is a little too—I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived.”\n\n" - "Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.\n\n“I don’t know, Miss Honeychurch, if you have noticed that Miss Pole,\nthe lady who has so much yellow hair, takes lemonade. That old Mr.\nEmerson, who puts things very strangely—”\n\n" -- "Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:\n\n“Stomach. He warned Miss Pole of her stomach-acidity, he called it—and he may have meant to be kind. I must say I forgot myself and laughed;\n" +- "Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:\n\n" +- "“Stomach. He warned Miss Pole of her stomach-acidity, he called it—and he may have meant to be kind. I must say I forgot myself and laughed;\n" - "it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively _attracted_ by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers—‘drummers’ was the word she used—and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce. " - "Teresa was very much annoyed, and left the table before the cheese, saying as she did so: ‘There, Miss Lavish, is one who can confute you better than I,’ and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said: ‘Tut! The early Victorians.’ Just imagine! ‘Tut! The early Victorians.’ My sister had gone, and I felt bound to speak. " - "I said: ‘Miss Lavish, _I_ am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.’ It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr. " @@ -223,7 +230,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war—a radiant crust, built around the central fires, spinning towards the receding heavens. " - "Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self.\n\n" - "Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. " -- "As she might not go on the electric tram, she went to Alinari’s shop.\n\nThere she bought a photograph of Botticelli’s “Birth of Venus.” Venus,\n" +- "As she might not go on the electric tram, she went to Alinari’s shop.\n\n" +- "There she bought a photograph of Botticelli’s “Birth of Venus.” Venus,\n" - "being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione’s “Tempesta,” the “Idolino,” some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico’s “Coronation,” Giotto’s “Ascension of St. " - "John,” some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name.\n\n" - "But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. “The world,” she thought, “is certainly full of beautiful things, if only I could come across them.” It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy.\n\n" @@ -241,7 +249,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day,\nand joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her,\n“Oh, what have I done?”—the thought that she, as well as the dying man,\nhad crossed some spiritual boundary.\n\n" - "He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her,\nshe walked firmly enough towards the Arno. There a cabman signalled to them; they refused him.\n\n" - "“And the murderer tried to kiss him, you say—how very odd Italians are!—and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday—What was that?”\n\nHe had thrown something into the stream.\n\n“What did you throw in?”\n\n“Things I didn’t want,” he said crossly.\n\n“Mr. Emerson!”\n\n“Well?”\n\n“Where are the photographs?”\n\n" -- "He was silent.\n\n“I believe it was my photographs that you threw away.”\n\n“I didn’t know what to do with them,” he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time.\n" +- "He was silent.\n\n“I believe it was my photographs that you threw away.”\n\n" +- "“I didn’t know what to do with them,” he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time.\n" - "“They were covered with blood. There! I’m glad I’ve told you; and all the time we were making conversation I was wondering what to do with them.” He pointed down-stream. “They’ve gone.” The river swirled under the bridge, “I did mind them so, and one is so foolish, it seemed better that they should go out to the sea—I don’t know; I may just mean that they frightened me.” Then the boy verged into a man. " - "“For something tremendous has happened; I must face it without getting muddled. It isn’t exactly that a man has died.”\n\nSomething warned Lucy that she must stop him.\n\n“It has happened,” he repeated, “and I mean to find out what it is.”\n\n“Mr. Emerson—”\n\nHe turned towards her frowning, as if she had disturbed him in some abstract quest.\n\n“I want to ask you something before we go in.”\n\n" - "They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying:\n\n“I have behaved ridiculously.”\n\nHe was following his own thoughts.\n\n“I was never so much ashamed of myself in my life; I cannot think what came over me.”\n\n" @@ -290,9 +299,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Surely the vendor of photographs was in league with Lucy—in the eternal league of Italy with youth. He had suddenly extended his book before Miss Bartlett and Mr. Eager, binding their hands together by a long glossy ribbon of churches, pictures, and views.\n\n" - "“This is too much!” cried the chaplain, striking petulantly at one of Fra Angelico’s angels. She tore. A shrill cry rose from the vendor. The book it seemed, was more valuable than one would have supposed.\n\n“Willingly would I purchase—” began Miss Bartlett.\n\n“Ignore him,” said Mr. Eager sharply, and they all walked rapidly away from the square.\n\n" - "But an Italian can never be ignored, least of all when he has a grievance. His mysterious persecution of Mr. Eager became relentless;\nthe air rang with his threats and lamentations. He appealed to Lucy;\nwould not she intercede? He was poor—he sheltered a family—the tax on bread. He waited, he gibbered, he was recompensed, he was dissatisfied,\n" -- "he did not leave them until he had swept their minds clean of all thoughts whether pleasant or unpleasant.\n\nShopping was the topic that now ensued. " +- "he did not leave them until he had swept their minds clean of all thoughts whether pleasant or unpleasant.\n\n" +- "Shopping was the topic that now ensued. " - "Under the chaplain’s guidance they selected many hideous presents and mementoes—florid little picture-frames that seemed fashioned in gilded pastry; other little frames, more severe, that stood on little easels, and were carven out of oak; a blotting book of vellum; a Dante of the same material; cheap mosaic brooches, which the maids, next Christmas, would never tell from real; pins, pots, heraldic saucers," -- " brown art-photographs; Eros and Psyche in alabaster; St. Peter to match—all of which would have cost less in London.\n\nThis successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough,\n" +- " brown art-photographs; Eros and Psyche in alabaster; St. Peter to match—all of which would have cost less in London.\n\n" +- "This successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough,\n" - "ceased to respect them. She doubted that Miss Lavish was a great artist. She doubted that Mr. Eager was as full of spirituality and culture as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte—as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her.\n\n" - "“The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton.”\n\nThey were talking about the Emersons.\n\n“How wonderfully people rise in these days!” sighed Miss Bartlett,\nfingering a model of the leaning Tower of Pisa.\n\n" - "“Generally,” replied Mr. Eager, “one has only sympathy for their success. The desire for education and for social advance—in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence—little as they would make of it.”\n\n“Is he a journalist now?” Miss Bartlett asked.\n\n“He is not; he made an advantageous marriage.”\n\n" @@ -323,7 +334,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion.\n\n\n\n\nChapter VI The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson,\nMr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them.\n\n\n" - "It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master’s horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab. " - "And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister—Persephone, tall and slender and pale, returning with the Spring to her mother’s cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition. " -- "But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god.\n\nPhaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr.\n" +- "But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god.\n\n" +- "Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr.\n" - "Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party. " - "And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind.\n\n" - "It was hard on the poor chaplain to have his _partie carrée_ thus transformed. Tea at a Renaissance villa, if he had ever meditated it,\nwas now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God—they should enter no villa at his introduction.\n\n" @@ -384,12 +396,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Eccolo!” he exclaimed.\n\nAt the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end.\n\n“Courage!” cried her companion, now standing some six feet above.\n“Courage and love.”\n\n" - "She did not answer. From her feet the ground sloped sharply into view,\nand violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth.\n\n" - "Standing at its brink, like a swimmer who prepares, was the good man.\nBut he was not the good man that she had expected, and he was alone.\n\nGeorge had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her.\n\n" -- "Before she could speak, almost before she could feel, a voice called,\n“Lucy! Lucy! Lucy!” The silence of life had been broken by Miss Bartlett who stood brown against the view.\n\n\n\n\nChapter VII They Return\n\n\nSome complicated game had been playing up and down the hillside all the afternoon. What it was and exactly how the players had sided, Lucy was slow to discover. Mr. Eager had met them with a questioning eye.\n" +- "Before she could speak, almost before she could feel, a voice called,\n“Lucy! Lucy! Lucy!” The silence of life had been broken by Miss Bartlett who stood brown against the view.\n\n\n\n\nChapter VII They Return\n\n\n" +- "Some complicated game had been playing up and down the hillside all the afternoon. What it was and exactly how the players had sided, Lucy was slow to discover. Mr. Eager had met them with a questioning eye.\n" - "Charlotte had repulsed him with much small talk. Mr. Emerson, seeking his son, was told whereabouts to find him. Mr. Beebe, who wore the heated aspect of a neutral, was bidden to collect the factions for the return home. There was a general sense of groping and bewilderment. " - "Pan had been amongst them—not the great god Pan, who has been buried these two thousand years, but the little god Pan, who presides over social contretemps and unsuccessful picnics. Mr. Beebe had lost everyone, and had consumed in solitude the tea-basket which he had brought up as a pleasant surprise. Miss Lavish had lost Miss Bartlett. Lucy had lost Mr. Eager. Mr. Emerson had lost George. " - "Miss Bartlett had lost a mackintosh square. Phaethon had lost the game.\n\nThat last fact was undeniable. He climbed on to the box shivering, with his collar up, prophesying the swift approach of bad weather. “Let us go immediately,” he told them. “The signorino will walk.”\n\n“All the way? He will be hours,” said Mr. Beebe.\n\n" - "“Apparently. I told him it was unwise.” He would look no one in the face; perhaps defeat was particularly mortifying for him. He alone had played skilfully, using the whole of his instinct, while the others had used scraps of their intelligence. He alone had divined what things were, and what he wished them to be. He alone had interpreted the message that Lucy had received five days before from the lips of a dying man. " -- "Persephone, who spends half her life in the grave—she could interpret it also. Not so these English. They gain knowledge slowly,\nand perhaps too late.\n\nThe thoughts of a cab-driver, however just, seldom affect the lives of his employers. He was the most competent of Miss Bartlett’s opponents,\n" +- "Persephone, who spends half her life in the grave—she could interpret it also. Not so these English. They gain knowledge slowly,\nand perhaps too late.\n\n" +- "The thoughts of a cab-driver, however just, seldom affect the lives of his employers. He was the most competent of Miss Bartlett’s opponents,\n" - "but infinitely the least dangerous. Once back in the town, he and his insight and his knowledge would trouble English ladies no more. Of course, it was most unpleasant; she had seen his black head in the bushes; he might make a tavern story out of it. But after all, what have we to do with taverns? Real menace belongs to the drawing-room. It was of drawing-room people that Miss Bartlett thought as she journeyed downwards towards the fading sun. " - "Lucy sat beside her; Mr. Eager sat opposite, trying to catch her eye; he was vaguely suspicious. They spoke of Alessio Baldovinetti.\n\nRain and darkness came on together. The two ladies huddled together under an inadequate parasol. There was a lightning flash, and Miss Lavish who was nervous, screamed from the carriage in front. At the next flash, Lucy screamed also. Mr. Eager addressed her professionally:\n\n" - "“Courage, Miss Honeychurch, courage and faith. If I might say so, there is something almost blasphemous in this horror of the elements. Are we seriously to suppose that all these clouds, all this immense electrical display, is simply called into existence to extinguish you or me?”\n\n“No—of course—”\n\n" @@ -398,7 +412,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Mr. Eager!” called Mr. Beebe. “We want your assistance. Will you interpret for us?”\n\n“George!” cried Mr. Emerson. “Ask your driver which way George went.\nThe boy may lose his way. He may be killed.”\n\n“Go, Mr. Eager,” said Miss Bartlett, “don’t ask our driver; our driver is no help. Go and support poor Mr. Beebe—, he is nearly demented.”\n\n" - "“He may be killed!” cried the old man. “He may be killed!”\n\n“Typical behaviour,” said the chaplain, as he quitted the carriage. “In the presence of reality that kind of person invariably breaks down.”\n\n“What does he know?” whispered Lucy as soon as they were alone.\n“Charlotte, how much does Mr. Eager know?”\n\n" - "“Nothing, dearest; he knows nothing. But—” she pointed at the driver—“_he_ knows everything. Dearest, had we better? Shall I?” She took out her purse. “It is dreadful to be entangled with low-class people. He saw it all.” Tapping Phaethon’s back with her guide-book,\nshe said, “Silenzio!” and offered him a franc.\n\n" -- "“Va bene,” he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him.\n\nThere was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity,\n" +- "“Va bene,” he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him.\n\n" +- "There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity,\n" - "which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good.\n\n" - "The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that,\neven if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers,\nthrough miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin.\n\n" - "“Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can understand me. You warned me to be careful. And I—I thought I was developing.”\n\n“Do not cry, dearest. Take your time.”\n\n“I have been obstinate and silly—worse than you know, far worse. Once by the river—Oh, but he isn’t killed—he wouldn’t be killed, would he?”\n\n" @@ -408,7 +423,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Don’t be troubled, dearest. Wait till you are calmer. We will talk it over before bed-time in my room.”\n\n" - "So they re-entered the city with hands clasped. It was a shock to the girl to find how far emotion had ebbed in others. The storm had ceased,\nand Mr. Emerson was easier about his son. Mr. Beebe had regained good humour, and Mr. Eager was already snubbing Miss Lavish. Charlotte alone she was sure of—Charlotte, whose exterior concealed so much insight and love.\n\n" - "The luxury of self-exposure kept her almost happy through the long evening. She thought not so much of what had happened as of how she should describe it. All her sensations, her spasms of courage, her moments of unreasonable joy, her mysterious discontent, should be carefully laid before her cousin. And together in divine confidence they would disentangle and interpret them all.\n\n" -- "“At last,” thought she, “I shall understand myself. I shan’t again be troubled by things that come out of nothing, and mean I don’t know what.”\n\nMiss Alan asked her to play. She refused vehemently. Music seemed to her the employment of a child. She sat close to her cousin, who, with commendable patience, was listening to a long story about lost luggage.\n" +- "“At last,” thought she, “I shall understand myself. I shan’t again be troubled by things that come out of nothing, and mean I don’t know what.”\n\n" +- "Miss Alan asked her to play. She refused vehemently. Music seemed to her the employment of a child. She sat close to her cousin, who, with commendable patience, was listening to a long story about lost luggage.\n" - "When it was over she capped it by a story of her own. Lucy became rather hysterical with the delay. In vain she tried to check, or at all events to accelerate, the tale. It was not till a late hour that Miss Bartlett had recovered her luggage and could say in her usual tone of gentle reproach:\n\n“Well, dear, I at all events am ready for Bedfordshire. Come into my room, and I will give a good brush to your hair.”\n\n" - "With some solemnity the door was shut, and a cane chair placed for the girl. Then Miss Bartlett said “So what is to be done?”\n\nShe was unprepared for the question. It had not occurred to her that she would have to do anything. A detailed exhibition of her emotions was all that she had counted upon.\n\n“What is to be done? A point, dearest, which you alone can settle.”\n\n" - "The rain was streaming down the black windows, and the great room felt damp and chilly, One candle burnt trembling on the chest of drawers close to Miss Bartlett’s toque, which cast monstrous and fantastic shadows on the bolted door. A tram roared by in the dark, and Lucy felt unaccountably sad, though she had long since dried her eyes. " @@ -442,7 +458,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The door-bell rang, and she started to the shutters. Before she reached them she hesitated, turned, and blew out the candle. Thus it was that,\nthough she saw someone standing in the wet below, he, though he looked up, did not see her.\n\n" - "To reach his room he had to go by hers. She was still dressed. It struck her that she might slip into the passage and just say that she would be gone before he was up, and that their extraordinary intercourse was over.\n\nWhether she would have dared to do this was never proved. At the critical moment Miss Bartlett opened her own door, and her voice said:\n\n“I wish one word with you in the drawing-room, Mr. Emerson, please.”\n\n" - "Soon their footsteps returned, and Miss Bartlett said: “Good-night, Mr.\nEmerson.”\n\nHis heavy, tired breathing was the only reply; the chaperon had done her work.\n\nLucy cried aloud: “It isn’t true. It can’t all be true. I want not to be muddled. I want to grow older quickly.”\n\nMiss Bartlett tapped on the wall.\n\n“Go to bed at once, dear. You need all the rest you can get.”\n\n" -- "In the morning they left for Rome.\n\n\n\n\nPART TWO\n\n\n\n\nChapter VIII Medieval\n\n\nThe drawing-room curtains at Windy Corner had been pulled to meet, for the carpet was new and deserved protection from the August sun. They were heavy curtains, reaching almost to the ground, and the light that filtered through them was subdued and varied. A poet—none was present—might have quoted, “Life like a dome of many coloured glass,”\n" +- "In the morning they left for Rome.\n\n\n\n\nPART TWO\n\n\n\n\nChapter VIII Medieval\n\n\n" +- "The drawing-room curtains at Windy Corner had been pulled to meet, for the carpet was new and deserved protection from the August sun. They were heavy curtains, reaching almost to the ground, and the light that filtered through them was subdued and varied. A poet—none was present—might have quoted, “Life like a dome of many coloured glass,”\n" - "or might have compared the curtains to sluice-gates, lowered against the intolerable tides of heaven. Without was poured a sea of radiance;\nwithin, the glory, though visible, was tempered to the capacities of man.\n\n" - "Two pleasant people sat in the room. One—a boy of nineteen—was studying a small manual of anatomy, and peering occasionally at a bone which lay upon the piano. From time to time he bounced in his chair and puffed and groaned, for the day was hot and the print small, and the human frame fearfully made; and his mother, who was writing a letter, did continually read out to him what she had written. " - "And continually did she rise from her seat and part the curtains so that a rivulet of light fell across the carpet, and make the remark that they were still there.\n\n“Where aren’t they?” said the boy, who was Freddy, Lucy’s brother. “I tell you I’m getting fairly sick.”\n\n“For goodness’ sake go out of my drawing-room, then?” cried Mrs.\nHoneychurch, who hoped to cure her children of slang by taking it literally.\n\n" @@ -452,7 +469,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I said: ‘Dear Mrs. Vyse, Cecil has just asked my permission about it,\nand I should be delighted, if Lucy wishes it. But—’” She stopped reading, “I was rather amused at Cecil asking my permission at all. He has always gone in for unconventionality, and parents nowhere, and so forth. When it comes to the point, he can’t get on without me.”\n\n“Nor me.”\n\n“You?”\n\nFreddy nodded.\n\n“What do you mean?”\n\n" - "“He asked me for my permission also.”\n\nShe exclaimed: “How very odd of him!”\n\n“Why so?” asked the son and heir. “Why shouldn’t my permission be asked?”\n\n“What do you know about Lucy or girls or anything? What ever did you say?”\n\n“I said to Cecil, ‘Take her or leave her; it’s no business of mine!’”\n\n“What a helpful answer!” But her own answer, though more normal in its wording, had been to the same effect.\n\n" - "“The bother is this,” began Freddy.\n\nThen he took up his work again, too shy to say what the bother was.\nMrs. Honeychurch went back to the window.\n\n“Freddy, you must come. There they still are!”\n\n“I don’t see you ought to go peeping like that.”\n\n“Peeping like that! Can’t I look out of my own window?”\n\n" -- "But she returned to the writing-table, observing, as she passed her son, “Still page 322?” Freddy snorted, and turned over two leaves. For a brief space they were silent. Close by, beyond the curtains, the gentle murmur of a long conversation had never ceased.\n\n“The bother is this: I have put my foot in it with Cecil most awfully.”\n" +- "But she returned to the writing-table, observing, as she passed her son, “Still page 322?” Freddy snorted, and turned over two leaves. For a brief space they were silent. Close by, beyond the curtains, the gentle murmur of a long conversation had never ceased.\n\n" +- "“The bother is this: I have put my foot in it with Cecil most awfully.”\n" - "He gave a nervous gulp. “Not content with ‘permission’, which I did give—that is to say, I said, ‘I don’t mind’—well, not content with that, he wanted to know whether I wasn’t off my head with joy. He practically put it like this: Wasn’t it a splendid thing for Lucy and for Windy Corner generally if he married her? And he would have an answer—he said it would strengthen his hand.”\n\n" - "“I hope you gave a careful answer, dear.”\n\n“I answered ‘No’” said the boy, grinding his teeth. “There! Fly into a stew! I can’t help it—had to say it. I had to say no. He ought never to have asked me.”\n\n" - "“Ridiculous child!” cried his mother. “You think you’re so holy and truthful, but really it’s only abominable conceit. Do you suppose that a man like Cecil would take the slightest notice of anything you say? I hope he boxed your ears. How dare you say no?”\n\n" @@ -513,7 +531,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way.\nMr. Vyse, you ought to have stopped me.” And down the garden he saw Lucy herself; yes, he was disappointed.\n\n" - "Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered.\n\nOccasionally he could be quite crude.\n\n" - "“I am sorry I have given you a shock,” he said dryly. “I fear that Lucy’s choice does not meet with your approval.”\n\n“Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn’t to have discussed her so freely with any one; certainly not with you.”\n\n“You are conscious of having said something indiscreet?”\n\n" -- "Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.\n\n“No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it.\n" +- "Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.\n\n" +- "“No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it.\n" - "She has learnt—you will let me talk freely, as I have begun freely—she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides.” It was now time for him to wave his hat at the approaching trio. He did not omit to do so. “She has learnt through you,” and if his voice was still clerical, it was now also sincere; “let it be your care that her knowledge is profitable to her.”\n\n" - "“Grazie tante!” said Cecil, who did not like parsons.\n\n“Have you heard?” shouted Mrs. Honeychurch as she toiled up the sloping garden. “Oh, Mr. Beebe, have you heard the news?”\n\nFreddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.\n\n" - "“Indeed I have!” he cried. He looked at Lucy. In her presence he could not act the parson any longer—at all events not without apology. “Mrs.\nHoneychurch, I’m going to do what I am always supposed to do, but generally I’m too shy. I want to invoke every kind of blessing on them,\n" @@ -549,7 +568,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs.\nHoneychurch?”\n\nMrs. Honeychurch started and smiled. She had not been attending. Cecil,\nwho was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again.\n\n" - "Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross—the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood.\n\n“‘Come down, O maid, from yonder mountain height,’” he quoted, and touched her knee with his own.\n\nShe flushed again and said: “What height?”\n\n" - "“‘Come down, O maid, from yonder mountain height,\nWhat pleasure lives in height (the shepherd sang).\nIn height and in the splendour of the hills?’\n\n\nLet us take Mrs. Honeychurch’s advice and hate clergymen no more.\nWhat’s this place?”\n\n“Summer Street, of course,” said Lucy, and roused herself.\n\n" -- "The woods had opened to leave space for a sloping triangular meadow.\nPretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe’s house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. " +- "The woods had opened to leave space for a sloping triangular meadow.\n" +- "Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe’s house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. " - "The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas—the villas that had competed with Cecil’s engagement,\nhaving been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil.\n\n" - "“Cissie” was the name of one of these villas, “Albert” of the other.\nThese titles were not only picked out in shaded Gothic on the garden gates, but appeared a second time on the porches, where they followed the semicircular curve of the entrance arch in block capitals. “Albert”\n" - "was inhabited. His tortured garden was bright with geraniums and lobelias and polished shells. His little windows were chastely swathed in Nottingham lace. “Cissie” was to let. Three notice-boards, belonging to Dorking agents, lolled on her fence and announced the not surprising fact. Her paths were already weedy; her pocket-handkerchief of a lawn was yellow with dandelions.\n\n" @@ -648,7 +668,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "No, it was worse than temper—snobbishness. As long as Lucy thought that his own smart friends were supplanting the Miss Alans, she had not minded. He perceived that these new tenants might be of value educationally. He would tolerate the father and draw out the son, who was silent. In the interests of the Comic Muse and of Truth, he would bring them to Windy Corner.\n\n\n\n\nChapter XI In Mrs. Vyse’s Well-Appointed Flat\n\n\n" - "The Comic Muse, though able to look after her own interests, did not disdain the assistance of Mr. Vyse. His idea of bringing the Emersons to Windy Corner struck her as decidedly good, and she carried through the negotiations without a hitch. Sir Harry Otway signed the agreement,\n" - "met Mr. Emerson, who was duly disillusioned. The Miss Alans were duly offended, and wrote a dignified letter to Lucy, whom they held responsible for the failure. Mr. Beebe planned pleasant moments for the new-comers, and told Mrs. Honeychurch that Freddy must call on them as soon as they arrived. Indeed, so ample was the Muse’s equipment that she permitted Mr. " -- "Harris, never a very robust criminal, to droop his head, to be forgotten, and to die.\n\nLucy—to descend from bright heaven to earth, whereon there are shadows because there are hills—Lucy was at first plunged into despair, but settled after a little thought that it did not matter the very least.\n" +- "Harris, never a very robust criminal, to droop his head, to be forgotten, and to die.\n\n" +- "Lucy—to descend from bright heaven to earth, whereon there are shadows because there are hills—Lucy was at first plunged into despair, but settled after a little thought that it did not matter the very least.\n" - "Now that she was engaged, the Emersons would scarcely insult her and were welcome into the neighbourhood. And Cecil was welcome to bring whom he would into the neighbourhood. Therefore Cecil was welcome to bring the Emersons into the neighbourhood. But, as I say, this took a little thinking, and—so illogical are girls—the event remained rather greater and rather more dreadful than it should have done. She was glad that a visit to Mrs. " - "Vyse now fell due; the tenants moved into Cissie Villa while she was safe in the London flat.\n\n“Cecil—Cecil darling,” she whispered the evening she arrived, and crept into his arms.\n\nCecil, too, became demonstrative. He saw that the needful fire had been kindled in Lucy. At last she longed for attention, as a woman should,\nand looked up to him because he was a man.\n\n" - "“So you do love me, little thing?” he murmured.\n\n“Oh, Cecil, I do, I do! I don’t know what I should do without you.”\n\n" @@ -711,9 +732,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“These abrupt changes of vegetation—this little spongeous tract of water plants, and on either side of it all the growths are tough or brittle—heather, bracken, hurts, pines. Very charming, very charming.”\n\n“Mr. Beebe, aren’t you bathing?” called Freddy, as he stripped himself.\n\nMr. Beebe thought he was not.\n\n“Water’s wonderful!” cried Freddy, prancing in.\n\n" - "“Water’s water,” murmured George. Wetting his hair first—a sure sign of apathy—he followed Freddy into the divine, as indifferent as if he were a statue and the pond a pail of soapsuds. It was necessary to use his muscles. It was necessary to keep clean. Mr. Beebe watched them, and watched the seeds of the willow-herb dance chorically above their heads.\n\n" - "“Apooshoo, apooshoo, apooshoo,” went Freddy, swimming for two strokes in either direction, and then becoming involved in reeds or mud.\n\n“Is it worth it?” asked the other, Michelangelesque on the flooded margin.\n\nThe bank broke away, and he fell into the pool before he had weighed the question properly.\n\n“Hee-poof—I’ve swallowed a pollywog, Mr. Beebe, water’s wonderful,\nwater’s simply ripping.”\n\n" -- "“Water’s not so bad,” said George, reappearing from his plunge, and sputtering at the sun.\n\n“Water’s wonderful. Mr. Beebe, do.”\n\n“Apooshoo, kouf.”\n\nMr. Beebe, who was hot, and who always acquiesced where possible,\n" +- "“Water’s not so bad,” said George, reappearing from his plunge, and sputtering at the sun.\n\n“Water’s wonderful. Mr. Beebe, do.”\n\n“Apooshoo, kouf.”\n\n" +- "Mr. Beebe, who was hot, and who always acquiesced where possible,\n" - "looked around him. He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing to each other against the blue. How glorious it was! The world of motor-cars and rural Deans receded inimitably. Water, sky, evergreens, a wind—these things not even the seasons can touch, and surely they lie beyond the intrusion of man?\n\n" -- "“I may as well wash too”; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water.\n\nIt was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Götterdämmerung. " +- "“I may as well wash too”; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water.\n\n" +- "It was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Götterdämmerung. " - "But either because the rains had given a freshness or because the sun was shedding a most glorious heat, or because two of the gentlemen were young in years and the third young in spirit—for some reason or other a change came over them, and they forgot Italy and Botany and Fate. They began to play. Mr. Beebe and Freddy splashed each other. A little deferentially, they splashed George. He was quiet: they feared they had offended him. " - "Then all the forces of youth burst out.\nHe smiled, flung himself at them, splashed them, ducked them, kicked them, muddied them, and drove them out of the pool.\n\n“Race you round it, then,” cried Freddy, and they raced in the sunshine, and George took a short cut and dirtied his shins, and had to bathe a second time. Then Mr. Beebe consented to run—a memorable sight.\n\n" - "They ran to get dry, they bathed to get cool, they played at being Indians in the willow-herbs and in the bracken, they bathed to get clean. And all the time three little bundles lay discreetly on the sward, proclaiming:\n\n“No. We are what matters. Without us shall no enterprise begin. To us shall all flesh turn in the end.”\n\n" @@ -756,7 +779,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "So the grittiness went out of life. It generally did at Windy Corner.\nAt the last minute, when the social machine was clogged hopelessly, one member or other of the family poured in a drop of oil. Cecil despised their methods—perhaps rightly. At all events, they were not his own.\n\n" - "Dinner was at half-past seven. Freddy gabbled the grace, and they drew up their heavy chairs and fell to. Fortunately, the men were hungry.\nNothing untoward occurred until the pudding. Then Freddy said:\n\n“Lucy, what’s Emerson like?”\n\n“I saw him in Florence,” said Lucy, hoping that this would pass for a reply.\n\n“Is he the clever sort, or is he a decent chap?”\n\n“Ask Cecil; it is Cecil who brought him here.”\n\n" - "“He is the clever sort, like myself,” said Cecil.\n\nFreddy looked at him doubtfully.\n\n“How well did you know them at the Bertolini?” asked Mrs. Honeychurch.\n\n“Oh, very slightly. I mean, Charlotte knew them even less than I did.”\n\n“Oh, that reminds me—you never told me what Charlotte said in her letter.”\n\n" -- "“One thing and another,” said Lucy, wondering whether she would get through the meal without a lie. “Among other things, that an awful friend of hers had been bicycling through Summer Street, wondered if she’d come up and see us, and mercifully didn’t.”\n\n“Lucy, I do call the way you talk unkind.”\n\n“She was a novelist,” said Lucy craftily. The remark was a happy one,\n" +- "“One thing and another,” said Lucy, wondering whether she would get through the meal without a lie. “Among other things, that an awful friend of hers had been bicycling through Summer Street, wondered if she’d come up and see us, and mercifully didn’t.”\n\n“Lucy, I do call the way you talk unkind.”\n\n" +- "“She was a novelist,” said Lucy craftily. The remark was a happy one,\n" - "for nothing roused Mrs. Honeychurch so much as literature in the hands of females. She would abandon every topic to inveigh against those women who (instead of minding their houses and their children) seek notoriety by print. Her attitude was: “If books must be written, let them be written by men”; and she developed it at great length, while Cecil yawned and Freddy played at “This year, next year, now, never,”\n" - "with his plum-stones, and Lucy artfully fed the flames of her mother’s wrath. But soon the conflagration died down, and the ghosts began to gather in the darkness. There were too many ghosts about. The original ghost—that touch of lips on her cheek—had surely been laid long ago; it could be nothing to her that a man had kissed her on a mountain once.\n" - "But it had begotten a spectral family—Mr. Harris, Miss Bartlett’s letter, Mr. Beebe’s memories of violets—and one or other of these was bound to haunt her before Cecil’s very eyes. It was Miss Bartlett who returned now, and with appalling vividness.\n\n“I have been thinking, Lucy, of that letter of Charlotte’s. How is she?”\n\n“I tore the thing up.”\n\n" @@ -777,7 +801,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Now Cecil had explained psychology to her one wet afternoon, and all the troubles of youth in an unknown world could be dismissed.\n\n" - "It is obvious enough for the reader to conclude, “She loves young Emerson.” A reader in Lucy’s place would not find it obvious. Life is easy to chronicle, but bewildering to practice, and we welcome “nerves”\nor any other shibboleth that will cloak our personal desire. She loved Cecil; George made her nervous; will the reader explain to her that the phrases should have been reversed?\n\nBut the external situation—she will face that bravely.\n\n" - "The meeting at the Rectory had passed off well enough. Standing between Mr. Beebe and Cecil, she had made a few temperate allusions to Italy,\nand George had replied. She was anxious to show that she was not shy,\nand was glad that he did not seem shy either.\n\n“A nice fellow,” said Mr. Beebe afterwards “He will work off his crudities in time. I rather mistrust young men who slip into life gracefully.”\n\n" -- "Lucy said, “He seems in better spirits. He laughs more.”\n\n“Yes,” replied the clergyman. “He is waking up.”\n\nThat was all. But, as the week wore on, more of her defences fell, and she entertained an image that had physical beauty. In spite of the clearest directions, Miss Bartlett contrived to bungle her arrival. She was due at the South-Eastern station at Dorking, whither Mrs.\n" +- "Lucy said, “He seems in better spirits. He laughs more.”\n\n“Yes,” replied the clergyman. “He is waking up.”\n\n" +- "That was all. But, as the week wore on, more of her defences fell, and she entertained an image that had physical beauty. In spite of the clearest directions, Miss Bartlett contrived to bungle her arrival. She was due at the South-Eastern station at Dorking, whither Mrs.\n" - "Honeychurch drove to meet her. She arrived at the London and Brighton station, and had to hire a cab up. No one was at home except Freddy and his friend, who had to stop their tennis and to entertain her for a solid hour. Cecil and Lucy turned up at four o’clock, and these, with little Minnie Beebe, made a somewhat lugubrious sextette upon the upper lawn for tea.\n\n" - "“I shall never forgive myself,” said Miss Bartlett, who kept on rising from her seat, and had to be begged by the united company to remain. “I have upset everything. Bursting in on young people! But I insist on paying for my cab up. Grant that, at any rate.”\n\n" - "“Our visitors never do such dreadful things,” said Lucy, while her brother, in whose memory the boiled egg had already grown unsubstantial, exclaimed in irritable tones: “Just what I’ve been trying to convince Cousin Charlotte of, Lucy, for the last half hour.”\n\n“I do not feel myself an ordinary visitor,” said Miss Bartlett, and looked at her frayed glove.\n\n“All right, if you’d really rather. Five shillings, and I gave a bob to the driver.”\n\n" @@ -806,7 +831,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Suppose we don’t talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting.”\n\n" - "Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain.\n\n\n\n\nChapter XV The Disaster Within\n\n\n" - "The Sunday after Miss Bartlett’s arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable. " -- "Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells.\n\nThe garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. “The men say they won’t go”—“Well, I don’t blame them”—Minnie says, “need she go?”—“Tell her,\n" +- "Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells.\n\n" +- "The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. “The men say they won’t go”—“Well, I don’t blame them”—Minnie says, “need she go?”—“Tell her,\n" - "no nonsense”—“Anne! Mary! Hook me behind!”—“Dearest Lucia, may I trespass upon you for a pin?” For Miss Bartlett had announced that she at all events was one for church.\n\n" - "The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan;\n" - "on George Emerson cleaning his father’s boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly,\nas though acknowledging the caress.\n\n" @@ -844,7 +870,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Protégés!” she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl’s soul yearned.\n\n" - "“You shall see for yourself how your protégés are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don’t—” She nearly said, “Don’t protect him.” But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte.\n\n" - "Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed—either Cecil or Miss Bartlett or a Being not visible to the mortal eye—a Being who whispered to her soul: “It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men.” But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here. " -- "The sun, though it had moved a little since the morning,\nwould never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck’s Armide that year, and played from memory the music of the enchanted garden—the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. " +- "The sun, though it had moved a little since the morning,\n" +- "would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck’s Armide that year, and played from memory the music of the enchanted garden—the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland. " - "Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: “Now play us the other garden—the one in Parsifal.”\n\nShe closed the instrument.\n\n\n\n\n\n\n*** END OF THE PROJECT GUTENBERG EBOOK A ROOM WITH A VIEW ***\n\nUpdated editions will replace the previous one--the old editions will be renamed.\n\n" - "Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works,\nso the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark,\n" - "and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. " @@ -865,7 +892,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "If you are redistributing or providing access to a work with the phrase \"Project Gutenberg\" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9.\n\n" - "1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work.\n\n" - "1.E.4. 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" diff --git a/tests/snapshots/text_splitter_snapshots__tiktoken_default@room_with_a_view.txt.snap b/tests/snapshots/text_splitter_snapshots__tiktoken_default@room_with_a_view.txt.snap index 9853abf3..d8aeb641 100644 --- a/tests/snapshots/text_splitter_snapshots__tiktoken_default@room_with_a_view.txt.snap +++ b/tests/snapshots/text_splitter_snapshots__tiktoken_default@room_with_a_view.txt.snap @@ -34,7 +34,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Music, Violets, and the Letter “" - "S”\n Chapter IV. Fourth Chapter\n" - " Chapter V. Possibilities of a Pleasant Outing" -- "\n Chapter VI. " +- "\n" +- " Chapter VI. " - "The Reverend Arthur Beebe, the Reverend" - " Cuthbert Eager, Mr. " - "Emerson, Mr. " @@ -50,7 +51,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Chapter XII. Twelfth Chapter\n" - " Chapter XIII. " - "How Miss Bartlett’s Boiler Was So " -- "Tiresome\n Chapter XIV. " +- "Tiresome\n" +- " Chapter XIV. " - How Lucy Faced the External Situation Bravely - "\n Chapter XV. The Disaster Within\n" - " Chapter XVI. Lying to George\n" @@ -156,7 +158,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss Bartlett, in reply, opened her mouth" - " as little as possible, and said “Thank you" - " very much indeed; that is out of the question" -- ".”\n\n“Why?” " +- ".”\n\n" +- "“Why?” " - "said the old man, with both fists on the" - " table.\n\n" - "“Because it is quite out of the question," @@ -175,7 +178,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“There’s nothing else to say.”\n\n" - He did not look at the ladies as he spoke - ", but his voice was perplexed and sorrowful" -- ". Lucy, too, was perplexed; but" +- ". " +- "Lucy, too, was perplexed; but" - " she saw that they were in for what is known" - " as “quite a scene,” and she had an" - " odd feeling that whenever these ill-bred tourists spoke" @@ -203,7 +207,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Lucy, and began to toy again with the meat" - " that she had once censured.\n\n" - Lucy mumbled that those seemed very odd people -- " opposite.\n\n“Eat your dinner, dear. " +- " opposite.\n\n" +- "“Eat your dinner, dear. " - "This pension is a failure. " - "To-morrow we will make a change.”\n\n" - Hardly had she announced this fell decision when she @@ -213,9 +218,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - " who hurried forward to take his place at the table" - ",\n" - cheerfully apologizing for his lateness. -- " Lucy, who had not yet acquired decency," -- " at once rose to her feet, exclaiming" -- ": “Oh, oh! " +- " Lucy, who had not yet acquired decency, at" +- " once rose to her feet, exclaiming:" +- " “Oh, oh! " - "Why, it’s Mr.\n" - "Beebe! " - "Oh, how perfectly lovely! " @@ -254,7 +259,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I move into the Rectory at Summer Street next - " June. " - I am lucky to be appointed to such a charming -- " neighbourhood.”\n\n“Oh, how glad I am! " +- " neighbourhood.”\n\n" +- "“Oh, how glad I am! " - The name of our house is Windy Corner.” - " Mr. Beebe bowed.\n\n" - "“There is mother and me generally, and my brother" @@ -277,7 +283,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " concluded. " - “The first fine afternoon drive up to Fiesole - ", and round by Settignano, or" -- " something of that sort.”\n\n“No!” " +- " something of that sort.”\n\n" +- "“No!” " - cried a voice from the top of the table - ". “Mr. " - "Beebe, you are wrong. " @@ -421,7 +428,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He replied, with some irritation, that it would" - " be quite unnecessary,\n" - and got up from his seat to go to the -- " smoking-room.\n\n“Was I a bore?” " +- " smoking-room.\n\n" +- "“Was I a bore?” " - "said Miss Bartlett, as soon as he had" - " disappeared. " - "“Why didn’t you talk, Lucy? " @@ -495,7 +503,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "We were so sorry for you at dinner.”\n\n" - "“I think he was meaning to be kind.”\n\n" - "“Undoubtedly he was,” said Miss Bartlett" -- ".\n\n“Mr. " +- ".\n\n" +- "“Mr. " - Beebe has just been scolding me for - " my suspicious nature. " - "Of course, I was holding back on my " @@ -507,7 +516,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " not help feeling a great fool. " - No one was careful with her at home; or - ", at all events, she had not noticed it" -- ".\n\n“About old Mr. " +- ".\n\n" +- "“About old Mr. " - "Emerson—I hardly know. " - "No, he is not tactful; yet," - " have you ever noticed that there are people who do" @@ -563,7 +573,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ". Grant me that, at all events.”\n\n" - "Mr. " - "Beebe was back, saying rather nervously" -- ":\n\n“Mr. " +- ":\n\n" +- "“Mr. " - "Emerson is engaged, but here is his son" - " instead.”\n\n" - The young man gazed down on the three ladies @@ -580,7 +591,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Emerson scored a notable triumph to the delight of - " Mr. " - Beebe and to the secret delight of Lucy -- ".\n\n“Poor young man!” " +- ".\n\n" +- "“Poor young man!” " - "said Miss Bartlett, as soon as he had" - " gone.\n\n" - “How angry he is with his father about the rooms @@ -590,7 +602,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " ready,” said Mr. Beebe. " - "Then looking rather thoughtfully at the two cousins," - " he retired to his own rooms, to write up" -- " his philosophic diary.\n\n“Oh, dear!” " +- " his philosophic diary.\n\n" +- "“Oh, dear!” " - "breathed the little old lady, and " - shuddered as if all the winds of heaven - " had entered the apartment. " @@ -598,8 +611,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Her voice faded away, but Miss Bartlett seemed" - " to understand and a conversation developed, in which gentlemen" - " who did not thoroughly realize played a principal part." -- " Lucy, not realizing either, was reduced to" -- " literature. " +- " Lucy, not realizing either, was reduced to literature" +- ". " - Taking up Baedeker’s Handbook to Northern Italy - ",\n" - "she committed to memory the most important dates of " @@ -616,7 +629,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Naturally, dear. " - "It is my affair.”\n\n" - "“But I would like to help you.”\n\n" -- "“No, dear.”\n\nCharlotte’s energy! " +- "“No, dear.”\n\n" +- "Charlotte’s energy! " - "And her unselfishness! " - "She had been thus all her life, but really" - ", on this Italian tour, she was surpassing" @@ -665,7 +679,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It was then that she saw, pinned up over" - " the washstand, a sheet of paper on which" - " was scrawled an enormous note of interrogation." -- " Nothing more.\n\n“What does it mean?” " +- " Nothing more.\n\n" +- "“What does it mean?” " - "she thought, and she examined it carefully by the" - " light of a candle. " - "Meaningless at first, it gradually became menacing" @@ -681,7 +696,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " clean for him. " - "Then she completed her inspection of the room, sighed" - " heavily according to her habit, and went to bed" -- ".\n\n\n\n\nChapter II In Santa Croce with No " +- ".\n\n\n\n\n" +- "Chapter II In Santa Croce with No " - "Baedeker\n\n\n" - "It was pleasant to wake up in Florence, to" - " open the eyes upon a bright bare room, with" @@ -807,7 +823,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ".) " - Then Miss Lavish darted under the archway - " of the white bullocks, and she stopped," -- " and she cried:\n\n“A smell! " +- " and she cried:\n\n" +- "“A smell! " - "a true Florentine smell! " - "Every city, let me teach you, has its" - " own smell.”\n\n" @@ -839,9 +856,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Indeed, I’m not!” " - "exclaimed Lucy. " - "“We are Radicals, too, out and out" -- ".\nMy father always voted for Mr. " +- ".\n" +- "My father always voted for Mr. " - "Gladstone, until he was so dreadful about" -- " Ireland.”\n\n“I see, I see. " +- " Ireland.”\n\n" +- "“I see, I see. " - "And now you have gone over to the enemy.”\n\n" - "“Oh, please—! " - "If my father was alive, I am sure he" @@ -850,7 +869,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "And as it is, the glass over our front" - " door was broken last election, and Freddy is sure" - " it was the Tories; but mother says nonsense," -- " a tramp.”\n\n“Shameful! " +- " a tramp.”\n\n" +- "“Shameful! " - "A manufacturing district, I suppose?”\n\n" - "“No—in the Surrey hills. " - "About five miles from Dorking, looking over" @@ -895,7 +915,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "My dear Miss Lucy, during our political " - diatribes we have taken a wrong turning. - " How those horrid Conservatives would jeer at us" -- "!\nWhat are we to do? " +- "!\n" +- "What are we to do? " - "Two lone females in an unknown town. " - "Now, this is what _I_ call an" - " adventure.”\n\n" @@ -913,7 +934,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "neither commodious nor picturesque, in which the" - " eastern quarter of the city abounds. " - Lucy soon lost interest in the discontent of Lady -- " Louisa,\nand became discontented herself. " +- " Louisa,\n" +- "and became discontented herself. " - "For one ravishing moment Italy appeared. " - "She stood in the Square of the " - Annunziata and saw in the living terra @@ -1048,7 +1070,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Protestant as she was, Lucy darted" - " forward. She was too late. " - He fell heavily upon the prelate’s upturned -- " toes.\n\n“Hateful bishop!” " +- " toes.\n\n" +- "“Hateful bishop!” " - "exclaimed the voice of old Mr. " - "Emerson, who had darted forward also." - " “Hard in life, hard in death. " @@ -1103,12 +1126,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Are you doing the church? " - "Are you through with the church?”\n\n" - "“No,” cried Lucy, remembering her grievance." -- " " -- "“I came here with Miss Lavish, who was" -- " to explain everything; and just by the door—it" -- " is too bad!—she simply ran away," -- " and after waiting quite a time, I had to" -- " come in by myself.”\n\n" +- " “I came here with Miss Lavish, who" +- " was to explain everything; and just by the door" +- —it is too bad!—she simply ran away +- ", and after waiting quite a time, I had" +- " to come in by myself.”\n\n" - "“Why shouldn’t you?” said Mr. " - "Emerson.\n\n" - "“Yes, why shouldn’t you come by yourself?”" @@ -1164,7 +1186,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I am not touchy, I hope. " - It is the Giottos that I want to - " see, if you will kindly tell me which they" -- " are.”\n\nThe son nodded. " +- " are.”\n\n" +- "The son nodded. " - "With a look of sombre satisfaction, he led" - " the way to the Peruzzi Chapel. " - There was a hint of the teacher about him. @@ -1190,7 +1213,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " technical cleverness against a man who truly feels!”\n\n" - "“No!” exclaimed Mr. " - "Emerson, in much too loud a voice for" -- " church.\n“Remember nothing of the sort! " +- " church.\n" +- "“Remember nothing of the sort! " - "Built by faith indeed! " - That simply means the workmen weren’t paid properly - ". " @@ -1220,10 +1244,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - " there I should like my friends to lean out of" - " it, just as they do here.”\n\n" - "“You will never go up,” said his father." -- " " -- "“You and I, dear boy, will lie at" -- " peace in the earth that bore us, and our" -- " names will disappear as surely as our work survives.”\n\n" +- " “You and I, dear boy, will lie" +- " at peace in the earth that bore us, and" +- " our names will disappear as surely as our work survives" +- ".”\n\n" - “Some of the people can only see the empty - " grave, not the saint,\n" - "whoever he is, going up. " @@ -1277,7 +1301,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Because we think it improves our characters. " - But he is kind to people because he loves them - "; and they find him out, and are offended" -- ", or frightened.”\n\n“How silly of them!” " +- ", or frightened.”\n\n" +- "“How silly of them!” " - "said Lucy, though in her heart she sympathized" - "; “I think that a kind action done " - "tactfully—”\n\n“Tact!”\n\n" @@ -1342,7 +1367,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “It is so wonderful what they say about his tactile - " values. " - Though I like things like the Della Robbia -- " babies better.”\n\n“So you ought. " +- " babies better.”\n\n" +- "“So you ought. " - "A baby is worth a dozen saints. " - "And my baby’s worth the whole of Paradise," - " and as far as I can see he lives in" @@ -1401,7 +1427,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "asked Lucy fearfully, expecting some harrowing" - " tale.\n\n" - "“The old trouble; things won’t fit.”\n\n" -- "“What things?”\n\n“The things of the universe. " +- "“What things?”\n\n" +- "“The things of the universe. " - "It is quite true. They don’t.”\n\n" - "“Oh, Mr. " - "Emerson, whatever do you mean?”\n\n" @@ -1472,7 +1499,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " I think myself a very fortunate girl, I assure" - " you. " - "I’m thoroughly happy, and having a splendid time" -- ". Pray don’t waste time mourning over " +- ". " +- "Pray don’t waste time mourning over " - "_me_.\n" - "There’s enough sorrow in the world, isn’t" - " there, without trying to invent it. " @@ -1538,7 +1566,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " mere feel of the notes: they were fingers " - "caressing her own; and by touch, not" - " by sound alone, did she come to her desire" -- ".\n\nMr. " +- ".\n\n" +- "Mr. " - "Beebe, sitting unnoticed in the window," - " pondered this illogical element in Miss Honeychurch" - ", and recalled the occasion at Tunbridge Wells when" @@ -1606,7 +1635,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, what a funny thing! " - "Some one said just the same to mother, and" - " she said she trusted I should never live a " -- "duet.”\n\n“Doesn’t Mrs. " +- "duet.”\n\n" +- "“Doesn’t Mrs. " - "Honeychurch like music?”\n\n" - "“She doesn’t mind it. " - But she doesn’t like one to get excited over @@ -1783,7 +1813,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " her life’s work was carried away in a " - "landslip. " - "Surely that makes it more excusable.”\n\n" -- "“What was that?” asked Lucy.\n\nMr. " +- "“What was that?” asked Lucy.\n\n" +- "Mr. " - "Beebe sat back complacently, and" - " Miss Alan began as follows: “It was a" - " novel—and I am afraid, from what I can" @@ -1917,7 +1948,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Mr. Emerson does not think it worth telling.”\n\n" - "“Mr. Beebe—old Mr. " - "Emerson, is he nice or not nice?" -- " I do so want to know.”\n\nMr. " +- " I do so want to know.”\n\n" +- "Mr. " - Beebe laughed and suggested that she should settle - " the question for herself.\n\n" - "“No; but it is so difficult. " @@ -1983,7 +2015,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "quite politely, of course.”\n\n" - "“Most right of her. " - "They don’t understand our ways. " -- "They must find their level.”\n\nMr. " +- "They must find their level.”\n\n" +- "Mr. " - Beebe rather felt that they had gone under - ". " - They had given up their attempt—if it was one @@ -2009,13 +2042,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - " in a voice of relief. " - "“All the galleries are shut.”\n\n" - "“I think I shall go out,” said Lucy." -- " " -- “I want to go round the town in the circular -- " tram—on the platform by the driver.”\n\n" +- " “I want to go round the town in the" +- " circular tram—on the platform by the driver.”\n\n" - "Her two companions looked grave. Mr. " - "Beebe, who felt responsible for her in" - " the absence of Miss Bartlett, ventured to say" -- ":\n\n“I wish we could. " +- ":\n\n" +- "“I wish we could. " - "Unluckily I have letters. " - "If you do want to go out alone, " - "won’t you be better on your feet?”\n\n" @@ -2178,7 +2211,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "fell on to her softly, slowly, noiselessly" - ", and the sky fell with it.\n\n" - "She thought: “Oh, what have I done" -- "?”\n\n“Oh, what have I done?” " +- "?”\n\n" +- "“Oh, what have I done?” " - "she murmured, and opened her eyes.\n\n" - "George Emerson still looked at her, but not across" - " anything. " @@ -2202,7 +2236,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - The cries from the fountain—they had never ceased— - "rang emptily. " - The whole world seemed pale and void of its original -- " meaning.\n\n“How very kind you have been! " +- " meaning.\n\n" +- "“How very kind you have been! " - "I might have hurt myself falling. " - "But now I am well. " - "I can go alone, thank you.”\n\n" @@ -2213,7 +2248,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " I must have dropped them out there in the square" - ".” She looked at him cautiously. " - “Would you add to your kindness by fetching them -- "?”\n\nHe added to his kindness. " +- "?”\n\n" +- "He added to his kindness. " - "As soon as he had turned his back, Lucy" - " arose with the running of a maniac and stole" - " down the arcade towards the Arno.\n\n" @@ -2222,7 +2258,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “You sit still; you aren’t fit to go - " home alone.”\n\n" - "“Yes, I am, thank you so very much" -- ".”\n\n“No, you aren’t. " +- ".”\n\n" +- "“No, you aren’t. " - "You’d go openly if you were.”\n\n" - "“But I had rather—”\n\n" - "“Then I don’t fetch your photographs.”\n\n" @@ -2235,7 +2272,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - In the distance she saw creatures with black hoods - ", such as appear in dreams. " - The palace tower had lost the reflection of the declining -- " day,\nand joined itself to earth. " +- " day,\n" +- "and joined itself to earth. " - "How should she talk to Mr. " - Emerson when he returned from the shadowy square - "? Again the thought occurred to her,\n" @@ -2294,7 +2332,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He turned towards her frowning, as if she" - " had disturbed him in some abstract quest.\n\n" - “I want to ask you something before we go in -- ".”\n\nThey were close to their pension. " +- ".”\n\n" +- "They were close to their pension. " - "She stopped and leant her elbows against the " - "parapet of the embankment. " - "He did likewise. " @@ -2385,7 +2424,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " at dinner-time, had again passed to himself the" - " remark of “Too much Beethoven.” " - But he only supposed that she was ready for an -- " adventure,\nnot that she had encountered it. " +- " adventure,\n" +- "not that she had encountered it. " - This solitude oppressed her; she was accustomed to have - " her thoughts confirmed by others or, at all events" - ",\n" @@ -2405,7 +2445,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " who hated shopping, changing money, fetching letters," - " and other irksome duties—all of which Miss" - " Bartlett must accomplish this morning and could easily accomplish" -- " alone.\n\n“No, Charlotte!” " +- " alone.\n\n" +- "“No, Charlotte!” " - "cried the girl, with real warmth. " - "“It’s very kind of Mr. " - "Beebe, but I am certainly coming with" @@ -2457,10 +2498,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She hailed them briskly. " - The dreadful catastrophe of the previous day had given her - " an idea which she thought would work up into a" -- " book.\n\n“Oh, let me congratulate you!” " +- " book.\n\n" +- "“Oh, let me congratulate you!” " - "said Miss Bartlett. " - "“After your despair of yesterday! " -- "What a fortunate thing!”\n\n“Aha! " +- "What a fortunate thing!”\n\n" +- "“Aha! " - "Miss Honeychurch, come you here I am in" - " luck. " - "Now, you are to tell me absolutely everything that" @@ -2489,7 +2532,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - For the five-franc note she should substitute a - " young lady, which would raise the tone of the" - " tragedy, and at the same time furnish an excellent" -- " plot.\n\n“What is the heroine’s name?” " +- " plot.\n\n" +- "“What is the heroine’s name?” " - "asked Miss Bartlett.\n\n" - "“Leonora,” said Miss Lavish; her" - " own name was Eleanor.\n\n" @@ -2622,10 +2666,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - " more sincere.\n\n" - "“So we shall be a _partie " - "carrée_,” said the chaplain." -- " " -- “In these days of toil and tumult one has -- " great needs of the country and its message of purity" -- ". Andate via! " +- " “In these days of toil and tumult one" +- " has great needs of the country and its message of" +- " purity. Andate via! " - "andate presto, presto! " - "Ah, the town! " - "Beautiful as it is, it is the town.”\n\n" @@ -2731,7 +2774,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Lavish and by Mr. " - "Eager, she knew not why. " - "And as they frightened her, she had, strangely" -- " enough,\nceased to respect them. " +- " enough,\n" +- "ceased to respect them. " - She doubted that Miss Lavish was a great artist - ". She doubted that Mr. " - Eager was as full of spirituality and culture as @@ -2752,7 +2796,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“How wonderfully people rise in these days!” " - "sighed Miss Bartlett,\n" - fingering a model of the leaning Tower of -- " Pisa.\n\n“Generally,” replied Mr. " +- " Pisa.\n\n" +- "“Generally,” replied Mr. " - "Eager, “one has only sympathy for their" - " success. " - The desire for education and for social advance—in these @@ -2783,9 +2828,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - " a dramatic point he had interested his audience more than" - " he had intended. " - Miss Bartlett was full of very natural curiosity. -- " Lucy, though she wished never to see the" -- " Emersons again, was not disposed to condemn them" -- " on a single word.\n\n" +- " Lucy, though she wished never to see the " +- "Emersons again, was not disposed to condemn" +- " them on a single word.\n\n" - "“Do you mean,” she asked, “that" - " he is an irreligious man? " - "We know that already.”\n\n" @@ -2870,7 +2915,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Eager is really the same as the one we - " are going with Mr. " - "Beebe, then I foresee a sad kettle" -- " of fish.”\n\n“How?”\n\n“Because Mr. " +- " of fish.”\n\n“How?”\n\n" +- "“Because Mr. " - Beebe has asked Eleanor Lavish to come - ", too.”\n\n“That will mean another carriage.”\n\n" - "“Far worse. Mr. " @@ -2927,7 +2973,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "asked Miss Bartlett, flushed from the struggle" - ", and buttoning up her dress.\n\n" - "“I don’t know what I think, nor what" -- " I want.”\n\n“Oh, dear, Lucy! " +- " I want.”\n\n" +- "“Oh, dear, Lucy! " - "I do hope Florence isn’t boring you. " - "Speak the word,\n" - "and, as you know, I would take you" @@ -2992,14 +3039,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "No, you said you’d go to the ends" - " of the earth! Do! Do!”\n\n" - "Miss Bartlett, with equal vivacity, replied" -- ":\n\n“Oh, you droll person! " +- ":\n\n" +- "“Oh, you droll person! " - "Pray, what would become of your drive in" - " the hills?”\n\n" - They passed together through the gaunt beauty of the - " square, laughing over the unpractical suggestion.\n\n\n\n\n" - "Chapter VI The Reverend Arthur Beebe, the" - " Reverend Cuthbert Eager, Mr." -- " Emerson,\nMr. " +- " Emerson,\n" +- "Mr. " - "George Emerson, Miss Eleanor Lavish, Miss Charlotte" - " Bartlett, and Miss Lucy Honeychurch Drive Out" - " in Carriages to See a View; Italians Drive" @@ -3049,8 +3098,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Beebe, followed on behind.\n\n" - It was hard on the poor chaplain to have - " his _partie carrée_ thus transformed." -- " Tea at a Renaissance villa, if he had" -- " ever meditated it,\nwas now impossible. " +- " Tea at a Renaissance villa, if he had ever" +- " meditated it,\n" +- "was now impossible. " - Lucy and Miss Bartlett had a certain style - " about them, and Mr. " - "Beebe, though unreliable, was a man" @@ -3099,7 +3149,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "And now celestial irony, working through her cousin and" - " two clergymen, did not suffer her" - " to leave Florence till she had made this expedition with" -- " him through the hills.\n\nMeanwhile Mr. " +- " him through the hills.\n\n" +- "Meanwhile Mr. " - Eager held her in civil converse; their little - " tiff was over.\n\n" - "“So, Miss Honeychurch, you are travelling?" @@ -3155,7 +3206,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", does it not?”\n\n" - "“It does indeed!” cried Miss Lavish. " - "“Tell me, where do they place the scene" -- " of that wonderful seventh day?”\n\nBut Mr. " +- " of that wonderful seventh day?”\n\n" +- "But Mr. " - Eager proceeded to tell Miss Honeychurch that on - " the right lived Mr. " - "Someone Something, an American of the best type—" @@ -3190,7 +3242,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " head.\n\n" - "“Va bene, signore, va bene," - " va bene,” crooned the driver, and whipped" -- " his horses up again.\n\nNow Mr. " +- " his horses up again.\n\n" +- "Now Mr. " - Eager and Miss Lavish began to talk against - " each other on the subject of Alessio " - "Baldovinetti. " @@ -3314,7 +3367,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He would like to throw us out, and most" - " certainly he is justified. " - And if I were superstitious I’d be -- " frightened of the girl,\ntoo. " +- " frightened of the girl,\n" +- "too. " - It doesn’t do to injure young people. - " Have you ever heard of Lorenzo de Medici?”\n\n" - "Miss Lavish bristled.\n\n" @@ -3328,7 +3382,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Lorenzo the poet. " - He wrote a line—so I heard yesterday—which - " runs like this: ‘Don’t go fighting against" -- " the Spring.’”\n\nMr. " +- " the Spring.’”\n\n" +- "Mr. " - "Eager could not resist the opportunity for " - "erudition.\n\n" - "“Non fate guerra al Maggio,” he " @@ -3435,12 +3490,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Please, I’d rather stop here with you" - ".”\n\n" - "“No, I agree,” said Miss Lavish." -- " " -- “It’s like a school feast; the boys have -- " got separated from the girls. " +- " “It’s like a school feast; the boys" +- " have got separated from the girls. " - "Miss Lucy, you are to go. " - We wish to converse on high topics unsuited -- " for your ear.”\n\nThe girl was stubborn. " +- " for your ear.”\n\n" +- "The girl was stubborn. " - As her time at Florence drew to its close she - " was only at ease amongst those to whom she felt" - " indifferent. " @@ -3450,9 +3505,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " they were both annoyed at her remark and seemed determined" - " to get rid of her.\n\n" - "“How tired one gets,” said Miss Bartlett." -- " " -- "“Oh, I do wish Freddy and your mother could" -- " be here.”\n\n" +- " “Oh, I do wish Freddy and your mother" +- " could be here.”\n\n" - Unselfishness with Miss Bartlett had entirely - " usurped the functions of enthusiasm. " - Lucy did not look at the view either. @@ -3498,7 +3552,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The miscreant, a bony young man" - " scorched black by the sun, rose to greet" - " her with the courtesy of a host and the assurance" -- " of a relative.\n\n“Dove?” " +- " of a relative.\n\n" +- "“Dove?” " - "said Lucy, after much anxious thought.\n\n" - "His face lit up. " - "Of course he knew where. " @@ -3510,15 +3565,18 @@ input_file: tests/inputs/text/room_with_a_view.txt - "oozing with visible extract of knowledge.\n\n" - "More seemed necessary. " - What was the Italian for “clergyman”? -- "\n\n“Dove buoni uomini?” " -- "said she at last.\n\nGood? " +- "\n\n" +- "“Dove buoni uomini?” " +- "said she at last.\n\n" +- "Good? " - Scarcely the adjective for those noble beings! - " He showed her his cigar.\n\n" - "“Uno—piu—piccolo,” was" - " her next remark, implying “Has the cigar been" - " given to you by Mr. " - "Beebe, the smaller of the two good" -- " men?”\n\nShe was correct as usual. " +- " men?”\n\n" +- "She was correct as usual. " - "He tied the horse to a tree, kicked it" - " to make it stay quiet, dusted the carriage" - ", arranged his hair, remoulded his hat" @@ -3571,7 +3629,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Light and beauty enveloped her. " - "She had fallen on to a little open terrace," - " which was covered with violets from end to" -- " end.\n\n“Courage!” " +- " end.\n\n" +- "“Courage!” " - "cried her companion, now standing some six feet" - " above.\n“Courage and love.”\n\n" - "She did not answer. " @@ -3637,7 +3696,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " “The signorino will walk.”\n\n" - "“All the way? " - "He will be hours,” said Mr. " -- "Beebe.\n\n“Apparently. " +- "Beebe.\n\n" +- "“Apparently. " - "I told him it was unwise.” " - He would look no one in the face; perhaps - " defeat was particularly mortifying for him. " @@ -3656,7 +3716,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The thoughts of a cab-driver, however just," - " seldom affect the lives of his employers. " - He was the most competent of Miss Bartlett’s -- " opponents,\nbut infinitely the least dangerous. " +- " opponents,\n" +- "but infinitely the least dangerous. " - "Once back in the town, he and his insight" - " and his knowledge would trouble English ladies no more." - " Of course, it was most unpleasant; she had" @@ -3719,15 +3780,18 @@ input_file: tests/inputs/text/room_with_a_view.txt - don’t ask our driver; our driver is no - " help. Go and support poor Mr. " - "Beebe—, he is nearly " -- "demented.”\n\n“He may be killed!” " +- "demented.”\n\n" +- "“He may be killed!” " - "cried the old man. " - "“He may be killed!”\n\n" - "“Typical behaviour,” said the chaplain," - " as he quitted the carriage. " - “In the presence of reality that kind of person invariably -- " breaks down.”\n\n“What does he know?” " +- " breaks down.”\n\n" +- "“What does he know?” " - whispered Lucy as soon as they were alone -- ".\n“Charlotte, how much does Mr. " +- ".\n" +- "“Charlotte, how much does Mr. " - "Eager know?”\n\n" - "“Nothing, dearest; he knows nothing." - " But—” she pointed at the driver—“" @@ -3788,7 +3852,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "As a matter of fact, the storm was worst" - " along the road; but she had been near danger" - ", and so she thought it must be near to" -- " everyone.\n\n“I trust not. " +- " everyone.\n\n" +- "“I trust not. " - "One would always pray against that.”\n\n" - “He is really—I think he was taken by surprise - ", just as I was before.\n" @@ -3821,7 +3886,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "clasped. " - It was a shock to the girl to find how - " far emotion had ebbed in others. " -- "The storm had ceased,\nand Mr. " +- "The storm had ceased,\n" +- "and Mr. " - "Emerson was easier about his son. " - "Mr. " - "Beebe had regained good humour, and Mr" @@ -4006,7 +4072,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " not liking to say that she had given notice already" - ".\n\n" - “She will make us pay for a whole week’s -- " pension.”\n\n“I expect she will. " +- " pension.”\n\n" +- "“I expect she will. " - "However, we shall be much more comfortable at the" - " Vyses’ hotel. " - "Isn’t afternoon tea given there for nothing?”\n\n" @@ -4058,7 +4125,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Charlotte dear, what do you mean? " - "As if I have anything to forgive!”\n\n" - "“You have a great deal, and I have a" -- " very great deal to forgive myself,\ntoo. " +- " very great deal to forgive myself,\n" +- "too. " - I know well how much I vex you at every - " turn.”\n\n“But no—”\n\n" - "Miss Bartlett assumed her favourite role, that of" @@ -4083,7 +4151,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“You mustn’t say these things,” said Lucy" - " softly.\n\n" - She still clung to the hope that she and -- " Charlotte loved each other,\nheart and soul. " +- " Charlotte loved each other,\n" +- "heart and soul. " - "They continued to pack in silence.\n\n" - "“I have been a failure,” said Miss Bartlett" - ", as she struggled with the straps of Lucy’s" @@ -4290,11 +4359,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Freddy, you must come. " - "There they still are!”\n\n" - “I don’t see you ought to go peeping -- " like that.”\n\n“Peeping like that! " +- " like that.”\n\n" +- "“Peeping like that! " - "Can’t I look out of my own window?”\n\n" - "But she returned to the writing-table, observing," - " as she passed her son, “Still page " -- "322?” Freddy snorted, and turned over two" +- "322?” " +- "Freddy snorted, and turned over two" - " leaves. " - "For a brief space they were silent. " - "Close by, beyond the curtains, the gentle " @@ -4486,7 +4557,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Mr. Beebe meant. " - "And Freddy, who ignored history and art, perhaps" - " meant the same when he failed to imagine Cecil wearing" -- " another fellow’s cap.\n\nMrs. " +- " another fellow’s cap.\n\n" +- "Mrs. " - Honeychurch left her letter on the writing table - " and moved towards her young acquaintance.\n\n" - "“Oh, Cecil!” " @@ -4608,7 +4680,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Freddy’s chemicals had come off on it, he" - " moved to the writing table. " - "There he saw “Dear Mrs. Vyse,”" -- "\nfollowed by many erasures. " +- "\n" +- "followed by many erasures. " - "He recoiled without reading any more, and after" - " a little hesitation sat down elsewhere, and pencilled" - " a note on his knee.\n\n" @@ -4668,16 +4741,19 @@ input_file: tests/inputs/text/room_with_a_view.txt - " together, they kindled the room into the life" - " that he desired.\n\n" - "“I’ve come for tea and for gossip. " -- "Isn’t this news?”\n\n“News? " +- "Isn’t this news?”\n\n" +- "“News? " - "I don’t understand you,” said Cecil. " -- "“News?”\n\nMr. " +- "“News?”\n\n" +- "Mr. " - "Beebe, whose news was of a very" - " different nature, prattled forward.\n\n" - “I met Sir Harry Otway as I came up - ; I have every reason to hope that I am - " first in the field. " - He has bought Cissie and Albert from Mr -- ". Flack!”\n\n“Has he indeed?” " +- ". Flack!”\n\n" +- "“Has he indeed?” " - "said Cecil, trying to recover himself. " - Into what a grotesque mistake had he fallen! - " Was it likely that a clergyman and a gentleman" @@ -4731,7 +4807,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I daren’t face the healthy person—for example - ", Freddy Honeychurch.”\n\n" - "“Oh, Freddy’s a good sort, isn’t" -- " he?”\n\n“Admirable. " +- " he?”\n\n" +- "“Admirable. " - "The sort who has made England what she is.”\n\n" - "Cecil wondered at himself. " - "Why, on this day of all others, was" @@ -4771,7 +4848,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“She has none,” said the young man, with" - " grave sincerity.\n\n" - "“I quite agree. At present she has none.”\n\n" -- "“At present?”\n\n“I’m not cynical. " +- "“At present?”\n\n" +- "“I’m not cynical. " - I’m only thinking of my pet theory about Miss - " Honeychurch. " - Does it seem reasonable that she should play so wonderfully @@ -4779,7 +4857,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I suspect that one day she will be wonderful in - " both. " - The water-tight compartments in her will break down -- ",\nand music and life will mingle. " +- ",\n" +- "and music and life will mingle. " - "Then we shall have her heroically good,\n" - "heroically bad—too heroic, perhaps, to" - " be good or bad.”\n\n" @@ -4813,7 +4892,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ". " - "At the time he had given surreptitious " - "tugs to the string himself.\n\n" -- "“But the string never broke?”\n\n“No. " +- "“But the string never broke?”\n\n" +- "“No. " - I mightn’t have seen Miss Honeychurch rise - ", but I should certainly have heard Miss Bartlett" - " fall.”\n\n" @@ -4834,7 +4914,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I am sorry; I must apologize. " - "I had no idea you were intimate with her," - " or I should never have talked in this " -- "flippant, superficial way.\nMr. " +- "flippant, superficial way.\n" +- "Mr. " - "Vyse, you ought to have stopped me.”" - " And down the garden he saw Lucy herself; yes" - ", he was disappointed.\n\n" @@ -4851,14 +4932,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I am sorry I have given you a shock,”" - " he said dryly. " - “I fear that Lucy’s choice does not meet with -- " your approval.”\n\n“Not that. " +- " your approval.”\n\n" +- "“Not that. " - "But you ought to have stopped me. " - I know Miss Honeychurch only a little as time - " goes. " - Perhaps I oughtn’t to have discussed her so - " freely with any one; certainly not with you.”\n\n" - “You are conscious of having said something indiscreet -- "?”\n\nMr. Beebe pulled himself together. " +- "?”\n\n" +- "Mr. Beebe pulled himself together. " - "Really, Mr. " - Vyse had the art of placing one in the - " most tiresome positions. " @@ -4901,7 +4984,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " I am always supposed to do, but generally " - "I’m too shy. " - I want to invoke every kind of blessing on them -- ",\ngrave and gay, great and small. " +- ",\n" +- "grave and gay, great and small. " - I want them all their lives to be supremely - " good and supremely happy as husband and wife," - " as father and mother. " @@ -4958,8 +5042,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " joy.\n\n\n\n\nChapter IX Lucy As a Work of Art" - "\n\n\n" - A few days after the engagement was announced Mrs. -- " Honeychurch made Lucy and her Fiasco come" -- " to a little garden-party in the neighbourhood,\n" +- " Honeychurch made Lucy and her Fiasco come to" +- " a little garden-party in the neighbourhood,\n" - for naturally she wanted to show people that her daughter - " was marrying a presentable man.\n\n" - Cecil was more than presentable; he @@ -5027,7 +5111,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Inglese Italianato.”\n\n" - "“Inglese Italianato?”\n\n" - "“E un diavolo incarnato! " -- "You know the proverb?”\n\nShe did not. " +- "You know the proverb?”\n\n" +- "She did not. " - Nor did it seem applicable to a young man who - " had spent a quiet winter in Rome with his mother" - ". But Cecil, since his engagement,\n" @@ -5133,7 +5218,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“You’ll blow my head off! " - "Whatever is there to shout over? " - "I forbid you and Cecil to hate any more " -- "clergymen.”\n\nHe smiled. " +- "clergymen.”\n\n" +- "He smiled. " - "There was indeed something rather incongruous in " - "Lucy’s moral outburst over Mr. " - "Eager. " @@ -5197,7 +5283,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "yonder mountain height,\n" - "What pleasure lives in height (the shepherd sang).\n" - In height and in the splendour of the -- " hills?’\n\n\nLet us take Mrs. " +- " hills?’\n\n\n" +- "Let us take Mrs. " - "Honeychurch’s advice and hate " - "clergymen no more.\n" - "What’s this place?”\n\n" @@ -5227,7 +5314,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " on the garden gates, but appeared a second time" - " on the porches, where they followed the " - semicircular curve of the entrance arch in block -- " capitals. “Albert”\nwas inhabited. " +- " capitals. “Albert”\n" +- "was inhabited. " - His tortured garden was bright with geraniums and - " lobelias and polished shells. " - His little windows were chastely swathed in Nottingham @@ -5238,14 +5326,17 @@ input_file: tests/inputs/text/room_with_a_view.txt - " not surprising fact. " - Her paths were already weedy; her pocket- - "handkerchief of a lawn was yellow with " -- "dandelions.\n\n“The place is ruined!” " +- "dandelions.\n\n" +- "“The place is ruined!” " - "said the ladies mechanically. " - "“Summer Street will never be the same again.”\n\n" - "As the carriage passed, “Cissie’s" - "” door opened, and a gentleman came out of" -- " her.\n\n“Stop!” cried Mrs. " +- " her.\n\n" +- "“Stop!” cried Mrs. " - "Honeychurch, touching the coachman with her" -- " parasol.\n“Here’s Sir Harry. " +- " parasol.\n" +- "“Here’s Sir Harry. " - "Now we shall know. " - "Sir Harry, pull those things down at once!”\n\n" - Sir Harry Otway—who need not be described— @@ -5403,7 +5494,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Then may I write to my Misses Alan - "?”\n\n“Please!”\n\n" - "But his eye wavered when Mrs. " -- "Honeychurch exclaimed:\n\n“Beware! " +- "Honeychurch exclaimed:\n\n" +- "“Beware! " - "They are certain to have canaries. " - "Sir Harry, beware of canaries: they spit" - " the seed out through the bars of the cages and" @@ -5419,7 +5511,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "they somehow keep it to themselves. " - "It doesn’t spread so. " - "Give me a man—of course, provided " -- "he’s clean.”\n\nSir Harry blushed. " +- "he’s clean.”\n\n" +- "Sir Harry blushed. " - Neither he nor Cecil enjoyed these open compliments to their - " sex. " - Even the exclusion of the dirty did not leave them @@ -5433,7 +5526,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Domestic arrangements always attracted her, especially when they" - " were on a small scale.\n\n" - Cecil pulled Lucy back as she followed her -- " mother.\n\n“Mrs. " +- " mother.\n\n" +- "“Mrs. " - "Honeychurch,” he said, “what if" - " we two walk home and leave you?”\n\n" - "“Certainly!” was her cordial reply.\n\n" @@ -5462,7 +5556,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“All that you say is quite true,” said Lucy" - ", though she felt discouraged. " - “I wonder whether—whether it matters so very much -- ".”\n\n“It matters supremely. " +- ".”\n\n" +- "“It matters supremely. " - "Sir Harry is the essence of that garden-party.\n" - "Oh, goodness, how cross I feel! " - How I do hope he’ll get some vulgar tenant @@ -5474,8 +5569,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But let’s forget him.”\n\n" - "This Lucy was glad enough to do. " - If Cecil disliked Sir Harry Otway and Mr. -- " Beebe, what guarantee was there that the" -- " people who really mattered to her would escape? " +- " Beebe, what guarantee was there that the people" +- " who really mattered to her would escape? " - "For instance, Freddy. Freddy was neither clever,\n" - "nor subtle, nor beautiful, and what prevented Cecil" - " from saying, any minute, “It would be" @@ -5503,7 +5598,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Lucy, that you always say the road?" - " Do you know that you have never once been with" - " me in the fields or the wood since we were" -- " engaged?”\n\n“Haven’t I? " +- " engaged?”\n\n" +- "“Haven’t I? " - "The wood, then,” said Lucy, startled at" - " his queerness, but pretty sure that he would" - " explain later; it was not his habit to leave" @@ -5513,7 +5609,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " gone a dozen yards.\n\n" - “I had got an idea—I dare say wrongly—that - " you feel more at home with me in a room" -- ".”\n\n“A room?” " +- ".”\n\n" +- "“A room?” " - "she echoed, hopelessly bewildered.\n\n" - "“Yes. " - "Or, at the most, in a garden," @@ -5587,7 +5684,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Who found you out?”\n\n" - "“Charlotte,” she murmured. " - "“She was stopping with us.\nCharlotte—Charlotte.”\n\n" -- "“Poor girl!”\n\nShe smiled gravely. " +- "“Poor girl!”\n\n" +- "She smiled gravely. " - "A certain scheme, from which hitherto he" - " had shrunk, now appeared practical.\n\n" - "“Lucy!”\n\n" @@ -5619,7 +5717,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " he could recoil. " - "As he touched her, his gold pince-" - nez became dislodged and was flattened between them -- ".\n\nSuch was the embrace. " +- ".\n\n" +- "Such was the embrace. " - "He considered, with truth, that it had been" - " a failure. Passion should believe itself irresistible. " - It should forget civility and consideration and all the @@ -5765,7 +5864,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - but’-ing and ‘and’-ing - ". " - And poor Lucy—serve her right—worn -- " to a shadow.”\n\nMr. " +- " to a shadow.”\n\n" +- "Mr. " - Beebe watched the shadow springing and shouting - " over the tennis-court. " - "Cecil was absent—one did not play " @@ -5800,7 +5900,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " the shins with the racquet—get her" - " over the shins!”\n\n" - "Lucy fell, the Beautiful White Devil rolled from" -- " her hand.\n\nMr. " +- " her hand.\n\n" +- "Mr. " - "Beebe picked it up, and said:" - " “The name of this ball is Vittoria" - " Corombona, please.” " @@ -5861,8 +5962,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I’m quite uneasy at being always right so often - ".”\n\n" - “It’s only another muddle of Freddy’s. -- " Freddy doesn’t even know the name of" -- " the people he pretends have taken it instead.”\n\n" +- " Freddy doesn’t even know the name of the people" +- " he pretends have taken it instead.”\n\n" - "“Yes, I do. " - "I’ve got it. Emerson.”\n\n“What name?”\n\n" - "“Emerson. " @@ -5877,8 +5978,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - " niece that _that_ was the proper way to" - " behave if any little thing went wrong.\n\n" - Meanwhile the name of the new tenants had diverted Mrs -- ". Honeychurch from the contemplation of her own" -- " abilities.\n\n“Emerson, Freddy? " +- ". " +- Honeychurch from the contemplation of her own +- " abilities.\n\n" +- "“Emerson, Freddy? " - "Do you know what Emersons they are?”\n\n" - “I don’t know whether they’re any Emersons - ",” retorted Freddy, who was democratic. " @@ -5894,7 +5997,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", and it’s affectation to pretend there " - "isn’t.”\n\n" - "“Emerson’s a common enough name,” Lucy" -- " remarked.\n\nShe was gazing sideways. " +- " remarked.\n\n" +- "She was gazing sideways. " - "Seated on a promontory herself, she" - " could see the pine-clad promontories descending" - " one beyond another into the Weald. " @@ -5909,7 +6013,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - they’re friends of Cecil; so”— - elaborate irony—“you and the other - " country families will be able to call in perfect safety" -- ".”\n\n“_Cecil?" +- ".”\n\n" +- “_Cecil? - "_” exclaimed Lucy.\n\n" - "“Don’t be rude, dear,” said his" - " mother placidly. " @@ -5980,7 +6085,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " cetera. " - Our special joy was the father—such a sentimental - " darling, and people declared he had murdered his wife" -- ".”\n\nIn his normal state Mr. " +- ".”\n\n" +- "In his normal state Mr. " - "Beebe would never have repeated such gossip,\n" - but he was trying to shelter Lucy in her little - " trouble. " @@ -5995,7 +6101,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " being there. " - "Whatever was Charlotte doing to stop? " - "By-the-by, we really must ask Charlotte here" -- " some time.”\n\nMr. " +- " some time.”\n\n" +- "Mr. " - "Beebe could recall no second murderer. " - "He suggested that his hostess was mistaken. " - "At the hint of opposition she warmed. " @@ -6049,7 +6156,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "You’ll forgive me when you hear it all.”\n\n" - "He looked very attractive when his face was bright," - " and he dispelled her ridiculous forebodings at" -- " once.\n\n“I have heard,” she said. " +- " once.\n\n" +- "“I have heard,” she said. " - "“Freddy has told us. " - "Naughty Cecil! " - "I suppose I must forgive you. " @@ -6061,7 +6169,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But you oughtn’t to tease one so.”\n\n" - "“Friends of mine?” he laughed. " - "“But, Lucy, the whole joke is to come" -- "!\nCome here.” " +- "!\n" +- "Come here.” " - "But she remained standing where she was. " - “Do you know where I met these desirable tenants - "? " @@ -6113,7 +6222,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " You call it scoring off Sir Harry, but do" - " you realize that it is all at my expense?" - " I consider it most disloyal of you.”\n\n" -- "She left him.\n\n“Temper!” " +- "She left him.\n\n" +- "“Temper!” " - "he thought, raising his eyebrows.\n\n" - "No, it was worse than temper—" - "snobbishness. " @@ -6182,7 +6292,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "he murmured.\n\n" - "“Oh, Cecil, I do, I do!" - " I don’t know what I should do without you" -- ".”\n\nSeveral days passed. " +- ".”\n\n" +- "Several days passed. " - Then she had a letter from Miss Bartlett. - " A coolness had sprung up between the two cousins" - ", and they had not corresponded since they parted" @@ -6197,7 +6308,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " have tried a sweeter temper than Lucy’s," - " and once, in the Baths of Caracalla" - ", they had doubted whether they could continue their tour" -- ". Lucy had said she would join the Vyses" +- ". " +- Lucy had said she would join the Vyses - "—Mrs. " - "Vyse was an acquaintance of her mother, so" - " there was no impropriety in the plan and" @@ -6386,8 +6498,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Vyse, and processed to bed.\n\n" - "As she was dozing off, a cry—the" - " cry of nightmare—rang from Lucy’s room." -- " Lucy could ring for the maid if she liked" -- " but Mrs. " +- " Lucy could ring for the maid if she liked but" +- " Mrs. " - "Vyse thought it kind to go herself. " - She found the girl sitting upright with her hand on - " her cheek.\n\n" @@ -6455,7 +6567,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Um—um—Schopenhauer, Nietzsche," - " and so we go on. " - "Well, I suppose your generation knows its own business" -- ", Honeychurch.”\n\n“Mr. " +- ", Honeychurch.”\n\n" +- "“Mr. " - "Beebe, look at that,” said Freddy" - " in awestruck tones.\n\n" - "On the cornice of the wardrobe, the hand" @@ -6468,7 +6581,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Surely you agree?”\n\n" - But Freddy was his mother’s son and felt that - " one ought not to go on spoiling the furniture" -- ".\n\n“Pictures!” " +- ".\n\n" +- "“Pictures!” " - "the clergyman continued, scrambling about the room.\n" - "“Giotto—they got that at Florence," - " I’ll be bound.”\n\n" @@ -6487,7 +6601,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " I am, but it’ll be very different now" - ", mother thinks. " - "She will read all kinds of books.”\n\n" -- "“So will you.”\n\n“Only medical books. " +- "“So will you.”\n\n" +- "“Only medical books. " - "Not books that you can talk about afterwards.\n" - "Cecil is teaching Lucy Italian, and he" - " says her playing is wonderful.\n" @@ -6523,7 +6638,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - And yet you will tell me that the sexes are - " equal.”\n\n" - "“I tell you that they shall be,” said Mr" -- ". Emerson, who had been slowly descending the stairs" +- ". " +- "Emerson, who had been slowly descending the stairs" - ". “Good afternoon, Mr. " - "Beebe. " - "I tell you they shall be comrades, and George" @@ -6534,7 +6650,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Emerson, still descending, “which you place" - " in the past, is really yet to come." - " We shall enter it when we no longer despise" -- " our bodies.”\n\nMr. " +- " our bodies.”\n\n" +- "Mr. " - Beebe disclaimed placing the Garden of Eden - " anywhere.\n\n" - “In this—not in other things—we men are ahead @@ -6554,13 +6671,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It is our heritage.”\n\n" - "“Let me introduce Mr. " - "Honeychurch, whose sister you will remember at" -- " Florence.”\n\n“How do you do? " +- " Florence.”\n\n" +- "“How do you do? " - "Very glad to see you, and that you are" - " taking George for a bathe. " - Very glad to hear that your sister is going to -- " marry.\nMarriage is a duty. " +- " marry.\n" +- "Marriage is a duty. " - "I am sure that she will be happy, for" -- " we know Mr.\nVyse, too. " +- " we know Mr.\n" +- "Vyse, too. " - "He has been most kind. " - "He met us by chance in the National Gallery," - " and arranged everything about this delightful house. " @@ -6614,9 +6734,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " into the pine-woods. " - "How glorious it was! " - For a little time the voice of old Mr. -- " Emerson pursued them dispensing good wishes and philosophy" -- ". " -- "It ceased, and they only heard the fair wind" +- " Emerson pursued them dispensing good wishes and philosophy." +- " It ceased, and they only heard the fair wind" - " blowing the bracken and the trees. " - "Mr. " - "Beebe, who could be silent, but" @@ -6669,7 +6788,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“It is Fate that I am here,” persisted George" - ". " - “But you can call it Italy if it makes you -- " less unhappy.”\n\nMr. " +- " less unhappy.”\n\n" +- "Mr. " - Beebe slid away from such heavy treatment of - " the subject. " - "But he was infinitely tolerant of the young, and" @@ -6816,7 +6936,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " Away they twinkled into the trees, Freddy with" - " a clerical waistcoat under his arm, George" - " with a wide-awake hat on his dripping" -- " hair.\n\n“That’ll do!” shouted Mr. " +- " hair.\n\n" +- "“That’ll do!” shouted Mr. " - "Beebe, remembering that after all he was" - " in his own parish. " - Then his voice changed as if every pine-tree was @@ -6856,7 +6977,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Mr. Beebe’s waistcoat—”\n\n" - "No business of ours, said Cecil, glancing" - " at Lucy, who was all parasol and evidently" -- " “minded.”\n\n“I fancy Mr. " +- " “minded.”\n\n" +- "“I fancy Mr. " - "Beebe jumped back into the pond.”\n\n" - "“This way, please, Mrs. " - "Honeychurch, this way.”\n\n" @@ -6895,18 +7017,20 @@ input_file: tests/inputs/text/room_with_a_view.txt - " I shall die—Emerson you beast, " - "you’ve got on my bags.”\n\n" - "“Hush, dears,” said Mrs." -- " Honeychurch, who found it impossible to remain" -- " shocked. " +- " Honeychurch, who found it impossible to remain shocked" +- ". " - “And do be sure you dry yourselves thoroughly first. - " All these colds come of not drying thoroughly.”\n\n" - "“Mother, do come away,” said Lucy." - " “Oh for goodness’ sake, do come.”\n\n" - "“Hullo!” " - "cried George, so that again the ladies stopped" -- ".\n\nHe regarded himself as dressed. " +- ".\n\n" +- "He regarded himself as dressed. " - "Barefoot, bare-chested, radiant and" - " personable against the shadowy woods, he called" -- ":\n\n“Hullo, Miss Honeychurch! " +- ":\n\n" +- "“Hullo, Miss Honeychurch! " - "Hullo!”\n\n" - "“Bow, Lucy; better bow. " - "Whoever is it? I shall bow.”\n\n" @@ -7006,9 +7130,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " one half-hour?”\n\n" - “Cecil has a very high standard for - " people,” faltered Lucy, seeing trouble ahead." -- " " -- “It’s part of his ideals—it is really that -- " that makes him sometimes seem—”\n\n" +- " “It’s part of his ideals—it is really" +- " that that makes him sometimes seem—”\n\n" - "“Oh, rubbish! " - "If high ideals make a young man rude, the" - " sooner he gets rid of them the better,” said" @@ -7019,7 +7142,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Butterworth yourself!”\n\n" - "“Not in that way. " - "At times I could wring her neck. " -- "But not in that way.\nNo. " +- "But not in that way.\n" +- "No. " - "It is the same with Cecil all over.”\n\n" - "“By-the-by—I never told you. " - I had a letter from Charlotte while I was away @@ -7112,7 +7236,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " to Sunday tennis.”\n\n" - "“Oh, I wouldn’t do that, Freddy," - " I wouldn’t do that with all this muddle" -- ".”\n\n“What’s wrong with the court? " +- ".”\n\n" +- "“What’s wrong with the court? " - "They won’t mind a bump or two, and" - " I’ve ordered new balls.”\n\n" - "“I meant _it’s_ better not. " @@ -7145,7 +7270,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I can’t remember all Charlotte’s worries,” said" - " Lucy bitterly. " - "“I shall have enough of my own, now that" -- " you are not pleased with Cecil.”\n\nMrs. " +- " you are not pleased with Cecil.”\n\n" +- "Mrs. " - "Honeychurch might have flamed out. " - "She did not. " - "She said: “Come here, old lady—" @@ -7216,8 +7342,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - " be nothing to her that a man had kissed her" - " on a mountain once.\n" - But it had begotten a spectral family—Mr -- ". Harris, Miss Bartlett’s letter, Mr" -- ". Beebe’s memories of violets—and" +- ". " +- "Harris, Miss Bartlett’s letter, Mr" +- ". " +- Beebe’s memories of violets—and - " one or other of these was bound to haunt her" - " before Cecil’s very eyes. " - "It was Miss Bartlett who returned now, and" @@ -7252,7 +7380,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“It’s impossible. " - We can’t have Charlotte on the top of the - " other things; we’re squeezed to death as it" -- " is. Freddy’s got a friend coming Tuesday," +- " is. " +- "Freddy’s got a friend coming Tuesday," - " there’s Cecil, and you’ve promised to take" - " in Minnie Beebe because of the " - "diphtheria scare. " @@ -7272,7 +7401,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - but it really isn’t fair on the maids - " to fill up the house so.”\n\nAlas!\n\n" - "“The truth is, dear, you don’t like" -- " Charlotte.”\n\n“No, I don’t. " +- " Charlotte.”\n\n" +- "“No, I don’t. " - "And no more does Cecil. " - "She gets on our nerves. " - "You haven’t seen her lately, and don’t" @@ -7305,7 +7435,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I know, dear. " - "She is kind to everyone, and yet Lucy makes" - " this difficulty when we try to give her some little" -- " return.”\n\nBut Lucy hardened her heart. " +- " return.”\n\n" +- "But Lucy hardened her heart. " - It was no good being kind to Miss Bartlett - ". " - She had tried herself too often and too recently. @@ -7401,7 +7532,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - She was anxious to show that she was not shy - ",\n" - and was glad that he did not seem shy either -- ".\n\n“A nice fellow,” said Mr. " +- ".\n\n" +- "“A nice fellow,” said Mr. " - Beebe afterwards “He will work off his - " crudities in time. " - I rather mistrust young men who slip into life @@ -7409,7 +7541,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Lucy said, “He seems in better spirits" - ". He laughs more.”\n\n" - "“Yes,” replied the clergyman. " -- "“He is waking up.”\n\nThat was all. " +- "“He is waking up.”\n\n" +- "That was all. " - "But, as the week wore on, more of" - " her defences fell, and she entertained an image" - " that had physical beauty. " @@ -7544,7 +7677,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " then could have bitten her tongue for understanding so quickly" - " what her cousin meant. " - “Let me see—a sovereign’s worth of silver -- ".”\n\nShe escaped into the kitchen. " +- ".”\n\n" +- "She escaped into the kitchen. " - Miss Bartlett’s sudden transitions were too uncanny - ". " - It sometimes seemed as if she planned every word she @@ -7569,7 +7703,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, no, Charlotte,” said the girl," - " entering the battle. " - "“George Emerson is all right, and what other" -- " source is there?”\n\nMiss Bartlett considered. " +- " source is there?”\n\n" +- "Miss Bartlett considered. " - "“For instance, the driver. " - "I saw him looking through the bushes at you," - " remember he had a violet between his teeth.”\n\n" @@ -7660,7 +7795,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - He is a clerk in the General Manager’s office - " at one of the big railways—not a porter!" - " and runs down to his father for week-ends" -- ". Papa was to do with journalism, but is" +- ". " +- "Papa was to do with journalism, but is" - " rheumatic and has retired. There! " - "Now for the garden.” " - She took hold of her guest by the arm. @@ -7702,7 +7838,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “The men say they won’t go”—“Well - ", I don’t blame them”—Minnie says" - ", “need she go?”—“Tell her" -- ",\nno nonsense”—“Anne! Mary! " +- ",\n" +- "no nonsense”—“Anne! Mary! " - "Hook me behind!”—“Dearest Lucia," - " may I trespass upon you for a pin?” " - For Miss Bartlett had announced that she at all @@ -7775,7 +7912,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "That book’s all warped.\n" - "(Gracious, how plain you look!) " - "Put it under the Atlas to press.\n" -- "Minnie!”\n\n“Oh, Mrs. " +- "Minnie!”\n\n" +- "“Oh, Mrs. " - "Honeychurch—” from the upper regions.\n\n" - "“Minnie, don’t be late. " - Here comes the horse”—it was always the horse @@ -7984,7 +8122,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " “The old man hasn’t been told; I" - " knew it was all right.” Mrs. " - "Honeychurch followed her, and they drove away" -- ".\n\nSatisfactory that Mr. " +- ".\n\n" +- "Satisfactory that Mr. " - "Emerson had not been told of the Florence " - escapade; yet Lucy’s spirits should not - " have leapt up as if she had sighted" @@ -8041,7 +8180,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " as often happened, Cecil had paid no great attention" - " to her remarks. " - "Charm, not argument, was to be her" -- " forte.\n\nLunch was a cheerful meal. " +- " forte.\n\n" +- "Lunch was a cheerful meal. " - "Generally Lucy was depressed at meals. " - Some one had to be soothed—either - " Cecil or Miss Bartlett or a Being not visible" @@ -8113,7 +8253,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - " www.gutenberg.org/license.\n\n" - "Section 1. 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" - Hart was the originator of the Project Gutenberg diff --git a/tests/snapshots/text_splitter_snapshots__tiktoken_trim@romeo_and_juliet.txt-2.snap b/tests/snapshots/text_splitter_snapshots__tiktoken_trim@romeo_and_juliet.txt-2.snap index 4e40ee28..f1cd05c2 100644 --- a/tests/snapshots/text_splitter_snapshots__tiktoken_trim@romeo_and_juliet.txt-2.snap +++ b/tests/snapshots/text_splitter_snapshots__tiktoken_trim@romeo_and_juliet.txt-2.snap @@ -378,7 +378,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "JULIET.\nO shut the door, and when thou hast done so,\nCome weep with me, past hope, past cure, past help!\n\nFRIAR LAWRENCE.\nO Juliet, I already know thy grief;\nIt strains me past the compass of my wits.\nI hear thou must, and nothing may prorogue it,\nOn Thursday next be married to this County." - "JULIET.\nTell me not, Friar, that thou hear’st of this,\nUnless thou tell me how I may prevent it.\nIf in thy wisdom, thou canst give no help,\nDo thou but call my resolution wise,\nAnd with this knife I’ll help it presently.\nGod join’d my heart and Romeo’s, thou our hands;\nAnd ere this hand, by thee to Romeo’s seal’d,\nShall be the label to another deed," - "Or my true heart with treacherous revolt\nTurn to another, this shall slay them both.\nTherefore, out of thy long-experienc’d time,\nGive me some present counsel, or behold\n’Twixt my extremes and me this bloody knife\nShall play the empire, arbitrating that\nWhich the commission of thy years and art\nCould to no issue of true honour bring.\nBe not so long to speak. I long to die," -- "If what thou speak’st speak not of remedy.\n\nFRIAR LAWRENCE.\nHold, daughter. I do spy a kind of hope,\nWhich craves as desperate an execution\nAs that is desperate which we would prevent.\nIf, rather than to marry County Paris\nThou hast the strength of will to slay thyself,\nThen is it likely thou wilt undertake\nA thing like death to chide away this shame,\nThat cop’st with death himself to scape from it." +- If what thou speak’st speak not of remedy. +- "FRIAR LAWRENCE.\nHold, daughter. I do spy a kind of hope,\nWhich craves as desperate an execution\nAs that is desperate which we would prevent.\nIf, rather than to marry County Paris\nThou hast the strength of will to slay thyself,\nThen is it likely thou wilt undertake\nA thing like death to chide away this shame,\nThat cop’st with death himself to scape from it." - "And if thou dar’st, I’ll give thee remedy." - "JULIET.\nO, bid me leap, rather than marry Paris,\nFrom off the battlements of yonder tower,\nOr walk in thievish ways, or bid me lurk\nWhere serpents are. Chain me with roaring bears;\nOr hide me nightly in a charnel-house,\nO’er-cover’d quite with dead men’s rattling bones,\nWith reeky shanks and yellow chapless skulls.\nOr bid me go into a new-made grave," - "And hide me with a dead man in his shroud;\nThings that, to hear them told, have made me tremble,\nAnd I will do it without fear or doubt,\nTo live an unstain’d wife to my sweet love." @@ -465,7 +466,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Stop thy unhallow’d toil, vile Montague.\nCan vengeance be pursu’d further than death?\nCondemned villain, I do apprehend thee.\nObey, and go with me, for thou must die." - "ROMEO.\nI must indeed; and therefore came I hither.\nGood gentle youth, tempt not a desperate man.\nFly hence and leave me. Think upon these gone;\nLet them affright thee. I beseech thee, youth,\nPut not another sin upon my head\nBy urging me to fury. O be gone.\nBy heaven I love thee better than myself;\nFor I come hither arm’d against myself.\nStay not, be gone, live, and hereafter say," - "A madman’s mercy bid thee run away.\n\nPARIS.\nI do defy thy conjuration,\nAnd apprehend thee for a felon here.\n\nROMEO.\nWilt thou provoke me? Then have at thee, boy!\n\n [_They fight._]\n\nPAGE.\nO lord, they fight! I will go call the watch.\n\n [_Exit._]\n\nPARIS.\nO, I am slain! [_Falls._] If thou be merciful,\nOpen the tomb, lay me with Juliet." -- "[_Dies._]\n\nROMEO.\nIn faith, I will. Let me peruse this face.\nMercutio’s kinsman, noble County Paris!\nWhat said my man, when my betossed soul\nDid not attend him as we rode? I think\nHe told me Paris should have married Juliet.\nSaid he not so? Or did I dream it so?\nOr am I mad, hearing him talk of Juliet,\nTo think it was so? O, give me thy hand," +- "[_Dies._]" +- "ROMEO.\nIn faith, I will. Let me peruse this face.\nMercutio’s kinsman, noble County Paris!\nWhat said my man, when my betossed soul\nDid not attend him as we rode? I think\nHe told me Paris should have married Juliet.\nSaid he not so? Or did I dream it so?\nOr am I mad, hearing him talk of Juliet,\nTo think it was so? O, give me thy hand," - "One writ with me in sour misfortune’s book.\nI’ll bury thee in a triumphant grave.\nA grave? O no, a lantern, slaught’red youth,\nFor here lies Juliet, and her beauty makes\nThis vault a feasting presence full of light.\nDeath, lie thou there, by a dead man interr’d.\n\n [_Laying Paris in the monument._]" - "How oft when men are at the point of death\nHave they been merry! Which their keepers call\nA lightning before death. O, how may I\nCall this a lightning? O my love, my wife,\nDeath that hath suck’d the honey of thy breath,\nHath had no power yet upon thy beauty.\nThou art not conquer’d. Beauty’s ensign yet\nIs crimson in thy lips and in thy cheeks,\nAnd death’s pale flag is not advanced there." - "Tybalt, liest thou there in thy bloody sheet?\nO, what more favour can I do to thee\nThan with that hand that cut thy youth in twain\nTo sunder his that was thine enemy?\nForgive me, cousin. Ah, dear Juliet,\nWhy art thou yet so fair? Shall I believe\nThat unsubstantial death is amorous;\nAnd that the lean abhorred monster keeps\nThee here in dark to be his paramour?" @@ -540,7 +542,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "with the defective work may elect to provide a replacement copy in\nlieu of a refund. If you received the work electronically, the person\nor entity providing it to you may choose to give you a second\nopportunity to receive the work electronically in lieu of a refund. If\nthe second copy is also defective, you may demand a refund in writing\nwithout further opportunities to fix the problem." - "1.F.4. Except for the limited right of replacement or refund set forth\nin paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO\nOTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT\nLIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE." - "1.F.5. Some states do not allow disclaimers of certain implied\nwarranties or the exclusion or limitation of certain types of\ndamages. If any disclaimer or limitation set forth in this agreement\nviolates the law of the state applicable to this agreement, the\nagreement shall be interpreted to make the maximum disclaimer or\nlimitation permitted by the applicable state law. The invalidity or\nunenforceability of any provision of this agreement shall not void the" -- "remaining provisions.\n\n1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the\ntrademark owner, any agent or employee of the Foundation, anyone\nproviding copies of Project Gutenberg-tm electronic works in\naccordance with this agreement, and any volunteers associated with the\nproduction, promotion and distribution of Project Gutenberg-tm\nelectronic works, harmless from all liability, costs and expenses,\nincluding legal fees, that arise directly or indirectly from any of" +- remaining provisions. +- "1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the\ntrademark owner, any agent or employee of the Foundation, anyone\nproviding copies of Project Gutenberg-tm electronic works in\naccordance with this agreement, and any volunteers associated with the\nproduction, promotion and distribution of Project Gutenberg-tm\nelectronic works, harmless from all liability, costs and expenses,\nincluding legal fees, that arise directly or indirectly from any of" - "the following which you do or cause to occur: (a) distribution of this\nor any Project Gutenberg-tm work, (b) alteration, modification, or\nadditions or deletions to any Project Gutenberg-tm work, and (c) any\nDefect you cause.\n\nSection 2. Information about the Mission of Project Gutenberg-tm" - "Project Gutenberg-tm is synonymous with the free distribution of\nelectronic works in formats readable by the widest variety of\ncomputers including obsolete, old, middle-aged and new computers. It\nexists because of the efforts of hundreds of volunteers and donations\nfrom people in all walks of life." - "Volunteers and financial support to provide volunteers with the\nassistance they need are critical to reaching Project Gutenberg-tm's\ngoals and ensuring that the Project Gutenberg-tm collection will\nremain freely available for generations to come. In 2001, the Project\nGutenberg Literary Archive Foundation was created to provide a secure\nand permanent future for Project Gutenberg-tm and future\ngenerations. To learn more about the Project Gutenberg Literary\nArchive Foundation and how your efforts and donations can help, see" diff --git a/tests/snapshots/text_splitter_snapshots__tiktoken_trim@romeo_and_juliet.txt.snap b/tests/snapshots/text_splitter_snapshots__tiktoken_trim@romeo_and_juliet.txt.snap index 74b19204..19441f01 100644 --- a/tests/snapshots/text_splitter_snapshots__tiktoken_trim@romeo_and_juliet.txt.snap +++ b/tests/snapshots/text_splitter_snapshots__tiktoken_trim@romeo_and_juliet.txt.snap @@ -8,11 +8,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - This eBook is for the use of anyone anywhere in - the United States and - most other parts of the world at no cost and -- "with almost no restrictions\nwhatsoever." +- with almost no restrictions +- whatsoever. - "You may copy it, give it away or re" - "-use it under the terms" - of the Project Gutenberg License included with this eBook or -- "online at\nwww.gutenberg.org." +- online at +- www.gutenberg.org. - "If you are not located in the United States," - you - will have to check the laws of the country where @@ -32,9 +34,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ACT I\nScene I. A public place." - Scene II. A Street. - Scene III. Room in Capulet’s House. -- "Scene IV. A Street.\nScene V." +- Scene IV. A Street. +- Scene V. - A Hall in Capulet’s House. -- "ACT II\nCHORUS.\nScene I." +- "ACT II\nCHORUS." +- Scene I. - An open place adjoining Capulet’s Garden. - Scene II. Capulet’s Garden. - Scene III. Friar Lawrence’s Cell. @@ -49,7 +53,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - A Room in Capulet’s House. - Scene V. - "An open Gallery to Juliet’s Chamber, overlooking the" -- "Garden.\n\n\nACT IV" +- Garden. +- ACT IV - Scene I. Friar Lawrence’s Cell. - Scene II. Hall in Capulet’s House. - Scene III. Juliet’s Chamber. @@ -97,7 +102,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Citizens of Verona; several Men and Women - ", relations to both houses;" - "Maskers, Guards, Watchmen and Attendants" -- ".\n\nSCENE." +- "." +- SCENE. - During the greater part of the Play in Verona - "; once, in the" - "Fifth Act, at Mantua." @@ -126,21 +132,26 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "to mend.\n\n [_Exit._]\n\n\n\nACT I" - SCENE I. A public place. - Enter Sampson and Gregory armed with swords and -- "bucklers.\n\nSAMPSON." +- bucklers. +- SAMPSON. - "Gregory, on my word, we’ll not" -- "carry coals.\n\nGREGORY." +- carry coals. +- GREGORY. - "No, for then we should be colliers." - SAMPSON. - "I mean, if we be in choler," -- "we’ll draw.\n\nGREGORY." +- we’ll draw. +- GREGORY. - "Ay, while you live, draw your neck out" -- "o’ the collar.\n\nSAMPSON." +- o’ the collar. +- SAMPSON. - "I strike quickly, being moved." - GREGORY. - But thou art not quickly moved to strike. - SAMPSON. - A dog of the house of Montague moves me -- ".\n\nGREGORY." +- "." +- GREGORY. - To move is to stir; and to be - "valiant is to stand: therefore, if thou" - "art moved, thou runn’st away." @@ -148,9 +159,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - A dog of that house shall move me to stand - "." - I will take the wall of any man or maid -- "of Montague’s.\n\nGREGORY." +- of Montague’s. +- GREGORY. - "That shows thee a weak slave, for the weakest" -- "goes to the wall.\n\nSAMPSON." +- goes to the wall. +- SAMPSON. - "True, and therefore women, being the weaker vessels" - ", are ever thrust to" - "the wall: therefore I will push Montague’s" @@ -158,7 +171,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - thrust his maids to the wall. - GREGORY. - The quarrel is between our masters and us their -- "men.\n\nSAMPSON." +- men. +- SAMPSON. - "’Tis all one, I will show myself a" - "tyrant: when I have fought with the" - "men I will be civil with the maids," @@ -168,33 +182,38 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - SAMPSON. - "Ay, the heads of the maids, or" - their maidenheads; take it in what sense -- "thou wilt.\n\nGREGORY." +- thou wilt. +- GREGORY. - They must take it in sense that feel it. - SAMPSON. - Me they shall feel while I am able to stand - ": and ’tis known I am a" -- "pretty piece of flesh.\n\nGREGORY." +- pretty piece of flesh. +- GREGORY. - ’Tis well thou art not fish; if thou - "hadst, thou hadst been poor John." - Draw thy tool; here comes of the house of - "Montagues.\n\n Enter Abram and Balthasar." - SAMPSON. - "My naked weapon is out: quarrel, I" -- "will back thee.\n\nGREGORY." +- will back thee. +- GREGORY. - How? Turn thy back and run? - "SAMPSON.\nFear me not." - GREGORY. - "No, marry; I fear thee!" - SAMPSON. - Let us take the law of our sides; let -- "them begin.\n\nGREGORY." +- them begin. +- GREGORY. - "I will frown as I pass by, and" - let them take it as they list. - SAMPSON. - "Nay, as they dare." - "I will bite my thumb at them, which is" - disgrace to -- "them if they bear it.\n\nABRAM." +- them if they bear it. +- ABRAM. - "Do you bite your thumb at us, sir?" - SAMPSON. - "I do bite my thumb, sir." @@ -206,8 +225,10 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - SAMPSON. - "No sir, I do not bite my thumb at" - "you, sir; but I bite my thumb," -- "sir.\n\nGREGORY." -- "Do you quarrel, sir?\n\nABRAM." +- sir. +- GREGORY. +- "Do you quarrel, sir?" +- ABRAM. - "Quarrel, sir? No, sir." - SAMPSON. - "But if you do, sir, I am for" @@ -215,22 +236,27 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - I serve as good a man as you. - "ABRAM.\nNo better." - "SAMPSON.\nWell, sir." -- "Enter Benvolio.\n\nGREGORY." +- Enter Benvolio. +- GREGORY. - Say better; here comes one of my master’s - kinsmen. - "SAMPSON.\nYes, better, sir." -- "ABRAM.\nYou lie.\n\nSAMPSON." +- "ABRAM.\nYou lie." +- SAMPSON. - "Draw, if you be men." - "Gregory, remember thy washing blow." - "[_They fight._]" -- "BENVOLIO.\nPart, fools!" +- BENVOLIO. +- "Part, fools!" - "put up your swords, you know not what you" - "do.\n\n [_Beats down their swords._]" -- "Enter Tybalt.\n\nTYBALT." +- Enter Tybalt. +- TYBALT. - "What, art thou drawn among these heartless" - hinds? - "Turn thee Benvolio, look upon thy death" -- ".\n\nBENVOLIO." +- "." +- BENVOLIO. - "I do but keep the peace, put up thy" - "sword," - Or manage it to part these men with me. @@ -248,12 +274,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Down with the Montagues! - "Enter Capulet in his gown, and Lady" - Capulet. -- "CAPULET.\nWhat noise is this?" +- CAPULET. +- What noise is this? - "Give me my long sword, ho!" - LADY CAPULET. - "A crutch, a crutch!" - Why call you for a sword? -- "CAPULET.\nMy sword, I say!" +- CAPULET. +- "My sword, I say!" - "Old Montague is come," - And flourishes his blade in spite of me. - Enter Montague and his Lady Montague. @@ -283,7 +311,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ",\nAnd made Verona’s ancient citizens" - "Cast by their grave beseeming ornaments," - "To wield old partisans, in hands as old" -- ",\nCanker’d with peace, to part your" +- "," +- "Canker’d with peace, to part your" - canker’d hate. - "If ever you disturb our streets again," - Your lives shall pay the forfeit of the peace @@ -300,7 +329,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - MONTAGUE. - Who set this ancient quarrel new abroach? - "Speak, nephew, were you by when it began" -- "?\n\nBENVOLIO." +- "?" +- BENVOLIO. - Here were the servants of your adversary - "And yours, close fighting ere I did approach." - "I drew to part them, in the instant came" @@ -316,10 +346,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Came more and more, and fought on part" - "and part," - "Till the Prince came, who parted either part" -- ".\n\nLADY MONTAGUE." +- "." +- LADY MONTAGUE. - "O where is Romeo, saw you him today?" - Right glad I am he was not at this fray -- ".\n\nBENVOLIO." +- "." +- BENVOLIO. - "Madam, an hour before the worshipp’d" - sun - "Peer’d forth the golden window of the east," @@ -336,7 +368,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Pursu’d my humour, not pursuing his" - "," - And gladly shunn’d who gladly fled from me -- ".\n\nMONTAGUE." +- "." +- MONTAGUE. - "Many a morning hath he there been seen," - "With tears augmenting the fresh morning’s dew," - Adding to clouds more clouds with his deep sighs @@ -368,23 +401,27 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "air,\nOr dedicate his beauty to the sun." - Could we but learn from whence his sorrows grow - ",\nWe would as willingly give cure as know." -- "Enter Romeo.\n\nBENVOLIO." +- Enter Romeo. +- BENVOLIO. - "See, where he comes." - So please you step aside; - I’ll know his grievance or be much denied -- ".\n\nMONTAGUE." +- "." +- MONTAGUE. - I would thou wert so happy by thy stay - To hear true shrift. - "Come, madam, let’s away," - "[_Exeunt Montague and Lady Montague" -- "._]\n\nBENVOLIO." +- "._]" +- BENVOLIO. - "Good morrow, cousin." - "ROMEO.\nIs the day so young?" - "BENVOLIO.\nBut new struck nine." - ROMEO. - "Ay me, sad hours seem long." - Was that my father that went hence so fast? -- "BENVOLIO.\nIt was." +- BENVOLIO. +- It was. - What sadness lengthens Romeo’s hours? - ROMEO. - "Not having that which, having, makes them short" @@ -396,11 +433,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - BENVOLIO. - "Alas that love so gentle in his view," - Should be so tyrannous and rough in proof -- ".\n\nROMEO." +- "." +- ROMEO. - "Alas that love, whose view is muffled" - "still," - "Should, without eyes, see pathways to his will" -- "!\nWhere shall we dine? O me!" +- "!" +- Where shall we dine? O me! - What fray was here? - "Yet tell me not, for I have heard it" - all. @@ -422,7 +461,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "No coz, I rather weep." - "ROMEO.\nGood heart, at what?" - BENVOLIO. -- "At thy good heart’s oppression.\n\nROMEO." +- At thy good heart’s oppression. +- ROMEO. - Why such is love’s transgression. - Griefs of mine own lie heavy in my - "breast," @@ -440,36 +480,46 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What is it else? A madness most discreet," - "A choking gall, and a preserving sweet." - "Farewell, my coz." -- "[_Going._]\n\nBENVOLIO." +- "[_Going._]" +- BENVOLIO. - "Soft! I will go along:" - "And if you leave me so, you do me" -- "wrong.\n\nROMEO.\nTut!" +- wrong. +- ROMEO. +- Tut! - I have lost myself; I am not here. - "This is not Romeo, he’s some other where" -- ".\n\nBENVOLIO." +- "." +- BENVOLIO. - Tell me in sadness who is that you love? - ROMEO. - "What, shall I groan and tell thee?" -- "BENVOLIO.\nGroan!" +- BENVOLIO. +- Groan! - "Why, no; but sadly tell me who." - ROMEO. - "Bid a sick man in sadness make his will," - A word ill urg’d to one that is so - ill. - "In sadness, cousin, I do love a woman" -- ".\n\nBENVOLIO." +- "." +- BENVOLIO. - I aim’d so near when I suppos’d -- "you lov’d.\n\nROMEO." +- you lov’d. +- ROMEO. - "A right good markman, and she’s fair" -- "I love.\n\nBENVOLIO." +- I love. +- BENVOLIO. - "A right fair mark, fair coz, is" -- "soonest hit.\n\nROMEO." +- soonest hit. +- ROMEO. - "Well, in that hit you miss: she’ll" - not be hit - "With Cupid’s arrow, she hath" - Dian’s wit; - And in strong proof of chastity well arm’d -- ",\nFrom love’s weak childish bow she lives" +- "," +- From love’s weak childish bow she lives - uncharm’d. - She will not stay the siege of loving terms - Nor bide th’encounter of assailing @@ -478,9 +528,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "gold:" - "O she’s rich in beauty, only poor" - "That when she dies, with beauty dies her store" -- ".\n\nBENVOLIO." +- "." +- BENVOLIO. - Then she hath sworn that she will still live -- "chaste?\n\nROMEO." +- chaste? +- ROMEO. - "She hath, and in that sparing makes huge waste" - ";\nFor beauty starv’d with her severity," - Cuts beauty off from all posterity. @@ -489,9 +541,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "She hath forsworn to love, and in" - that vow - "Do I live dead, that live to tell it" -- "now.\n\nBENVOLIO." +- now. +- BENVOLIO. - "Be rul’d by me, forget to think" -- "of her.\n\nROMEO." +- of her. +- ROMEO. - O teach me how I should forget to think. - BENVOLIO. - By giving liberty unto thine eyes; @@ -507,7 +561,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Where I may read who pass’d that passing fair - "?" - "Farewell, thou canst not teach me" -- "to forget.\n\nBENVOLIO." +- to forget. +- BENVOLIO. - "I’ll pay that doctrine, or else die in" - "debt.\n\n [_Exeunt._]" - SCENE II. A Street. @@ -517,19 +572,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - In penalty alike; and ’tis not hard - ", I think," - For men so old as we to keep the peace -- ".\n\nPARIS." +- "." +- PARIS. - "Of honourable reckoning are you both," - And pity ’tis you liv’d at odds - so long. - "But now my lord, what say you to my" -- "suit?\n\nCAPULET." +- suit? +- CAPULET. - But saying o’er what I have said before - "." - "My child is yet a stranger in the world," - She hath not seen the change of fourteen years; - Let two more summers wither in their pride - Ere we may think her ripe to be a -- "bride.\n\nPARIS." +- bride. +- PARIS. - Younger than she are happy mothers made. - CAPULET. - And too soon marr’d are those so early @@ -559,7 +617,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Which, on more view of many, mine," - "being one," - "May stand in number, though in reckoning none" -- ".\nCome, go with me." +- "." +- "Come, go with me." - "Go, sirrah, trudge about" - Through fair Verona; find those persons out - "Whose names are written there, [_gives" @@ -601,16 +660,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "," - Whipp’d and tormented and—God-den - ", good fellow." -- "SERVANT.\nGod gi’ go-den." +- SERVANT. +- God gi’ go-den. - "I pray, sir, can you read?" - ROMEO. - "Ay, mine own fortune in my misery." - SERVANT. - Perhaps you have learned it without book. - "But I pray, can you read anything you see" -- "?\n\nROMEO." +- "?" +- ROMEO. - "Ay, If I know the letters and the language" -- ".\n\nSERVANT." +- "." +- SERVANT. - "Ye say honestly, rest you merry!" - ROMEO. - "Stay, fellow; I can read." @@ -642,7 +704,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - and if you be not of the house of - "Montagues, I pray come and crush a" - cup of wine. Rest you merry. -- "[_Exit._]\n\nBENVOLIO." +- "[_Exit._]" +- BENVOLIO. - At this same ancient feast of Capulet’s - Sups the fair Rosaline whom thou so - lov’st; @@ -660,7 +723,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - One fairer than my love? - The all-seeing sun - Ne’er saw her match since first the world -- "begun.\n\nBENVOLIO." +- begun. +- BENVOLIO. - "Tut, you saw her fair, none else" - "being by," - Herself pois’d with herself in either eye @@ -669,7 +733,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Your lady’s love against some other maid - "That I will show you shining at this feast," - And she shall scant show well that now shows best -- ".\n\nROMEO." +- "." +- ROMEO. - "I’ll go along, no such sight to be" - "shown," - But to rejoice in splendour of my own @@ -679,7 +744,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Enter Lady Capulet and Nurse. - LADY CAPULET. - "Nurse, where’s my daughter?" -- "Call her forth to me.\n\nNURSE." +- Call her forth to me. +- NURSE. - "Now, by my maidenhead, at twelve year" - "old," - "I bade her come. What, lamb!" @@ -700,10 +766,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I have remember’d me, thou’s hear our" - counsel. - Thou knowest my daughter’s of a pretty -- "age.\n\nNURSE." +- age. +- NURSE. - "Faith, I can tell her age unto an" -- "hour.\n\nLADY CAPULET." -- "She’s not fourteen.\n\nNURSE." +- hour. +- LADY CAPULET. +- She’s not fourteen. +- NURSE. - "I’ll lay fourteen of my teeth," - "And yet, to my teen be it spoken," - "I have but four," @@ -717,7 +786,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Come Lammas Eve at night shall she be fourteen - "." - "Susan and she,—God rest all Christian souls!" -- "—\nWere of an age." +- — +- Were of an age. - "Well, Susan is with God;" - She was too good for me. - "But as I said," @@ -753,23 +823,27 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And then my husband,—God be with his soul" - "!" - "A was a merry man,—took up the child" -- ":\n‘Yea,’ quoth he, ‘" +- ":" +- "‘Yea,’ quoth he, ‘" - dost thou fall upon thy face? - Thou wilt fall backward when thou hast more wit -- ";\nWilt thou not, Jule?’" +- ; +- "Wilt thou not, Jule?’" - "and, by my holidame," - "The pretty wretch left crying, and said ‘" - Ay’. - To see now how a jest shall come about. - "I warrant, and I should live a thousand years" -- ",\nI never should forget it." +- "," +- I never should forget it. - "‘Wilt thou not, Jule?’" - quoth he; - "And, pretty fool, it stinted, and" - said ‘Ay.’ - LADY CAPULET. - Enough of this; I pray thee hold thy peace -- ".\n\nNURSE." +- "." +- NURSE. - "Yes, madam, yet I cannot choose but" - "laugh," - "To think it should leave crying, and say ‘" @@ -781,12 +855,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "‘Yea,’ quoth my husband, ‘" - fall’st upon thy face? - Thou wilt fall backward when thou comest to -- "age;\nWilt thou not, Jule?’" +- age; +- "Wilt thou not, Jule?’" - "it stinted, and said ‘Ay’." - JULIET. - "And stint thou too, I pray thee, Nurse" - ", say I." -- "NURSE.\nPeace, I have done." +- NURSE. +- "Peace, I have done." - God mark thee to his grace - Thou wast the prettiest babe that - "e’er I nurs’d:" @@ -799,7 +875,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - How stands your disposition to be married? - JULIET. - It is an honour that I dream not of. -- "NURSE.\nAn honour!" +- NURSE. +- An honour! - "Were not I thine only nurse," - I would say thou hadst suck’d wisdom from - thy teat. @@ -811,10 +888,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - That you are now a maid. - "Thus, then, in brief;" - The valiant Paris seeks you for his love. -- "NURSE.\nA man, young lady!" +- NURSE. +- "A man, young lady!" - "Lady, such a man" - As all the world—why he’s a man -- "of wax.\n\nLADY CAPULET." +- of wax. +- LADY CAPULET. - Verona’s summer hath not such a flower. - NURSE. - "Nay, he’s a flower, in faith" @@ -847,12 +926,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Women grow by men. - LADY CAPULET. - "Speak briefly, can you like of Paris’ love" -- "?\n\nJULIET." +- "?" +- JULIET. - "I’ll look to like, if looking liking move" - ":" - But no more deep will I endart mine eye - Than your consent gives strength to make it fly. -- "Enter a Servant.\n\nSERVANT." +- Enter a Servant. +- SERVANT. - "Madam, the guests are come, supper served" - "up, you called, my young lady" - "asked for, the Nurse cursed in the pantry" @@ -883,13 +964,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "After the prompter, for our entrance:" - "But let them measure us by what they will," - "We’ll measure them a measure, and be gone" -- ".\n\nROMEO." +- "." +- ROMEO. - "Give me a torch, I am not for this" - ambling; - Being but heavy I will bear the light. - MERCUTIO. - "Nay, gentle Romeo, we must have you" -- "dance.\n\nROMEO." +- dance. +- ROMEO. - "Not I, believe me, you have dancing shoes" - "," - "With nimble soles, I have a soul" @@ -908,7 +991,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - MERCUTIO. - "And, to sink in it, should you burden" - "love;\nToo great oppression for a tender thing." -- "ROMEO.\nIs love a tender thing?" +- ROMEO. +- Is love a tender thing? - "It is too rough," - "Too rude, too boisterous; and it" - pricks like thorn. @@ -923,7 +1007,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - What care I - What curious eye doth quote deformities? - Here are the beetle-brows shall blush for me -- ".\n\nBENVOLIO." +- "." +- BENVOLIO. - "Come, knock and enter; and no sooner in" - But every man betake him to his legs. - ROMEO. @@ -934,7 +1019,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "," - "I’ll be a candle-holder and look on," - "The game was ne’er so fair, and" -- "I am done.\n\nMERCUTIO." +- I am done. +- MERCUTIO. - "Tut, dun’s the mouse, the" - "constable’s own word:" - "If thou art dun, we’ll draw thee from" @@ -950,7 +1036,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - day. - "Take our good meaning, for our judgment sits" - Five times in that ere once in our five -- "wits.\n\nROMEO." +- wits. +- ROMEO. - And we mean well in going to this mask; - But ’tis no wit to go. - MERCUTIO. @@ -959,9 +1046,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "MERCUTIO.\nAnd so did I." - "ROMEO.\nWell what was yours?" - MERCUTIO. -- "That dreamers often lie.\n\nROMEO." +- That dreamers often lie. +- ROMEO. - "In bed asleep, while they do dream things true" -- ".\n\nMERCUTIO." +- "." +- MERCUTIO. - "O, then, I see Queen Mab hath" - been with you. - "She is the fairies’ midwife, and" @@ -1000,7 +1089,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Which oft the angry Mab with blisters - "plagues," - Because their breaths with sweetmeats tainted are -- ":\nSometime she gallops o’er a" +- ":" +- Sometime she gallops o’er a - "courtier’s nose," - And then dreams he of smelling out a suit; - And sometime comes she with a tithe- @@ -1029,7 +1119,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "on their backs," - "That presses them, and learns them first to bear" - ",\nMaking them women of good carriage:" -- "This is she,—\n\nROMEO." +- "This is she,—" +- ROMEO. - "Peace, peace, Mercutio, peace," - Thou talk’st of nothing. - MERCUTIO. @@ -1046,7 +1137,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - BENVOLIO. - "This wind you talk of blows us from ourselves:" - "Supper is done, and we shall come too" -- "late.\n\nROMEO." +- late. +- ROMEO. - "I fear too early: for my mind" - misgives - "Some consequence yet hanging in the stars," @@ -1060,20 +1152,24 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - But he that hath the steerage of my course - "Direct my suit. On, lusty gentlemen!" - "BENVOLIO.\nStrike, drum." -- "[_Exeunt._]\n\nSCENE V." +- "[_Exeunt._]" +- SCENE V. - A Hall in Capulet’s House. - Musicians waiting. Enter Servants. - FIRST SERVANT. - "Where’s Potpan, that he helps not to" -- "take away?\nHe shift a trencher!" +- take away? +- He shift a trencher! - He scrape a trencher! - SECOND SERVANT. - When good manners shall lie all in one or two - "men’s hands, and they" - "unwash’d too, ’tis a foul" -- "thing.\n\nFIRST SERVANT." +- thing. +- FIRST SERVANT. - "Away with the join-stools, remove the court" -- "-cupboard, look to the\nplate." +- "-cupboard, look to the" +- plate. - "Good thou, save me a piece of marchpane" - "; and as thou loves me," - let the porter let in Susan Grindstone and @@ -1160,18 +1256,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Did my heart love till now? - "Forswear it, sight!" - For I ne’er saw true beauty till this -- "night.\n\nTYBALT." +- night. +- TYBALT. - "This by his voice, should be a Montague" -- ".\nFetch me my rapier, boy." +- "." +- "Fetch me my rapier, boy." - "What, dares the slave" - "Come hither, cover’d with an antic face" - "," - To fleer and scorn at our solemnity? - "Now by the stock and honour of my kin," - To strike him dead I hold it not a sin -- ".\n\nCAPULET." +- "." +- CAPULET. - "Why how now, kinsman!" -- "Wherefore storm you so?\n\nTYBALT." +- Wherefore storm you so? +- TYBALT. - "Uncle, this is a Montague, our" - foe; - "A villain that is hither come in spite," @@ -1190,27 +1290,33 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Here in my house do him disparagement. - "Therefore be patient, take no note of him," - It is my will; the which if thou respect -- ",\nShow a fair presence and put off these" +- "," +- Show a fair presence and put off these - "frowns," - An ill-beseeming semblance for a feast -- ".\n\nTYBALT." +- "." +- TYBALT. - "It fits when such a villain is a guest:" -- "I’ll not endure him.\n\nCAPULET." +- I’ll not endure him. +- CAPULET. - He shall be endur’d. - "What, goodman boy!" - "I say he shall, go to;" - "Am I the master here, or you?" -- "Go to.\nYou’ll not endure him!" +- Go to. +- You’ll not endure him! - "God shall mend my soul," - You’ll make a mutiny among my guests! - "You will set cock-a-hoop, you’ll" -- "be the man!\n\nTYBALT." +- be the man! +- TYBALT. - "Why, uncle, ’tis a shame." - "CAPULET.\nGo to, go to!" - You are a saucy boy. - "Is’t so, indeed?" - "This trick may chance to scathe you, I" -- "know what.\nYou must contrary me!" +- know what. +- You must contrary me! - "Marry, ’tis time." - "Well said, my hearts!—You are a" - "princox; go:" @@ -1224,7 +1330,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I will withdraw: but this intrusion shall," - "Now seeming sweet, convert to bitter gall." - "[_Exit._]" -- "ROMEO.\n[_To Juliet." +- ROMEO. +- "[_To Juliet." - "_] If I profane with my unworthiest" - hand - "This holy shrine, the gentle sin is this," @@ -1237,17 +1344,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - For saints have hands that pilgrims’ hands do - "touch," - And palm to palm is holy palmers’ kiss -- ".\n\nROMEO." +- "." +- ROMEO. - "Have not saints lips, and holy palmers too" -- "?\n\nJULIET." +- "?" +- JULIET. - "Ay, pilgrim, lips that they must use" -- "in prayer.\n\nROMEO." +- in prayer. +- ROMEO. - "O, then, dear saint, let lips do" - "what hands do:" - "They pray, grant thou, lest faith turn to" -- "despair.\n\nJULIET." +- despair. +- JULIET. - "Saints do not move, though grant for prayers" -- "’ sake.\n\nROMEO." +- ’ sake. +- ROMEO. - Then move not while my prayer’s effect I take - "." - "Thus from my lips, by thine my sin" @@ -1255,11 +1367,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Kissing her._]" - JULIET. - Then have my lips the sin that they have took -- ".\n\nROMEO.\nSin from my lips?" +- "." +- ROMEO. +- Sin from my lips? - O trespass sweetly urg’d! - Give me my sin again. - JULIET. -- "You kiss by the book.\n\nNURSE." +- You kiss by the book. +- NURSE. - "Madam, your mother craves a word with" - "you.\n\nROMEO.\nWhat is her mother?" - "NURSE.\nMarry, bachelor," @@ -1275,9 +1390,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - My life is my foe’s debt. - BENVOLIO. - "Away, be gone; the sport is at the" -- "best.\n\nROMEO." +- best. +- ROMEO. - "Ay, so I fear; the more is my" -- "unrest.\n\nCAPULET." +- unrest. +- CAPULET. - "Nay, gentlemen, prepare not to be gone" - ",\nWe have a trifling foolish banquet towards." - Is it e’en so? @@ -1289,15 +1406,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "it waxes late," - I’ll to my rest. - "[_Exeunt all but Juliet and Nurse." -- "_]\n\nJULIET." +- "_]" +- JULIET. - "Come hither, Nurse." -- "What is yond gentleman?\n\nNURSE." +- What is yond gentleman? +- NURSE. - The son and heir of old Tiberio. - JULIET. - What’s he that now is going out of door -- "?\n\nNURSE." +- "?" +- NURSE. - "Marry, that I think be young" -- "Petruchio.\n\nJULIET." +- Petruchio. +- JULIET. - "What’s he that follows here, that would not" - "dance?\n\nNURSE.\nI know not." - JULIET. @@ -1321,7 +1442,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "NURSE.\nAnon, anon!" - "Come let’s away, the strangers all are gone" - ".\n\n [_Exeunt._]\n\n\n\nACT II" -- "Enter Chorus.\n\nCHORUS." +- Enter Chorus. +- CHORUS. - Now old desire doth in his deathbed lie - "," - And young affection gapes to be his heir; @@ -1342,9 +1464,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "less\nTo meet her new beloved anywhere." - "But passion lends them power, time means, to" - "meet,\nTempering extremities with extreme sweet." -- "[_Exit._]\n\nSCENE I." +- "[_Exit._]" +- SCENE I. - An open place adjoining Capulet’s Garden. -- "Enter Romeo.\n\nROMEO." +- Enter Romeo. +- ROMEO. - Can I go forward when my heart is here? - "Turn back, dull earth, and find thy centre" - out. @@ -1355,7 +1479,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Romeo! My cousin Romeo! Romeo! - "MERCUTIO.\nHe is wise," - And on my life hath stol’n him home -- "to bed.\n\nBENVOLIO." +- to bed. +- BENVOLIO. - "He ran this way, and leap’d this" - "orchard wall:" - "Call, good Mercutio." @@ -1385,7 +1510,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - That in thy likeness thou appear to us. - BENVOLIO. - "An if he hear thee, thou wilt anger him" -- ".\n\nMERCUTIO." +- "." +- MERCUTIO. - This cannot anger him. ’Twould anger him - "To raise a spirit in his mistress’ circle," - "Of some strange nature, letting it there stand" @@ -1399,7 +1525,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Come, he hath hid himself among these trees" - To be consorted with the humorous night. - "Blind is his love, and best befits" -- "the dark.\n\nMERCUTIO." +- the dark. +- MERCUTIO. - "If love be blind, love cannot hit the mark" - "." - "Now will he sit under a medlar tree," @@ -1409,7 +1536,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O Romeo, that she were, O that she" - were - An open-arse and thou a poperin pear -- "!\nRomeo, good night." +- "!" +- "Romeo, good night." - I’ll to my truckle-bed. - This field-bed is too cold for me to sleep - ".\nCome, shall we go?" @@ -1418,7 +1546,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - To seek him here that means not to be found - ".\n\n [_Exeunt._]" - SCENE II. Capulet’s Garden. -- "Enter Romeo.\n\nROMEO." +- Enter Romeo. +- ROMEO. - He jests at scars that never felt a wound - ".\n\n Juliet appears above at a window." - "But soft, what light through yonder window breaks" @@ -1472,12 +1601,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Or if thou wilt not, be but sworn my" - "love," - And I’ll no longer be a Capulet. -- "ROMEO.\n[_Aside." +- ROMEO. +- "[_Aside." - "_] Shall I hear more, or shall I speak" -- "at this?\n\nJULIET." +- at this? +- JULIET. - ’Tis but thy name that is my enemy; - "Thou art thyself, though not a" -- "Montague.\nWhat’s Montague?" +- Montague. +- What’s Montague? - "It is nor hand nor foot," - "Nor arm, nor face, nor any other part" - Belonging to a man. @@ -1504,7 +1636,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My name, dear saint, is hateful to myself" - ",\nBecause it is an enemy to thee." - "Had I it written, I would tear the word" -- ".\n\nJULIET." +- "." +- JULIET. - My ears have yet not drunk a hundred words - "Of thy tongue’s utterance, yet I know" - the sound. @@ -1519,30 +1652,37 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And the place death, considering who thou art," - If any of my kinsmen find thee here - "." -- "ROMEO.\nWith love’s light wings did I" +- ROMEO. +- With love’s light wings did I - "o’erperch these walls," - "For stony limits cannot hold love out," - "And what love can do, that dares love" - "attempt:" - Therefore thy kinsmen are no stop to me -- ".\n\nJULIET." +- "." +- JULIET. - "If they do see thee, they will murder thee" -- ".\n\nROMEO." +- "." +- ROMEO. - "Alack, there lies more peril in thine" -- "eye\nThan twenty of their swords." +- eye +- Than twenty of their swords. - "Look thou but sweet," - And I am proof against their enmity. - JULIET. - I would not for the world they saw thee here -- ".\n\nROMEO." +- "." +- ROMEO. - I have night’s cloak to hide me from their - "eyes," - "And but thou love me, let them find me" - "here.\nMy life were better ended by their hate" - "Than death prorogued, wanting of thy" -- "love.\n\nJULIET." +- love. +- JULIET. - By whose direction found’st thou out this place -- "?\n\nROMEO." +- "?" +- ROMEO. - "By love, that first did prompt me to" - enquire; - "He lent me counsel, and I lent him eyes" @@ -1570,7 +1710,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Or if thou thinkest I am too quickly won - "," - "I’ll frown and be perverse, and say" -- "thee nay,\nSo thou wilt woo." +- "thee nay," +- So thou wilt woo. - "But else, not for the world." - "In truth, fair Montague, I am too" - fond; @@ -1615,7 +1756,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "This bud of love, by summer’s ripening" - "breath," - May prove a beauteous flower when next -- "we meet.\nGood night, good night." +- we meet. +- "Good night, good night." - As sweet repose and rest - Come to thy heart as that within my breast. - ROMEO. @@ -1624,11 +1766,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - What satisfaction canst thou have tonight? - ROMEO. - Th’exchange of thy love’s faithful vow for -- "mine.\n\nJULIET." +- mine. +- JULIET. - I gave thee mine before thou didst request it - ; - And yet I would it were to give again. -- "ROMEO.\nWould’st thou withdraw it?" +- ROMEO. +- Would’st thou withdraw it? - "For what purpose, love?" - JULIET. - But to be frank and give it thee again. @@ -1645,11 +1789,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - be true. - "Stay but a little, I will come again." - "[_Exit._]" -- "ROMEO.\nO blessed, blessed night." +- ROMEO. +- "O blessed, blessed night." - "I am afeard," - "Being in night, all this is but a dream" - ",\nToo flattering sweet to be substantial." -- "Enter Juliet above.\n\nJULIET." +- Enter Juliet above. +- JULIET. - "Three words, dear Romeo, and good night indeed" - "." - "If that thy bent of love be honourable," @@ -1701,7 +1847,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "JULIET.\nWhat o’clock tomorrow" - Shall I send to thee? - "ROMEO.\nBy the hour of nine." -- "JULIET.\nI will not fail." +- JULIET. +- I will not fail. - ’Tis twenty years till then. - I have forgot why I did call thee back. - ROMEO. @@ -1728,7 +1875,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Good night, good night." - Parting is such sweet sorrow - That I shall say good night till it be -- "morrow.\n\n [_Exit._]\n\nROMEO." +- "morrow.\n\n [_Exit._]" +- ROMEO. - "Sleep dwell upon thine eyes, peace in thy" - breast. - "Would I were sleep and peace, so sweet to" @@ -1808,16 +1956,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Our Romeo hath not been in bed tonight. - ROMEO. - That last is true; the sweeter rest was -- "mine.\n\nFRIAR LAWRENCE." +- mine. +- FRIAR LAWRENCE. - God pardon sin. - Wast thou with Rosaline? - ROMEO. - "With Rosaline, my ghostly father?" - No. - "I have forgot that name, and that name’s" -- "woe.\n\nFRIAR LAWRENCE." +- woe. +- FRIAR LAWRENCE. - That’s my good son. -- "But where hast thou been then?\n\nROMEO." +- But where hast thou been then? +- ROMEO. - I’ll tell thee ere thou ask it me again - ".\nI have been feasting with mine enemy," - Where on a sudden one hath wounded me @@ -1829,7 +1980,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Be plain, good son, and homely in" - thy drift; - Riddling confession finds but riddling -- "shrift.\n\nROMEO." +- shrift. +- ROMEO. - Then plainly know my heart’s dear love is set - On the fair daughter of rich Capulet. - "As mine on hers, so hers is set on" @@ -1845,10 +1997,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - FRIAR LAWRENCE. - Holy Saint Francis! What a change is here! - "Is Rosaline, that thou didst love" -- "so dear,\nSo soon forsaken?" +- "so dear," +- So soon forsaken? - Young men’s love then lies - "Not truly in their hearts, but in their eyes" -- ".\nJesu Maria, what a deal of" +- "." +- "Jesu Maria, what a deal of" - brine - Hath wash’d thy sallow cheeks for - Rosaline! @@ -1865,15 +2019,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "If ere thou wast thyself, and these woes" - "thine," - Thou and these woes were all for -- "Rosaline,\nAnd art thou chang’d?" +- "Rosaline," +- And art thou chang’d? - "Pronounce this sentence then," - "Women may fall, when there’s no strength in" -- "men.\n\nROMEO." +- men. +- ROMEO. - Thou chidd’st me oft for loving - Rosaline. - FRIAR LAWRENCE. - "For doting, not for loving, pupil mine" -- ".\n\nROMEO." +- "." +- ROMEO. - And bad’st me bury love. - FRIAR LAWRENCE. - Not in a grave @@ -1892,9 +2049,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - In one respect I’ll thy assistant be; - "For this alliance may so happy prove," - To turn your households’ rancour to pure -- "love.\n\nROMEO." +- love. +- ROMEO. - O let us hence; I stand on sudden haste -- ".\n\nFRIAR LAWRENCE." +- "." +- FRIAR LAWRENCE. - Wisely and slow; they stumble that run fast - ".\n\n [_Exeunt._]" - SCENE IV. A Street. @@ -1904,14 +2063,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Came he not home tonight? - BENVOLIO. - Not to his father’s; I spoke with his -- "man.\n\nMERCUTIO." +- man. +- MERCUTIO. - "Why, that same pale hard-hearted wench," - "that Rosaline, torments him so" - that he will sure run mad. - BENVOLIO. - "Tybalt, the kinsman to old" - "Capulet, hath sent a letter to his" -- "father’s\nhouse.\n\nMERCUTIO." +- "father’s\nhouse." +- MERCUTIO. - "A challenge, on my life." - BENVOLIO. - Romeo will answer it. @@ -1927,14 +2088,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", the very pin of his heart" - cleft with the blind bow-boy’s butt- - shaft. And is he a man to encounter -- "Tybalt?\n\nBENVOLIO." +- Tybalt? +- BENVOLIO. - "Why, what is Tybalt?" - MERCUTIO. - More than Prince of cats. - "O, he’s the courageous captain of" - compliments. - "He fights as you sing prick-song, keeps time" -- ", distance,\nand proportion." +- ", distance," +- and proportion. - "He rests his minim rest, one, two," - and the third in - "your bosom: the very butcher of a silk" @@ -1979,11 +2142,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - There’s a French salutation to your French - slop. You - gave us the counterfeit fairly last night. -- "ROMEO.\nGood morrow to you both." +- ROMEO. +- Good morrow to you both. - What counterfeit did I give you? - MERCUTIO. - "The slip sir, the slip; can you not" -- "conceive?\n\nROMEO." +- conceive? +- ROMEO. - "Pardon, good Mercutio, my business" - "was great, and in such a case as" - mine a man may strain courtesy. @@ -1998,18 +2163,22 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - MERCUTIO. - "Nay, I am the very pink of courtesy" - ".\n\nROMEO.\nPink for flower." -- "MERCUTIO.\nRight.\n\nROMEO." +- "MERCUTIO.\nRight." +- ROMEO. - "Why, then is my pump well flowered." - MERCUTIO. - "Sure wit, follow me this jest now, till" - "thou hast worn out thy pump," - "that when the single sole of it is worn," - the jest may remain after the -- "wearing, solely singular.\n\nROMEO." +- "wearing, solely singular." +- ROMEO. - "O single-soled jest, solely singular for the" -- "singleness!\n\nMERCUTIO." +- singleness! +- MERCUTIO. - "Come between us, good Benvolio; my" -- "wits faint.\n\nROMEO." +- wits faint. +- ROMEO. - "Swits and spurs, swits and" - spurs; or I’ll cry a match. - MERCUTIO. @@ -2018,23 +2187,29 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - For thou hast - more of the wild-goose in one of thy - "wits, than I am sure, I have" -- "in my\nwhole five." +- in my +- whole five. - Was I with you there for the goose? - ROMEO. - "Thou wast never with me for anything, when" - thou wast not there for the -- "goose.\n\nMERCUTIO." +- goose. +- MERCUTIO. - I will bite thee by the ear for that jest -- ".\n\nROMEO." +- "." +- ROMEO. - "Nay, good goose, bite not." - MERCUTIO. - "Thy wit is a very bitter sweeting," -- "it is a most sharp sauce.\n\nROMEO." +- it is a most sharp sauce. +- ROMEO. - And is it not then well served in to a -- "sweet goose?\n\nMERCUTIO." +- sweet goose? +- MERCUTIO. - "O here’s a wit of cheveril," - that stretches from an inch narrow to an -- "ell broad.\n\nROMEO." +- ell broad. +- ROMEO. - "I stretch it out for that word broad, which" - "added to the goose, proves" - thee far and wide a broad goose. @@ -2052,9 +2227,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Stop there, stop there." - MERCUTIO. - Thou desirest me to stop in my tale -- "against the hair.\n\nBENVOLIO." +- against the hair. +- BENVOLIO. - Thou wouldst else have made thy tale large -- ".\n\nMERCUTIO." +- "." +- MERCUTIO. - "O, thou art deceived; I would have made" - "it short, for I was come to the" - "whole depth of my tale, and meant indeed to" @@ -2083,12 +2260,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Out upon you! What a man are you? - ROMEO. - "One, gentlewoman, that God hath made for" -- "himself to mar.\n\nNURSE." +- himself to mar. +- NURSE. - "By my troth, it is well said;" - "for himself to mar, quoth a?" - "Gentlemen," - can any of you tell me where I may find -- "the young Romeo?\n\nROMEO." +- the young Romeo? +- ROMEO. - "I can tell you: but young Romeo will be" - older when you have found him - than he was when you sought him. @@ -2098,9 +2277,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - MERCUTIO. - "Yea, is the worst well?" - "Very well took, i’faith; wisely," -- "wisely.\n\nNURSE." +- wisely. +- NURSE. - "If you be he, sir, I desire some" -- "confidence with you.\n\nBENVOLIO." +- confidence with you. +- BENVOLIO. - She will endite him to some supper. - MERCUTIO. - "A bawd, a bawd," @@ -2124,14 +2305,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Farewell, ancient lady; farewell, lady" - ", lady, lady." - "[_Exeunt Mercutio and" -- "Benvolio._]\n\nNURSE." +- "Benvolio._]" +- NURSE. - "I pray you, sir, what saucy" - merchant was this that was so full of his -- "ropery?\n\nROMEO." +- ropery? +- ROMEO. - "A gentleman, Nurse, that loves to hear himself" - "talk, and will speak" - more in a minute than he will stand to in -- "a month.\n\nNURSE." +- a month. +- NURSE. - "And a speak anything against me, I’ll take" - "him down, and a were lustier" - "than he is, and twenty such Jacks." @@ -2141,7 +2325,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - am none of - his skains-mates.—And thou must stand - by too and suffer every knave to -- "use me at his pleasure!\n\nPETER." +- use me at his pleasure! +- PETER. - I saw no man use you at his pleasure; - "if I had, my weapon should" - quickly have been out. @@ -2149,10 +2334,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - another - "man, if I see occasion in a good" - "quarrel, and the law on my side" -- ".\n\nNURSE." +- "." +- NURSE. - "Now, afore God, I am so vexed" - that every part about me quivers. -- "Scurvy\nknave." +- Scurvy +- knave. - "Pray you, sir, a word: and" - "as I told you, my young lady bid me" - enquire you out; what she bade me @@ -2165,13 +2352,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And therefore, if you should deal double with" - "her, truly it were an ill thing to be" - "offered to any gentlewoman, and" -- "very weak dealing.\n\nROMEO." +- very weak dealing. +- ROMEO. - "Nurse, commend me to thy lady and mistress" - ". I protest unto\nthee,—" - NURSE. - "Good heart, and i’faith I will tell" - "her as much. Lord, Lord, she will" -- "be a joyful woman.\n\nROMEO." +- be a joyful woman. +- ROMEO. - "What wilt thou tell her, Nurse?" - Thou dost not mark me. - NURSE. @@ -2182,12 +2371,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Some means to come to shrift this afternoon," - And there she shall at Friar Lawrence’ cell - Be shriv’d and married. -- "Here is for thy pains.\n\nNURSE." +- Here is for thy pains. +- NURSE. - "No truly, sir; not a penny." - ROMEO. - Go to; I say you shall. -- "NURSE.\nThis afternoon, sir?" -- "Well, she shall be there.\n\nROMEO." +- NURSE. +- "This afternoon, sir?" +- "Well, she shall be there." +- ROMEO. - "And stay, good Nurse, behind the abbey" - wall. - "Within this hour my man shall be with thee," @@ -2200,14 +2392,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Farewell; commend me to thy mistress. - NURSE. - Now God in heaven bless thee. -- "Hark you, sir.\n\nROMEO." +- "Hark you, sir." +- ROMEO. - "What say’st thou, my dear Nurse?" -- "NURSE.\nIs your man secret?" +- NURSE. +- Is your man secret? - "Did you ne’er hear say," - "Two may keep counsel, putting one away?" - ROMEO. - I warrant thee my man’s as true as steel -- ".\n\nNURSE." +- "." +- NURSE. - "Well, sir, my mistress is the sweetest" - "lady. Lord, Lord!" - When ’twas a @@ -2226,7 +2421,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ROMEO. - "Ay, Nurse; what of that?" - Both with an R. -- "NURSE.\nAh, mocker!" +- NURSE. +- "Ah, mocker!" - That’s the dog’s name. - "R is for the—no, I know it" - begins @@ -2242,7 +2438,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "NURSE.\nBefore and apace." - "[_Exeunt._]" - SCENE V. Capulet’s Garden. -- "Enter Juliet.\n\nJULIET." +- Enter Juliet. +- JULIET. - The clock struck nine when I did send the Nurse - ",\nIn half an hour she promised to return." - Perchance she cannot meet him. @@ -2270,9 +2467,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O God, she comes." - "O honey Nurse, what news?" - Hast thou met with him? -- "Send thy man away.\n\nNURSE." +- Send thy man away. +- NURSE. - "Peter, stay at the gate." -- "[_Exit Peter._]\n\nJULIET." +- "[_Exit Peter._]" +- JULIET. - "Now, good sweet Nurse,—O Lord, why" - look’st thou sad? - "Though news be sad, yet tell them" @@ -2280,7 +2479,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "If good, thou sham’st the music of" - sweet news - By playing it to me with so sour a face -- ".\n\nNURSE." +- "." +- NURSE. - "I am aweary, give me leave awhile;" - "Fie, how my bones ache!" - What a jaunt have I had! @@ -2288,11 +2488,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I would thou hadst my bones, and I" - "thy news:" - "Nay come, I pray thee speak; good" -- ", good Nurse, speak.\n\nNURSE." +- ", good Nurse, speak." +- NURSE. - "Jesu, what haste?" - Can you not stay a while? - Do you not see that I am -- "out of breath?\n\nJULIET." +- out of breath? +- JULIET. - "How art thou out of breath, when thou hast" - breath - To say to me that thou art out of breath @@ -2302,7 +2504,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Answer to that; - "Say either, and I’ll stay the circumstance." - "Let me be satisfied, is’t good or bad" -- "?\n\nNURSE." +- "?" +- NURSE. - "Well, you have made a simple choice; you" - know not how to choose a man. - "Romeo? No, not he." @@ -2316,10 +2519,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - gentle as a lamb. Go thy - "ways, wench, serve God." - "What, have you dined at home?" -- "JULIET.\nNo, no." +- JULIET. +- "No, no." - But all this did I know before. - What says he of our marriage? -- "What of that?\n\nNURSE." +- What of that? +- NURSE. - "Lord, how my head aches!" - What a head have I! - It beats as it would fall in twenty pieces. @@ -2327,17 +2532,20 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "my back, my back!" - Beshrew your heart for sending me about - To catch my death with jauncing up and -- "down.\n\nJULIET." +- down. +- JULIET. - "I’faith, I am sorry that thou art" - not well. - "Sweet, sweet, sweet Nurse, tell me," -- "what says my love?\n\nNURSE." +- what says my love? +- NURSE. - "Your love says like an honest gentleman," - "And a courteous, and a kind, and a" - "handsome," - "And I warrant a virtuous,—Where is your" - mother? -- "JULIET.\nWhere is my mother?" +- JULIET. +- Where is my mother? - "Why, she is within." - Where should she be? - How oddly thou repliest. @@ -2350,7 +2558,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "bones?\nHenceforward do your messages yourself." - JULIET. - Here’s such a coil. -- "Come, what says Romeo?\n\nNURSE." +- "Come, what says Romeo?" +- NURSE. - Have you got leave to go to shrift today - "?\n\nJULIET.\nI have." - NURSE. @@ -2360,7 +2569,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Now comes the wanton blood up in your cheeks - "," - They’ll be in scarlet straight at any news -- ".\nHie you to church." +- "." +- Hie you to church. - "I must another way," - To fetch a ladder by the which your love - Must climb a bird’s nest soon when it is @@ -2370,7 +2580,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - But you shall bear the burden soon at night. - Go. - I’ll to dinner; hie you to the -- "cell.\n\nJULIET." +- cell. +- JULIET. - Hie to high fortune! - "Honest Nurse, farewell." - "[_Exeunt._]" @@ -2396,7 +2607,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - And in the taste confounds the appetite. - "Therefore love moderately: long love doth so;" - Too swift arrives as tardy as too slow. -- "Enter Juliet.\n\nHere comes the lady." +- Enter Juliet. +- Here comes the lady. - "O, so light a foot" - Will ne’er wear out the everlasting flint - "." @@ -2407,9 +2619,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Good even to my ghostly confessor. - FRIAR LAWRENCE. - "Romeo shall thank thee, daughter, for" -- "us both.\n\nJULIET." +- us both. +- JULIET. - "As much to him, else is his thanks too" -- "much.\n\nROMEO." +- much. +- ROMEO. - "Ah, Juliet, if the measure of thy joy" - "Be heap’d like mine, and that thy skill" - be more @@ -2435,7 +2649,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Exeunt._]\n\n\n\nACT III" - SCENE I. A public Place. - "Enter Mercutio, Benvolio, Page" -- "and Servants.\n\nBENVOLIO." +- and Servants. +- BENVOLIO. - "I pray thee, good Mercutio," - "let’s retire:" - "The day is hot, the Capulets abroad" @@ -2443,7 +2658,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And if we meet, we shall not scape a" - "brawl," - "For now these hot days, is the mad blood" -- "stirring.\n\nMERCUTIO." +- stirring. +- MERCUTIO. - "Thou art like one of these fellows that," - when he enters the confines of - "a tavern, claps me his sword upon the" @@ -2490,45 +2706,54 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - And I were so apt to quarrel as thou - "art, any man should buy the fee" - simple of my life for an hour and a quarter -- ".\n\nMERCUTIO." +- "." +- MERCUTIO. - The fee simple! O simple! - Enter Tybalt and others. - BENVOLIO. - "By my head, here comes the Capulets" -- ".\n\nMERCUTIO." +- "." +- MERCUTIO. - "By my heel, I care not." - TYBALT. - "Follow me close, for I will speak to them" - "." - "Gentlemen, good-den: a word with" -- "one of you.\n\nMERCUTIO." +- one of you. +- MERCUTIO. - And but one word with one of us? - Couple it with something; make it a -- "word and a blow.\n\nTYBALT." +- word and a blow. +- TYBALT. - "You shall find me apt enough to that, sir" - ", and you will give me\noccasion." - MERCUTIO. - Could you not take some occasion without giving? - TYBALT. - "Mercutio, thou consortest with Romeo." -- "MERCUTIO.\nConsort?" +- MERCUTIO. +- Consort? - "What, dost thou make us minstrels?" - And thou make minstrels of - "us, look to hear nothing but discords." - "Here’s my fiddlestick, here’s" - that shall make you dance. -- "Zounds, consort!\n\nBENVOLIO." +- "Zounds, consort!" +- BENVOLIO. - We talk here in the public haunt of men. - "Either withdraw unto some private place," - "And reason coldly of your grievances," - Or else depart; here all eyes gaze on us -- ".\n\nMERCUTIO." +- "." +- MERCUTIO. - "Men’s eyes were made to look, and let" - them gaze. - I will not budge for no man’s pleasure -- ", I.\n\n Enter Romeo.\n\nTYBALT." +- ", I.\n\n Enter Romeo." +- TYBALT. - "Well, peace be with you, sir, here" -- "comes my man.\n\nMERCUTIO." +- comes my man. +- MERCUTIO. - "But I’ll be hanged, sir, if" - he wear your livery. - "Marry, go before to field, he’ll" @@ -2538,17 +2763,20 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Romeo, the love I bear thee can" - afford - "No better term than this: Thou art a villain" -- ".\n\nROMEO." +- "." +- ROMEO. - "Tybalt, the reason that I have to" - love thee - Doth much excuse the appertaining rage - To such a greeting. - Villain am I none; - Therefore farewell; I see thou know’st me -- "not.\n\nTYBALT." +- not. +- TYBALT. - "Boy, this shall not excuse the injuries" - "That thou hast done me, therefore turn and draw" -- ".\n\nROMEO." +- "." +- ROMEO. - "I do protest I never injur’d thee," - But love thee better than thou canst devise - Till thou shalt know the reason of my love @@ -2557,10 +2785,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "As dearly as mine own, be satisfied." - MERCUTIO. - "O calm, dishonourable, vile submission" -- "!\n[_Draws." +- "!" +- "[_Draws." - "_] Alla stoccata carries it away." - "Tybalt, you rat-catcher, will" -- "you walk?\n\nTYBALT." +- you walk? +- TYBALT. - What wouldst thou have with me? - MERCUTIO. - "Good King of Cats, nothing but one of your" @@ -2571,13 +2801,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Will you pluck your sword out of his - pilcher by the ears? - "Make haste, lest mine be about your ears ere" -- "it be out.\n\nTYBALT." +- it be out. +- TYBALT. - "[_Drawing._] I am for you." - ROMEO. - "Gentle Mercutio, put thy" -- "rapier up.\n\nMERCUTIO." +- rapier up. +- MERCUTIO. - "Come, sir, your passado." -- "[_They fight._]\n\nROMEO." +- "[_They fight._]" +- ROMEO. - "Draw, Benvolio; beat down their weapons" - "." - "Gentlemen, for shame, forbear this" @@ -2600,15 +2833,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Marry, ’tis enough." - Where is my page? - "Go villain, fetch a surgeon." -- "[_Exit Page._]\n\nROMEO." +- "[_Exit Page._]" +- ROMEO. - "Courage, man; the hurt cannot be much" -- ".\n\nMERCUTIO." +- "." +- MERCUTIO. - "No, ’tis not so deep as a" - "well, nor so wide as a church door," - but ’tis - "enough, ’twill serve." - "Ask for me tomorrow, and you shall find me" -- "a\ngrave man." +- a +- grave man. - "I am peppered, I warrant, for this" - world. A plague o’ both - your houses. @@ -2628,7 +2864,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I have it, and soundly too." - Your houses! - "[_Exeunt Mercutio and" -- "Benvolio._]\n\nROMEO." +- "Benvolio._]" +- ROMEO. - "This gentleman, the Prince’s near ally," - "My very friend, hath got his mortal hurt" - In my behalf; my reputation stain’d @@ -2643,7 +2880,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "dead," - "That gallant spirit hath aspir’d the clouds," - Which too untimely here did scorn the earth -- ".\n\nROMEO." +- "." +- ROMEO. - This day’s black fate on mo days doth - depend; - This but begins the woe others must end. @@ -2654,14 +2892,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Again in triumph, and Mercutio slain?" - "Away to heaven respective lenity," - And fire-ey’d fury be my conduct now -- "!\nNow, Tybalt, take the ‘" +- "!" +- "Now, Tybalt, take the ‘" - villain’ back again - "That late thou gav’st me, for" - Mercutio’s soul - "Is but a little way above our heads," - Staying for thine to keep him company. - "Either thou or I, or both, must go" -- "with him.\n\nTYBALT." +- with him. +- TYBALT. - "Thou wretched boy, that didst consort" - "him here,\nShalt with him hence." - "ROMEO.\nThis shall determine that." @@ -2669,7 +2909,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - BENVOLIO. - "Romeo, away, be gone!" - "The citizens are up, and Tybalt slain" -- ".\nStand not amaz’d." +- "." +- Stand not amaz’d. - The Prince will doom thee death - If thou art taken. - "Hence, be gone, away!" @@ -2681,7 +2922,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Which way ran he that kill’d Mercutio - "?" - "Tybalt, that murderer, which way ran" -- "he?\n\nBENVOLIO." +- he? +- BENVOLIO. - There lies that Tybalt. - FIRST CITIZEN. - "Up, sir, go with me." @@ -2704,7 +2946,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Of my dear kinsman! - "Prince, as thou art true," - For blood of ours shed blood of Montague. -- "O cousin, cousin.\n\nPRINCE." +- "O cousin, cousin." +- PRINCE. - "Benvolio, who began this bloody fray?" - BENVOLIO. - "Tybalt, here slain, whom Romeo’s" @@ -2735,7 +2978,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - And ’twixt them rushes; underneath whose - arm - An envious thrust from Tybalt hit the -- "life\nOf stout Mercutio, and then" +- life +- "Of stout Mercutio, and then" - Tybalt fled. - "But by and by comes back to Romeo," - "Who had but newly entertain’d revenge," @@ -2745,7 +2989,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - slain; - And as he fell did Romeo turn and fly. - "This is the truth, or let Benvolio" -- "die.\n\nLADY CAPULET." +- die. +- LADY CAPULET. - He is a kinsman to the Montague - "." - "Affection makes him false, he speaks not true" @@ -2755,11 +3000,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I beg for justice, which thou, Prince," - must give; - "Romeo slew Tybalt, Romeo must" -- "not live.\n\nPRINCE." +- not live. +- PRINCE. - "Romeo slew him, he slew" - Mercutio. - Who now the price of his dear blood doth -- "owe?\n\nMONTAGUE." +- owe? +- MONTAGUE. - "Not Romeo, Prince, he was" - Mercutio’s friend; - "His fault concludes but what the law should end," @@ -2782,7 +3029,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ".\n\n [_Exeunt._]" - SCENE II. - A Room in Capulet’s House. -- "Enter Juliet.\n\nJULIET." +- Enter Juliet. +- JULIET. - "Gallop apace, you fiery-footed" - "steeds," - Towards Phoebus’ lodging. @@ -2795,7 +3043,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - unseen. - Lovers can see to do their amorous rites - "By their own beauties: or, if love" -- "be blind,\nIt best agrees with night." +- "be blind," +- It best agrees with night. - "Come, civil night," - "Thou sober-suited matron, all in" - "black," @@ -2867,7 +3116,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "If he be slain, say Ay; or if" - "not, No." - Brief sounds determine of my weal or woe -- ".\n\nNURSE." +- "." +- NURSE. - "I saw the wound, I saw it with mine" - "eyes," - God save the mark!—here on his @@ -2875,7 +3125,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "A piteous corse, a bloody" - piteous corse; - "Pale, pale as ashes, all bedaub’d" -- "in blood,\nAll in gore-blood." +- "in blood," +- All in gore-blood. - I swounded at the sight. - JULIET. - "O, break, my heart." @@ -2897,16 +3148,20 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My dearest cousin, and my dearer lord" - "?\nThen dreadful trumpet sound the general doom," - "For who is living, if those two are gone" -- "?\n\nNURSE." +- "?" +- NURSE. - "Tybalt is gone, and Romeo banished" - "," - "Romeo that kill’d him, he is" - banished. -- "JULIET.\nO God!" +- JULIET. +- O God! - Did Romeo’s hand shed Tybalt’s blood -- "?\n\nNURSE." +- "?" +- NURSE. - "It did, it did; alas the day," -- "it did.\n\nJULIET." +- it did. +- JULIET. - "O serpent heart, hid with a flowering face!" - Did ever dragon keep so fair a cave? - "Beautiful tyrant, fiend angelical," @@ -2942,9 +3197,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - crown’d - Sole monarch of the universal earth. - "O, what a beast was I to chide" -- "at him!\n\nNURSE." +- at him! +- NURSE. - Will you speak well of him that kill’d your -- "cousin?\n\nJULIET." +- cousin? +- JULIET. - Shall I speak ill of him that is my - husband? - "Ah, poor my lord, what tongue shall smooth" @@ -2963,14 +3220,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And Tybalt’s dead, that would have" - slain my husband. - All this is comfort; wherefore weep I -- "then?\nSome word there was, worser than" +- then? +- "Some word there was, worser than" - "Tybalt’s death," - That murder’d me. - "I would forget it fain," - "But O, it presses to my memory" - Like damned guilty deeds to sinners’ minds. - "Tybalt is dead, and Romeo banished" -- ".\nThat ‘banished,’ that one word ‘" +- "." +- "That ‘banished,’ that one word ‘" - "banished,’" - Hath slain ten thousand Tybalts. - Tybalt’s death @@ -2988,7 +3247,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ‘Romeo is banished’—to - speak that word - "Is father, mother, Tybalt, Romeo" -- ", Juliet,\nAll slain, all dead." +- ", Juliet," +- "All slain, all dead." - "Romeo is banished," - "There is no end, no limit, measure," - "bound," @@ -2997,13 +3257,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Where is my father and my mother, Nurse?" - NURSE. - Weeping and wailing over Tybalt’s -- "corse.\nWill you go to them?" +- corse. +- Will you go to them? - I will bring you thither. - JULIET. - Wash they his wounds with tears. - "Mine shall be spent," - "When theirs are dry, for Romeo’s banishment" -- ".\nTake up those cords." +- "." +- Take up those cords. - "Poor ropes, you are beguil’d," - Both you and I; for Romeo is - exil’d. @@ -3013,14 +3275,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Come cords, come Nurse, I’ll to my" - "wedding bed," - "And death, not Romeo, take my maidenhead" -- ".\n\nNURSE." +- "." +- NURSE. - Hie to your chamber. I’ll find Romeo - To comfort you. - I wot well where he is. - "Hark ye, your Romeo will be here at" - night. - "I’ll to him, he is hid at Lawrence" -- "’ cell.\n\nJULIET." +- ’ cell. +- JULIET. - "O find him, give this ring to my true" - "knight," - And bid him come to take his last farewell. @@ -3034,19 +3298,24 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - parts - And thou art wedded to calamity. - Enter Romeo. -- "ROMEO.\nFather, what news?" +- ROMEO. +- "Father, what news?" - What is the Prince’s doom? - "What sorrow craves acquaintance at my hand," - That I yet know not? - "FRIAR LAWRENCE.\nToo familiar" - Is my dear son with such sour company. - I bring thee tidings of the Prince’s doom -- ".\n\nROMEO." +- "." +- ROMEO. - What less than doomsday is the Prince’s -- "doom?\n\nFRIAR LAWRENCE." +- doom? +- FRIAR LAWRENCE. - "A gentler judgment vanish’d from his lips," - "Not body’s death, but body’s banishment" -- ".\n\nROMEO.\nHa, banishment?" +- "." +- ROMEO. +- "Ha, banishment?" - "Be merciful, say death;" - "For exile hath more terror in his look," - Much more than death. @@ -3054,7 +3323,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - FRIAR LAWRENCE. - Hence from Verona art thou banished. - "Be patient, for the world is broad and wide" -- ".\n\nROMEO." +- "." +- ROMEO. - "There is no world without Verona walls," - "But purgatory, torture, hell itself." - Hence banished is banish’d from the @@ -3074,7 +3344,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - And turn’d that black word death to banishment - "." - "This is dear mercy, and thou see’st" -- "it not.\n\nROMEO." +- it not. +- ROMEO. - "’Tis torture, and not mercy." - Heaven is here - "Where Juliet lives, and every cat and dog," @@ -3099,7 +3370,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "so mean," - But banished to kill me? Banished? - "O Friar, the damned use that word in" -- "hell.\nHowlings attends it." +- hell. +- Howlings attends it. - "How hast thou the heart," - "Being a divine, a ghostly confessor," - "A sin-absolver, and my friend profess’d" @@ -3107,7 +3379,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - To mangle me with that word banished? - FRIAR LAWRENCE. - "Thou fond mad man, hear me speak a" -- "little,\n\nROMEO." +- "little," +- ROMEO. - "O, thou wilt speak again of banishment." - FRIAR LAWRENCE. - I’ll give thee armour to keep off that word @@ -3119,11 +3392,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Displant a town, reverse a Prince’s doom" - "," - "It helps not, it prevails not, talk" -- "no more.\n\nFRIAR LAWRENCE." +- no more. +- FRIAR LAWRENCE. - "O, then I see that mad men have no" -- "ears.\n\nROMEO." +- ears. +- ROMEO. - "How should they, when that wise men have no" -- "eyes?\n\nFRIAR LAWRENCE." +- eyes? +- FRIAR LAWRENCE. - Let me dispute with thee of thy estate. - ROMEO. - Thou canst not speak of that thou dost @@ -3140,7 +3416,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Knocking within._]" - FRIAR LAWRENCE. - Arise; one knocks. -- "Good Romeo, hide thyself.\n\nROMEO." +- "Good Romeo, hide thyself." +- ROMEO. - "Not I, unless the breath of heartsick" - groans - Mist-like infold me from the search of @@ -3156,17 +3433,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "come.\n\n [_Knocking._]" - Who knocks so hard? - "Whence come you, what’s your will?" -- "NURSE.\n[_Within." +- NURSE. +- "[_Within." - "_] Let me come in, and you shall know" - "my errand.\nI come from Lady Juliet." - "FRIAR LAWRENCE.\nWelcome then." -- "Enter Nurse.\n\nNURSE." +- Enter Nurse. +- NURSE. - "O holy Friar, O, tell me," - "holy Friar," - "Where is my lady’s lord, where’s Romeo" -- "?\n\nFRIAR LAWRENCE." +- "?" +- FRIAR LAWRENCE. - "There on the ground, with his own tears made" -- "drunk.\n\nNURSE." +- drunk. +- NURSE. - "O, he is even in my mistress’ case" - "." - Just in her case! O woeful sympathy! @@ -3179,10 +3460,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "For Juliet’s sake, for her sake, rise" - and stand. - Why should you fall into so deep an O? -- "ROMEO.\nNurse.\n\nNURSE." +- "ROMEO.\nNurse." +- NURSE. - "Ah sir, ah sir, death’s the end" - of all. -- "ROMEO.\nSpakest thou of Juliet?" +- ROMEO. +- Spakest thou of Juliet? - How is it with her? - "Doth not she think me an old murderer," - Now I have stain’d the childhood of our joy @@ -3208,7 +3491,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Tell me, that I may sack" - "The hateful mansion.\n\n [_Drawing his sword._]" - FRIAR LAWRENCE. -- "Hold thy desperate hand.\nArt thou a man?" +- Hold thy desperate hand. +- Art thou a man? - Thy form cries out thou art. - "Thy tears are womanish, thy wild acts" - "denote\nThe unreasonable fury of a beast." @@ -3249,7 +3533,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "," - "Is set afire by thine own ignorance," - And thou dismember’d with thine own defence -- ".\nWhat, rouse thee, man." +- "." +- "What, rouse thee, man." - "Thy Juliet is alive," - For whose dear sake thou wast but lately dead. - There art thou happy. @@ -3265,7 +3550,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Thou putt’st up thy Fortune and thy - love. - "Take heed, take heed, for such die miserable" -- ".\nGo, get thee to thy love as was" +- "." +- "Go, get thee to thy love as was" - "decreed," - "Ascend her chamber, hence and comfort her." - But look thou stay not till the watch be set @@ -3281,35 +3567,44 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Commend me to thy lady," - And bid her hasten all the house to bed - ",\nWhich heavy sorrow makes them apt unto." -- "Romeo is coming.\n\nNURSE." +- Romeo is coming. +- NURSE. - "O Lord, I could have stay’d here all" -- "the night\nTo hear good counsel." +- the night +- To hear good counsel. - "O, what learning is!" - "My lord, I’ll tell my lady you will" -- "come.\n\nROMEO." +- come. +- ROMEO. - "Do so, and bid my sweet prepare to" -- "chide.\n\nNURSE." +- chide. +- NURSE. - "Here sir, a ring she bid me give you" - ", sir." - "Hie you, make haste, for it grows" -- "very late.\n\n [_Exit._]\n\nROMEO." +- "very late.\n\n [_Exit._]" +- ROMEO. - How well my comfort is reviv’d by this -- ".\n\nFRIAR LAWRENCE." +- "." +- FRIAR LAWRENCE. - "Go hence, good night, and here stands all" - "your state:" - "Either be gone before the watch be set," - Or by the break of day disguis’d from -- "hence.\nSojourn in Mantua." +- hence. +- Sojourn in Mantua. - "I’ll find out your man," - And he shall signify from time to time - Every good hap to you that chances here. - Give me thy hand; ’tis late; -- "farewell; good night.\n\nROMEO." +- farewell; good night. +- ROMEO. - But that a joy past joy calls out on me - "," - It were a grief so brief to part with thee - ".\nFarewell." -- "[_Exeunt._]\n\nSCENE IV." +- "[_Exeunt._]" +- SCENE IV. - A Room in Capulet’s House. - "Enter Capulet, Lady Capulet and Paris." - CAPULET. @@ -3318,7 +3613,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - That we have had no time to move our daughter - "." - "Look you, she lov’d her kinsman" -- "Tybalt dearly,\nAnd so did I." +- "Tybalt dearly," +- And so did I. - "Well, we were born to die." - ’Tis very late; she’ll not come down - tonight. @@ -3326,12 +3622,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - I would have been abed an hour ago. - PARIS. - These times of woe afford no tune to woo -- ".\nMadam, good night." +- "." +- "Madam, good night." - Commend me to your daughter. - LADY CAPULET. - "I will, and know her mind early tomorrow;" - Tonight she’s mew’d up to her -- "heaviness.\n\nCAPULET." +- heaviness. +- CAPULET. - "Sir Paris, I will make a desperate tender" - Of my child’s love. - I think she will be rul’d @@ -3345,7 +3643,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "next," - "But, soft, what day is this?" - "PARIS.\nMonday, my lord." -- "CAPULET.\nMonday! Ha, ha!" +- CAPULET. +- "Monday! Ha, ha!" - "Well, Wednesday is too soon," - "A Thursday let it be; a Thursday, tell" - "her," @@ -3361,9 +3660,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "." - "Therefore we’ll have some half a dozen friends," - And there an end. -- "But what say you to Thursday?\n\nPARIS." +- But what say you to Thursday? +- PARIS. - "My lord, I would that Thursday were tomorrow." -- "CAPULET.\nWell, get you gone." +- CAPULET. +- "Well, get you gone." - A Thursday be it then. - "Go you to Juliet ere you go to bed," - "Prepare her, wife, against this wedding day." @@ -3382,31 +3683,38 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "It was the nightingale, and not the" - "lark," - That pierc’d the fearful hollow of thine -- "ear;\nNightly she sings on yond" +- ear; +- Nightly she sings on yond - pomegranate tree. - "Believe me, love, it was the" -- "nightingale.\n\nROMEO." +- nightingale. +- ROMEO. - "It was the lark, the herald of the" -- "morn,\nNo nightingale." +- "morn," +- No nightingale. - "Look, love, what envious streaks" - Do lace the severing clouds in yonder east -- ".\nNight’s candles are burnt out, and" +- "." +- "Night’s candles are burnt out, and" - jocund day - Stands tiptoe on the misty mountain - tops. - "I must be gone and live, or stay and" -- "die.\n\nJULIET." +- die. +- JULIET. - "Yond light is not daylight, I know it" - ", I." - It is some meteor that the sun exhales - To be to thee this night a torchbearer - And light thee on thy way to Mantua. - "Therefore stay yet, thou need’st not to" -- "be gone.\n\nROMEO." +- be gone. +- ROMEO. - "Let me be ta’en, let me be put" - "to death," - "I am content, so thou wilt have it so" -- ".\nI’ll say yon grey is not the" +- "." +- I’ll say yon grey is not the - "morning’s eye," - ’Tis but the pale reflex of Cynthia’s brow - "." @@ -3414,7 +3722,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - beat - The vaulty heaven so high above our heads. - I have more care to stay than will to go -- ".\nCome, death, and welcome." +- "." +- "Come, death, and welcome." - Juliet wills it so. - "How is’t, my soul?" - Let’s talk. It is not day. @@ -3437,7 +3746,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Hunting thee hence with hunt’s-up to the - day. - "O now be gone, more light and light it" -- "grows.\n\nROMEO." +- grows. +- ROMEO. - "More light and light, more dark and dark our" - "woes.\n\n Enter Nurse." - "NURSE.\nMadam." @@ -3445,12 +3755,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - NURSE. - Your lady mother is coming to your chamber. - "The day is broke, be wary, look about" -- ".\n\n [_Exit._]\n\nJULIET." +- ".\n\n [_Exit._]" +- JULIET. - "Then, window, let day in, and let" -- "life out.\n\nROMEO." +- life out. +- ROMEO. - "Farewell, farewell, one kiss, and" - "I’ll descend.\n\n [_Descends._]" -- "JULIET.\nArt thou gone so?" +- JULIET. +- Art thou gone so? - "Love, lord, ay husband, friend," - I must hear from thee every day in the hour - ",\nFor in a minute there are many days." @@ -3459,31 +3772,38 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "ROMEO.\nFarewell!" - I will omit no opportunity - "That may convey my greetings, love, to thee" -- ".\n\nJULIET." +- "." +- JULIET. - O thinkest thou we shall ever meet again? - ROMEO. - "I doubt it not, and all these woes shall" - serve - For sweet discourses in our time to come. -- "JULIET.\nO God!" +- JULIET. +- O God! - I have an ill-divining soul! - "Methinks I see thee, now thou art" - "so low," - As one dead in the bottom of a tomb. - "Either my eyesight fails, or thou" -- "look’st pale.\n\nROMEO." +- look’st pale. +- ROMEO. - "And trust me, love, in my eye so" -- "do you.\nDry sorrow drinks our blood." +- do you. +- Dry sorrow drinks our blood. - "Adieu, adieu." - "[_Exit below._]" -- "JULIET.\nO Fortune, Fortune!" +- JULIET. +- "O Fortune, Fortune!" - "All men call thee fickle," - "If thou art fickle, what dost thou with" -- "him\nThat is renown’d for faith?" +- him +- That is renown’d for faith? - "Be fickle, Fortune;" - "For then, I hope thou wilt not keep him" - "long\nBut send him back." -- "LADY CAPULET.\n[_Within." +- LADY CAPULET. +- "[_Within." - "_] Ho, daughter, are you up?" - JULIET. - Who is’t that calls? @@ -3505,9 +3825,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Therefore have done: some grief shows much of love" - "," - But much of grief shows still some want of wit -- ".\n\nJULIET." +- "." +- JULIET. - Yet let me weep for such a feeling loss -- ".\n\nLADY CAPULET." +- "." +- LADY CAPULET. - "So shall you feel the loss, but not the" - "friend\nWhich you weep for." - JULIET. @@ -3520,20 +3842,25 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - JULIET. - "What villain, madam?" - LADY CAPULET. -- "That same villain Romeo.\n\nJULIET." +- That same villain Romeo. +- JULIET. - Villain and he be many miles asunder -- ".\nGod pardon him." +- "." +- God pardon him. - "I do, with all my heart." - And yet no man like he doth grieve -- "my heart.\n\nLADY CAPULET." +- my heart. +- LADY CAPULET. - That is because the traitor murderer lives. - JULIET. - "Ay madam, from the reach of these my" - hands. - Would none but I might venge my cousin’s -- "death.\n\nLADY CAPULET." +- death. +- LADY CAPULET. - "We will have vengeance for it, fear thou not" -- ".\nThen weep no more." +- "." +- Then weep no more. - "I’ll send to one in Mantua," - Where that same banish’d runagate doth - "live," @@ -3559,7 +3886,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Find thou the means, and I’ll find such" - a man. - "But now I’ll tell thee joyful tidings," -- "girl.\n\nJULIET." +- girl. +- JULIET. - And joy comes well in such a needy time. - "What are they, I beseech your" - ladyship? @@ -3569,9 +3897,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "One who to put thee from thy heaviness," - "Hath sorted out a sudden day of joy," - "That thou expects not, nor I look’d not" -- "for.\n\nJULIET." +- for. +- JULIET. - "Madam, in happy time, what day is" -- "that?\n\nLADY CAPULET." +- that? +- LADY CAPULET. - "Marry, my child, early next Thursday" - morn - "The gallant, young, and noble gentleman," @@ -3583,7 +3913,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - He shall not make me there a joyful bride. - "I wonder at this haste, that I must wed" - Ere he that should be husband comes to woo -- ".\nI pray you tell my lord and father," +- "." +- "I pray you tell my lord and father," - "madam," - I will not marry yet; and when I do - ", I swear" @@ -3618,15 +3949,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Ay, sir; but she will none, she" - gives you thanks. - I would the fool were married to her grave. -- "CAPULET.\nSoft." +- CAPULET. +- Soft. - "Take me with you, take me with you," -- "wife.\nHow, will she none?" +- wife. +- "How, will she none?" - Doth she not give us thanks? - Is she not proud? - "Doth she not count her blest," - "Unworthy as she is, that we have wrought" - So worthy a gentleman to be her bridegroom -- "?\n\nJULIET." +- "?" +- JULIET. - "Not proud you have, but thankful that you have" - "." - Proud can I never be of what I hate @@ -3644,7 +3978,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - next - "To go with Paris to Saint Peter’s Church," - Or I will drag thee on a hurdle thither -- ".\nOut, you green-sickness carrion!" +- "." +- "Out, you green-sickness carrion!" - "Out, you baggage!\nYou tallow-face!" - LADY CAPULET. - "Fie, fie!" @@ -3653,13 +3988,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Good father, I beseech you on my" - "knees," - Hear me with patience but to speak a word -- ".\n\nCAPULET." +- "." +- CAPULET. - "Hang thee young baggage, disobedient wretch!" - "I tell thee what,—get thee to church a" - "Thursday," - Or never after look me in the face. - "Speak not, reply not, do not answer me" -- ".\nMy fingers itch." +- "." +- My fingers itch. - "Wife, we scarce thought us blest" - That God had lent us but this only child; - But now I see this one is one too much @@ -3668,7 +4005,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Out on her, hilding." - "NURSE.\nGod in heaven bless her." - "You are to blame, my lord, to rate" -- "her so.\n\nCAPULET." +- her so. +- CAPULET. - "And why, my lady wisdom?" - "Hold your tongue," - Good prudence; smatter with your @@ -3681,7 +4019,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Utter your gravity o’er a gossip’s - "bowl,\nFor here we need it not." - LADY CAPULET. -- "You are too hot.\n\nCAPULET." +- You are too hot. +- CAPULET. - "God’s bread, it makes me mad!" - "Day, night, hour, ride, time," - "work, play," @@ -3720,7 +4059,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Nor what is mine shall never do thee good. - "Trust to’t, bethink you," - I’ll not be forsworn. -- "[_Exit._]\n\nJULIET." +- "[_Exit._]" +- JULIET. - "Is there no pity sitting in the clouds," - That sees into the bottom of my grief? - "O sweet my mother, cast me not away," @@ -3733,7 +4073,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - a word. - "Do as thou wilt, for I have done with" - "thee.\n\n [_Exit._]" -- "JULIET.\nO God!" +- JULIET. +- O God! - "O Nurse, how shall this be prevented?" - "My husband is on earth, my faith in heaven" - ".\nHow shall that faith return again to earth," @@ -3744,7 +4085,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Upon so soft a subject as myself. - What say’st thou? - Hast thou not a word of joy? -- "Some comfort, Nurse.\n\nNURSE." +- "Some comfort, Nurse." +- NURSE. - "Faith, here it is." - Romeo is banished; and all the - world to nothing @@ -3759,7 +4101,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Romeo’s a dishclout to him - ". An eagle, madam," - "Hath not so green, so quick, so" -- "fair an eye\nAs Paris hath." +- fair an eye +- As Paris hath. - "Beshrew my very heart," - "I think you are happy in this second match," - "For it excels your first: or if it" @@ -3784,7 +4127,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - NURSE. - "Marry, I will; and this is wisely" - "done.\n\n [_Exit._]" -- "JULIET.\nAncient damnation!" +- JULIET. +- Ancient damnation! - O most wicked fiend! - Is it more sin to wish me thus - "forsworn," @@ -3803,14 +4147,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Enter Friar Lawrence and Paris. - FRIAR LAWRENCE. - "On Thursday, sir?" -- "The time is very short.\n\nPARIS." +- The time is very short. +- PARIS. - My father Capulet will have it so; - And I am nothing slow to slack his haste. - FRIAR LAWRENCE. - You say you do not know the lady’s mind - "." - Uneven is the course; I like it not -- ".\n\nPARIS." +- "." +- PARIS. - Immoderately she weeps for - "Tybalt’s death," - And therefore have I little talk’d of love; @@ -3822,20 +4168,26 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Which, too much minded by herself alone," - May be put from her by society. - Now do you know the reason of this haste. -- "FRIAR LAWRENCE.\n[_Aside." +- FRIAR LAWRENCE. +- "[_Aside." - "_] I would I knew not why it should be" - slow’d.— - "Look, sir, here comes the lady toward my" -- "cell.\n\n Enter Juliet.\n\nPARIS." +- "cell.\n\n Enter Juliet." +- PARIS. - "Happily met, my lady and my wife" -- "!\n\nJULIET." +- "!" +- JULIET. - "That may be, sir, when I may be" -- "a wife.\n\nPARIS." +- a wife. +- PARIS. - "That may be, must be, love, on" -- "Thursday next.\n\nJULIET." +- Thursday next. +- JULIET. - What must be shall be. - FRIAR LAWRENCE. -- "That’s a certain text.\n\nPARIS." +- That’s a certain text. +- PARIS. - Come you to make confession to this father? - JULIET. - "To answer that, I should confess to you." @@ -3845,24 +4197,29 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - I will confess to you that I love him. - PARIS. - "So will ye, I am sure, that you" -- "love me.\n\nJULIET." +- love me. +- JULIET. - "If I do so, it will be of more" - "price," - Being spoke behind your back than to your face. - PARIS. - "Poor soul, thy face is much abus’d" -- "with tears.\n\nJULIET." +- with tears. +- JULIET. - The tears have got small victory by that; - For it was bad enough before their spite. - PARIS. - Thou wrong’st it more than tears with -- "that report.\n\nJULIET." +- that report. +- JULIET. - "That is no slander, sir, which is a" - "truth," - "And what I spake, I spake it" -- "to my face.\n\nPARIS." +- to my face. +- PARIS. - "Thy face is mine, and thou hast" -- "slander’d it.\n\nJULIET." +- slander’d it. +- JULIET. - "It may be so, for it is not mine" - own. - "Are you at leisure, holy father, now," @@ -3871,7 +4228,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "My leisure serves me, pensive daughter, now" - ".—" - "My lord, we must entreat the time alone" -- ".\n\nPARIS." +- "." +- PARIS. - God shield I should disturb devotion!— - "Juliet, on Thursday early will I rouse" - "ye," @@ -3885,7 +4243,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - FRIAR LAWRENCE. - "O Juliet, I already know thy grief;" - It strains me past the compass of my wits -- ".\nI hear thou must, and nothing may" +- "." +- "I hear thou must, and nothing may" - "prorogue it," - On Thursday next be married to this County. - JULIET. @@ -3913,7 +4272,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Be not so long to speak. - "I long to die," - If what thou speak’st speak not of remedy -- ".\n\nFRIAR LAWRENCE." +- "." +- FRIAR LAWRENCE. - "Hold, daughter." - "I do spy a kind of hope," - Which craves as desperate an execution @@ -3926,12 +4286,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - That cop’st with death himself to scape from - it. - "And if thou dar’st, I’ll give" -- "thee remedy.\n\nJULIET." +- thee remedy. +- JULIET. - "O, bid me leap, rather than marry Paris" - "," - "From off the battlements of yonder tower," - "Or walk in thievish ways, or bid" -- "me lurk\nWhere serpents are." +- me lurk +- Where serpents are. - Chain me with roaring bears; - "Or hide me nightly in a charnel-house," - O’er-cover’d quite with dead men’s @@ -3946,7 +4308,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And I will do it without fear or doubt," - To live an unstain’d wife to my sweet - love. -- "FRIAR LAWRENCE.\nHold then." +- FRIAR LAWRENCE. +- Hold then. - "Go home, be merry, give consent" - To marry Paris. Wednesday is tomorrow; - "Tomorrow night look that thou lie alone," @@ -3956,7 +4319,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ",\nAnd this distilled liquor drink thou off," - When presently through all thy veins shall run - A cold and drowsy humour; for no -- "pulse\nShall keep his native progress, but" +- pulse +- "Shall keep his native progress, but" - surcease. - "No warmth, no breath shall testify thou livest," - The roses in thy lips and cheeks shall fade @@ -3996,20 +4360,24 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - In this resolve. - I’ll send a friar with speed - "To Mantua, with my letters to thy lord" -- ".\n\nJULIET." +- "." +- JULIET. - "Love give me strength, and strength shall help afford" - ".\nFarewell, dear father." -- "[_Exeunt._]\n\nSCENE II." +- "[_Exeunt._]" +- SCENE II. - Hall in Capulet’s House. - "Enter Capulet, Lady Capulet, Nurse and" -- "Servants.\n\nCAPULET." +- Servants. +- CAPULET. - So many guests invite as here are writ. - "[_Exit first Servant._]" - "Sirrah, go hire me twenty cunning cooks." - SECOND SERVANT. - "You shall have none ill, sir; for" - I’ll try if they can lick their -- "fingers.\n\nCAPULET." +- fingers. +- CAPULET. - How canst thou try them so? - SECOND SERVANT. - "Marry, sir, ’tis an ill" @@ -4025,11 +4393,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "NURSE.\nAy, forsooth." - CAPULET. - "Well, he may chance to do some good on" -- "her.\nA peevish self-will’d" +- her. +- A peevish self-will’d - "harlotry it is.\n\n Enter Juliet." - NURSE. - See where she comes from shrift with merry look -- ".\n\nCAPULET." +- "." +- CAPULET. - "How now, my headstrong." - Where have you been gadding? - JULIET. @@ -4041,7 +4411,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - To beg your pardon. - "Pardon, I beseech you." - Henceforward I am ever rul’d by -- "you.\n\nCAPULET." +- you. +- CAPULET. - "Send for the County, go tell him of this" - "." - I’ll have this knot knit up tomorrow morning. @@ -4049,11 +4420,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I met the youthful lord at Lawrence’ cell," - "And gave him what becomed love I might," - Not stepping o’er the bounds of modesty -- ".\n\nCAPULET." +- "." +- CAPULET. - "Why, I am glad on’t." - This is well. Stand up. - This is as’t should be. -- "Let me see the County.\nAy, marry." +- Let me see the County. +- "Ay, marry." - "Go, I say, and fetch him hither" - "." - "Now afore God, this reverend holy Friar" @@ -4066,13 +4439,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - As you think fit to furnish me tomorrow? - LADY CAPULET. - "No, not till Thursday." -- "There is time enough.\n\nCAPULET." +- There is time enough. +- CAPULET. - "Go, Nurse, go with her." - We’ll to church tomorrow. - "[_Exeunt Juliet and Nurse._]" - LADY CAPULET. - "We shall be short in our provision," -- "’Tis now near night.\n\nCAPULET." +- ’Tis now near night. +- CAPULET. - "Tush, I will stir about," - "And all things shall be well, I warrant thee" - ", wife." @@ -4089,7 +4464,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Since this same wayward girl is so reclaim’d - ".\n\n [_Exeunt._]" - SCENE III. Juliet’s Chamber. -- "Enter Juliet and Nurse.\n\nJULIET." +- Enter Juliet and Nurse. +- JULIET. - "Ay, those attires are best." - "But, gentle Nurse," - I pray thee leave me to myself tonight; @@ -4099,7 +4475,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "and full of sin.\n\n Enter Lady Capulet." - LADY CAPULET. - "What, are you busy, ho?" -- "Need you my help?\n\nJULIET." +- Need you my help? +- JULIET. - "No, madam; we have cull’d" - such necessaries - As are behoveful for our state tomorrow. @@ -4114,7 +4491,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - need. - "[_Exeunt Lady Capulet and Nurse." - "_]" -- "JULIET.\nFarewell." +- JULIET. +- Farewell. - God knows when we shall meet again. - I have a faint cold fear thrills through my - veins @@ -4131,7 +4509,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What if it be a poison, which the" - Friar - Subtly hath minister’d to have me dead -- ",\nLest in this marriage he should be" +- "," +- Lest in this marriage he should be - "dishonour’d," - Because he married me before to Romeo? - I fear it is. @@ -4190,9 +4569,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Enter Lady Capulet and Nurse. - LADY CAPULET. - "Hold, take these keys and fetch more spices," -- "Nurse.\n\nNURSE." +- Nurse. +- NURSE. - They call for dates and quinces in the pastry -- ".\n\n Enter Capulet.\n\nCAPULET." +- ".\n\n Enter Capulet." +- CAPULET. - "Come, stir, stir, stir!" - "The second cock hath crow’d," - "The curfew bell hath rung, ’" @@ -4207,12 +4588,14 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "No, not a whit. What!" - I have watch’d ere now - "All night for lesser cause, and ne’er" -- "been sick.\n\nLADY CAPULET." +- been sick. +- LADY CAPULET. - "Ay, you have been a mouse-hunt in" - your time; - But I will watch you from such watching now. - "[_Exeunt Lady Capulet and Nurse." -- "_]\n\nCAPULET." +- "_]" +- CAPULET. - "A jealous-hood, a jealous-hood!" - "Enter Servants, with spits, logs and" - baskets. @@ -4224,11 +4607,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "[_Exit First Servant._]" - "—Sirrah, fetch drier logs." - "Call Peter, he will show thee where they are" -- ".\n\nSECOND SERVANT." +- "." +- SECOND SERVANT. - "I have a head, sir, that will find" - out logs - And never trouble Peter for the matter. -- "[_Exit._]\n\nCAPULET." +- "[_Exit._]" +- CAPULET. - Mass and well said; a merry whoreson - ", ha." - "Thou shalt be loggerhead.—Good faith," @@ -4240,13 +4625,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What, Nurse, I say!" - Re-enter Nurse. - "Go waken Juliet, go and trim her up" -- ".\nI’ll go and chat with Paris." +- "." +- I’ll go and chat with Paris. - "Hie, make haste," - Make haste; the bridegroom he is come - "already.\nMake haste I say." -- "[_Exeunt._]\n\nSCENE V." +- "[_Exeunt._]" +- SCENE V. - Juliet’s Chamber; Juliet on the bed. -- "Enter Nurse.\n\nNURSE." +- Enter Nurse. +- NURSE. - "Mistress! What, mistress! Juliet!" - "Fast, I warrant her, she." - "Why, lamb, why, lady, fie," @@ -4259,7 +4647,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "I warrant," - The County Paris hath set up his rest - That you shall rest but little. -- "God forgive me!\nMarry and amen." +- God forgive me! +- Marry and amen. - How sound is she asleep! - I needs must wake her. - "Madam, madam, madam!" @@ -4281,16 +4670,19 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - What noise is here? - "NURSE.\nO lamentable day!" - LADY CAPULET. -- "What is the matter?\n\nNURSE." +- What is the matter? +- NURSE. - "Look, look! O heavy day!" - LADY CAPULET. - "O me, O me!" - "My child, my only life." - "Revive, look up, or I will die" - "with thee.\nHelp, help! Call help." -- "Enter Capulet.\n\nCAPULET." +- Enter Capulet. +- CAPULET. - "For shame, bring Juliet forth, her lord is" -- "come.\n\nNURSE." +- come. +- NURSE. - "She’s dead, deceas’d, she’s" - dead; alack the day! - LADY CAPULET. @@ -4305,7 +4697,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Upon the sweetest flower of all the field. - "NURSE.\nO lamentable day!" - LADY CAPULET. -- "O woful time!\n\nCAPULET." +- O woful time! +- CAPULET. - "Death, that hath ta’en her hence to make" - "me wail," - Ties up my tongue and will not let me @@ -4313,7 +4706,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Enter Friar Lawrence and Paris with Musicians. - FRIAR LAWRENCE. - "Come, is the bride ready to go to church" -- "?\n\nCAPULET." +- "?" +- CAPULET. - "Ready to go, but never to return." - "O son, the night before thy wedding day" - Hath death lain with thy bride. @@ -4321,14 +4715,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Flower as she was, deflowered by" - him. - "Death is my son-in-law, death is my" -- "heir;\nMy daughter he hath wedded." +- heir; +- My daughter he hath wedded. - I will die. - "And leave him all; life, living, all" -- "is death’s.\n\nPARIS." +- is death’s. +- PARIS. - Have I thought long to see this morning’s face - "," - And doth it give me such a sight as -- "this?\n\nLADY CAPULET." +- this? +- LADY CAPULET. - "Accurs’d, unhappy, wretched, hateful" - day. - Most miserable hour that e’er time saw @@ -4337,7 +4734,9 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "child," - "But one thing to rejoice and solace in," - And cruel death hath catch’d it from my sight -- ".\n\nNURSE.\nO woe!" +- "." +- NURSE. +- O woe! - "O woeful, woeful, woeful day" - ".\nMost lamentable day, most woeful day" - "That ever, ever, I did yet behold!" @@ -4410,20 +4809,25 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - ", Paris and Friar._]" - FIRST MUSICIAN. - "Faith, we may put up our pipes and" -- "be gone.\n\nNURSE." +- be gone. +- NURSE. - "Honest good fellows, ah, put up," - "put up," - For well you know this is a pitiful case -- ".\n\nFIRST MUSICIAN." +- "." +- FIRST MUSICIAN. - "Ay, by my troth, the case may" - "be amended.\n\n [_Exit Nurse._]" -- "Enter Peter.\n\nPETER." +- Enter Peter. +- PETER. - "Musicians, O, musicians, ‘Heart’s" - "ease,’ ‘Heart’s ease’, O, and" - you - "will have me live, play ‘Heart’s ease" -- ".’\n\nFIRST MUSICIAN." -- "Why ‘Heart’s ease’?\n\nPETER." +- ".’" +- FIRST MUSICIAN. +- Why ‘Heart’s ease’? +- PETER. - "O musicians, because my heart itself plays ‘My" - heart is full’. O play - me some merry dump to comfort me. @@ -4431,7 +4835,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Not a dump we, ’tis no time" - to play now. - "PETER.\nYou will not then?" -- "FIRST MUSICIAN.\nNo.\n\nPETER." +- "FIRST MUSICIAN.\nNo." +- PETER. - I will then give it you soundly. - "FIRST MUSICIAN.\nWhat will you give us?" - PETER. @@ -4445,14 +4850,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - on your pate. I will - carry no crotchets. - "I’ll re you, I’ll fa you." -- "Do you note me?\n\nFIRST MUSICIAN." +- Do you note me? +- FIRST MUSICIAN. - "And you re us and fa us, you note" -- "us.\n\nSECOND MUSICIAN." +- us. +- SECOND MUSICIAN. - "Pray you put up your dagger, and put" -- "out your wit.\n\nPETER." +- out your wit. +- PETER. - Then have at you with my wit. - I will dry-beat you with an iron wit -- ", and\nput up my iron dagger." +- ", and" +- put up my iron dagger. - Answer me like men. - ‘When griping griefs the heart doth - "wound," @@ -4463,11 +4872,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "What say you,\nSimon Catling?" - FIRST MUSICIAN. - "Marry, sir, because silver hath a sweet" -- "sound.\n\nPETER.\nPrates." +- sound. +- PETER. +- Prates. - "What say you, Hugh Rebeck?" - SECOND MUSICIAN. - I say ‘silver sound’ because musicians sound for -- "silver.\n\nPETER.\nPrates too!" +- silver. +- PETER. +- Prates too! - "What say you, James Soundpost?" - THIRD MUSICIAN. - "Faith, I know not what to say." @@ -4479,14 +4892,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "no gold for\nsounding." - ‘Then music with her silver sound - With speedy help doth lend redress.’ -- "[_Exit._]\n\nFIRST MUSICIAN." +- "[_Exit._]" +- FIRST MUSICIAN. - What a pestilent knave is this same! -- "SECOND MUSICIAN.\nHang him, Jack." +- SECOND MUSICIAN. +- "Hang him, Jack." - "Come, we’ll in here, tarry for" - "the mourners, and stay\ndinner." - "[_Exeunt._]\n\n\n\nACT V" - SCENE I. Mantua. A Street. -- "Enter Romeo.\n\nROMEO." +- Enter Romeo. +- ROMEO. - "If I may trust the flattering eye of sleep," - My dreams presage some joyful news at hand. - My bosom’s lord sits lightly in his throne @@ -4509,7 +4925,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - News from Verona! - "How now, Balthasar?" - Dost thou not bring me letters from the -- "Friar?\nHow doth my lady?" +- Friar? +- How doth my lady? - Is my father well? - How fares my Juliet? That I ask again; - For nothing can be ill if she be well. @@ -4522,28 +4939,34 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - And presently took post to tell it you. - "O pardon me for bringing these ill news," - "Since you did leave it for my office, sir" -- ".\n\nROMEO.\nIs it even so?" +- "." +- ROMEO. +- Is it even so? - "Then I defy you, stars!" - Thou know’st my lodging. - "Get me ink and paper," - And hire post-horses. -- "I will hence tonight.\n\nBALTHASAR." +- I will hence tonight. +- BALTHASAR. - "I do beseech you sir, have patience" - "." - "Your looks are pale and wild, and do import" -- "Some misadventure.\n\nROMEO." +- Some misadventure. +- ROMEO. - "Tush, thou art deceiv’d." - "Leave me, and do the thing I bid thee" - do. - Hast thou no letters to me from the -- "Friar?\n\nBALTHASAR." +- Friar? +- BALTHASAR. - "No, my good lord." - "ROMEO.\nNo matter. Get thee gone," - And hire those horses. - I’ll be with thee straight. - "[_Exit Balthasar._]" - "Well, Juliet, I will lie with thee tonight" -- ".\nLet’s see for means." +- "." +- Let’s see for means. - O mischief thou art swift - To enter in the thoughts of desperate men. - "I do remember an apothecary,—" @@ -4578,7 +5001,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Enter Apothecary. - APOTHECARY. - Who calls so loud? -- "ROMEO.\nCome hither, man." +- ROMEO. +- "Come hither, man." - I see that thou art poor. - "Hold, there is forty ducats." - Let me have @@ -4596,7 +5020,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Is death to any he that utters them. - ROMEO. - Art thou so bare and full of wretchedness -- ",\nAnd fear’st to die?" +- "," +- And fear’st to die? - "Famine is in thy cheeks," - Need and oppression starveth in thine eyes - "," @@ -4606,7 +5031,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - The world affords no law to make thee rich - ; - "Then be not poor, but break it and take" -- "this.\n\nAPOTHECARY." +- this. +- APOTHECARY. - "My poverty, but not my will consents." - ROMEO. - "I pay thy poverty, and not thy will." @@ -4615,28 +5041,32 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And drink it off; and, if you had" - the strength - "Of twenty men, it would despatch you straight" -- ".\n\nROMEO." +- "." +- ROMEO. - "There is thy gold, worse poison to men’s" - "souls," - Doing more murder in this loathsome world - Than these poor compounds that thou mayst not sell - "." - "I sell thee poison, thou hast sold me none" -- ".\nFarewell, buy food, and get" +- "." +- "Farewell, buy food, and get" - thyself in flesh. - "Come, cordial and not poison, go with" - me - "To Juliet’s grave, for there must I use" - "thee.\n\n [_Exeunt._]" - SCENE II. Friar Lawrence’s Cell. -- "Enter Friar John.\n\nFRIAR JOHN." +- Enter Friar John. +- FRIAR JOHN. - Holy Franciscan Friar! - "Brother, ho!\n\n Enter Friar Lawrence." - FRIAR LAWRENCE. - This same should be the voice of Friar John - ".\nWelcome from Mantua. What says Romeo?" - "Or, if his mind be writ, give me" -- "his letter.\n\nFRIAR JOHN." +- his letter. +- FRIAR JOHN. - "Going to find a barefoot brother out," - "One of our order, to associate me," - "Here in this city visiting the sick," @@ -4646,7 +5076,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Seal’d up the doors, and would not" - "let us forth," - So that my speed to Mantua there was -- "stay’d.\n\nFRIAR LAWRENCE." +- stay’d. +- FRIAR LAWRENCE. - Who bare my letter then to Romeo? - FRIAR JOHN. - "I could not send it,—here it is again" @@ -4660,7 +5091,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - May do much danger. - "Friar John, go hence," - Get me an iron crow and bring it straight -- "Unto my cell.\n\nFRIAR JOHN." +- Unto my cell. +- FRIAR JOHN. - "Brother, I’ll go and bring it thee" - ".\n\n [_Exit._]" - FRIAR LAWRENCE. @@ -4677,7 +5109,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - the Capulets. - "Enter Paris, and his Page bearing flowers and a" - torch. -- "PARIS.\nGive me thy torch, boy." +- PARIS. +- "Give me thy torch, boy." - Hence and stand aloof. - "Yet put it out, for I would not be" - seen. @@ -4686,15 +5119,18 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Holding thy ear close to the hollow ground; - "So shall no foot upon the churchyard tread," - "Being loose, unfirm, with digging up of" -- "graves,\nBut thou shalt hear it." +- "graves," +- But thou shalt hear it. - "Whistle then to me," - As signal that thou hear’st something approach. - Give me those flowers. - "Do as I bid thee, go." -- "PAGE.\n[_Aside." +- PAGE. +- "[_Aside." - "_] I am almost afraid to stand alone" - Here in the churchyard; yet I will adventure -- ".\n\n [_Retires._]\n\nPARIS." +- ".\n\n [_Retires._]" +- PARIS. - "Sweet flower, with flowers thy bridal bed I" - strew. - "O woe, thy canopy is dust and stones" @@ -4708,11 +5144,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - The boy gives warning something doth approach. - "What cursed foot wanders this way tonight," - To cross my obsequies and true love’s -- "rite?\nWhat, with a torch!" +- rite? +- "What, with a torch!" - "Muffle me, night, awhile." - "[_Retires._]" - "Enter Romeo and Balthasar with a torch," -- "mattock, &c.\n\nROMEO." +- "mattock, &c." +- ROMEO. - Give me that mattock and the wrenching - iron. - "Hold, take this letter; early in the morning" @@ -4738,14 +5176,17 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - BALTHASAR. - "I will be gone, sir, and not trouble" - you. -- "ROMEO.\nSo shalt thou show me friendship." +- ROMEO. +- So shalt thou show me friendship. - Take thou that. - "Live, and be prosperous, and farewell, good" -- "fellow.\n\nBALTHASAR." +- fellow. +- BALTHASAR. - "For all this same, I’ll hide me" - hereabout. - "His looks I fear, and his intents I doubt" -- ".\n\n [_Retires_]\n\nROMEO." +- ".\n\n [_Retires_]" +- ROMEO. - "Thou detestable maw, thou womb" - "of death," - Gorg’d with the dearest morsel @@ -4753,13 +5194,15 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Thus I enforce thy rotten jaws to open," - "[_Breaking open the door of the monument._]" - "And in despite, I’ll cram thee with more" -- "food.\n\nPARIS." +- food. +- PARIS. - This is that banish’d haughty Montague - "That murder’d my love’s cousin,—with which" - "grief," - "It is supposed, the fair creature died,—" - And here is come to do some villanous -- "shame\nTo the dead bodies." +- shame +- To the dead bodies. - I will apprehend him. - "[_Advances._]" - "Stop thy unhallow’d toil, vile" @@ -4768,7 +5211,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Condemned villain, I do apprehend thee" - "." - "Obey, and go with me, for thou" -- "must die.\n\nROMEO." +- must die. +- ROMEO. - I must indeed; and therefore came I hither - "." - "Good gentle youth, tempt not a desperate man." @@ -4785,17 +5229,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - A madman’s mercy bid thee run away. - "PARIS.\nI do defy thy conjuration," - And apprehend thee for a felon here. -- "ROMEO.\nWilt thou provoke me?" +- ROMEO. +- Wilt thou provoke me? - "Then have at thee, boy!" - "[_They fight._]" -- "PAGE.\nO lord, they fight!" +- PAGE. +- "O lord, they fight!" - I will go call the watch. -- "[_Exit._]\n\nPARIS." +- "[_Exit._]" +- PARIS. - "O, I am slain! [_Falls." - "_] If thou be merciful," - "Open the tomb, lay me with Juliet." - "[_Dies._]" -- "ROMEO.\nIn faith, I will." +- ROMEO. +- "In faith, I will." - Let me peruse this face. - "Mercutio’s kinsman, noble County" - Paris! @@ -4805,7 +5253,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Said he not so? - Or did I dream it so? - "Or am I mad, hearing him talk of Juliet" -- ",\nTo think it was so?" +- "," +- To think it was so? - "O, give me thy hand," - One writ with me in sour misfortune’s book - "." @@ -4850,7 +5299,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "O, here" - Will I set up my everlasting rest; - And shake the yoke of inauspicious -- "stars\nFrom this world-wearied flesh." +- stars +- From this world-wearied flesh. - "Eyes, look your last." - "Arms, take your last embrace!" - "And, lips, O you" @@ -4874,14 +5324,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Have my old feet stumbled at graves? - Who’s there? - "Who is it that consorts, so late," -- "the dead?\n\nBALTHASAR." +- the dead? +- BALTHASAR. - "Here’s one, a friend, and one that" - knows you well. - FRIAR LAWRENCE. - Bliss be upon you. - "Tell me, good my friend," - What torch is yond that vainly lends his -- "light\nTo grubs and eyeless skulls?" +- light +- To grubs and eyeless skulls? - "As I discern," - It burneth in the Capels’ monument. - BALTHASAR. @@ -4936,11 +5388,13 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Hath thwarted our intents. - "Come, come away." - Thy husband in thy bosom there lies dead -- ";\nAnd Paris too." +- ; +- And Paris too. - "Come, I’ll dispose of thee" - Among a sisterhood of holy nuns. - "Stay not to question, for the watch is coming" -- ".\nCome, go, good Juliet." +- "." +- "Come, go, good Juliet." - I dare no longer stay. - JULIET. - "Go, get thee hence, for I will not" @@ -4949,7 +5403,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - A cup clos’d in my true love’s hand - "?" - "Poison, I see, hath been his timeless" -- "end.\nO churl." +- end. +- O churl. - "Drink all, and left no friendly drop" - To help me after? - I will kiss thy lips. @@ -4957,10 +5412,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "them," - To make me die with a restorative. - "[_Kisses him._]" -- "Thy lips are warm!\n\nFIRST WATCH." +- Thy lips are warm! +- FIRST WATCH. - "[_Within._] Lead, boy." - Which way? -- "JULIET.\nYea, noise?" +- JULIET. +- "Yea, noise?" - Then I’ll be brief. O happy dagger. - "[_Snatching Romeo’s dagger._]" - "This is thy sheath. [_stabs" @@ -4968,9 +5425,11 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - die. - "[_Falls on Romeo’s body and dies." - "_]\n\n Enter Watch with the Page of Paris." -- "PAGE.\nThis is the place." +- PAGE. +- This is the place. - "There, where the torch doth burn." -- "FIRST WATCH.\nThe ground is bloody." +- FIRST WATCH. +- The ground is bloody. - Search about the churchyard. - "Go, some of you, whoe’er" - you find attach. @@ -4988,13 +5447,16 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - But the true ground of all these piteous - "woes\nWe cannot without circumstance descry." - Re-enter some of the Watch with Balthasar -- ".\n\nSECOND WATCH.\nHere’s Romeo’s man." +- "." +- SECOND WATCH. +- Here’s Romeo’s man. - We found him in the churchyard. - FIRST WATCH. - Hold him in safety till the Prince come hither - "." - Re-enter others of the Watch with Friar Lawrence -- ".\n\nTHIRD WATCH." +- "." +- THIRD WATCH. - "Here is a Friar that trembles," - "sighs, and weeps." - We took this mattock and this spade @@ -5009,35 +5471,42 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Enter Capulet, Lady Capulet and others." - CAPULET. - What should it be that they so shriek abroad -- "?\n\nLADY CAPULET." +- "?" +- LADY CAPULET. - "O the people in the street cry Romeo," - "Some Juliet, and some Paris, and all run" - With open outcry toward our monument. - PRINCE. - What fear is this which startles in our ears -- "?\n\nFIRST WATCH." +- "?" +- FIRST WATCH. - "Sovereign, here lies the County Paris slain" - "," - "And Romeo dead, and Juliet, dead before," -- "Warm and new kill’d.\n\nPRINCE." +- Warm and new kill’d. +- PRINCE. - "Search, seek, and know how this foul murder" -- "comes.\n\nFIRST WATCH." +- comes. +- FIRST WATCH. - "Here is a Friar, and slaughter’d" - "Romeo’s man," - With instruments upon them fit to open - These dead men’s tombs. -- "CAPULET.\nO heaven!" +- CAPULET. +- O heaven! - "O wife, look how our daughter bleeds!" - "This dagger hath mista’en, for lo," - his house - "Is empty on the back of Montague," - And it mis-sheathed in my daughter’s - bosom. -- "LADY CAPULET.\nO me!" +- LADY CAPULET. +- O me! - This sight of death is as a bell - That warns my old age to a - sepulchre. -- "Enter Montague and others.\n\nPRINCE." +- Enter Montague and others. +- PRINCE. - "Come, Montague, for thou art early up" - "," - To see thy son and heir more early down. @@ -5073,7 +5542,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Myself condemned and myself excus’d. - PRINCE. - Then say at once what thou dost know in this -- ".\n\nFRIAR LAWRENCE." +- "." +- FRIAR LAWRENCE. - "I will be brief, for my short date of" - breath - Is not so long as is a tedious tale. @@ -5107,7 +5577,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "," - Being the time the potion’s force should cease. - "But he which bore my letter, Friar John" -- ",\nWas stay’d by accident; and" +- "," +- Was stay’d by accident; and - yesternight - Return’d my letter back. Then all alone - At the prefixed hour of her waking @@ -5150,7 +5621,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Where is the County’s Page that rais’d the - watch? - "Sirrah, what made your master in this place" -- "?\n\nPAGE." +- "?" +- PAGE. - He came with flowers to strew his lady’s - "grave," - "And bid me stand aloof, and so I" @@ -5168,7 +5640,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "Of a poor ’pothecary, and" - therewithal - "Came to this vault to die, and lie" -- "with Juliet.\nWhere be these enemies?" +- with Juliet. +- Where be these enemies? - "Capulet, Montague," - See what a scourge is laid upon your hate - "," @@ -5177,7 +5650,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "And I, for winking at your discords" - "too," - Have lost a brace of kinsmen. -- "All are punish’d.\n\nCAPULET." +- All are punish’d. +- CAPULET. - "O brother Montague, give me thy hand." - "This is my daughter’s jointure, for no" - "more\nCan I demand." @@ -5221,10 +5695,12 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - and may not be used if you charge for an - "eBook, except by following" - "the terms of the trademark license, including paying royalties" -- "for use\nof the Project Gutenberg trademark." +- for use +- of the Project Gutenberg trademark. - If you do not charge anything for - "copies of this eBook, complying with the trademark license" -- "is very\neasy." +- is very +- easy. - You may use this eBook for nearly any purpose such - as creation - "of derivative works, reports, performances and research." @@ -5232,7 +5708,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - Gutenberg eBooks may be modified and printed and given - away--you may - do practically ANYTHING in the United States with eBooks -- "not protected\nby U.S. copyright law." +- not protected +- by U.S. copyright law. - Redistribution is subject to the trademark - "license, especially commercial redistribution.\n\nSTART: FULL LICENSE" - THE FULL PROJECT GUTENBERG LICENSE @@ -5250,18 +5727,21 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - "at\nwww.gutenberg.org/license." - Section 1. - General Terms of Use and Redistributing Project -- "Gutenberg-tm electronic works\n\n1.A." +- Gutenberg-tm electronic works +- 1.A. - By reading or using any part of this Project Gutenberg - "-tm" - "electronic work, you indicate that you have read" - ", understand, agree to" - and accept all the terms of this license and intellectual -- "property\n(trademark/copyright) agreement." +- property +- (trademark/copyright) agreement. - If you do not agree to abide by all - "the terms of this agreement, you must cease using" - and return or - destroy all copies of Project Gutenberg-tm electronic works in -- "your\npossession." +- your +- possession. - If you paid a fee for obtaining a copy of - or access to a - Project Gutenberg-tm electronic work and you do not agree @@ -5280,7 +5760,8 @@ input_file: tests/inputs/text/romeo_and_juliet.txt - things that you can do with most Project Gutenberg-tm - electronic works - even without complying with the full terms of this agreement -- ". 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To" - "donate, please visit: www.gutenberg.org" -- "/donate\n\nSection 5." +- /donate +- Section 5. - General Information About Project Gutenberg-tm electronic works - Professor Michael S. - Hart was the originator of the Project - Gutenberg-tm concept of a library of electronic works -- "that could be\nfreely shared with anyone." +- that could be +- freely shared with anyone. - "For forty years, he produced and" - distributed Project Gutenberg-tm eBooks with only a loose network - "of\nvolunteer support." diff --git a/tests/snapshots/text_splitter_snapshots__tiktoken_trim@room_with_a_view.txt-2.snap b/tests/snapshots/text_splitter_snapshots__tiktoken_trim@room_with_a_view.txt-2.snap index fb76a05c..07346e32 100644 --- a/tests/snapshots/text_splitter_snapshots__tiktoken_trim@room_with_a_view.txt-2.snap +++ b/tests/snapshots/text_splitter_snapshots__tiktoken_trim@room_with_a_view.txt-2.snap @@ -40,7 +40,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The young man named George glanced at the clever lady, and then returned moodily to his plate. Obviously he and his father did not do.\nLucy, in the midst of her success, found time to wish they did. It gave her no extra pleasure that any one should be left in the cold; and when she rose to go, she turned back and gave the two outsiders a nervous little bow." - "The father did not see it; the son acknowledged it, not by another bow,\nbut by raising his eyebrows and smiling; he seemed to be smiling across something." - "She hastened after her cousin, who had already disappeared through the curtains—curtains which smote one in the face, and seemed heavy with more than cloth. Beyond them stood the unreliable Signora, bowing good-evening to her guests, and supported by ’Enery, her little boy,\nand Victorier, her daughter. It made a curious little scene, this attempt of the Cockney to convey the grace and geniality of the South." -- "And even more curious was the drawing-room, which attempted to rival the solid comfort of a Bloomsbury boarding-house. Was this really Italy?\n\nMiss Bartlett was already seated on a tightly stuffed arm-chair, which had the colour and the contours of a tomato. She was talking to Mr." +- "And even more curious was the drawing-room, which attempted to rival the solid comfort of a Bloomsbury boarding-house. Was this really Italy?" +- "Miss Bartlett was already seated on a tightly stuffed arm-chair, which had the colour and the contours of a tomato. She was talking to Mr." - "Beebe, and as she spoke, her long narrow head drove backwards and forwards, slowly, regularly, as though she were demolishing some invisible obstacle. “We are most grateful to you,” she was saying. “The first evening means so much. When you arrived we were in for a peculiarly _mauvais quart d’heure_.”\n\nHe expressed his regret.\n\n“Do you, by any chance, know the name of an old man who sat opposite us at dinner?”" - "“Emerson.”\n\n“Is he a friend of yours?”\n\n“We are friendly—as one is in pensions.”\n\n“Then I will say no more.”\n\nHe pressed her very slightly, and she said more.\n\n“I am, as it were,” she concluded, “the chaperon of my young cousin,\nLucy, and it would be a serious thing if I put her under an obligation to people of whom we know nothing. His manner was somewhat unfortunate.\nI hope I acted for the best.”" - "“You acted very naturally,” said he. He seemed thoughtful, and after a few moments added: “All the same, I don’t think much harm would have come of accepting.”\n\n“No _harm_, of course. But we could not be under an obligation.”" @@ -79,7 +80,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It was pleasant to wake up in Florence, to open the eyes upon a bright bare room, with a floor of red tiles which look clean though they are not; with a painted ceiling whereon pink griffins and blue amorini sport in a forest of yellow violins and bassoons. It was pleasant, too," - "to fling wide the windows, pinching the fingers in unfamiliar fastenings, to lean out into sunshine with beautiful hills and trees and marble churches opposite, and close below, the Arno, gurgling against the embankment of the road." - "Over the river men were at work with spades and sieves on the sandy foreshore, and on the river was a boat, also diligently employed for some mysterious end. An electric tram came rushing underneath the window. No one was inside it, except one tourist; but its platforms were overflowing with Italians, who preferred to stand. Children tried to hang on behind, and the conductor, with no malice, spat in their faces to make them let go." -- "Then soldiers appeared—good-looking,\nundersized men—wearing each a knapsack covered with mangy fur, and a great-coat which had been cut for some larger soldier. Beside them walked officers, looking foolish and fierce, and before them went little boys, turning somersaults in time with the band. The tramcar became entangled in their ranks, and moved on painfully, like a caterpillar in a swarm of ants." +- "Then soldiers appeared—good-looking," +- "undersized men—wearing each a knapsack covered with mangy fur, and a great-coat which had been cut for some larger soldier. Beside them walked officers, looking foolish and fierce, and before them went little boys, turning somersaults in time with the band. The tramcar became entangled in their ranks, and moved on painfully, like a caterpillar in a swarm of ants." - "One of the little boys fell down, and some white bullocks came out of an archway. Indeed, if it had not been for the good advice of an old man who was selling button-hooks, the road might never have got clear." - "Over such trivialities as these many a valuable hour may slip away, and the traveller who has gone to Italy to study the tactile values of Giotto, or the corruption of the Papacy, may return remembering nothing but the blue sky and the men and women who live under it." - "So it was as well that Miss Bartlett should tap and come in, and having commented on Lucy’s leaving the door unlocked, and on her leaning out of the window before she was fully dressed, should urge her to hasten herself, or the best of the day would be gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs." @@ -100,7 +102,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss Lavish was not disgusted, and said it was just the size of her aunt’s Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed:\n\n“Bless us! Bless us and save us! We’ve lost the way.”" - "Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings." - "“Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us!\nWhat are we to do? Two lone females in an unknown town. Now, this is what _I_ call an adventure.”\n\nLucy, who wanted to see Santa Croce, suggested, as a possible solution,\nthat they should ask the way there." -- "“Oh, but that is the word of a craven! And no, you are not, not, _not_ to look at your Baedeker. Give it to me; I shan’t let you carry it. We will simply drift.”\n\nAccordingly they drifted through a series of those grey-brown streets,\nneither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa," +- "“Oh, but that is the word of a craven! And no, you are not, not, _not_ to look at your Baedeker. Give it to me; I shan’t let you carry it. We will simply drift.”" +- "Accordingly they drifted through a series of those grey-brown streets,\nneither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa," - "and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven." - "Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile." - "The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza," @@ -160,9 +163,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "before she lost Baedeker. The dear George, now striding towards them over the tombstones, seemed both pitiable and absurd. He approached,\nhis face in the shadow. He said:\n\n“Miss Bartlett.”\n\n“Oh, good gracious me!” said Lucy, suddenly collapsing and again seeing the whole of life in a new perspective. “Where? Where?”\n\n“In the nave.”\n\n“I see. Those gossiping little Miss Alans must have—” She checked herself." - "“Poor girl!” exploded Mr. Emerson. “Poor girl!”\n\nShe could not let this pass, for it was just what she was feeling herself." - "“Poor girl? I fail to understand the point of that remark. I think myself a very fortunate girl, I assure you. I’m thoroughly happy, and having a splendid time. Pray don’t waste time mourning over _me_.\nThere’s enough sorrow in the world, isn’t there, without trying to invent it. Good-bye. Thank you both so much for all your kindness. Ah," -- "yes! there does come my cousin. A delightful morning! Santa Croce is a wonderful church.”\n\nShe joined her cousin.\n\n\n\n\nChapter III Music, Violets, and the Letter “S”\n\n\nIt so happened that Lucy, who found daily life rather chaotic, entered a more solid world when she opened the piano. She was then no longer either deferential or patronizing; no longer either a rebel or a slave." +- "yes! there does come my cousin. A delightful morning! Santa Croce is a wonderful church.”\n\nShe joined her cousin.\n\n\n\n\nChapter III Music, Violets, and the Letter “S”" +- "It so happened that Lucy, who found daily life rather chaotic, entered a more solid world when she opened the piano. She was then no longer either deferential or patronizing; no longer either a rebel or a slave." - "The kingdom of music is not the kingdom of this world; it will accept those whom breeding and intellect and culture have alike rejected. The commonplace person begins to play, and shoots into the empyrean without effort, whilst we look up, marvelling how he has escaped us, and thinking how we could worship him and love him, would he but translate his visions into human words, and his experiences into human actions." -- "Perhaps he cannot; certainly he does not, or does so very seldom. Lucy had done so never.\n\nShe was no dazzling _exécutante;_ her runs were not at all like strings of pearls, and she struck no more right notes than was suitable for one of her age and situation. Nor was she the passionate young lady, who performs so tragically on a summer’s evening with the window open." +- "Perhaps he cannot; certainly he does not, or does so very seldom. Lucy had done so never." +- "She was no dazzling _exécutante;_ her runs were not at all like strings of pearls, and she struck no more right notes than was suitable for one of her age and situation. Nor was she the passionate young lady, who performs so tragically on a summer’s evening with the window open." - "Passion was there, but it could not be easily labelled; it slipped between love and hatred and jealousy, and all the furniture of the pictorial style. And she was tragical only in the sense that she was great, for she loved to play on the side of Victory. Victory of what and over what—that is more than the words of daily life can tell us." - "But that some sonatas of Beethoven are written tragic no one can gainsay; yet they can triumph or despair as the player decides, and Lucy had decided that they should triumph." - "A very wet afternoon at the Bertolini permitted her to do the thing she really liked, and after lunch she opened the little draped piano. A few people lingered round and praised her playing, but finding that she made no reply, dispersed to their rooms to write up their diaries or to sleep. She took no notice of Mr. Emerson looking for his son, nor of Miss Bartlett looking for Miss Lavish, nor of Miss Lavish looking for her cigarette-case." @@ -171,7 +176,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "under the auspices of their vicar, sang, or recited, or imitated the drawing of a champagne cork. Among the promised items was “Miss Honeychurch. Piano. Beethoven,” and Mr. Beebe was wondering whether it would be Adelaida, or the march of The Ruins of Athens, when his composure was disturbed by the opening bars of Opus III." - "He was in suspense all through the introduction, for not until the pace quickens does one know what the performer intends. With the roar of the opening theme he knew that things were going extraordinarily; in the chords that herald the conclusion he heard the hammer strokes of victory. He was glad that she only played the first movement, for he could have paid no attention to the winding intricacies of the measures of nine-sixteen. The audience clapped, no less respectful. It was Mr." - "Beebe who started the stamping; it was all that one could do.\n\n“Who is she?” he asked the vicar afterwards.\n\n“Cousin of one of my parishioners. I do not consider her choice of a piece happy. Beethoven is so usually simple and direct in his appeal that it is sheer perversity to choose a thing like that, which, if anything, disturbs.”\n\n“Introduce me.”" -- "“She will be delighted. She and Miss Bartlett are full of the praises of your sermon.”\n\n“My sermon?” cried Mr. Beebe. “Why ever did she listen to it?”\n\nWhen he was introduced he understood why, for Miss Honeychurch," +- "“She will be delighted. She and Miss Bartlett are full of the praises of your sermon.”\n\n“My sermon?” cried Mr. Beebe. “Why ever did she listen to it?”" +- "When he was introduced he understood why, for Miss Honeychurch," - "disjoined from her music stool, was only a young lady with a quantity of dark hair and a very pretty, pale, undeveloped face. She loved going to concerts, she loved stopping with her cousin, she loved iced coffee and meringues. He did not doubt that she loved his sermon also. But before he left Tunbridge Wells he made a remark to the vicar, which he now made to Lucy herself when she closed the little piano and moved dreamily towards him:" - "“If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her.”\n\nLucy at once re-entered daily life.\n\n“Oh, what a funny thing! Some one said just the same to mother, and she said she trusted I should never live a duet.”\n\n“Doesn’t Mrs. Honeychurch like music?”" - "“She doesn’t mind it. But she doesn’t like one to get excited over anything; she thinks I am silly about it. She thinks—I can’t make out.\nOnce, you know, I said that I liked my own playing better than any one’s. She has never got over it. Of course, I didn’t mean that I played well; I only meant—”\n\n“Of course,” said he, wondering why she bothered to explain." @@ -197,7 +203,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She told Teresa and Miss Pole the other day that she had got up all the local colour—this novel is to be about modern Italy; the other was historical—but that she could not start till she had an idea. First she tried Perugia for an inspiration,\nthen she came here—this must on no account get round. And so cheerful through it all! I cannot help thinking that there is something to admire in everyone, even if you do not approve of them.”" - "Miss Alan was always thus being charitable against her better judgement. A delicate pathos perfumed her disconnected remarks, giving them unexpected beauty, just as in the decaying autumn woods there sometimes rise odours reminiscent of spring. She felt she had made almost too many allowances, and apologized hurriedly for her toleration.\n\n“All the same, she is a little too—I hardly like to say unwomanly, but she behaved most strangely when the Emersons arrived.”" - "Mr. Beebe smiled as Miss Alan plunged into an anecdote which he knew she would be unable to finish in the presence of a gentleman.\n\n“I don’t know, Miss Honeychurch, if you have noticed that Miss Pole,\nthe lady who has so much yellow hair, takes lemonade. That old Mr.\nEmerson, who puts things very strangely—”" -- "Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:\n\n“Stomach. He warned Miss Pole of her stomach-acidity, he called it—and he may have meant to be kind. I must say I forgot myself and laughed;" +- "Her jaw dropped. She was silent. Mr. Beebe, whose social resources were endless, went out to order some tea, and she continued to Lucy in a hasty whisper:" +- "“Stomach. He warned Miss Pole of her stomach-acidity, he called it—and he may have meant to be kind. I must say I forgot myself and laughed;" - "it was so sudden. As Teresa truly said, it was no laughing matter. But the point is that Miss Lavish was positively _attracted_ by his mentioning S., and said she liked plain speaking, and meeting different grades of thought. She thought they were commercial travellers—‘drummers’ was the word she used—and all through dinner she tried to prove that England, our great and beloved country, rests on nothing but commerce." - "Teresa was very much annoyed, and left the table before the cheese, saying as she did so: ‘There, Miss Lavish, is one who can confute you better than I,’ and pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish said: ‘Tut! The early Victorians.’ Just imagine! ‘Tut! The early Victorians.’ My sister had gone, and I felt bound to speak." - "I said: ‘Miss Lavish, _I_ am an early Victorian; at least, that is to say, I will hear no breath of censure against our dear Queen.’ It was horrible speaking. I reminded her how the Queen had been to Ireland when she did not want to go, and I must say she was dumbfounded, and made no reply. But, unluckily, Mr." @@ -223,7 +230,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war—a radiant crust, built around the central fires, spinning towards the receding heavens." - "Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self." - "Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved." -- "As she might not go on the electric tram, she went to Alinari’s shop.\n\nThere she bought a photograph of Botticelli’s “Birth of Venus.” Venus," +- "As she might not go on the electric tram, she went to Alinari’s shop." +- "There she bought a photograph of Botticelli’s “Birth of Venus.” Venus," - "being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione’s “Tempesta,” the “Idolino,” some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico’s “Coronation,” Giotto’s “Ascension of St." - "John,” some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name." - "But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. “The world,” she thought, “is certainly full of beautiful things, if only I could come across them.” It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy." @@ -241,7 +249,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day,\nand joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her,\n“Oh, what have I done?”—the thought that she, as well as the dying man,\nhad crossed some spiritual boundary." - "He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her,\nshe walked firmly enough towards the Arno. There a cabman signalled to them; they refused him." - "“And the murderer tried to kiss him, you say—how very odd Italians are!—and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday—What was that?”\n\nHe had thrown something into the stream.\n\n“What did you throw in?”\n\n“Things I didn’t want,” he said crossly.\n\n“Mr. Emerson!”\n\n“Well?”\n\n“Where are the photographs?”" -- "He was silent.\n\n“I believe it was my photographs that you threw away.”\n\n“I didn’t know what to do with them,” he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time." +- "He was silent.\n\n“I believe it was my photographs that you threw away.”" +- "“I didn’t know what to do with them,” he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time." - "“They were covered with blood. There! I’m glad I’ve told you; and all the time we were making conversation I was wondering what to do with them.” He pointed down-stream. “They’ve gone.” The river swirled under the bridge, “I did mind them so, and one is so foolish, it seemed better that they should go out to the sea—I don’t know; I may just mean that they frightened me.” Then the boy verged into a man." - "“For something tremendous has happened; I must face it without getting muddled. It isn’t exactly that a man has died.”\n\nSomething warned Lucy that she must stop him.\n\n“It has happened,” he repeated, “and I mean to find out what it is.”\n\n“Mr. Emerson—”\n\nHe turned towards her frowning, as if she had disturbed him in some abstract quest.\n\n“I want to ask you something before we go in.”" - "They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying:\n\n“I have behaved ridiculously.”\n\nHe was following his own thoughts.\n\n“I was never so much ashamed of myself in my life; I cannot think what came over me.”" @@ -290,9 +299,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Surely the vendor of photographs was in league with Lucy—in the eternal league of Italy with youth. He had suddenly extended his book before Miss Bartlett and Mr. Eager, binding their hands together by a long glossy ribbon of churches, pictures, and views." - "“This is too much!” cried the chaplain, striking petulantly at one of Fra Angelico’s angels. She tore. A shrill cry rose from the vendor. The book it seemed, was more valuable than one would have supposed.\n\n“Willingly would I purchase—” began Miss Bartlett.\n\n“Ignore him,” said Mr. Eager sharply, and they all walked rapidly away from the square." - "But an Italian can never be ignored, least of all when he has a grievance. His mysterious persecution of Mr. Eager became relentless;\nthe air rang with his threats and lamentations. He appealed to Lucy;\nwould not she intercede? He was poor—he sheltered a family—the tax on bread. He waited, he gibbered, he was recompensed, he was dissatisfied," -- "he did not leave them until he had swept their minds clean of all thoughts whether pleasant or unpleasant.\n\nShopping was the topic that now ensued." +- he did not leave them until he had swept their minds clean of all thoughts whether pleasant or unpleasant. +- Shopping was the topic that now ensued. - "Under the chaplain’s guidance they selected many hideous presents and mementoes—florid little picture-frames that seemed fashioned in gilded pastry; other little frames, more severe, that stood on little easels, and were carven out of oak; a blotting book of vellum; a Dante of the same material; cheap mosaic brooches, which the maids, next Christmas, would never tell from real; pins, pots, heraldic saucers," -- "brown art-photographs; Eros and Psyche in alabaster; St. Peter to match—all of which would have cost less in London.\n\nThis successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough," +- brown art-photographs; Eros and Psyche in alabaster; St. Peter to match—all of which would have cost less in London. +- "This successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough," - "ceased to respect them. She doubted that Miss Lavish was a great artist. She doubted that Mr. Eager was as full of spirituality and culture as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte—as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her." - "“The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton.”\n\nThey were talking about the Emersons.\n\n“How wonderfully people rise in these days!” sighed Miss Bartlett,\nfingering a model of the leaning Tower of Pisa." - "“Generally,” replied Mr. Eager, “one has only sympathy for their success. The desire for education and for social advance—in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence—little as they would make of it.”\n\n“Is he a journalist now?” Miss Bartlett asked.\n\n“He is not; he made an advantageous marriage.”" @@ -323,7 +334,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "They passed together through the gaunt beauty of the square, laughing over the unpractical suggestion.\n\n\n\n\nChapter VI The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson,\nMr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them." - "It was Phaethon who drove them to Fiesole that memorable day, a youth all irresponsibility and fire, recklessly urging his master’s horses up the stony hill. Mr. Beebe recognized him at once. Neither the Ages of Faith nor the Age of Doubt had touched him; he was Phaethon in Tuscany driving a cab." - "And it was Persephone whom he asked leave to pick up on the way, saying that she was his sister—Persephone, tall and slender and pale, returning with the Spring to her mother’s cottage, and still shading her eyes from the unaccustomed light. To her Mr. Eager objected, saying that here was the thin edge of the wedge, and one must guard against imposition." -- "But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god.\n\nPhaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr." +- "But the ladies interceded, and when it had been made clear that it was a very great favour, the goddess was allowed to mount beside the god." +- "Phaethon at once slipped the left rein over her head, thus enabling himself to drive with his arm round her waist. She did not mind. Mr." - "Eager, who sat with his back to the horses, saw nothing of the indecorous proceeding, and continued his conversation with Lucy. The other two occupants of the carriage were old Mr. Emerson and Miss Lavish. For a dreadful thing had happened: Mr. Beebe, without consulting Mr. Eager, had doubled the size of the party." - "And though Miss Bartlett and Miss Lavish had planned all the morning how the people were to sit, at the critical moment when the carriages came round they lost their heads, and Miss Lavish got in with Lucy, while Miss Bartlett, with George Emerson and Mr. Beebe, followed on behind." - "It was hard on the poor chaplain to have his _partie carrée_ thus transformed. Tea at a Renaissance villa, if he had ever meditated it,\nwas now impossible. Lucy and Miss Bartlett had a certain style about them, and Mr. Beebe, though unreliable, was a man of parts. But a shoddy lady writer and a journalist who had murdered his wife in the sight of God—they should enter no villa at his introduction." @@ -384,12 +396,14 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Eccolo!” he exclaimed.\n\nAt the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end.\n\n“Courage!” cried her companion, now standing some six feet above.\n“Courage and love.”" - "She did not answer. From her feet the ground sloped sharply into view,\nand violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth." - "Standing at its brink, like a swimmer who prepares, was the good man.\nBut he was not the good man that she had expected, and he was alone.\n\nGeorge had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her." -- "Before she could speak, almost before she could feel, a voice called,\n“Lucy! Lucy! Lucy!” The silence of life had been broken by Miss Bartlett who stood brown against the view.\n\n\n\n\nChapter VII They Return\n\n\nSome complicated game had been playing up and down the hillside all the afternoon. What it was and exactly how the players had sided, Lucy was slow to discover. Mr. Eager had met them with a questioning eye." +- "Before she could speak, almost before she could feel, a voice called,\n“Lucy! Lucy! Lucy!” The silence of life had been broken by Miss Bartlett who stood brown against the view.\n\n\n\n\nChapter VII They Return" +- "Some complicated game had been playing up and down the hillside all the afternoon. What it was and exactly how the players had sided, Lucy was slow to discover. Mr. Eager had met them with a questioning eye." - "Charlotte had repulsed him with much small talk. Mr. Emerson, seeking his son, was told whereabouts to find him. Mr. Beebe, who wore the heated aspect of a neutral, was bidden to collect the factions for the return home. There was a general sense of groping and bewilderment." - "Pan had been amongst them—not the great god Pan, who has been buried these two thousand years, but the little god Pan, who presides over social contretemps and unsuccessful picnics. Mr. Beebe had lost everyone, and had consumed in solitude the tea-basket which he had brought up as a pleasant surprise. Miss Lavish had lost Miss Bartlett. Lucy had lost Mr. Eager. Mr. Emerson had lost George. Miss Bartlett had lost a mackintosh square." - "Phaethon had lost the game.\n\nThat last fact was undeniable. He climbed on to the box shivering, with his collar up, prophesying the swift approach of bad weather. “Let us go immediately,” he told them. “The signorino will walk.”\n\n“All the way? He will be hours,” said Mr. Beebe." - "“Apparently. I told him it was unwise.” He would look no one in the face; perhaps defeat was particularly mortifying for him. He alone had played skilfully, using the whole of his instinct, while the others had used scraps of their intelligence. He alone had divined what things were, and what he wished them to be. He alone had interpreted the message that Lucy had received five days before from the lips of a dying man." -- "Persephone, who spends half her life in the grave—she could interpret it also. Not so these English. They gain knowledge slowly,\nand perhaps too late.\n\nThe thoughts of a cab-driver, however just, seldom affect the lives of his employers. He was the most competent of Miss Bartlett’s opponents," +- "Persephone, who spends half her life in the grave—she could interpret it also. Not so these English. They gain knowledge slowly,\nand perhaps too late." +- "The thoughts of a cab-driver, however just, seldom affect the lives of his employers. He was the most competent of Miss Bartlett’s opponents," - "but infinitely the least dangerous. Once back in the town, he and his insight and his knowledge would trouble English ladies no more. Of course, it was most unpleasant; she had seen his black head in the bushes; he might make a tavern story out of it. But after all, what have we to do with taverns? Real menace belongs to the drawing-room. It was of drawing-room people that Miss Bartlett thought as she journeyed downwards towards the fading sun." - "Lucy sat beside her; Mr. Eager sat opposite, trying to catch her eye; he was vaguely suspicious. They spoke of Alessio Baldovinetti.\n\nRain and darkness came on together. The two ladies huddled together under an inadequate parasol. There was a lightning flash, and Miss Lavish who was nervous, screamed from the carriage in front. At the next flash, Lucy screamed also. Mr. Eager addressed her professionally:" - "“Courage, Miss Honeychurch, courage and faith. If I might say so, there is something almost blasphemous in this horror of the elements. Are we seriously to suppose that all these clouds, all this immense electrical display, is simply called into existence to extinguish you or me?”\n\n“No—of course—”" @@ -398,7 +412,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Mr. Eager!” called Mr. Beebe. “We want your assistance. Will you interpret for us?”\n\n“George!” cried Mr. Emerson. “Ask your driver which way George went.\nThe boy may lose his way. He may be killed.”\n\n“Go, Mr. Eager,” said Miss Bartlett, “don’t ask our driver; our driver is no help. Go and support poor Mr. Beebe—, he is nearly demented.”" - "“He may be killed!” cried the old man. “He may be killed!”\n\n“Typical behaviour,” said the chaplain, as he quitted the carriage. “In the presence of reality that kind of person invariably breaks down.”\n\n“What does he know?” whispered Lucy as soon as they were alone.\n“Charlotte, how much does Mr. Eager know?”" - "“Nothing, dearest; he knows nothing. But—” she pointed at the driver—“_he_ knows everything. Dearest, had we better? Shall I?” She took out her purse. “It is dreadful to be entangled with low-class people. He saw it all.” Tapping Phaethon’s back with her guide-book,\nshe said, “Silenzio!” and offered him a franc." -- "“Va bene,” he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him.\n\nThere was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity," +- "“Va bene,” he replied, and accepted it. As well this ending to his day as any. But Lucy, a mortal maid, was disappointed in him." +- "There was an explosion up the road. The storm had struck the overhead wire of the tramline, and one of the great supports had fallen. If they had not stopped perhaps they might have been hurt. They chose to regard it as a miraculous preservation, and the floods of love and sincerity," - "which fructify every hour of life, burst forth in tumult. They descended from the carriages; they embraced each other. It was as joyful to be forgiven past unworthinesses as to forgive them. For a moment they realized vast possibilities of good." - "The older people recovered quickly. In the very height of their emotion they knew it to be unmanly or unladylike. Miss Lavish calculated that,\neven if they had continued, they would not have been caught in the accident. Mr. Eager mumbled a temperate prayer. But the drivers,\nthrough miles of dark squalid road, poured out their souls to the dryads and the saints, and Lucy poured out hers to her cousin." - "“Charlotte, dear Charlotte, kiss me. Kiss me again. Only you can understand me. You warned me to be careful. And I—I thought I was developing.”\n\n“Do not cry, dearest. Take your time.”\n\n“I have been obstinate and silly—worse than you know, far worse. Once by the river—Oh, but he isn’t killed—he wouldn’t be killed, would he?”" @@ -408,7 +423,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Don’t be troubled, dearest. Wait till you are calmer. We will talk it over before bed-time in my room.”" - "So they re-entered the city with hands clasped. It was a shock to the girl to find how far emotion had ebbed in others. The storm had ceased,\nand Mr. Emerson was easier about his son. Mr. Beebe had regained good humour, and Mr. Eager was already snubbing Miss Lavish. Charlotte alone she was sure of—Charlotte, whose exterior concealed so much insight and love." - "The luxury of self-exposure kept her almost happy through the long evening. She thought not so much of what had happened as of how she should describe it. All her sensations, her spasms of courage, her moments of unreasonable joy, her mysterious discontent, should be carefully laid before her cousin. And together in divine confidence they would disentangle and interpret them all." -- "“At last,” thought she, “I shall understand myself. I shan’t again be troubled by things that come out of nothing, and mean I don’t know what.”\n\nMiss Alan asked her to play. She refused vehemently. Music seemed to her the employment of a child. She sat close to her cousin, who, with commendable patience, was listening to a long story about lost luggage." +- "“At last,” thought she, “I shall understand myself. I shan’t again be troubled by things that come out of nothing, and mean I don’t know what.”" +- "Miss Alan asked her to play. She refused vehemently. Music seemed to her the employment of a child. She sat close to her cousin, who, with commendable patience, was listening to a long story about lost luggage." - "When it was over she capped it by a story of her own. Lucy became rather hysterical with the delay. In vain she tried to check, or at all events to accelerate, the tale. It was not till a late hour that Miss Bartlett had recovered her luggage and could say in her usual tone of gentle reproach:\n\n“Well, dear, I at all events am ready for Bedfordshire. Come into my room, and I will give a good brush to your hair.”" - "With some solemnity the door was shut, and a cane chair placed for the girl. Then Miss Bartlett said “So what is to be done?”\n\nShe was unprepared for the question. It had not occurred to her that she would have to do anything. A detailed exhibition of her emotions was all that she had counted upon.\n\n“What is to be done? A point, dearest, which you alone can settle.”" - "The rain was streaming down the black windows, and the great room felt damp and chilly, One candle burnt trembling on the chest of drawers close to Miss Bartlett’s toque, which cast monstrous and fantastic shadows on the bolted door. A tram roared by in the dark, and Lucy felt unaccountably sad, though she had long since dried her eyes." @@ -442,7 +458,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The door-bell rang, and she started to the shutters. Before she reached them she hesitated, turned, and blew out the candle. Thus it was that,\nthough she saw someone standing in the wet below, he, though he looked up, did not see her." - "To reach his room he had to go by hers. She was still dressed. It struck her that she might slip into the passage and just say that she would be gone before he was up, and that their extraordinary intercourse was over.\n\nWhether she would have dared to do this was never proved. At the critical moment Miss Bartlett opened her own door, and her voice said:\n\n“I wish one word with you in the drawing-room, Mr. Emerson, please.”" - "Soon their footsteps returned, and Miss Bartlett said: “Good-night, Mr.\nEmerson.”\n\nHis heavy, tired breathing was the only reply; the chaperon had done her work.\n\nLucy cried aloud: “It isn’t true. It can’t all be true. I want not to be muddled. I want to grow older quickly.”\n\nMiss Bartlett tapped on the wall.\n\n“Go to bed at once, dear. You need all the rest you can get.”" -- "In the morning they left for Rome.\n\n\n\n\nPART TWO\n\n\n\n\nChapter VIII Medieval\n\n\nThe drawing-room curtains at Windy Corner had been pulled to meet, for the carpet was new and deserved protection from the August sun. They were heavy curtains, reaching almost to the ground, and the light that filtered through them was subdued and varied. A poet—none was present—might have quoted, “Life like a dome of many coloured glass,”" +- "In the morning they left for Rome.\n\n\n\n\nPART TWO\n\n\n\n\nChapter VIII Medieval" +- "The drawing-room curtains at Windy Corner had been pulled to meet, for the carpet was new and deserved protection from the August sun. They were heavy curtains, reaching almost to the ground, and the light that filtered through them was subdued and varied. A poet—none was present—might have quoted, “Life like a dome of many coloured glass,”" - "or might have compared the curtains to sluice-gates, lowered against the intolerable tides of heaven. Without was poured a sea of radiance;\nwithin, the glory, though visible, was tempered to the capacities of man." - "Two pleasant people sat in the room. One—a boy of nineteen—was studying a small manual of anatomy, and peering occasionally at a bone which lay upon the piano. From time to time he bounced in his chair and puffed and groaned, for the day was hot and the print small, and the human frame fearfully made; and his mother, who was writing a letter, did continually read out to him what she had written." - "And continually did she rise from her seat and part the curtains so that a rivulet of light fell across the carpet, and make the remark that they were still there.\n\n“Where aren’t they?” said the boy, who was Freddy, Lucy’s brother. “I tell you I’m getting fairly sick.”\n\n“For goodness’ sake go out of my drawing-room, then?” cried Mrs.\nHoneychurch, who hoped to cure her children of slang by taking it literally." @@ -452,7 +469,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I said: ‘Dear Mrs. Vyse, Cecil has just asked my permission about it,\nand I should be delighted, if Lucy wishes it. But—’” She stopped reading, “I was rather amused at Cecil asking my permission at all. He has always gone in for unconventionality, and parents nowhere, and so forth. When it comes to the point, he can’t get on without me.”\n\n“Nor me.”\n\n“You?”\n\nFreddy nodded.\n\n“What do you mean?”" - "“He asked me for my permission also.”\n\nShe exclaimed: “How very odd of him!”\n\n“Why so?” asked the son and heir. “Why shouldn’t my permission be asked?”\n\n“What do you know about Lucy or girls or anything? What ever did you say?”\n\n“I said to Cecil, ‘Take her or leave her; it’s no business of mine!’”\n\n“What a helpful answer!” But her own answer, though more normal in its wording, had been to the same effect." - "“The bother is this,” began Freddy.\n\nThen he took up his work again, too shy to say what the bother was.\nMrs. Honeychurch went back to the window.\n\n“Freddy, you must come. There they still are!”\n\n“I don’t see you ought to go peeping like that.”\n\n“Peeping like that! Can’t I look out of my own window?”" -- "But she returned to the writing-table, observing, as she passed her son, “Still page 322?” Freddy snorted, and turned over two leaves. For a brief space they were silent. Close by, beyond the curtains, the gentle murmur of a long conversation had never ceased.\n\n“The bother is this: I have put my foot in it with Cecil most awfully.”" +- "But she returned to the writing-table, observing, as she passed her son, “Still page 322?” Freddy snorted, and turned over two leaves. For a brief space they were silent. Close by, beyond the curtains, the gentle murmur of a long conversation had never ceased." +- "“The bother is this: I have put my foot in it with Cecil most awfully.”" - "He gave a nervous gulp. “Not content with ‘permission’, which I did give—that is to say, I said, ‘I don’t mind’—well, not content with that, he wanted to know whether I wasn’t off my head with joy. He practically put it like this: Wasn’t it a splendid thing for Lucy and for Windy Corner generally if he married her? And he would have an answer—he said it would strengthen his hand.”" - "“I hope you gave a careful answer, dear.”\n\n“I answered ‘No’” said the boy, grinding his teeth. “There! Fly into a stew! I can’t help it—had to say it. I had to say no. He ought never to have asked me.”" - "“Ridiculous child!” cried his mother. “You think you’re so holy and truthful, but really it’s only abominable conceit. Do you suppose that a man like Cecil would take the slightest notice of anything you say? I hope he boxed your ears. How dare you say no?”" @@ -513,7 +531,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way.\nMr. Vyse, you ought to have stopped me.” And down the garden he saw Lucy herself; yes, he was disappointed." - "Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered.\n\nOccasionally he could be quite crude." - "“I am sorry I have given you a shock,” he said dryly. “I fear that Lucy’s choice does not meet with your approval.”\n\n“Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn’t to have discussed her so freely with any one; certainly not with you.”\n\n“You are conscious of having said something indiscreet?”" -- "Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.\n\n“No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it." +- "Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession." +- "“No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it." - "She has learnt—you will let me talk freely, as I have begun freely—she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides.” It was now time for him to wave his hat at the approaching trio. He did not omit to do so. “She has learnt through you,” and if his voice was still clerical, it was now also sincere; “let it be your care that her knowledge is profitable to her.”" - "“Grazie tante!” said Cecil, who did not like parsons.\n\n“Have you heard?” shouted Mrs. Honeychurch as she toiled up the sloping garden. “Oh, Mr. Beebe, have you heard the news?”\n\nFreddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact." - "“Indeed I have!” he cried. He looked at Lucy. In her presence he could not act the parson any longer—at all events not without apology. “Mrs.\nHoneychurch, I’m going to do what I am always supposed to do, but generally I’m too shy. I want to invoke every kind of blessing on them," @@ -549,7 +568,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs.\nHoneychurch?”\n\nMrs. Honeychurch started and smiled. She had not been attending. Cecil,\nwho was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again." - "Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross—the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood.\n\n“‘Come down, O maid, from yonder mountain height,’” he quoted, and touched her knee with his own.\n\nShe flushed again and said: “What height?”" - "“‘Come down, O maid, from yonder mountain height,\nWhat pleasure lives in height (the shepherd sang).\nIn height and in the splendour of the hills?’\n\n\nLet us take Mrs. Honeychurch’s advice and hate clergymen no more.\nWhat’s this place?”\n\n“Summer Street, of course,” said Lucy, and roused herself." -- "The woods had opened to leave space for a sloping triangular meadow.\nPretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe’s house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees." +- The woods had opened to leave space for a sloping triangular meadow. +- "Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe’s house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees." - "The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas—the villas that had competed with Cecil’s engagement,\nhaving been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil." - "“Cissie” was the name of one of these villas, “Albert” of the other.\nThese titles were not only picked out in shaded Gothic on the garden gates, but appeared a second time on the porches, where they followed the semicircular curve of the entrance arch in block capitals. “Albert”" - "was inhabited. His tortured garden was bright with geraniums and lobelias and polished shells. His little windows were chastely swathed in Nottingham lace. “Cissie” was to let. Three notice-boards, belonging to Dorking agents, lolled on her fence and announced the not surprising fact. Her paths were already weedy; her pocket-handkerchief of a lawn was yellow with dandelions." @@ -647,7 +667,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "No, it was worse than temper—snobbishness. As long as Lucy thought that his own smart friends were supplanting the Miss Alans, she had not minded. He perceived that these new tenants might be of value educationally. He would tolerate the father and draw out the son, who was silent. In the interests of the Comic Muse and of Truth, he would bring them to Windy Corner.\n\n\n\n\nChapter XI In Mrs. Vyse’s Well-Appointed Flat" - "The Comic Muse, though able to look after her own interests, did not disdain the assistance of Mr. Vyse. His idea of bringing the Emersons to Windy Corner struck her as decidedly good, and she carried through the negotiations without a hitch. Sir Harry Otway signed the agreement," - "met Mr. Emerson, who was duly disillusioned. The Miss Alans were duly offended, and wrote a dignified letter to Lucy, whom they held responsible for the failure. Mr. Beebe planned pleasant moments for the new-comers, and told Mrs. Honeychurch that Freddy must call on them as soon as they arrived. Indeed, so ample was the Muse’s equipment that she permitted Mr." -- "Harris, never a very robust criminal, to droop his head, to be forgotten, and to die.\n\nLucy—to descend from bright heaven to earth, whereon there are shadows because there are hills—Lucy was at first plunged into despair, but settled after a little thought that it did not matter the very least." +- "Harris, never a very robust criminal, to droop his head, to be forgotten, and to die." +- "Lucy—to descend from bright heaven to earth, whereon there are shadows because there are hills—Lucy was at first plunged into despair, but settled after a little thought that it did not matter the very least." - "Now that she was engaged, the Emersons would scarcely insult her and were welcome into the neighbourhood. And Cecil was welcome to bring whom he would into the neighbourhood. Therefore Cecil was welcome to bring the Emersons into the neighbourhood. But, as I say, this took a little thinking, and—so illogical are girls—the event remained rather greater and rather more dreadful than it should have done. She was glad that a visit to Mrs." - "Vyse now fell due; the tenants moved into Cissie Villa while she was safe in the London flat.\n\n“Cecil—Cecil darling,” she whispered the evening she arrived, and crept into his arms.\n\nCecil, too, became demonstrative. He saw that the needful fire had been kindled in Lucy. At last she longed for attention, as a woman should,\nand looked up to him because he was a man." - "“So you do love me, little thing?” he murmured.\n\n“Oh, Cecil, I do, I do! I don’t know what I should do without you.”" @@ -667,7 +688,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "and it did her no harm. In spite of the season, Mrs. Vyse managed to scrape together a dinner-party consisting entirely of the grandchildren of famous people. The food was poor, but the talk had a witty weariness that impressed the girl. One was tired of everything, it seemed. One launched into enthusiasms only to collapse gracefully, and pick oneself up amid sympathetic laughter." - "In this atmosphere the Pension Bertolini and Windy Corner appeared equally crude, and Lucy saw that her London career would estrange her a little from all that she had loved in the past.\n\nThe grandchildren asked her to play the piano." - "She played Schumann. “Now some Beethoven” called Cecil, when the querulous beauty of the music had died. She shook her head and played Schumann again. The melody rose, unprofitably magical. It broke; it was resumed broken, not marching once from the cradle to the grave. The sadness of the incomplete—the sadness that is often Life, but should never be Art—throbbed in its disjected phrases, and made the nerves of the audience throb." -- "Not thus had she played on the little draped piano at the Bertolini, and “Too much Schumann” was not the remark that Mr.\nBeebe had passed to himself when she returned.\n\nWhen the guests were gone, and Lucy had gone to bed, Mrs. Vyse paced up and down the drawing-room, discussing her little party with her son.\nMrs. Vyse was a nice woman, but her personality, like many another’s," +- "Not thus had she played on the little draped piano at the Bertolini, and “Too much Schumann” was not the remark that Mr.\nBeebe had passed to himself when she returned." +- "When the guests were gone, and Lucy had gone to bed, Mrs. Vyse paced up and down the drawing-room, discussing her little party with her son.\nMrs. Vyse was a nice woman, but her personality, like many another’s," - "had been swamped by London, for it needs a strong head to live among many people. The too vast orb of her fate had crushed her; and she had seen too many seasons, too many cities, too many men, for her abilities, and even with Cecil she was mechanical, and behaved as if he was not one son, but, so to speak, a filial crowd." - "“Make Lucy one of us,” she said, looking round intelligently at the end of each sentence, and straining her lips apart until she spoke again.\n“Lucy is becoming wonderful—wonderful.”\n\n“Her music always was wonderful.”\n\n“Yes, but she is purging off the Honeychurch taint, most excellent Honeychurches, but you know what I mean. She is not always quoting servants, or asking one how the pudding is made.”\n\n“Italy has done it.”" - "“Perhaps,” she murmured, thinking of the museum that represented Italy to her. “It is just possible. Cecil, mind you marry her next January.\nShe is one of us already.”" @@ -709,9 +731,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“These abrupt changes of vegetation—this little spongeous tract of water plants, and on either side of it all the growths are tough or brittle—heather, bracken, hurts, pines. Very charming, very charming.”\n\n“Mr. Beebe, aren’t you bathing?” called Freddy, as he stripped himself.\n\nMr. Beebe thought he was not.\n\n“Water’s wonderful!” cried Freddy, prancing in." - "“Water’s water,” murmured George. Wetting his hair first—a sure sign of apathy—he followed Freddy into the divine, as indifferent as if he were a statue and the pond a pail of soapsuds. It was necessary to use his muscles. It was necessary to keep clean. Mr. Beebe watched them, and watched the seeds of the willow-herb dance chorically above their heads." - "“Apooshoo, apooshoo, apooshoo,” went Freddy, swimming for two strokes in either direction, and then becoming involved in reeds or mud.\n\n“Is it worth it?” asked the other, Michelangelesque on the flooded margin.\n\nThe bank broke away, and he fell into the pool before he had weighed the question properly.\n\n“Hee-poof—I’ve swallowed a pollywog, Mr. Beebe, water’s wonderful,\nwater’s simply ripping.”" -- "“Water’s not so bad,” said George, reappearing from his plunge, and sputtering at the sun.\n\n“Water’s wonderful. Mr. Beebe, do.”\n\n“Apooshoo, kouf.”\n\nMr. Beebe, who was hot, and who always acquiesced where possible," +- "“Water’s not so bad,” said George, reappearing from his plunge, and sputtering at the sun.\n\n“Water’s wonderful. Mr. Beebe, do.”\n\n“Apooshoo, kouf.”" +- "Mr. Beebe, who was hot, and who always acquiesced where possible," - "looked around him. He could detect no parishioners except the pine-trees, rising up steeply on all sides, and gesturing to each other against the blue. How glorious it was! The world of motor-cars and rural Deans receded inimitably. Water, sky, evergreens, a wind—these things not even the seasons can touch, and surely they lie beyond the intrusion of man?" -- "“I may as well wash too”; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water.\n\nIt was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Götterdämmerung." +- "“I may as well wash too”; and soon his garments made a third little pile on the sward, and he too asserted the wonder of the water." +- "It was ordinary water, nor was there very much of it, and, as Freddy said, it reminded one of swimming in a salad. The three gentlemen rotated in the pool breast high, after the fashion of the nymphs in Götterdämmerung." - "But either because the rains had given a freshness or because the sun was shedding a most glorious heat, or because two of the gentlemen were young in years and the third young in spirit—for some reason or other a change came over them, and they forgot Italy and Botany and Fate. They began to play. Mr. Beebe and Freddy splashed each other. A little deferentially, they splashed George. He was quiet: they feared they had offended him." - "Then all the forces of youth burst out.\nHe smiled, flung himself at them, splashed them, ducked them, kicked them, muddied them, and drove them out of the pool.\n\n“Race you round it, then,” cried Freddy, and they raced in the sunshine, and George took a short cut and dirtied his shins, and had to bathe a second time. Then Mr. Beebe consented to run—a memorable sight." - "They ran to get dry, they bathed to get cool, they played at being Indians in the willow-herbs and in the bracken, they bathed to get clean. And all the time three little bundles lay discreetly on the sward, proclaiming:\n\n“No. We are what matters. Without us shall no enterprise begin. To us shall all flesh turn in the end.”" @@ -754,7 +778,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "So the grittiness went out of life. It generally did at Windy Corner.\nAt the last minute, when the social machine was clogged hopelessly, one member or other of the family poured in a drop of oil. Cecil despised their methods—perhaps rightly. At all events, they were not his own." - "Dinner was at half-past seven. Freddy gabbled the grace, and they drew up their heavy chairs and fell to. Fortunately, the men were hungry.\nNothing untoward occurred until the pudding. Then Freddy said:\n\n“Lucy, what’s Emerson like?”\n\n“I saw him in Florence,” said Lucy, hoping that this would pass for a reply.\n\n“Is he the clever sort, or is he a decent chap?”\n\n“Ask Cecil; it is Cecil who brought him here.”" - "“He is the clever sort, like myself,” said Cecil.\n\nFreddy looked at him doubtfully.\n\n“How well did you know them at the Bertolini?” asked Mrs. Honeychurch.\n\n“Oh, very slightly. I mean, Charlotte knew them even less than I did.”\n\n“Oh, that reminds me—you never told me what Charlotte said in her letter.”" -- "“One thing and another,” said Lucy, wondering whether she would get through the meal without a lie. “Among other things, that an awful friend of hers had been bicycling through Summer Street, wondered if she’d come up and see us, and mercifully didn’t.”\n\n“Lucy, I do call the way you talk unkind.”\n\n“She was a novelist,” said Lucy craftily. The remark was a happy one," +- "“One thing and another,” said Lucy, wondering whether she would get through the meal without a lie. “Among other things, that an awful friend of hers had been bicycling through Summer Street, wondered if she’d come up and see us, and mercifully didn’t.”\n\n“Lucy, I do call the way you talk unkind.”" +- "“She was a novelist,” said Lucy craftily. The remark was a happy one," - "for nothing roused Mrs. Honeychurch so much as literature in the hands of females. She would abandon every topic to inveigh against those women who (instead of minding their houses and their children) seek notoriety by print. Her attitude was: “If books must be written, let them be written by men”; and she developed it at great length, while Cecil yawned and Freddy played at “This year, next year, now, never,”" - "with his plum-stones, and Lucy artfully fed the flames of her mother’s wrath. But soon the conflagration died down, and the ghosts began to gather in the darkness. There were too many ghosts about. The original ghost—that touch of lips on her cheek—had surely been laid long ago; it could be nothing to her that a man had kissed her on a mountain once." - "But it had begotten a spectral family—Mr. Harris, Miss Bartlett’s letter, Mr. Beebe’s memories of violets—and one or other of these was bound to haunt her before Cecil’s very eyes. It was Miss Bartlett who returned now, and with appalling vividness.\n\n“I have been thinking, Lucy, of that letter of Charlotte’s. How is she?”\n\n“I tore the thing up.”" @@ -775,7 +800,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Now Cecil had explained psychology to her one wet afternoon, and all the troubles of youth in an unknown world could be dismissed." - "It is obvious enough for the reader to conclude, “She loves young Emerson.” A reader in Lucy’s place would not find it obvious. Life is easy to chronicle, but bewildering to practice, and we welcome “nerves”\nor any other shibboleth that will cloak our personal desire. She loved Cecil; George made her nervous; will the reader explain to her that the phrases should have been reversed?\n\nBut the external situation—she will face that bravely." - "The meeting at the Rectory had passed off well enough. Standing between Mr. Beebe and Cecil, she had made a few temperate allusions to Italy,\nand George had replied. She was anxious to show that she was not shy,\nand was glad that he did not seem shy either.\n\n“A nice fellow,” said Mr. Beebe afterwards “He will work off his crudities in time. I rather mistrust young men who slip into life gracefully.”" -- "Lucy said, “He seems in better spirits. He laughs more.”\n\n“Yes,” replied the clergyman. “He is waking up.”\n\nThat was all. But, as the week wore on, more of her defences fell, and she entertained an image that had physical beauty. In spite of the clearest directions, Miss Bartlett contrived to bungle her arrival. She was due at the South-Eastern station at Dorking, whither Mrs." +- "Lucy said, “He seems in better spirits. He laughs more.”\n\n“Yes,” replied the clergyman. “He is waking up.”" +- "That was all. But, as the week wore on, more of her defences fell, and she entertained an image that had physical beauty. In spite of the clearest directions, Miss Bartlett contrived to bungle her arrival. She was due at the South-Eastern station at Dorking, whither Mrs." - "Honeychurch drove to meet her. She arrived at the London and Brighton station, and had to hire a cab up. No one was at home except Freddy and his friend, who had to stop their tennis and to entertain her for a solid hour. Cecil and Lucy turned up at four o’clock, and these, with little Minnie Beebe, made a somewhat lugubrious sextette upon the upper lawn for tea." - "“I shall never forgive myself,” said Miss Bartlett, who kept on rising from her seat, and had to be begged by the united company to remain. “I have upset everything. Bursting in on young people! But I insist on paying for my cab up. Grant that, at any rate.”" - "“Our visitors never do such dreadful things,” said Lucy, while her brother, in whose memory the boiled egg had already grown unsubstantial, exclaimed in irritable tones: “Just what I’ve been trying to convince Cousin Charlotte of, Lucy, for the last half hour.”\n\n“I do not feel myself an ordinary visitor,” said Miss Bartlett, and looked at her frayed glove.\n\n“All right, if you’d really rather. Five shillings, and I gave a bob to the driver.”" @@ -804,7 +830,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Suppose we don’t talk about this silly Italian business any more. We want you to have a nice restful visit at Windy Corner, with no worriting.”" - "Lucy thought this rather a good speech. The reader may have detected an unfortunate slip in it. Whether Miss Bartlett detected the slip one cannot say, for it is impossible to penetrate into the minds of elderly people. She might have spoken further, but they were interrupted by the entrance of her hostess. Explanations took place, and in the midst of them Lucy escaped, the images throbbing a little more vividly in her brain.\n\n\n\n\nChapter XV The Disaster Within" - "The Sunday after Miss Bartlett’s arrival was a glorious day, like most of the days of that year. In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the grey bloom of mist, the beech-trees with russet, the oak-trees with gold. Up on the heights, battalions of black pines witnessed the change, themselves unchangeable." -- "Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells.\n\nThe garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. “The men say they won’t go”—“Well, I don’t blame them”—Minnie says, “need she go?”—“Tell her," +- "Either country was spanned by a cloudless sky, and in either arose the tinkle of church bells." +- "The garden of Windy Corners was deserted except for a red book, which lay sunning itself upon the gravel path. From the house came incoherent sounds, as of females preparing for worship. “The men say they won’t go”—“Well, I don’t blame them”—Minnie says, “need she go?”—“Tell her," - "no nonsense”—“Anne! Mary! Hook me behind!”—“Dearest Lucia, may I trespass upon you for a pin?” For Miss Bartlett had announced that she at all events was one for church." - "The sun rose higher on its journey, guided, not by Phaethon, but by Apollo, competent, unswerving, divine. Its rays fell on the ladies whenever they advanced towards the bedroom windows; on Mr. Beebe down at Summer Street as he smiled over a letter from Miss Catharine Alan;" - "on George Emerson cleaning his father’s boots; and lastly, to complete the catalogue of memorable things, on the red book mentioned previously. The ladies move, Mr. Beebe moves, George moves, and movement may engender shadow. But this book lies motionless, to be caressed all the morning by the sun and to raise its covers slightly,\nas though acknowledging the caress." @@ -841,7 +868,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Protégés!” she exclaimed with some warmth. For the only relationship which Cecil conceived was feudal: that of protector and protected. He had no glimpse of the comradeship after which the girl’s soul yearned." - "“You shall see for yourself how your protégés are. George Emerson is coming up this afternoon. He is a most interesting man to talk to. Only don’t—” She nearly said, “Don’t protect him.” But the bell was ringing for lunch, and, as often happened, Cecil had paid no great attention to her remarks. Charm, not argument, was to be her forte." - "Lunch was a cheerful meal. Generally Lucy was depressed at meals. Some one had to be soothed—either Cecil or Miss Bartlett or a Being not visible to the mortal eye—a Being who whispered to her soul: “It will not last, this cheerfulness. In January you must go to London to entertain the grandchildren of celebrated men.” But to-day she felt she had received a guarantee. Her mother would always sit there, her brother here." -- "The sun, though it had moved a little since the morning,\nwould never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck’s Armide that year, and played from memory the music of the enchanted garden—the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland." +- "The sun, though it had moved a little since the morning," +- "would never be hidden behind the western hills. After luncheon they asked her to play. She had seen Gluck’s Armide that year, and played from memory the music of the enchanted garden—the music to which Renaud approaches, beneath the light of an eternal dawn, the music that never gains, never wanes, but ripples for ever like the tideless seas of fairyland." - "Such music is not for the piano, and her audience began to get restive, and Cecil, sharing the discontent, called out: “Now play us the other garden—the one in Parsifal.”\n\nShe closed the instrument.\n\n\n\n\n\n\n*** END OF THE PROJECT GUTENBERG EBOOK A ROOM WITH A VIEW ***\n\nUpdated editions will replace the previous one--the old editions will be renamed." - "Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works,\nso the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark," - "and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research." @@ -862,7 +890,9 @@ input_file: tests/inputs/text/room_with_a_view.txt - "If you are redistributing or providing access to a work with the phrase \"Project Gutenberg\" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9." - "1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work." - "1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm." -- "1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License.\n\n1.E.6. You may convert to and distribute this work in any binary,\ncompressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form." +- "1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License." +- "1.E.6. You may convert to and distribute this work in any binary," +- "compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form." - "However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than \"Plain Vanilla ASCII\" or other format used in the official version posted on the official Project Gutenberg-tm website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original \"Plain Vanilla ASCII\" or other form." - "Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1.\n\n1.E.7. Do not charge a fee for access to, viewing, displaying,\nperforming, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9.\n\n1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that:" - "* You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation." diff --git a/tests/snapshots/text_splitter_snapshots__tiktoken_trim@room_with_a_view.txt.snap b/tests/snapshots/text_splitter_snapshots__tiktoken_trim@room_with_a_view.txt.snap index fc9935c4..32a9fdac 100644 --- a/tests/snapshots/text_splitter_snapshots__tiktoken_trim@room_with_a_view.txt.snap +++ b/tests/snapshots/text_splitter_snapshots__tiktoken_trim@room_with_a_view.txt.snap @@ -46,9 +46,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - Chapter X. Cecil as a Humourist - Chapter XI. In Mrs. - Vyse’s Well-Appointed Flat -- "Chapter XII. Twelfth Chapter\n Chapter XIII." +- Chapter XII. Twelfth Chapter +- Chapter XIII. - How Miss Bartlett’s Boiler Was So -- "Tiresome\n Chapter XIV." +- Tiresome +- Chapter XIV. - How Lucy Faced the External Situation Bravely - Chapter XV. The Disaster Within - Chapter XVI. Lying to George @@ -153,7 +155,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss Bartlett, in reply, opened her mouth" - "as little as possible, and said “Thank you" - very much indeed; that is out of the question -- ".”\n\n“Why?”" +- ".”" +- “Why?” - "said the old man, with both fists on the" - table. - "“Because it is quite out of the question," @@ -172,7 +175,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “There’s nothing else to say.” - He did not look at the ladies as he spoke - ", but his voice was perplexed and sorrowful" -- ". Lucy, too, was perplexed; but" +- "." +- "Lucy, too, was perplexed; but" - she saw that they were in for what is known - "as “quite a scene,” and she had an" - odd feeling that whenever these ill-bred tourists spoke @@ -200,7 +204,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Lucy, and began to toy again with the" - meat that she had once censured. - Lucy mumbled that those seemed very odd people -- "opposite.\n\n“Eat your dinner, dear." +- opposite. +- "“Eat your dinner, dear." - This pension is a failure. - To-morrow we will make a change.” - Hardly had she announced this fell decision when she @@ -273,7 +278,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - concluded. - “The first fine afternoon drive up to Fiesole - ", and round by Settignano, or" -- "something of that sort.”\n\n“No!”" +- something of that sort.” +- “No!” - cried a voice from the top of the table - ". “Mr." - "Beebe, you are wrong." @@ -287,7 +293,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "it, how to stop the electric trams," - "how to get rid of the beggars, how" - much to give for a vellum blotter -- ",\nhow much the place would grow upon them." +- "," +- how much the place would grow upon them. - "The Pension Bertolini had decided, almost enthusiastically," - that they would do. - "Whichever way they looked, kind ladies smiled and" @@ -391,7 +398,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", but I am glad to say we thought better" - of it.” - "“Am I to conclude,” said Miss Bartlett" -- ", “that he is a Socialist?”\n\nMr." +- ", “that he is a Socialist?”" +- Mr. - "Beebe accepted the convenient word, not without" - a slight twitching of the lips. - “And presumably he has brought up his son to be @@ -415,7 +423,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He replied, with some irritation, that it would" - "be quite unnecessary," - and got up from his seat to go to the -- "smoking-room.\n\n“Was I a bore?”" +- smoking-room. +- “Was I a bore?” - "said Miss Bartlett, as soon as he had" - disappeared. - "“Why didn’t you talk, Lucy?" @@ -489,7 +498,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - We were so sorry for you at dinner.” - “I think he was meaning to be kind.” - "“Undoubtedly he was,” said Miss Bartlett" -- ".\n\n“Mr." +- "." +- “Mr. - Beebe has just been scolding me for - my suspicious nature. - "Of course, I was holding back on my" @@ -506,7 +516,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "No, he is not tactful; yet," - have you ever noticed that there are people who do - "things which are most indelicate, and yet" -- "at the same time—beautiful?”\n\n“Beautiful?”" +- at the same time—beautiful?” +- “Beautiful?” - "said Miss Bartlett, puzzled at the word." - “Are not beauty and delicacy the same?” - "“So one would have thought,” said the other" @@ -556,7 +567,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ". Grant me that, at all events.”" - Mr. - "Beebe was back, saying rather nervously" -- ":\n\n“Mr." +- ":" +- “Mr. - "Emerson is engaged, but here is his son" - instead.” - The young man gazed down on the three ladies @@ -573,7 +585,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Emerson scored a notable triumph to the delight of - Mr. - Beebe and to the secret delight of Lucy -- ".\n\n“Poor young man!”" +- "." +- “Poor young man!” - "said Miss Bartlett, as soon as he had" - gone. - “How angry he is with his father about the rooms @@ -583,7 +596,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "ready,” said Mr. Beebe." - "Then looking rather thoughtfully at the two cousins," - "he retired to his own rooms, to write up" -- "his philosophic diary.\n\n“Oh, dear!”" +- his philosophic diary. +- "“Oh, dear!”" - "breathed the little old lady, and" - shuddered as if all the winds of heaven - had entered the apartment. @@ -594,7 +608,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Lucy, not realizing either, was reduced to" - literature. - Taking up Baedeker’s Handbook to Northern Italy -- ",\nshe committed to memory the most important dates of" +- "," +- she committed to memory the most important dates of - Florentine History. - For she was determined to enjoy herself on the - morrow. @@ -608,7 +623,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Naturally, dear." - It is my affair.” - “But I would like to help you.” -- "“No, dear.”\n\nCharlotte’s energy!" +- "“No, dear.”" +- Charlotte’s energy! - And her unselfishness! - "She had been thus all her life, but really" - ", on this Italian tour, she was surpassing" @@ -657,11 +673,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "It was then that she saw, pinned up over" - "the washstand, a sheet of paper on which" - was scrawled an enormous note of interrogation. -- "Nothing more.\n\n“What does it mean?”" +- Nothing more. +- “What does it mean?” - "she thought, and she examined it carefully by the" - light of a candle. - "Meaningless at first, it gradually became menacing" -- ",\nobnoxious, portentous with evil." +- "," +- "obnoxious, portentous with evil." - "She was seized with an impulse to destroy it," - but fortunately remembered that she had no right to do - "so," @@ -831,9 +849,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "There, now you’re shocked.”" - "“Indeed, I’m not!” exclaimed Lucy." - "“We are Radicals, too, out and out" -- ".\nMy father always voted for Mr." +- "." +- My father always voted for Mr. - "Gladstone, until he was so dreadful about" -- "Ireland.”\n\n“I see, I see." +- Ireland.” +- "“I see, I see." - And now you have gone over to the enemy.” - "“Oh, please—!" - "If my father was alive, I am sure he" @@ -842,7 +862,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "And as it is, the glass over our front" - "door was broken last election, and Freddy is sure" - "it was the Tories; but mother says nonsense," -- "a tramp.”\n\n“Shameful!" +- a tramp.” +- “Shameful! - "A manufacturing district, I suppose?”" - “No—in the Surrey hills. - "About five miles from Dorking, looking over" @@ -887,7 +908,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "My dear Miss Lucy, during our political" - diatribes we have taken a wrong turning. - How those horrid Conservatives would jeer at us -- "!\nWhat are we to do?" +- "!" +- What are we to do? - Two lone females in an unknown town. - "Now, this is what _I_ call an" - adventure.” @@ -905,7 +927,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "neither commodious nor picturesque, in which the" - eastern quarter of the city abounds. - Lucy soon lost interest in the discontent of Lady -- "Louisa,\nand became discontented herself." +- "Louisa," +- and became discontented herself. - For one ravishing moment Italy appeared. - She stood in the Square of the - Annunziata and saw in the living terra @@ -1014,7 +1037,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - forbade people to introduce dogs into the church - "—the notice that prayed people, in the interest of" - health and out of respect to the sacred edifice -- "in which they found themselves,\nnot to spit." +- "in which they found themselves," +- not to spit. - She watched the tourists; their noses were as red - "as their Baedekers, so cold was" - Santa Croce. @@ -1040,7 +1064,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Protestant as she was, Lucy darted" - forward. She was too late. - He fell heavily upon the prelate’s upturned -- "toes.\n\n“Hateful bishop!”" +- toes. +- “Hateful bishop!” - exclaimed the voice of old Mr. - "Emerson, who had darted forward also." - "“Hard in life, hard in death." @@ -1068,7 +1093,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - and imparted strength to his knees. - He stood. - "Still gibbering with agitation, he walked away" -- ".\n\n“You are a clever woman,” said Mr." +- "." +- "“You are a clever woman,” said Mr." - Emerson. - “You have done more than all the relics in the - world. @@ -1087,7 +1113,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "rather than delicate, and," - "if possible, to erase Miss Bartlett’s" - civility by some gracious reference to the pleasant -- "rooms.\n\n“That woman understands everything,” was Mr." +- rooms. +- "“That woman understands everything,” was Mr." - Emerson’s reply. - “But what are you doing here? - Are you doing the church? @@ -1153,7 +1180,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I am not touchy, I hope." - It is the Giottos that I want to - "see, if you will kindly tell me which they" -- "are.”\n\nThe son nodded." +- are.” +- The son nodded. - "With a look of sombre satisfaction, he led" - the way to the Peruzzi Chapel. - There was a hint of the teacher about him. @@ -1179,7 +1207,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - technical cleverness against a man who truly feels!” - “No!” exclaimed Mr. - "Emerson, in much too loud a voice for" -- "church.\n“Remember nothing of the sort!" +- church. +- “Remember nothing of the sort! - Built by faith indeed! - That simply means the workmen weren’t paid properly - "." @@ -1228,7 +1257,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - They filed out of the chapel in silence. - Amongst them were the two little old ladies of - the Pension Bertolini—Miss Teresa and Miss Catherine -- "Alan.\n\n“Stop!” cried Mr. Emerson." +- Alan. +- “Stop!” cried Mr. Emerson. - “There’s plenty of room for us all. - "Stop!”\n\nThe procession disappeared without a word." - Soon the lecturer could be heard in the next chapel @@ -1264,7 +1294,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Because we think it improves our characters. - But he is kind to people because he loves them - "; and they find him out, and are offended" -- ", or frightened.”\n\n“How silly of them!”" +- ", or frightened.”" +- “How silly of them!” - "said Lucy, though in her heart she sympathized" - ; “I think that a kind action done - "tactfully—”\n\n“Tact!”" @@ -1328,7 +1359,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “It is so wonderful what they say about his tactile - values. - Though I like things like the Della Robbia -- "babies better.”\n\n“So you ought." +- babies better.” +- “So you ought. - A baby is worth a dozen saints. - "And my baby’s worth the whole of Paradise," - and as far as I can see he lives in @@ -1385,7 +1417,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "asked Lucy fearfully, expecting some harrowing" - tale. - “The old trouble; things won’t fit.” -- "“What things?”\n\n“The things of the universe." +- “What things?” +- “The things of the universe. - It is quite true. They don’t.” - "“Oh, Mr." - "Emerson, whatever do you mean?”" @@ -1444,7 +1477,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, good gracious me!”" - "said Lucy, suddenly collapsing and again seeing the whole" - of life in a new perspective. “Where? -- "Where?”\n\n“In the nave.”\n\n“I see." +- "Where?”\n\n“In the nave.”" +- “I see. - Those gossiping little Miss Alans must have— - ” She checked herself. - “Poor girl!” exploded Mr. Emerson. @@ -1456,13 +1490,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I think myself a very fortunate girl, I assure" - you. - "I’m thoroughly happy, and having a splendid time" -- ". Pray don’t waste time mourning over" +- "." +- Pray don’t waste time mourning over - _me_. - "There’s enough sorrow in the world, isn’t" - "there, without trying to invent it." - Good-bye. - Thank you both so much for all your kindness. -- "Ah,\nyes! there does come my cousin." +- "Ah," +- yes! there does come my cousin. - A delightful morning! - Santa Croce is a wonderful church.” - She joined her cousin. @@ -1521,7 +1557,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "mere feel of the notes: they were fingers" - "caressing her own; and by touch, not" - "by sound alone, did she come to her desire" -- ".\n\nMr." +- "." +- Mr. - "Beebe, sitting unnoticed in the window," - pondered this illogical element in Miss Honeychurch - ", and recalled the occasion at Tunbridge Wells when" @@ -1590,7 +1627,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, what a funny thing!" - "Some one said just the same to mother, and" - she said she trusted I should never live a -- "duet.”\n\n“Doesn’t Mrs." +- duet.” +- “Doesn’t Mrs. - Honeychurch like music?” - “She doesn’t mind it. - But she doesn’t like one to get excited over @@ -1648,7 +1686,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “What is it about?” - "“It will be a novel,” replied Mr." - "Beebe, “dealing with modern Italy" -- ".\nLet me refer you for an account to Miss" +- "." +- Let me refer you for an account to Miss - "Catharine Alan, who uses words herself more" - admirably than any one I know.” - “I wish Miss Lavish would tell me herself. @@ -1766,7 +1805,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - her life’s work was carried away in a - landslip. - Surely that makes it more excusable.” -- "“What was that?” asked Lucy.\n\nMr." +- “What was that?” asked Lucy. +- Mr. - "Beebe sat back complacently, and" - "Miss Alan began as follows: “It was a" - "novel—and I am afraid, from what I" @@ -1834,7 +1874,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - But the point is that Miss Lavish was positively - "_attracted_ by his mentioning S., and said" - "she liked plain speaking, and meeting different grades of" -- thought. She thought they were commercial travellers—‘ +- thought. +- She thought they were commercial travellers—‘ - drummers’ was the word she used—and - "all through dinner she tried to prove that England," - "our great and beloved country, rests on nothing but" @@ -1862,7 +1903,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "But, unluckily, Mr." - "Emerson overheard this part, and called in" - "his deep voice: ‘Quite so, quite so" -- "!\nI honour the woman for her Irish visit.’" +- "!" +- I honour the woman for her Irish visit.’ - The woman! - I tell things so badly; but you see what - "a tangle we were in by this time," @@ -1871,7 +1913,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - After dinner Miss Lavish actually came up and said - ": ‘Miss Alan, I am going into the" - smoking-room to talk to those two nice men -- ".\nCome, too.’" +- "." +- "Come, too.’" - "Needless to say, I refused such an" - "unsuitable invitation," - and she had the impertinence to tell @@ -1894,7 +1937,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Mr. Emerson does not think it worth telling.” - “Mr. Beebe—old Mr. - "Emerson, is he nice or not nice?" -- "I do so want to know.”\n\nMr." +- I do so want to know.” +- Mr. - Beebe laughed and suggested that she should settle - the question for herself. - “No; but it is so difficult. @@ -1959,7 +2003,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "quite politely, of course.”" - “Most right of her. - They don’t understand our ways. -- "They must find their level.”\n\nMr." +- They must find their level.” +- Mr. - Beebe rather felt that they had gone under - "." - They had given up their attempt—if it was one @@ -1989,7 +2034,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Her two companions looked grave. Mr. - "Beebe, who felt responsible for her in" - "the absence of Miss Bartlett, ventured to say" -- ":\n\n“I wish we could." +- ":" +- “I wish we could. - Unluckily I have letters. - "If you do want to go out alone," - won’t you be better on your feet?” @@ -2152,7 +2198,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "fell on to her softly, slowly, noiselessly" - ", and the sky fell with it." - "She thought: “Oh, what have I done" -- "?”\n\n“Oh, what have I done?”" +- "?”" +- "“Oh, what have I done?”" - "she murmured, and opened her eyes." - "George Emerson still looked at her, but not across" - anything. @@ -2176,7 +2223,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - The cries from the fountain—they had never ceased— - rang emptily. - The whole world seemed pale and void of its original -- "meaning.\n\n“How very kind you have been!" +- meaning. +- “How very kind you have been! - I might have hurt myself falling. - But now I am well. - "I can go alone, thank you.”" @@ -2187,7 +2235,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I must have dropped them out there in the square - ".” She looked at him cautiously." - “Would you add to your kindness by fetching them -- "?”\n\nHe added to his kindness." +- "?”" +- He added to his kindness. - "As soon as he had turned his back, Lucy" - arose with the running of a maniac and - stole down the arcade towards the Arno. @@ -2196,7 +2245,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “You sit still; you aren’t fit to go - home alone.” - "“Yes, I am, thank you so very much" -- ".”\n\n“No, you aren’t." +- ".”" +- "“No, you aren’t." - You’d go openly if you were.” - “But I had rather—” - “Then I don’t fetch your photographs.” @@ -2209,7 +2259,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - In the distance she saw creatures with black hoods - ", such as appear in dreams." - The palace tower had lost the reflection of the declining -- "day,\nand joined itself to earth." +- "day," +- and joined itself to earth. - How should she talk to Mr. - Emerson when he returned from the shadowy square - "? Again the thought occurred to her," @@ -2267,7 +2318,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He turned towards her frowning, as if she" - had disturbed him in some abstract quest. - “I want to ask you something before we go in -- ".”\n\nThey were close to their pension." +- ".”" +- They were close to their pension. - She stopped and leant her elbows against the - parapet of the embankment. - He did likewise. @@ -2288,7 +2340,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", I am afraid—you understand what I mean?”" - “I’m afraid I don’t.” - "“I mean, would you not mention it to any" -- "one, my foolish behaviour?”\n\n“Your behaviour?" +- "one, my foolish behaviour?”" +- “Your behaviour? - "Oh, yes, all right—all right.”" - “Thank you so much. - And would you—” @@ -2355,7 +2408,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "at dinner-time, had again passed to himself the" - remark of “Too much Beethoven.” - But he only supposed that she was ready for an -- "adventure,\nnot that she had encountered it." +- "adventure," +- not that she had encountered it. - This solitude oppressed her; she was accustomed to have - "her thoughts confirmed by others or, at all events" - "," @@ -2375,7 +2429,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "who hated shopping, changing money, fetching letters," - and other irksome duties—all of which Miss - Bartlett must accomplish this morning and could easily -- "accomplish alone.\n\n“No, Charlotte!”" +- accomplish alone. +- "“No, Charlotte!”" - "cried the girl, with real warmth." - “It’s very kind of Mr. - "Beebe, but I am certainly coming with" @@ -2427,10 +2482,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - She hailed them briskly. - The dreadful catastrophe of the previous day had given her - an idea which she thought would work up into a -- "book.\n\n“Oh, let me congratulate you!”" +- book. +- "“Oh, let me congratulate you!”" - said Miss Bartlett. - “After your despair of yesterday! -- "What a fortunate thing!”\n\n“Aha!" +- What a fortunate thing!” +- “Aha! - "Miss Honeychurch, come you here I am in" - luck. - "Now, you are to tell me absolutely everything that" @@ -2658,7 +2715,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - and Mr. - "Eager, binding their hands together by a long" - "glossy ribbon of churches, pictures, and" -- "views.\n\n“This is too much!”" +- views. +- “This is too much!” - "cried the chaplain, striking petulantly" - at one of Fra Angelico’s angels. - She tore. @@ -2683,7 +2741,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "recompensed, he was dissatisfied," - he did not leave them until he had swept their - minds clean of all thoughts whether pleasant or unpleasant -- ".\n\nShopping was the topic that now ensued." +- "." +- Shopping was the topic that now ensued. - Under the chaplain’s guidance they selected many - hideous presents and mementoes— - florid little picture-frames that seemed fashioned @@ -2704,7 +2763,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Lavish and by Mr. - "Eager, she knew not why." - "And as they frightened her, she had, strangely" -- "enough,\nceased to respect them." +- "enough," +- ceased to respect them. - She doubted that Miss Lavish was a great artist - ". She doubted that Mr." - Eager was as full of spirituality and culture as @@ -2725,7 +2785,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “How wonderfully people rise in these days!” - "sighed Miss Bartlett," - fingering a model of the leaning Tower of -- "Pisa.\n\n“Generally,” replied Mr." +- Pisa. +- "“Generally,” replied Mr." - "Eager, “one has only sympathy for their" - success. - The desire for education and for social advance—in these @@ -2811,7 +2872,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - The shopman was possibly listening. - “She will find it difficult. - For that man has murdered his wife in the sight -- "of God.”\n\nThe addition of God was striking." +- of God.” +- The addition of God was striking. - But the chaplain was really trying to qualify a - rash remark. - "A silence followed which might have been impressive, but" @@ -2843,7 +2905,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Eager is really the same as the one we - are going with Mr. - "Beebe, then I foresee a sad kettle" -- "of fish.”\n\n“How?”\n\n“Because Mr." +- "of fish.”\n\n“How?”" +- “Because Mr. - Beebe has asked Eleanor Lavish to come - ", too.”\n\n“That will mean another carriage.”" - “Far worse. Mr. @@ -2900,7 +2963,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "asked Miss Bartlett, flushed from the struggle" - ", and buttoning up her dress." - "“I don’t know what I think, nor what" -- "I want.”\n\n“Oh, dear, Lucy!" +- I want.” +- "“Oh, dear, Lucy!" - I do hope Florence isn’t boring you. - "Speak the word," - "and, as you know, I would take you" @@ -2965,14 +3029,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - "No, you said you’d go to the ends" - of the earth! Do! Do!” - "Miss Bartlett, with equal vivacity, replied" -- ":\n\n“Oh, you droll person!" +- ":" +- "“Oh, you droll person!" - "Pray, what would become of your drive in" - the hills?” - They passed together through the gaunt beauty of the - "square, laughing over the unpractical suggestion." - "Chapter VI The Reverend Arthur Beebe, the" - "Reverend Cuthbert Eager, Mr" -- ". Emerson,\nMr." +- ". Emerson," +- Mr. - "George Emerson, Miss Eleanor Lavish, Miss Charlotte" - "Bartlett, and Miss Lucy Honeychurch Drive" - Out in Carriages to See a View; Italians @@ -3024,7 +3090,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - It was hard on the poor chaplain to have - his _partie carrée_ thus transformed. - "Tea at a Renaissance villa, if he had" -- "ever meditated it,\nwas now impossible." +- "ever meditated it," +- was now impossible. - Lucy and Miss Bartlett had a certain style - "about them, and Mr." - "Beebe, though unreliable, was a man" @@ -3073,13 +3140,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "And now celestial irony, working through her cousin and" - "two clergymen, did not suffer her" - to leave Florence till she had made this expedition with -- "him through the hills.\n\nMeanwhile Mr." +- him through the hills. +- Meanwhile Mr. - Eager held her in civil converse; their little - tiff was over. - "“So, Miss Honeychurch, you are travelling?" - As a student of art?” - "“Oh, dear me, no—oh, no" -- "!”\n\n“Perhaps as a student of human nature,”" +- "!”" +- "“Perhaps as a student of human nature,”" - "interposed Miss Lavish, “like myself?”" - "“Oh, no." - I am here as a tourist.” @@ -3127,7 +3196,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", does it not?”" - “It does indeed!” cried Miss Lavish. - "“Tell me, where do they place the scene" -- "of that wonderful seventh day?”\n\nBut Mr." +- of that wonderful seventh day?” +- But Mr. - Eager proceeded to tell Miss Honeychurch that on - the right lived Mr. - "Someone Something, an American of the best type—" @@ -3162,7 +3232,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - head. - "“Va bene, signore, va bene," - "va bene,” crooned the driver, and whipped" -- "his horses up again.\n\nNow Mr." +- his horses up again. +- Now Mr. - Eager and Miss Lavish began to talk against - each other on the subject of Alessio - Baldovinetti. @@ -3188,7 +3259,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "his _pourboire_, the girl was immediately" - to get down. - "“She is my sister,” said he, turning round" -- "on them with piteous eyes.\n\nMr." +- on them with piteous eyes. +- Mr. - Eager took the trouble to tell him that he - was a liar. - "Phaethon hung down his head, not" @@ -3211,7 +3283,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Eager. - “I knew he was trying it on. - He is treating us as if we were a party -- "of Cook’s tourists.”\n\n“Surely no!”" +- of Cook’s tourists.” +- “Surely no!” - "said Miss Lavish, her ardour visibly decreasing" - "." - "The other carriage had drawn up behind, and sensible" @@ -3228,7 +3301,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "us, and if we part them it’s more" - like sacrilege than anything I know.” - Here the voice of Miss Bartlett was heard saying -- "that a crowd had begun to collect.\n\nMr." +- that a crowd had begun to collect. +- Mr. - "Eager, who suffered from an over-fluent" - "tongue rather than a resolute will," - was determined to make himself heard. @@ -3274,7 +3348,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - It is hard when a person you have classed - as typically British speaks out of his character. - "“He was not driving us well,” she said." -- "“He jolted us.”\n\n“That I deny." +- “He jolted us.” +- “That I deny. - It was as restful as sleeping. - Aha! - he is jolting us now. @@ -3282,7 +3357,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He would like to throw us out, and most" - certainly he is justified. - And if I were superstitious I’d be -- "frightened of the girl,\ntoo." +- "frightened of the girl," +- too. - It doesn’t do to injure young people. - Have you ever heard of Lorenzo de Medici?” - Miss Lavish bristled. @@ -3290,13 +3366,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Do you refer to Lorenzo il Magnifico," - "or to Lorenzo, Duke of Urbino, or" - to Lorenzo surnamed Lorenzino on account -- "of his diminutive stature?”\n\n“The Lord knows." +- of his diminutive stature?” +- “The Lord knows. - "Possibly he does know, for I refer to" - Lorenzo the poet. - He wrote a line—so I heard yesterday—which - "runs like this: ‘Don’t go fighting against" - the Spring.’” -- Mr. Eager could not resist the opportunity for +- Mr. +- Eager could not resist the opportunity for - erudition. - "“Non fate guerra al Maggio,” he" - murmured. @@ -3406,7 +3484,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - got separated from the girls. - "Miss Lucy, you are to go." - We wish to converse on high topics unsuited -- "for your ear.”\n\nThe girl was stubborn." +- for your ear.” +- The girl was stubborn. - As her time at Florence drew to its close she - was only at ease amongst those to whom she felt - indifferent. @@ -3463,7 +3542,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The miscreant, a bony young man" - "scorched black by the sun, rose to" - greet her with the courtesy of a host and -- "the assurance of a relative.\n\n“Dove?”" +- the assurance of a relative. +- “Dove?” - "said Lucy, after much anxious thought." - His face lit up. - Of course he knew where. @@ -3476,14 +3556,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - More seemed necessary. - What was the Italian for “clergyman”? - “Dove buoni uomini?” -- "said she at last.\n\nGood?" +- said she at last. +- Good? - Scarcely the adjective for those noble beings! - He showed her his cigar. - "“Uno—piu—piccolo,” was" - "her next remark, implying “Has the cigar been" - given to you by Mr. - "Beebe, the smaller of the two good" -- "men?”\n\nShe was correct as usual." +- men?” +- She was correct as usual. - "He tied the horse to a tree, kicked it" - "to make it stay quiet, dusted the carriage" - ", arranged his hair, remoulded his hat" @@ -3518,7 +3600,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "He was occupied in his cigar, and in holding" - back the pliant boughs. - She was rejoicing in her escape from dullness -- ". Not a step, not a twig, was" +- "." +- "Not a step, not a twig, was" - "unimportant to her.\n\n“What is that?”" - "There was a voice in the wood, in the" - distance behind them. The voice of Mr. @@ -3535,7 +3618,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Light and beauty enveloped her. - "She had fallen on to a little open terrace," - which was covered with violets from end to -- "end.\n\n“Courage!”" +- end. +- “Courage!” - "cried her companion, now standing some six feet" - "above.\n“Courage and love.”" - She did not answer. @@ -3602,7 +3686,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “The signorino will walk.” - “All the way? - "He will be hours,” said Mr." -- "Beebe.\n\n“Apparently." +- Beebe. +- “Apparently. - I told him it was unwise.” - He would look no one in the face; perhaps - defeat was particularly mortifying for him. @@ -3621,7 +3706,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "The thoughts of a cab-driver, however just," - seldom affect the lives of his employers. - He was the most competent of Miss Bartlett’s -- "opponents,\nbut infinitely the least dangerous." +- "opponents," +- but infinitely the least dangerous. - "Once back in the town, he and his insight" - and his knowledge would trouble English ladies no more. - "Of course, it was most unpleasant; she had" @@ -3676,7 +3762,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “George!” cried Mr. Emerson. - “Ask your driver which way George went. - The boy may lose his way. -- "He may be killed.”\n\n“Go, Mr." +- He may be killed.” +- "“Go, Mr." - "Eager,” said Miss Bartlett, “" - don’t ask our driver; our driver is no - help. Go and support poor Mr. @@ -3687,9 +3774,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Typical behaviour,” said the chaplain," - as he quitted the carriage. - “In the presence of reality that kind of person invariably -- "breaks down.”\n\n“What does he know?”" +- breaks down.” +- “What does he know?” - whispered Lucy as soon as they were alone -- ".\n“Charlotte, how much does Mr." +- "." +- "“Charlotte, how much does Mr." - Eager know?” - "“Nothing, dearest; he knows nothing." - But—” she pointed at the driver—“ @@ -3706,7 +3795,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "." - As well this ending to his day as any. - "But Lucy, a mortal maid, was disappointed in" -- "him.\n\nThere was an explosion up the road." +- him. +- There was an explosion up the road. - The storm had struck the overhead wire of the - "tramline, and one of the great supports had" - fallen. @@ -3717,7 +3807,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "which fructify every hour of life, burst" - forth in tumult. - They descended from the carriages; they embraced each -- other. It was as joyful to be forgiven past +- other. +- It was as joyful to be forgiven past - unworthinesses as to forgive them. - For a moment they realized vast possibilities of good. - The older people recovered quickly. @@ -3742,11 +3833,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "than you know, far worse." - "Once by the river—Oh, but he" - "isn’t killed—he wouldn’t be killed," -- "would he?”\n\nThe thought disturbed her repentance." +- would he?” +- The thought disturbed her repentance. - "As a matter of fact, the storm was worst" - along the road; but she had been near danger - ", and so she thought it must be near to" -- "everyone.\n\n“I trust not." +- everyone. +- “I trust not. - One would always pray against that.” - “He is really—I think he was taken by surprise - ", just as I was before." @@ -3801,7 +3894,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - myself. - I shan’t again be troubled by things that - "come out of nothing, and mean I don’t" -- "know what.”\n\nMiss Alan asked her to play." +- know what.” +- Miss Alan asked her to play. - She refused vehemently. - Music seemed to her the employment of a child. - "She sat close to her cousin, who, with" @@ -3827,7 +3921,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - It had not occurred to her that she would have - to do anything. - A detailed exhibition of her emotions was all that she -- "had counted upon.\n\n“What is to be done?" +- had counted upon. +- “What is to be done? - "A point, dearest, which you alone can" - settle.” - "The rain was streaming down the black windows, and" @@ -3959,7 +4054,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - not liking to say that she had given notice already - "." - “She will make us pay for a whole week’s -- "pension.”\n\n“I expect she will." +- pension.” +- “I expect she will. - "However, we shall be much more comfortable at the" - Vyses’ hotel. - Isn’t afternoon tea given there for nothing?” @@ -4011,7 +4107,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Charlotte dear, what do you mean?" - As if I have anything to forgive!” - "“You have a great deal, and I have a" -- "very great deal to forgive myself,\ntoo." +- "very great deal to forgive myself," +- too. - I know well how much I vex you at every - "turn.”\n\n“But no—”" - "Miss Bartlett assumed her favourite role, that of" @@ -4036,7 +4133,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“You mustn’t say these things,” said Lucy" - softly. - She still clung to the hope that she and -- "Charlotte loved each other,\nheart and soul." +- "Charlotte loved each other," +- heart and soul. - They continued to pack in silence. - "“I have been a failure,” said Miss Bartlett" - ", as she struggled with the straps of Lucy’s" @@ -4242,11 +4340,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Freddy, you must come." - There they still are!” - “I don’t see you ought to go peeping -- "like that.”\n\n“Peeping like that!" +- like that.” +- “Peeping like that! - Can’t I look out of my own window?” - "But she returned to the writing-table, observing," - "as she passed her son, “Still page" -- "322?” Freddy snorted, and turned over two" +- 322?” +- "Freddy snorted, and turned over two" - leaves. - For a brief space they were silent. - "Close by, beyond the curtains, the gentle" @@ -4322,7 +4422,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Mr. Beebe?” - "said his mother, trying to conceal her interest." - “I don’t see how Mr. -- "Beebe comes in.”\n\n“You know Mr." +- Beebe comes in.” +- “You know Mr. - "Beebe’s funny way, when you never" - quite know what he means. - "He said: ‘Mr." @@ -4429,13 +4530,15 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", he remained in the grip of a certain devil" - whom the modern world knows as self-consciousness - ", and whom the medieval, with dimmer vision" -- ",\nworshipped as asceticism." +- "," +- worshipped as asceticism. - "A Gothic statue implies celibacy, just as a" - "Greek statue implies fruition, and perhaps this was what" - Mr. Beebe meant. - "And Freddy, who ignored history and art, perhaps" - meant the same when he failed to imagine Cecil -- "wearing another fellow’s cap.\n\nMrs." +- wearing another fellow’s cap. +- Mrs. - Honeychurch left her letter on the writing table - and moved towards her young acquaintance. - "“Oh, Cecil!”" @@ -4615,16 +4718,19 @@ input_file: tests/inputs/text/room_with_a_view.txt - "taken together, they kindled the room into the" - life that he desired. - “I’ve come for tea and for gossip. -- "Isn’t this news?”\n\n“News?" +- Isn’t this news?” +- “News? - "I don’t understand you,” said Cecil." -- "“News?”\n\nMr." +- “News?” +- Mr. - "Beebe, whose news was of a very" - "different nature, prattled forward." - “I met Sir Harry Otway as I came up - ; I have every reason to hope that I am - first in the field. - He has bought Cissie and Albert from Mr -- ". Flack!”\n\n“Has he indeed?”" +- ". Flack!”" +- “Has he indeed?” - "said Cecil, trying to recover himself." - Into what a grotesque mistake had he fallen! - Was it likely that a clergyman and a gentleman @@ -4678,7 +4784,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I daren’t face the healthy person—for example - ", Freddy Honeychurch.”" - "“Oh, Freddy’s a good sort, isn’t" -- "he?”\n\n“Admirable." +- he?” +- “Admirable. - The sort who has made England what she is.” - Cecil wondered at himself. - "Why, on this day of all others, was" @@ -4718,7 +4825,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“She has none,” said the young man, with" - grave sincerity. - “I quite agree. At present she has none.” -- "“At present?”\n\n“I’m not cynical." +- “At present?” +- “I’m not cynical. - I’m only thinking of my pet theory about Miss - Honeychurch. - Does it seem reasonable that she should play so wonderfully @@ -4726,7 +4834,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - I suspect that one day she will be wonderful in - both. - The water-tight compartments in her will break down -- ",\nand music and life will mingle." +- "," +- and music and life will mingle. - "Then we shall have her heroically good," - "heroically bad—too heroic, perhaps, to" - be good or bad.” @@ -4757,9 +4866,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Picture number two: the string breaks.”" - "The sketch was in his diary, but it had" - "been made afterwards, when he viewed things artistically" -- ". At the time he had given surreptitious" +- "." +- At the time he had given surreptitious - tugs to the string himself. -- "“But the string never broke?”\n\n“No." +- “But the string never broke?” +- “No. - I mightn’t have seen Miss Honeychurch rise - ", but I should certainly have heard Miss Bartlett" - fall.” @@ -4780,7 +4891,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “I am sorry; I must apologize. - "I had no idea you were intimate with her," - or I should never have talked in this -- "flippant, superficial way.\nMr." +- "flippant, superficial way." +- Mr. - "Vyse, you ought to have stopped me.”" - And down the garden he saw Lucy herself; yes - ", he was disappointed." @@ -4797,7 +4909,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I am sorry I have given you a shock,”" - he said dryly. - “I fear that Lucy’s choice does not meet with -- "your approval.”\n\n“Not that." +- your approval.” +- “Not that. - But you ought to have stopped me. - I know Miss Honeychurch only a little as time - goes. @@ -4805,7 +4918,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - freely with any one; certainly not with you - ".”" - “You are conscious of having said something indiscreet -- "?”\n\nMr. Beebe pulled himself together." +- "?”" +- Mr. Beebe pulled himself together. - "Really, Mr." - Vyse had the art of placing one in the - most tiresome positions. @@ -4847,7 +4961,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I am always supposed to do, but generally" - I’m too shy. - I want to invoke every kind of blessing on them -- ",\ngrave and gay, great and small." +- "," +- "grave and gay, great and small." - I want them all their lives to be supremely - "good and supremely happy as husband and wife," - as father and mother. @@ -4973,7 +5088,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Inglese Italianato.” - “Inglese Italianato?” - “E un diavolo incarnato! -- "You know the proverb?”\n\nShe did not." +- You know the proverb?” +- She did not. - Nor did it seem applicable to a young man who - had spent a quiet winter in Rome with his mother - ". But Cecil, since his engagement," @@ -4993,7 +5109,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - or whether we are fenced out by the barriers of - others?” - "She thought a moment, and agreed that it did" -- "make a difference.\n\n“Difference?” cried Mrs." +- make a difference. +- “Difference?” cried Mrs. - "Honeychurch, suddenly alert." - “I don’t see any difference. - "Fences are fences, especially when they are in" @@ -5077,7 +5194,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “You’ll blow my head off! - Whatever is there to shout over? - I forbid you and Cecil to hate any more -- "clergymen.”\n\nHe smiled." +- clergymen.” +- He smiled. - There was indeed something rather incongruous in - Lucy’s moral outburst over Mr. - Eager. @@ -5141,7 +5259,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "yonder mountain height," - What pleasure lives in height (the shepherd sang). - In height and in the splendour of the -- "hills?’\n\n\nLet us take Mrs." +- hills?’ +- Let us take Mrs. - Honeychurch’s advice and hate - clergymen no more. - What’s this place?” @@ -5171,7 +5290,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "on the garden gates, but appeared a second time" - "on the porches, where they followed the" - semicircular curve of the entrance arch in block -- "capitals. “Albert”\nwas inhabited." +- capitals. “Albert” +- was inhabited. - His tortured garden was bright with geraniums and - lobelias and polished shells. - His little windows were chastely swathed in Nottingham @@ -5187,9 +5307,11 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Summer Street will never be the same again.” - "As the carriage passed, “Cissie’s" - "” door opened, and a gentleman came out of" -- "her.\n\n“Stop!” cried Mrs." +- her. +- “Stop!” cried Mrs. - "Honeychurch, touching the coachman with her" -- "parasol.\n“Here’s Sir Harry." +- parasol. +- “Here’s Sir Harry. - Now we shall know. - "Sir Harry, pull those things down at once!”" - Sir Harry Otway—who need not be described— @@ -5230,7 +5352,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - he liked to relieve the façade by a bit - of decoration. - "Sir Harry hinted that a column, if possible," -- "should be structural as well as decorative.\n\nMr." +- should be structural as well as decorative. +- Mr. - Flack replied that all the columns had been ordered - ", adding, “and all the capitals different—one" - "with dragons in the foliage, another approaching to the" @@ -5263,7 +5386,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“You ought to find a tenant at once,” he" - said maliciously. - “It would be a perfect paradise for a bank clerk -- ".”\n\n“Exactly!” said Sir Harry excitedly." +- ".”" +- “Exactly!” said Sir Harry excitedly. - "“That is exactly what I fear, Mr." - Vyse. - It will attract the wrong type of people. @@ -5345,7 +5469,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Then may I write to my Misses Alan - "?”\n\n“Please!”" - But his eye wavered when Mrs. -- "Honeychurch exclaimed:\n\n“Beware!" +- "Honeychurch exclaimed:" +- “Beware! - They are certain to have canaries. - "Sir Harry, beware of canaries: they spit" - the seed out through the bars of the cages and @@ -5361,7 +5486,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - they somehow keep it to themselves. - It doesn’t spread so. - "Give me a man—of course, provided" -- "he’s clean.”\n\nSir Harry blushed." +- he’s clean.” +- Sir Harry blushed. - Neither he nor Cecil enjoyed these open compliments to their - sex. - Even the exclusion of the dirty did not leave them @@ -5375,7 +5501,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Domestic arrangements always attracted her, especially when they" - were on a small scale. - Cecil pulled Lucy back as she followed her -- "mother.\n\n“Mrs." +- mother. +- “Mrs. - "Honeychurch,” he said, “what if" - we two walk home and leave you?” - “Certainly!” was her cordial reply. @@ -5404,7 +5531,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“All that you say is quite true,” said Lucy" - ", though she felt discouraged." - “I wonder whether—whether it matters so very much -- ".”\n\n“It matters supremely." +- ".”" +- “It matters supremely. - Sir Harry is the essence of that garden-party. - "Oh, goodness, how cross I feel!" - How I do hope he’ll get some vulgar tenant @@ -5428,7 +5556,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "some time, and that they had always got on" - "pleasantly, except, perhaps," - "during the last few days, which was an accident" -- ", perhaps.\n\n“Which way shall we go?”" +- ", perhaps." +- “Which way shall we go?” - she asked him. - "Nature—simplest of topics, she thought—" - was around them. @@ -5443,7 +5572,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Lucy, that you always say the road?" - Do you know that you have never once been with - me in the fields or the wood since we were -- "engaged?”\n\n“Haven’t I?" +- engaged?” +- “Haven’t I? - "The wood, then,” said Lucy, startled at" - "his queerness, but pretty sure that he would" - explain later; it was not his habit to leave @@ -5453,8 +5583,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - gone a dozen yards. - “I had got an idea—I dare say wrongly—that - you feel more at home with me in a room -- ".”\n\n“A room?”" -- "she echoed, hopelessly bewildered.\n\n“Yes." +- ".”" +- “A room?” +- "she echoed, hopelessly bewildered." +- “Yes. - "Or, at the most, in a garden," - or on a road. - Never in the real country like this.” @@ -5467,7 +5599,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - view. - Why shouldn’t you connect me with a room?” - "She reflected a moment, and then said, laughing" -- ":\n\n“Do you know that you’re right?" +- ":" +- “Do you know that you’re right? - I do. - I must be a poetess after all. - When I think of you it’s always as in @@ -5525,7 +5658,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Who found you out?” - "“Charlotte,” she murmured." - "“She was stopping with us.\nCharlotte—Charlotte.”" -- "“Poor girl!”\n\nShe smiled gravely." +- “Poor girl!” +- She smiled gravely. - "A certain scheme, from which hitherto he" - "had shrunk, now appeared practical." - “Lucy!” @@ -5557,7 +5691,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - he could recoil. - "As he touched her, his gold pince-" - nez became dislodged and was flattened between them -- ".\n\nSuch was the embrace." +- "." +- Such was the embrace. - "He considered, with truth, that it had been" - a failure. Passion should believe itself irresistible. - It should forget civility and consideration and all the @@ -5703,7 +5838,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - but’-ing and ‘and’-ing - "." - And poor Lucy—serve her right—worn -- "to a shadow.”\n\nMr." +- to a shadow.” +- Mr. - Beebe watched the shadow springing and shouting - over the tennis-court. - Cecil was absent—one did not play @@ -5738,7 +5874,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - the shins with the racquet—get her - over the shins!” - "Lucy fell, the Beautiful White Devil rolled from" -- "her hand.\n\nMr." +- her hand. +- Mr. - "Beebe picked it up, and said:" - “The name of this ball is Vittoria - "Corombona, please.”" @@ -5792,7 +5929,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - be another muddle!” Mrs. - Honeychurch exclaimed. - "“Do you notice, Lucy, I’m always" -- right? I _said_ don’t interfere with +- right? +- I _said_ don’t interfere with - Cissie Villa. I’m always right. - I’m quite uneasy at being always right so often - ".”" @@ -5800,7 +5938,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Freddy doesn’t even know the name of - the people he pretends have taken it instead.” - "“Yes, I do. I’ve got it." -- "Emerson.”\n\n“What name?”\n\n“Emerson." +- "Emerson.”\n\n“What name?”" +- “Emerson. - I’ll bet you anything you like.” - "“What a weathercock Sir Harry is,” said Lucy" - quietly. @@ -5812,8 +5951,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - niece that _that_ was the proper way - to behave if any little thing went wrong. - Meanwhile the name of the new tenants had diverted Mrs -- ". Honeychurch from the contemplation of her own" -- "abilities.\n\n“Emerson, Freddy?" +- "." +- Honeychurch from the contemplation of her own +- abilities. +- "“Emerson, Freddy?" - Do you know what Emersons they are?” - “I don’t know whether they’re any Emersons - ",” retorted Freddy, who was democratic." @@ -5829,7 +5970,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - ", and it’s affectation to pretend there" - isn’t.” - "“Emerson’s a common enough name,” Lucy" -- "remarked.\n\nShe was gazing sideways." +- remarked. +- She was gazing sideways. - "Seated on a promontory herself, she" - could see the pine-clad promontories descending - one beyond another into the Weald. @@ -5844,7 +5986,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - they’re friends of Cecil; so”— - elaborate irony—“you and the other - country families will be able to call in perfect safety -- ".”\n\n“_Cecil?" +- ".”" +- “_Cecil? - _” exclaimed Lucy. - "“Don’t be rude, dear,” said his" - mother placidly. @@ -5887,7 +6030,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "For our part we liked them, didn’t we" - "?” He appealed to Lucy." - “There was a great scene over some violets -- ". They picked violets and filled all the" +- "." +- They picked violets and filled all the - vases in the room of these very Miss - Alans who have failed to come to - Cissie Villa. Poor little ladies! @@ -5914,7 +6058,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - cetera. - Our special joy was the father—such a sentimental - "darling, and people declared he had murdered his" -- "wife.”\n\nIn his normal state Mr." +- wife.” +- In his normal state Mr. - "Beebe would never have repeated such gossip," - but he was trying to shelter Lucy in her little - trouble. @@ -5982,7 +6127,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - You’ll forgive me when you hear it all.” - "He looked very attractive when his face was bright," - and he dispelled her ridiculous forebodings at -- "once.\n\n“I have heard,” she said." +- once. +- "“I have heard,” she said." - “Freddy has told us. - Naughty Cecil! - I suppose I must forgive you. @@ -5994,7 +6140,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - But you oughtn’t to tease one so.” - “Friends of mine?” he laughed. - "“But, Lucy, the whole joke is to come" -- "!\nCome here.”" +- "!" +- Come here.” - But she remained standing where she was. - “Do you know where I met these desirable tenants - "?" @@ -6020,7 +6167,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Cecil! - "No, it’s not fair." - I’ve probably met them before—” -- "He bore her down.\n\n“Perfectly fair." +- He bore her down. +- “Perfectly fair. - Anything is fair that punishes a snob. - That old man will do the neighbourhood a world of - good. @@ -6045,7 +6193,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "You call it scoring off Sir Harry, but do" - you realize that it is all at my expense? - I consider it most disloyal of you.” -- "She left him.\n\n“Temper!”" +- She left him. +- “Temper!” - "he thought, raising his eyebrows." - "No, it was worse than temper—" - snobbishness. @@ -6110,11 +6259,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - "At last she longed for attention, as a" - "woman should," - and looked up to him because he was a man -- ".\n\n“So you do love me, little thing?”" +- "." +- "“So you do love me, little thing?”" - he murmured. - "“Oh, Cecil, I do, I do!" - I don’t know what I should do without you -- ".”\n\nSeveral days passed." +- ".”" +- Several days passed. - Then she had a letter from Miss Bartlett. - A coolness had sprung up between the two cousins - ", and they had not corresponded since they parted" @@ -6129,7 +6280,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "have tried a sweeter temper than Lucy’s," - "and once, in the Baths of Caracalla" - ", they had doubted whether they could continue their tour" -- ". Lucy had said she would join the Vyses" +- "." +- Lucy had said she would join the Vyses - —Mrs. - "Vyse was an acquaintance of her mother, so" - there was no impropriety in the plan and @@ -6172,7 +6324,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Your anxious and loving cousin," - “CHARLOTTE.” - "Lucy was much annoyed, and replied as follows" -- ":\n\n“BEAUCHAMP MANSIONS," +- ":" +- "“BEAUCHAMP MANSIONS," - "S.W.\n\n\n\n\n“DEAR CHARLOTTE," - “Many thanks for your warning. When Mr. - "Emerson forgot himself on the mountain, you made" @@ -6322,7 +6475,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - but Mrs. - Vyse thought it kind to go herself. - She found the girl sitting upright with her hand on -- "her cheek.\n\n“I am so sorry, Mrs." +- her cheek. +- "“I am so sorry, Mrs." - Vyse—it is these dreams.” - "“Bad dreams?”\n\n“Just dreams.”" - "The elder lady smiled and kissed her, saying very" @@ -6385,7 +6539,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Um—um—Schopenhauer, Nietzsche," - and so we go on. - "Well, I suppose your generation knows its own business" -- ", Honeychurch.”\n\n“Mr." +- ", Honeychurch.”" +- “Mr. - "Beebe, look at that,” said Freddy" - in awestruck tones. - "On the cornice of the wardrobe, the hand" @@ -6398,7 +6553,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “Surely you agree?” - But Freddy was his mother’s son and felt that - one ought not to go on spoiling the furniture -- ".\n\n“Pictures!”" +- "." +- “Pictures!” - "the clergyman continued, scrambling about the room." - "“Giotto—they got that at Florence," - I’ll be bound.” @@ -6417,7 +6573,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "I am, but it’ll be very different now" - ", mother thinks." - She will read all kinds of books.” -- "“So will you.”\n\n“Only medical books." +- “So will you.” +- “Only medical books. - Not books that you can talk about afterwards. - "Cecil is teaching Lucy Italian, and he" - says her playing is wonderful. @@ -6426,7 +6583,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “What on earth are those people doing upstairs? - Emerson—we think we’ll come another time.” - George ran down-stairs and pushed them into the -- "room without speaking.\n\n“Let me introduce Mr." +- room without speaking. +- “Let me introduce Mr. - "Honeychurch, a neighbour.”" - Then Freddy hurled one of the thunderbolts - of youth. @@ -6452,7 +6610,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - And yet you will tell me that the sexes are - equal.” - "“I tell you that they shall be,” said Mr" -- ". Emerson, who had been slowly descending the stairs" +- "." +- "Emerson, who had been slowly descending the stairs" - ". “Good afternoon, Mr. Beebe." - "I tell you they shall be comrades, and George" - thinks the same.” @@ -6462,7 +6621,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Emerson, still descending, “which you place" - "in the past, is really yet to come." - We shall enter it when we no longer despise -- "our bodies.”\n\nMr." +- our bodies.” +- Mr. - Beebe disclaimed placing the Garden of Eden - anywhere. - “In this—not in other things—we men are ahead @@ -6481,13 +6641,16 @@ input_file: tests/inputs/text/room_with_a_view.txt - It is our heritage.” - “Let me introduce Mr. - "Honeychurch, whose sister you will remember at" -- "Florence.”\n\n“How do you do?" +- Florence.” +- “How do you do? - "Very glad to see you, and that you are" - taking George for a bathe. - Very glad to hear that your sister is going to -- "marry.\nMarriage is a duty." +- marry. +- Marriage is a duty. - "I am sure that she will be happy, for" -- "we know Mr.\nVyse, too." +- we know Mr. +- "Vyse, too." - He has been most kind. - "He met us by chance in the National Gallery," - and arranged everything about this delightful house. @@ -6596,7 +6759,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“It is Fate that I am here,” persisted George" - "." - “But you can call it Italy if it makes you -- "less unhappy.”\n\nMr." +- less unhappy.” +- Mr. - Beebe slid away from such heavy treatment of - the subject. - "But he was infinitely tolerant of the young, and" @@ -6743,7 +6907,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Away they twinkled into the trees, Freddy with" - "a clerical waistcoat under his arm, George" - with a wide-awake hat on his dripping -- "hair.\n\n“That’ll do!” shouted Mr." +- hair. +- “That’ll do!” shouted Mr. - "Beebe, remembering that after all he was" - in his own parish. - Then his voice changed as if every pine-tree was @@ -6753,7 +6918,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Yells, and widening circles over the" - dappled earth. - “Hi! hi! _Ladies! -- "_”\n\nNeither George nor Freddy was truly refined." +- _” +- Neither George nor Freddy was truly refined. - "Still, they did not hear Mr." - Beebe’s last warning or they would have - "avoided Mrs. Honeychurch," @@ -6782,7 +6948,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Mr. Beebe’s waistcoat—” - "No business of ours, said Cecil, glancing" - "at Lucy, who was all parasol and evidently" -- "“minded.”\n\n“I fancy Mr." +- “minded.” +- “I fancy Mr. - Beebe jumped back into the pond.” - "“This way, please, Mrs." - "Honeychurch, this way.”" @@ -6829,10 +6996,12 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh for goodness’ sake, do come.”" - “Hullo!” - "cried George, so that again the ladies stopped" -- ".\n\nHe regarded himself as dressed." +- "." +- He regarded himself as dressed. - "Barefoot, bare-chested, radiant and" - "personable against the shadowy woods, he called" -- ":\n\n“Hullo, Miss Honeychurch!" +- ":" +- "“Hullo, Miss Honeychurch!" - Hullo!” - "“Bow, Lucy; better bow." - Whoever is it? I shall bow.” @@ -6945,7 +7114,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Butterworth yourself!” - “Not in that way. - At times I could wring her neck. -- "But not in that way.\nNo." +- But not in that way. +- No. - It is the same with Cecil all over.” - “By-the-by—I never told you. - I had a letter from Charlotte while I was away @@ -7038,7 +7208,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - to Sunday tennis.” - "“Oh, I wouldn’t do that, Freddy," - I wouldn’t do that with all this muddle -- ".”\n\n“What’s wrong with the court?" +- ".”" +- “What’s wrong with the court? - "They won’t mind a bump or two, and" - I’ve ordered new balls.” - “I meant _it’s_ better not. @@ -7141,8 +7312,10 @@ input_file: tests/inputs/text/room_with_a_view.txt - be nothing to her that a man had kissed her - on a mountain once. - But it had begotten a spectral family—Mr -- ". Harris, Miss Bartlett’s letter, Mr" -- ". Beebe’s memories of violets—and" +- "." +- "Harris, Miss Bartlett’s letter, Mr" +- "." +- Beebe’s memories of violets—and - one or other of these was bound to haunt her - before Cecil’s very eyes. - "It was Miss Bartlett who returned now, and" @@ -7177,7 +7350,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “It’s impossible. - We can’t have Charlotte on the top of the - other things; we’re squeezed to death as it -- "is. Freddy’s got a friend coming Tuesday," +- is. +- "Freddy’s got a friend coming Tuesday," - "there’s Cecil, and you’ve promised to take" - in Minnie Beebe because of the - diphtheria scare. @@ -7197,7 +7371,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - but it really isn’t fair on the maids - "to fill up the house so.”\n\nAlas!" - "“The truth is, dear, you don’t like" -- "Charlotte.”\n\n“No, I don’t." +- Charlotte.” +- "“No, I don’t." - And no more does Cecil. - She gets on our nerves. - "You haven’t seen her lately, and don’t" @@ -7230,7 +7405,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“I know, dear." - "She is kind to everyone, and yet Lucy makes" - this difficulty when we try to give her some little -- "return.”\n\nBut Lucy hardened her heart." +- return.” +- But Lucy hardened her heart. - It was no good being kind to Miss Bartlett - "." - She had tried herself too often and too recently. @@ -7326,7 +7502,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - She was anxious to show that she was not shy - "," - and was glad that he did not seem shy either -- ".\n\n“A nice fellow,” said Mr." +- "." +- "“A nice fellow,” said Mr." - Beebe afterwards “He will work off his - crudities in time. - I rather mistrust young men who slip into life @@ -7334,7 +7511,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Lucy said, “He seems in better spirits" - ". He laughs more.”" - "“Yes,” replied the clergyman." -- "“He is waking up.”\n\nThat was all." +- “He is waking up.” +- That was all. - "But, as the week wore on, more of" - "her defences fell, and she entertained an image" - that had physical beauty. @@ -7416,7 +7594,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "Miss Bartlett, who was poor at figures," - "became bewildered and rendered up the sovereign," - amidst the suppressed gurgles of the -- "other youths.\nFor a moment Cecil was happy." +- other youths. +- For a moment Cecil was happy. - He was playing at nonsense among his peers. - "Then he glanced at Lucy, in whose face petty" - anxieties had marred the smiles. @@ -7468,7 +7647,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - then could have bitten her tongue for understanding so quickly - what her cousin meant. - “Let me see—a sovereign’s worth of silver -- ".”\n\nShe escaped into the kitchen." +- ".”" +- She escaped into the kitchen. - Miss Bartlett’s sudden transitions were too uncanny - "." - It sometimes seemed as if she planned every word she @@ -7493,7 +7673,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "“Oh, no, Charlotte,” said the girl," - entering the battle. - "“George Emerson is all right, and what other" -- "source is there?”\n\nMiss Bartlett considered." +- source is there?” +- Miss Bartlett considered. - "“For instance, the driver." - "I saw him looking through the bushes at you," - remember he had a violet between his teeth.” @@ -7533,7 +7714,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - You will never forgive me.” - "“Shall we go out, then." - They will smash all the china if we don’t -- ".”\n\nFor the air rang with the shrieks of" +- ".”" +- For the air rang with the shrieks of - "Minnie, who was being scalped with a" - teaspoon. - "“Dear, one moment—we may not have this" @@ -7541,7 +7723,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - Have you seen the young one yet?” - "“Yes, I have.”\n\n“What happened?”" - “We met at the Rectory.” -- "“What line is he taking up?”\n\n“No line." +- “What line is he taking up?” +- “No line. - "He talked about Italy, like any other person." - It is really all right. - "What advantage would he get from being a cad," @@ -7550,7 +7733,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - way. - "He really won’t be any nuisance, Charlotte.”" - "“Once a cad, always a cad." -- "That is my poor opinion.”\n\nLucy paused." +- That is my poor opinion.” +- Lucy paused. - “Cecil said one day—and I thought - it so profound—that there are two kinds of - cads—the conscious and the subconscious.” @@ -7582,7 +7766,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - He is a clerk in the General Manager’s office - at one of the big railways—not a porter! - and runs down to his father for week-ends -- ". Papa was to do with journalism, but is" +- "." +- "Papa was to do with journalism, but is" - rheumatic and has retired. There! - Now for the garden.” - She took hold of her guest by the arm. @@ -7624,7 +7809,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “The men say they won’t go”—“Well - ", I don’t blame them”—Minnie says" - ", “need she go?”—“Tell her" -- ",\nno nonsense”—“Anne! Mary!" +- "," +- no nonsense”—“Anne! Mary! - "Hook me behind!”—“Dearest Lucia," - may I trespass upon you for a pin?” - For Miss Bartlett had announced that she at all @@ -7697,11 +7883,13 @@ input_file: tests/inputs/text/room_with_a_view.txt - That book’s all warped. - "(Gracious, how plain you look!)" - Put it under the Atlas to press. -- "Minnie!”\n\n“Oh, Mrs." +- Minnie!” +- "“Oh, Mrs." - Honeychurch—” from the upper regions. - "“Minnie, don’t be late." - Here comes the horse”—it was always the horse -- ",\nnever the carriage. “Where’s Charlotte?" +- "," +- never the carriage. “Where’s Charlotte? - Run up and hurry her. - Why is she so long? - She had nothing to do. @@ -7904,7 +8092,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - “The old man hasn’t been told; I knew - it was all right.” Mrs. - "Honeychurch followed her, and they drove away" -- ".\n\nSatisfactory that Mr." +- "." +- Satisfactory that Mr. - Emerson had not been told of the Florence - escapade; yet Lucy’s spirits should not - have leapt up as if she had sighted @@ -7937,7 +8126,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "She greeted Cecil with unusual radiance, because she" - felt so safe. - "As he helped her out of the carriage, she" -- "said:\n\n“The Emersons have been so nice." +- "said:" +- “The Emersons have been so nice. - George Emerson has improved enormously.” - “How are my protégés?” - "asked Cecil, who took no real interest in" @@ -7959,7 +8149,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - "as often happened, Cecil had paid no great attention" - to her remarks. - "Charm, not argument, was to be her" -- "forte.\n\nLunch was a cheerful meal." +- forte. +- Lunch was a cheerful meal. - Generally Lucy was depressed at meals. - Some one had to be soothed—either - Cecil or Miss Bartlett or a Being @@ -8031,7 +8222,8 @@ input_file: tests/inputs/text/room_with_a_view.txt - at www.gutenberg.org/license. - Section 1. - General Terms of Use and Redistributing Project Gutenberg -- "-tm electronic works\n\n1.A." +- "-tm electronic works" +- 1.A. - By reading or using any part of this Project Gutenberg - 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